Episode 353 | Bad Takes Never Heal - New Rory & MAL

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
The volume.

Speaker 2 (00:05):
O WILLI en shame. I want to play Hi.

Speaker 1 (00:24):
Juicy, Bye Julie, and we are back. Happy end of
the week, I guess sort of we're getting there. Happy weekend, Yes,
happy weekend, Happy Friday, whatever, whatever day you're listening this,
Happy Tuesday.

Speaker 3 (00:40):
If that's today, Wednesday? Yeah, ash Wednesday? Was it ash Wednesday?

Speaker 1 (00:44):
Yesterday? Yes?

Speaker 4 (00:46):
You know, how come you don't have any ash on?
Your took a shower?

Speaker 1 (00:49):
Yeah, you're allowed to do that. I also didn't go
get my ashes, but yeah, okay, I used to have
to go to school with that on. I didn't see
much ashes. Yeah, you used to see it all the
time in the street. I didn't see much religious anymore.
People don't care. It's just like, yeah, I think so
taxes and that's it. No. I just think our our
parents just did the Catholic thing wrong. So my generation,
like after eighteen, was like, you mean I don't have

(01:11):
to go Yeah, and you know we're spiritual. Yeah, that's
that's what we do.

Speaker 4 (01:15):
Spiritual.

Speaker 1 (01:15):
Yeah, I say my ten our fathers in the morning.
That's a helmet. Especially after this week. You're coverk father,
I have committed murder. You good, don't do that. Shit again.
It's okay, it's all right, help us at our bake sale. Yeah,
you'll go to heaven. But yes, I haven't got my
ashes in a while, so I guess that would mean
Easter is this Sunday. No, I'm a terrible Catholic.

Speaker 5 (01:39):
Easter is a couple of Sundays from now, babe.

Speaker 1 (01:41):
Okay, you're thinking of Holy Thursday, Good Friday, then to eat. Yeah,
ash Wednesday, so yesterday was ash Wednesday. Then there's Palm Sunday.
It was last week. I'm a terrible Catholic.

Speaker 3 (01:52):
It's interesting how Ash Wednesday and this year Easter is
like four twenty, so it's like kind of ties into Yester.

Speaker 1 (01:58):
We're taking smoking for twenty Phoenix, Ross and Ashes. I mean, listen, man,
do you have four twenty plans? I mean, I know
we're a little bit away. I'll have Easter plans, of course,
because clearly I'm still very involved in the Catholic Church. You,
on the other hand, will be a degenerate smoking up
all the Devil's lettuce.

Speaker 3 (02:13):
I'm just uh, remember when like sneakers used to be
a thing on Easter, like get all the new releases.

Speaker 1 (02:19):
Oh yeah, yeah, I forgot about that. It was a thing.

Speaker 3 (02:21):
It's it's a few releases that I'm looking forward to,
a few A maxes that dropping that I need.

Speaker 1 (02:25):
I wonder why they did that, because like, did anyone.

Speaker 4 (02:27):
Ever gett to get fresh for Easter?

Speaker 1 (02:29):
That's why. Yeah, but if you're buying the sneakers that
day that they drop, and who gets like Easter, mon.

Speaker 4 (02:34):
That's like it's like the week it's the week sneakers drop.

Speaker 1 (02:37):
I wasn't allowed to wear fresh sneakers. It was hard
bottoms on ease. The only time like we could kind
of get something off would be the wallabies. That was
the only time that you remember you was you a
hush puppies baby? Hush Puppies were like right right before me.
We were wallabies.

Speaker 4 (02:54):
Yeah, I was hush I was.

Speaker 1 (02:55):
We knew what hush puppies were. But the older kids.

Speaker 4 (02:58):
Those did the hush Puppies and all of the ship.

Speaker 1 (03:01):
But anyways, I don't even know how we got down
that topic. Man, that's true. Yeah, he has risen Christ
will come again with that said, boy, could I I'm not,
you know, I should I should have had to pray
I'm not doing staying away from him, staying away from
that topic with you.

Speaker 6 (03:18):
Man.

Speaker 1 (03:18):
What you mean man? Nothing? Man?

Speaker 3 (03:20):
What you staying away from? Just just the topic. I
see the timeline was you was fighting.

Speaker 1 (03:24):
We can't go we can't go through it unless we
go through it. No, no, no, we're not doing that. I
saw you have to face our fears.

Speaker 3 (03:31):
We're gonna face the fears of your timeline beating you
into submission over the last two days.

Speaker 1 (03:35):
I'm a little sore. I can't lie.

Speaker 4 (03:36):
Let's fight back, man.

Speaker 1 (03:38):
Nah, you can't fight back on the internet.

Speaker 4 (03:40):
Man, you gotta fight back.

Speaker 7 (03:42):
You're attempted to fight back. You attempted to fight back
with that. I know the internet killing me is fine,
it's just my time.

Speaker 4 (03:48):
But I love you.

Speaker 5 (03:49):
You're gonna ignore the other like your stop.

Speaker 4 (03:53):
I love.

Speaker 7 (03:55):
There, and I tried to fight for you. And then
I saw it and I said, man, funk that not deleted?

Speaker 1 (03:59):
Oh did you? I didn't see that, but I appreciate it.

Speaker 7 (04:00):
I was like, nah, y'all not gonna do my friend
like that, because they were saying defund White Kappa's and
I was like, you.

Speaker 1 (04:04):
Know what I mean, I agree, though, I was.

Speaker 7 (04:07):
Like, I'm not going to do that to my Like,
don't do that to my friend. He was the first
person to say, don't she have rap album in a year?
Like I was caping and I was like, oh nah,
he good, it's your turn off.

Speaker 1 (04:16):
I take my looks by my lonely, but I do
appreciate that you sticking up for me. Yeah, but you
can't fight back on the internet. They're undefeated.

Speaker 4 (04:22):
They tried to bet you went too submission.

Speaker 3 (04:25):
My god, JD, he been fighting for his life the
last week and in some days now. All Jermaine Duprix
asks was a question about what is it that independent
artists want? And everybody's in this mitche talking about JD
must be going broke. He can't sign no artists. I'm like,
this is Jermaine Duprie, y'all are talking.

Speaker 1 (04:43):
To That's what's interesting. Like I understand even if I
don't agree, I understand my ass whooping on the internet
over the past two days. Yeah, even though I think
they took Jamars completely out of context on how she's
been with the Drake thing, I understood based off the
information that they had, why the stands would go at her.
This JD thing is like, you guys have to be

(05:05):
bored on the internet. I disagree with JD, but now
we're going to get into his pockets and his legacy.
And he asked a fucking question on the timeline.

Speaker 3 (05:13):
And it's only it's only. It's a very specific part
of this of the internet too. It's a very specific
part of the Internet that you can't ask questions about.

Speaker 1 (05:23):
You can't. I felt I felt so bad, Like even
when JD put up that clip that he was part
of our podcast and then he did his explanation, I
was like, why is Jermaine Duprie one of the greatest,
Like I'm happy that I even got to be alive
when Jermaine Duprix is live, Like that's the type of
genius that we're talking about. Why is he putting up
a clip of dumb ass me and having to explain himself.

(05:45):
I felt bad for that, Like that gentleman should never
have to explain himself.

Speaker 7 (05:49):
But y'all can't say that. Jermain Duprice just asked the
question and he got killed. Jermain du Prix asked a question.
People answer his question, and then he doubled down. He
knew the answer to that question, but he doesn't agree
with the answer to the question, which he showed when you.

Speaker 1 (06:01):
Guys called him.

Speaker 7 (06:03):
He doesn't agree that the freedom is important enough to
be independent.

Speaker 1 (06:07):
He doesn't agree.

Speaker 5 (06:08):
He said that.

Speaker 7 (06:08):
He showed that in that conversation. He showed that in
his replies to people on Twitter. He showed that when
he went live, like he knew the answer to that question.

Speaker 4 (06:16):
I don't think it was that.

Speaker 3 (06:17):
I mean, because like he said in the conversation, he
had major deals and you know, had obviously had his
label and all of that, and like you said, he
got the perks of being independent as well because most importantly,
he writes all his shit. Yeah, now everybody can't say that.
Everybody doesn't have that talent or that luxury of owning

(06:39):
their music because they write all of their music and
they produce their music. So he's in a very unique
situation when it comes to that. But I think what
he was saying was again, it's all what you negotiate.
Had he not negotiated his deal that way, then he
wouldn't have to be able to say that.

Speaker 1 (06:53):
And Grant, I mean, we talked about it after he
got off the call. I still disagree with him, and
said he was in a unique place that he earned.
That's why he's speaking from that. I disagree with him.
I didn't think we should erased his entire legacy, take
his MPC away, defund him again. That's where that's where
I'm at that I disagree with JD. I don't think
we should have rased twenty five years of the greatest

(07:15):
fucking He produced a writer catalog i've ever.

Speaker 3 (07:17):
Seen, just asked a question like, that's why all of
this is hilarius. All he did was pose a question,
and people was.

Speaker 1 (07:23):
Like, oh, JD. I like the discourse, and I think
there should always be debate online. I've participated in it
for over a decade. It's it's just now getting to
like a whole different level. People want to argue, Like
it's going into like livelihood ship where it's like, okay,
people just want to argue. This isn't fun anymore.

Speaker 3 (07:39):
I just want to argue. I like it though. I
love seeing people argue on the tam.

Speaker 7 (07:42):
Oh yeah, like it's it's great, but they're a little insane.
I got docksed over the weekend on Twitter.

Speaker 1 (07:48):
What do you mean docs?

Speaker 5 (07:50):
My older Thank God it's an old address, my old
a dress?

Speaker 1 (07:52):
Oh you really mean docs?

Speaker 7 (07:53):
I mean posted my old address. Thank god my address
and my phone number are different. But yeah, for what
doc's me because apparently I dissed Nicki minajh.

Speaker 5 (08:06):
Nice news to fucking me.

Speaker 1 (08:09):
Oh and when you said an actual fact that she
was overly sexualized during her which I believe she's probably
said before, that they sexualized her while she was wrapping
her ass off and people were just looking at her ass.

Speaker 4 (08:20):
Yeah, it asked me, is that is that?

Speaker 1 (08:24):
What's going on? Internet? Yeah?

Speaker 5 (08:26):
Yeah, man, that got said. I didn't see it.

Speaker 7 (08:29):
That actually got sent to me, and my friends were
like the marish you need to do something about this,
like we reported it, and I was just like, wow.

Speaker 1 (08:37):
Wow, I will blow a barb's head. Clean the fuck
off they show up at my fucking door, I welcome it,
clean off.

Speaker 4 (08:47):
Listen, man, let me let me make a call to
the bobs.

Speaker 1 (08:50):
Man. Let me see what's going on. Man, Let me
let me try to calm the people down. I know,
I know you've been laughing up in your penthouse for
the past few weeks about what uh just the the
digital ass whoopings that Deamarius and I have been taking.
Page made an incredible graphic which I thought was hilarious.
That he posted. This is the grim Reaper meme that's

(09:11):
been going out. Of course, twenty twenty four took you
took a bulk bulk of the death Man moved right
down onto Damarus out of context.

Speaker 4 (09:20):
I'm still here. They can't erase what.

Speaker 1 (09:24):
We were.

Speaker 8 (09:26):
Like.

Speaker 1 (09:26):
And like any horror movie, you guys died first. It came,
but it came right to me escaping.

Speaker 4 (09:35):
Yeah, the Black's gotta die first. You know that in
the horror flick.

Speaker 1 (09:37):
You know that I admite it to the third act.

Speaker 3 (09:39):
Yeah, yeah, and then you found out that the killer
is your close friend and he killed you, stabbed you
in the belly button.

Speaker 1 (09:44):
No, the holtes like this has really been some fucking
m night Shyamalan. I have you pronounced his shit? Yeah,
some John Grisham thing. Page has really been the one
behind dictating this entire thing. And it's really him. It's
the guy that you did not think was the serial
killer at the end of the movie, and it's been Peach.

Speaker 5 (10:03):
Why are not blaming that last clip on Peach? That
was all you, that was you.

Speaker 1 (10:07):
I said, let's go with the hot wings clip. That's
a fact. I said, You know, I think maybe we
should just go with the hot Wings one like they're
talking about that, because I already knew where that was
gonna go, and Peach even he didn't clip it up bad,
but I just knew the only way to clip. Why
do we blame Peach for the clip because we don't
want to take accountability.

Speaker 4 (10:26):
It's not the way he's clipping it.

Speaker 7 (10:27):
Oh, I with mine. It definitely was the way that
he clipped it.

Speaker 1 (10:30):
But you took it out of context based off you dancing.
That clip was fine to what the conversation was.

Speaker 7 (10:39):
When that clip first dropped, I got killed and I
had to go in the comments when it first clipped,
it was like, hey, this is out of context. This
is what happened that clip. Peach cut that clip exactly
where it.

Speaker 5 (10:48):
Was supposed to be.

Speaker 4 (10:49):
We clip a y'all talking about so my.

Speaker 7 (10:50):
Middle clip, the viral fucking clips conversation before that clip,
we were talking about the dishes and what was being
said in the day, and you were ignoring everything else
that was said. So I bought up what else was said.
That's the missing context from that clip. As far as
Rory's clip, there is no missing context. We started at
the top of that conversation, and it was included in

(11:12):
the entire clip.

Speaker 1 (11:14):
There was not context missing per se in that how
the mentions that I did see, how they were applying
to them took my point and made it say something
I was not saying, as far as her being an
industry plant and just me hating on her and she
doesn't deserve this, that she didn't put any work, and
they just made me say a whole bunch of shit

(11:35):
that I didn't say that. I actually said the opposite
in that forty five minute conversation of every point that
they brought up, even down to artists that have gotten
versus from legends, I said before they're usually signed to them.
Every point that they were making out for me to
seem crazy, I had said in that forty five minute conversation,
that's what I'm saying. With the context. I still stand

(11:56):
by what I said. As far as the Lauren Hill
doci bring her out. I think it's gonna be a
lot of pressure to put on one artist now she
really has to deliver. But with that said, yeah, a
lot was missing in that entire conversation, but I don't care.
I fully understood everything. I hate white hip hop heads to.
Of course, of course I had to wear a Wu
Tang shirt that day. It's not even like my thing.

(12:16):
You had a Woo tag shirt out. Oh my god.
It was like the perfect narrative of who I like
I'm not. They was all undersaying like and even though
like I like m F Doom and underground hip hop,
that's not They painted me to be that guy and
that's not even me like that. I confirm music where
they sell crack like you know, I just.

Speaker 4 (12:35):
Love the fact that's not on me.

Speaker 1 (12:37):
I know you're that guy. You're definitely that guy.

Speaker 4 (12:41):
I took my lickids. Well I'm still standing.

Speaker 1 (12:44):
But see, see that's fucked up because when you were
taking your lickings, I was going down with you.

Speaker 3 (12:50):
I didn't even know they was kicking your ass until
like an hour ago.

Speaker 1 (12:54):
Oh okay, yeah, I didn't know that. I didn't know
that she was fighting. I didn't really know like that
until Peach said something to me earlier yesterday, and then
I looked and I was.

Speaker 4 (13:02):
Like, oh good.

Speaker 1 (13:03):
And then then then Larrussell, then l Russell got a
hold of it, and I was like, oh god, can
we pull up Larussell's.

Speaker 4 (13:10):
Tweak Larussell on your ass.

Speaker 1 (13:13):
Painting me to be this person that I'm not. Damn
am l Russell. I'm like, not my guy. Who's who've supportive?
That's not your guy, and that's not your guy. He said, Uh,
Doji is one of the greats. It's never too early
to recognize greatness. There's no such thing as a premature
flowers giving.

Speaker 3 (13:33):
She's yes, it is, Larussell, I love you. But it
is a such thing as premature flower given. Absolutely, I'm
gonna just stop him right there. It absolutely is a
such thing as premature flower given.

Speaker 1 (13:44):
She's great and doing great things. She's not just tight.

Speaker 4 (13:48):
She gets it.

Speaker 1 (13:48):
She's putting something new in the pot. She loves art,
she's smiling, enjoying her journey. Get off her dick now,
now everything l Russell said in this passage right here,
I have said for over a year about Doci. Matter
of fact, I've been saying this about Dochi since twenty twenty. Yeah,
that's where I'm saying, like, I get the hay. But

(14:11):
now you guys are painting me to be this person
that I'm not when it comes to supporting this artist
or artists like Doci. Because I was with the Hey,
if she only sold eleven thousand records and you can't
get a Grammy off that, I don't give a fuck
if the Grammy's got it wrong. This time, they got
it right because they gave it to a talented artist
this time. I've been on this the whole time. Is
when I saw the rust of do that was like,
damn the fuck.

Speaker 7 (14:32):
Well, you know, nobody gives a fuck about what you've
been saying all those other past times. Like you said,
they only care about the clips, but you have been
the main one in this podcasting sphere that has been
pushing that DOCI is one of the greats. You've been
saying that you came in here and couldn't shut the
fuck up about that album.

Speaker 1 (14:49):
Twenty nineteen. I was hitting Reason's phone every other day, Hey,
can you give me a line on Dochi? I want
to work with her. Yeah. I think she's amazing. We
were at the But I also think Lauren Hill is
just Lauren Hill.

