November 29, 2025 • 57 mins
w/Jack Adamant
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Episode Transcript
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Speaker 1 (00:05):
You're listening to macconnorton Unleashed w n H five point.
Speaker 2 (00:10):
Three right now, the world radio premiere of the new
single from the Marches, Don't Fool Me twice.
Speaker 3 (00:36):
Here stand out in the dark.
Speaker 4 (00:38):
You know you sadly and I will have our sparking
us sadly.
Speaker 5 (00:46):
I know that is wrong.
Speaker 4 (00:48):
Start on money keeps telling me, but no and not
got into this.
Speaker 3 (01:00):
No, say the things.
Speaker 6 (01:01):
That you wanted to see. I try to say, trying.
I mean time, I do it for yourself, ast me
I passing, but we would knowing that that's somebody aunt,
it's not ecis not.
Speaker 3 (01:16):
It's not so much talking. I think it through holl
meant stuff.
Speaker 7 (01:21):
From me, But.
Speaker 5 (01:25):
Don't fro me.
Speaker 3 (01:26):
It's your person so around.
Speaker 8 (01:36):
I know it's so they do the isolation in the crowd.
Speaker 3 (01:41):
The blame is along on.
Speaker 8 (01:43):
You and all I'm saying it because now you're feeling
me was tough.
Speaker 5 (01:49):
Now we're both going to this smell.
Speaker 6 (01:58):
No, say the things that you're mister, try say every time.
Speaker 3 (02:04):
I'll do it.
Speaker 5 (02:06):
Fastly bad, fastly bad.
Speaker 6 (02:09):
We must know its last show stop sids nothing so
stalking away.
Speaker 3 (02:16):
I think it's true to me.
Speaker 5 (02:18):
Let stop for me don't do me little shows say.
Speaker 3 (02:48):
Don't get a sitting show. No, don't make us see you,
don't soon, no if you.
Speaker 7 (03:17):
Because oh I love it.
Speaker 2 (03:56):
That is the world radio premiere of the Marches new
single Don't Fool Me Twice. You heard it here first
on Matt Connorton Unleashed, and we are live from the
studios of w m n H ninety five point three FM, Inglorious, Manchester,
New Hampshire. Of course, you can stream the show from anywhere.
Go to Matt connorton dot com slash live for all
your live streaming options, social media links, contact and posh archives,
(04:18):
et cetera, et cetera. Today is Saturday, November twenty nine,
twenty twenty five. Happy Thanksgiving Day weekend twenty twenty five.
And I'm not alone.
Speaker 3 (04:36):
Jimmy John Show guest.
Speaker 2 (04:41):
Hope say that again. I said, good morning, sunshine, Yes,
good morning, good morning. My brain is frozen. I was
a little slow on the on the trigger there with
the the micol this morning. Yeah, ye that a little chili.
Definitely not ready. Definitely winter. It feels like winter for
the first time this season. But so welcome everybody. So
we have an exciting show for you coming up in
(05:04):
just a few minutes. Let's see, we have Jack Adamant
who is in Stockholm. He was going to be joining
us via WhatsApp. And then in the second hour, Jeremiah
Rouse from the Quality of Mercury, another great band who
will be joining us in the second hour via Microsoft Teams.
I believe he is in Pennsylvania. And then in the
third hour today we have something very special for you.
(05:26):
Our friend Brooklyn Mike is going to be coming in,
coming in with his guitar and he's gonna play for us,
and we're gonna talk and I get to actually do
a proper interview with him. Looking forward to that because
he's an interesting guy, very very talented. He's got quite
the musical background, originally from from Brooklyn. He's a real
New Yorker. Can you believe me? Yes, Yes, I love him? Yeah. Absolutely. Coincidentally,
(05:49):
so if you happen to turn on the if you
happen to turn on the radio, if you put the
station on a bit before this show started, you might
have heard the end of an old episode to the
Morning Show with which coincidentally happened to have Brooklyn Mic
on it. And right, that was funny. So a little
bit of serendipity there. The Morning Show, of course with
Peter White, which airs weekdays from seven to nine am
(06:11):
here at wm ANDH, but on Saturday mornings from seven
to nine, Peter airs a classic episode of the Morning Show,
and the one that was airing this morning was from
the end of twenty eighteen, so and it was and
it was Brooklyn. Mike was the guest on in the
in the last like the last half hour of the show,
(06:31):
and and so that was Yeah, so that worked out perfectly.
So we'll get to we had to hear him this morning,
and we get to we get to see him today.
He was on Retrospectrum Radio with us too last Friday night,
and I think he's going to be on next Friday
night as well. Not not last Friday as in last night,
but a week ago Friday.
Speaker 9 (06:49):
Okay, so you'll get through it.
Speaker 2 (06:51):
But he's been he's been part of the extended family
here at WMNH for a long time. So so great,
great guy. We should mention too. So this is a
big deal tonight. If for those of you listening live
on Saturday, November twenty ninth, we've got a big event
(07:11):
tonight at Terminus where actually New Hampshire Underground presents it.
I guess it's the same thing at we talked about.
Terminis a lot. It's such a great venue in Nashua.
Our great friends Eleanor and Andre, they've been on the
show talking about it a lot.
Speaker 9 (07:24):
It is the pop punk, pop up, live music and
arts mark and we're going to be there. Yeah, and
I'm excited to see everybody else is going to be there.
A lot of different vendors, a lot of different artists,
music is coming in. What do we get Grim Island
of Alaska.
Speaker 2 (07:43):
Help me?
Speaker 9 (07:46):
Oh, there's another being.
Speaker 2 (07:46):
I was trying to think on what you're on. Yeah, yeah,
on the tonight. And by the way, we should just
clarify Grim as gr i am. It's a It's an
abbreviation for something in an acronym. It's not the same
Grim that we talk about on the show. Yeah, not
our friend, not our friend Grim Rock from Pennsylvania. This
is a band gr Im.
Speaker 9 (08:06):
And if you want to look them up, it literally
is G period R period, I period period.
Speaker 2 (08:11):
So look up this band.
Speaker 9 (08:12):
But the doors are going to open at seven, music's
going to start at eight.
Speaker 2 (08:18):
Yep, that's tonight fifteen dollars entry twenty dollars for the
VIP lounge. But there's going to be many art vendors there,
including Jenny Yes, Jenny will have a table there with
her amazing art. Also Dennis Layton, our friend from the
Gray Curtain who's been on the show a few times,
and he's going to be there as well. Dennis Layton
(08:39):
Art with Love from Faith, Elements and Fantasy, Brenda Drew
designs Cosmo's creations, and of course Andre Dumont. Yes, yes,
he's an amazing artist in his own right. So so
that will be the art vendors. And of course as
far as bands, yes.
Speaker 9 (08:53):
And Prosperity Painting and miss sic and.
Speaker 2 (08:56):
Oh okay Kelsey, I didn't know about those.
Speaker 9 (09:02):
Uh, I'm sorry forgive me. The type is small and
my eyes are being jerks today, so I'm out on
a hard time seeing Chelsea photography. And also, oh oh,
I wanted to make sure you know how to get
there if it looked. It is located right in Nashua
at one thirty four Haynes Street. That's the terminus underground
(09:24):
you come down see Matt and I would love to
see you. Definitely make sure you say hi to us,
come check out the bands. They're going to be playing,
lots of arts, lots of music.
Speaker 2 (09:33):
It's going to be a fun evening.
Speaker 9 (09:36):
And its doors are like I said, doors are opening
good seven and this is an all ages show. Everybody
is welcome.
Speaker 2 (09:44):
Yeah, it's part of the holiday Stroll, the Winter's Stroll
is that what they call it.
Speaker 9 (09:48):
Yeah, through nash Or where they have different things going on.
So yeah, I've expected it to be a few people there,
so I'm looking forward to it. I hope you guys
will come down and join Matt and I'd be great
to see you. Definitely make sure you stop in and
say hello to us.
Speaker 2 (10:02):
Yes, So that will be tonight. So in just a
couple of minutes, we're gonna be joined by Jack Adamant,
great artist from He's originally from Italy, but I believe
he now resides in Stockholm and we're gonna talk with him.
I'm gonna play one of his songs going into the segment.
This is probably my personal favorite. But everything he's got
on his new album, which is called Helium and Low
(10:24):
Voltage Wiring that's a mouthful, but it's a great album.
It's on band camp if you want to check it out.
I highly recommend it really really good. But I think
we're gonna play this track. This is called Inconvenient Times.
He kind of left it up to us as far
as what to play, so I think we're gonna start
with this, and then when we come back from the song,
we'll have Jack with us via WhatsApp and I can't
(10:44):
wait to talk to him. But I love his sound.
Check this out. This is Inconvenient Times from Jack Adamant
from the album Helium in Low Voltage Wiring.
Speaker 10 (11:07):
Not afraid to share with that won your boss, well
writtencing and live the lawn bar line.
Speaker 7 (11:19):
Starting with a clucheit, mov into certain.
Speaker 3 (11:22):
Nipple, dancing among the stars. These days are phasing a
big change.
Speaker 11 (11:28):
All the run.
Speaker 3 (11:33):
We knew there was a dream of truth feeding.
Speaker 12 (11:36):
Your eyes, bad stories in red wine under mal.
Speaker 7 (11:43):
Sunshines, saying you say not enough to getting high in.
Speaker 3 (11:53):
Your sassful fun.
Speaker 13 (11:59):
Think of stays on und trains, open train you like,
shaking your way out.
Speaker 10 (12:15):
The clock is chasing your brass as you say, I
wake up night, creating new memors to reveal how trouble you.
Speaker 14 (12:26):
Are, how rows in the back of your hand.
Speaker 3 (12:31):
That swep through the cracks. Luck of promise, the lettingers
to long.
