November 29, 2025 • 59 mins
w/The Quality of Mercury
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
When Matso wakes up in the morning, he gets into
the shower and to the top of his lungs he sings.
Speaker 2 (00:09):
The man, I do what I want because I can.
Speaker 3 (00:15):
All right back to the radio show.
Speaker 4 (00:17):
Now all the best.
Speaker 5 (00:20):
Cherry stranded and distressing, nice supplor sart down.
Speaker 6 (01:23):
There's a rich.
Speaker 2 (01:28):
Such smarts b the uncle.
Speaker 7 (01:35):
Rich.
Speaker 2 (01:38):
I must thus best several way I can see your
(02:10):
shot serious two f.
Speaker 8 (02:19):
G together with no.
Speaker 6 (02:21):
Break, just one chance to free.
Speaker 7 (02:47):
Now went on Si.
Speaker 6 (03:02):
Si small.
Speaker 7 (03:05):
Suicide shines pstroms sort by Shan. I love it.
Speaker 9 (06:29):
That is absolutely epic. That is the quality of mercury.
The track is called Radiate and we are going to
talk to the man behind that project in just a moment.
But welcome everybody. We have entered our number two numarrow
dose of Matt Connorton Unleashed and we are live from
the studios of wm NH ninety five point three FM
and Glorious Manchester, New Hampshire. Of course, you can stream
(06:51):
the show from anywhere. Go to Matt connorton dot com
slash live for all of your live streaming options, social
media links, contact and foshow archives, etc. Et cetera. Today
is Saturday, November twenty nine, twenty twenty five, and let's
bring in showing us via Microsoft Teams Jeremiah Rouse from
the Quality of Mercury. Jeremiah, are you there.
Speaker 3 (07:12):
Good morning, Matt. Thanks for having me on.
Speaker 9 (07:14):
Absolutely, it's wonderful to have you. I really really love
I love everything you're doing here with the Quality of Mercury.
I love the sound. It's just epic. It's so it's
so big, and the way that track, the way radiate,
the way it ends is so cool. You got that
that really long sustain on that guitar that just seems
to go on and on and you feel like eventually
it's just going to kind of fade out, but then
(07:34):
there's that little thing at the end that it kind
of seeks up on you. It's just so cool. I
really but I listened to the full album and I
love the whole thing. It's really really good. So congratulations
on that.
Speaker 3 (07:44):
Well, thank you very much, and thanks for the kind words.
Speaker 10 (07:46):
You know, it's a it's a love of the art
and it's something that I've been trying to really push
for it in getting this sound, you know, for a
long time now, and I'm really happy with the way
the album turned out.
Speaker 9 (07:58):
Yeah, yeah, absolutely. So the album is called The Voyager.
So what can you tell us about this? Obviously, I
mean I feel like there's I feel like there's a theme,
like there's a story here. But tell us about the
album The Voyager. Well, you know, the.
Speaker 10 (08:13):
Album itself, it kind of explores the idea of longing
and needing connection basically always you know, wanting something more
or the search for something more grand or fulfilling in life,
whether that's like a spiritual connection or human connection. But
(08:35):
basically overall theme of the album kind of conveys that idea.
Speaker 9 (08:40):
Yeah, I was reading too that you kind of tell
me if I have this right? When you the way
you approach these songs, is it kind of like each
one is a movie theme or or I'm sorry, not
a theme, but a scene in a film.
Speaker 8 (08:52):
Is that?
Speaker 3 (08:53):
Yeah?
Speaker 10 (08:53):
You know what, I'm a very visual artist when it
comes to the music, So like when I put things together,
when I write songs, I kind of write a story
that I could see, you know, being filmed cinematically and a.
Speaker 3 (09:06):
Little short stories basically.
Speaker 10 (09:08):
You know, I come from a film production background and
I watch a lot of sci fi stuff and that's
kind of like my impetus to put these things together.
Speaker 3 (09:16):
So you know, I would you know, if I had money.
Speaker 10 (09:19):
In time, I would love to put like little short
films together for all the songs. But that's kind of
how I approach the music and the writing.
Speaker 9 (09:25):
Okay, No, that makes sense given your background. So are
you currently working in film?
Speaker 10 (09:32):
I yes, not, well, not film. I manage an audio
video production company.
Speaker 9 (09:38):
Oh excellent.