Speaker 7 (14:58):
And that's and that's one thing that I did want
to bring up when I was defending you, but I
was like, nah, I fucked that. People are thinking you're
putting DOCI down, But I don't think everybody knows how
you feel about Lauren Hill. Lauren Hill is your real hove.
So like you you worship Lauren Hill. You literally worship
Lauren Hill. So I think that it's I don't want

(15:20):
to say, not jealousy. It's not that you're hating on DOCI.
It's just it's a yeah, it's a it's a Lauren thing.
It's just how you feel about Lauren. It has nothing
to do with how you feel about DOCI.

Speaker 1 (15:30):
But it did come.

Speaker 7 (15:30):
But I was trying to save you in the middle
of the conversation, like, yo, this you sound like a hater.
I was trying to save you.

Speaker 5 (15:34):
You wasn't biting.

Speaker 1 (15:36):
I mean, it's cool, it is what it is. Yeah, yeah,
I didn't have too much for this. I wasn't coming
here to backtrack. I'm laughing with y'all. I agree. I
fucking think white people should get out of this genre.
I'm just I'm not going to return this equipment like
it's it's expensive. I would now let me put my
exs in this my casting basket. Let me add this
to the pot of the conversation. Is it too early

(15:59):
to call DOCI one that greats? Like one album?

Speaker 4 (16:05):
I'm just asking, like, do we call people grats off
from one album.

Speaker 1 (16:09):
I saw in the comments too, Hey, Nas was called
the great just after the Live of the Barbecue Verse,
and he worked with some of the greatest producers for Illmatic,
this and that, and I felt them and I saw
a lot of people saying, you know, Nas was considered
once Illmatic came out one of the greatest. And now
I'm gonna set myself up to look more like a
hater when I'm not being one. Am I hater for

(16:30):
saying it's not Illmatic? Everyone everyone under that shit was
bringing up Nas was like, no, I get it, and
I'm not. I'm not taking Doci down by saying and
this is where you can't win in podcast because I
want to say, hey, guys, that's Ellmatic. Yeah, clip people,

(16:52):
I get what you're saying though.

Speaker 4 (16:53):
That's that's why I'm posing the question, like I.

Speaker 9 (16:57):
Think.

Speaker 1 (16:58):
I think it's fine for Larusseo to say right now, yes,
Doci is one of the greats. I think that's totally
fine for anyone that is a fan of her to say,
I think she's one of the greats of this new generation.
I cannot wait to see where her career goes, but
in the whole totality of things, which is what that
combo was sort of about, of who Lauren is in
the years that she has put in and what she
has accomplished versus what a new artist that looks like

(17:21):
they have incredible potential is and just the marriage of
those two things. That's all okay.

Speaker 7 (17:25):
So what I do want to bring up is with
other people's main argument is what other people other people
were bringing.

Speaker 5 (17:33):
I mean, other people were on stage with Lauren Hill. Yeah,
like I'm in that show someone. It's kind of like,
so why and Doci was the most famous one out
of all of them for sure?

Speaker 4 (17:44):
So why was that? Obviously put out?

Speaker 3 (17:47):
Foggy Foggy brow performed. I'm not sure who else outside
of Docie and Foggy, she wrote out, but I did
see Foggy was there.

Speaker 1 (17:56):
I mean, I'll give the obvious answer, it's not the
right one. Dotchie is what the conversation was, And podcasting
is a lot of the times about what the current
conversation is. And at that time, as Rolling Stone has
told us, Doughchi hate is the main conversation. So we
were talking about Dochi coming out, and that also was
the biggest moment, and the comparisons I think are fair

(18:20):
as far as their artistry and their style, I think
that's a fair comparison. You can tell that DOCI was
clearly influenced by Lauren Hill, which is why I think
we love a lot of our music. So that was
really why that conversation was higher than the rest of
the people that were brought out. But it is also
a conversation and I was saying was the right way.
But when we were coming up, it would be the

(18:42):
younger artist would have the opportunity to bring the legend
out as the co son, not reverse. That was always
the huge moment that they the legend would come out
and perform and that would be the coson.

Speaker 4 (18:55):
My thing is this.

Speaker 1 (18:57):
You can make like in the beginning, Dre brought out
Wayne and that was the Crazies ship, Like damn, he
brought Wayne out, and I mean, of course he was
signed to him, but it wasn't until Drake became Drake
that Wayne would bring Drake out like that's that's usually
how it went, all.

Speaker 3 (19:11):
Right, Well, hopefully then that ain't kicking your ass too
much after this, man, you know, I'm sure, I mean
it took you. It took your words out of out
of context a little bit.

Speaker 1 (19:18):
And you know, I mean, and let's say, let's say
they didn't. Everyone will be okay, Literally, every don't you
will be fine. Yeah, who's ever watching? That will be fine?
Everyone will be fin Lauren Hill will be fine.

Speaker 3 (19:34):
Like my mottel is this the first comes every month.
I don't care what y'all saying on the internet. The
first is coming out pay your bills, nigga, I had uh.

Speaker 1 (19:45):
I won't say what group chat with friends of ours
were trying to put together people that work in the
music and are super jokingly trying to trying to put
together like a pr apology for me to come on here.
That's very funny. And this, this is what I had
written so far because one I'm I don't want to
give like hints on it was trying to tell me

(20:05):
not to double down like Andrew Schultz. Then she couldn't
be around me. She thought like I was finally an
ally that she could bring around other black people. Yeah,
so she was like, we need to put a press
conference together. I will stand next to you giving you
the death thighs the entire time you read this after
meeting with various women, amongst whom are from the community
that I've offended the most. I understand that I was

(20:25):
wrong and that my actions have harmed many innocent people's lives.
I will be checking myself in a mental health facility
to truly address the internal issues that caused me to
act out this way. Please give my family privacy during
this time. Thank you.

Speaker 4 (20:37):
Yes, you should have added it in that you're gay
at the end of that really like sends it home.
After that, once you say you're.

Speaker 1 (20:43):
Gay, I should have started with I realized that I
am a red flag.

Speaker 5 (20:49):
Should please leave me in my very black female alone
at this time?

Speaker 1 (20:52):
Oh man, Jesus. Anyways, speaking of people that are no
longer invited to the cookout, Yeah, I gotta go link
with Alabama Parker. What happened now?

Speaker 4 (21:04):
What's the latest and greatest with bad Baby?

Speaker 1 (21:06):
We are the two whites that deserve to get our
ass kicked this week. Yeah, but at least I hope
it's not completely over for me. Alabama Barker, Man, I
go back to your in laws, reality TV, maybe sell
some skims. I don't really know what's what's going to
happen with Alabama bar. Did Bad Baby drop another record? Yeah,
she did og crash out one another one. She is

(21:27):
twenty one years old. How she called she heard stripes
already young g crash.

Speaker 7 (21:35):
We can't exactly talk play it, you know, on Patreon
we played in music, so we're going to do that
on our Patreon episode.

Speaker 1 (21:41):
But yeah, that's gonna be a lyrical breakdown on page.
I've never I haven't heard it, so I'm excited. Yeah,
how much full reaction? I want your full reaction.

Speaker 3 (21:52):
I'm excited to hear Bad Baby because I again listening
to you know, the other other tracks you put out.

Speaker 4 (21:58):
I was very impressed by the way she del those bars. Again,
I don't know if she's writing that, but she delivered
it like she is. So I want to hear what
she had to do, what she had to say on
an og crash out.

Speaker 1 (22:09):
Dude, there's been There's been plenty of battles where I've
seen people lose, Like even after back to back. I
was like, if Meek she keeps said down, stays focused,
and puts out good music, he'll be all right. Like
there's plenty of times artists have lost, and I was like,
give it some time, everything will be normal again. Yeah,
I think this might be the first actual battle where

(22:32):
it's over nailing the coffin for the rapper forever. I
know John got a little weird, but that had a
lot to do with you know, the Feds, and he
still had clap back like New York Rule still put
out records after that. Yeah, I think this is the
first one we've ever seen. Like even when the bridges over,
the bridge was not over, like everyone continued on, this

(22:52):
is the first time I think it's over for a
rapper forever after a battle. I don't think Alabama Barker
can look at pro tools for the rest of her life.

Speaker 4 (22:59):
Nah, I don't see.

Speaker 3 (23:00):
You got you got to at least let let her
fight back. Looking with her fight back game is like,
at least because she could drop something three weeks. Yeah,
but I mean she might she still let you can't
rush the chef. You know that she might be cooking.
She gotta get intel, you know what I'm saying. She
might be putting together some you know, a video like
you don't know what she does.

Speaker 1 (23:15):
What intel could you have on someone that was on
Doctor Philip fourteen cursing her mother out and then had
a countdown till her eighteenth birthday for OnlyFans. This is
what I'm saying. This is what I'm saying. You don't
know what Dirk could you have on this.

Speaker 7 (23:27):
It's kind of the Freddy Gibbs methodology, like the world
knows all the worst things about me, so there's nothing
that you can really say.

Speaker 1 (23:34):
And it is.

Speaker 7 (23:36):
Yeah, she mal she said, and we're gonna get into
what I Patren, but she literally said, you keep running
back to your daddy.

Speaker 5 (23:44):
I don't know when the last time I seen my
pops Gangster.

Speaker 1 (23:48):
It's different. You can't get into a battle with somebody
that trauma were in a trauma war.

Speaker 3 (23:52):
I don't even care about seeing my father. You're talking
about who and who you talking to? O G and
who you're talking and who you talking to? Og crash
out of Bill.

Speaker 1 (24:01):
I'm really excited for your reaction in real time on Patreon.

Speaker 3 (24:05):
Yeah, bad baby, I'm gonna check I'm gonna check out
your og crash out.

Speaker 4 (24:08):
I'm impressed by what was the name of the other one.

Speaker 1 (24:10):
The first one I think greatest miss all.

Speaker 4 (24:12):
Time, Miss Whitman. She was skating on Miss Whitman.

Speaker 1 (24:16):
And then we did this, We did the whole science
of what Miss Whitman was like. That was a whole
d She went crazy, That's what I'm saying. So Alabama
probably gotta get it. She knows she not.

Speaker 3 (24:22):
This ain't your This ain't your average battle right here, Alabama,
get in your bag, you know what I'm saying.

Speaker 1 (24:32):
Maul I am here to talk to you and all
of the artists out there about our guys over at
distro Kid. Distro Kid makes music distribution super easy and
they never take a cut of your royalties, which to
me is probably the most important thing, especially for the
up and coming artists. It's the easiest way to get
your music into all the streaming services and stores like Spotify, YouTube,

(24:53):
Apple Music, as well as social platforms like TikTok and Instagram.
That's like one of the toughest things I feel like
for up and coming artists, How do I even get
my stuff on DSPs? Distro Kid distribute your music to
over one hundred and fifty stores worldwide. Maul I have
been releasing music over I don't know how many years,
whether it be my stuff or people I'm working with.

(25:15):
Distroc Kid is like the first step when it comes
to figuring out what you need to do to get
it out to the world. Without this step, nothing even
really matters.

Speaker 3 (25:24):
Your DISTRICTID membership also comes with a ton of free
products and features to help you promote your music. Starting
at twenty two ninety nine, you can upload and distribute
as much music as possible and keep one hundred percent
of your royalties. I like the sound of that royal
Keeven one hundred percent of your royalties is definitely a
selling point.

Speaker 1 (25:39):
Sign up at district kid dot com. Click our link
in the description down below for ten percent off your subscription.
Eric Bellinger was on trash mag this week. I saw
a clip that he had said, Brandy full Moon is
the greatest R and B album of all time.

Speaker 4 (25:55):
Love you, eb, but you and full Moon is a
is a classic R and B album.

Speaker 1 (26:01):
I mean Belinger, being the writer and vocalist that he is,
I can totally see the Brandy and full Moon would
be a huge, huge influence on him and the goat
that he is. But I disagree. Just going through certain
R and B albums.

Speaker 3 (26:14):
That might be his wife's favorite RMB album. You know,
you get on a platform, you gotta whatever wife he likes.
You got to throw that out there like, yo, listen,
you know that's the greatest.

Speaker 1 (26:22):
It had me kind of thinking like how easily that
could be debunked? And I wanted to ask you, guys,
full Moon Verse Confessions, what you're taking. We're going with
the number one greatest R ANDB of all time, and
I just want to name a bunch to see.

Speaker 5 (26:33):
If there's some people who will argue with you what you.

Speaker 1 (26:36):
Think I'm taking? What you think I'm taking? Full Moon
in your heart? What you think in my heart? Yeah,
I think I'm gonna go to the Confessions, make confess.
I would. I personally would go to Confessions as well.
Marvin Gaye was going on, I mean soul. I still
consider it R and B to you, Yeah, full Moon
or What's going on? Probably full Moon? Interesting? Yeah, okay,

(27:02):
I wouldn't have guessed that DeMars.

Speaker 7 (27:07):
I would probably go foot moone, but I think that
What's going On is probably the better album. But it's
eras I was around to hear a foot Moon.

Speaker 1 (27:15):
Yeah, I'm still what's going on? But yeah, I always
answer based on what I listened to more you you
listen to Full Moon more than What's going On? Absolutely interesting? Okay,
I mean this one to me was like the number
one no Brainers songs in akia life, Like, is there
a better R and B album? No, that's like get it,
I get it, Eric.

Speaker 3 (27:34):
But Confessions is the one we all probably would say
is the greatest, but the greatest when you talk to
songwriters and musicians and artists, they would probably go with
songs in.

Speaker 1 (27:46):
The page, get the clip ready, Lauren Hill, the Miseducation
of Lauren Hill, which you could debate. That's not an
R and B album, So I don't even know if
it should be compared to Brandy full Moon. Yeah, it's
both hip hop and there's a lot of R and
B on it, though I can make a case it's
more of an R and B album than it is
a rape is a great album though, like of course,
like I just you know what's about the number one

(28:06):
spot crazy thing?

Speaker 3 (28:08):
It just it's tough, man, because all of this is subjective.
It's all about you know, what you like in your
taste level and things like that. But as we're sitting
here talking about it, and I'm kind of like, like listen,
listening to some of the songs on Full Moon in
my head, like the production on that alone, and then
like Brandy's vocals.

Speaker 1 (28:25):
Like her Ronnie Jergens did the whole thing.

Speaker 3 (28:28):
Yeah, it's just it's it's that's an incredible, incredible R
and B project.

Speaker 1 (28:33):
Then all right, let's just do a rapid fire then.
Who is Jill Scott full Moon? Who is Joe Scott
over full Moon? Personally it's a personal thing. Yeah, Dangelo
Brown Sugar full more, full Moon, brown Sugar? Uh, Mary
j in my life, full Moon going my life now?

(28:59):
See now today I'm the Brandy hit her, and I
love Brandy. I think she's the greatest vocalist of all time.
I can't tell, I can't I think. Let me you
think she's the worst vocalist of all time. That's just
how I'm feeling right now as I listen to It's
Whitney and Brandy one a one the greatest. All right,
let me try to get myself back here. I'll throw
a ringer in there, justin Timmerlake, the twenty twenty Experience

(29:21):
movie doing right. I'm just trying to I'm just trying
to give a full Moon the white guy. Get that
gap commercial out of here. I don't do that. It's
definitely not better than follow Experience.

Speaker 4 (29:30):
Lit the Gap.

Speaker 3 (29:31):
When I say gap commercial, that's not a knock. I
love the Gap and the commercials of Iconic. I'm just
saying what you told about full Moon.

Speaker 1 (29:38):
I know it shouldn't even been the around, all right.
Back back to Rapid Fire Carl Thomas emotional great album,
but full Moon, Full Moon, Donald Jones where I want
to be another great album, but full Moon, Full Moon.
Ringer here Kaleidoscope Dreams, Miguel.

Speaker 4 (29:57):
Full Moon, Full Moon, Bope Dreams is a great album.

Speaker 1 (30:01):
That's a modern class.

Speaker 7 (30:02):
Yeah.

Speaker 1 (30:02):
Yeah, that's a great album. Faith Evans, Faith Evans, Faith Evans,
Faith Evans.

Speaker 4 (30:09):
She got my joint on there too. It's my that's
my ship she got on there. But I'm going full move.

Speaker 1 (30:16):
Okay, one hundred percent of genuine. You lost your virginity
to that. Don't don't don't laugh, full move, man, I'm going.
That's a great altum. I was trying to throw some
some brandow ones that aren't all Stevie Wonder and Marviga
h shot a Love Deluxe. Come on, man, don't do that.

(30:37):
That's a tough one. That's that one's neck. And next,
oh man, don't do that.

Speaker 4 (30:41):
She damn that's tough.

Speaker 1 (30:48):
Make a decision.

Speaker 3 (30:50):
It depends if you ask me today today, I'm going
full Moon Saturday.

Speaker 4 (30:55):
I might have said shot, you know what I'm saying, Like,
but it depends on you know the day.

Speaker 1 (30:59):
It's just like you know what I mean.

Speaker 5 (31:00):
Yeah, I would go full Moon just because of Eras.

Speaker 1 (31:05):
But yeah, uh, this is an easy one for the Marrige.
Velvet Rope or.

Speaker 7 (31:10):
Velvet Rope one of the greatest R and B artists,
all greatest R and B albums.

Speaker 1 (31:14):
A great album.

Speaker 3 (31:15):
But I don't know if it's just because again I'm
always thinking vocal performance as well as production.

Speaker 1 (31:24):
That's not fair.

Speaker 5 (31:24):
Then Brandy would win the majority of every album.

