The Orchard Keeper

A grower discovers something—or someone—roaming his orchard at night, leaving signs that the harvest isn’t the only thing being watched.

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Episode Transcript

Speaker 1 (00:02):
The first time Ray Haskins noticed something was wrong with
the orchard, it was a good kind of wrong. From
his kitchen window, the rose swept down the hill in
a neat green stripe, each tree heavy with fruit. It
was picking season, the kind of crisp blue sky morning

(00:25):
that made his knees ache before he even stood up.
He poured his coffee, rubbed the sleep out of his eyes,
and glanced out like he did every morning, and paused.
The sunrise painted the tops of the trees in gold.
But it wasn't the light that froze him. It was

(00:47):
the pattern. On the right side of the orchard, closer
to the house, the branches hung heavy, just like they should,
red and yellow apples dotting the lee like ornaments on
a Christmas tree. On the left side, farther down the
tree line, the branches were bare, not empty exactly, but thinned,

(01:14):
as if someone had gone through and done a careful,
selective harvest. Thing was Ray hadn't sent anyone out there yet.
He grabbed his coat and his old cap, half finished
coffee in hand, and headed out, gravel crunching under his boots.
The air smelled like dew and soil, and the faint

(01:37):
tang of apple skins, birds chattered in the hedge, grow normal,
Everything normal until he crossed into the left side rose.
At first glance, it looked like a crew had already
come through, picking only the best fruit. The branches that
yesterday bowed with ripeness now held scattered remnants, misshapen, too small,

(02:04):
still green or bird pecked. The rest were gone, cleanly plucked.
No bruised piles underfoot, no broken branches, no fruit on
the ground at all. Ray stopped scanning the grass. Nothing.

(02:26):
He straightened and squinted toward the far edge of the orchard,
where the trees thinned and the forest began, a darker
wall of oaks and pines, the boundary where his planted
world stopped and the wild one started. At the base
of the treeline, something caught the light, a smudge of

(02:46):
color that didn't belong. He walked down between the rows,
boots soft in the grass now, and the closer he
came to the woods, the more the smell hit him. Strong,
sweet thick apple flesh and sugar, and the faint edge
of fermentation. They were piled there, hundreds of apples, maybe more,

(03:13):
nestled in a heap a few feet from the first
line of trees, stacked like something had gathered them with
care and gently laid them down. They were the good ones,
the best ones, the ripest from those rows, perfect color,
no blemishes, each one that distinctive. Haskins red He'd spent

(03:36):
decades grafting and nurturing like children. Every apple in that
pile was one he would have picked for his highest
priced bins at the market. He felt a pressure in
his chest, something cold sliding down his ribs. Ray looked
over his shoulder out of the orchard, then turned back

(03:58):
to the pile. Who the hell, he muttered, Teenagers, Maybe
some kids from town playing a prank. But what kind
of prank involved picking like professional farm hands and stacking
fruit in the woods instead of throwing it or smashing it.

(04:20):
He moved closer to the tree line, scanning for footprints,
tire tracks, beer cans, candy wrappers, any sign of human stupidity.
The ground was disturbed, but not in the way he expected.
No bootprints, no tread marks, just flattened grass and a

(04:43):
faint trail leading into the shadow of the trees, the
kind of pressed down line that might be made by
something very heavy, moving the same way over and over.
He followed it just two steps before the woods wh
spirted him in that particular way he'd learned to respect

(05:04):
over the years, a gust of cold air, the hush
of leaves, the sense not a thought, more like a
feeling that he wasn't supposed to cross that boundary. He
stopped toe at the edge, At the edge of the
shade behind him, his orchard glowed in the morning light.

(05:28):
Before him, the forest watched, quiet and patient. Slowly he
backed away. By noon, he'd done the math twenty acres.
The left half of the orchard represented about ten of them.