Speaker 2 (12:37):
On this glane.
Speaker 3 (12:40):
We knew there was a green or truth in your eyes.
Speaker 15 (12:47):
That story is say wine and the mallows sound.
Speaker 16 (12:51):
Shrags, Sorry, God listens lo wa high nostrust one morn
console doesn't as strains open backcas.
Speaker 5 (13:12):
To like shaving your way out.
Speaker 16 (13:19):
Your fingers says.
Speaker 3 (13:25):
To kick a bass post and connect.
Speaker 10 (13:35):
Setting out the ceiling, buzzing off the world.
Speaker 3 (13:41):
Getting high note just for fun.
Speaker 16 (13:47):
More constrainstop not bodcake to like shaving your way out.
Speaker 14 (14:30):
There's nothing worse riding where my mind, No lady go
oh the way that started firing across those skies above.
Speaker 17 (14:45):
Then fun missed the songs away, there's alone, there's no
love left to go any side mister songs the one
at the phone now sliding back from me.
Speaker 7 (15:16):
Standing by the side.
Speaker 12 (15:19):
Over row that grove me half way home, blame like
a child and cry a loud and after restro to.
Speaker 15 (15:34):
Go all I.
Speaker 3 (15:36):
Heard when I was even born, FI classing faster the girls.
Speaker 15 (15:45):
I never liked that sound.
Speaker 18 (16:03):
It from missed chance Away that's so long there's a
world left to go and the five mister Chance, the
wall I look for.
Speaker 19 (16:16):
I was lighting the black floor the wall I looked for,
and I was sliding black from wall I look for,
and I was sliding black.
Speaker 11 (16:37):
The one I heard when I was.
Speaker 20 (16:40):
Living born, fire worse, classroom, faster through the clouds.
Speaker 2 (16:47):
And then I would like that.
Speaker 7 (16:48):
Sound true.
Speaker 20 (16:53):
The wall I heard when I was living Born, fire worse, crushy,
faster through the clouds.
Speaker 21 (17:02):
I'm never light that sound.
Speaker 16 (17:08):
Wall I heard when I.
Speaker 3 (17:13):
Fun, crushy, fun through the clouds.
Speaker 21 (17:18):
I'm never light that sound to.
Speaker 15 (17:24):
Du wall I.
Speaker 3 (17:25):
Heard when I was even born.
Speaker 2 (17:32):
I love it. That is back from me, and that
is Jack Adamant and the name of the album, which
is I want to make sure I get it right
helium and low voltage wiring. Like I said, it's a mouthful,
but I think we've got Jack on the line with us.
H right, Jack, are you there? Hi, I'm here, Hey,
welcome to the show. I love your sound. I want
(17:52):
to tell you that right up front, really really good.
So it's great to have you on.
Speaker 15 (17:58):
Thanks, thanks, thanks for having me absolutely absolutely.
Speaker 2 (18:01):
Now where are you joining us from? Are you in Stockholm?
Is that correct?
Speaker 15 (18:05):
That's correct?
Speaker 2 (18:05):
Okay? And then so you're originally from Italy. Yeah, yeah, yeah, excellent, excellent.
So what what uh what took you to Stockholm?
Speaker 15 (18:16):
I think it was music related? Oh really, yeah, it
was because of my previous band.
Speaker 2 (18:23):
Oh okay.
Speaker 15 (18:25):
One of the members of the band he moved here
before me.
Speaker 2 (18:29):
Oh okay, so then you moved you moved there for
the band.
Speaker 15 (18:33):
Yeah, yeah, that's correct.
Speaker 2 (18:35):
Oh interesting. Well obviously you must like it there because
you're now you're doing a solo thing. But but you're
still there. So is it Is it a great place
to live?
Speaker 15 (18:45):
I think so? Yeah, although now he's getting like dark
and cold?
Speaker 2 (18:49):
Yeah, well same here. Yeah, I can relate. Yeah, absolutely absolutely.
How long have you lived in Stockholm?
Speaker 15 (18:57):
It's more than ten years now, Oh.
Speaker 2 (18:59):
Okay, yeah, so you're used to the dark and cold
by now. I would imagine if if you ever truly
get used to it, you know, it gets dark and
cold here, and and uh, we're right where we live.
Where we live, we're in that time of year where
it's dark at four o'clock in the afternoon, and it's like, uh,
we never quite get used to it. But but uh,
(19:21):
I feel your pain. How cold does it get there?
I must get pretty cold?
Speaker 15 (19:24):
Right this week is getting a little bit warmer, as
you say, but it's been minus last week in snow.
Oh yeah, well it's pretty fine.
Speaker 2 (19:35):
Now, it's fine, but at least you're uh yeah, well
you're making some great music from there, and that's that's wonderful.
Can you tell us about So I'm really curious about
the title. Like I said, it's a mouthful the title
of the album helium in low voltage wiring. Uh what
does that mean? I'm super curious.
Speaker 15 (19:53):
It came pretty quick. I think we had a list
with my drummer Jed and the bass player Vicks, both
of them they're still based in Italy, and we were
discussing about the title this new album, and we wanted
to make a list, and on the top of the
(20:16):
list there was this one Helium. Think. Yeah, in the
beginning was just helium, and it was more like I
was dreaming and all of a sudden, like I woke
up and I was back to reality, and I was
trying to describe the kind of feeling of dreaming, and
(20:41):
you know, it's like weightless. Yeah, you feel light and
there are no rules and you can dream about anything limitations,
and then all of a sudden you woke up and
the reality like put you down. But I think Ilium
(21:04):
was more like the contrast between something that is like
clothing and electric wires that's like ground that we know
that's like eating, doesn't belong to any wires, to any
kind of restriction. It was that kind of imagery or
(21:25):
the picture of something floading being ground that there was
like weird and at the same time was the right
fit for the weirdness of this album.
Speaker 2 (21:34):
Okay, okay, no, I like it.
Speaker 22 (21:36):
I like it.
Speaker 2 (21:38):
I was reading about you so is now? Is this
true that you you started playing guitar when you were
twelve and you began writing when you you were learning
to mix on a on a tape recorder, that you
wanted a street raffle? Is that true?
Speaker 15 (21:51):
Yeah, that's true. That's true. Oh wow, funny memories.
Speaker 2 (21:57):
Do you think you would have I mean, had that
had you not won that recorder and the street raffle,
do you think you would have you would have gone
forward with your I mean that was literally the start
of your recording career, right, Like, do you think that?
Do you think you still would have found your way
there to doing what you're doing now? Because it's so
interesting now Sometimes these little moments you know that happened
when we're kids. You know, they can they can set
up a series of events in motion that shape your
(22:19):
whole life and career.
Speaker 15 (22:23):
I know, my parents they didn't really want me to
buy a guitar. So I was already struggling there to
find a way to either to buy a new guitar,
to buy a guitar that was my first one, or
to build my own guitar.
Speaker 23 (22:38):
Yeah.
Speaker 15 (22:39):
So I remember that I was like carving a hole
in a biscuits tin. Yeah, and I was trying to
make my own, my own guitar, but it was a
kind of a failure. It didn't work out. Yeah, So
the the easiest way was just to bag my parents
(23:00):
and it's like, please, I'm going to behave at school,
I'm gonna do whatever you asked me for, but just
buy me a guitar. They were a little bit skeptical
because you don't know how to play guitar. What what
you have to do with your guitar? Just yeah, it's
just my way to start learning and yeah and not
(23:20):
being distructed, but to do something new.
Speaker 23 (23:23):
Yeah.
Speaker 2 (23:24):
Yeah. So they so obviously they ultimately relented, and I'm
sure looking back, they're very glad that they did, or
at least I would hope so right, So yeah, yeah,
absolutely so. And then did you like growing up, did
you kind of dabble in different genres or because I
(23:44):
hear a, I definitely hear a mix of influences in
your music. I'm really curious about about your you know,
the process of you know, learning the guitar, and then like,
what did you get into musically, what were some of
your influences growing up? And while you were learning?
Speaker 15 (23:58):
Uh we se in my English band, I was playing
bass and singing and it was more like a hard
rock band, but heavily inspired by bands like Dinosaur, Junior,
nir Vana, and Mad Honey. I would saying, but I
always like these songs that they really didn't fit the
(24:22):
groove of the nature of this band. So I was
planning to release them in a in some way or
in some format, and that was like the reason why
I started this solo project. And so the influences then
changed a little bit. I was more liking to j
(24:42):
Mask is like solo acoustic project that he had beside
then beside Junior or a neutral milk hotel. This kind
of like the first release that I had, like launch
a twelve since me too and we were talking about
twenty seventeen. The one was like a kind of five songs,
(25:07):
uh stripped down. Yeah, And from there it's like I felt,
I fact, there was something missing, Like I enjoyed the
fact that like there was an epy acoustic and very intimate,
but I felt that it was the sound was not
(25:28):
really there was something need to be able to be
evolved a little bit more. And then when you when
I get in touch with my actual drummer Judd, and
we started working on that on a new sound and
more like inspired by Smashing Pumpings, moving into that kind
(25:50):
of direction. We wanted to have like more heavy guitars
and drums, like really in front of everything. We always
like play. We always joke about like having the snare
sound is at the same level of a voice the
vocals right right and drastic. So that was the Still
(26:15):
like I think it's still like grunge and alternative rock. Yeah,
still like enjoy listening to Dinas Junior, Sebbadel or the
Smashing Pumpkins and weub Nothings can be like a good
influence too, or the Get Up Kids as well.
Speaker 2 (26:33):
Yeah, it's definitely evocative of those bands. Yeah, I definitely
hear the Dinosaur Junior influence absolutely so. Now the so
the band you have now, are any of these members
from from the band you were in before you went solo,
any of the same people or.
