May 22, 2026 • 45 mins
This week on Current Stuff, Bobby and Eddie dive into actors who launched music careers after discussing an artist canceling a tour and whether fans buy tickets for the music or just to see a celebrity. They also break down some of the most misunderstood songs ever, including “Every Breath You Take” and “Born in the U.S.A.” Plus, Bobby shares why he recently had to apologize to a celebrity and talks about traveling with his baby for the first time this weekend.
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Episode Transcript
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Speaker 1 (00:11):
Hey, guys, welcome to the episode. It's Bobby and Eddie
today and I got a few things we're going to
talk about.
Speaker 2 (00:16):
We're going to start with.
Speaker 1 (00:18):
An artist announcing that were canceling their tour, not because
of mental health, not because of physical illness, but because
they sold well no tickets, and that was refreshing. We'll
talk about that, and then also songs that people are
confused by the meaning of. Not so much lyrics that
we misunderstand, but mostly when you hear a song, you
(00:39):
think it means this, but it means something else. So
we're about to do an hour on this. Eddie, welcome
back to the show.
Speaker 2 (00:45):
Yeah. Thanks.
Speaker 1 (00:46):
We're gonna start with KEI for Sutherland announcing I'm canceling
the tour. Yeah, and it's because of He even said
very low tickets.
Speaker 2 (00:53):
He didn't have to say that.
Speaker 1 (00:55):
I thought that too. I did find it refreshing that
he actually said why he canceled, But I did think
him saying very low was punching himself in the face
of a few too many times.
Speaker 2 (01:07):
Did you know that there's a name for this for
when you canceled because of low ticket sales?
Speaker 1 (01:13):
We talked about it on this episode on this show.
Speaker 2 (01:16):
What what's what's what's the name? Blue ticket? Blue ticket?
Speaker 1 (01:19):
Yeah, yeah, but blue dot fever, Blue dot fever, that's
what it is. Yeah, we talked about it. And the
reason you weren't on that episode. I was with the
Hunt Brothers.
Speaker 2 (01:27):
No got it.
Speaker 1 (01:28):
And so the reason is, if you go and you
look at the unsold tickets, it's all blue dots because
those are still the available seats. So you can go
to a show that's selling really well, there will still
be blue dots.
Speaker 2 (01:40):
But just a few.
Speaker 1 (01:41):
But yeah, too many blue dots.
Speaker 2 (01:44):
So keep for Sutherland. His band is no idea. The
twenty four Boys blues ish like I feel like when
we when I when we lived in Austin, I feel
like maybe I went to a show where I was
invited to a show, and I think maybe a little
bit of research, but I don't really remember. I feel
like it's rock ish, right.
Speaker 1 (02:03):
I would imagine it's some kind of guitar based kind
of country kind of rock, because it's that's what I
think about Billy Bob Thornton too. Yeah, the box Masters, Okay, yeah,
like what does that even?
Speaker 2 (02:16):
Yeah? I mean and there's that was an interesting band
because they like would dress up like they were in
the fifties. He's still playing music though, who Billy Bull
Thornton is. Yeah, there's still a thing.
Speaker 1 (02:25):
I don't know if it's the box Masters, Oh okay,
but he's still doing music.
Speaker 2 (02:28):
Yeah, I mean I like it when they do. Dennis Quaid,
Dennis Quid and the Sharks, he had a little career.
Speaker 1 (02:34):
Who would buy tickets to that though? And I was
thinking of this with Keefer Sutherland because he announced a
tour and I admire how open and honest he was
about it, because there are a lot of artists where
we live in Nashville that cancel shows and blame it
on everything but ticket sales. Because that's almost you admitting, ah, man,
(02:56):
I'm not as popular as I hoped, and that sucks
and that hurts. But who would buy tickets to a
Keyfer Sutherland concert.
Speaker 2 (03:03):
The only time I've ever thought about doing that is
because of to see them live, to see that person
in live in person. So like Tom Hanks, love Tom Hanks,
one of my favorite actors. If he had a band,
I'd go see them just to see Tom Hanks.
Speaker 1 (03:23):
But is it worth it to spend sixty bucks on
a ticket and have to watch them for an hour.
Speaker 2 (03:28):
Yeah, probably not.
Speaker 1 (03:29):
And you know what, they're probably pretty good, right because
a lot of these actors we know them as acting,
but had they pursued an artist's career, they probably would
have been at least semi successful because those are very
like things like there are actors who are really good
singers and Hathaways a really good singer. Ryan Gosling was
on Mickey mouse Club, really good singer. Justin Timberlake good actor.
Speaker 2 (03:52):
So it's the arts.
Speaker 1 (03:53):
All those go together. But I was just thinking, one
shout out Keeper Sutherland for being honest, and then two,
who are the eleven people that are disappointed because they're
not getting to go to a key fer Southerland concert?
Speaker 2 (04:04):
The ones that bought it in pre sale too.
Speaker 1 (04:07):
I did see people in comments going I was so
excited about seeing the show. So is it only to
see a celebrity?
Speaker 2 (04:13):
I think so. I think that that's a big part
because they're not the hits, Like you don't know, I
don't they don't have any hits. They don't have any hits.
I mean when I saw Dennis Quaid, which I did
go see Quay of the Sharks, they were all covers.
Speaker 1 (04:24):
Mainly that's what you do. I mean, watch a celebrity
play covers.
Speaker 2 (04:28):
Yeah, and it was fun. He played a lot of Elvis,
you know, like Beach Boys stuff, and that's fine, old
rock and roll stuff.
Speaker 1 (04:34):
It should be called Dennis Quaid in the covers and
it's all covers. Yeah, all these celebrities doing these bands,
their band should always be called the covers, So we
know it's going to be all cover songs. But I
think a lot of them, like Billy Bob Thornton, I
think he does kind of take himself seriously as an artist.
Speaker 2 (04:49):
He does.
Speaker 1 (04:50):
Can they make it? And they're probably good, But no,
I can't imagine there's any music like people that love
music and for the sake of music going to show man.
Speaker 2 (05:01):
I got hired by the box Masters to do, uh
did you know this, to like produce a DVD Billy
Bob in the box Masters or just a box Billy
Bob and the box Masters. And they were playing a
show at Stubbs Barbecue, and I was the producer of
the whole thing. And so we had delivered all the
equipment to the venue and it was early, you know,
like two o'clock, and I told the whole all the
(05:23):
crew to like just dump everything in the middle and
then we'll sort it. We'll sort everything once everything's onloaded
from the trucks, cameras, tripods, wires, all of it. And
so everything was in the middle of the venue and
Billy Bob shows up in a tank top spent like
straight like what you would think tattoos so and hair's
all messed up, like who put this damn stuff in
the middle of my venue? And I was like, oh
(05:45):
my gosh, that's that's me, mister Thornton. Who took you?
Who hell told you could put all this stuff in
the middle of my vent? And I got so scared.
He goes, man, I'm just messing with you, man, and
he picked up where do you want it? I'll help
you move it.
Speaker 1 (05:56):
That was him messing with you.
Speaker 2 (05:57):
He scared me so bad. I was like, oh, oh
my gosh, I'm pissing the.
Speaker 1 (06:01):
Talent off, yelling at the unknown documentary producer. Yes, I
just don't think there's a single actor I would go
to watch a music show from if I didn't know
them from music. There are actors who are really good
and who have made careers. Jared Leto. Sure, And that
was weird at very first too, because you're like, Okay,
Jared Leedo's got.
Speaker 2 (06:21):
A band, but the bank's really good.
Speaker 1 (06:22):
But you didn't know that until they had a hit,
because I'm sure these other bands are really good too
because they have a lot of money they can pay
great players.
Speaker 2 (06:28):
Yeah, they're surrounded by talent for sure.
Speaker 1 (06:31):
So it's like thirty seconds to mars that's Shared Leto's band,
and you're like, okay, he's an actor. Is this like
a vanity project? And it ended up being really good
because they had hits?
Speaker 2 (06:40):
And is that his brother too that he plays with?
Speaker 1 (06:43):
It is like con Ol Reeves had dog Starr, but
he wasn't the singer. He was the bass player.
Speaker 2 (06:49):
Oh really, I didn't know that.
Speaker 1 (06:50):
I'm almost positive that's what he was unless he was
the bass player and the singer. I know he played
the bass.
Speaker 2 (06:54):
But but that's like van Halen, right, where like the
Star is the guitarist.
Speaker 1 (06:59):
No, because van Halen is all music.
Speaker 2 (07:01):
Yeah yeah, I know. What I'm saying is like, yes,
you're just the basis, but you're Keanu Reeves. Yeah.
Speaker 1 (07:06):
People are going just to see Keanu Reeves and Dogstar
might have been pretty good. I don't know. I just
remember that he had a band, and I always thought
he was super cool.
Speaker 2 (07:13):
Johnny Depp, he has a band.
Speaker 1 (07:16):
The Pirates of the Caribbean, the Hollywood.
Speaker 2 (07:21):
Kevin Coosnder I believe had a band.
Speaker 1 (07:24):
I think he does that thing too. It's just like
Max Crosby raps.
Speaker 2 (07:31):
Does he oh yeah? Does he tour? Does he play shows?
Speaker 1 (07:34):
No, because he's an NFL player and he's got to
constantly train. Yeah, but he wraps and he's pretty good.
But when it first starts, you're like, all right, I'm
gonna cringe. And he's pretty good. But it's just they
get bored.
Speaker 2 (07:45):
And the rich is that Lillard too, like Dame doesn't
he's good? He's good, right, Yeah, he's good.
Speaker 1 (07:51):
So anyway, big shout out to Keep for Southerlin for
announcing that it was low ticket sales, and then to
me for going who would even buy those few tickets?
And to you for saying it's probably just people that
wanted to see the guy from twenty four in the flesh.
Next up, I have songs that are confusing because they
don't actually mean what people think they mean. And so
(08:12):
I made a list of these. I believe I have
eight or nine, and I'm gonna start with the police.
Every breath you take? Which that song how it sounds.
It's a slow song or it sounds like a love song.
I mean, people think that that as a wedding song
or a slow dance song or I Will Always Love
You type of song. But when you listen to it,
(08:33):
it's really about a creep watching, yeah, stalking you. It's
a creepy, creepy song. The narrator, the singer isn't loving.
He's watching and fantasizing and constantly and every and the
more you know that and you hear the words of
(08:54):
the song, the creepier it is. Because it's not like
I'm watching you through the window. It's every breath you take, Yeah,
everywhere you go, every step you make, I'll be watching you.
Speaker 2 (09:05):
Dang dude.
Speaker 1 (09:07):
It's not like I drive by your house and your
cars out front and it looks like you're home. I
really wish we could be together. It's every freaking breath
you take.
Speaker 2 (09:16):
It's intense.
Speaker 1 (09:17):
But because the melody is calm and the song is
pretty and Sting is a wonderful singer, it sounds like
a love song. Yeah, and sometimes people don't even listen
past a hook.
Speaker 2 (09:28):
No, I couldn't even tell you what the verses.
Speaker 1 (09:30):
Say because the verses are really what makes it creepy.
Speaker 2 (09:35):
Oh so it gets worse than the verse.
Speaker 1 (09:36):
Well, the hook is what really pounds it. But if
you just hear the hook, you think it's a love song.
Speaker 2 (09:39):
And the verses like yeah, I'm breaking in your house
now to do bad stuff.
Speaker 1 (09:44):
The vibe of this song completely overrides the meaning of
the song.
Speaker 2 (09:47):
So around the same idea. Have you ever listened to
Crash into Me? Dave Matthews, ma'am, yes, is it on
your list?
Speaker 1 (09:56):
It is not on my list. But that's like a
creep song too, super like.
Speaker 2 (10:00):
Watching you, watching through the window. He's imagining everything that
they can.
Speaker 1 (10:07):
Do, or a voyeuristic I've heard him talking about that interviews,
Like people feel like that's a super love song, but
it's very voyeuristic, like creep song, like I'm watching you
and want you.
Speaker 2 (10:15):
And it's crazy because when you watch the live stuff,
you know, there's like thousands of girls just singing every
word of that song.
Speaker 1 (10:22):
Well, I think about how many people have a first
dance at a wedding to the police, every breath you
take it's right or you know, some kind of slow
dance love song with somebody. Number two is Born in
the USA from Bruce Springsteen. I thought this for a
long time too.
Speaker 2 (10:37):
Now.
Speaker 1 (10:37):
This song came out when I was a child, and
I just thought it was a song about freaking red,
white and blue, yes, like patriotism. It's actually about a
broken system. It's an angry song and it's a bitter
story about a broken system, which is the version of
the United States that he's singing about. Wow, which is
Born in the USA. It's a protest song.
Speaker 2 (10:58):
Yeah.
Speaker 1 (10:58):
And so if you look at the actual story of
the song, because the song isn't specifically about just a story,
it's broader, but there is a story in it. It's
about a working guy that's sent to Vietnam and then
he comes home and he's abandoned by his country because
he has no job, no help, no future.