Speaker 3 (09:40):
It's for a good portion of my career.
Speaker 10 (09:44):
I did film production, mainly a lot of corporate stuff
that worked on you know, music videos and commercials and
some independent short films and stuff like that. But my
bread and butter is in the corporate realm and that's
kind of what I do now as I manage large
events and provide the av support for large events.
Speaker 9 (10:04):
Oh excellent. That must be an exciting field to work in, too,
because as technology continues to evolve, I mean, you probably
never stop learning, right, You're probably constantly evolving in what
you do, and it's got to be I mean, it's
got to be just an amazing time to have a
career in your field.
Speaker 3 (10:22):
I would think, Well, I enjoyed a lot.
Speaker 10 (10:25):
The one aspect that I really enjoys being able to
travel a lot, so, I mean, my job takes me
to a lot of places. But you know, being immersed
in the new and upcoming technology is also really cool.
You know. It's it's hard to keep your finger on
the pulse of everything because technology is just increasing so
rapidly and there's always a new gadget out and by
the time you master one thing, it's obsolete.
Speaker 9 (10:49):
No doubt, no doubt. You're obviously very busy and you've
got a lot on your play it. So I'm curious
because I know that there was a was it a
nine year gap between the first album that you did Transmission?
Is that correct?
Speaker 11 (11:01):
Yeah?
Speaker 10 (11:02):
Yeah, I mean with my career and the way I
travel and family, you know, the music unfortunately is more
of a hobby and you know, it takes the back
seat to life at this point. So I try to
create when I can and record when I can. I'm hoping,
you know, keep up the pace a little bit better
than I have for the past nine years now with
my kids being older and whatnot. And yeah, but it's
(11:23):
it's uh, you know, it's it's a great creative outlet
for me. I have to do it, but sometimes making
the time to do it is just very challenging.
Speaker 9 (11:34):
I would imagine that can be challenging because you know,
you're probably day to day, You've probably got all these
ideas in your head right for songs, and you just
want to you know, you want to be able to
find the time actually record them. Yeah, I would imagine
that's uh, I would imagine that's hard in a way.
But I mean a good problem to have, and that
you've probably got tons of ideas. You strike me as
(11:55):
someone who is constantly thinking about this stuff, but but
then to find the time to actually record them and
really and to really do it right, you know, the
the sound that you achieved. I'm also very curious, and
I'm a little bit of a recording nerd and audio
engineering nerd, so I'm just curious about your process because
you really achieve that sort of I think, I use
(12:16):
the word epic coming out of that song. I mean,
it's just you've got such a big, full sound. How
what is your process like in terms of recording?
Speaker 3 (12:29):
Well, you know, thanks, you know, thanks again for the
kind words. I appreciate that.
Speaker 10 (12:32):
It's you know, I guess I really base what I
want to do on the sonic like landscape. I do
want to create these lush, you know, big sound and landscape,
so that's kind of the priority when I when I record.
Speaker 3 (12:47):
But my process is, you know, I generally.
Speaker 10 (12:50):
Start you know, noodling around with some type of rhythm
section on an acoustic guitar or an electric guitar and
I and then you know, from that, I kind of
get the hook or the chorus part of the song,
and then I have to build it or out around that.
It's probably ninety nine percent of time how I start
writing a song. And since I play by myself, you know,
(13:11):
a lot of times when I'm recording, I may have
only ever played that guitar part once or that you know,
that thing one time only. It's not like I'm a
rehearsing band or something like that. So I kind of
build it as I go, and then you know, just
kind of crafted in the box with effects and whatnot.
I have a general idea where I want to go
with things, but there's a lot of nice surprises that
(13:32):
happened along the way.
Speaker 9 (13:33):
Yeah, I would imagine. I mean, do you sometimes find
that what you end up with at the end of
it is significantly different than sort of your initial idea,
Your initial concept.
Speaker 10 (13:44):
Yeah, I would say probably most of the time it
ends up being quite a bit different than the initial concept,
just because you know, the happy accidents happen and you're like, oh,
that sounds different than I thought, but it's really good,
so let me go with it.
Speaker 9 (13:58):
Yeah, that must be exciting when that happens. And is
it correct? That is it all you like? Do you
have any collaborators at all, any guest musicians or do
you do everything yourself?