Speaker 15 (26:54):
I think maybe they were. One of them was one
of the founders, but then he left the band okay
later on, Okay, so the bass player of it. It
was one of the founders of the bally Riano, my
first like my first band, gotcha and they're still in Italy.
So the only time that we actually have time to
(27:15):
gig and to record and rehearse together is like when
we are all like in the same place, and this
usually ups upends like three four times a year. But yeah,
we have managed far.
Speaker 2 (27:31):
Yeah, I mean, you know, we live in a time
obviously too where you know, you can as far as recording,
you know, you can send tracks back and forth and whatnot,
But do you restrict that to when those few times
that you're actually able to get together or do you
ever do you record remotely where you're sending tracks back
and forth via dropbox or anything like that.
Speaker 15 (27:50):
He has changed a little bit. It's not the same anymore.
But I'll say we try to do everything when we
are together, so it is more like the idea of
the band and working together on the same on the
same thing. After that we were we have released this
new record. Now it's just the goal is mainly like
(28:13):
rehearsing and play live yeah shows.
Speaker 7 (28:16):
Yeah.
Speaker 2 (28:17):
Now as far as playing live, because you know, because
they're in Italy, I mean, do you do solo acoustic
shows or do you play with another band or how
does that work? I mean, are you actively playing live
shows without the rest of the guys or how does that?
How does that work?
Speaker 15 (28:33):
Yeah? I enjoy doing doing both.
Speaker 2 (28:35):
Yeah.
Speaker 15 (28:36):
So it's like when when I'm there with them, then
it's like it's the perfect time to play together. When
when I'm one my own, then if there is any
chance of playing live, then I can. I can do
like a stripped down version of those songs and it
works as well.
Speaker 2 (28:50):
Yeah. Yeah, I would imagine that these songs work well
if you're just doing a solo acoustic uh presentation. I
would imagine. I mean, when you're writing these, do you
I assume you start out as you and the guitar, right,
it would be different.
Speaker 15 (29:10):
I played bass, I play a little bit of ukulele.
Speaker 2 (29:13):
You do you play the ukulele. Interesting, Oh, that's interesting
too that you play the ukulele. That's wild.
Speaker 15 (29:24):
Yeah, So then you can start from from any instrument.
I can play a little bit of piano twos okay. Uh,
it's not really like exclusively playing like the first chords
and a guitar. So it can also be like humming
a melody and then start writing the lyrics. So I
don't really have I don't really have like a routine
(29:46):
or a rule that I follow strictly every time. So
it's like if I have, yeah, I would say the
most important thing that I have a story or I
heard something from from someone, or if me myself experiencing
like something that uh there's a mark in me and uh,
(30:08):
and then I start from there.
Speaker 2 (30:09):
Yeah.
Speaker 15 (30:10):
When when I usually like start on a guitar, I
usually experiment a little bit with the with the tuning
or staying away from like the normal chord shapes or
the shapes or any chords can you use like a
cape or Yeah. But just even if it sounds weird
at the at the beginning, I don't care. Just for me,
(30:32):
it's important that it doesn't sound. Uh, this sounds a
little bit unusual. That's what what I'm I'm looking for.
Speaker 2 (30:41):
Yeah, I get the impression that that's important to you
is to be able to experiment and and create different sounds,
different textures that you know that are maybe outside of
the mainstream or because you know, instead of just kind
of doing your standard sort of you know, three chord
rock or whatever. Not that there's anything wrong with that, obviously,
but but but it does seem like it's important. Even
(31:02):
just listening to the album. Uh, you know, I listened
to the whole thing all the way through, and and
each song has unique elements that make them stand out,
but they all form a very, very much a cohesive
listening experience, which brings me to the question is there
is there a theme to the album itself? I mean,
you talked about the title, but what about the album itself?
(31:23):
I mean, is there is there kind of a theme
or a story running through the album? Because I kind
of feel like there might be, but I'm not quite sure.
Speaker 15 (31:32):
For so, Matt, I appreciate the commitment in going through
the old album. Yeah you appreciate it.
Speaker 2 (31:37):
Oh yeah, no, I love it. It's great.
Speaker 15 (31:40):
But for sure there is like a team, and uh,
when I'm I'm writing, I'm mean it's my meme mainly
that he's writing these songs. And I always like having
mind the idea of writing a full album, full record.
So when I start writing she lines or the few
(32:01):
chords for songs and many be the structure of songs,
I always keep in mind like, Okay, this is going
to end up in the record. So also it's like
if the team is like depression or anxiety. So I
already touched this theme on my in my previous songs
for considering that it's gonna be in the in the
(32:22):
same record. Next them is gonna be different and the
same with the structure of the songs. It's like if
I have already songs starting with the with the intro
with a verse, then I try to have that kind
of a variety so that it doesn't follow the same structure,
and when someone goes to the the full record, it
(32:43):
doesn't feel like Okay, now it's the same song over
and over again. It just is boring, you know what
I mean?
Speaker 2 (32:50):
Yeah, no, that makes sense, that makes sense. Now, what
what's kind of the future trajectory for you? You know,
the album is great, I imagine you're you focused on
on promoting the current album, but I'm curious, I mean,
do you already have because you strike me as someone
who's probably constantly writing. I'm sure you've got a lot
of ideas, yes, for the next for the next album
or the next ep already are you? Are you already
(33:12):
thinking that far ahead? Are you kind of focused on
the moment or what's what's kind of the short term
or even the long term future for you.
Speaker 15 (33:20):
Actually, we were discussing with the with the other guys
about the promotion of this record, and now we are
releasing like an acoustic version of Touching Nothing because as
we as we said, some songs they were born like
on an acoustic guitar, so it's nice to share also
how they sounded in the in the very beginning before
(33:42):
being produced. And then we have a lot of b
sides as well. It's like we usually don't restrict ourselves
and writing only ten songs for the record, and then
you you're going to release the record, leave something missing
or you need to change a song, and then you
have to write like a last minute song. It's always
(34:03):
good for us to have like plank your songs for
the record and then deciding which one they will be
in there in the in the in the record, right,
So all those songs that they've been left behind, so
we want to release them in like a kind of
B side album in the future. Oh cool, So that's yeah,
that would be it'll be cool.
Speaker 2 (34:24):
Yeah, that's that's very cool. That's very cool. By the way, Jack,
how do you say your last name, because I don't
know if I'm saying it? Is it Adamant Adamin?
Speaker 15 (34:33):
Yeah, that's correct Edamant?
Speaker 2 (34:34):
Okay, good, I just want to make sure I was
saying it correctly. Very good, Very good. Well where should
people go to keep up with everything that you're doing?
Where's the best place for people to go online to
keep up with everything that Jack Adamant is doing.
Speaker 15 (34:49):
We try to be a little bit everywhere because we
never know where people can be more active. So we
are on Instagram, we are like on Twitter, we are
on Facebook of course, Spotify, YouTube or an Apple Music,
a little bit everywhere. So yeah, we use like we
have a distributor. So every time that we uphload our music,
(35:12):
at least we hope that you will ended up in
as many platforms as possible, so that people can easily
find us and listen to.
Speaker 2 (35:20):
Every music right absolutely.
Speaker 15 (35:22):
Uh.
Speaker 2 (35:22):
You know, there's there's a term that I like to use, discoverability.
It's so important to have your music everywhere so that
people can discover it. Absolutely that that's that's really the key. Well, Jack,
thank you so much. This has been wonderful to talk
with you. Like I said, I do love the album,
and I'm also going to I haven't had a chance
yet to listen to your your earlier work, but I
(35:44):
am going to. It's all on band camp, which is
very convenient, but I do. But I do encourage everyone
to check out Helium and Low Voltage Wiring. Great great album,
listen to it all the way through it. It really
it's just really good. And like I said, each individual song,
you know, it's it's it comes together. It forms a
cohesive listening experience, but each song also has its own
(36:06):
unique elements that I love, and it's just it's a
great listen So I encourage everybody to check it out.
But and I really appreciate you joining us, Jack, and
we will definitely do this again in the future as
soon as you have something new. We absolutely need to
have you back because we really love what you're doing.
Speaker 15 (36:23):
Thanks a lot, very appreciate absolutely.
Speaker 2 (36:26):
I think I'm gonna close out our segment with this
track Taught You Nothing. This is another favorite of mine
from the album Anything. We should know about this song
before before we play it.
Speaker 15 (36:36):
Oh, that's a story of one of my best friends
who moved to Sydney and uh oh yeah, he always
had like such interesting stories about his life and tattoos
and yeah, so.
Speaker 2 (36:52):
So he moved to Sydney, Australia. That's a that's a
that's a long way. Well, very good. Yeah, so we'll
we'll we'll close out the segment with this, and but
we'll let you go, Jack Adamant again, thank you so much,
and we will talk to you again soon, I'm sure.
Speaker 15 (37:07):
Yeah.
Speaker 2 (37:08):
Bye now, all right, bye bye, all right. That is
Jack Adamant. Make sure you check out his album Helium
and Low Voltage Wiring. And let's play this again. This
is another one of my favorites from the album. This
is called Taught You Nothing.
Speaker 10 (37:29):
Seriously drifting life salesphone noise feels to belong. The term
means astray, police captured and compelled.
Speaker 7 (37:42):
To drown towards well this yet to come.
Speaker 17 (37:49):
I thought you enough thanks to so think you resilus
Joe shape soon.
Speaker 24 (37:55):
Disguy with.
Speaker 20 (38:00):
From where you were gliding, Yeah, standing pomp to farm
along the infants.
Speaker 7 (38:19):
Vers a stand to face.
Speaker 10 (38:21):
We'd experiencing views like her now tattoos in black and gray,
and like Grelecy when you had him.
Speaker 15 (38:33):
To screaming and smile and all.