(05:48):
Of those ten, at least a quarter of his premium
fruit had been removed, not dropped, not damaged, not partially eaten.
By year, removed and carried to one spot at the
tree line, twenty five percent of that side, which came

(06:09):
out to about twenty five percent of his overall profits.
Ray sat at the kitchen table, PaperWorks spread in front
of him. Yield estimates, buy her contracts, fuel costs, pencil tapping,
jaw working. Somebody's stealing from us, he said. His wife, Helen,

(06:34):
turned from the sink. She wiped her hands on a
dish towel, then leaned on the counter, staring at him
over the rims of her glasses. Kids, she asked. He hesitated,
That's what I thought. But no, no, no, she tilted

(06:55):
her head. He thought about the pile, the careful stack,
the selective picking, the faint, oddly wide trail in the grass,
the way the branches weren't broken, just empty of the
best fruit. It's too tidy, he said finally. She watched

(07:18):
him for a long moment, expression unreadable. Then she looked
past him to the window, out toward the orchard, where
the left rose looked thinner, sparser. It's not like we
haven't had strange things happen before, she murmured. He didn't respond.

(07:42):
He didn't need her to list them. They lived on
the land. The land kept score, the uprooted peach trees,
roots torn from the earth like some one had yanked
it straight up and tossed it aside. The twisted metal

(08:03):
trash cans that once we used for dog food, lid
ripped off sides, crumpled like a soda can, forty pounds
of kibble gone. The feed bags dragged off, the heavy
ones he himself groan to carry sometimes they'd find shreds

(08:26):
of sacks half a mile into the woods, the missing chickens,
dozens in a single night, with no feathers, no blood,
no trail, just a silent, empty coop and a low,
uneasy clucking from the survivors. And that one evening years back,

(08:48):
when they turned on to their long dirt driveway, just
as soon as something had crossed it. Ray hadn't meant
to slow down. His foot had done it on its own,
easing off the gas as the thing moved through the
beams of his headlights. Too big to be deer, too

(09:08):
upright to be bare, too fluid to be anything he'd
ever seen. It had taken three strides to cross the
width of the road, shadow blotting out the dust, a
brief flash of matted hair, and something like an arm swinging.

(09:29):
Then it was gone into the tall grass. He'd glanced
at Helen. She'd been sitting very still, hands folded tight
in her lap, eyes wide and focused straight ahead. They
drive the rest of the way in silence, parked, gone inside,

(09:52):
and never not once spoken of it. That had been
their quiet agreement. There were some things you didn't give
shape to with words until now, apparently, it's just apples,
he said, forcing a shrug. Probably a bear or I

(10:12):
don't know, maybe kids. After all, I'm gonna put up
some cameras. See what's what. Helen's lips pressed into a
thin line, but she nodded. Just be careful, ray careful,
he snorted. I'm just looking for idiots stealing apples, but

(10:35):
the words felt thin in his mouth, like paper trying
to stand up in a wind. The cameras didn't work.
He bought four motion activated trail cameras from the farm
supply store, the kind hunters used, and mounted them on
posts overlooking the left side rose and the tree line.

(11:00):
It took him half a day to get them all
positioned right. He walked back to the house feeling something
he hadn't felt in a long time, satisfaction. Let's see
a hide now, he muttered. That night, the wind came up.

(11:21):
He lay awake, listening to it combed through the branches,
hearing the familiar creaks of the house shifting, the occasional
faint thud of an apple dropping. He imagined teens and
hoodies slipping between the rows, stuffing their backpacks, giggling. At

(11:43):
three in the morning, when the old grandfather clock in
the hall chimed. He thought he heard something else, a low,
steady rustle, almost like someone wading through tall grass. But
by the time he got out of bed and patted
to the window, there was nothing, just darkness and the

(12:03):
faint sheen of moonlight brushing the tops of the trees.
In the morning, the batteries and all four cameras were dead,
not low dead. Ray unscrewed one, popped it open and frowned.

(12:23):
The batteries weren't cheap ones. He'd put them in fresh.
They should have lasted weeks. He chewed the inside of
his cheek. Well that's just great, he muttered. The orchard
looked different again. More of the left half had been
selectively picked perfectly. Ripe apples were missing, leaving only the rejects.