Speaker 10 (14:08):
So I do everything myself, and I basically program some
basic drum beats with some software, and then when I'm
all done with the you know, recording process, I'll have
somebody actually play real drums and record drums for me.
Speaker 9 (14:23):
So, oh, okay, for this is.
Speaker 10 (14:27):
My second record, but for each record, that's that was
my process. I wrote, recorded all the instrumentation around some
program drum tracks, and then I have the drum tracks
replaced by somebody who can actually play.
Speaker 9 (14:39):
Oh. Interesting, Yeah that makes sense because I was thinking
as you were saying that, you know, when you mentioned
programming the drums, I was sinking, Wow, these drums they
sound amazing. But but so you have is it the
same drummer on each track all the way through or.
Speaker 10 (14:53):
So, yeah, for this record, it was one drummer I
actually connect with Mario quint Yeah, Mario Quintero from the
band Spotlights.
Speaker 3 (15:02):
Oh okay, he also produces and mixes.
Speaker 10 (15:06):
So he recorded and you know, played the drums for
all the songs, and he did the final mixing of
the record, which I'm super happy with. I would not
have gotten to you know where it is now without
Mario's involvement.
Speaker 9 (15:20):
Yeah, no, it sounds incredible. So he wasn't involved in transmission.
I assume he was not. It was not okay, okay, Now,
how did you come to work with him? Is he
someone that you just know through the industry.
Speaker 10 (15:31):
Or I've been a big fan of the band Spotlights
for a long time and then you know I've been
I'm the guy that reads all the record jackets and
all the stuff and credits same.
Speaker 3 (15:41):
And I had seen that he had done drums for.
Speaker 10 (15:46):
A band called Machines Learning way back when, which I
liked it, and so I know he was at one
point he was promoting his audio mixing business or it's
Audio MQ, and I just I connected through him, I
think through his website. Asked him if he'd be interested
in working on the project with me.
Speaker 9 (16:07):
Okay, okay, wow, No, that's fantastic. Yeah, Like I said,
the whole thing, it just it sounds really really good.
Before prior to Quality of Mercury, had you ever been
in a band a full, like normal sort of working
situation in a band.
Speaker 10 (16:24):
Yeah, I mean for a brief period, I was with
some friends and we had you know, we called ourselves
an emo band back in the late nineties early two thousands. Yeah,
you know, we had played a handful of shows throughout
a year, and we really enjoyed it. It's just tough
being in a band. I would love to be in
(16:45):
a band, but you know, different personalities to work with.
Everybody's got a different work ethic, and I.
Speaker 3 (16:53):
Enjoyed it a lot. I found to be a bit
frustrating at times.
Speaker 9 (16:58):
Yeah. Somebody, I wish I could remember who it was,
but somebody was on the show who was a solo
singer songwriter who had transitioned from being in a band
to just doing a solo thing. Who said something about
something like, when you're in a band with three other people,
it's like being in a relationship with three other people
who are also in a relationship with three other people,
(17:21):
and it's just it's so difficult. And I know from
my own experience too, because you know, if you're in
a band with several people, everybody's got you know, you've
got varying levels of commitment and vision in terms of
where you're going and and you know sometimes and it's
not anybody's fault, it's just you know kind of how
it goes. But it can be it can be very difficult,
(17:41):
you know, and especially too you're someone with with your
commitments and your schedule. I'm sure it's it's just easier,
you know, to be able to do this on your
own and to and to be in control of everything
and not have to check with anybody about you know, Hey,
are you available to play this show on this state
at this event? You Oh, no, you're you can't do
(18:02):
that day? Okay, I guess we're not playing that show.
Speaker 12 (18:04):
You know.
Speaker 9 (18:05):
That's the kinds of things I would go through when
I've played in bands, and it's it can be really hard.
But that brings me to the question, So is there
any sort of live performance of any of the work
that you've done as the quality of Mercury that you've
been able to do. I don't know how that would
work exactly without a band. But have you ever found
(18:25):
a way to do any of this live?
Speaker 10 (18:28):
You know, I keep exploring that I haven't done it yet.
It's not that I don't want to. I think it's,
you know, a big challenge to figure out.
Speaker 3 (18:37):
How to do it.
Speaker 10 (18:38):
There's definitely I got ideas. I have people that you
know would play with me as well. It's it's more
about finding the time to make it happen.