Speaker 2 (11:16):
Dang.
Speaker 1 (11:17):
And that's what it is.
Speaker 2 (11:18):
Is that what the movie is about too, Because I
think there's a movie right called Born in the USA
with Tom Cruise on the movie.
Speaker 1 (11:24):
I've seen Cool Runnings. I've not seen Born in the USA.
Speaker 2 (11:27):
Oh. Born on the fourth of July. I guess a
different song, not the same title, but same concept. You
know it is.
Speaker 1 (11:33):
Yeah, yeah, I've never seen porn. On fourth of July,
I saw Independence today, Will Smith, that's.
Speaker 2 (11:37):
A great breaking Aliens.
Speaker 1 (11:40):
The whole part of this song is that the chorus
again is large and channable, and because it's so channible
Born in the US, you kind of don't listen to
the rest. And if you were to say, sing it
back from the first verse, I don't know that I could.
Speaker 2 (11:53):
Do you know the first line?
Speaker 1 (11:54):
Small town in the US say no.
Speaker 2 (11:59):
Till dog? Is that not it?
Speaker 1 (12:02):
Do you know the first line? I don't from memory?
Speaker 2 (12:05):
Nope.
Speaker 1 (12:05):
And I think it's one of those songs that if
it started I can probably sing along with it. But
I know it's like the production is so triumphant that
it also fits that, Hey, we're America, we rule.
Speaker 2 (12:16):
That's right. It's just like you pound your fist to it,
like you said.
Speaker 1 (12:18):
And also you latch onto the title born in the USA, right,
not the verses? What's the first line? Born down in
a dead man's town, Born.
Speaker 2 (12:27):
Down in a dead Man's down.
Speaker 1 (12:29):
With a boom boom, the chorus screams pride the verses
I guess scream I got screwed.
Speaker 2 (12:36):
Yeah wow.
Speaker 1 (12:38):
So I think this may be one of the most
misinterpreted songs ever. Yeah, because I spent most of my
life misinterpreting it. And I still see people playing it
in patriotic situations.
Speaker 2 (12:48):
Oh yeah, even when there's like a firework display and
turn your dial to whatever station they're playing. Born in
the USA.
Speaker 1 (12:57):
My next song is fosh for the people Pumped Up.
Speaker 2 (13:01):
Kicks, Oh wow.
Speaker 1 (13:02):
And I was in pop radio. I think I was
even an alternative radio doing a little double dose. And
I didn't know the meaning of the song. And I'm
not somebody who searches out the meeting for all the
songs anyway, But I just thought it was a cool,
cool vibe.
Speaker 2 (13:18):
Chill. Uh, give me a little bit of it. Oh
the pumped up Yeah, that's it.
Speaker 1 (13:27):
I was so Born in the USA. In my head
it was for We're Still Pumped Up Kicks, and it
felt like so Indie. The production of it was so
INDI it felt like it was kids, like a chill
Indie vibe. But it's the perspective of a kid thinking
about violence, like shooting, like shooting up school. Yeah, I
(13:47):
mean the song is you're inside the head of an angry,
isolated kid who's looking for revenge.
Speaker 2 (13:55):
Wow.
Speaker 1 (13:55):
And once you realize it, because again I didn't I
don't hear song, it starts the meaning immediately. I just
try to sing along with born and yeah. Yeah, once
you go and you like read all the lyrics of
the song, it starts to feel. It starts feel sad,
like real sad, because you know, there are a lot
of people feel in this way, and with some of
them they actually go through with it, and people lose
(14:17):
their lives and some of them they feel this way
and luckily people get to them in time. But it's reality.
Speaker 2 (14:24):
Yeah, the groove is.
Speaker 1 (14:28):
Playful and light.
Speaker 2 (14:29):
It is And I wonder what the the you know,
the the process is when they're write this or when
they record it, Like does everyone know that it's Does
the whole band know that it's a sad song about
this or do they find out when they start hearing
the lyrics of like wait.
Speaker 1 (14:45):
A second, Yeah, I guess it depends on the the
power of who gets to write the songs in the end.
Speaker 2 (14:50):
Right, And then you think, like, Okay, this is such
a serious topic and a sad topic. Do we do
sad serious music behind it, and it's like, no, they
went completely opposite.
Speaker 1 (15:01):
I mean even the chorus is better run, better run
faster than my bullet.
Speaker 2 (15:05):
I know, and I never realized it said.
Speaker 1 (15:07):
That it is dark storytelling, but again the vibe kind
of cancels out, cancels it out because it feels like
it's independent, easy listening. Yeah, so that makes the list.
Next up is third Eye Blind semi charm.
Speaker 2 (15:20):
Life that I can't think of anything. Is it sad too?
Speaker 1 (15:25):
What do you think the song is about?
Speaker 2 (15:26):
To have no clue, dude.
Speaker 1 (15:29):
It is the happiest song. Yeah, everything about this song
makes me feel good.
Speaker 2 (15:36):
I'm trying to pick out lyrics in.
Speaker 1 (15:37):
It until I lay down in it and you go, oh,
this song is about addiction. Oh so it's a ninety
song the do Do Do Anything with Doo Doo do is?
It's all happy, Yes, and it's addiction, specifically meth and
the crash after the high no way, and also because
he sings them so fast, the words he don't really. Yeah,
(16:00):
it's about chasing a high, losing control. The emptiness that
follows the song is chaotic on purpose. It's so chaotic
that maybe you don't really understand the chaos inside of it,
much like drugs.
Speaker 2 (16:11):
That's crazy. I don't even think I can listen to
it again and think it's sad.
Speaker 1 (16:14):
They literally say crystal meth in the song. You really
I never caught that well because he goes and so
because of the tempo, the upbeat vibe. Even the music
videos like them driving over Hills on Funds.
Speaker 2 (16:31):
You remember the video. I know, I don't remember the video.
Speaker 1 (16:32):
And so a lot of the nonsensical phrasing feels like
the whole song should be about something nonsensical.
Speaker 2 (16:39):
And the video has nothing to do with drugs.
Speaker 1 (16:42):
I haven't seen the video in a long time, but
I remember them, just like driving over hills and stuff.
Speaker 2 (16:46):
That's crazy. Man. It's crazy that you have a topic
on something and then you just take it completely the
opposite direction musically and even visually. If the video doesn't
even address it.
Speaker 1 (16:59):
I think you probably believe if you have a hit,
you just want the song to live as a hit. Wow,
and let them understand the me Like if you create
a chorus that's so good in your record label, you're like,
I'm not trying to change society. Yeah, we want this
thing to be played by every radio station. Heck, if
they know it's about addiction, maybe they don't play it
at all. We don't want the conversation to be aby
that my guys just made a hit.
Speaker 2 (17:16):
We want to catchy song.
Speaker 1 (17:18):
Let's see, let's read some lyrics here. And also there's
a part that's like she goes around, she goes down
on me. Oh, that's this, and I make her smile
like a drug for you. Do ever what you want
to do? Coming home with you?
Speaker 2 (17:31):
Yeah, I mean that sounds like fun.
Speaker 1 (17:33):
Let me see the crystal meth line here. The sky
was gold, it was rose. I was taking SIPs of
it through my nose.
Speaker 2 (17:39):
Wow.
Speaker 1 (17:40):
I wish I could get back there, someplace, back there
doing crystal Methy'll lift you up until you break. It
won't stop, I won't come down. I keep stock a
TikTok rhythm, a bump for the drop. So it's all
it's all drugs. Wow, that's crazy, man, I'm truly shocked.
Speaker 2 (17:59):
I had no idea.
Speaker 1 (18:00):
By the time you figured it out, you're like, wow, crazy.
Speaker 2 (18:08):
Semi charmed kind of life called simtrom life, semicharm life,
they may say symmetron kind of life in the song,
but I think it's called Simatron Life next up hinder
Lips of an Angel, No clue.
Speaker 1 (18:20):
Do you know the song Hear your Name sinema him'
through the Lips of an Angel. Yes, So it feels
like an emotional love song. The title is that of
an emotional love.
Speaker 2 (18:34):
Song, Lips of an Angel? How can we make this bad?
Speaker 1 (18:38):
It's not really a traditional positive love song. It's about
a guy actively cheating and enjoying it. Oh okay, So
he's on the phone with an X. It's really good
to hear your voice say my name sound So it's
that right, And so he's on the phone with an
ex reminiscing his current girl is in the other room.
(19:00):
My girls in the next room sometimes, I right, And
he's not conflicted enough to even hang up. He just
wants to.
Speaker 2 (19:09):
Talk to his ex. Dang, that's savage.
Speaker 1 (19:12):
So it sounds emotional and heartfelt. I guess it is,
but just to the eg Yeah, the chorus is big
and romantic, and people focus on the feeling. There's really
no situational awareness of the song. So, yeah, my girls
in the next.
Speaker 2 (19:27):
Room and she has no idea in the whole song.
Speaker 1 (19:30):
I don't I don't unless there's like a secret verse.
Speaker 2 (19:32):
There's Norridge Bridge that puts it all together.
Speaker 1 (19:34):
She just walked in, she found me talking to you.
Speaker 2 (19:38):
I'm in trouble.
Speaker 1 (19:40):
It's basically cheating. But this guy's is a love ballad.
Speaker 3 (19:45):
Okay, we interrupt this interview to bring you a message
from our sponsor.
Speaker 1 (19:52):
This is the Bobby Cast. Next up, You are My Sunshine,
the nursery wren. Yeah, the lullaby, the lullaby? Yeah, how's
that bad? Will you?
Speaker 2 (20:02):
Guys?
Speaker 1 (20:02):
See that's public domain.
Speaker 2 (20:04):
You are my Sunshine, my only sunshine.
Speaker 1 (20:07):
Before we legally can sing it.
Speaker 2 (20:09):
Oh, oh, that's what you're checking. Yeah it is.
Speaker 1 (20:11):
It is not so we can't sing that's it. But
it's a sad song about losing someone. Really the verses,
there are many verses that people don't sing because mostly
we just sing the first verse.
Speaker 2 (20:23):
They're so bad.
Speaker 1 (20:24):
We are about fear and abandonment and heartbreak, and so
we really only sing the happy chorus. It kind of
was repurposed as a kid's song. So would you like
to hear? I would love to hear These verses also interesting,
We don't sing the other verses of the national anthem either.
There are other verses there are, I think so, so.
Speaker 2 (20:43):
The song would really be like a ten minute song.
Speaker 1 (20:44):
Yeah, so you are my sunshine. Second verse, here you go.
I'll always love you and make you happy if you
will only stay the same. But if you leave me
to love another, you'll regret it all someday.
Speaker 2 (20:59):
Oh is that a threat? Dude?
Speaker 1 (21:02):
That's like the police the guy, Yeah, the same. That's weird. Huh,
that is weird. You are My Sunshine full song? Okay,
you know I think of Johnny Cash sing it too.
Speaker 2 (21:17):
Did he sing the version of this version of it? Yeah?
Speaker 1 (21:20):
What Brandon? What was lying.
Speaker 2 (21:23):
A killer?
Speaker 1 (21:24):
It can't be that he can't kill her in the song?
Speaker 2 (21:27):
How do you even get back to that hook? If
you kill her? The USA?
Speaker 1 (21:33):
Okay, here we go. Uh. The other night, Deer, as
I lay sleeping, I dreamed I held you in my arms.
But when I woke here, I was mistaken, and I
hung my head and cried, you are my son shine.
Speaker 2 (21:45):
Okay, so she's dead.
Speaker 4 (21:48):
So you used to work with musicians on call?
Speaker 2 (21:50):
Uh huh?
Speaker 1 (21:51):
We should sing that song.
Speaker 4 (21:52):
And I and I realized what it would say, and
so I just looped that you are my Sunshine?
Speaker 2 (21:57):
Like four times and that was it. Ever sang the verses.
Speaker 4 (22:01):
I sing it a couple of times. It was like,
oh man, this is dark, like singing it to kids
with cancer.
Speaker 1 (22:08):
Yeah, you told me once, dear, you really love me,
no one else could come between. But now you've left
me and love another. You have shadowed all my dreams.
You are my sunshine.
Speaker 2 (22:17):
It's freaking dark. So she Yeah, so they were in love.
She was the sunshine.
Speaker 1 (22:24):
Please don't take my sunshine away.
Speaker 2 (22:27):
Oh, this is like Joe Leane that he's talking to
the dude right now.
Speaker 1 (22:31):
Man, we have completely rebranded this song.
Speaker 2 (22:34):
Seriously, seriously. I have a friend of mine that has
a little girl and he sings it to her all
the time. I don't know what she tell just sing
the hook.
Speaker 1 (22:42):
I don't think you should tell him.
Speaker 2 (22:43):
I should tell.
Speaker 1 (22:44):
Him certain white lies are okay.
Speaker 2 (22:46):
Do you know the rest of the song.