Speaker 1 (31:28):
We just pretty much wins every vote.

Speaker 3 (31:29):
But no, because you can name another Brandy album against
Velvet Rope and I'll say velvet Rope, but just the
production of music on full Moon and Brandy's vocal performance, like,
it's just tough to beat.

Speaker 1 (31:42):
That, all right. Of course, Brandy's Brandy with vocals, but
if you're adding in production and vocal performance, velvet Rope
to me checks those boxes at an extremely high level
as well.

Speaker 4 (31:51):
Oh no, for sure, to me, velve Robe is a classic.

Speaker 1 (31:54):
But honestly, think I prefer the production of belvel Rope
over Full More. Yeah, it's more my type of ship.

Speaker 5 (32:02):
Got to Li's gone go deep? Uh, I get so lonely?
Where are we gone?

Speaker 1 (32:08):
Y'all gone start naming some of the joints on Full Moon.
You want to do that.

Speaker 4 (32:12):
If we want to start naming, we're talking about it here.
Have y'all listen?

Speaker 7 (32:16):
Listen to full I listened to Brandy's albums more than
most people's. Actually, yeah, that is.

Speaker 4 (32:21):
A great album, man, I'm talking on from the time
of the top of the record.

Speaker 1 (32:25):
I wasn't mad at Eric Bellinger. It's like out the gate,
but I'm always to me. I just feel like Confessions
is you know, better than I go a little more
neo soul with the next two Idism.

Speaker 4 (32:37):
Damn, that's a classic. I'm still going to Full More.

Speaker 1 (32:40):
Okay, because the way I feel like Full Moon defined
the R and B generation, I think by duism you
could say the exact same thing.

Speaker 3 (32:47):
Oh no, for sure, So you're not naming no trash out.
Let me just throw that out there, like you name it.
Some of the greatest albums that we've been lucky enough
to hear, Like you know what I'm saying, like, let's
get that out the way.

Speaker 1 (33:00):
Maxwell Urban Hanks week underrated classic album, if there's such
a category. Yeah, it's an underrated classic. It's very few that.

Speaker 4 (33:09):
Can sing better than Maxwell. So shit, I'm still gonna
go full moon.

Speaker 5 (33:14):
I'm gonna go full moon. I'm gonna go full moon
for the majority of these.

Speaker 7 (33:18):
But that's a that's because I'm a brandy stand Yeah,
and I feel like he has that same issue we do.

Speaker 1 (33:24):
We consider Alida one in a million R and B album. Yeah,
R and B pop, but then again, full Moon is
R and B pop to me, as we very army pop.
I'm still going full moon. But one in a million
is right there.

Speaker 5 (33:36):
Yeah, for sure, I would probably go one in a million.

Speaker 1 (33:40):
We'll go to Mall's era real quick. Tevin Campbell, I'm ready,
what's up with you today?

Speaker 2 (33:48):
Right though?

Speaker 1 (33:50):
Because I'm just saying I don't like that we're both
young singers.

Speaker 3 (33:52):
Yeah, but I don't like the way through Teven out
there like that. Nah, I'm going full full moon as well.

Speaker 1 (33:57):
Yeah, that was fun. I mean, I'm sure I'm sure
I missed the That was just an awful whim.

Speaker 3 (34:02):
That was some great, great albums, but Full Moon is
definitely a I gotta listen to that album again now
see now, now tonight, I gotta listen to full I
go let that album rock tonight.

Speaker 5 (34:12):
Do you guys think Full Moon is Brandy's best album?

Speaker 1 (34:15):
Absolutely?

Speaker 4 (34:18):
Yeah?

Speaker 1 (34:20):
Let me not. I guess she had the self title,
right Brandy? Then she had that was she had a
self titled album? Yes, I think Full Moon is better
than that. Let me what's what's the track list? I'll
Never Say Never?

Speaker 5 (34:30):
That's I think Never Say Never is better than Full Moon.

Speaker 1 (34:33):
That's just what.

Speaker 5 (34:34):
Oh yeah, my favorite song of all all time, no
matter who.

Speaker 7 (34:39):
The artist is, is on Never Say Never, and I
will go Never Say Never over Full Moon. What Angel
in Disguise is one of the greatest songs ever written.
I fucking love that song so much.

Speaker 1 (34:50):
Yeah, I don't know. To me, Never say Never say
Never in Full Moon are kind of like Confessions eighty
seven on one for me. Yeah, there's one that there's
there's why now, but there's one that is would be
the popular one to say is the better one. But
when you go through the track list, like eighty seven
on one is right there with Confessions, and I think
Never Say Never is right there with Full Moon. To me,

(35:12):
that's the second best album, but I think joints on
here The.

Speaker 7 (35:16):
Boy is Mine almost doesn't count. Angel in Disguise, Top
of the World. Have you ever, please please?

Speaker 6 (35:24):
Man?

Speaker 1 (35:24):
Named no no Full Moon track yet?

Speaker 6 (35:26):
Right?

Speaker 1 (35:27):
I mean it's like, do you need to name the
thriller tracks? I'm just saying, I hear that.

Speaker 7 (35:34):
I think y'all are partial to the Dark Child sound,
and I think that probably that sound. Full Moon has
a sound, and it like kind of ushered in an
era of that sound, and I think that's why people
are so attached to it.

Speaker 5 (35:45):
But it's not a better album than.

Speaker 1 (35:47):
Never, say Never, Did Dark Child ever do a versus No?

Speaker 8 (35:51):
So?

Speaker 5 (35:51):
Yeah, I'm pretty sure No, man.

Speaker 1 (35:53):
I don't think so. Who would he have who would
stand in front of that?

Speaker 5 (35:57):
No he didn't do it versus m.

Speaker 1 (36:01):
That didn't go already? Yeah, I'm not who didn't go already?

Speaker 3 (36:04):
I have no idea, But I mean the only other person,
the only person I think who could stand in front
of it Dark Child's catalog is.

Speaker 5 (36:12):
JD, Jimmy Jam and Terry Lewis. Might they didn't have one.

Speaker 4 (36:17):
Yeah, But I just I think it's just the errorge
is a little different.

Speaker 1 (36:23):
Yeah, it would have to be JD because you, I mean,
you're not fucking.

Speaker 5 (36:26):
With Dark Child And Timberland did one already, right.

Speaker 1 (36:29):
He did. I mean he was the first one. I
was birth was him and Swizz on IG Live. They
just did some fun ship when they were bored one
night and made half a billion dollars.

Speaker 4 (36:39):
Off podcast show us how rich they are?

Speaker 3 (36:42):
Nikas on Yo what and now I got this y'all
know how much this is kicking in residually every year?

Speaker 1 (36:47):
Oh yeah, and like how many jay z DMX records
they just have on their hard drive just just sitting there.

Speaker 3 (36:54):
Yeah, that was just like that was That was MTV cribs,
like on a more intimate level. Let me show y'all
what I really.

Speaker 1 (37:00):
This is kind of a morbid topic that don't really
want to put in the air, but we all pass
away eventually. Do you think in producers wills, like their
hard drives are going to be there, because that's kind
of a newer thing, you know, before dats and everything. Yeah,
those hard drives like have to be have some type
of clause in your will, right I was.

Speaker 3 (37:20):
I would believe so because that's part of your catalog,
right even though it's not out yet.

Speaker 1 (37:23):
No, well technically not. If there's no paperwork on it,
it it doesn't really exist. You can't do anything with
it without paperwork and everyone agreeing. But it's not like
your pub at that point. I mean, we've had artists
pass away and music is released, then they paperwork everything.
But I'm saying, like, if you come across three of

(37:44):
Timberland's hard drives, you're probably gonna find some of the
craziest records ever that never saw the light a day.

Speaker 3 (37:48):
Three of them, just one of them, three of them.
You hit the Mother Lovee. You find three Timblans hard drops,
you out of here, man.

Speaker 1 (37:56):
And of course they're not in some of the family
situations that some of us are. And like you know,
when you have a family member die, you can't keep
all the ship yard sales tell that ship like that's
how like I thought Boosie got the Kappa shirt because
a lot of times when Kappas passed away, their families
aren't members, so they just they don't know what to

(38:16):
do with it, so it ends up at a thrift
store and then someone just buys it not knowing exactly
what I Ken in Vietnam has a yeah, like the
like the chief super Bowl shirt from over there. But
can you imagine like if a famous producer just didn't

(38:37):
have a lot of family and like didn't have a
proper will, and then just some random nephew that they
didn't even know, all of a sudden inherits all this
ship and they have enough going on in their life,
so they're just going through the basement and findal this
Like what am I doing with this? Yeah? Let me
let me sell this back to Staples? Yeah, just get
it out of here.

Speaker 3 (38:55):
Yeah, but I mean I do think they have to
have some type of thing, and they will because that's
still they are.

Speaker 1 (39:01):
Like I would love it's not out. It would be
fun to do this while the producers were alive, like
a version of Storage Wars with all their hard drives
and like what that bidding would look like if you
if you had Swizzes storage.

Speaker 4 (39:17):
And it's just three hard drives on a floor.

Speaker 1 (39:18):
Yeah, and like all you have is like little hints
of how they labeled it, like ninety eight rough right,
a session or like like a bottle of wine. Yes,
And because you know Storage Wars, you kind of have
to guess what's worth it, and sometimes it ends up
being worth so much money. Sometimes it's nothing. Imagine that
with hard drives with our favorite producers. That'd be crazy,
that that would be a cool way to release unreleased music,

(39:41):
just finding hard drives. And you know the way they
auctioned off that Wusang album to that fucking dirtbag pharmacist guy.
To me, if you wanted to raise money, do it
through a storage war bit. You watch Storage Wars. I
have before. It's not like my go to, but when
I do watch it, I watch it for hours. It's
one of those like I watched once a year, but
it's six hours once you did. That's fun. I like

(40:03):
Storage Wars. I love it. I love Storage Wars. I can't.
It's kind of shocking. What I don't know. You don't
strike me as the Storage Wars.

Speaker 3 (40:10):
I just like when they start fighting over ship. Yeah,
and once they going there and they'd be like mad
that he outbitted him. He say, oh, you didn't hear me,
and then they starts crapping, and then you come to
find out that the unit is only worth two hundred
and fifty.

Speaker 4 (40:21):
Y'all just fought for two hundred.

Speaker 1 (40:24):
I'm more of a hoarders guy. Hoarders is hilarious.

Speaker 4 (40:26):
That shit's disgusting. I know, that's like fucking I could
smell the TV like I know it's thinking it like
you living in it. The fuck is going on.

Speaker 1 (40:35):
And I love that they do, like help those people out,
but they don't help their addiction. They just give them
a clean house to be storem wars. Shit.

Speaker 4 (40:42):
No they they don't care. No, no, no, they don't
do that because they have therapists there. They give them
care after and stuff like that, and I hope that
they Sometimes people take it. Sometimes they be like yo,
you know, didn't haven't heard from them, And hopefully they're, Okay,
you just.

Speaker 1 (40:55):
Gave him a clean It's it's literally filing for bankruptcy.
You have a clean slate to spend more money. Anyways, though,
I saw that Beyonce is allegedly struggling to sell thea
her tickets.

Speaker 7 (41:08):
Who said that the news news couple news articles just
because it's not sold out.

Speaker 5 (41:14):
They say she's struggling because it's not sold out yet.

Speaker 3 (41:18):
Let me help every news article, every news program out there.
When it's showtime, each one of those arenas will be
sold out. I can promise you that people ain't buying
it right now. They're probably waiting, like when you know,
get closer to the time I got bills. People got
bills right now, tax tax season to say people have
to get their income tax.

Speaker 7 (41:35):
Oh them tickets to be sold out, don't trip And
even if they don't sell out, does that mean that
why is that a news article? Does that suddenly mean
Beyonce is a failure if she wasn't able to sell
out every stadium on her tour?

Speaker 1 (41:48):
No, Like, what the fuck are we?

Speaker 5 (41:50):
What are we talking about? I can't even believe that
that's a news article.

Speaker 4 (41:55):
Trust me, trust and believe those those tours, those shows
will be sold out.

Speaker 1 (41:59):
Well, I think I think what this article from? You know,
it's Yahoo. At this point, it used to be credible.
Now who the fuck knows? They're saying because of the
ticket prices being so expensive that the average consumer can't
afford it, and that's why it's not Beyonce's popularity. We
Beyonce has proven every other year that she can sell
out stadiums, baseball field, everything constantly. No matter what they're speaking,

(42:22):
I think to it being twelve hundred dollars for some seats,
but there's some for ninety three dollars. That's still expensive
for a ticket, don't get me wrong, but when you're
going to high level shows at stadiums ninety three, it's
cheaper than the sports that play there. Yeah.

Speaker 4 (42:39):
So it was twelve hundred dollars tickets to the last show.

Speaker 1 (42:42):
And there's five thousand dollars if you want to go
into the behive VIPs and and all that shit was
sold out.

Speaker 4 (42:47):
Yeah no, I'm what are we talking about here? Because
it didn't sell out yet, Okay, we get it.

Speaker 7 (42:52):
And also it's not just a be because I'm seeing
like the news articles are saying, you know, sometimes the
or people are saying, the fans will retire for you
if you're not ready to retire. It was just such
a dumb shit in reference to Beyonce. But like live
music everywhere is suffering, it has been suffering. Ticketmaster is
a terrible conglomerate and they need to kill the CEO

(43:13):
of that. Oh I didn't say that out loud. I'm
so sorry. Shit, I gotta bite my tongue sometimes, but no,
for real, like were killing the wrong CEOs? Like Ticketmaster
is terrible.

Speaker 1 (43:21):
No starting health insurance was a good move. Okay, ticket
Masters a little lower than health insurance, Like I feel
you the four dollar pre order handling fee. You have
to pay four dollars just to get to the other fees.
So I'm with you, like they're on the list, but
a little lower down. All right, let's deal with universal healthcare.

Speaker 7 (43:37):
But yeah, like Ticketmaster is insane. It's a for session.
People don't have the money. Like, give people time, give
people time go buy.

Speaker 1 (43:45):
And also if them if she doesn't, she will in
twenty years when we talk about Beyonce's career and legacy,
we'll be like, you know, she was a pop star,
but she didn't sell out ten to see that one.

Speaker 3 (44:00):
Yeah, that one year she didn't sell out Atlanta. That
was really a tough year. For the fuck are we
talking about.

Speaker 1 (44:05):
Put an asterisk next to her name? Like, I mean,
Lemonade's great. I just I feel like the.

Speaker 7 (44:11):
Same thing as the album sales. We just the general
public just needs to stop knowing this information because they don't.

Speaker 5 (44:18):
Know what the fuck to do with it.

Speaker 1 (44:19):
Of course, not like anything, but I mean we're trained
to be that way. We don't even know fucking mortgages.
You think we're gonna understand the album sales and how
streams work, like we're taught to be ignorant, and then
they give us the info to make it look like
we don't know what we're talking about. But I mean,
I'm excited for the tour. When is the Met Life date?

Speaker 5 (44:40):
Mine is May twenty eighth.

Speaker 1 (44:44):
May twenty eighth, Okay, oh that shit is coming up.

Speaker 5 (44:46):
Yeah, it's close, very close.

Speaker 1 (44:47):
What's the first first date?

Speaker 5 (44:49):
May twenty first, if I'm not mistaken?

Speaker 1 (44:52):
Okay, I mean Met Life so two months away, and
they told mot it's not sold out yet. I'm sure
Met Life is probably some tickets either way. There's always tickets.
That's another thing, like with the resale game and everything,
like there's always tickets, tickets. I know they're purchased, but
people are always selling them back, like it's constantly happening

(45:12):
up until even in the middle of the fucking show,
you can buy them. Like my god brother a lot
of times buys the cheapest ticket, and then we'll look
at the what's available in the middle, like at halftime,
and then buy the cheapest ticket in the front row,
and it ends up being cheaper than buying that front
row ticket in the long run, like people are just
constantly the data doesn't even make sense of what's sold

(45:34):
out and what's not at this point. But are you
going I'd be down to go. I would buy a
ticket too.

Speaker 5 (45:40):
Chaps ass out, chaps up?

Speaker 1 (45:43):
I mean, would you style me? Which what's your aesthetic?

Speaker 7 (45:48):
I was actually was gonna ask Kellen for help because
I don't know about like the Southern rodeo.

Speaker 2 (45:53):
Ye, I don't know.

Speaker 1 (45:54):
And you want to look like the person that just
bought a cowboy hat. Yeah that's cheesy, girl, you want
to be at that? And took like you really like
I want to buy real cowboy boots.

Speaker 7 (46:02):
I want to have the real cowboy hat and not
the one that they're gonna sell at like Zorrow you.

Speaker 1 (46:06):
Know that she's partnered with for the tour. Yeah, like
you don't want some real shit? So I mean, what
if we showed up to met Life like on horse buggy?
Do you think it's? Like? Why horse?

Speaker 5 (46:21):
But why would you just ride the actual I know
how to ride actual horses.

Speaker 1 (46:24):
In New Jersey like off the like the turnpike and
Route three like not in a field on the way.

Speaker 3 (46:32):
Talking about home because y'all letting damaras get some six
shit off right there, dumars, What do you know how
to ride a horse at?

Speaker 1 (46:38):
What do you mean I know how to ride a horse?

Speaker 4 (46:39):
How often do you ride horses?