Speaker 5 (38:39):
I got seen enough things to.
Speaker 3 (38:42):
So sick you as relation, Joe.
Speaker 15 (38:45):
She stand the sky with a.
Speaker 3 (38:50):
Fro from one you're griding, Yeah.
Speaker 10 (38:55):
Standing prompt to palm along with infant bars.
Speaker 3 (39:00):
The wadis suits.
Speaker 13 (39:02):
You died in a bottom watching us the glide away
from us.
Speaker 3 (39:10):
A life bleak.
Speaker 2 (39:12):
The sact same amount as we test the minds of.
Speaker 3 (39:16):
Blon the shore.
Speaker 2 (39:20):
I thought you enough to some sick resolution, Joe.
Speaker 10 (39:25):
Ships in the skies all.
Speaker 5 (39:30):
The fall far away we were gliding.
Speaker 20 (39:35):
Stay found upon around it bart seamless lead.
Speaker 10 (39:41):
Drifting like sails upon the waves, feels still belowst theterment histray.
Speaker 5 (40:00):
She started.
Speaker 10 (40:02):
Visiting much range, dressing orange blaziness to me and calls
me with my old name.
Speaker 7 (40:09):
Her skin needs moisturis man, can't you see.
Speaker 3 (40:17):
What I think I can comfortably away.
Speaker 15 (40:19):
From the shore.
Speaker 5 (40:20):
We haven't got a lot of sign.
Speaker 3 (40:23):
Was it for the bass more than you could have
wished for.
Speaker 24 (40:30):
Wish for.
Speaker 7 (40:33):
Stars on the range.
Speaker 19 (40:36):
Stars their fragments, glittery eyes.
Speaker 3 (40:41):
They can not sica gloves.
Speaker 23 (40:42):
Stars on the really stars they're fragments, fragments.
Speaker 15 (40:51):
With glittery eyes.
Speaker 3 (40:55):
After the sign, you see goods.
Speaker 7 (40:57):
Every time she gets start sailing this losing go to clouds,
one of the ladies.
Speaker 5 (41:01):
She misses her hands and run see guitars.
Speaker 16 (41:04):
Don't the mothers hear this?
Speaker 23 (41:07):
Pas don't say him the light but as no sound
like they would dicussing the wrong around the way or
the room to day for on that o s the news.
Speaker 7 (41:18):
This is why she.
Speaker 18 (41:20):
Still in the calm ste this it may or pay
many spaces.
Speaker 7 (42:02):
This was.
Speaker 16 (42:05):
She still.
Speaker 7 (43:00):
I'm standing in the air shull.
Speaker 3 (43:05):
I'm listening to the land.
Speaker 5 (43:09):
And one the last girl.
Speaker 7 (43:13):
I wad spell by Okay, I been.
Speaker 5 (43:26):
Standing in their side.
Speaker 22 (43:30):
Fasten the time, Ben, I'm coming a back, staying in
(44:17):
the side.
Speaker 25 (44:21):
See to you.
Speaker 7 (45:26):
Seel me a god miss it?
Speaker 3 (45:30):
What's father at the time.
Speaker 7 (45:35):
He got he got to.
Speaker 15 (45:58):
Be.
Speaker 1 (46:32):
You're listening to Matt Connorton Unleashed on wm and Ah ninety.
Speaker 3 (46:37):
Five point three.
Speaker 26 (46:49):
Nana's Kitchen at Pizzeria.
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From Nana's hands to your plate.
Speaker 8 (46:56):
Traditional love and taste That's great, so from men, flavor
so true.
Speaker 3 (47:06):
Each bite us story made.
Speaker 15 (47:09):
Just for you.
Speaker 26 (47:11):
Six oh three two three two nine three six six
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The two greatest rock and roll bands of all time
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Showdown comes to Chub Theater at the Capitol Center for
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Tickets can be purchased at the theater box office or
(47:49):
online at CCANH dot com. The Capital Center for the
Arts is located at forty four South Main Street, Conquered,
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Speaker 11 (47:58):
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Allies, bring your kitchen to life with Queen Citycabinetry, Located
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Speaker 28 (49:51):
Hey everyone, there's Rob Azevedo, host of Grantite State of Mind,
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Speaker 11 (49:57):
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Restaurant and mew music venue where there's live music five
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(50:20):
Open Tuesdays to Wednesdays four to ten, Thursday's a Sunday
eleven to ten. Pembrook City Limits where it's all about
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Speaker 11 (50:28):
Disneys Cafe is the place to put a smile on
your face. Judy and the crew will take care of you,
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Dizze's Cafe at eight sixty Elm Street in downtown Manchester.
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Speaker 3 (51:36):
Seven times out of ten. We listened to our music
at night.
Speaker 2 (51:43):
That's titled business program.
Speaker 30 (51:46):
Late Night to Light with DJ Midas right here on WMNH, Manchester.
Speaker 3 (51:50):
You want to know why because Saturdays and Sunday nights
midnight to four.
Speaker 31 (51:56):
Am, This hour on wm NH sponsored by CGI Business Solutions,
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Speaker 30 (52:30):
Behold the harmony of airwaves as you immerse yourself in
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Enrich your auditory journey with the depth of our license
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Speaker 7 (53:24):
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Speaker 1 (53:34):
You're listening to Mattconnorton Unleashed on WMNH ninety five point.
Speaker 2 (53:40):
Three right now, the world radio premiere of the new
single from the Marches. Don't fool me twice.
Speaker 5 (54:00):
I'm saying.
Speaker 3 (54:05):
Here, you know, stand out in the dark.
Speaker 4 (54:08):
You know Seraly and I will en, I spark and
certainly and all that is wrong.
Speaker 3 (54:18):
Start A buddy keeps saving me. But no, not God
into this.
Speaker 5 (54:25):
You no say the things that she wanted to show.
Speaker 3 (54:33):
Are trying to trust.
Speaker 6 (54:34):
Trying every time to yourself pass me by passing, but
were knowing.
Speaker 3 (54:41):
That there's somebody an't you.
Speaker 5 (54:43):
It's not the saddest not it's had.
Speaker 3 (54:46):
It's too much time to do anything, and I think
it only want stop for me, But.
Speaker 5 (54:54):
Don't fo me.
Speaker 8 (54:56):
It's a present so theround. I know it's so do
The isolation in.
Speaker 4 (55:10):
The crowd of blamees al on you and all I'm
saying it because now you're feeling me.
Speaker 5 (55:18):
It was tough.
Speaker 3 (55:19):
Now we're both going to do this.
Speaker 30 (55:22):
Smile.
Speaker 5 (55:27):
No, say the things that.
Speaker 6 (55:29):
Showed to try shops like every time.
Speaker 7 (55:33):
I'll do it.
Speaker 5 (55:36):
Beastly lastly. But we won't know a things on your show.
Speaker 3 (55:41):
It's not the sadness nothing.
Speaker 5 (55:44):
Stop reading.
Speaker 3 (55:45):
I think it through for me.
Speaker 5 (55:47):
What's not going?
Speaker 3 (55:52):
Don't don't know me sing o control. No, don't missus
(56:24):
because you don't want to know.
Speaker 6 (56:28):
If you're read, you a shame.
Speaker 3 (56:37):
Is a ruse. No, don't go.
Speaker 6 (56:42):
Don't saying you got trouble. Don't be testing me because
you don't want to.
Speaker 5 (56:52):
Play away.
Speaker 7 (56:53):
Oh you know me.
Speaker 24 (57:24):
When Mattso wakes up in the morning, he gets into
the shower and to the top of his lungs, he sings,
I do what.
Speaker 2 (57:36):
I want because I can't.
Speaker 16 (57:40):
All right, back to
Speaker 3 (57:41):
The radio show now, all the best Jerry
You're listening to macconnorton Unleashed w n H five point.
Speaker 2 (00:10):
Three right now, the world radio premiere of the new
single from the Marches, Don't Fool Me twice.
Speaker 3 (00:36):
Here stand out in the dark.
Speaker 4 (00:38):
You know you sadly and I will have our sparking
us sadly.
Speaker 5 (00:46):
I know that is wrong.
Speaker 4 (00:48):
Start on money keeps telling me, but no and not
got into this.
Speaker 3 (01:00):
No, say the things.
Speaker 6 (01:01):
That you wanted to see. I try to say, trying.
I mean time, I do it for yourself, ast me
I passing, but we would knowing that that's somebody aunt,
it's not ecis not.
Speaker 3 (01:16):
It's not so much talking. I think it through holl
meant stuff.
Speaker 7 (01:21):
From me, But.
Speaker 5 (01:25):
Don't fro me.
Speaker 3 (01:26):
It's your person so around.
Speaker 8 (01:36):
I know it's so they do the isolation in the crowd.
Speaker 3 (01:41):
The blame is along on.
Speaker 8 (01:43):
You and all I'm saying it because now you're feeling
me was tough.
Speaker 5 (01:49):
Now we're both going to this smell.
Speaker 6 (01:58):
No, say the things that you're mister, try say every time.
Speaker 3 (02:04):
I'll do it.
Speaker 5 (02:06):
Fastly bad, fastly bad.
Speaker 6 (02:09):
We must know its last show stop sids nothing so
stalking away.
Speaker 3 (02:16):
I think it's true to me.
Speaker 5 (02:18):
Let stop for me don't do me little shows say.
Speaker 3 (02:48):
Don't get a sitting show. No, don't make us see you,
don't soon, no if you.
Speaker 7 (03:17):
Because oh I love it.
Speaker 2 (03:56):
That is the world radio premiere of the Marches new
single Don't Fool Me Twice. You heard it here first
on Matt Connorton Unleashed, and we are live from the
studios of w m n H ninety five point three FM, Inglorious, Manchester,
New Hampshire. Of course, you can stream the show from anywhere.