Speaker 1 (22:48):
Oh man, I'm a little shaken by that one.
Speaker 2 (22:49):
Yeah. Yeah.
Speaker 1 (22:50):
Number seven is Neon Moon from Brooks and dun Oh.
I like this, Yeah, Neil Moon. It's a slow dance song.
Speaker 2 (22:58):
Man, you get your best girl and you dance on
the dance floor with her because it's a very romantic song.
Speaker 1 (23:03):
Yeah, just spend those nights beneath the neon Moon's beautiful.
It's literally a very lonely isolation. Yeah, and we did
dance to it at our wedding, but it wasn't our
first song, right, we knew what the song was about, Like,
we listened to that song a lot, and I'm friends
with them Brooks and Dunn and so Ronnie the lead singer,
(23:26):
sang Neon Moon at our wedding, but he did not
sing that as our first dance.
Speaker 2 (23:30):
You even have a real neon Moon coming, We have it.
Speaker 1 (23:32):
In our house. That's so still the Neon Moon. So yeah,
that song is not romantic, and it's not just I
miss my ex. It's a guy who is stuck emotionally
frozen in a bar night after night, unable to move. Yeah,
he spends most every night beneath the light of the
neon moon that he's sitting at there. So it's the
(23:52):
same pain over and over again. You can't break the cycle.
And we danced to that at my wedding. Wow, it's
very smooth, it's very melodic. Oh yeah, it feels like
it feels like a love song.
Speaker 2 (24:01):
Still, like a very love song.
Speaker 1 (24:02):
Yes, we did dance to a love song. Though first song,
your first Oh do you do you know? You were there?
Speaker 2 (24:09):
Was it? Is it forever? Was that your your first dance?
Speaker 1 (24:13):
The first dance was forever?
Speaker 2 (24:16):
Now?
Speaker 1 (24:16):
Brian Wilson. Beach Boys were the original artists. That's not
the version that we fell in love with.
Speaker 2 (24:22):
Was it Brian or Dennis? Well?
Speaker 1 (24:24):
Brian sang it though I believed, Okay, we could fact
check that.
Speaker 2 (24:27):
What it was definitely a Beach Boys.
Speaker 1 (24:30):
And then we sang it the Jesse and the Rippers.
The version that we danced to was the Jesse and
the Ripper's version before House and Dan and Jay played
it for us.
Speaker 2 (24:38):
I mean, how cool is that?
Speaker 1 (24:40):
What do you see who sang that? Because that is
probably right if it's a Beach Boy things.
Speaker 2 (24:44):
Dennis, Yeah, Dennis rest in peace.
Speaker 1 (24:48):
Did Brian write it? I know he co wrote it
with his friend Greg Jacobson. Dennis did old. Dennis co
wrote it with Greg Man.
Speaker 2 (24:56):
Dennis was a good writer and that was kind of
the lot of the conversation later about the Beach Boys
is that he was a great artist himself.
Speaker 1 (25:02):
Was it a Beach Boys song?
Speaker 2 (25:03):
Yeah?
Speaker 1 (25:03):
Or was it a Dennis solo proze? Beach Boys song. Well,
Dennis and freaking Keifer Sutherlin could have gone on the
road together.
Speaker 2 (25:10):
Hey did Did the Beach Boys sing it with Jesse
and the Rippers in Full House? No?
Speaker 1 (25:15):
Okay, but maybe eventually they did in some because they
had this whole thing where the Beach Boys did come
on Full House for a while, so I remember that,
but no, Jesse played it at his wedding to Becky. Okay,
he sat down at the piano and played it.
Speaker 2 (25:27):
And then it's cool now full circle that you know,
Uncle Jesse plays with the Beach Boys when they tour.
Speaker 1 (25:33):
He did then too though for Full House, which is
why they were on the show.
Speaker 2 (25:35):
Amazing.
Speaker 1 (25:36):
He plays guitar with them now then he played drums.
Speaker 2 (25:38):
He plays. When I saw him, he was playing the drums.
Speaker 1 (25:41):
Yeah, he's very much upfront now now cool playing guitar.
He could also play some drums as well, but I'll
see on social media him playing guitar and sings.
Speaker 2 (25:48):
That's so cool.
Speaker 1 (25:49):
Whenever we finished, I mean, I guess we got back
from a honeymoon. Dan and Jay didn't record that song officially,
but they gave it us on a thumb drive, so
we have them. They did a studio version of that song,
which is super cool.
Speaker 2 (26:01):
So they went in the studio recorded the song, and
the only version of it is in your possession.
Speaker 1 (26:08):
Yeah, I'll sell it if you're watching, dude, that's.
Speaker 2 (26:11):
Like if they died, that'd be awesome. You released that
one song. No, no, no no, I just mean the
fact that was kind of weird too. It sounds bad,
It sounds bad. What I mean is you're the only
one that has that version. That's pretty cool. Yeah, it
was a pretty cool wedding gift for sure.
Speaker 1 (26:28):
We got back from a honeymoon and there was just
a wooden box with a bow on it, and I
didn't know what the box was and I opened and
it was a thumb drive and then I was scared
to put it in. Yeah, of course, I was just
gonna put a random thumb drive in.
Speaker 2 (26:39):
It's ransom.
Speaker 1 (26:40):
And then we got a text and so yeah, we
have that, which is pretty cool. Cool. So those are
I think seven songs that I found.
Speaker 2 (26:49):
That's that's good. I learned a lot today.
Speaker 1 (26:50):
That I think people confused. The ones that I really
born in the USA. Took me a long time. Yeah,
fostered the people pumped up cakes and then third. I blind.
I knew there were little references, but I didn't realize
the I had no idea.
Speaker 2 (27:01):
About that one. You are my sunshine mind blown?
Speaker 1 (27:04):
Did you see? They kind of did an expos and
oh's the mentalist and shared how he does his tricks. No,
any of you guys see that Mike died?
Speaker 2 (27:11):
Did you So?
Speaker 1 (27:12):
Pablo Torre does a really great podcast investigative journalists, even
in sports. He is the one that spent time on it,
and he brought on another guy and they talked about him.
So there was a clip that went viral. I'm Busting
with the Boys, Oh's the mentalist And if you're not familiar,
the guy comes in and goes, hmmm, here's your pin
code and he holds it up and everybody goes, oh
my god, did you do that?
Speaker 2 (27:34):
Did you do that?
Speaker 1 (27:35):
And so he's done a bunch of shows and he
was in with the guys from Busting with the Boys
and they're doing the bit and he's like, think of
a player, and so Will Compton's goes okay, got it,
and os goes Bryce Young and Will's like, yeah, oh no,
Bryce Hall and Will goes yeah, oh yeah, Brizell. He
goes yeah, yeah, yeah, yeah. So there's a little mess
(27:57):
up there, which is the clip that he shows. And
so it turns out, according to Pablotry, that before the
show started recording, Oh's handed Will Compton his phone. It's like, hey,
would you look up a stat for like the player
that what maybe it was even Will Compton's phone, like
(28:20):
he loaded up like a site that looked like Google.
So Will Compton typed in and misspelled. He tried to
type in Bryce Hall, but auto correct made it Bryce Hall.
So O's goes Bryce Hall, uh huh. So that gets told.
And then there was another when he went on the
(28:41):
view and he said, okay, I got your number on
your head and I got your pen number and she's like,
oh my god. And then she was talking about it
after she said, well, there was time we spent together
before we went on screen that we never talked about.
And so.
Speaker 2 (28:59):
It's this weird.
Speaker 1 (29:01):
I know, the guy's not magic, of course, there's some
trick to it, of course, and so you go, is
it weird that people are exposing him? But then Pablo's
explanation was the reason he felt like exposing him is
because O's apparently did a ted talk going this is
how mentalism works. You watch body language, you watch and
in reality.
Speaker 2 (29:21):
He's getting little tricks.
Speaker 1 (29:22):
Yeah, because if you're just out like exposing magicians. I
like that. That's funny. But I can get where people
would be upset about that.
Speaker 2 (29:28):
Yeah, I feel like you'd have to have a problem
with him.
Speaker 1 (29:30):
Like, right, that show on Fox back in the day,
I watch it on TikTok still today, where they got
wears the mask. It is like, this is how David
Copperfield flew across the Grand Canyon. Yeah, that show was awesome,
and at the end of all those episodes he revealed
his face.
Speaker 2 (29:42):
And as the magician, You're just like, dude, what the crap? Man, Like,
that's how I make a living.
Speaker 1 (29:47):
I remember watching that show as a kid, and I
remember that last episode coming on and they were saying,
we're gonna reveal who it's been the whole time, And
I thought it was going to be someone like Troy
Aikman or I thought it was going to be somebody
very fair, everybody famous that had insight in for Bill Clinton.
I don't know who. I thought it was going to be.
It's and then he he pulled off his mask and
(30:11):
it was some magician I never heard of before.
Speaker 2 (30:14):
It was just that's funny.
Speaker 1 (30:15):
Yeah, but I really because they had hyped up were
finally gonna reveal, meaning that the revelation of who it
was would have to mean something to me, and it didn't.
It was some guy. I'm sure, I'm sure he was
a real musician, but I thought it was gonna be
like Carlton from Fresh Prince or something. Yes, like that
was it, like he was on the inside. But that
show is awesome and it still comes across my my
(30:36):
TikTok sometimes and I watch it in clips. But that's
the story about Oh's now is that they're revealing his.
Speaker 2 (30:43):
Tactics, and that's that it's not what he has said
that it's yes, how he gets it.
Speaker 1 (30:48):
None of us thought it was magic. He even says
it's not magic. He's like, I'm just a mentalist. I
can read things about you, your eyes, your hands, but
in reality, according to Pablo Torri, there's a pre interview,
there's there are things that are happening, and that mess
up of the brief Young Bryce Young is what caused it.
Oh yeah, because it was just the auto correct they
(31:08):
caught it.
Speaker 2 (31:10):
I still like that stuff. Though, right, like mentalist magician stuff.
That's still fun to watch.
Speaker 1 (31:14):
Yeah, I agree, but I also want to know how
they do it. Yeah, like I'm not too good to
be like, let the guy do his thing. Like as
soon as that episode went up, I was all I
was just trying to figure it out.
Speaker 2 (31:22):
What's the best one you've done? Like best magic treat? Oh,
you're gonna do one? Now watch how did you do that?
Speaker 1 (31:32):
That's not my middle finger? Is my ring finger? By
the way, watching it for those just listening and not
watching on Netflix. I went into my pocket. Eddie thought
he was being surprised with magic, and I pull out
the finger.
Speaker 2 (31:42):
You ever seen the one where you levitate? You ever
seen that one?
Speaker 1 (31:46):
I've seen Chris Angel do it on television. I know
how to do it. No you don't, Yes, I do.
No you don't, Yes, I don't miss. It's not gonna
look good.
Speaker 2 (31:57):
Well, now that I told you, you're gonna be looking
for it, I would look for it anyway.
Speaker 1 (32:00):
Obviously you're doing something with your feet.
Speaker 2 (32:02):
No, I levitate in the air. Now, very stand up.
Here we go.
Speaker 1 (32:07):
Okay, he's standing up, he's walking off camera. Okay, let's
see what you got he's good. You turn it on him. Okay,
all right, right, we'll turn it on him.
Speaker 2 (32:16):
Hold one, magicians need to have Magicians need the.
Speaker 1 (32:19):
Angle though, Just okay, go, I got a table in
front of me.
Speaker 2 (32:25):
Go ahead.
Speaker 1 (32:26):
Yeah, it looks like you're leaning on your toes.
Speaker 2 (32:33):
To see it.
Speaker 1 (32:34):
What No, it looks like you were just leaning on
your toes. There's a table. There's a table in front
of me too, Okay, and you go go, oh, that dude,
that looks pretty good. That one looks pretty good because
I saw it from one side and that foot came
off the ground.
Speaker 2 (32:52):
Not do you want me to tell you how he
did it?
Speaker 1 (32:53):
I think you leaned on one foot. I did that
one looked pretty GOODNA, be honest with.
Speaker 2 (32:58):
You, and the key is to not go to hi.
You just want to make it like you're struggling, and
you made it about an inch and then you're like, oh,
I can't do it anymore.
Speaker 1 (33:05):
Color me impressed.
Speaker 2 (33:06):
Yes, my friend did that when we were in college
and it blew my mind, and I bought him a
case of ber to, So you can tell me how
he did it and it worked. Oh yeah, that's good.
Speaker 1 (33:19):
Well, we kind of know how os is doing some
of the stricks.
Speaker 3 (33:23):
Let's take a quick pause for a message from our sponsor.
Welcome back to the Bobby Cast.
Speaker 1 (33:30):
We forgot Brandon's birthday yesterday.
Speaker 2 (33:33):
Yeah, uh, did you get him anything? I did? Yeah,
I got him a hug when today.
Speaker 1 (33:40):
Well, I felt bad. It was the worst. And Brandon
is our close friend for a deco.