Speaker 1 (46:41):
I used to ride horseback ride regularly in Syracuse.

Speaker 5 (46:43):
It was my past time.

Speaker 3 (46:44):
Okay, when the last thing you rode a horse? I
know you got the horse riding boots on today? When
the last about six months ago?

Speaker 1 (46:51):
I ride horses.

Speaker 7 (46:53):
Photos, multiple photos of me riding horses, and every time
I visit a new city, I tried to ride a
horse there.

Speaker 1 (47:02):
That's not there's something wrong with riding horses. Horse. Do
you have any videos on your your Instagram of you
riding horses? Any pictures?

Speaker 7 (47:12):
I took all of that stuff down, but yeah, I
have videos on my Instagram ride horses.

Speaker 5 (47:16):
They're all on my archive and on my phone.

Speaker 4 (47:19):
I said, we only saw her to saddle to the
mechanical bulls.

Speaker 1 (47:22):
She did well. No, I ride, I ride.

Speaker 5 (47:24):
I ride horses. I know how to ride horses.

Speaker 1 (47:27):
When you say ride though, like like I don't like
like gallop?

Speaker 5 (47:33):
Yeah?

Speaker 1 (47:34):
Do you have the horse?

Speaker 7 (47:36):
There was a horse named Sierra out in SYRACUSEA I
would ride so often that they would just let me
take her out there because they knew what they trusted me.

Speaker 1 (47:44):
How do you like? I've ridden a horse before, but
it was in a controlled environment, like just around. So
how do you control a horse? What do you mean?

Speaker 7 (47:51):
How do you control a horse? I mean, I'm not
riding to go you direct her, but I don't. I'm
kind of confused about what.

Speaker 1 (47:59):
But you're confused that someone's asking how you control a
large animal to do what you want? It's not to
So have you ever ridden a horse? Yeah? But like
at a birthday party?

Speaker 7 (48:08):
Like, oh okay, so I'm like no, like on the ranch,
like that's you're sitting in in the reins that you hold,
you move them. It's almost like a steering wheel, but
a lot gentler. But yeah, you move that and it
tells the horse go left, go right. You can kick
it to go faster. Like it's yeah, I'm not a
professional horse rider.

Speaker 1 (48:27):
But I ride horses.

Speaker 4 (48:29):
We go on horseback round. I got to see them.

Speaker 1 (48:30):
We can do that.

Speaker 7 (48:31):
But yes, by no means am I a professional horse rider?
But it is one of my favorite pastimes. I like
riding horses.

Speaker 1 (48:37):
I believe that she rode horses in her past. But
I think she's changing the story and she was actually
a jockey fixing races with her.

Speaker 5 (48:45):
No, No, I've actually no, I watched the movie Focus.

Speaker 7 (48:52):
I do want to go, like bet on horses one day,
or like go to the Kentucky Derby, hopefully like with
a bran or something like tell you.

Speaker 1 (48:57):
Dey would be fun. I'm not betting on that ship
I know nothing about. It feels too much like a
chance to me, I'd be too emotional. I wouldn't enjoy
like the experience. If I was betting on horses.

Speaker 6 (49:08):
I'm cool.

Speaker 4 (49:08):
Yeah, that's why I stopped. Never mind, we got sponsors.

Speaker 1 (49:14):
Football, I'll bet all day, but horses. No, that's saddle ranch.
I shouldn't. But with that said, all right, so you
can you have the horse plug. Let's see if we
can get them on Route three. I had a met
life plug. I could see maybe we could find some
horse parking.

Speaker 4 (49:32):
No, I want to see the marriage ride a horse though.

Speaker 1 (49:33):
Can you imagine if we showed up to the Cowboy
Carter Show on horseback, like we'd be legends.

Speaker 3 (49:40):
No, you would actually be in the way of people
trying to drive their cars, and they will tell you
to get the fuck out the road everywhere.

Speaker 4 (49:45):
That's what they would tell you, get the fuck out
the road.

Speaker 1 (49:47):
Do you think Beyonce will have like ride a horse
the way she did for the Christmas halftime show the show? Yeah, yeah,
I could see her definitely at some point being on
a horse at the show your.

Speaker 5 (50:00):
Partners or like the mechanical bull type thing for sure.

Speaker 1 (50:04):
Can you imagine like at the stable, all the horses, like,
you know, Sierra's there, Damara shows up. They go around
and then one of the horses like, yeah, I'm about
to go on tour with Beyonce. That's my gig now.

Speaker 3 (50:16):
Yeah, and you know the horse is acting crazy at
the stable with the rest of the horses right now,
talking all that like, hey, I don't eat that shit, Julius,
get them away from me.

Speaker 4 (50:27):
Yeah, I don't eat that shit. Get that fucking grass
out of here.

Speaker 1 (50:30):
I have security. Now. If you have to like be
a horse that's not free in like the Midwest or whatever,
what a cool gig to have, Like, yeah, just Beyonce.
I take her to stage and then I go right
back and I get my carrots.

Speaker 4 (50:44):
Yeah, lay down on soak pillows and shit, like it's
all good.

Speaker 7 (50:48):
Sorry, I was trying to find a picture, a couple
of pictures of me on horses to send to Josh.

Speaker 1 (50:53):
Yeah, now that's that's the carnivals where you pay five
dollars for the photo. Yeah, okay, that horse is definitely
chained to that death fence. H yeah, until we get
up and get moving, the fuck you be talking to video?
Sierra was wild. Sierra was.

Speaker 7 (51:09):
She had an attitude problem, so like she was either
cool or she was like she had getting her moves
where she wouldn't want you to get on top of
her like she was.

Speaker 1 (51:18):
Was she at ares?

Speaker 4 (51:20):
Fuck you?

Speaker 7 (51:21):
Definitely a tourist, yeah for sure. Yeah, wishy washy and
like moody tourists for sure.

Speaker 1 (51:26):
So she's a woman.

Speaker 5 (51:27):
Yeah, that was a horse. I took that photo.

Speaker 7 (51:30):
Oh god, that's a terrible photo of me when I
was trying to ride a horse when I was traveling
during COVID.

Speaker 8 (51:35):
That was.

Speaker 5 (51:36):
That was on the border of San Diego in Mexico.

Speaker 1 (51:39):
That's kind of fine.

Speaker 5 (51:40):
Yeah, so I like ran it in like the beach
in the water.

Speaker 1 (51:44):
It was.

Speaker 5 (51:44):
It was fun.

Speaker 1 (51:45):
They're the option of Mexico to do the horse or
the four wheeler, and I was like, I'll take the
four wheeler every day. Really, horse would have been more
beautiful on the beach everything. I just give the four wheeler.

Speaker 4 (51:55):
And you know how you think you probably look on
a horse that's galloping.

Speaker 1 (51:58):
You don't look like that for real, Like you look scared,
you look like you I don't like how to look
like the girls that post the photo when they're on
the beach on the horse way more attractive.

Speaker 3 (52:06):
I would look nuts on I'm not fucking with no horse.
I could barely control a pit bull. You think I'm
gonna get on the horse.

Speaker 7 (52:12):
Yeah, it's the feeling, especially when they're like running, like
when you're running a horse, like especially when we were
on the beach, it was so much like wind and
you could smell the ocean like it's it's ethereal experience.
You guys definitely have to try it.

Speaker 1 (52:25):
That's beautiful cool. I think at this point cops still
using horseback in New York City is officially animal cruelty,
Like before I kind of understood what it was. You know,
there's traffic, they can get around easier. We have different
types of bikes. We have fucking those things that you
just push forward and go. Why are cops still on
horseback dressed not for combat. They're dressed for style on horses,

(52:46):
not doing anything that's animal cruelty. You don't need the horse.

Speaker 4 (52:50):
The horses live. Those horses are very well taken care of.

Speaker 1 (52:52):
Though. Why the police horse, They definitely live great lives.
But why, I mean you don't let them room free? Well, yeah,
I agree, there's no purpose except for show. It's a
show thing. Well no, then you know I used to
have purpose. They need horses at Juve for sure, on Brooklyn.

Speaker 7 (53:09):
So it's for crowd control, crime deterrence, public relations.

Speaker 1 (53:13):
Crowd controled Juve. They need a horse at Juve because
they have pepper spray, tear gas. We've seen them in action.

Speaker 7 (53:21):
No, but but they're like so they're mounted, they can
see higher than the crowd. They can see things that
are going on, and they can get there in a
timely manner without running people over with cars and places
where cars.

Speaker 1 (53:31):
I was saying the electronic ships they have now, either
with just regular bicycles or those electronic joints that they
be on.

Speaker 3 (53:37):
Sometimes that to me is yeah, I ain't no cop
catching me on, no fucking segue, mag he catching me
on horseback.

Speaker 1 (53:45):
I've seen it. I'm hopping that turnstile immediately and Sierra's
going headfirst into it.

Speaker 3 (53:50):
Well, I mean you, I mean, ain't no horse gonna
go down no subway steps. You talking about, ain't no
horse going down those subway steps. I mean, I'm just
saying in the streets, I've seen dudes get locked up
like by a cop on a horse.

Speaker 1 (54:03):
All I need is a revolving door. And she's not happening.
That is the dumbest thing. That's just for show to
feel authority. Yeah, a lot of police presidence is just authority, though,
but there needs to it needs to be attached to
some type of action if something goes wrong. They got
to use it though. What was the last time you
read in any newspaper that the suspect was caught on horseback?

Speaker 7 (54:27):
Well, technically you gotta get down, like you don't. I've
seen the cop crab a nigga buy his shirt. It
was on top of the horse. This nigga's face was
on the thid. It was like Gladiator. He had him
like this is another copy. He ain't got to get
off that horse that I've seen in the paper on
the news. Cops pursued them in the car. They even

(54:48):
named the cop car what number it was, got out,
pursued them on foot. I've never once read that they
were caught by horseback bicycle. I've seen everything.

Speaker 1 (54:56):
Even even with crowd control, the crowd was controlled by
your guests. The crowd was controlled by batons. Okaya, gar
No that it does not. Let's not advocate for that.
Let's I'm just telling you what they do. Yeah, they
be catching a folk.

Speaker 4 (55:11):
No, it's crowd control because if they at.

Speaker 1 (55:13):
With the number hand on the sidewalk, if a cop
is on a horse, Yeah, but that's not what I like,
my gods, No, no you're not. That's horse ttrol though.

Speaker 7 (55:21):
Like we're not talking about people who really are committing
huge crimes like crowd control.

Speaker 1 (55:26):
Man, I'll just start running in circles. Confuse the funk
out of the worms. Rory.

Speaker 7 (55:33):
There are also says public Relations. The Mountain Unit is
a popular and recognizable symbol of the NYPD fostering positive
interactions with the public.

Speaker 1 (55:41):
It also says CPR on the side of their car
that says, uh, respect, purity, whatever the fuck? Bullshit?

Speaker 4 (55:47):
Yeah, they courtesy, professionalism or respect.

Speaker 1 (55:50):
What's wrong with you though purity is purity? You think
that is pure? I'm telling you they lie about what
they're out there to do. Oh yeah, yeah for sure. Absolutely.
Do you feel like there's a civil communication when you
see that copl horse?

Speaker 3 (56:03):
No, I've just seen when niggas acting up in the
streets and once cops with horses pull up, niggas disperse
because it smells. Yeah, you don't want that big ass
You turn around, see a big ass horse face in
front of you.

Speaker 1 (56:12):
You moving, I guarantee you moving off that sidewalk. I
would love you know, we did with Dale and Detroit.
We did the the whole training course. Yeah, civil certin
whatever I've seen other like content creators do the police course.
You and I should do the police horse course, just
that one, like how to get certified as a police
officer on the horse, because there has to be some

(56:32):
type of training. Oh, I mean yeah, you got to
know how to ride a horse first. Yeah, but I'm
sure you have to be able to do speak horse
that too. It's like when the white cops try to
speak Spanish.

Speaker 6 (56:45):
Oh h.

Speaker 1 (56:50):
To just say hi, But no, what's what's the game?

Speaker 9 (56:54):
Uh?

Speaker 1 (56:55):
Polo? Like, I'm sure you have to know, like some
polo moves and ship with the baton. Yeah, you gotta
know how to like really grab a suspect on horseback
and then like what do you do with them?

Speaker 3 (57:06):
I told you just now, they just hold them close
to the horse. You're not moving because you're scared that
horse gonna kick the ship out to you. Ain't moving
next to no horse.

Speaker 1 (57:14):
Because I've seen videos of like the Army training with
dogs and police dogs and stuff like that. That's a
process process. I can only imagine what the horse wanted, the.

Speaker 3 (57:23):
Coping that they need to change dogs too. Niggas ain't
scared of Germany shepherds, no more.

Speaker 1 (57:28):
Who ain't.

Speaker 3 (57:30):
If a horse pulou with a red nose pit, if
a cop p up with a red nose pit, you
start running and the red nose pit jump out the
jump out the cop car. You definitely are slowing down.

Speaker 1 (57:42):
They walk out with the Chihuahua. I know that thing
is trained to kill. I'm scared of any dog that
a cop is with that she got the best on and.

Speaker 4 (57:53):
Jump out the backs. Chihuaha jump out the back.

Speaker 1 (57:57):
I'm running. I know that's the sleeper cell. Like that's
the one.

Speaker 3 (58:00):
Man I kicked the shit out that chiuaa Nah I
wish to Chiulla would chase me into projects.

Speaker 1 (58:05):
Get the fuck out here.

Speaker 7 (58:07):
I think that black people have a fear of I
know me personally, I've always had a fear of German
Shepherds because they've always been connected to being police dogs
for me. So even people who just haven't at their crib,
I'm like, nah, I don't your dog racist.

Speaker 5 (58:20):
I don't fuck with it, Like I don't know.

Speaker 3 (58:22):
And if you own a German Shepherd and you ain't
got a house, what the fuck you doing? That dog
too big to be in this studio apartment?

Speaker 1 (58:28):
My nigga training it?

Speaker 3 (58:30):
Why you got this big ass dog in apartment building? Like,
get a house man, what's the what's the history of
the German Shepherd? Why I ended up in the police force?
I have an idea what I don't want to be wrong.

Speaker 1 (58:43):
What's your idea?

Speaker 4 (58:44):
That's why you could just search it so you ain't
got to say nothing crazy.

Speaker 1 (58:46):
But ironic, like that breed ended up being well.

Speaker 4 (58:51):
It's says.

Speaker 3 (58:52):
German Shepherds are popular as police dogs due to their intelligence, trainability, loyalty,
and physical capabilities to catch niggas.

Speaker 1 (59:01):
I'm saying, who figured that out? Yeah, it was trial
and narrative they had that he was before. How did
they just land on German shepherds.

Speaker 3 (59:10):
I'm telling you, somebody at the station just had a
German shepherd one day and he's like, that's the official
police dog.

Speaker 1 (59:16):
Man. I watched a tear jerker. What's the movie that
recently came out last like five years of the Bomb
Dog in Iraq? It was a true story about the
woman with her dog.

Speaker 6 (59:26):
What was it?

Speaker 1 (59:27):
Megan Levy's in it. That's his best friend's wife, Megan Les.
Such a random fact.

Speaker 4 (59:36):
Wait, what the fuck just happened? Megan Levy is the actress?
Or is that the name of the movie.

Speaker 1 (59:43):
Oh wait, Megan Levy is the real person? Oh well,
absolute to her service, I cried throughout the entire movie.
Is the dog still alive?

Speaker 6 (59:54):
Oh?

Speaker 1 (59:54):
Dam got you? Well? Yeah, she was in Marines and
got like stationed as one of the dog handlers where
they check out the minefields and bombs and ships bombs,
and she got blown up a bunch of times. And
it's if you want to cry, wait, the dog got
blown up a bunch of both of them. I feel like,

(01:00:15):
what do you mean a bunch of times, And I
thought once you get blown up once, that's it.

Speaker 4 (01:00:18):
You're saying a bunch of times.

Speaker 1 (01:00:19):
This is how I Megan is. After that, she was like,
non straight, let's go the dog too. No, she's a
true American fucking hero.

Speaker 5 (01:00:26):
Did she lose a limb?

Speaker 1 (01:00:28):
No, but she she got fucked up though the dog
ended up losing a limb or something. But you know,
we've all seen three legged dogs. They fine.

Speaker 4 (01:00:36):
When y'all say they got blown up? What do you
mean blown up?

Speaker 3 (01:00:39):
Okay, because I've seen shit get blown up before them
niggas ain't lived to see another time.

Speaker 1 (01:00:44):
I'm obviously not a marine expert, but just based off
the amount of bomb and minefields that they have to search,
the odds are in your favor that you're going to
be blown up a few fucking dogs. Stop saying blown up?

Speaker 4 (01:00:56):
Yeah, that's what they look he los.

Speaker 5 (01:00:58):
I think your body part are splattered like that's blown up.

Speaker 1 (01:01:02):
The bomb went off right next to them.

Speaker 4 (01:01:04):
Okay, okay, so they went in the blast.

Speaker 1 (01:01:07):
What do you want to say, blown to smithereens? Like?

Speaker 4 (01:01:09):
No, I want you to say you know they were
close to like bombs when it went off.

Speaker 1 (01:01:13):
Yeah, they literally lived in the minefield.

Speaker 4 (01:01:15):
But you can't say blown up.

Speaker 1 (01:01:16):
You know what blown up? Rory.