(12:50):
At the tree line. There were now two piles of
fruit side by side, like someone had drawn invisible lines
in the grass and sorted the apples accordingly. Ray stood
between them, hands on his hips. Who would steal that
many apples and not take them? He said aloud. The

(13:15):
question sounded absurd even as it left his mouth. It
hung in the morning air, unanswered. The forest did not respond.
He tried again with brand new batteries. This time he
added a fifth camera hidden higher in the tree instead

(13:38):
of on a post. He ran a cable to an
old car battery he'd rigged as a backup. The setup
looked ridiculous, a spider web of wires and plastic tied
to a living branch, but he didn't care. This was
his land, his livelihood. At night, the wind was dead, calm,

(14:03):
no creaks, no thuds, just a kind of waiting silence
that made the house feel smaller. Around two in the morning,
he woke up suddenly, heart tapping a little faster than usual.
The room was dim, the red glow of the alarm

(14:23):
clock numbers floating in the dark to fourteen. Something had
woken him. He listened. At first he heard nothing, then
very faintly, almost below, hearing a sound like fabric sliding
over bark, a soft rhythmic huff, branches shifting, not in

(14:50):
a chaotic wind tossed way, but in a measured pattern,
like someone moving very careful among the trees. He slipped
out of bed, wincing at the complaint in his knees,
and moved to the window that overlooked the orchard. The

(15:13):
moon was half full, washing the rose in a cold,
uneven light. He squinted, trying to make sense of the
shapes tree trunks, shadows, the pale gleam of fruit. Half
Way down the slope, something big shifted. It wasn't much,

(15:38):
a darker shape inside the darkness. Stepping from one row
to the next. The motion was smooth, almost lazy. An
arm he thought it was an arm, reached up and
a branch dipped, then another. Each time there was a
faint rustle, a saw thump that might have been an

(16:02):
apple landing in a large, waiting hand. He realized his
own breath was shallow, his finger tips pressed whitening against
the glass. The thing wasn't rushing, It wasn't panicked or
sneaky in the human sense. It moved like someone doing

(16:25):
a job they've done for years, calm, efficient, confidently, unseen.
As Ray watched, it worked down the row, always on
the left side of the orchard, never crossing the invisible
line toward the right, only plucking from the branches that

(16:47):
shone with ripe fruit, never touching the green, the misshapen,
or the ones with dark spots. Selective, deliberate. The absurdity
rose in him like a wave. Who the hell are you?
He whispered, as if it had heard him. The shadow paused,

(17:12):
turned for a second. He'd had the dizzy impression that
something tall and broad upturned its face, looking toward the house.
The moon caught just enough of a glint, something like eyeshine,
a wet reflection, and then just as fast it turned

(17:36):
away and continued its work, moving toward the tree line.
He stood there long after it disappeared into the woods,
The orchard once again a still painting. He didn't go
back to sleep the next morning. Ray didn't even check

(17:58):
the cameras. Right away, he went straight to the piles.
There were three now The fruit was sordid. One piled
up and held the most perfect of red apples, uniform size,
textbook examples. Another held slightly smaller ones, still good, but

(18:22):
not premium. The third pile mixed a few golden varieties
with red, as if some one had gotten creative. He
stared the air, heavy with that sweet, almost rotting scent.
Bees floated lazily over the heaps behind him. The orchard

(18:43):
stretched up the hill, half picked, half untouched. Only the left,
always the left. He tried to imagine teenagers doing this,
teens who cared enough to pick by ripeness and sort
by quality and then leave the lute. He couldn't teenagers,

(19:07):
he knew, broke things. They didn't curate them. He went
to the first camera, opened, the casing dead, the next dead,
all five dead. The car battery he'd wired to the
fifth camera was warm, drained. He sat down on the grass,

(19:32):
knee bent, hands dangling between them, and laughed once, a dry,
humorless laugh, a humorless sound. This is insane, he said
to no one. Something about saying it out loud made
it feel more true. And yet the proof sat all

(19:56):
around him in mounds. He of stolen unwonted fruit. Who
would steal so many apples and then just give them
back to the edge of the woods. The losses kept
adding up. Over the next two weeks. The left half

(20:17):
of the orchard became a strange, living ledger of the theft.
Every night, more of the best fruit vanished. Every morning,
new piles appeared at the tree line, sometimes bigger, sometimes smaller,

(20:37):
sometimes arranged in odd patterns like arcs and broken circles.
His spreadsheets began to look like obituaries. Helen watched him
grow quieter, shoulders tight as he paced the row, ran