Speaker 3 (18:45):
At this point.
Speaker 10 (18:47):
That's my biggest chal the challenge with my music. It's
just finding time to make all this stuff happen. But
I would love to do it, and I hope, you know,
hopefully I get a chance to do something live at
some point.
Speaker 9 (18:58):
Yeah, yeah, that would be a well yeah, you know,
with with evolving technology, there are there are ways to
do it, but like you said, you know, time is uh,
you know, time can be uh a barrier to that.
I wanted to ask you too about the artwork. Now,
you created this yourself? Correct the cover for the Voyager.
Speaker 3 (19:14):
I did, Yeah, I didn't, you know.
Speaker 10 (19:16):
Using the the AI tools that are available out there now,
I can get some really you know, astonishing results. But
you know, I think it kind of really I was
able to achieve my vision of the artwork with with
the AI tools.
Speaker 9 (19:31):
Yeah, yeah, no, I like it. It looks like, uh,
it's almost hard to describe. It looks like a spaceship
landing in some sort of u body of water or
river or something or.
Speaker 3 (19:44):
Ala alien planet like yeah.
Speaker 9 (19:48):
Yeah, but I like it. I like that and I
really like the colors too. Yeah, it's it's very very cool.
How do you feel about I mean, do you have
any thoughts about it? A little bit of a side street,
but it is a subject. It comes up a lot
on the show, and you're working in areas where you know,
the technology is, as we discussed earlier, is evolving so rapidly.
(20:08):
I mean, how do you feel about the use of
AI in all things creative?
Speaker 3 (20:14):
You know, if you treat it as a tool to
you know, enhance your art, I'm all for it. Yeah,
I'm really torn, you know.
Speaker 10 (20:24):
I just started messing around with Suno the audio recording stuff,
and I am blown away with the results that give me.
But like, at the same time, I don't feel right
using it, Like right, it's kind of cool for inspiration
and it's just jaw dropping on what it's doing, but
at the same time, it's taking it's taking away that artistry.
(20:46):
So ah, man, I'm torn. You know, I'm a bit
old school, you know.
Speaker 3 (20:52):
I like analog. I stay analog, so to speak.
Speaker 10 (20:56):
And I think, you know, after messing with this AI
music generator, like, I had a lot of fun and
it's it's been, you know, quite an experience mess with
music with this souno. But I am going to continue
to write my songs record them in the traditional way.
Speaker 9 (21:14):
Yeah, no, I think I think that's good. Yeah, it is. Uh,
Suno is incredible. I always tell people, though, to enjoy
these tools while we have them, because the sharks are
circling in terms of class action lawsuits all that kind
of thing. But not that I think these uh, not
that I think these tools are going away. I think
it's too late to shove the the genie back in
the bottle. But but still, yeah, it's it's.
Speaker 3 (21:38):
It's crazy times right now.
Speaker 10 (21:40):
It's I don't know what the future holds, but it's
gonna keep evolving and getting better.
Speaker 3 (21:44):
But does that mean everything's going to be looking and
sounding the same?
Speaker 9 (21:47):
I don't know, right right, Yeah, exactly, Yeah, we'll see
you know that the technology, it does move, It does
move very quickly. By the way, did I see something
about do you have a family member who's also on
the album with doing backing vocals?
Speaker 3 (22:03):
Yeah, my daughter, Violet, she did backing vocals and some
of the tracks.
Speaker 9 (22:06):
Oh that's so cool. That must be that must be
a kick.
Speaker 10 (22:10):
Yes, she kind of You know, I wanted to do
backing vocals for almost all the tracks, and she she
did like half of them, and then she refused to
do the rest. Oh really, yeah, you know at nine years.
You know, a young girl changes a lot in nine years.
So when she was younger, she was more interested in
help me out, and as I got closer to the
(22:32):
end of the recording process, she didn't have anything to
do with it.
Speaker 4 (22:35):
Oh, no kidding.
Speaker 9 (22:36):
Oh that's funny. No, that must be so cool though,
having your daughter on the tracks, is she I mean,
does she have interest in being a professional musician or
or what? Do you what do you think?
Speaker 8 (22:47):
I don't know.
Speaker 3 (22:48):
You know, earlier on I thought she she was playing piano.