Speaker 3 (01:01:18):
If you come in here and say, Yo, my dog
got blown up last night, I'm like, damns.

Speaker 4 (01:01:24):
Then if you got that up with nah, she good,
be like, but then your dog blown up, he's a soldier.
But then your dog didn't get blown up.

Speaker 1 (01:01:32):
Like, Yes, if a bomb goes off in here and
we all survived, you don't think I'm going to tell
everyone that we got blown up.

Speaker 5 (01:01:38):
No, we didn't.

Speaker 3 (01:01:38):
I think if we got blown up, we wouldn't be
around to say nobody that we got blown up.

Speaker 1 (01:01:42):
You've never heard someone that got shot in that terminology too,
Yeah you got blown up? Like yeah, nah, man, he
got shot when he didn't make it, guess what he
got killed.

Speaker 4 (01:01:51):
That's the difference. Blown up means you're dead.

Speaker 1 (01:01:53):
If me and Bays are walking through the desert and
hit a mind and the mind blown blows up, and
then we go this way and we both get injured,
me and Bays got blown the fuck up, we survived
to tell the story. I mean, Megan's ill, I'm not
going back to that fucking minefield. She she's different, th
I mean.

Speaker 4 (01:02:13):
I guess.

Speaker 3 (01:02:13):
I mean so in the Boston Marathon when those sprints
when a bomb went up, they say they got blown up.

Speaker 1 (01:02:18):
No, what do they say? I was assaulted by a
mixture of grocery products? Not the right way.

Speaker 4 (01:02:23):
They say I was I was there. I was there
that day.

Speaker 1 (01:02:30):
Yeah.

Speaker 4 (01:02:32):
I don't mean to laugh at that. That's that's crazy.

Speaker 1 (01:02:33):
No, that's fine because one of my favorite uh Chris
rock snl jokes they killed him for was he did
a monologue he said, imagine running twenty six miles, you
train all it, you get to the finish line and
someone yells.

Speaker 9 (01:02:43):
Run like more, just ran Boston. It's a bomb run. No,
I'm exhausted, I would you.

Speaker 4 (01:02:59):
Oh man, that's we should be laughing at that.

Speaker 1 (01:03:01):
Well, Megan Levy, the movie is incredible. And sorry, Josh,
I thought that was the name of the actor, not
the actual woman. Oh so you knew that. You know
the woman? Woman? Well, she's a hero and if you
if you want to cry dogs and military, that's all
you need. She got PTSD. That's like a bulk of
Actually she's very well.

Speaker 5 (01:03:23):
He says, she's very well adjusted to regular life.

Speaker 6 (01:03:25):
Okay.

Speaker 4 (01:03:26):
In the movie, shout out to Megan Levy.

Speaker 1 (01:03:28):
Yeah, she definitely goes through that.

Speaker 7 (01:03:30):
Do y'all watch like the like the military tapouts or
military surprises like online when people do like military surprises?

Speaker 1 (01:03:39):
What does that mean? Oh like when someone when the
family come back, yes, of course, yeah, and they can't
move until they're like yeah yeah. I mean when we
were trying to get Mall to cry, it was that
stuff plus the can you Adopt me step parent YouTube videos?
Those are the two.

Speaker 4 (01:03:56):
Yeah, I didn't.

Speaker 1 (01:03:57):
I don't.

Speaker 3 (01:03:57):
Well, my sister had to go to Iraq. I don't
they didn't that. I don't know how they did it
when she came back because I don't think I was there.
We went when she was leaving getting deployed, but I
don't know if they did that when they got back.

Speaker 4 (01:04:10):
I would have to ask her.

Speaker 1 (01:04:11):
Gotcha? And where did she deploy? Out of Virginia? Out
of Virginia? Okay?

Speaker 5 (01:04:15):
Oh so that's the Air Force. That's an air Force thing?
Oh yeah, basic training?

Speaker 1 (01:04:20):
Okay, air Force? What's that send off? Like?

Speaker 3 (01:04:23):
Oh man, I was crying like a fucking because you
almost feel like you sending your fucking relatives off to die.

Speaker 1 (01:04:28):
That's what I mean. I didn't want to say that. Yeah,
Like I was like, like in the air.

Speaker 4 (01:04:32):
Yeah, absolutely, like some some of y'all ain't coming back.

Speaker 3 (01:04:35):
Yeah, that's just the reality of it, Like and you
just sitting there like it just felt like this is
completely crazy, this is wrong, Like what are we doing?
Like we're all sitting in there, somebody's giving the speech
and my sister is standing right here with military equipment on,
getting ready to get on a bus to go to.

Speaker 4 (01:04:51):
The airport to go to Iraq, Like the fuck are we?

Speaker 8 (01:04:54):
Like?

Speaker 1 (01:04:54):
What is this? Oh?

Speaker 5 (01:04:55):
Your your sister was in Iraq?

Speaker 1 (01:04:57):
Yeah?

Speaker 5 (01:04:58):
What years?

Speaker 3 (01:05:00):
This was two thousand, This was around the war two
thousand and three. Oh wow, she was right after nine eleven,
right after nine to eleven.

Speaker 1 (01:05:10):
My family such an asshole as my cousin Evan went
in eight to North Africa then to Afghanistan and we
didn't go to his sendoff, but they filmed the whole
thing of like my aunt like balling on the ground
of the cement like as he was leaving. I was like, Yo,
y'all are assholes. Why would you film this like they're
sending it to us. I'm like, you guys are sick.

Speaker 3 (01:05:30):
Yeah, that experience is my sister was telling me about
a family that used to help them out over there.
They would come like do their laundry things like that,
you know, and then for a while they hadn't seen them,
and they was like yo, like they didn't come back
to the base. They haven't been around, and I think
whenever happened, they ended up killing the family because they
found out that they were helping the American troops. Oh wow,

(01:05:51):
So it was like a young kid, mother, father, crazy, shit,
man crazy, this is your twin.

Speaker 1 (01:05:58):
Yeah wow, do you feel less of a man that
you weren't going over there for Oh.

Speaker 4 (01:06:03):
Yeah, absolutely, Like did a menu?

Speaker 1 (01:06:05):
Yeah, I'm for sure. Oh my god. I remember being young.

Speaker 7 (01:06:12):
This was four so I was ten, and I remember
crying every single time my cousin would go off, like
because he was stationed in Iraq, and every time he
would come home, I would be so happy and then
he would like, you know, go or and do another tour,
and I remember just crying. Like as a kid, it's
very confusing because you don't know exactly what's going on.
And my parents would have CNN on twenty four to seven,

(01:06:33):
and every time somebody would knock at the door.

Speaker 5 (01:06:35):
My grandmother would freak out. It was it was heavy.

Speaker 1 (01:06:37):
Yeah, that's yeah. I mean not to say that eight
to twenty twelve wasn't insane when my cousin was there,
but I could only imagine like mid two thousands that
anytime you turn on the TV, it was just fucking death, death, death, Iraq.
This is crazy. That must have been stressful.

Speaker 3 (01:06:52):
And it's crazy because when she joined it, like it
wasn't no wars. It was like everything was kind of peaceful,
wasn't like much going on.

Speaker 1 (01:06:59):
Like imagine September first, Yeah, a year into.

Speaker 3 (01:07:03):
A year into it, nine to eleven happened. I was like,
all right, we're definitely going to war now.

Speaker 5 (01:07:08):
Like it was crazy and you can't just like like yeah,
I quit, Actually I mean you.

Speaker 1 (01:07:13):
Can, but then what is that called a wall absent?
Would I leave? Yeah?

Speaker 4 (01:07:17):
Like yeah, or dishonorable discharge. Its like it's a whole
bunch of shit that comes with.

Speaker 3 (01:07:20):
That, like go to jail for them, Yeah, go to
jail forever attached to your social security It is.

Speaker 1 (01:07:24):
Like r Bodo whatever the fuck that kids name was.
Cereal did like their second or third season about it.
He was he was in Iraq and just left the
camp and then got captured by the Taliban and was
there for like five six years or whatever. And the
rumors were that he kind of joined up with them
or was he really a prisoner. It was a lot
of back and forth, and then I think Obama got

(01:07:46):
him back, and like they killed Obama for that because
most people thought he went a wall and joined the
Taliban rather than he was in a camp or less.
Burke Bodo bo Burgdall, that's what it is. If you
guys watched Zero Day yet speaking of things that would
send us to war. No, I'm on the last episode.
I want to say it's good so far. If I

(01:08:08):
won't give anything away to you guys, watch it.

Speaker 4 (01:08:09):
But Jason Bateman in that I feel like he's in everything.

Speaker 1 (01:08:11):
No, he's missing that he would fit perfectly into it.

Speaker 4 (01:08:15):
Jason Bateman got to be the artiest working man to
show business.

Speaker 7 (01:08:17):
See his latest commercial, Sorry, Jason, Jason Bateman's yeah, where
he's playing Batman, but instead of Batman, he's Bateman. So
I think it's a Verizon commercial that has Kay Sinat
and it Siza is playing Catwoman.

Speaker 1 (01:08:29):
No, I missed that. It's so funny. I haven't seen that.

Speaker 4 (01:08:35):
Yeah, was that a super Bowl that.

Speaker 7 (01:08:38):
Came out like, oh, we gotta pushed back. Yeah, it
came out like this week sometime this week.

Speaker 1 (01:08:44):
Okay, did we talk about the Jason Baden movie where
he plays the bad guy in a t s A.

Speaker 4 (01:08:50):
I watched it?

Speaker 1 (01:08:50):
Okay, do we ever talk about that on the No?

Speaker 5 (01:08:52):
I don't think.

Speaker 1 (01:08:54):
Okay, nothing checks out as far as reality in it,
But I didn't think it was a bad movie. Car
carry on shi.

Speaker 4 (01:09:02):
It was terrible. I'll watched it because of you.

Speaker 5 (01:09:04):
It was cool.

Speaker 8 (01:09:05):
You came.

Speaker 1 (01:09:05):
He was like, yo, I I like it. It was
kind of awful reviews, but I was entertained the entire
So that.

Speaker 3 (01:09:10):
Was one of the first Jason Bateman movies. I felt
like he just took that like on his day off,
Like he did that in two days. It took him
two days to shoot that ship.

Speaker 1 (01:09:19):
Nothing checked out as far as the amount of cameras
and security. They're on an airport, but you know it's
a movie.

Speaker 4 (01:09:25):
And then look who saved him at the end, Like
just get the so many.

Speaker 1 (01:09:30):
Times people could have exited the situation and this would
have been over.

Speaker 4 (01:09:34):
Now you're on the wheel of a plane, like come
on with this ship man.

Speaker 1 (01:09:38):
Zero Day is I won't say it's similar to that,
but it is like the attack on the country type
of thing, but they go about it with all the
electricity and power. It's it's one of those similar what
was the one that, uh, the Obama's produced?

Speaker 4 (01:09:54):
Oh God, the End of the World.

Speaker 1 (01:09:56):
Yeah, it's it's not like that, but it's like that.
It's one of those. It's one of those movies where
it's like, are they fucking with us or are they
warning us? I mean, are they trying to keep us scared?
Or is this probably gonna happen?

Speaker 3 (01:10:07):
Well, we kind of had some situation with the guy
in Canada o with electricity last four or five days,
him and Trump kind of going.

Speaker 1 (01:10:14):
Back and forth. So I mean, listen, I mean X
going down same thing. Yeah, rushing attack.

Speaker 3 (01:10:22):
I gotta watch this though, because anything with dinner I watch,
So I'm gonna definitely check this out.

Speaker 1 (01:10:25):
He's great in it. I was a little nervous because
what is de Niro not great? But he's he's getting
old as fuck so sometimes so he has to play
these roles. I'm just waiting for like that one role.
It's like, dude, he's got to hang it up. He's great,
He's so.

Speaker 5 (01:10:38):
This isn't when he's playing his twin that's coming up.

Speaker 4 (01:10:40):
Right, No, okay, that's a Mafia movie.

Speaker 1 (01:10:43):
Yeah, he's not playing his twenties playing both my boss
not well, his twins. He's just playing both of them.

Speaker 3 (01:10:50):
Imagine to being twin mob bosses, which imagine it being two.
Be a wild recocase, like who do you charge it
wasn't me? I was, I wasn't actually prove it, prove
it was me.

Speaker 1 (01:11:02):
It wasn't me. Same DNA. Yeah, imagine stitching on your
brother because of DNA, so you had to get it off,
which I mean, I'm I'm gonna see that De Naro movie.
I just feel like they could have found someone else,
Like there's a lot of actors. Yeah, but just like
both Oh the movie that's coming up, he's yeah, Oh okay,

(01:11:22):
I just you know, it's a big call sheet. He's
the head of the.

Speaker 4 (01:11:30):
Because Scorsese is doing it right.

Speaker 1 (01:11:32):
It's called alt Zoe Knights. He's playing Vito Genoviees and
Frank Costello, both old my bosses that you know, helped
start those ship. And it's actually Barry Levinson. It's not Corsese,
but I mean Barry Levinson is incredible, legendary director. So yeah,
I'm interested to see. I give lots to general man.

(01:11:53):
He's how how old is he actually at this point
gotta be eighty he he's still having kids and knocking
out Netflix series like fuck a movie. That's one thing.
Each one of these episodes on Zero Day is an
hour like he's filming for real, eighty one years old.

Speaker 5 (01:12:10):
It's a nice eighty one.

Speaker 1 (01:12:15):
He's to work. He's talented. He's a talented man. He's
still talent.

Speaker 5 (01:12:21):
I just agree with what y'all was saying. Y'all always
trying to make me.

Speaker 1 (01:12:23):
The hornball on the podcast. He just said, I'm just okay.

Speaker 4 (01:12:28):
It was it was before that. That's not indicative of
his work is great.

Speaker 5 (01:12:33):
He looks She's an amazing He looks you know, Black girls, you.

Speaker 1 (01:12:37):
Look amazing for eighty seems like Cole old Mill were
talking about it's not look great in Zero Day. His
role is the past president, like the old fucking He looks.

Speaker 7 (01:12:55):
Narrow, looks crazy. You talking about Italian, but he doesn't
look great. I think he looks I don't think he
looks an he looks great. In taxi cab, maybe even
Kate fear right now. No, he looks old and good
fellas in nineteen ninety.

Speaker 1 (01:13:14):
He looks great.

Speaker 5 (01:13:16):
He doesn't look at day over seventy five.

Speaker 1 (01:13:18):
Yes he does. He looks two days from ninety. What
are you talking about? I finished Paradise, watched the last episode.
Oh yeah, because I still had to finish, Like the
second half of it left the cliffhanger for season two.
I'm excited. How do you feel?

Speaker 3 (01:13:34):
I gotta watch that because, like, since I think the
Marris mentioned it, probably six people have.

Speaker 1 (01:13:38):
Told me about that show. Yes, it's really really good.

Speaker 5 (01:13:41):
I think that the season finale was a little a
little underwhelming, but.

Speaker 1 (01:13:47):
I enjoy Okay, I agree with you. But if they
didn't get greenlit for the second season like halfway through
the first one, and I'd be kind of pissed. Actually,
oh really, because it just left so even getting it.
I mean, I not gonna spoil it, but it left
first season two to see what's out there. Yeah, I
want to know how the.

Speaker 7 (01:14:08):
I want to know how the evil person became so
evil because like they gave you a little bit, but
like that ain't enough to make you that evil, Like
I want to know what made you that evil?

Speaker 1 (01:14:16):
Yeah? So, but Santamara like goes to like sleep on time.
Now I'm like, I'm back on my Netflix. Shit, I'm
caught up with so much stuff. We rarely talk about shows.
That's because I never get to watch them. I watched
Russ's debut as an actor trap m Night Shyamalan, I'm
mispronouncing it again. Is it good? Yeah? Okay, I did

(01:14:41):
really really like it. I couldn't figure out if it
was a comedy or a horror at least halfway through,
and I'm still a little confused on what it was.
But I know m Night does a lot of that,
Like I don't know fog between the two genres of
is this real or not. It's like purposeful terrible acting.
But I think that's the point it's about. It's about

(01:15:05):
this guy that takes his daughter to see a pop
star that she loves.

Speaker 4 (01:15:09):
Like Raving Something, and they get locked in the arena.

Speaker 1 (01:15:12):
There's an FBI sting operation going for a serial killer
that's in the arena at the show, and that's the
premise of it and Russ.

Speaker 4 (01:15:22):
That's a great actually like storyline.

Speaker 1 (01:15:24):
Russ is the like surprise guest that she brings out.
I forgot what they named Russ, but it was it
was funny. Not Russ. I mean Russ did Russ. He
went up and performed on stage and did great and
then at the end, well not in the end, the
end of the show, he comes out of his green room.
I see what Russe was trying to do, had his
shirt all open. I don't think m Knight told him

(01:15:46):
to do that. I think Russ was just getting on
his ship coming out though. Yeah style myself, but I
thought it was cool. It was a good movie. Trying
to think what else? Like the Manson Murders again, similar
to the OJ Shit do we need another doc? No?
Will I watch it? Absolutely?

Speaker 3 (01:16:06):
Absolutely, watch the Man some and shit, I'll tell you
what I will not be watching. Raising Kanaan season came back.
Oh god, listen, man. I love fifty. I think what
he's done in TV is incredible.

Speaker 1 (01:16:20):
But this you got me nervous because I like, did
you see the way it ended? So I haven't seen
the Yeah, I saw it ended, like how Unique got?