Speaker 2 (33:47):
I know.
Speaker 1 (33:47):
Also, it's here in the room. Brandon runs a lot
of this operation. And I hadn't been on my phone
for hours, baby, and I'm like, I need to catch
up on some Instagram story.
Speaker 2 (33:58):
Not calling me baby. You have a baby, baby, yes.
Speaker 1 (34:01):
And Brandon had reposted someone saying happy birthday to him,
and I was like, oh my god, all day, I
am a terrible and not only that, dude. We had
just been together for like two hours because it was
work because I did a one of these interviews with
Amy Grant that's coming up awesome. Brandon was right beside me.
Speaker 2 (34:20):
Yeah, Brandon, were you waiting all day? Oh? Okay?
Speaker 1 (34:24):
And I messaged him and I said, dude, I'm so sorry.
I can't believe that I had to basically see it
was your birthday on Instagram. I'm not on Facebook. Yeah,
Like I have a page Facebook, Facebook tells you his birthday.
I don't even think I follow Brandon on Facebook because
I don't in Facebook would tell me anybody's birthday.
Speaker 2 (34:44):
Yeah, but don't you specifically put the wrong birthday on Facebook.
Speaker 1 (34:47):
Yeah, that's for people that follow me, right, But I
don't have a Facebook page. I did that long time ago.
But I'll randomly get messages on my Facebook page on
like April six, Do you have a birthday? Face told you.
But yeah, and then I sent him a you know
how you can do the apple pey? Yeah, you send
him money, I said, from our whole family, And I
sent him one dollar apple pee.
Speaker 2 (35:08):
Oh that's nice, that's perfect. Yeah.
Speaker 1 (35:10):
I felt pretty bad though.
Speaker 2 (35:11):
Yeah, and then you texted me, and I texted Eddie
and I said, don't forget it's Brandon's birthday. And my
dad used to do this all the time for like
my mom or my someone in my family. Hey, don't
forget it's your sister's birthday. Today. I got one of
those from Bobby and I'm like, dude, thank you. And
as soon as I went to my phone to text Brandon,
it's said on the top, Siri reminds you it's Brandon's
probably no. Oh no, we're bad. Happy Birthday, Brandon.
Speaker 1 (35:39):
I sent it to him at seven fifty pm, like
the day's over, I know, and I said, it's your
freaking birthday today. Dang. He said, yeah. All I wanted
was Amy Grant making a joke because we had been
together for the last two hours Amy Grant, and then
I said, dang, happy birthday. Sorry I had to see
it on Instagram. That is friendship failure and that's on me.
And he said, thanks, man, you have a ten week
(36:00):
old baby. Don't apologize. And then I sent him from
our family to you one dollar.
Speaker 2 (36:04):
Happy birthday.
Speaker 1 (36:06):
Yeah, sorry about that, dude.
Speaker 4 (36:07):
It's all good man.
Speaker 2 (36:08):
You know. I asked Brandon before when I got here.
I was like, hey, so what did you do? And
He's like, I did nothing, like nothing.
Speaker 1 (36:15):
How'd you feel about doing nothing?
Speaker 2 (36:18):
So good?
Speaker 4 (36:18):
We've we've been without our AC for like six days
and my cars AC went out before that. I got
that fixed. The next day, our houses AC went out
and so it's been like eighty two degrees in our
house like all week. It's just been brutal. And so yesterday,
right when the podcast started with Amy Grant, my wife
(36:40):
texted me. She's like, Ace's fixed. It feels so good
in here.
Speaker 1 (36:43):
I was like, whoa happy birthday to me. Okay, we
didn't do that.
Speaker 2 (36:47):
We didn't do anything. Yeah, hey, this is what we
tell him, Brandon. We fixed it for you, man.
Speaker 1 (36:51):
Yeah, man, we we uh invoice us for that.
Speaker 2 (36:54):
Bill. I appreciate you, guys.
Speaker 1 (36:56):
I just I sent two apologies yesterday.
Speaker 2 (36:58):
Oh that was one one. Yeah.
Speaker 1 (37:00):
The other one was to Tracy Lawrence.
Speaker 2 (37:02):
Why'd you apologize?
Speaker 1 (37:03):
The country singer from the nineties? Just in case people
are wondering who that is a bunch of massive hits,
I sent him this text. Anybody was just thinking about
you saw some clips of your show because he does
a podcast from his bus. I've done it. It's at
his house. I said, super great to see how strong
the podcast is. I said, that was my original idea
for texting. But I'm also going to send an apology
(37:23):
because I never replied to that above text.
Speaker 2 (37:26):
Okay, So what happened here was you went into the
text to text him this, yeah, and then you saw
a text from how long ago?
Speaker 1 (37:37):
Uh, November fourteenth.
Speaker 2 (37:38):
Oh that's tough, and it was.
Speaker 1 (37:40):
About a charity Noel yep.
Speaker 2 (37:42):
So it's the turkey fry.
Speaker 1 (37:44):
Yeah, I'm going to read you the rest of what
I said. I said that was my original reason for texting,
but I'm also going to send an apology. The only
thing I can think of, and this doesn't count as
an excuse, is that my wife was going through brutal
pregnancy at that time, So I regret not seeing it
and prioritizing it, but that is still not an excuse.
I'm glad I was thinking about you and wanted a
message you or I'd never I'd never seen it. I
hope you are well.
Speaker 4 (38:04):
Did you send him a dollar?
Speaker 1 (38:05):
I did not. That had been great, I didn't.
Speaker 2 (38:09):
So so was it. Did he need help from for
his turkey friend?
Speaker 5 (38:12):
So?
Speaker 1 (38:12):
He said, I hate me for not responding because I
would have. Absolutely I would have sent money. Or It's
easy for me to say that, though, is why I'm saying.
It's weird for me to say I would have, but
that's easy to say after the fact. But he said, hey, friend, Tracy, here,
it's our twentieth anniversary. So we're gonna be at the
(38:35):
Nashville Fairgrounds cooking two thousand turkeys. I'd love for you
to stop by drop off a turkey, or come and
take some pictures to show your support. Anything you can
do would be greatly appreciated. And then he's sent some
details and dang, I know, I'm gonna have to double
up next year.
Speaker 2 (38:52):
You have to be there the whole time, fried turkeys everything.
Speaker 1 (38:55):
I have to raise turkeys for him. And so I
send him that text. I felt bad about it.
Speaker 2 (39:03):
I did you.
Speaker 1 (39:04):
I hope you can tell now like I feel like
sick about that. And he said, all good, my friend,
thank you for your kind words. Things are really good
in my world. Proud for all your success, Stay safe,
talk soon. Tracy sings a little bit, saying, yeah, it
is a two apology days.
Speaker 2 (39:19):
You know.
Speaker 1 (39:19):
I don't like really want apology days. Mostly I can
find a reason why I shouldn't apologize. I can like
do the little mental gymnastics and be.
Speaker 2 (39:26):
Like, no, it's their fault. And I don't even mean
to make this worse, but I'm pretty sure his refrigerator
went out and they lost a bunch of turkeys and
they had to scramble. Right. Does that sound familiar?
Speaker 1 (39:36):
It does now that you say that too.
Speaker 2 (39:39):
I don't need to rub it in, but dude, that
was a bad time.
Speaker 1 (39:42):
You know what, though, I think I tried to help
in that situation.
Speaker 2 (39:44):
Though, Okay, okay, you look back. Hold on, he's telling
me I sent the text.
Speaker 1 (39:49):
Okay, now I'm gonna call somebody. We'll do it right here,
because they call Morgan. Let's see here, I'm gonna put
her on speaker and she may not remember it. She
also may not answer. So that's my manager, Morgan. Hey,
so you're on camera right now, so just just so
(40:10):
you know, okay, okay, So remember last year when Tracy
Morgan's refrigeration went down to Sorry Lawrence, my bad, my bad,
my bad. Remember when Tracy Lawrence's refrigeration went out? Yes,
(40:31):
I did, okay, and then we jumped in. We tried
to help right like, but we were just late.
Speaker 5 (40:37):
We did. But by the time that I reached out
to his manager, they had already had like an outpour
of people coming and donating, so they no longer had
like a huge need.
Speaker 1 (40:49):
But we did try. Yes, we did go, Hey, we're in,
we'll help. Yes, absolutely, all right, just make it just
making sure, yeah, okay, I can feel young later on one.
I'm just a huge dwa and just I just I
just wanted to find something good about me, and that's
all I could think about. So, okay, thank you.
Speaker 5 (41:08):
I have so many questions.
Speaker 2 (41:09):
Are you text Tracy Vagulator? Hey, you know, I try
to help.
Speaker 4 (41:16):
I love that Tracy Morgan song time.
Speaker 1 (41:18):
No, Tracy Morgan, Tracy Lawrence, my bad, my bad. Okay,
So Brandon, I'm sorry, Tracy Lawrence, I'm sorry. Yes, and
he has a great podcast called I think It's Tracy's Roadhouse.
Speaker 2 (41:33):
And so he does it in his bus right out house.
Speaker 1 (41:35):
That's cool, which is cool. Final thing is that I'm
traveling with the baby for the first time today.
Speaker 2 (41:40):
Wow.
Speaker 1 (41:41):
So I just thought you grab it, put in your backpack,
get on a plane. No, who knew there were so
many things when you.
Speaker 2 (41:48):
Travel with the baby.
Speaker 1 (41:50):
Yeah. So we're we're taking like a practice stroller. No, no,
practice car seat. I don't think there wor practice is in.
Speaker 4 (42:00):
No.
Speaker 1 (42:01):
I think it's a trap, maybe like a travel car
seat that turns into a stroller. We've never used it before,
but we have it. Sounds cool, but yeah, but it's
like a thing to take. You have to take it,
you have to travel with it. We've taken It's so
much to move a baby.
Speaker 2 (42:14):
What are you doing for ears? Are you worried about ears?
Speaker 1 (42:18):
I'll just wear apod.
Speaker 2 (42:19):
No. You like, if the baby's ears pop on the plane,
what do you do? What do you do for that?
Speaker 1 (42:27):
I say, Hey, Caitlin, what's going on with the baby's ears?
Speaker 2 (42:31):
That's up for that?
Speaker 1 (42:33):
I don't know, Okay, I bet you Caitlyn has already.
Speaker 2 (42:35):
Look, I'm sure she's got it all covered.
Speaker 1 (42:37):
She is the one that has handled ninety seven percent
of all this. But I was packing up and I
had to leave some room in my suitcase to pack
some of the stuff for the baby. But it is
it is quite the experience to travel with the baby.
First time the baby's ever traveled.
Speaker 2 (42:49):
Though.
Speaker 1 (42:50):
We've gone to the park, we went to the restaurant,
a restaurant one time that was semi chaotic, a little
bit that was on me. But we're going to try
to airplane it up. And good luck, man, I'll be
praying for you.
Speaker 2 (43:02):
You fly with your kids ever, Yeah, when they were babies.
When they were babies, yeah, and they were all really
good flyers. I think only one of them had ear
popping problems. And you know, I remember we talked about somebody.
I don't know how it came up. But we talked
about on the show how somebody had brought everyone lollipops
around them, you know, like right as soon.
Speaker 1 (43:22):
As they got the baby crying, baby candy.
Speaker 2 (43:26):
Here are some candy. And I remember we did that
because one baby, one of our babies, did cry almost
the whole time. And it's tough. But man, once that happens, though,
you now know that when you get on a flight
and a baby's crying, you understand. You don't get mad,
you understand that the parents have no control, and it's
a it's a terrible feeling to just be like, I'm sorry,
(43:49):
I'm sorry, sorry, my baby won't stop crying. I thought
of like calling it a baby bucket. It's an invention.
It's like a bucket you put over the top.
Speaker 1 (43:57):
Of them, so if they cry, it limits the sound
going out. And it can even be.
Speaker 2 (44:02):
A two baby bucket.
Speaker 1 (44:05):
You just put it over, Yeah, you put over the
baby and so it's crying and it does muffle it
a bit. Yeah, And it can even be a two
person bucket if it needs to be. You lift up
the arm arrest and you put it over you and
the baby in some way. The baby doesn't feel alone
in the bucket. But is there not something to.
Speaker 2 (44:20):
That you might have something there the baby.
Speaker 1 (44:23):
I didn't put the baby in the buck We're not
carrying it around in the bucket.
Speaker 2 (44:25):
Other than the trauma.
Speaker 1 (44:26):
Is there light in the bucket or is it just
complete darkness? I haven't got that far along. I got
literally just invented this in my head. So wish me luck.
Speaker 2 (44:34):
Good luck man.
Speaker 1 (44:35):
All right, thank you everybody for watching, Thank you everybody
for listening. Hopefully we learned some stuff, we shared, we felt,
we apologized, and happy birthday, Tracy Lawrence. I'm sorry, Brandon.
Half birthday next year.
Speaker 2 (44:46):
We'll get ahead of it.