Go to Matt connorton dot com slash live for all
your live streaming options, social media links, contact and posh archives,
(04:18):
et cetera, et cetera. Today is Saturday, November twenty nine,
twenty twenty five. Happy Thanksgiving Day weekend twenty twenty five.
And I'm not alone.
Speaker 3 (04:36):
Jimmy John Show guest.
Speaker 2 (04:41):
Hope say that again. I said, good morning, sunshine, Yes,
good morning, good morning. My brain is frozen. I was
a little slow on the on the trigger there with
the the micol this morning. Yeah, ye that a little chili.
Definitely not ready. Definitely winter. It feels like winter for
the first time this season. But so welcome everybody. So
we have an exciting show for you coming up in
(05:04):
just a few minutes. Let's see, we have Jack Adamant
who is in Stockholm. He was going to be joining
us via WhatsApp. And then in the second hour, Jeremiah
Rouse from the Quality of Mercury, another great band who
will be joining us in the second hour via Microsoft Teams.
I believe he is in Pennsylvania. And then in the
third hour today we have something very special for you.
(05:26):
Our friend Brooklyn Mike is going to be coming in,
coming in with his guitar and he's gonna play for us,
and we're gonna talk and I get to actually do
a proper interview with him. Looking forward to that because
he's an interesting guy, very very talented. He's got quite
the musical background, originally from from Brooklyn. He's a real
New Yorker. Can you believe me? Yes, Yes, I love him? Yeah. Absolutely. Coincidentally,
(05:49):
so if you happen to turn on the if you
happen to turn on the radio, if you put the
station on a bit before this show started, you might
have heard the end of an old episode to the
Morning Show with which coincidentally happened to have Brooklyn Mic
on it. And right, that was funny. So a little
bit of serendipity there. The Morning Show, of course with
Peter White, which airs weekdays from seven to nine am
(06:11):
here at wm ANDH, but on Saturday mornings from seven
to nine, Peter airs a classic episode of the Morning Show,
and the one that was airing this morning was from
the end of twenty eighteen, so and it was and
it was Brooklyn. Mike was the guest on in the
in the last like the last half hour of the show,
(06:31):
and and so that was Yeah, so that worked out perfectly.
So we'll get to we had to hear him this morning,
and we get to we get to see him today.
He was on Retrospectrum Radio with us too last Friday night,
and I think he's going to be on next Friday
night as well. Not not last Friday as in last night,
but a week ago Friday.
Speaker 9 (06:49):
Okay, so you'll get through it.
Speaker 2 (06:51):
But he's been he's been part of the extended family
here at WMNH for a long time. So so great,
great guy. We should mention too. So this is a
big deal tonight. If for those of you listening live
on Saturday, November twenty ninth, we've got a big event
(07:11):
tonight at Terminus where actually New Hampshire Underground presents it.
I guess it's the same thing at we talked about.
Terminis a lot. It's such a great venue in Nashua.
Our great friends Eleanor and Andre, they've been on the
show talking about it a lot.
Speaker 9 (07:24):
It is the pop punk, pop up, live music and
arts mark and we're going to be there. Yeah, and
I'm excited to see everybody else is going to be there.
A lot of different vendors, a lot of different artists,
music is coming in. What do we get Grim Island
of Alaska.
Speaker 2 (07:43):
Help me?
Speaker 9 (07:46):
Oh, there's another being.
Speaker 2 (07:46):
I was trying to think on what you're on. Yeah, yeah,
on the tonight. And by the way, we should just
clarify Grim as gr i am. It's a It's an
abbreviation for something in an acronym. It's not the same
Grim that we talk about on the show. Yeah, not
our friend, not our friend Grim Rock from Pennsylvania. This
is a band gr Im.
Speaker 9 (08:06):
And if you want to look them up, it literally
is G period R period, I period period.
Speaker 2 (08:11):
So look up this band.
Speaker 9 (08:12):
But the doors are going to open at seven, music's
going to start at eight.
Speaker 2 (08:18):
Yep, that's tonight fifteen dollars entry twenty dollars for the
VIP lounge. But there's going to be many art vendors there,
including Jenny Yes, Jenny will have a table there with
her amazing art. Also Dennis Layton, our friend from the
Gray Curtain who's been on the show a few times,
and he's going to be there as well. Dennis Layton
(08:39):
Art with Love from Faith, Elements and Fantasy, Brenda Drew
designs Cosmo's creations, and of course Andre Dumont. Yes, yes,
he's an amazing artist in his own right. So so
that will be the art vendors. And of course as
far as bands, yes.
Speaker 9 (08:53):
And Prosperity Painting and miss sic and.
Speaker 2 (08:56):
Oh okay Kelsey, I didn't know about those.
Speaker 9 (09:02):
Uh, I'm sorry forgive me. The type is small and
my eyes are being jerks today, so I'm out on
a hard time seeing Chelsea photography. And also, oh oh,
I wanted to make sure you know how to get
there if it looked. It is located right in Nashua
at one thirty four Haynes Street. That's the terminus underground
(09:24):
you come down see Matt and I would love to
see you. Definitely make sure you say hi to us,
come check out the bands. They're going to be playing,
lots of arts, lots of music.
Speaker 2 (09:33):
It's going to be a fun evening.
Speaker 9 (09:36):
And its doors are like I said, doors are opening
good seven and this is an all ages show. Everybody
is welcome.
Speaker 2 (09:44):
Yeah, it's part of the holiday Stroll, the Winter's Stroll
is that what they call it.
Speaker 9 (09:48):
Yeah, through nash Or where they have different things going on.
So yeah, I've expected it to be a few people there,
so I'm looking forward to it. I hope you guys
will come down and join Matt and I'd be great
to see you. Definitely make sure you stop in and
say hello to us.
Speaker 2 (10:02):
Yes, So that will be tonight. So in just a
couple of minutes, we're gonna be joined by Jack Adamant,
great artist from He's originally from Italy, but I believe
he now resides in Stockholm and we're gonna talk with him.
I'm gonna play one of his songs going into the segment.
This is probably my personal favorite. But everything he's got
on his new album, which is called Helium and Low
(10:24):
Voltage Wiring that's a mouthful, but it's a great album.
It's on band camp if you want to check it out.
I highly recommend it really really good. But I think
we're gonna play this track. This is called Inconvenient Times.
He kind of left it up to us as far
as what to play, so I think we're gonna start
with this, and then when we come back from the song,
we'll have Jack with us via WhatsApp and I can't
(10:44):
wait to talk to him. But I love his sound.
Check this out. This is Inconvenient Times from Jack Adamant
from the album Helium in Low Voltage Wiring.
Speaker 10 (11:07):
Not afraid to share with that won your boss, well
writtencing and live the lawn bar line.
Speaker 7 (11:19):
Starting with a clucheit, mov into certain.
Speaker 3 (11:22):
Nipple, dancing among the stars. These days are phasing a
big change.
Speaker 11 (11:28):
All the run.
Speaker 3 (11:33):
We knew there was a dream of truth feeding.
Speaker 12 (11:36):
Your eyes, bad stories in red wine under mal.
Speaker 7 (11:43):
Sunshines, saying you say not enough to getting high in.
Speaker 3 (11:53):
Your sassful fun.
Speaker 13 (11:59):
Think of stays on und trains, open train you like,
shaking your way out.
Speaker 10 (12:15):
The clock is chasing your brass as you say, I
wake up night, creating new memors to reveal how trouble you.
Speaker 14 (12:26):
Are, how rows in the back of your hand.
Speaker 3 (12:31):
That swep through the cracks. Luck of promise, the lettingers
to long.
Speaker 2 (12:37):
On this glane.
Speaker 3 (12:40):
We knew there was a green or truth in your eyes.
Speaker 15 (12:47):
That story is say wine and the mallows sound.
Speaker 16 (12:51):
Shrags, Sorry, God listens lo wa high nostrust one morn
console doesn't as strains open backcas.
Speaker 5 (13:12):
To like shaving your way out.
Speaker 16 (13:19):
Your fingers says.
Speaker 3 (13:25):
To kick a bass post and connect.
Speaker 10 (13:35):
Setting out the ceiling, buzzing off the world.
Speaker 3 (13:41):
Getting high note just for fun.
Speaker 16 (13:47):
More constrainstop not bodcake to like shaving your way out.
Speaker 14 (14:30):
There's nothing worse riding where my mind, No lady go
oh the way that started firing across those skies above.
Speaker 17 (14:45):
Then fun missed the songs away, there's alone, there's no
love left to go any side mister songs the one
at the phone now sliding back from me.
Speaker 7 (15:16):
Standing by the side.
Speaker 12 (15:19):
Over row that grove me half way home, blame like
a child and cry a loud and after restro to.
Speaker 15 (15:34):
Go all I.
Speaker 3 (15:36):
Heard when I was even born, FI classing faster the girls.
Speaker 15 (15:45):
I never liked that sound.
Speaker 18 (16:03):
It from missed chance Away that's so long there's a
world left to go and the five mister Chance, the
wall I look for.
Speaker 19 (16:16):
I was lighting the black floor the wall I looked for,
and I was sliding black from wall I look for,
and I was sliding black.
Speaker 11 (16:37):
The one I heard when I was.
Speaker 20 (16:40):
Living born, fire worse, classroom, faster through the clouds.
Speaker 2 (16:47):
And then I would like that.
Speaker 7 (16:48):
Sound true.
Speaker 20 (16:53):
The wall I heard when I was living Born, fire worse, crushy,
faster through the clouds.
Speaker 21 (17:02):
I'm never light that sound.
Speaker 16 (17:08):
Wall I heard when I.
Speaker 3 (17:13):
Fun, crushy, fun through the clouds.