Speaker 3 (01:16:30):
So episode one came out and I'm like, all right,
let me see this. How they're gonna try to say
Unique got found his way out of the middle of
the woods after getting beat in the back of the
head with a pipe where he should be dead, but
he all of a sudden lie. He somehow wakes up
from this near death beating with a lead pipe, crawls

(01:16:50):
his way to a gas station and finds his phone,
remembers his homeboy's number after getting beat in the back
of his head naturally with a pipe. Remember somebody's numbers.
His friend friend comes pick him up. Doesn't want to
alert anybody, so you can't take him to the hospital.
So where do they take him? You guessed it to
the veterinarian Okay, take them to a vat.

Speaker 1 (01:17:10):
Makes sense.

Speaker 3 (01:17:11):
Next time we see him, he's in his homeboys crib, recovering,
hiding out. He don't even have a gauze pad on,
no stitches.

Speaker 1 (01:17:20):
Wo, that's why it went to the vat.

Speaker 4 (01:17:22):
Like, Okay, just make this shit believable a little bit.

Speaker 1 (01:17:27):
But raising cannon is the prelude of power. That's what
happened before. Now we're starting to get closer to the
power years, where nothing makes any fucking sense that you
can do that.

Speaker 4 (01:17:37):
Yeah, but I just in the.

Speaker 3 (01:17:38):
Power world because I like Rayon Kannon, I think I
think that that was the series you know, has started
off Greade. I was like, damn, this is really you know,
like fifty really is fine in his way, yeah, in
this TV shit and he's really calling these stories out,
Like but when you know the way it ended last
year and Unique was standing in the Whitehouse, so he's alive.
I was like, all right, man, this is when the
shit is just too too much of a soap opera.

(01:18:00):
Is too unbelievable, And fifty in a warehouse and power, yeah, no,
but this was We watched Ronnie beat Unique in the
back of his head with that pipe and drag him
to the middle of nowhere and dump his body, and
all of a sudden he wakes up from that beaten
with a lead pipe to the back of his head
in the middle of the woods, finds a gas station somewhere.

Speaker 1 (01:18:23):
To call back to the case.

Speaker 4 (01:18:25):
That's why we never believe it. It just doesn't. It
doesn't add up, man, what do we It's just too unbelievable.

Speaker 1 (01:18:30):
We saw we saw a fifty get blown up in
a warehouse and power.

Speaker 4 (01:18:34):
It wasn't it was a fire, it wasn't blown up,
And that to me is more believable than this unique
Ronnie shit like unique is he's supposed to be dead
man like and then now he goes to a vet
and the vet just gives him some antibiotics or something
and he's healing.

Speaker 7 (01:18:48):
Like, come on, man, I just go to his audience.
He knows who his audience is. He knows who the
people who are die are, raising Cane and power. He
knows they like that super dramatic shit because they.

Speaker 1 (01:19:02):
Like it can be super dramatic, but it gotta be real.
List it.

Speaker 4 (01:19:05):
Come on.

Speaker 3 (01:19:06):
He was better off saying that he crawled to the
side of the road and was laying in the street
and somebody driving just saw him and was like what
the fuck? He found a gas station and then a
phone booth and after getting his brains beat out, remember
somebody's phone.

Speaker 4 (01:19:21):
Number, come on with this shit.

Speaker 1 (01:19:23):
Say you not like that? You're right, I'm not like that.

Speaker 6 (01:19:26):
I don't.

Speaker 1 (01:19:26):
I just can't. I don't like when it turned into
too much of a soap opera. That's all I do.
Suggest you got to check out the Chaos Manson murdered doctor.
Netflix just added, of course I knew that Charlie Manson
and Manson family stories like i's pop culture and I
knew that he was an artist and had worked with

(01:19:47):
like Beach Boys, Drummer and all that, I did not
know he had the voice of a fucking angel. They
played unreleased Charlie please saw I had a YouTube. That
shit's something I like my playlist now, Charlie Manson listen
to that ry he dope. Guess plenty of artists that
we listened to that killed people.

Speaker 7 (01:20:05):
No, but like that type shit that's like demonic, like
that'll rewire your brain. You don't need to be listening
to that brain.

Speaker 1 (01:20:13):
It might wire it better, reverse, he might fix something,
turn it up. I mean he should we not listen
to Beach Boys.

Speaker 5 (01:20:20):
He wrote for them, Yeah, but he but his voice
it's like listening to like a like a Sirens thing,
Like you shouldn't be listening to that man.

Speaker 1 (01:20:29):
Women sent that nigga panties while he was locked. No,
it's one thing to have hose, but it's one thing
to have hose kill for you. He was ill. He
was a different level, like he never actually killed him
when he just sent people to kill. And you know
what's funny, you ask did he write for them? He did?
What kind of started his whole anger was he wrote
a record with the Beach Boys drummer who ended up

(01:20:49):
taking it and not giving him any any pub or
any credit. So they broke apart like they was crew
at their little ranch. And after he didn't get his
pub look with the music industry fucking does he left
and started his own coat because the pub company and
the artists fucked him over. It's kind of the story
of if so the Beach Boys led Charleon Manson into

(01:21:10):
killing people in my theory based off what they gave there.
Yet that was the turning point, Like they were still
weird and on their hippie shit at that ranch, but
they weren't murdering people until his name wasn't in the
Spotify credits. Got you okay? And if you think about it,
with these artists that end up being fucking psycho serial killers,
if somebody would have just liked Hitler's paintings and like
gave him a gallery, the world be different. If Charlie

(01:21:32):
mans if you just would have credited him for the
shit that he wrote. He has the demo and it's
one of those who the demos better than the regular Yeah,
he has it right there. If Sony would have just
given him that pub, we'd be having a different story.
There'll be plenty of people still alive.

Speaker 2 (01:21:44):
Damn.

Speaker 1 (01:21:45):
And it goes into theory of mind control and the
CIA you already knew. I was at the edge of
my seat. Yeah, I believe your type of shit. Weird shit.

Speaker 5 (01:21:51):
So you your next album.

Speaker 1 (01:21:54):
I mean, I'm sure after his death somebody bought the pub.
I'm sure finally he got his credit. Insane. I was
thinking about playing it, but I thought, like, would we
get flagged? And who would flag it? Because that's sick.
If you own the Charlie Manson back catalog, we should
dance just the same. And you're not white lace things
so you can catch people on YouTube. Whoever owns that

(01:22:16):
catalog is sick. But yeah, I suggest people watch that.
I'm back on my Netflix. Shit, did y'all see High
School Runners? Uh?

Speaker 4 (01:22:23):
The girl who hit the girl in the head with
the baton.

Speaker 3 (01:22:26):
Right, And the first thing I thought was, damn, I
never thought of that. Why people can't just admit they
was on some bullshit? Why does the girl run around
talking about that was an accident.

Speaker 1 (01:22:36):
Running around sitting on the couch crying like why isn't
anyone concerned about me? Yeah, like what is she talking about?

Speaker 3 (01:22:41):
Like you, you got mad that girl was about to
smoke you, beating your ass, and you had a moment
where you just was like fuck this and hit her
in the head with the baton.

Speaker 1 (01:22:51):
When I saw the first angle, I did not not
believe her, but I was like, all right, I guess
sometimes on the turns your body can't get a little
fucked up. I saw the angle from behind you wound
up and went like this.

Speaker 3 (01:23:06):
Natural running style running motion that was not did that
on purposely.

Speaker 1 (01:23:10):
That's some sick ship that was done on purpose.

Speaker 5 (01:23:12):
And that's super dangerous, Like you could have really injured
that woman.

Speaker 1 (01:23:18):
Yeah, I don't know what baton it was like in
track from high school and college, the regular batons aren't
really that crazy at regular meets, but if you get
to like a championship meet or you know, something in
indoor tracks that look like this, those ships are weapons.
Like the pen relays baton that I have from when
I ran there. That ship is a baseball bat like

(01:23:38):
they're very thick. Yeah, you can really really hurt someone
with that. So yeah, that's.

Speaker 4 (01:23:46):
That's so she's not has she has she been brought
up on charges yet.

Speaker 1 (01:23:49):
Yeah, it hasn't been like convicted or anything, but uh,
assultant battery, that's what they're going to charge it for.
But yeah, you can't just take a baton of someone's head.
I don't know.

Speaker 7 (01:23:59):
Well, what she said was that her arm got tangled
up in the girls and when trying to like separate it,
she kind of lost control of her body. I do
know that when you're running your fastest, you do kind
of lose control.

Speaker 5 (01:24:10):
It's very easy.

Speaker 4 (01:24:13):
I'm not saying this girl absolutely meant to hit that
girl with that fucking baton. That's not natural. That's a
wind up.

Speaker 1 (01:24:20):
In a swing. Through every scenario of a real a
that you could think of of championship meets where you're
on the line with what triple the amount of lanes
that are there, where people throwing elbows everything, I've never
seen one person in any scenario I've been tangled up
everything where you would reach back and hit somebody in
the head like that. It doesn't happen.

Speaker 3 (01:24:41):
And you could tell what she's running with it after,
like she's holding the arm. But now all of a sudden,
your all don't want to move forward. Because she held
it after she hit it. She held it like this
the rest of the way like so she wasn't swinging
it after that.

Speaker 1 (01:24:51):
So she she understood what she did. She know she did.

Speaker 3 (01:24:53):
She just had a moment and didn't you know, lost
sight exactly where she was at, and just her emotions
got the best of it.

Speaker 1 (01:24:59):
It happened. She probably intentionally, but didn't intentionally. I don't
think she sought out in the middle of the race
to do that, but like, no at that moment to
be thrown elbows and shiit that just because you get
caught up with someone. It's like, get the fuck off me.
I didn't set out to do that, but yeah, I
think she got tangled up and was like, fuck off me,
and I did that, which I agree, but you can't

(01:25:19):
do it. Might have got tangled up, but she definitely
meant the hitter with that baton. Yeah. Do we have boyemails?

Speaker 6 (01:25:30):
Yeah?

Speaker 1 (01:25:31):
Got mail?

Speaker 6 (01:25:33):
Hello everyone, long time listener, first time color. I'm calling
in to see if this situation ever had been to anyone.
I met a girl on a dating app and then
when I went to go pick her up, she gave
me this weird location.

Speaker 1 (01:25:46):
It was like a back alley.

Speaker 6 (01:25:48):
When I was waiting for her, I was looking down
on my phone and then she kind of just magically
appeared by my front door. We go to a restaurant
in downtown LA. The day was good. When we're on
the way back to her location, I was wondering, like,
where'd she come from? And I was like, Oh, were

(01:26:08):
you in like the apartments right there? She was like, nah,
were you in the condos across the street?

Speaker 8 (01:26:13):
She was like nah.

Speaker 6 (01:26:15):
I was like, do you have roommates? And she was
like nah, which is kind of kind of weird. When
she was saying all that, then she was like, Oh,
I live in my van. The weird thing about it
is she had she has like a dog to a
big poodle. She lived within said van. I was just

(01:26:35):
wondering if that was that happened to anyone else.

Speaker 1 (01:26:42):
Sorry, that was not That was not the ending I expected.
One thing I could promise you is that nobody can
say that that happens.

Speaker 4 (01:26:55):
How you gonna call hit ask has that happened to anybody?

Speaker 1 (01:26:59):
You know?

Speaker 3 (01:27:02):
He didn't ask, He didn't ask. He dated her a
good should he help her out? He said, has that
happened to anybody?

Speaker 1 (01:27:10):
No? Man. I respected her circumstances, and yeah, he didn't
not be fighting inside like.

Speaker 3 (01:27:15):
He didn't ask Yo, how should I asked? How she
ended up sleeping in her van? Like why she chose that?

Speaker 4 (01:27:20):
No, that has never happened to anybody that I know.

Speaker 1 (01:27:25):
Yeah, and I'm not judging anyone that's to sleep in
their car. But if you also are in a relationship
and cheating while you live in a car, which significant other?
What the fuck where you got?

Speaker 6 (01:27:36):
I thought?

Speaker 1 (01:27:36):
She said, also lives with her man in the van?

Speaker 4 (01:27:39):
Shout a dog.

Speaker 1 (01:27:40):
Oh, I'm sorry, I thought I heard with a man
in the van. No, okay, you thought that.

Speaker 4 (01:27:45):
I thought that she was dropped off to a car,
like a man was in this when the dog?

Speaker 1 (01:27:52):
What you talking about? He's in the vaccinat No. I
really thought I heard that she had a man and
they lived in that van together with the dog. That's
what I thought I heard.

Speaker 3 (01:27:59):
I know a dude that lives in his van outside
of a building. But like, I think his family lives
in the building. Okay, because every day he goes in
the building like with the family, Like, but he sleeps.

Speaker 1 (01:28:11):
In his truck. He just hates his family.

Speaker 5 (01:28:13):
Well, there's probably not enough beds, but the best.

Speaker 4 (01:28:16):
Part of matter, And I could promise you. If it's
not enough beds, my car is not the option. If
this is my family, we're gonna find a way to
make this shit happen in here.

Speaker 1 (01:28:23):
Back to animal cruelty. So she locked the dog in
the car during the day. You can't just leave.

Speaker 5 (01:28:28):
I think she was lying. I don't think she wanted
you to know where she lived.

Speaker 1 (01:28:32):
That's fine on the first day, that's fine. But saying
you live in a van, come on like not sarcastically,
like dead, like he believes she lives in a van.

Speaker 5 (01:28:41):
Like, well, maybe it's a camper, not a van. Maybe
it's like a camper.

Speaker 1 (01:28:44):
Either way, you can't leave your dog in there by itself.

Speaker 7 (01:28:46):
I feel like you could leave a dog in a
camper by itself. All you got to do is have
aeration in the camper, and I feel.

Speaker 5 (01:28:50):
Like you have to have that anyway.

Speaker 1 (01:28:51):
No, I just feel like, man, I love stancing the
dog are more important than a date. That's just where
I'm at with it.

Speaker 3 (01:28:58):
My sister left her dog in the car off for
twenty minutes. We went inside the store to order something,
came back and she had a note on the window saying.

Speaker 4 (01:29:04):
Hey, you shouldn't do this.

Speaker 3 (01:29:05):
I left it the window was it wasn't hot outside,
it was like fall so it was like probably fifty
degrees outside.

Speaker 4 (01:29:13):
Window crack. Like we was in the store for twenty minutes.

Speaker 1 (01:29:15):
Come back.

Speaker 4 (01:29:15):
It's a note on the on the car, like, you're
not leaving no dog in no fucking camper for no date.

Speaker 1 (01:29:21):
That's not happening.

Speaker 5 (01:29:22):
But see, when I think a camper, a camper is
like a house. No, it's like a mini house.

Speaker 7 (01:29:28):
Yeah there, it's the air is fine for you to
leave the you can't take the dog with you everywhere.
So if you live in a camper, like if your
dad went and got a dog and he has a camper.

Speaker 1 (01:29:37):
Like trying to take the dog everywhere, she's taking a
house everywhere. Sorry, how the dog is Like, that's a
carry on that ain't nothing, that's light. Yeah, prize a
bed and everything. I guess that's not as bad. But
he did say, vam, you guys are giving this woman
a lot of credit by seeing a camper. Excuse it

(01:30:00):
would have said camper. No, she probably lives in a minivan.
You can't leave a dog in a minivan to go
on a date. That's insane. You can't leave it, Like
you can't apparently can't leave a dog for twenty minutes
to go to soors.

Speaker 7 (01:30:10):
Not that's crazy, But the big, the big mini vans
that people usually live in, like the old hippie scooby
Doo minivans. I feel like, if the dog has a
bed in there and it has the proper airflow, if
you're living in there and it has the like you're
not suffocating. I feel like, as long as it's not
hot outside, your dog will be Yeah, your dog will
be fine.

Speaker 1 (01:30:29):
Yeah, all right, we're avoiding the real question here. After
you get that information, said the date went well, it
was cool, do you ask for the second date? Oh?

Speaker 4 (01:30:39):
It is she live on a car?

Speaker 1 (01:30:41):
If that this is a layup, This is a layer.

Speaker 5 (01:30:44):
You don't want live in the car pussy shit.

Speaker 1 (01:30:47):
That might be some of the best pussy you ever
had in your life. Yeah, no wax, Yeah, in the
car car sexist trash though. So after the second day,
do you say, do you want to go back to
your place or mine?

Speaker 5 (01:30:58):
She gonna move in, She's gonna park them tied up.

Speaker 4 (01:31:00):
That's why the sex is crazy. You ever had the
chick try to fuck the keys out of you? That's
sexist crazy. And she ain't got no where to live.
She fucking for like a spot. Yeah, oh my god,
what did you give her the keys.

Speaker 1 (01:31:15):
To my Yeah? She had keys to my spot? Fucking right,
took the parking spot from my apartment as well, you could.

Speaker 4 (01:31:23):
Park up all like, what the way?

Speaker 1 (01:31:25):
She suck it? You crazy man? The ain't nothing like
a homeless suck They ain't got no home. I agree,
you know, you know, oh, I mean, you know that's
that's fucking I ever did was when either homeless or
like roommates.

Speaker 3 (01:31:40):
If it's a girl that got a roommate, she want
to move out and you got a nice little condo
and you single, Oh, she about to rock your world.