Speaker 1 (44:49):
Yes, happy birthday next year. All right, We will see
you guys later on this week.
Speaker 2 (44:53):
Bye, everybody.
Speaker 3 (44:54):
This has been a Bobby Cast production.
Hey, guys, welcome to the episode. It's Bobby and Eddie
today and I got a few things we're going to
talk about.
Speaker 2 (00:16):
We're going to start with.
Speaker 1 (00:18):
An artist announcing that were canceling their tour, not because
of mental health, not because of physical illness, but because
they sold well no tickets, and that was refreshing. We'll
talk about that, and then also songs that people are
confused by the meaning of. Not so much lyrics that
we misunderstand, but mostly when you hear a song, you
(00:39):
think it means this, but it means something else. So
we're about to do an hour on this. Eddie, welcome
back to the show.
Speaker 2 (00:45):
Yeah. Thanks.
Speaker 1 (00:46):
We're gonna start with KEI for Sutherland announcing I'm canceling
the tour. Yeah, and it's because of He even said
very low tickets.
Speaker 2 (00:53):
He didn't have to say that.
Speaker 1 (00:55):
I thought that too. I did find it refreshing that
he actually said why he canceled, But I did think
him saying very low was punching himself in the face
of a few too many times.
Speaker 2 (01:07):
Did you know that there's a name for this for
when you canceled because of low ticket sales?
Speaker 1 (01:13):
We talked about it on this episode on this show.
Speaker 2 (01:16):
What what's what's what's the name? Blue ticket? Blue ticket?
Speaker 1 (01:19):
Yeah, yeah, but blue dot fever, Blue dot fever, that's
what it is. Yeah, we talked about it. And the
reason you weren't on that episode. I was with the
Hunt Brothers.
Speaker 2 (01:27):
No got it.
Speaker 1 (01:28):
And so the reason is, if you go and you
look at the unsold tickets, it's all blue dots because
those are still the available seats. So you can go
to a show that's selling really well, there will still
be blue dots.
Speaker 2 (01:40):
But just a few.
Speaker 1 (01:41):
But yeah, too many blue dots.
Speaker 2 (01:44):
So keep for Sutherland. His band is no idea. The
twenty four Boys blues ish like I feel like when
we when I when we lived in Austin, I feel
like maybe I went to a show where I was
invited to a show, and I think maybe a little
bit of research, but I don't really remember. I feel
like it's rock ish, right.
Speaker 1 (02:03):
I would imagine it's some kind of guitar based kind
of country kind of rock, because it's that's what I
think about Billy Bob Thornton too. Yeah, the box Masters, Okay, yeah,
like what does that even?
Speaker 2 (02:16):
Yeah? I mean and there's that was an interesting band
because they like would dress up like they were in
the fifties. He's still playing music though, who Billy Bull
Thornton is. Yeah, there's still a thing.
Speaker 1 (02:25):
I don't know if it's the box Masters, Oh okay,
but he's still doing music.
Speaker 2 (02:28):
Yeah, I mean I like it when they do. Dennis Quaid,
Dennis Quid and the Sharks, he had a little career.
Speaker 1 (02:34):
Who would buy tickets to that though? And I was
thinking of this with Keefer Sutherland because he announced a
tour and I admire how open and honest he was
about it, because there are a lot of artists where
we live in Nashville that cancel shows and blame it
on everything but ticket sales. Because that's almost you admitting, ah, man,
(02:56):
I'm not as popular as I hoped, and that sucks
and that hurts. But who would buy tickets to a
Keyfer Sutherland concert.
Speaker 2 (03:03):
The only time I've ever thought about doing that is
because of to see them live, to see that person
in live in person. So like Tom Hanks, love Tom Hanks,
one of my favorite actors. If he had a band,
I'd go see them just to see Tom Hanks.
Speaker 1 (03:23):
But is it worth it to spend sixty bucks on
a ticket and have to watch them for an hour.
Speaker 2 (03:28):
Yeah, probably not.
Speaker 1 (03:29):
And you know what, they're probably pretty good, right because
a lot of these actors we know them as acting,
but had they pursued an artist's career, they probably would
have been at least semi successful because those are very
like things like there are actors who are really good
singers and Hathaways a really good singer. Ryan Gosling was
on Mickey mouse Club, really good singer. Justin Timberlake good actor.
Speaker 2 (03:52):
So it's the arts.
Speaker 1 (03:53):
All those go together. But I was just thinking, one
shout out Keeper Sutherland for being honest, and then two,
who are the eleven people that are disappointed because they're
not getting to go to a key fer Southerland concert?
Speaker 2 (04:04):
The ones that bought it in pre sale too.
Speaker 1 (04:07):
I did see people in comments going I was so
excited about seeing the show. So is it only to
see a celebrity?
Speaker 2 (04:13):
I think so. I think that that's a big part
because they're not the hits, Like you don't know, I
don't they don't have any hits. They don't have any hits.
I mean when I saw Dennis Quaid, which I did
go see Quay of the Sharks, they were all covers.
Speaker 1 (04:24):
Mainly that's what you do. I mean, watch a celebrity
play covers.
Speaker 2 (04:28):
Yeah, and it was fun. He played a lot of Elvis,
you know, like Beach Boys stuff, and that's fine, old
rock and roll stuff.
Speaker 1 (04:34):
It should be called Dennis Quaid in the covers and
it's all covers. Yeah, all these celebrities doing these bands,
their band should always be called the covers, So we
know it's going to be all cover songs. But I
think a lot of them, like Billy Bob Thornton, I
think he does kind of take himself seriously as an artist.
Speaker 2 (04:49):
He does.
Speaker 1 (04:50):
Can they make it? And they're probably good, But no,
I can't imagine there's any music like people that love
music and for the sake of music going to show man.
Speaker 2 (05:01):
I got hired by the box Masters to do, uh
did you know this, to like produce a DVD Billy
Bob in the box Masters or just a box Billy
Bob and the box Masters. And they were playing a
show at Stubbs Barbecue, and I was the producer of
the whole thing. And so we had delivered all the
equipment to the venue and it was early, you know,
like two o'clock, and I told the whole all the
(05:23):
crew to like just dump everything in the middle and
then we'll sort it. We'll sort everything once everything's onloaded
from the trucks, cameras, tripods, wires, all of it. And
so everything was in the middle of the venue and
Billy Bob shows up in a tank top spent like
straight like what you would think tattoos so and hair's
all messed up, like who put this damn stuff in
the middle of my venue? And I was like, oh
(05:45):
my gosh, that's that's me, mister Thornton. Who took you?
Who hell told you could put all this stuff in
the middle of my vent? And I got so scared.
He goes, man, I'm just messing with you, man, and
he picked up where do you want it? I'll help
you move it.
Speaker 1 (05:56):
That was him messing with you.
Speaker 2 (05:57):
He scared me so bad. I was like, oh, oh
my gosh, I'm pissing the.
Speaker 1 (06:01):
Talent off, yelling at the unknown documentary producer. Yes, I
just don't think there's a single actor I would go
to watch a music show from if I didn't know
them from music. There are actors who are really good
and who have made careers. Jared Leto. Sure, And that
was weird at very first too, because you're like, Okay,
Jared Leedo's got.
Speaker 2 (06:21):
A band, but the bank's really good.
Speaker 1 (06:22):
But you didn't know that until they had a hit,
because I'm sure these other bands are really good too
because they have a lot of money they can pay
great players.
Speaker 2 (06:28):
Yeah, they're surrounded by talent for sure.
Speaker 1 (06:31):
So it's like thirty seconds to mars that's Shared Leto's band,
and you're like, okay, he's an actor. Is this like
a vanity project? And it ended up being really good
because they had hits?
Speaker 2 (06:40):
And is that his brother too that he plays with?
Speaker 1 (06:43):
It is like con Ol Reeves had dog Starr, but
he wasn't the singer. He was the bass player.
Speaker 2 (06:49):
Oh really, I didn't know that.
Speaker 1 (06:50):
I'm almost positive that's what he was unless he was
the bass player and the singer. I know he played
the bass.
Speaker 2 (06:54):
But but that's like van Halen, right, where like the
Star is the guitarist.
Speaker 1 (06:59):
No, because van Halen is all music.
Speaker 2 (07:01):
Yeah yeah, I know. What I'm saying is like, yes,
you're just the basis, but you're Keanu Reeves. Yeah.
Speaker 1 (07:06):
People are going just to see Keanu Reeves and Dogstar
might have been pretty good. I don't know. I just
remember that he had a band, and I always thought
he was super cool.
Speaker 2 (07:13):
Johnny Depp, he has a band.
Speaker 1 (07:16):
The Pirates of the Caribbean, the Hollywood.
Speaker 2 (07:21):
Kevin Coosnder I believe had a band.
Speaker 1 (07:24):
I think he does that thing too. It's just like
Max Crosby raps.
Speaker 2 (07:31):
Does he oh yeah? Does he tour? Does he play shows?
Speaker 1 (07:34):
No, because he's an NFL player and he's got to
constantly train. Yeah, but he wraps and he's pretty good.
But when it first starts, you're like, all right, I'm
gonna cringe. And he's pretty good. But it's just they
get bored.
Speaker 2 (07:45):
And the rich is that Lillard too, like Dame doesn't
he's good? He's good, right, Yeah, he's good.
Speaker 1 (07:51):
So anyway, big shout out to Keep for Southerlin for
announcing that it was low ticket sales, and then to
me for going who would even buy those few tickets?
And to you for saying it's probably just people that
wanted to see the guy from twenty four in the flesh.
Next up, I have songs that are confusing because they
don't actually mean what people think they mean. And so
(08:12):
I made a list of these. I believe I have
eight or nine, and I'm gonna start with the police.
Every breath you take? Which that song how it sounds.
It's a slow song or it sounds like a love song.
I mean, people think that that as a wedding song
or a slow dance song or I Will Always Love
You type of song. But when you listen to it,
(08:33):
it's really about a creep watching, yeah, stalking you. It's
a creepy, creepy song. The narrator, the singer isn't loving.
He's watching and fantasizing and constantly and every and the
more you know that and you hear the words of
(08:54):
the song, the creepier it is. Because it's not like
I'm watching you through the window. It's every breath you take, Yeah,
everywhere you go, every step you make, I'll be watching you.
Speaker 2 (09:05):
Dang dude.
Speaker 1 (09:07):
It's not like I drive by your house and your
cars out front and it looks like you're home. I
really wish we could be together. It's every freaking breath
you take.
Speaker 2 (09:16):
It's intense.
Speaker 1 (09:17):
But because the melody is calm and the song is
pretty and Sting is a wonderful singer, it sounds like
a love song. Yeah, and sometimes people don't even listen
past a hook.
Speaker 2 (09:28):
No, I couldn't even tell you what the verses.
Speaker 1 (09:30):
Say because the verses are really what makes it creepy.
Speaker 2 (09:35):
Oh so it gets worse than the verse.
Speaker 1 (09:36):
Well, the hook is what really pounds it. But if
you just hear the hook, you think it's a love song.
Speaker 2 (09:39):
And the verses like yeah, I'm breaking in your house
now to do bad stuff.
Speaker 1 (09:44):
The vibe of this song completely overrides the meaning of
the song.
Speaker 2 (09:47):
So around the same idea. Have you ever listened to
Crash into Me? Dave Matthews, ma'am, yes, is it on
your list?
Speaker 1 (09:56):
It is not on my list. But that's like a
creep song too, super like.
Speaker 2 (10:00):
Watching you, watching through the window. He's imagining everything that
they can.
Speaker 1 (10:07):
Do, or a voyeuristic I've heard him talking about that interviews,
Like people feel like that's a super love song, but
it's very voyeuristic, like creep song, like I'm watching you
and want you.
Speaker 2 (10:15):
And it's crazy because when you watch the live stuff,
you know, there's like thousands of girls just singing every
word of that song.
Speaker 1 (10:22):
Well, I think about how many people have a first
dance at a wedding to the police, every breath you
take it's right or you know, some kind of slow
dance love song with somebody. Number two is Born in
the USA from Bruce Springsteen. I thought this for a
long time too.
Speaker 2 (10:37):
Now.
Speaker 1 (10:37):
This song came out when I was a child, and
I just thought it was a song about freaking red,
white and blue, yes, like patriotism. It's actually about a
broken system. It's an angry song and it's a bitter
story about a broken system, which is the version of
the United States that he's singing about. Wow, which is
Born in the USA. It's a protest song.
Speaker 2 (10:58):
Yeah.
Speaker 1 (10:58):
And so if you look at the actual story of
the song, because the song isn't specifically about just a story,
it's broader, but there is a story in it. It's
about a working guy that's sent to Vietnam and then
he comes home and he's abandoned by his country because
he has no job, no help, no future.
Speaker 2 (11:16):
Dang.
Speaker 1 (11:17):
And that's what it is.
Speaker 2 (11:18):
Is that what the movie is about too, Because I
think there's a movie right called Born in the USA
with Tom Cruise on the movie.