Speaker 21 (17:18):
I'm never light that sound to.
Speaker 15 (17:24):
Du wall I.
Speaker 3 (17:25):
Heard when I was even born.
Speaker 2 (17:32):
I love it. That is back from me, and that
is Jack Adamant and the name of the album, which
is I want to make sure I get it right
helium and low voltage wiring. Like I said, it's a mouthful,
but I think we've got Jack on the line with us.
H right, Jack, are you there? Hi, I'm here, Hey,
welcome to the show. I love your sound. I want
(17:52):
to tell you that right up front, really really good.
So it's great to have you on.
Speaker 15 (17:58):
Thanks, thanks, thanks for having me absolutely absolutely.
Speaker 2 (18:01):
Now where are you joining us from? Are you in Stockholm?
Is that correct?
Speaker 15 (18:05):
That's correct?
Speaker 2 (18:05):
Okay? And then so you're originally from Italy. Yeah, yeah, yeah, excellent, excellent.
So what what uh what took you to Stockholm?
Speaker 15 (18:16):
I think it was music related? Oh really, yeah, it
was because of my previous band.
Speaker 2 (18:23):
Oh okay.
Speaker 15 (18:25):
One of the members of the band he moved here
before me.
Speaker 2 (18:29):
Oh okay, so then you moved you moved there for
the band.
Speaker 15 (18:33):
Yeah, yeah, that's correct.
Speaker 2 (18:35):
Oh interesting. Well obviously you must like it there because
you're now you're doing a solo thing. But but you're
still there. So is it Is it a great place
to live?
Speaker 15 (18:45):
I think so? Yeah, although now he's getting like dark
and cold?
Speaker 2 (18:49):
Yeah, well same here. Yeah, I can relate. Yeah, absolutely absolutely.
How long have you lived in Stockholm?
Speaker 15 (18:57):
It's more than ten years now, Oh.
Speaker 2 (18:59):
Okay, yeah, so you're used to the dark and cold
by now. I would imagine if if you ever truly
get used to it, you know, it gets dark and
cold here, and and uh, we're right where we live.
Where we live, we're in that time of year where
it's dark at four o'clock in the afternoon, and it's like, uh,
we never quite get used to it. But but uh,
(19:21):
I feel your pain. How cold does it get there?
I must get pretty cold?
Speaker 15 (19:24):
Right this week is getting a little bit warmer, as
you say, but it's been minus last week in snow.
Oh yeah, well it's pretty fine.
Speaker 2 (19:35):
Now, it's fine, but at least you're uh yeah, well
you're making some great music from there, and that's that's wonderful.
Can you tell us about So I'm really curious about
the title. Like I said, it's a mouthful the title
of the album helium in low voltage wiring. Uh what
does that mean? I'm super curious.
Speaker 15 (19:53):
It came pretty quick. I think we had a list
with my drummer Jed and the bass player Vicks, both
of them they're still based in Italy, and we were
discussing about the title this new album, and we wanted
to make a list, and on the top of the
(20:16):
list there was this one Helium. Think. Yeah, in the
beginning was just helium, and it was more like I
was dreaming and all of a sudden, like I woke
up and I was back to reality, and I was
trying to describe the kind of feeling of dreaming, and
(20:41):
you know, it's like weightless. Yeah, you feel light and
there are no rules and you can dream about anything limitations,
and then all of a sudden you woke up and
the reality like put you down. But I think Ilium
(21:04):
was more like the contrast between something that is like
clothing and electric wires that's like ground that we know
that's like eating, doesn't belong to any wires, to any
kind of restriction. It was that kind of imagery or
(21:25):
the picture of something floading being ground that there was
like weird and at the same time was the right
fit for the weirdness of this album.
Speaker 2 (21:34):
Okay, okay, no, I like it.
Speaker 22 (21:36):
I like it.
Speaker 2 (21:38):
I was reading about you so is now? Is this
true that you you started playing guitar when you were
twelve and you began writing when you you were learning
to mix on a on a tape recorder, that you
wanted a street raffle? Is that true?
Speaker 15 (21:51):
Yeah, that's true. That's true. Oh wow, funny memories.
Speaker 2 (21:57):
Do you think you would have I mean, had that
had you not won that recorder and the street raffle,
do you think you would have you would have gone
forward with your I mean that was literally the start
of your recording career, right, Like, do you think that?
Do you think you still would have found your way
there to doing what you're doing now? Because it's so
interesting now Sometimes these little moments you know that happened
when we're kids. You know, they can they can set
up a series of events in motion that shape your
(22:19):
whole life and career.
Speaker 15 (22:23):
I know, my parents they didn't really want me to
buy a guitar. So I was already struggling there to
find a way to either to buy a new guitar,
to buy a guitar that was my first one, or
to build my own guitar.
Speaker 23 (22:38):
Yeah.
Speaker 15 (22:39):
So I remember that I was like carving a hole
in a biscuits tin. Yeah, and I was trying to
make my own, my own guitar, but it was a
kind of a failure. It didn't work out. Yeah, So
the the easiest way was just to bag my parents
(23:00):
and it's like, please, I'm going to behave at school,
I'm gonna do whatever you asked me for, but just
buy me a guitar. They were a little bit skeptical
because you don't know how to play guitar. What what
you have to do with your guitar? Just yeah, it's
just my way to start learning and yeah and not
(23:20):
being distructed, but to do something new.
Speaker 23 (23:23):
Yeah.
Speaker 2 (23:24):
Yeah. So they so obviously they ultimately relented, and I'm
sure looking back, they're very glad that they did, or
at least I would hope so right, So yeah, yeah,
absolutely so. And then did you like growing up, did
you kind of dabble in different genres or because I
(23:44):
hear a, I definitely hear a mix of influences in
your music. I'm really curious about about your you know,
the process of you know, learning the guitar, and then like,
what did you get into musically, what were some of
your influences growing up? And while you were learning?
Speaker 15 (23:58):
Uh we se in my English band, I was playing
bass and singing and it was more like a hard
rock band, but heavily inspired by bands like Dinosaur, Junior,
nir Vana, and Mad Honey. I would saying, but I
always like these songs that they really didn't fit the
(24:22):
groove of the nature of this band. So I was
planning to release them in a in some way or
in some format, and that was like the reason why
I started this solo project. And so the influences then
changed a little bit. I was more liking to j
(24:42):
Mask is like solo acoustic project that he had beside
then beside Junior or a neutral milk hotel. This kind
of like the first release that I had, like launch
a twelve since me too and we were talking about
twenty seventeen. The one was like a kind of five songs,
(25:07):
uh stripped down. Yeah, And from there it's like I felt,
I fact, there was something missing, Like I enjoyed the
fact that like there was an epy acoustic and very intimate,
but I felt that it was the sound was not
(25:28):
really there was something need to be able to be
evolved a little bit more. And then when you when
I get in touch with my actual drummer Judd, and
we started working on that on a new sound and
more like inspired by Smashing Pumpings, moving into that kind
(25:50):
of direction. We wanted to have like more heavy guitars
and drums, like really in front of everything. We always
like play. We always joke about like having the snare
sound is at the same level of a voice the
vocals right right and drastic. So that was the Still
(26:15):
like I think it's still like grunge and alternative rock. Yeah,
still like enjoy listening to Dinas Junior, Sebbadel or the
Smashing Pumpkins and weub Nothings can be like a good
influence too, or the Get Up Kids as well.
Speaker 2 (26:33):
Yeah, it's definitely evocative of those bands. Yeah, I definitely
hear the Dinosaur Junior influence absolutely so. Now the so
the band you have now, are any of these members
from from the band you were in before you went solo,
any of the same people or.
Speaker 15 (26:54):
I think maybe they were. One of them was one
of the founders, but then he left the band okay
later on, Okay, so the bass player of it. It
was one of the founders of the bally Riano, my
first like my first band, gotcha and they're still in Italy.
So the only time that we actually have time to
(27:15):
gig and to record and rehearse together is like when
we are all like in the same place, and this
usually ups upends like three four times a year. But yeah,
we have managed far.
Speaker 2 (27:31):
Yeah, I mean, you know, we live in a time
obviously too where you know, you can as far as recording,
you know, you can send tracks back and forth and whatnot,
But do you restrict that to when those few times
that you're actually able to get together or do you
ever do you record remotely where you're sending tracks back
and forth via dropbox or anything like that.
Speaker 15 (27:50):
He has changed a little bit. It's not the same anymore.
But I'll say we try to do everything when we
are together, so it is more like the idea of
the band and working together on the same on the
same thing. After that we were we have released this
new record. Now it's just the goal is mainly like
(28:13):
rehearsing and play live yeah shows.
Speaker 7 (28:16):
Yeah.
Speaker 2 (28:17):
Now as far as playing live, because you know, because
they're in Italy, I mean, do you do solo acoustic
shows or do you play with another band or how
does that work? I mean, are you actively playing live
shows without the rest of the guys or how does that?
How does that work?
Speaker 15 (28:33):
Yeah? I enjoy doing doing both.
Speaker 2 (28:35):
Yeah.
Speaker 15 (28:36):
So it's like when when I'm there with them, then
it's like it's the perfect time to play together. When
when I'm one my own, then if there is any
chance of playing live, then I can. I can do
like a stripped down version of those songs and it
works as well.
Speaker 2 (28:50):
Yeah. Yeah, I would imagine that these songs work well
if you're just doing a solo acoustic uh presentation. I
would imagine. I mean, when you're writing these, do you
I assume you start out as you and the guitar, right,
it would be different.
Speaker 15 (29:10):
I played bass, I play a little bit of ukulele.
Speaker 2 (29:13):
You do you play the ukulele. Interesting, Oh, that's interesting
too that you play the ukulele. That's wild.