(20:58):
his hands over empty brandes, recalculated in his head. You
talk to anyone about it, she asked one evening, as
they sat on the porch, the sky turning pink behind
the hills. And who am I supposed to talk to?
He replied, sheriff tell him some phantom fruit pickers stealing

(21:20):
a quarter of my income and leaving in the woods.
Like an offering. She didn't answer. The cicadas rasped in
their slow course. Somewhere down the slope, something cracked a branch.
You remember that that thing we saw, he asked. Suddenly

(21:43):
she stiffened beside him. He'd broken the rull, the unspoken pact.
After a long pause, she said softly on the road.
He nodded. He didn't trust himself to describe it further.
I remember, she said. What if it never left? He asked.

(22:09):
She looked out at the orchard, the left side in shadow, now,
the right still catching the last light. What if it
were here before us? She murmured. The ideas settled between them,
familiar and unwelcome, like an old relative who never quite

(22:32):
moved out. The third week, he found tracks not clear ones. No,
not perfect textbook prints, but impressions, depressions. When the grass
folded under the weight of something that walked on two legs,

(22:55):
not four. They were broad, longer than his boots, spaced
too far apart for a man his height to manage comfortably.
Each step a quiet, heavy punctuation mark leading from the
middle rows straight toward the trees. He followed them in

(23:19):
the tree line, heart thudding. The piles that day were
arranged in a half moon. The central one was taller,
almost waist high, a mound of crimson and gold domes.
He stood there, breathing in the sickeningly rich scent. Bees
buzzed thick around the edges. Somewhere deeper in the woods,

(23:44):
a branch snapped, This is my land, he said, louder
than he meant to. His voice sounded thin in the open.
Another branch cracked, closer this time than nothing. It occurred
to him slowly that maybe it wasn't theft, Maybe it

(24:10):
was a kind of bargain, one he'd never known. He'd
agreed to. He thought of the uprooted trees, the bent
trash can, the stolen feed, the missing chickens, the horse
that had neatly broken its neck, trying to get away
from something. Only it hadn't seen the shadow in the headlights,

(24:38):
And now this new weird harvest on only half his orchard,
half for him, half for something else. What if that
was the only reason the orchard had never been hit worse?
No barn torn apart, no cattle shredded, no house windows smashed.

(25:04):
Maybe just maybe the apples, or some kind of attacks.
But why so many, why so precise? Why only the ripest,
the most marketable. He imagined a massive, unseen shape in
the woods, sitting cross legged beside the piles, hands huge

(25:26):
and gentle, picking up apple after apple. Maybe it took
a bite from each, Maybe it ate only a fraction
and left the rest to rot. Maybe it was feeding others, family,
young ones. He imagined, small shadows, waiting, eyes, bright hands reaching.

(25:51):
The image should have comforted him. It didn't. It felt
too human and not human enough at the same time.
Who steals that many apples? He shouted suddenly, voice crackling,
Why why do you take so many? What do you

(26:14):
do with them? The woods swallowed his words. A crow
cawed from somewhere high and unseen, the sound harsh and amused,
he turned and walked back up the hill, leaving the
piles behind like small, colorful graves. On the last night

(26:37):
of harvest, the sky was low and gray, clouds hanging
like wet wool over the hills. He brought in everything
he could from the right side of the orchard. The
left haft looked ragged, now picked over, the work already

(26:57):
done by invisible hands. He slept poorly un Near dawn.
A sound woke him, different from the rest. Not a rustle,
not a thud, something sharper, A single heavy slap, like
a giant palm hitting siding. The house shuddered. Helen sat

(27:24):
bolt upright. What was another slap closer? The wall behind
their bed trembled. Ray's head pounded so hard he felt
it in his throat. He swung his legs out of
bed and grabbed the old flashlight from the night stand,

(27:48):
though he doubted it would make any difference. Stay here,
he whispered, though he had no real hope she would.
He crept down the hall, the boards creaking under his weight.
At the end of the hall was a small window
that looked out along the side of the house, down

(28:09):
toward the orchard. The pre dawn light smeared everything in
vague blue gray shapes melted together. He reached the window
and dared to lift one corner of the curtain. For
a moment, he saw nothing. Then out of the corner

(28:29):
of his eye, something moved. A shape loomed out of
the murk, impossibly tall, close enough that he could see
the way its shoulder brushed against the clapboard siding as
it walked along the side of the house. Dark hair
matted along its arms, its back broad enough to shadow

(28:54):
the window. An arm swung long and heavy, the hand
bigger than the lid of his own trash can. It stopped,
turned slightly. He couldn't see its face, not fully, just
the outline of a head too high for the window frame,

(29:18):
the suggestion of a jutting brow, and beneath it darkness
or eyes should be. The hand came up. For a second,
he thought it might smash the glass, reaching in and
dragging him through. Instead, it pressed its palm against the wall. Slap.