Speaker 1 (11:24):
I've seen Cool Runnings. I've not seen Born in the USA.
Speaker 2 (11:27):
Oh. Born on the fourth of July. I guess a
different song, not the same title, but same concept. You
know it is.
Speaker 1 (11:33):
Yeah, yeah, I've never seen porn. On fourth of July,
I saw Independence today, Will Smith, that's.
Speaker 2 (11:37):
A great breaking Aliens.
Speaker 1 (11:40):
The whole part of this song is that the chorus
again is large and channable, and because it's so channible
Born in the US, you kind of don't listen to
the rest. And if you were to say, sing it
back from the first verse, I don't know that I could.
Speaker 2 (11:53):
Do you know the first line?
Speaker 1 (11:54):
Small town in the US say no.
Speaker 2 (11:59):
Till dog? Is that not it?
Speaker 1 (12:02):
Do you know the first line? I don't from memory?
Speaker 2 (12:05):
Nope.
Speaker 1 (12:05):
And I think it's one of those songs that if
it started I can probably sing along with it. But
I know it's like the production is so triumphant that
it also fits that, Hey, we're America, we rule.
Speaker 2 (12:16):
That's right. It's just like you pound your fist to it,
like you said.
Speaker 1 (12:18):
And also you latch onto the title born in the USA, right,
not the verses? What's the first line? Born down in
a dead man's town, Born.
Speaker 2 (12:27):
Down in a dead Man's down.
Speaker 1 (12:29):
With a boom boom, the chorus screams pride the verses
I guess scream I got screwed.
Speaker 2 (12:36):
Yeah wow.
Speaker 1 (12:38):
So I think this may be one of the most
misinterpreted songs ever. Yeah, because I spent most of my
life misinterpreting it. And I still see people playing it
in patriotic situations.
Speaker 2 (12:48):
Oh yeah, even when there's like a firework display and
turn your dial to whatever station they're playing. Born in
the USA.
Speaker 1 (12:57):
My next song is fosh for the people Pumped Up.
Speaker 2 (13:01):
Kicks, Oh wow.
Speaker 1 (13:02):
And I was in pop radio. I think I was
even an alternative radio doing a little double dose. And
I didn't know the meaning of the song. And I'm
not somebody who searches out the meeting for all the
songs anyway, But I just thought it was a cool,
cool vibe.
Speaker 2 (13:18):
Chill. Uh, give me a little bit of it. Oh
the pumped up Yeah, that's it.
Speaker 1 (13:27):
I was so Born in the USA. In my head
it was for We're Still Pumped Up Kicks, and it
felt like so Indie. The production of it was so
INDI it felt like it was kids, like a chill
Indie vibe. But it's the perspective of a kid thinking
about violence, like shooting, like shooting up school. Yeah, I
(13:47):
mean the song is you're inside the head of an angry,
isolated kid who's looking for revenge.
Speaker 2 (13:55):
Wow.
Speaker 1 (13:55):
And once you realize it, because again I didn't I
don't hear song, it starts the meaning immediately. I just
try to sing along with born and yeah. Yeah, once
you go and you like read all the lyrics of
the song, it starts to feel. It starts feel sad,
like real sad, because you know, there are a lot
of people feel in this way, and with some of
them they actually go through with it, and people lose
(14:17):
their lives and some of them they feel this way
and luckily people get to them in time. But it's reality.
Speaker 2 (14:24):
Yeah, the groove is.
Speaker 1 (14:28):
Playful and light.
Speaker 2 (14:29):
It is And I wonder what the the you know,
the the process is when they're write this or when
they record it, Like does everyone know that it's Does
the whole band know that it's a sad song about
this or do they find out when they start hearing
the lyrics of like wait.
Speaker 1 (14:45):
A second, Yeah, I guess it depends on the the
power of who gets to write the songs in the end.
Speaker 2 (14:50):
Right, And then you think, like, Okay, this is such
a serious topic and a sad topic. Do we do
sad serious music behind it, and it's like, no, they
went completely opposite.
Speaker 1 (15:01):
I mean even the chorus is better run, better run
faster than my bullet.
Speaker 2 (15:05):
I know, and I never realized it said.
Speaker 1 (15:07):
That it is dark storytelling, but again the vibe kind
of cancels out, cancels it out because it feels like
it's independent, easy listening. Yeah, so that makes the list.
Next up is third Eye Blind semi charm.
Speaker 2 (15:20):
Life that I can't think of anything. Is it sad too?
Speaker 1 (15:25):
What do you think the song is about?
Speaker 2 (15:26):
To have no clue, dude.
Speaker 1 (15:29):
It is the happiest song. Yeah, everything about this song
makes me feel good.
Speaker 2 (15:36):
I'm trying to pick out lyrics in.
Speaker 1 (15:37):
It until I lay down in it and you go, oh,
this song is about addiction. Oh so it's a ninety
song the do Do Do Anything with Doo Doo do is?
It's all happy, Yes, and it's addiction, specifically meth and
the crash after the high no way, and also because
he sings them so fast, the words he don't really. Yeah,
(16:00):
it's about chasing a high, losing control. The emptiness that
follows the song is chaotic on purpose. It's so chaotic
that maybe you don't really understand the chaos inside of it,
much like drugs.
Speaker 2 (16:11):
That's crazy. I don't even think I can listen to
it again and think it's sad.
Speaker 1 (16:14):
They literally say crystal meth in the song. You really
I never caught that well because he goes and so
because of the tempo, the upbeat vibe. Even the music
videos like them driving over Hills on Funds.
Speaker 2 (16:31):
You remember the video. I know, I don't remember the video.
Speaker 1 (16:32):
And so a lot of the nonsensical phrasing feels like
the whole song should be about something nonsensical.
Speaker 2 (16:39):
And the video has nothing to do with drugs.
Speaker 1 (16:42):
I haven't seen the video in a long time, but
I remember them, just like driving over hills and stuff.
Speaker 2 (16:46):
That's crazy. Man. It's crazy that you have a topic
on something and then you just take it completely the
opposite direction musically and even visually. If the video doesn't
even address it.
Speaker 1 (16:59):
I think you probably believe if you have a hit,
you just want the song to live as a hit. Wow,
and let them understand the me Like if you create
a chorus that's so good in your record label, you're like,
I'm not trying to change society. Yeah, we want this
thing to be played by every radio station. Heck, if
they know it's about addiction, maybe they don't play it
at all. We don't want the conversation to be aby
that my guys just made a hit.
Speaker 2 (17:16):
We want to catchy song.
Speaker 1 (17:18):
Let's see, let's read some lyrics here. And also there's
a part that's like she goes around, she goes down
on me. Oh, that's this, and I make her smile
like a drug for you. Do ever what you want
to do? Coming home with you?
Speaker 2 (17:31):
Yeah, I mean that sounds like fun.
Speaker 1 (17:33):
Let me see the crystal meth line here. The sky
was gold, it was rose. I was taking SIPs of
it through my nose.
Speaker 2 (17:39):
Wow.
Speaker 1 (17:40):
I wish I could get back there, someplace, back there
doing crystal Methy'll lift you up until you break. It
won't stop, I won't come down. I keep stock a
TikTok rhythm, a bump for the drop. So it's all
it's all drugs. Wow, that's crazy, man, I'm truly shocked.
Speaker 2 (17:59):
I had no idea.
Speaker 1 (18:00):
By the time you figured it out, you're like, wow, crazy.
Speaker 2 (18:08):
Semi charmed kind of life called simtrom life, semicharm life,
they may say symmetron kind of life in the song,
but I think it's called Simatron Life next up hinder
Lips of an Angel, No clue.
Speaker 1 (18:20):
Do you know the song Hear your Name sinema him'
through the Lips of an Angel. Yes, So it feels
like an emotional love song. The title is that of
an emotional love.
Speaker 2 (18:34):
Song, Lips of an Angel? How can we make this bad?
Speaker 1 (18:38):
It's not really a traditional positive love song. It's about
a guy actively cheating and enjoying it. Oh okay, So
he's on the phone with an X. It's really good
to hear your voice say my name sound So it's
that right, And so he's on the phone with an
ex reminiscing his current girl is in the other room.
(19:00):
My girls in the next room sometimes, I right, And
he's not conflicted enough to even hang up. He just
wants to.
Speaker 2 (19:09):
Talk to his ex. Dang, that's savage.
Speaker 1 (19:12):
So it sounds emotional and heartfelt. I guess it is,
but just to the eg Yeah, the chorus is big
and romantic, and people focus on the feeling. There's really
no situational awareness of the song. So, yeah, my girls
in the next.
Speaker 2 (19:27):
Room and she has no idea in the whole song.
Speaker 1 (19:30):
I don't I don't unless there's like a secret verse.
Speaker 2 (19:32):
There's Norridge Bridge that puts it all together.
Speaker 1 (19:34):
She just walked in, she found me talking to you.
Speaker 2 (19:38):
I'm in trouble.
Speaker 1 (19:40):
It's basically cheating. But this guy's is a love ballad.
Speaker 3 (19:45):
Okay, we interrupt this interview to bring you a message
from our sponsor.
Speaker 1 (19:52):
This is the Bobby Cast. Next up, You are My Sunshine,
the nursery wren. Yeah, the lullaby, the lullaby? Yeah, how's
that bad? Will you?
Speaker 2 (20:02):
Guys?
Speaker 1 (20:02):
See that's public domain.
Speaker 2 (20:04):
You are my Sunshine, my only sunshine.
Speaker 1 (20:07):
Before we legally can sing it.
Speaker 2 (20:09):
Oh, oh, that's what you're checking. Yeah it is.
Speaker 1 (20:11):
It is not so we can't sing that's it. But
it's a sad song about losing someone. Really the verses,
there are many verses that people don't sing because mostly
we just sing the first verse.
Speaker 2 (20:23):
They're so bad.
Speaker 1 (20:24):
We are about fear and abandonment and heartbreak, and so
we really only sing the happy chorus. It kind of
was repurposed as a kid's song. So would you like
to hear? I would love to hear These verses also interesting,
We don't sing the other verses of the national anthem either.
There are other verses there are, I think so, so.
Speaker 2 (20:43):
The song would really be like a ten minute song.
Speaker 1 (20:44):
Yeah, so you are my sunshine. Second verse, here you go.
I'll always love you and make you happy if you
will only stay the same. But if you leave me
to love another, you'll regret it all someday.
Speaker 2 (20:59):
Oh is that a threat? Dude?
Speaker 1 (21:02):
That's like the police the guy, Yeah, the same. That's weird. Huh,
that is weird. You are My Sunshine full song? Okay,
you know I think of Johnny Cash sing it too.
Speaker 2 (21:17):
Did he sing the version of this version of it? Yeah?
Speaker 1 (21:20):
What Brandon? What was lying.
Speaker 2 (21:23):
A killer?
Speaker 1 (21:24):
It can't be that he can't kill her in the song?
Speaker 2 (21:27):
How do you even get back to that hook? If
you kill her? The USA?
Speaker 1 (21:33):
Okay, here we go. Uh. The other night, Deer, as
I lay sleeping, I dreamed I held you in my arms.
But when I woke here, I was mistaken, and I
hung my head and cried, you are my son shine.
Speaker 2 (21:45):
Okay, so she's dead.
Speaker 4 (21:48):
So you used to work with musicians on call?
Speaker 2 (21:50):
Uh huh?
Speaker 1 (21:51):
We should sing that song.
Speaker 4 (21:52):
And I and I realized what it would say, and
so I just looped that you are my Sunshine?
Speaker 2 (21:57):
Like four times and that was it. Ever sang the verses.
Speaker 4 (22:01):
I sing it a couple of times. It was like,
oh man, this is dark, like singing it to kids
with cancer.
Speaker 1 (22:08):
Yeah, you told me once, dear, you really love me,
no one else could come between. But now you've left
me and love another. You have shadowed all my dreams.
You are my sunshine.
Speaker 2 (22:17):
It's freaking dark. So she Yeah, so they were in love.
She was the sunshine.
Speaker 1 (22:24):
Please don't take my sunshine away.
Speaker 2 (22:27):
Oh, this is like Joe Leane that he's talking to
the dude right now.
Speaker 1 (22:31):
Man, we have completely rebranded this song.
Speaker 2 (22:34):
Seriously, seriously. I have a friend of mine that has
a little girl and he sings it to her all
the time. I don't know what she tell just sing
the hook.
Speaker 1 (22:42):
I don't think you should tell him.
Speaker 2 (22:43):
I should tell.
Speaker 1 (22:44):
Him certain white lies are okay.
Speaker 2 (22:46):
Do you know the rest of the song.
Speaker 1 (22:48):
Oh man, I'm a little shaken by that one.
Speaker 2 (22:49):
Yeah. Yeah.
Speaker 1 (22:50):
Number seven is Neon Moon from Brooks and dun Oh.