Speaker 15 (29:24):
Yeah, So then you can start from from any instrument.
I can play a little bit of piano twos okay. Uh,
it's not really like exclusively playing like the first chords
and a guitar. So it can also be like humming
a melody and then start writing the lyrics. So I
don't really have I don't really have like a routine
(29:46):
or a rule that I follow strictly every time. So
it's like if I have, yeah, I would say the
most important thing that I have a story or I
heard something from from someone, or if me myself experiencing
like something that uh there's a mark in me and uh,
(30:08):
and then I start from there.
Speaker 2 (30:09):
Yeah.
Speaker 15 (30:10):
When when I usually like start on a guitar, I
usually experiment a little bit with the with the tuning
or staying away from like the normal chord shapes or
the shapes or any chords can you use like a
cape or Yeah. But just even if it sounds weird
at the at the beginning, I don't care. Just for me,
(30:32):
it's important that it doesn't sound. Uh, this sounds a
little bit unusual. That's what what I'm I'm looking for.
Speaker 2 (30:41):
Yeah, I get the impression that that's important to you
is to be able to experiment and and create different sounds,
different textures that you know that are maybe outside of
the mainstream or because you know, instead of just kind
of doing your standard sort of you know, three chord
rock or whatever. Not that there's anything wrong with that, obviously,
but but but it does seem like it's important. Even
(31:02):
just listening to the album. Uh, you know, I listened
to the whole thing all the way through, and and
each song has unique elements that make them stand out,
but they all form a very, very much a cohesive
listening experience, which brings me to the question is there
is there a theme to the album itself? I mean,
you talked about the title, but what about the album itself?
(31:23):
I mean, is there is there kind of a theme
or a story running through the album? Because I kind
of feel like there might be, but I'm not quite sure.
Speaker 15 (31:32):
For so, Matt, I appreciate the commitment in going through
the old album. Yeah you appreciate it.
Speaker 2 (31:37):
Oh yeah, no, I love it. It's great.
Speaker 15 (31:40):
But for sure there is like a team, and uh,
when I'm I'm writing, I'm mean it's my meme mainly
that he's writing these songs. And I always like having
mind the idea of writing a full album, full record.
So when I start writing she lines or the few
(32:01):
chords for songs and many be the structure of songs,
I always keep in mind like, Okay, this is going
to end up in the record. So also it's like
if the team is like depression or anxiety. So I
already touched this theme on my in my previous songs
for considering that it's gonna be in the in the
(32:22):
same record. Next them is gonna be different and the
same with the structure of the songs. It's like if
I have already songs starting with the with the intro
with a verse, then I try to have that kind
of a variety so that it doesn't follow the same structure,
and when someone goes to the the full record, it
(32:43):
doesn't feel like Okay, now it's the same song over
and over again. It just is boring, you know what
I mean?
Speaker 2 (32:50):
Yeah, no, that makes sense, that makes sense. Now, what
what's kind of the future trajectory for you? You know,
the album is great, I imagine you're you focused on
on promoting the current album, but I'm curious, I mean,
do you already have because you strike me as someone
who's probably constantly writing. I'm sure you've got a lot
of ideas, yes, for the next for the next album
or the next ep already are you? Are you already
(33:12):
thinking that far ahead? Are you kind of focused on
the moment or what's what's kind of the short term
or even the long term future for you.
Speaker 15 (33:20):
Actually, we were discussing with the with the other guys
about the promotion of this record, and now we are
releasing like an acoustic version of Touching Nothing because as
we as we said, some songs they were born like
on an acoustic guitar, so it's nice to share also
how they sounded in the in the very beginning before
(33:42):
being produced. And then we have a lot of b
sides as well. It's like we usually don't restrict ourselves
and writing only ten songs for the record, and then
you you're going to release the record, leave something missing
or you need to change a song, and then you
have to write like a last minute song. It's always
(34:03):
good for us to have like plank your songs for
the record and then deciding which one they will be
in there in the in the in the record, right,
So all those songs that they've been left behind, so
we want to release them in like a kind of
B side album in the future. Oh cool, So that's yeah,
that would be it'll be cool.
Speaker 2 (34:24):
Yeah, that's that's very cool. That's very cool. By the way, Jack,
how do you say your last name, because I don't
know if I'm saying it? Is it Adamant Adamin?
Speaker 15 (34:33):
Yeah, that's correct Edamant?
Speaker 2 (34:34):
Okay, good, I just want to make sure I was
saying it correctly. Very good, Very good. Well where should
people go to keep up with everything that you're doing?
Where's the best place for people to go online to
keep up with everything that Jack Adamant is doing.
Speaker 15 (34:49):
We try to be a little bit everywhere because we
never know where people can be more active. So we
are on Instagram, we are like on Twitter, we are
on Facebook of course, Spotify, YouTube or an Apple Music,
a little bit everywhere. So yeah, we use like we
have a distributor. So every time that we uphload our music,
(35:12):
at least we hope that you will ended up in
as many platforms as possible, so that people can easily
find us and listen to.
Speaker 2 (35:20):
Every music right absolutely.
Speaker 15 (35:22):
Uh.
Speaker 2 (35:22):
You know, there's there's a term that I like to use, discoverability.
It's so important to have your music everywhere so that
people can discover it. Absolutely that that's that's really the key. Well, Jack,
thank you so much. This has been wonderful to talk
with you. Like I said, I do love the album,
and I'm also going to I haven't had a chance
yet to listen to your your earlier work, but I
(35:44):
am going to. It's all on band camp, which is
very convenient, but I do. But I do encourage everyone
to check out Helium and Low Voltage Wiring. Great great album,
listen to it all the way through it. It really
it's just really good. And like I said, each individual song,
you know, it's it's it comes together. It forms a
cohesive listening experience, but each song also has its own
(36:06):
unique elements that I love, and it's just it's a
great listen So I encourage everybody to check it out.
But and I really appreciate you joining us, Jack, and
we will definitely do this again in the future as
soon as you have something new. We absolutely need to
have you back because we really love what you're doing.
Speaker 15 (36:23):
Thanks a lot, very appreciate absolutely.
Speaker 2 (36:26):
I think I'm gonna close out our segment with this
track Taught You Nothing. This is another favorite of mine
from the album Anything. We should know about this song
before before we play it.
Speaker 15 (36:36):
Oh, that's a story of one of my best friends
who moved to Sydney and uh oh yeah, he always
had like such interesting stories about his life and tattoos
and yeah, so.
Speaker 2 (36:52):
So he moved to Sydney, Australia. That's a that's a
that's a long way. Well, very good. Yeah, so we'll
we'll we'll close out the segment with this, and but
we'll let you go, Jack Adamant again, thank you so much,
and we will talk to you again soon, I'm sure.
Speaker 15 (37:07):
Yeah.
Speaker 2 (37:08):
Bye now, all right, bye bye, all right. That is
Jack Adamant. Make sure you check out his album Helium
and Low Voltage Wiring. And let's play this again. This
is another one of my favorites from the album. This
is called Taught You Nothing.
Speaker 10 (37:29):
Seriously drifting life salesphone noise feels to belong. The term
means astray, police captured and compelled.
Speaker 7 (37:42):
To drown towards well this yet to come.
Speaker 17 (37:49):
I thought you enough thanks to so think you resilus
Joe shape soon.
Speaker 24 (37:55):
Disguy with.
Speaker 20 (38:00):
From where you were gliding, Yeah, standing pomp to farm
along the infants.
Speaker 7 (38:19):
Vers a stand to face.
Speaker 10 (38:21):
We'd experiencing views like her now tattoos in black and gray,
and like Grelecy when you had him.
Speaker 15 (38:33):
To screaming and smile and all.
Speaker 5 (38:39):
I got seen enough things to.
Speaker 3 (38:42):
So sick you as relation, Joe.
Speaker 15 (38:45):
She stand the sky with a.
Speaker 3 (38:50):
Fro from one you're griding, Yeah.
Speaker 10 (38:55):
Standing prompt to palm along with infant bars.
Speaker 3 (39:00):
The wadis suits.
Speaker 13 (39:02):
You died in a bottom watching us the glide away
from us.
Speaker 3 (39:10):
A life bleak.
Speaker 2 (39:12):
The sact same amount as we test the minds of.
Speaker 3 (39:16):
Blon the shore.
Speaker 2 (39:20):
I thought you enough to some sick resolution, Joe.
Speaker 10 (39:25):
Ships in the skies all.
Speaker 5 (39:30):
The fall far away we were gliding.
Speaker 20 (39:35):
Stay found upon around it bart seamless lead.
Speaker 10 (39:41):
Drifting like sails upon the waves, feels still belowst theterment histray.
Speaker 5 (40:00):
She started.
Speaker 10 (40:02):
Visiting much range, dressing orange blaziness to me and calls
me with my old name.
Speaker 7 (40:09):
Her skin needs moisturis man, can't you see.
Speaker 3 (40:17):
What I think I can comfortably away.
Speaker 15 (40:19):
From the shore.
Speaker 5 (40:20):
We haven't got a lot of sign.
Speaker 3 (40:23):
Was it for the bass more than you could have
wished for.
Speaker 24 (40:30):
Wish for.
Speaker 7 (40:33):
Stars on the range.
Speaker 19 (40:36):
Stars their fragments, glittery eyes.
Speaker 3 (40:41):
They can not sica gloves.
Speaker 23 (40:42):
Stars on the really stars they're fragments, fragments.
Speaker 15 (40:51):
With glittery eyes.
Speaker 3 (40:55):
After the sign, you see goods.
Speaker 7 (40:57):
Every time she gets start sailing this losing go to clouds,
one of the ladies.
Speaker 5 (41:01):
She misses her hands and run see guitars.
Speaker 16 (41:04):
Don't the mothers hear this?