(29:42):
The sound vibrated through the wood into his chest. Another
mark of ownership, he thought wildly, another tally in some ledger.
Only it understood creature. He could no longer bring himself

(30:03):
to call at anything else. Stood there for several heart beats.
Then it lowered its arm, turned and moved away, its
gait smooth and deliberate. It strode down the slope toward
the left side of the orchard, passing effortlessly through from

(30:28):
house to tree, from the human world to its own.
Ray realized his breath was coming in short, shallow bursts.
His knees felt hollow. Behind him, he heard Helen's voice,
thin and shaking. Did you see it? He nodded, unable

(30:51):
to pull his eyes from the window. Ray. She whispered,
you're bleeding. He blinked and looked down his hand, still
clutching the flashlight, shook. A thin line of red ran
across the back of where he'd scraped the window without noticing.

(31:15):
Just apples, he thought, just fruit. So why did it
feel like his entire life was being weighed on some
invisible scale. The next morning, when the sun finally tore
through the clouds and lit up the orchard in its
usual warm gold, he walked down the slope in a

(31:39):
kind of numb trance. He knew before he reached it
that there would be another pile. He could feel it
the way you feel a storm before it arrives. There
was it sat at the tree line, larger than any

(31:59):
of the others, a mound of apples almost as tall
as his chest, glistening with dew. The smell was overwhelming,
but there was something else on top of it. This
time he stepped closer, squinting, Nestling among the apples. On

(32:23):
the very peak of the pile lay a single, intact
hen's egg, perfectly white, not cracked, not dirty, just sitting there,
improbable and delicate. Beside it, half buried in fruit, was

(32:45):
a strip of torn burlap, the same kind he used
for his feed sacks. It was neatly folded. An exchange,
he thought, or a receipt, or a joke, a gift.
Ray Helen's voice drifted down from the porch, carried onto

(33:08):
the breeze. You all right, He stared at the egg,
at the apple mounds that represented a quarter of his profits,
vanished from his books, but here accounted for in some
other way. He felt eyes on him from the woods,

(33:30):
real or imagined. He no longer cared to decide. Yeah,
he called back, his voice oddly, steady, I'm all right.
He reached out slowly and picked up the egg. It
was warm, warmer than it should have been on a
cool morning. He held it in his palm, feeling its

(33:55):
tiny weight, and for the first time since the apples
had started disappearing, he laughed, a low, strange sound that
was half hysteria, half surrender. Who would steal so many apples?
Something that didn't think it was stealing at all, something

(34:18):
that had decided this half was theirs and the other
half was his, and that was as far as a
deal in any world that rarely offered fairness. He put
the egg gently back on top of the pile. I
see you, he said quietly to the tree line, and

(34:39):
I get it, but we're not going to have to
renegotiate next season. The woods didn't answer, but as he
turned to walk back up the hill, a low gust
of wind moved through the trees for the first time
that morning, russ the leaves in a way that sounded

(35:02):
almost like a reply. Almost behind him, the piles of
perfect fruit sat at the edge of the forest, waiting
for whatever hand had claimed them in the night, And
somewhere not too far away, something that walked like a
man and wasn't a man at all picked another apple

(35:27):
raised it to its mouth and bit down, sweet juice
running over teeth that had never known a name. Thanks

(35:53):
for listening to the orchard keeper. Out Here among the
apple trees, the shadows grow long, and some things prefer
to stay hidden. If you enjoyed the story, be sure
to follow Bigfoot's Wilderness podcast for more encounters, mysteries, and
brushes with the unknown. Until next time, keep your eyes open,

(36:15):
your light's on, and watch the tree line.