I like this, Yeah, Neil Moon. It's a slow dance song.
Speaker 2 (22:58):
Man, you get your best girl and you dance on
the dance floor with her because it's a very romantic song.
Speaker 1 (23:03):
Yeah, just spend those nights beneath the neon Moon's beautiful.
It's literally a very lonely isolation. Yeah, and we did
dance to it at our wedding, but it wasn't our
first song, right, we knew what the song was about, Like,
we listened to that song a lot, and I'm friends
with them Brooks and Dunn and so Ronnie the lead singer,
(23:26):
sang Neon Moon at our wedding, but he did not
sing that as our first dance.
Speaker 2 (23:30):
You even have a real neon Moon coming, We have it.
Speaker 1 (23:32):
In our house. That's so still the Neon Moon. So yeah,
that song is not romantic, and it's not just I
miss my ex. It's a guy who is stuck emotionally
frozen in a bar night after night, unable to move. Yeah,
he spends most every night beneath the light of the
neon moon that he's sitting at there. So it's the
(23:52):
same pain over and over again. You can't break the cycle.
And we danced to that at my wedding. Wow, it's
very smooth, it's very melodic. Oh yeah, it feels like
it feels like a love song.
Speaker 2 (24:01):
Still, like a very love song.
Speaker 1 (24:02):
Yes, we did dance to a love song. Though first song,
your first Oh do you do you know? You were there?
Speaker 2 (24:09):
Was it? Is it forever? Was that your your first dance?
Speaker 1 (24:13):
The first dance was forever?
Speaker 2 (24:16):
Now?
Speaker 1 (24:16):
Brian Wilson. Beach Boys were the original artists. That's not
the version that we fell in love with.
Speaker 2 (24:22):
Was it Brian or Dennis? Well?
Speaker 1 (24:24):
Brian sang it though I believed, Okay, we could fact
check that.
Speaker 2 (24:27):
What it was definitely a Beach Boys.
Speaker 1 (24:30):
And then we sang it the Jesse and the Rippers.
The version that we danced to was the Jesse and
the Ripper's version before House and Dan and Jay played
it for us.
Speaker 2 (24:38):
I mean, how cool is that?
Speaker 1 (24:40):
What do you see who sang that? Because that is
probably right if it's a Beach Boy things.
Speaker 2 (24:44):
Dennis, Yeah, Dennis rest in peace.
Speaker 1 (24:48):
Did Brian write it? I know he co wrote it
with his friend Greg Jacobson. Dennis did old. Dennis co
wrote it with Greg Man.
Speaker 2 (24:56):
Dennis was a good writer and that was kind of
the lot of the conversation later about the Beach Boys
is that he was a great artist himself.
Speaker 1 (25:02):
Was it a Beach Boys song?
Speaker 2 (25:03):
Yeah?
Speaker 1 (25:03):
Or was it a Dennis solo proze? Beach Boys song. Well,
Dennis and freaking Keifer Sutherlin could have gone on the
road together.
Speaker 2 (25:10):
Hey did Did the Beach Boys sing it with Jesse
and the Rippers in Full House? No?
Speaker 1 (25:15):
Okay, but maybe eventually they did in some because they
had this whole thing where the Beach Boys did come
on Full House for a while, so I remember that,
but no, Jesse played it at his wedding to Becky. Okay,
he sat down at the piano and played it.
Speaker 2 (25:27):
And then it's cool now full circle that you know,
Uncle Jesse plays with the Beach Boys when they tour.
Speaker 1 (25:33):
He did then too though for Full House, which is
why they were on the show.
Speaker 2 (25:35):
Amazing.
Speaker 1 (25:36):
He plays guitar with them now then he played drums.
Speaker 2 (25:38):
He plays. When I saw him, he was playing the drums.
Speaker 1 (25:41):
Yeah, he's very much upfront now now cool playing guitar.
He could also play some drums as well, but I'll
see on social media him playing guitar and sings.
Speaker 2 (25:48):
That's so cool.
Speaker 1 (25:49):
Whenever we finished, I mean, I guess we got back
from a honeymoon. Dan and Jay didn't record that song officially,
but they gave it us on a thumb drive, so
we have them. They did a studio version of that song,
which is super cool.
Speaker 2 (26:01):
So they went in the studio recorded the song, and
the only version of it is in your possession.
Speaker 1 (26:08):
Yeah, I'll sell it if you're watching, dude, that's.
Speaker 2 (26:11):
Like if they died, that'd be awesome. You released that
one song. No, no, no no, I just mean the
fact that was kind of weird too. It sounds bad,
It sounds bad. What I mean is you're the only
one that has that version. That's pretty cool. Yeah, it
was a pretty cool wedding gift for sure.
Speaker 1 (26:28):
We got back from a honeymoon and there was just
a wooden box with a bow on it, and I
didn't know what the box was and I opened and
it was a thumb drive and then I was scared
to put it in. Yeah, of course, I was just
gonna put a random thumb drive in.
Speaker 2 (26:39):
It's ransom.
Speaker 1 (26:40):
And then we got a text and so yeah, we
have that, which is pretty cool. Cool. So those are
I think seven songs that I found.
Speaker 2 (26:49):
That's that's good. I learned a lot today.
Speaker 1 (26:50):
That I think people confused. The ones that I really
born in the USA. Took me a long time. Yeah,
fostered the people pumped up cakes and then third. I blind.
I knew there were little references, but I didn't realize
the I had no idea.
Speaker 2 (27:01):
About that one. You are my sunshine mind blown?
Speaker 1 (27:04):
Did you see? They kind of did an expos and
oh's the mentalist and shared how he does his tricks. No,
any of you guys see that Mike died?
Speaker 2 (27:11):
Did you So?
Speaker 1 (27:12):
Pablo Torre does a really great podcast investigative journalists, even
in sports. He is the one that spent time on it,
and he brought on another guy and they talked about him.
So there was a clip that went viral. I'm Busting
with the Boys, Oh's the mentalist And if you're not familiar,
the guy comes in and goes, hmmm, here's your pin
code and he holds it up and everybody goes, oh
my god, did you do that?
Speaker 2 (27:34):
Did you do that?
Speaker 1 (27:35):
And so he's done a bunch of shows and he
was in with the guys from Busting with the Boys
and they're doing the bit and he's like, think of
a player, and so Will Compton's goes okay, got it,
and os goes Bryce Young and Will's like, yeah, oh no,
Bryce Hall and Will goes yeah, oh yeah, Brizell. He
goes yeah, yeah, yeah, yeah. So there's a little mess
(27:57):
up there, which is the clip that he shows. And
so it turns out, according to Pablotry, that before the
show started recording, Oh's handed Will Compton his phone. It's like, hey,
would you look up a stat for like the player
that what maybe it was even Will Compton's phone, like
(28:20):
he loaded up like a site that looked like Google.
So Will Compton typed in and misspelled. He tried to
type in Bryce Hall, but auto correct made it Bryce Hall.
So O's goes Bryce Hall, uh huh. So that gets told.
And then there was another when he went on the
(28:41):
view and he said, okay, I got your number on
your head and I got your pen number and she's like,
oh my god. And then she was talking about it
after she said, well, there was time we spent together
before we went on screen that we never talked about.
And so.
Speaker 2 (28:59):
It's this weird.
Speaker 1 (29:01):
I know, the guy's not magic, of course, there's some
trick to it, of course, and so you go, is
it weird that people are exposing him? But then Pablo's
explanation was the reason he felt like exposing him is
because O's apparently did a ted talk going this is
how mentalism works. You watch body language, you watch and
in reality.
Speaker 2 (29:21):
He's getting little tricks.
Speaker 1 (29:22):
Yeah, because if you're just out like exposing magicians. I
like that. That's funny. But I can get where people
would be upset about that.
Speaker 2 (29:28):
Yeah, I feel like you'd have to have a problem
with him.
Speaker 1 (29:30):
Like, right, that show on Fox back in the day,
I watch it on TikTok still today, where they got
wears the mask. It is like, this is how David
Copperfield flew across the Grand Canyon. Yeah, that show was awesome,
and at the end of all those episodes he revealed
his face.
Speaker 2 (29:42):
And as the magician, You're just like, dude, what the crap? Man, Like,
that's how I make a living.
Speaker 1 (29:47):
I remember watching that show as a kid, and I
remember that last episode coming on and they were saying,
we're gonna reveal who it's been the whole time, And
I thought it was going to be someone like Troy
Aikman or I thought it was going to be somebody
very fair, everybody famous that had insight in for Bill Clinton.
I don't know who. I thought it was going to be.
It's and then he he pulled off his mask and
(30:11):
it was some magician I never heard of before.
Speaker 2 (30:14):
It was just that's funny.
Speaker 1 (30:15):
Yeah, but I really because they had hyped up were
finally gonna reveal, meaning that the revelation of who it
was would have to mean something to me, and it didn't.
It was some guy. I'm sure, I'm sure he was
a real musician, but I thought it was gonna be
like Carlton from Fresh Prince or something. Yes, like that
was it, like he was on the inside. But that
show is awesome and it still comes across my my
(30:36):
TikTok sometimes and I watch it in clips. But that's
the story about Oh's now is that they're revealing his.
Speaker 2 (30:43):
Tactics, and that's that it's not what he has said
that it's yes, how he gets it.
Speaker 1 (30:48):
None of us thought it was magic. He even says
it's not magic. He's like, I'm just a mentalist. I
can read things about you, your eyes, your hands, but
in reality, according to Pablo Torri, there's a pre interview,
there's there are things that are happening, and that mess
up of the brief Young Bryce Young is what caused it.
Oh yeah, because it was just the auto correct they
(31:08):
caught it.
Speaker 2 (31:10):
I still like that stuff. Though, right, like mentalist magician stuff.
That's still fun to watch.
Speaker 1 (31:14):
Yeah, I agree, but I also want to know how
they do it. Yeah, like I'm not too good to
be like, let the guy do his thing. Like as
soon as that episode went up, I was all I
was just trying to figure it out.
Speaker 2 (31:22):
What's the best one you've done? Like best magic treat? Oh,
you're gonna do one? Now watch how did you do that?
Speaker 1 (31:32):
That's not my middle finger? Is my ring finger? By
the way, watching it for those just listening and not
watching on Netflix. I went into my pocket. Eddie thought
he was being surprised with magic, and I pull out
the finger.
Speaker 2 (31:42):
You ever seen the one where you levitate? You ever
seen that one?
Speaker 1 (31:46):
I've seen Chris Angel do it on television. I know
how to do it. No you don't, Yes, I do.
No you don't, Yes, I don't miss. It's not gonna
look good.
Speaker 2 (31:57):
Well, now that I told you, you're gonna be looking
for it, I would look for it anyway.
Speaker 1 (32:00):
Obviously you're doing something with your feet.
Speaker 2 (32:02):
No, I levitate in the air. Now, very stand up.
Here we go.
Speaker 1 (32:07):
Okay, he's standing up, he's walking off camera. Okay, let's
see what you got he's good. You turn it on him. Okay,
all right, right, we'll turn it on him.
Speaker 2 (32:16):
Hold one, magicians need to have Magicians need the.
Speaker 1 (32:19):
Angle though, Just okay, go, I got a table in
front of me.
Speaker 2 (32:25):
Go ahead.
Speaker 1 (32:26):
Yeah, it looks like you're leaning on your toes.
Speaker 2 (32:33):
To see it.
Speaker 1 (32:34):
What No, it looks like you were just leaning on
your toes. There's a table. There's a table in front
of me too, Okay, and you go go, oh, that dude,
that looks pretty good. That one looks pretty good because
I saw it from one side and that foot came
off the ground.
Speaker 2 (32:52):
Not do you want me to tell you how he
did it?
Speaker 1 (32:53):
I think you leaned on one foot. I did that
one looked pretty GOODNA, be honest with.
Speaker 2 (32:58):
You, and the key is to not go to hi.
You just want to make it like you're struggling, and
you made it about an inch and then you're like, oh,
I can't do it anymore.
Speaker 1 (33:05):
Color me impressed.
Speaker 2 (33:06):
Yes, my friend did that when we were in college
and it blew my mind, and I bought him a
case of ber to, So you can tell me how
he did it and it worked. Oh yeah, that's good.
Speaker 1 (33:19):
Well, we kind of know how os is doing some
of the stricks.
Speaker 3 (33:23):
Let's take a quick pause for a message from our sponsor.
Welcome back to the Bobby Cast.
Speaker 1 (33:30):
We forgot Brandon's birthday yesterday.
Speaker 2 (33:33):
Yeah, uh, did you get him anything? I did? Yeah,
I got him a hug when today.
Speaker 1 (33:40):
Well, I felt bad. It was the worst. And Brandon
is our close friend for a deco.
Speaker 2 (33:47):
I know.
Speaker 1 (33:47):
Also, it's here in the room. Brandon runs a lot
of this operation. And I hadn't been on my phone
for hours, baby, and I'm like, I need to catch
up on some Instagram story.