Speaker 1 (01:31:47):
Or she doesn't have to go back to her parents'
house that night. Yeah, it's on. I ain't never had
sleeping the car pus you though, that's a little It's
never too late, it's never too late. Yeah, in La
we could just go downtown and where did you wash it? This?

Speaker 7 (01:32:02):
And we're not homelessness shaming. I don't want people to
think we're shaming being homeless. We're not homelessness shaving are
y'all So y'all are homeless now.

Speaker 1 (01:32:11):
I was the first person. I would never hard time.

Speaker 4 (01:32:14):
I would never, I would.

Speaker 1 (01:32:16):
Never do Nobody agree with me. To answer your question,
I've known people that's left in their cars. They had
gym memberships, or they snuck into a gym and that's
where they Oh, that's where they cleaned up. I don't
know about being I don't.

Speaker 7 (01:32:28):
That's why I said maybe it was a camper, because
I feel like, if you're down that bad where you're
like homeless, I don't think you're thinking about dating.

Speaker 1 (01:32:34):
So that's why automatic'ly the sickest part of this entire thing.
She was thinking about dating. She's thinking about dinner, like,
how did she get ready to do it? Did she
use a rear view? Like to put her makeup on?

Speaker 4 (01:32:44):
She's what a dinner that day? Think about the date?
She was like, y'all gotta go eat?

Speaker 1 (01:32:48):
Like the date went well because it was based off
starvation exactly. That's not funny. That's actually really sad.

Speaker 5 (01:32:53):
Maybe her van was parked on skid row.

Speaker 1 (01:32:56):
I mean I think he would have mentioned that he
didn't where do you think he better? Like the fact
he left that part out is a little so he
said online. Yeah, but where online is what I'm saying.

Speaker 5 (01:33:05):
No, Like it was a dating app, he said, he
met her off a dating app.

Speaker 1 (01:33:08):
That's even sicker if it was some ig shit cool whatever.
If you are still in a dating app and you
live in your van, that's not shaming old, It's that
I'm just shaming you as a human being. Well, you
you have other priority. Women shame men like yo. If
you don't have money, you shouldn't date, like I get.
I get that perspective. Cause if the rolls was versed
and she was dropping him off at his car to sleeping,
why are you on tender?

Speaker 8 (01:33:29):
Sir?

Speaker 4 (01:33:29):
Yeah, she would have been asking.

Speaker 7 (01:33:30):
But like you guys said, she probably needed a meal.
So if I'm a pretty girl I need a meal,
go on Tender. Somebody gonna buy it for me. If
you line a date up for every week.

Speaker 1 (01:33:39):
That's dinner. You know it's a good strategy. I'm not
mad at it. Just don't look at me like that.
I'm not doing it. But you know, no, I was
going to say something, but I don't want the endnet
to kill me. Not this week.

Speaker 4 (01:33:49):
I'll wait till next week for them.

Speaker 1 (01:33:50):
To kill me. Just have Peach saying and then we'll
cut the clip and post it. I just feel like
pretty girls ain't gonna ever have to sleep in the car.

Speaker 5 (01:33:56):
You that's not that's not true.

Speaker 3 (01:33:59):
Not half they might choose to, that's a choice. But
if a pretty girl, it's a nigga somewhere that black shorter,
you could sleep in the basement of the guest room
like somebody.

Speaker 1 (01:34:10):
At girls.

Speaker 7 (01:34:10):
A lot of girls I always know how pretty they are.
A lot of girls have been through a lot of
trauma and are not have not been brought up in
the I'm a baddy, so I should be treated like
a baddy, and I should treat myself like a baddy.
Some girls are just naturally pretty and had a really
hard life, and their looks are the last thing that
they're worried about. They're not even aware that they're pretty.
Their mother never told them they were pretty. They didn't

(01:34:31):
have a father around like. There's plenty of pretty girls
who are upon hard times.

Speaker 4 (01:34:36):
No no, no, hard times is one thing. Sleeping in
your car is another thing. You can meet on hard
times and not be sleeping on your car.

Speaker 7 (01:34:43):
Well, if you were a pretty girl, and you didn't
want to sleep in your car, and you had no
family and no friends, what would you do?

Speaker 1 (01:34:48):
And I didn't want Harry Potter. I didn't want to
what's up with you?

Speaker 5 (01:34:52):
What?

Speaker 1 (01:34:53):
What's up? What? You don't know the story?

Speaker 4 (01:34:56):
Yes, but I'm just asking what's your problem?

Speaker 1 (01:34:58):
She took a situation, it made it better and get it.

Speaker 4 (01:35:01):
I just think that if you're a pretty girl. Super
had slept in her car. Again, I think it was
a choice.

Speaker 1 (01:35:09):
She was still. I watched the podcast with Neil Brennan
and he asked that, like, how did you look? She's
like the best I ever looked, And Superhead was fine,
Like she was just sleeping in her car. Her priorities
were a little different. But yeah, she's like i'd go
to parties and I just go to sleep my car
with her son too, And and I would say kind
of to what you're saying, like why didn't you at

(01:35:31):
that party? You're you're beautiful, just as I guess a
safety reason.

Speaker 7 (01:35:35):
I think y'all think being a woman works so much
differently than it actually does.

Speaker 1 (01:35:39):
Probably be a woman, so I can't. Yeah, it doesn't,
it doesn't. Just it's not hurting women to sleep strengths.

Speaker 5 (01:35:46):
You don't just go to the party and be like, hey, guys, homeless,
go home.

Speaker 1 (01:35:50):
I would work on TikTok. It just doesn't wait, Like
it doesn't work, Like that's a TikTok challenge, like how
do you enter it?

Speaker 3 (01:35:55):
But I just I also just feel like if you
homeless and sleep in your car, you shouldn't be going
to the club.

Speaker 1 (01:36:00):
That's just me, unless you're searching for somewhere to stay
that yeah, like that's just me.

Speaker 3 (01:36:04):
I just think that you shouldn't be at the club
and you got to go sleep in the accord.

Speaker 1 (01:36:10):
But kind of to Demaris's point, back to the SuperH
ed thing, she was escaping a terrible situation I think
in like Arizona or something. So drove to California, Yeah,
and was getting on her feet and sleeping in your
car at the time and saying she looked beautiful. Yeah,
so yeah, I guess.

Speaker 5 (01:36:24):
It just takes I think she was in an abusive
relationship if I'm not mistaken.

Speaker 1 (01:36:27):
Well, no, she ended up being a stripper underage in Arizona.
She got away from her abusive mother in Florida, got
to Arizona, was an underage stripper with her boyfriend at
the time's mom, who was a stripper there, then got
out of that, got to California and then met the
god iced Tea and it was up from there. Icedy
saved everything. Y'all.

Speaker 3 (01:36:49):
Don't be feeling like some of that beat it their
fault though, which part like at some point you don't
start asking the questions like where are there friends? Like
you know what I mean, like just bathe, Like, yo,
you don't have a friend that just would let you
crash on a couch or I mean, a.

Speaker 1 (01:37:09):
Lot of people in horrible situations are in an environment
of other horrible situations and their friends are in the
same situation those situations. So that's actually why they're friends
with them, because they're all in shitty areas and because
her story in that pot was crazy, Like she definitely
went through a lot in Florida, Like her mother was
a piece of shit.

Speaker 5 (01:37:27):
Yeah, I see why she's younger.

Speaker 3 (01:37:29):
Yeah, I could get people coming from, you know, families
that are fucked up. But I just be feeling like,
you know, when you said, like I had to sleep
in my car for like six months and I had
to do this, and somewhere in the story, I'm like, Yo,
you didn't have like a friend to somebody that you
could call like and just be like, Yo, listen, I'm
fucked up.

Speaker 1 (01:37:46):
Right now, Like I just don't.

Speaker 3 (01:37:48):
I mean, it's tough to understand because I've gratefully I've
never had to experience that, but I just be like
somewhere a long line before, like some people don't give
us the whole story, like yo, but you must, like
what type of person are you?

Speaker 1 (01:37:58):
For real? Like to have no friends, I will let
you live with them while you get on your feet,
like not even one friend. I know you don't like
to hear the trauma therapy part of that. But a
lot of people from abusive households and situations feel like
they're not enough or a burden on other people. So
even if they have friends or family, they're not about
to ask them for something because they already feel like
so I said, it's my own mother, father, whatever, did

(01:38:19):
not want me. So what the fuck, I'm not gonna
ask somebody to take me in. I'll eat sleep in
my car.

Speaker 7 (01:38:25):
Even people who grew up to yeah, yeah, a choice,
but even but to them it doesn't seem like a choice,
like it is a choice. Everything is a choice, but
to them it might not seem like a choice. I
don't know how I would feel about asking one of
my friends to stay at their house if I literally
had nowhere to go.

Speaker 5 (01:38:42):
I might bite that bullet and be homeless.

Speaker 1 (01:38:44):
Tou like, no, you get the fuck the matterage, Shut up, No,
I'm being on the marriage.

Speaker 3 (01:38:49):
You would not bite the bullet and be homeless if
it came down to either ask one of my friends
if I could crash in her house for a couple
months or sleep in my car. You're not biting that bullet.
You're not sleeping in no car to marriage. I'm not
doing that.

Speaker 4 (01:39:00):
What I'm if you know you got options like multiple friends.

Speaker 5 (01:39:03):
With space and not always an opt That's what I'm saying.

Speaker 3 (01:39:06):
If you have that option, But even if you do,
your ego is not gonna say I'm not asking, I'm.

Speaker 5 (01:39:11):
Not sleeping at that option. A lot of people are
not comfortable asking for help.

Speaker 1 (01:39:14):
Mom.

Speaker 3 (01:39:14):
I understand that help with like, yo, I'm fucked up
this much, help me pay my rent. I'm talking about
you have nowhere. It's your car, and that's it.

Speaker 5 (01:39:24):
A lot of people will choose their car. It happens
all the time.

Speaker 1 (01:39:27):
That is crazy.

Speaker 3 (01:39:28):
I'm I'm walking up to my homie door closed in hand. Nigga,
I'm not sleeping in no fucking car.

Speaker 1 (01:39:35):
I know where the key's at.

Speaker 3 (01:39:35):
Yeah, my homie got the crib cable. Kind of shit
is warming. It gets the fu my pride.

Speaker 4 (01:39:41):
Ain't that?

Speaker 1 (01:39:41):
Nah? You are?

Speaker 4 (01:39:42):
You crazy as fuck?

Speaker 1 (01:39:43):
People are not?

Speaker 3 (01:39:44):
Hell Nah, I'm knocking right on homie door. Man, watch out, nigga,
move over, and I'm using your products, niggas.

Speaker 4 (01:39:50):
It's this dove well.

Speaker 1 (01:39:51):
I mean, I've never heard of the tender strategy, so
this is a new one. Shout out to to Shorty. Yeah,
good way to get a meal.

Speaker 3 (01:39:59):
I mean, I don't need even know if this gentleman
asked for He just asked us. If we've no it's
it's it's never happened to us, So I mean, if.

Speaker 5 (01:40:06):
We had, we will talk about it on this podcast
you listened to.

Speaker 4 (01:40:08):
But you know, you sound like you had a great time,
great happening.

Speaker 1 (01:40:11):
All y'all don't know?

Speaker 5 (01:40:13):
Mmmm?

Speaker 2 (01:40:14):
Not me.

Speaker 1 (01:40:15):
I'm thinking it's I probably went on a date or
messed with a chick that didn't have a home.

Speaker 3 (01:40:22):
No no, no, no, either a car or CouchSurfing that's
different here talk about in a car. Maybe I've never
dated a girl. I was living on a car.

Speaker 1 (01:40:30):
I've never dated a man.

Speaker 7 (01:40:31):
I was living in his car because he had to
come pick me up and I didn't see like his
belongings in the car.

Speaker 1 (01:40:36):
Put everything in the looking at the trunk like a
trunk was a mess. Sleeping bag.

Speaker 4 (01:40:42):
Canteen Stop, why you said, rambo.

Speaker 1 (01:40:51):
Canteen? Just get a canteen member ship thing. That's the
only fifteen dollars you want to do that you can
fill his canteen up.

Speaker 8 (01:41:04):
Yo.

Speaker 3 (01:41:04):
Having the canteen in the car is fucking crazy. Imagine
I get your car, Roy, you got a canteen? Like, Yo,
where you going stay?

Speaker 1 (01:41:13):
I can rest? Oh my god, but I guarantee y'all
have some homeless people and you don't know. I think
that's more common.

Speaker 3 (01:41:24):
Me homeless or living in your car. Homeless is like
the homeless is I'll take the car. The homeless is
I'm staying with somebody right now.

Speaker 1 (01:41:31):
I'm living with my cousin friend whatever in the car. Homeless, Like,
how many girls do you think you slept with? It?
Have had to sleep in the park, and they're like.

Speaker 7 (01:41:42):
That's Rory's wayward. Yo, who you think I'm dating? You
are a teenager at one point. You always know every girl.

Speaker 3 (01:41:50):
I've never dated a girl that was sleeping in the.

Speaker 1 (01:41:55):
Park, Rory. Rory has that.

Speaker 4 (01:41:57):
He just he don't want to shore. That's what he
looked for. He walked off. He's like, so, what's up.

Speaker 1 (01:42:04):
Coming off? And instead of helping me, like, hey, come
in the house, I'll just sleep next to the we
been together.

Speaker 4 (01:42:13):
Yeah, Ory, trying to make it persy. You've dated a girl.

Speaker 1 (01:42:16):
I've dated girl, well, not dated, you've a park, had
not lived? You slep with a girl that lived in
an abandoned house. I lived. I'm sure I've fucked to
one that has slept in an abandoned house? Yo, what
is wrong with you? I don't like, how did you?
Where would you? Every kid has like a fucking two
parent household and ship?

Speaker 4 (01:42:36):
Like, what is he abandoned house? I'm talking about that building.

Speaker 1 (01:42:41):
I'm not saying she lived in the park, but I'm
sure there was nights when she slept in a park before.
That's not that fucking creaky.

Speaker 4 (01:42:45):
Why would she?

Speaker 1 (01:42:46):
You have friends that have slept in the park before? So, like,
how was iraid them. What are you talking about? They
had sex with somebody.

Speaker 4 (01:42:52):
While they were living in a sleeping in a park.

Speaker 1 (01:42:54):
Oh, I'm not saying it was happening currently. I don't know.
I'm but I had did it before. Did it before?
Is what I'm saying.

Speaker 4 (01:43:00):
Okay, you talking about like.

Speaker 1 (01:43:04):
You get out of in the house and go back
to the park.

Speaker 3 (01:43:05):
I thought, that's what That's what I'm looking at him, like,
what are you say?

Speaker 1 (01:43:08):
Okay? All right, now, all right, we had a miscommunication.
I was so shocked that you were shocked at what
I would say. No, I've never like had fucked the
chick in my house and I knew she was living
in a park, And I said, so I know I've
never done So that's what I'm That's what I'm saying. Yeah,
you'd be wold like yo, so you just let her
go back to the swings, Like what's up with you? Like?

Speaker 4 (01:43:26):
What type of man are you? That's what I'm okay,
So that's what that's why I miss communication.

Speaker 1 (01:43:31):
I'm talking about like women that would have been in
bad situations, especially when I was younger.

Speaker 4 (01:43:35):
Yeah yah, yeah yeah, and those were you know usually
the girls that like, right.

Speaker 1 (01:43:38):
That's different that's different. And I'm sure had a few
nights in some weird fucking places.

Speaker 3 (01:43:42):
Okay, that's different. We don't know everybody's situation. But I
thought you meant like you knew she's leaving here and
going back to the money he was laying there. She's like,
all right, well, yeah, I thought that's what she is.
You give a spare blanket, it's.

Speaker 4 (01:43:53):
Cold out there tonight, no.

Speaker 1 (01:43:55):
Man here, type of animal.

Speaker 4 (01:43:57):
What do you think you give them to go back
and just let her walk out?

Speaker 1 (01:43:59):
Like you crazy?

Speaker 7 (01:44:00):
Would your mom let a girl like if you got
a girlfriend and like she ended up like being homeless, Like,
would your mother let her move in?

Speaker 1 (01:44:05):
That's my mom. Absolutely. My mom let at least three
or four friends of mine in high schools live with
us at various times. Absolutely, my mom that my mom
was that time for son, like she she would have
no problem. My man isam He lived with us. He
definitely like passed the time limit my mom would allow.
He was there for almost four or five months in
the crib. Yeah, and he was like he was a

(01:44:26):
big Agian, not a small Asian.

Speaker 4 (01:44:29):
My mom didn't care as long as everything was clean,
She didn't.

Speaker 1 (01:44:31):
Care what's mark that.

Speaker 4 (01:44:34):
Wait, God, he was a big Asian.

Speaker 1 (01:44:38):
What does that mean? He said, not us like a
regular like small as to have somebody in your living
room for that long, that's like not a small high
school kid. He was a big He was a big
dude you could have just had. But you said a
big Asian because you he white, y'all, man not tall y'all.

Speaker 3 (01:45:02):
Yeah, my mom didnk. As long as we kept the
place clean. My mom didn't give a fuck. We just
had to make sure everything was clean.

Speaker 6 (01:45:08):
That was it.

Speaker 1 (01:45:09):
But no my mom. My mom would take in anybody
if they needed it. For sure. Yeah, definitely, do we
have another voice?

Speaker 5 (01:45:14):
My mom ain't want me there much less the way.