Speaker 23 (41:07):
Pas don't say him the light but as no sound
like they would dicussing the wrong around the way or
the room to day for on that o s the news.
Speaker 7 (41:18):
This is why she.
Speaker 18 (41:20):
Still in the calm ste this it may or pay
many spaces.
Speaker 7 (42:02):
This was.
Speaker 16 (42:05):
She still.
Speaker 7 (43:00):
I'm standing in the air shull.
Speaker 3 (43:05):
I'm listening to the land.
Speaker 5 (43:09):
And one the last girl.
Speaker 7 (43:13):
I wad spell by Okay, I been.
Speaker 5 (43:26):
Standing in their side.
Speaker 22 (43:30):
Fasten the time, Ben, I'm coming a back, staying in
(44:17):
the side.
Speaker 25 (44:21):
See to you.
Speaker 7 (45:26):
Seel me a god miss it?
Speaker 3 (45:30):
What's father at the time.
Speaker 7 (45:35):
He got he got to.
Speaker 15 (45:58):
Be.
Speaker 1 (46:32):
You're listening to Matt Connorton Unleashed on wm and Ah ninety.
Speaker 3 (46:37):
Five point three.
Speaker 26 (46:49):
Nana's Kitchen at Pizzeria.
Speaker 3 (46:52):
From Nana's hands to your plate.
Speaker 8 (46:56):
Traditional love and taste That's great, so from men, flavor
so true.
Speaker 3 (47:06):
Each bite us story made.
Speaker 15 (47:09):
Just for you.
Speaker 26 (47:11):
Six oh three two three two nine three six six
Nana's Kitchen and Pizzerie fifteen yartmuth Dry Auburn, New Hampshire, Kichens.
Speaker 27 (47:28):
The two greatest rock and roll bands of all time
face off as the Chubb Theater hosts tributes to the
Beatles and the Rolling Stone. Beatles Versus Stones, a musical
Showdown comes to Chub Theater at the Capitol Center for
the Arts on Thursday, December eleventh at seven thirty pm.
Tickets can be purchased at the theater box office or
(47:49):
online at CCANH dot com. The Capital Center for the
Arts is located at forty four South Main Street, Conquered,
New Hampshire.
Speaker 11 (47:58):
The show was appropriate for all agents. Luigi's Pizza Barren Grill.
Speaker 12 (48:06):
Under one Let's Praise a Slyesan hides with top and
t all the Round Pizza Pizza.
Speaker 11 (48:14):
Baro Mine Luigi's Pizza Barren Grill seven to twelve Valley Street, Manchester.
Come on in or call six two two one zero
two one Luigi, keeping the tradition alive since nineteen seventy five.
Speaker 3 (48:30):
Pizza for every one. Come join a beast to night
with each lye sense of it, everything feels so.
Speaker 21 (48:40):
Right in times of crisis. You need a law firm
that stands by your side. With over forty years of experience,
Craig and Getzulis is dedicated to fighting for your rights.
As former state prosecutors, our attorneys have the knowledge and
trial experience to provide an aggressive defense against any charge,
from d to homicides. If you've been injured, our compassionate
(49:03):
team will assess your case and fight for the compensation
you deserve. Serving all of New Hampshire, Craigan Getzulis is
here when you need us most. Visit Craigatzulis dot com
for a free consultation. Craigan getsulus, your advocates, your.
Speaker 25 (49:17):
Allies, bring your kitchen to life with Queen Citycabinetry, Located
at eighty seven Elm Street in the historic Sunbeam Wall
in Manchester, open Monday through Friday nine am to five
thirty pm, in Saturdays ten am to two pm. They
can be reached at six oh three two two two
(49:37):
to zero zero seven or on the web at Queen
citycabinatree nh dot com. Come see the possibilities Queen Citycabinetry,
another crowd sponsor of WMNH.
Speaker 28 (49:51):
Hey everyone, there's Rob Azevedo, host of Grantite State of Mind,
and I want to tell you about Pembroke City Limits
in the historic Suncook Village.
Speaker 11 (49:57):
PCL's an award winning bar.
Speaker 28 (49:59):
Restaurant and mew music venue where there's live music five
days a week and twice on Saturdays, everything from blues, country, folk, funk,
and a whole lot of jazz. We have twelve craft
beers on tap dedicated to the local brewers in the
area and some of the friendliest bartenders around. Please come
visit Pembrook City Limits at one thirty four Main Street,
the historic sunk Cook Village, only six miles outside of Manchester.
(50:20):
Open Tuesdays to Wednesdays four to ten, Thursday's a Sunday
eleven to ten. Pembrook City Limits where it's all about
the music.
Speaker 11 (50:28):
Disneys Cafe is the place to put a smile on
your face. Judy and the crew will take care of you,
bring your appetite and treat your taste buds fry. Disney's
Cafe is always a winning choice breakfast, lunch or supper
Dizze's Cafe at eight sixty Elm Street in downtown Manchester.
Dine in, take out or make a reservation call six
(50:49):
oh three, six oh six two five three two, Eat,
drink and be happy Dizzney's Cafe.
Speaker 29 (50:57):
When it comes to keeping WMNH on the air and
your own personal or business computer needs, trust growl Ind Computers,
located on Elm Street in Manchester. Grolin handles computer repair,
virus removal and custom built systems. Are you looking for
budget friendly options? Check out our selection of fully inspected
used computers. We offer tailored on site solutions, no unnecessary
(51:18):
expenses here. Visit Groland dot com or call Grolling Computers
at six zero three six four five zero one zero one.
Your tech, your way Trust Rolling Computers.
Speaker 3 (51:36):
Seven times out of ten. We listened to our music
at night.
Speaker 2 (51:43):
That's titled business program.
Speaker 30 (51:46):
Late Night to Light with DJ Midas right here on WMNH, Manchester.
Speaker 3 (51:50):
You want to know why because Saturdays and Sunday nights
midnight to four.
Speaker 31 (51:56):
Am, This hour on wm NH sponsored by CGI Business Solutions,
located at five Dartmouth Drive in Auburn. They serve all
your business needs including employee benefits, planning, corporate design and
business administration, investments and wealth management and customized business insurance solutions.
(52:18):
Their phone number is eight sixty six eight four one
forty six hundred, or on the web at CGI Business
Solutions dot com.
Speaker 30 (52:30):
Behold the harmony of airwaves as you immerse yourself in
the captivating frequencies of w MNHLP the sonic cards of Manchesters.
They're transcending through the ether at ninety five point three
megahertz frequency modulation or transmissions emanate from the z F
one thousand ELM streets insur into the hearts of our
creative realm at one nineteen Canal Street, where innovation and
(52:52):
sound colowe. They're the improm mod of Manchester Public Television
Service in the venerable city of Manchester, New Hampshire, USA.
Enrich your auditory journey with the depth of our license
to wesnon WESPT Your missives did w m n H
ninety five three at gmail dot com or traverse the
virtual corridors of w m n Hradio dot or engage
(53:13):
with our sonic vibrations by communing with us through the
digital channels or radio beconds, eager to enthrall you with
its mesmerizing kidence and envelop you with a symphony of
foundless auditories.
Speaker 7 (53:24):
Won dude, w MNH rip the novels.
Speaker 1 (53:34):
You're listening to Mattconnorton Unleashed on WMNH ninety five point.
Speaker 2 (53:40):
Three right now, the world radio premiere of the new
single from the Marches. Don't fool me twice.
Speaker 5 (54:00):
I'm saying.
Speaker 3 (54:05):
Here, you know, stand out in the dark.
Speaker 4 (54:08):
You know Seraly and I will en, I spark and
certainly and all that is wrong.
Speaker 3 (54:18):
Start A buddy keeps saving me. But no, not God
into this.
Speaker 5 (54:25):
You no say the things that she wanted to show.
Speaker 3 (54:33):
Are trying to trust.
Speaker 6 (54:34):
Trying every time to yourself pass me by passing, but
were knowing.
Speaker 3 (54:41):
That there's somebody an't you.
Speaker 5 (54:43):
It's not the saddest not it's had.
Speaker 3 (54:46):
It's too much time to do anything, and I think
it only want stop for me, But.
Speaker 5 (54:54):
Don't fo me.
Speaker 8 (54:56):
It's a present so theround. I know it's so do
The isolation in.
Speaker 4 (55:10):
The crowd of blamees al on you and all I'm
saying it because now you're feeling me.
Speaker 5 (55:18):
It was tough.
Speaker 3 (55:19):
Now we're both going to do this.
Speaker 30 (55:22):
Smile.
Speaker 5 (55:27):
No, say the things that.
Speaker 6 (55:29):
Showed to try shops like every time.
Speaker 7 (55:33):
I'll do it.
Speaker 5 (55:36):
Beastly lastly. But we won't know a things on your show.
Speaker 3 (55:41):
It's not the sadness nothing.
Speaker 5 (55:44):
Stop reading.
Speaker 3 (55:45):
I think it through for me.
Speaker 5 (55:47):
What's not going?
Speaker 3 (55:52):
Don't don't know me sing o control. No, don't missus
(56:24):
because you don't want to know.
Speaker 6 (56:28):
If you're read, you a shame.
Speaker 3 (56:37):
Is a ruse. No, don't go.
Speaker 6 (56:42):
Don't saying you got trouble. Don't be testing me because
you don't want to.
Speaker 5 (56:52):
Play away.
Speaker 7 (56:53):
Oh you know me.
Speaker 24 (57:24):
When Mattso wakes up in the morning, he gets into
the shower and to the top of his lungs, he sings,
I do what.
Speaker 2 (57:36):
I want because I can't.
Speaker 16 (57:40):
All right, back to
Speaker 3 (57:41):
The radio show now, all the best Jerry
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