Speaker 2 (33:58):
Not calling me baby. You have a baby, baby, yes.
Speaker 1 (34:01):
And Brandon had reposted someone saying happy birthday to him,
and I was like, oh my god, all day, I
am a terrible and not only that, dude. We had
just been together for like two hours because it was
work because I did a one of these interviews with
Amy Grant that's coming up awesome. Brandon was right beside me.
Speaker 2 (34:20):
Yeah, Brandon, were you waiting all day? Oh? Okay?
Speaker 1 (34:24):
And I messaged him and I said, dude, I'm so sorry.
I can't believe that I had to basically see it
was your birthday on Instagram. I'm not on Facebook. Yeah,
Like I have a page Facebook, Facebook tells you his birthday.
I don't even think I follow Brandon on Facebook because
I don't in Facebook would tell me anybody's birthday.
Speaker 2 (34:44):
Yeah, but don't you specifically put the wrong birthday on Facebook.
Speaker 1 (34:47):
Yeah, that's for people that follow me, right, But I
don't have a Facebook page. I did that long time ago.
But I'll randomly get messages on my Facebook page on
like April six, Do you have a birthday? Face told you.
But yeah, and then I sent him a you know
how you can do the apple pey? Yeah, you send
him money, I said, from our whole family, And I
sent him one dollar apple pee.
Speaker 2 (35:08):
Oh that's nice, that's perfect. Yeah.
Speaker 1 (35:10):
I felt pretty bad though.
Speaker 2 (35:11):
Yeah, and then you texted me, and I texted Eddie
and I said, don't forget it's Brandon's birthday. And my
dad used to do this all the time for like
my mom or my someone in my family. Hey, don't
forget it's your sister's birthday. Today. I got one of
those from Bobby and I'm like, dude, thank you. And
as soon as I went to my phone to text Brandon,
it's said on the top, Siri reminds you it's Brandon's
probably no. Oh no, we're bad. Happy Birthday, Brandon.
Speaker 1 (35:39):
I sent it to him at seven fifty pm, like
the day's over, I know, and I said, it's your
freaking birthday today. Dang. He said, yeah. All I wanted
was Amy Grant making a joke because we had been
together for the last two hours Amy Grant, and then
I said, dang, happy birthday. Sorry I had to see
it on Instagram. That is friendship failure and that's on me.
And he said, thanks, man, you have a ten week
(36:00):
old baby. Don't apologize. And then I sent him from
our family to you one dollar.
Speaker 2 (36:04):
Happy birthday.
Speaker 1 (36:06):
Yeah, sorry about that, dude.
Speaker 4 (36:07):
It's all good man.
Speaker 2 (36:08):
You know. I asked Brandon before when I got here.
I was like, hey, so what did you do? And
He's like, I did nothing, like nothing.
Speaker 1 (36:15):
How'd you feel about doing nothing?
Speaker 2 (36:18):
So good?
Speaker 4 (36:18):
We've we've been without our AC for like six days
and my cars AC went out before that. I got
that fixed. The next day, our houses AC went out
and so it's been like eighty two degrees in our
house like all week. It's just been brutal. And so yesterday,
right when the podcast started with Amy Grant, my wife
(36:40):
texted me. She's like, Ace's fixed. It feels so good
in here.
Speaker 1 (36:43):
I was like, whoa happy birthday to me. Okay, we
didn't do that.
Speaker 2 (36:47):
We didn't do anything. Yeah, hey, this is what we
tell him, Brandon. We fixed it for you, man.
Speaker 1 (36:51):
Yeah, man, we we uh invoice us for that.
Speaker 2 (36:54):
Bill. I appreciate you, guys.
Speaker 1 (36:56):
I just I sent two apologies yesterday.
Speaker 2 (36:58):
Oh that was one one. Yeah.
Speaker 1 (37:00):
The other one was to Tracy Lawrence.
Speaker 2 (37:02):
Why'd you apologize?
Speaker 1 (37:03):
The country singer from the nineties? Just in case people
are wondering who that is a bunch of massive hits,
I sent him this text. Anybody was just thinking about
you saw some clips of your show because he does
a podcast from his bus. I've done it. It's at
his house. I said, super great to see how strong
the podcast is. I said, that was my original idea
for texting. But I'm also going to send an apology
(37:23):
because I never replied to that above text.
Speaker 2 (37:26):
Okay, So what happened here was you went into the
text to text him this, yeah, and then you saw
a text from how long ago?
Speaker 1 (37:37):
Uh, November fourteenth.
Speaker 2 (37:38):
Oh that's tough, and it was.
Speaker 1 (37:40):
About a charity Noel yep.
Speaker 2 (37:42):
So it's the turkey fry.
Speaker 1 (37:44):
Yeah, I'm going to read you the rest of what
I said. I said that was my original reason for texting,
but I'm also going to send an apology. The only
thing I can think of, and this doesn't count as
an excuse, is that my wife was going through brutal
pregnancy at that time, So I regret not seeing it
and prioritizing it, but that is still not an excuse.
I'm glad I was thinking about you and wanted a
message you or I'd never I'd never seen it. I
hope you are well.
Speaker 4 (38:04):
Did you send him a dollar?
Speaker 1 (38:05):
I did not. That had been great, I didn't.
Speaker 2 (38:09):
So so was it. Did he need help from for
his turkey friend?
Speaker 5 (38:12):
So?
Speaker 1 (38:12):
He said, I hate me for not responding because I
would have. Absolutely I would have sent money. Or It's
easy for me to say that, though, is why I'm saying.
It's weird for me to say I would have, but
that's easy to say after the fact. But he said, hey, friend, Tracy, here,
it's our twentieth anniversary. So we're gonna be at the
(38:35):
Nashville Fairgrounds cooking two thousand turkeys. I'd love for you
to stop by drop off a turkey, or come and
take some pictures to show your support. Anything you can
do would be greatly appreciated. And then he's sent some
details and dang, I know, I'm gonna have to double
up next year.
Speaker 2 (38:52):
You have to be there the whole time, fried turkeys everything.
Speaker 1 (38:55):
I have to raise turkeys for him. And so I
send him that text. I felt bad about it.
Speaker 2 (39:03):
I did you.
Speaker 1 (39:04):
I hope you can tell now like I feel like
sick about that. And he said, all good, my friend,
thank you for your kind words. Things are really good
in my world. Proud for all your success, Stay safe,
talk soon. Tracy sings a little bit, saying, yeah, it
is a two apology days.
Speaker 2 (39:19):
You know.
Speaker 1 (39:19):
I don't like really want apology days. Mostly I can
find a reason why I shouldn't apologize. I can like
do the little mental gymnastics and be.
Speaker 2 (39:26):
Like, no, it's their fault. And I don't even mean
to make this worse, but I'm pretty sure his refrigerator
went out and they lost a bunch of turkeys and
they had to scramble. Right. Does that sound familiar?
Speaker 1 (39:36):
It does now that you say that too.
Speaker 2 (39:39):
I don't need to rub it in, but dude, that
was a bad time.
Speaker 1 (39:42):
You know what, though, I think I tried to help
in that situation.
Speaker 2 (39:44):
Though, Okay, okay, you look back. Hold on, he's telling
me I sent the text.
Speaker 1 (39:49):
Okay, now I'm gonna call somebody. We'll do it right here,
because they call Morgan. Let's see here, I'm gonna put
her on speaker and she may not remember it. She
also may not answer. So that's my manager, Morgan. Hey,
so you're on camera right now, so just just so
(40:10):
you know, okay, okay, So remember last year when Tracy
Morgan's refrigeration went down to Sorry Lawrence, my bad, my bad,
my bad. Remember when Tracy Lawrence's refrigeration went out? Yes,
(40:31):
I did, okay, and then we jumped in. We tried
to help right like, but we were just late.
Speaker 5 (40:37):
We did. But by the time that I reached out
to his manager, they had already had like an outpour
of people coming and donating, so they no longer had
like a huge need.
Speaker 1 (40:49):
But we did try. Yes, we did go, Hey, we're in,
we'll help. Yes, absolutely, all right, just make it just
making sure, yeah, okay, I can feel young later on one.
I'm just a huge dwa and just I just I
just wanted to find something good about me, and that's
all I could think about. So, okay, thank you.
Speaker 5 (41:08):
I have so many questions.
Speaker 2 (41:09):
Are you text Tracy Vagulator? Hey, you know, I try
to help.
Speaker 4 (41:16):
I love that Tracy Morgan song time.
Speaker 1 (41:18):
No, Tracy Morgan, Tracy Lawrence, my bad, my bad. Okay,
So Brandon, I'm sorry, Tracy Lawrence, I'm sorry. Yes, and
he has a great podcast called I think It's Tracy's Roadhouse.
Speaker 2 (41:33):
And so he does it in his bus right out house.
Speaker 1 (41:35):
That's cool, which is cool. Final thing is that I'm
traveling with the baby for the first time today.
Speaker 2 (41:40):
Wow.
Speaker 1 (41:41):
So I just thought you grab it, put in your backpack,
get on a plane. No, who knew there were so
many things when you.
Speaker 2 (41:48):
Travel with the baby.
Speaker 1 (41:50):
Yeah. So we're we're taking like a practice stroller. No, no,
practice car seat. I don't think there wor practice is in.
Speaker 4 (42:00):
No.
Speaker 1 (42:01):
I think it's a trap, maybe like a travel car
seat that turns into a stroller. We've never used it before,
but we have it. Sounds cool, but yeah, but it's
like a thing to take. You have to take it,
you have to travel with it. We've taken It's so
much to move a baby.
Speaker 2 (42:14):
What are you doing for ears? Are you worried about ears?
Speaker 1 (42:18):
I'll just wear apod.
Speaker 2 (42:19):
No. You like, if the baby's ears pop on the plane,
what do you do? What do you do for that?
Speaker 1 (42:27):
I say, Hey, Caitlin, what's going on with the baby's ears?
Speaker 2 (42:31):
That's up for that?
Speaker 1 (42:33):
I don't know, Okay, I bet you Caitlyn has already.
Speaker 2 (42:35):
Look, I'm sure she's got it all covered.
Speaker 1 (42:37):
She is the one that has handled ninety seven percent
of all this. But I was packing up and I
had to leave some room in my suitcase to pack
some of the stuff for the baby. But it is
it is quite the experience to travel with the baby.
First time the baby's ever traveled.
Speaker 2 (42:49):
Though.
Speaker 1 (42:50):
We've gone to the park, we went to the restaurant,
a restaurant one time that was semi chaotic, a little
bit that was on me. But we're going to try
to airplane it up. And good luck, man, I'll be
praying for you.
Speaker 2 (43:02):
You fly with your kids ever, Yeah, when they were babies.
When they were babies, yeah, and they were all really
good flyers. I think only one of them had ear
popping problems. And you know, I remember we talked about somebody.
I don't know how it came up. But we talked
about on the show how somebody had brought everyone lollipops
around them, you know, like right as soon.
Speaker 1 (43:22):
As they got the baby crying, baby candy.
Speaker 2 (43:26):
Here are some candy. And I remember we did that
because one baby, one of our babies, did cry almost
the whole time. And it's tough. But man, once that happens, though,
you now know that when you get on a flight
and a baby's crying, you understand. You don't get mad,
you understand that the parents have no control, and it's
a it's a terrible feeling to just be like, I'm sorry,
(43:49):
I'm sorry, sorry, my baby won't stop crying. I thought
of like calling it a baby bucket. It's an invention.
It's like a bucket you put over the top.
Speaker 1 (43:57):
Of them, so if they cry, it limits the sound
going out. And it can even be.
Speaker 2 (44:02):
A two baby bucket.
Speaker 1 (44:05):
You just put it over, Yeah, you put over the
baby and so it's crying and it does muffle it
a bit. Yeah, And it can even be a two
person bucket if it needs to be. You lift up
the arm arrest and you put it over you and
the baby in some way. The baby doesn't feel alone
in the bucket. But is there not something to.
Speaker 2 (44:20):
That you might have something there the baby.
Speaker 1 (44:23):
I didn't put the baby in the buck We're not
carrying it around in the bucket.
Speaker 2 (44:25):
Other than the trauma.
Speaker 1 (44:26):
Is there light in the bucket or is it just
complete darkness? I haven't got that far along. I got
literally just invented this in my head. So wish me luck.
Speaker 2 (44:34):
Good luck man.
Speaker 1 (44:35):
All right, thank you everybody for watching, Thank you everybody
for listening. Hopefully we learned some stuff, we shared, we felt,
we apologized, and happy birthday, Tracy Lawrence. I'm sorry, Brandon.
Half birthday next year.
Speaker 2 (44:46):
We'll get ahead of it.
Speaker 1 (44:49):
Yes, happy birthday next year. All right, We will see
you guys later on this week.
Speaker 2 (44:53):
Bye, everybody.
Speaker 3 (44:54):
This has been a Bobby Cast production.
Host
Bobby Bones
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