Speaker 1 (01:45:16):
To fuck it? Okay, I have a question for you,
beautiful and wonderful people.

Speaker 8 (01:45:24):
What is the wildest song that you guys would have
sex to, whether you've done darty or not. And the
reason why I'm asking this is I was on the
Hub last night and I couldn't comprehendtally what I was like.

(01:45:44):
I wasn't ready for what I heard when I clicked
on the video. I was expecting, you know, just a
standard rigam and roll, and come to find out, when
I click on the video. All I hear is hundred
three thousand given a solo qui on Life of the
Party by Kanye West, Like I just it baffled me.
So that that's the reason why I come to you
with this question.

Speaker 1 (01:46:06):
First of all, you're sick for calling it the Hub,
Like that's a different level of porn cult. I assume
you saw about porn Hub, right, Yes, I was on
the Hub. That's sick. I mean, clearly, I fucked to
the sounds of crickets in a park. So who am
I to judge.

Speaker 2 (01:46:24):
I don't know.

Speaker 1 (01:46:24):
I lost my virginity to a Lloyd Banks mixtape. I
think I'm kind of out of this entire thing. There's
not a single song that would stop me from fucking
if I wanted to.

Speaker 4 (01:46:32):
I don't even hear it.

Speaker 5 (01:46:33):
That's like porn, Like that's like the background of porn
music is like Lloyd Banks. Like when you watch like.

Speaker 1 (01:46:38):
Hood porn, you be on the hub going like crazy,
like I.

Speaker 7 (01:46:41):
Don't I don't like porn with music, but like when
you click on like Hub porn, it's always some bullshit
like that background not bullshit.

Speaker 5 (01:46:47):
Oh my god, I'm sorry, Lloyd Banks, but like that
type of shit.

Speaker 1 (01:46:51):
The internet got us all shook.

Speaker 5 (01:46:52):
You didn't say anything wrong, Okay, just making sure.

Speaker 1 (01:46:55):
I haven't watched enough hood porn, so like that's not
really a thing that when I clicked, it's gonna be
some mixtape rap shit happened about or like the or.

Speaker 7 (01:47:04):
The person who's in the porn is rapping, like not
while he's having sex, but.

Speaker 1 (01:47:08):
It's like his mixtape.

Speaker 4 (01:47:09):
It's like what porn are y'all watching that I've seen that.

Speaker 7 (01:47:12):
It's like some some local music or like the dude
from down the street, like gave him a mixtape and
he's like, you never heard local rap in porn before?

Speaker 1 (01:47:20):
I have me didn't. Lloyd Bank Snoop Dogg and like
who kid start their own porn company where they would
do like they weren't fucking, but they were.

Speaker 4 (01:47:28):
I could see that it's a multi billion dollar business.

Speaker 1 (01:47:30):
I don't know if it ever can I remember that
being a thing though, that they were like starting a
porn company where they would young and May did that
for a while.

Speaker 5 (01:47:37):
Oh yeah, she was, she was doing that.

Speaker 1 (01:47:39):
You see people getting into that. Yeah, I think that's
a that's a good rollout to just be rapping while
people fucking now.

Speaker 3 (01:47:45):
One dude had to, you know, you make the videos
on the block with the microphone and all that. He
was rapping, and then he opened up the moving truck
and his man was in there having sex with a girl.

Speaker 1 (01:47:54):
I just thought that his role. He put his license
plate in the truck company and everything.

Speaker 4 (01:47:58):
I just thought that rollout was crazy. I made me
want to download this whole project.

Speaker 3 (01:48:01):
I'm like, this dude's a vision as a creative genius.
They just having sex right there and the moving truck
while you're in the middle of the street rapping.

Speaker 1 (01:48:07):
Okay, so what's up? Yeah, I don't I don't know.

Speaker 7 (01:48:10):
If I could think of the craziest one too, the
craziest one, I would think it would be Marvin Stapp
Take Me to the King.

Speaker 5 (01:48:15):
But that's not what I had sex too. If I
had to think of one to do it.

Speaker 7 (01:48:19):
Too, it would be that. But I already told you
I had sex to I get money remix. So the
fuck you laughing at?

Speaker 1 (01:48:30):
I mean, I don't know. Once you've like fucked the
Law and Order SVU background, Like, is there a song
that's gonna stop you? There's nothing that's gonna stop Every
infomercial magic bullet.

Speaker 3 (01:48:40):
Yeah, I've had sex to American Ninja Warrior being on
the steam. I'm like, well, he's gonna break the time,
he's gonna break the record.

Speaker 1 (01:48:50):
You going against him? Yeah, we both in the mother
fucking gauntlet right now. Absolutely. Yeah. I mean every situation
of like family in the other room talking and you
can hear everything, like yeah, life of the party is
not stopping me, no matter, feel like great choice. Yeah,
I don't care what's playing on of time?

Speaker 9 (01:49:07):
Is time?

Speaker 1 (01:49:08):
Are y'all easily distracted like in that way during.

Speaker 4 (01:49:14):
Mm hmm, only when you think you hear somebody putting
keys on her door.

Speaker 1 (01:49:17):
Yeah, yeah, that's the only sound.

Speaker 3 (01:49:20):
That's the only sound that's gonna be like everything stops
like yo, that's you know. Sometimes the apartments is too
close to each other, so it's like your your door
or the other door.

Speaker 1 (01:49:29):
Yeah that's it. Yeah. But other than that, I mean
I'm locked in. I try to distract myself, so don't
come too quick. But something you know sounds wise you.

Speaker 5 (01:49:38):
Do your ABC?

Speaker 1 (01:49:40):
Do you count? I've never done count.

Speaker 5 (01:49:43):
I don't expect to.

Speaker 3 (01:49:44):
Like in the room to lock it on, like, yeah,
you need to paint this seal yeah, you need to really,
you know what I'm saying, a nice white coat over that, and.

Speaker 1 (01:49:53):
Then it makes for good cuddle conversation afterwards. Like I'm
observed looking at the ceiling like I'm just trying not
to know somebody that could do all of this is
crowm molding with so easy. But a ceiling fan right here.

Speaker 4 (01:50:05):
This should be an axe wall. Actually, I was thinking,
like you could.

Speaker 1 (01:50:08):
Steal the cable right from this side of the wall.
That's where my mind yet. Oh man, But I mean
that's only when I'm in the house. Park park wise,
it's definitely just looking out for pedestrians and ship So.

Speaker 4 (01:50:21):
The marriage you let niggas hear what they socks on.

Speaker 1 (01:50:25):
It's a weird thing to like observe it.

Speaker 7 (01:50:29):
Because you I got a lot of ass. You can't
hit with your socks on on hardwood. You're gonna fall.

Speaker 1 (01:50:34):
So now you gotta have to arm the socks with
the little groopies on the bottom where the is he at?
Yeah get air and no, yeah you gotta.

Speaker 3 (01:50:42):
Yeah, that's why you steal some the bouncy rooms. You
take those with you when you leave. You need those
that the crib.

Speaker 1 (01:50:48):
It's Funnyjamarics mentioned that because I got myself a pair
of those four catch air, which is an indoor playground,
and that was the first thing I thought. I put
them over the first time and went through my own
hardwood flowers, like, oh, he's just like shoots those on
like this is like when the porn stars wear tim
like this has some I got some tra some traction.

(01:51:10):
But that's sick like to me if you don't have
a kid, that's like the girl that walks around with
a bunch of columns. You're like, yo, that's kind of
nutsy you walk around with that many condoms. If a
dude just pulls out the grippy socks like out the gay,
out his draw like what do you be doing? Think
you just had those like ready next.

Speaker 7 (01:51:26):
To you regular because well back in the day, because
that used to be a sign that you were mentally ill.

Speaker 1 (01:51:34):
We're no the no, the grippy song, my lord y
imagine that you got a socks like, yo, he's retarding.
They ran out of helmets because you got socks market yo.

(01:51:59):
Talking about the socks. Yes, that was a sign of
what mental illness, mental el.

Speaker 7 (01:52:04):
Like you had got three was it three or four
or what is it called when they check you into
the five point fifty.

Speaker 1 (01:52:11):
Wait, just because I have grippy socks on, Because when
you're in the mental away, when you're.

Speaker 7 (01:52:17):
In the mental institute, they give you grippy socks and
you usually go home with them. So before they get
air places and stuff like that, where grippy socks became
a thing because people go to those. No, if a
man had grippy socks, just like it's like, oh, you
probably tried to kill yourself before, Like that's what that.

Speaker 1 (01:52:32):
I'm trying to kill his pussy. I ain't trying to
kill myself. You got wood floors. I'm trying to kill
that pussy to that. Why are grippy socks not sold
in like prisons. I'm wearing grippy socks in the shower
if that's the case, Like if there's a fight, I
need grippy socks on at all times.

Speaker 5 (01:52:47):
And you're still gonna fall in the shower with grippy socks.

Speaker 3 (01:52:50):
The last thing you need to be worrying about in
prison is wearing grippy socks in the shower.

Speaker 1 (01:52:54):
You don't think traction is important in prison? Yeah, I
think a lot of things I'm not getting caught slim.
I got the grippy socks on you. No, you could,
Yeah it's grippy.

Speaker 3 (01:53:03):
Yeah you can still get course slipping with the grip
beside in prison, absolutely, but I won't fall as quick.

Speaker 1 (01:53:09):
They're not worried about your feet. Yeah, I'm from about fight.
It's not that weird ship you talking about. Why would
you think you would be fighting the shower for your manhood? No,
just was the time that the fight, the first time
we saw each other. But ass, but I ain't got
to fight he's barefoot.

Speaker 3 (01:53:28):
I ain't got that much beef. I gotta fight you
while you naked, and we ain't got that much.

Speaker 1 (01:53:32):
I'm we're in prison. We have nothing but time find another.

Speaker 4 (01:53:35):
I'll catch you outside that wreck. But I'm not fighting
in the shower.

Speaker 1 (01:53:37):
Yeah. Why that isn't like just a universal unwritten prison law.
To me is insane. Yeah, like, guys, we have other
places that we could do.

Speaker 7 (01:53:45):
No, because that's the part. It's easiest to catch somebody
slipping open intended in the shower.

Speaker 1 (01:53:49):
To to you slip and fall on your own shank.
That'd be my clumsy ass, like I would fall in
the shower.

Speaker 5 (01:53:55):
Suicidal ass slip and fall on your own shank.

Speaker 1 (01:54:00):
Now with the grippy socks though, speaking sleeping going slipped
on the cover, if you have the grips on.

Speaker 3 (01:54:06):
Speaking of slipping in your cars, then the girl Dawn
from uh in Vogue, she came out and said.

Speaker 1 (01:54:11):
She's yeah, she sleeps in her car. I saw that.

Speaker 3 (01:54:15):
And then it was people in the comments that I
think obviously have worked through before I know her, and
they were kind of speaking to like she's a bad
person and she ruins relationships with everybody. Everybody that works
with her has, you know, bad things to say about her.
And I was just reading up on it because I
was kind of confused, like in Vogue, like they got
multi platinum hit records and she like that, and I

(01:54:35):
know obviously you know, record deals are not you know,
always lucrative for artists. And then I do believe back
in the day in Vogue had an interview where they
said they only received like I think two cents her
album sold or something like that.

Speaker 1 (01:54:48):
Uh.

Speaker 7 (01:54:48):
Her ex husband offered a job in the hospitality industry
for her and she didn't want it.

Speaker 5 (01:54:55):
I don't know if she took it or not, but
he said like when he heard her say that she
he just offered it.

Speaker 1 (01:55:00):
Oh, he just offered Yeah, well yeah, hopefully you know husband,
ex husband, it would have to be an ex husband.

Speaker 5 (01:55:07):
Though her ex husband. Yeah, he's remarried.

Speaker 3 (01:55:11):
Well, hopefully you know, she she gets back on her
feet and sending her prayers and you know, blessings because
you know, you see people like that that you obviously
you know, listen to and support it at one point,
and then they fall on hard times, and especially as
a woman, sleeping in your car, traveling is is a
dangerous thing.

Speaker 1 (01:55:28):
So that's where my pride is kicking in. Though I'm
going to continue to sleep in that car if my
ex wife offers me a job. Yeah, yeah, I ain't
watch soulful. I'm good not taking that, not taking that gig,
especially and you're remarried. Fuck that, I'm sleeping in that car.

Speaker 4 (01:55:43):
Pride like, yeah, not like I'm on board with you.

Speaker 7 (01:55:47):
Yeah, remember y'all remember it, soul fool which when Bird
got her husband a job, how would.

Speaker 1 (01:55:54):
Y'all have handled that the same way he did? That
happened in you fuck this, nigga, He ain't giving me
no job for free? The fuck is this whoa, we
just went to dinner, that's all. He went to dinner.

Speaker 4 (01:56:08):
It's always dinner.

Speaker 1 (01:56:09):
With the diamond bracelet on. She was ripping. I thought
Jill Scott was tripping in why did I get married
too with the new husband? No, he is cancer.

Speaker 5 (01:56:18):
I don't give up all flying fuck Actually he.

Speaker 1 (01:56:20):
Got money in the health insurance. The fuck you gotta
be here for. Yeah, she was tripping and then got
me the job. Yeah, felt the same way as a man, like, No,
I'm sitting there on my first day at cop school
and ship and the like. Yeah, he came highly recommended.
And then say your ex husband's name, Yeah, fucking Chris
Dorner everybody. Yeah, that soul full shit was different only

(01:56:41):
because he thought he got the job on his own. Yeah,
so did what's his name? And while I get married
to uh Troy Troy. Yeah Troy thought the same thing
whole time. Fucking old Chemo over there got.

Speaker 4 (01:56:54):
It for him.

Speaker 8 (01:56:55):
Yeah.

Speaker 1 (01:56:56):
See, women playing a dangerous game. I would that Jill was.
She would stripping in that and granted from the first
movie she was she turned into the abuser. The abuse
turned the abuser, and that shit that was nuts.

Speaker 3 (01:57:08):
Yeah, because if a woman if a man did that
to you. Imagine an ex girl got you your job.

Speaker 1 (01:57:15):
Imagine you find that out at your first first day
work and you leave your first day after finally feeling
like a man, you got back on your feet. You
were forced to move from Colorado to Atlanta because your girl.
You find that out. You go to confront dude at
his house because you know where you live. He's always
linging around my motherfucking family. I know where you stay at.
You knock on the door and your wife is in
the apartment. Oh, and her excuse is it's not what

(01:57:37):
it looks like. He has cancer. Tyler Perry didn't write
the real ending to that movie.

Speaker 4 (01:57:44):
Yeah, there was definitely some DV.

Speaker 1 (01:57:47):
There was definitely some DV.

Speaker 2 (01:57:48):
Fuck.

Speaker 5 (01:57:49):
I ain't even playing them games.

Speaker 1 (01:57:52):
Can't play those games. That's a dangerous game to play. Tomorrow.
New music, We are recording this on a Thursday. I'm
gonna say allegedly, because we never know. With Playboy CARTI
I am music is dropping at midnight when you're listening
to this. It is out now. I've seen a thousand
different featured lists, all different, so I'm not even gonna

(01:58:14):
say any that are here. I'm gonna give it a shot, Cardi. Yeah, no,
you not, man, I am. I'm desperately trying to understand
why he's so popular. Because artists that I don't particularly
care for, I get why they are popular. I understand it.

(01:58:35):
I'm with you on that. This one I haven't quite
figured out yet, and it's not a hating way. I
want to know what I'm missing because so many people
like this.

Speaker 3 (01:58:41):
Yeah, I'm gonna get into the music and we'll try
to get into it and see, like what the what
the craze is about?

Speaker 1 (01:58:49):
But the album is coming out.

Speaker 3 (01:58:50):
We knew that they wasn't gonna it wasn't dropped the
ball on this and let the let the pre orders
go back to the customers. We knew that wasn't gonna happen.

Speaker 1 (01:58:57):
So I listen. I hope I'm wrong. I mean I've
sort of given Playboy Cardi a chance, not really enough,
like xxx tenthasi on, I didn't give him a fair
shot when he was alive. When he passed a bunch
of people that I respect music opinions sent me his music,
I was like, oh, I was wrong as fuck. This
kid is so so talented. Yeah, So I don't know

(01:59:20):
I'm gonna really sit with this, this Cardio album and
try to get it.

Speaker 3 (01:59:24):
He's one of the two artists that I tried to
get into and listen to and understand, and I just
I'm not there him Playboycardi and rod Wave.

Speaker 1 (01:59:34):
I at least can't get the rod Wave just based
off the writing and like a demographic that would be
attached to that type of emo writing. I get that.
I mean, it shocked me that he was doing like Arenas.
I was like, oh damn, I had his fan base
fucked up. He's He's way more properly on that.

Speaker 4 (01:59:53):
That's what I'm saying. I had no idea he is.

Speaker 1 (01:59:55):
I can see a lot of people being attached to
that type of stuff, but I don't know.

Speaker 4 (02:00:00):
All Right, we'll talk to y'all soon. Be safe, be blessed.

Speaker 1 (02:00:02):
I'm that nigga. He's just ginger peace. No wi eno

All Episodes

Episode 353 | Bad Takes Never Heal

Episode Transcript

Popular Podcasts

Crime Junkie

24/7 News: The Latest

Stuff You Should Know

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Episode 353 | Bad Takes Never Heal