Speaker 9 (22:51):
She loves to singing.
Speaker 10 (22:52):
She still sings constantly, so I think I think she'll
have the bug. You know, she's still kind of young.
But I think she gets a little bit more into
the high school years. I think she's gonna kind of
reconsider what she does with music and take it a
little bit more seriously.
Speaker 9 (23:08):
Right right, Yeah, No, that's great, that's that's fantastic. And
then so what can you tell us too? I wanted
to ask you about these songs because I know Radiate.
We opened with Radiate because that's kind of the focus
track as we say, what's what can you tell us
about that song? And why is that song so significant
to you?
Speaker 10 (23:31):
Well, I mean, I guess for most of these songs,
you know, they're all kind of set in a space theme, right,
the sci fi space theme, But they're all most of
my songs are metaphors for something. Either it's some kind
of love lost or longing for something bigger or new.
And that's kind of, like I said, the overall theme
of this But this particular song, you know, it's it's
(23:55):
about this guy who's stuck in this disabled spaceship that's
you know, about to explode and he needs to he
needs to get out of there, and oft in a
distance is a smaller space station that he's gonna try
to like kind of use the airlock to eject himself
out towards that.
Speaker 3 (24:16):
Space station for survival.
Speaker 10 (24:20):
But you know, the tether that he would normally wear doesn't,
you know, go that far out, so it would be
too short. So he's going to be out in space
free and he's hoping to meet someone on the other
side halfway basically, So that's kind of just that story
there literally, but metaphorically it's about, you know, having all
(24:42):
of your options, you know, taken away except for one,
and you've got to take the leap of faith to
move forward and survive.
Speaker 9 (24:53):
It's relatable. I think everyone's yeah, been in that position
or will at some point certainly, So yeah, yeah, I
think that's I think that's that's interesting. And then what
about in a moment, So at the end of our segment,
we're gonna play uh g made or a Ganymede? How
am I saying that? Right?
Speaker 3 (25:10):
Ganymede it's yeah, named after one of the moons.
Speaker 9 (25:15):
Oh okay, yeah, Well, and and what can you tell
us about that track?
Speaker 10 (25:22):
Well, that track that's essentially a love story and it's
it's basically about this guy who or yeah, it meets
a partner on a like a space station and basically
(25:42):
falls in love with her, follows her around, and then
he she she's kind of reckless and loose and wants
to get off planet Jupiter and go to the moon,
uh Ganymede, which is this ice planet, and and he
follows her, but uh, you know, he hates going there
(26:02):
and things don't work out, they don't see eye to eye,
and then she ends up leaving him.
Speaker 3 (26:07):
That's kind of what the story is about, Okay.
Speaker 10 (26:09):
And the significance of this track, you know, I think
this was this was my initial single. I think this
track really captures, you know, what the album's about, and
like what the landscape is of the album and the
journey is of the album.
Speaker 3 (26:27):
So this is why it was the lead track.
Speaker 10 (26:29):
It kind of has all that in there, you know,
the space, the metaphorical story, plus the sonical landscape, so
it kind of laid out what the albums are all about.
Speaker 9 (26:39):
Okay, Okay, that makes sense. Yeah, yeah, it's another great track.
We're gonna play that in just a couple of minutes.
But now, what is uh, what's kind of your future
trajectory with this track? I mean, I mean not with
this track, but with with your music, with the quality
of Mercury because obviously, I'm sure you don't want to
wait another nine years until the next one. But I mean,
do you have do you have plans for the next
(27:02):
album or are you obviously in the moment you're focused
on this one, But I mean, are you already thinking
about songs for the next the next record, or where
are you with that?
Speaker 10 (27:11):
Yeah, I'm not sure if I'm going to do another
record right away. You know, I just started recording a
new song. I want to release a single, Oh in
the next few months.
Speaker 9 (27:19):
So good.
Speaker 10 (27:19):
I'm going to do a single and then I have
an idea for an EP that I want to do
some things that I've already recorded but want to recreate,
you know, older things that I've I liked in my
shelved a long time ago that I want to kind of.
Speaker 3 (27:35):
Give new life to and do an EP.
Speaker 8 (27:37):
Oh.
Speaker 9 (27:38):
Very nice. Yeah, there's so many different ways to release
music now and so many different strategies you can use.
And I think the album format is great for what
you're doing because obviously all these songs, you know, there's
there's a theme, there's a story here with everything. But
but releasing singles is great too, And you know, as
soon as the next single is ready, we'd love to
play it here and have you back on the show
to talk about it, because you know, we really like
(27:59):
what you're doing a lot. But no, that's great. I'm
glad you're I'm glad you're already working on something new.
So that's fantastic. That's good to hear, Jeremiah, where should
people go online to?
Speaker 13 (28:09):
Uh?
Speaker 9 (28:09):
Where's the best place to go to keep up with
everything that you're doing? Uh, be it with the quality
of Mercury or anything else you want people to be
aware of and know about.
Speaker 10 (28:19):
Yeah, I'm most active on Facebook. I'm not real great
at social media, but I'm most active on Facebook. If
you want to listen to my music, I always try
to get people to go to band camp first, but
music's available on all the streaming platforms.
Speaker 9 (28:34):
So yeah, yeah, band camp is a great resource. And uh, yeah,
the album is the album is there and it sounds great.
A lot of people don't know too. Something people don't
realize about band camp is you actually get a higher
quality You'll get a higher quality file if you get
it from band camp. Then if you're just say streaming
it on YouTube or something like that, and I've noticed
that people don't seem to realize that, but that's one
(28:56):
of the reasons that band camp is so great, so
I like to direct people there.
Speaker 3 (28:59):
Absolute yeah, and then you know, I have vinyl for sale.
Oh you do my first Yeah, my first album.
Speaker 10 (29:05):
And then there's pre orders for this record, so I
will be releasing the vinyl.
Speaker 3 (29:09):
Oh hopefully. I'm waiting.
Speaker 10 (29:12):
You know, the pressing companies are all backed up all
the time, but I'm hoping to have those in hand
by the end of December, early January.
Speaker 9 (29:19):
Oh that is so cool, very cool. Yeah, that's awesome.
I love to hear that is Are you also doing
physical CDs? Physical discs of no no CDs?
Speaker 3 (29:27):
So it's just digital and then the vinyl.
Speaker 9 (29:29):
Yeah, I think that's really cool, very very cool, excellent.
Well listen, Jeremiah, thank you so much. We're gonna play
this track get a meat in just a moment. We'll
let you go, but like I said, when you've got
the next single ready, please come back. We'd love to
have you back on to play it and talk about it.
And like I said, we're fast fans here. I love
your sound, I love everything you're doing, so we definitely
(29:50):
want to stay in touch.
Speaker 3 (29:52):
Well, I appreciate you, Matt, thanks for having me on.
It was a great time.
Speaker 9 (29:54):
Absolutely, we'll talk to you soon, my friend. Take care,
take care, all right. That was Jeremiah Rouse and the
project is The Quality of Mercury. And we're gonna play
this track. So this was the first single from the
album The Voyager, and this is called Ganymede. Let me
try that again. My brain is cold here, my brain
is still frozen. Here we go here it is.
Speaker 14 (30:24):
Chicken, You're young, stars.
Speaker 15 (31:26):
Sip you explore how the fathers, but you groups about
(31:49):
the stars, nice the crystals as a joyous stron Street
(33:50):
STOs talk about.
Speaker 7 (33:57):
Les c Do you have dad?
Speaker 6 (34:25):
After all?
Speaker 9 (34:26):
Was charged to fight.
Speaker 6 (34:28):
I was going and a.
Speaker 2 (35:04):
S s, schools, school, shops, school and stop stop stop.
Speaker 9 (36:25):
I love that. That is Ganymede from the Quality of Mercury.
Thank you again to Jeremiah Rous for joining us. And hey,
little bonus for you. I'm gonna play one more. We
have time. I'm gonna play one more from the Quality
of Mercury. This is another great single from or a
great track from the album. I don't think this has
been no, this hasn't been a single yet, I don't think.
But it's from the album The Voyager. This is called
(36:45):
Heaven's Gate. We're gonna play this one too. One more
track from the Quality of Mercury. This is so good.
Check this out, xpen.
Speaker 16 (38:12):
True tell me.
Speaker 7 (38:17):
Miss t.
Speaker 2 (38:21):
Speaks sty searching my salvation.
Speaker 15 (38:47):
Class times as desperate.
Speaker 7 (39:04):
Just away.
Speaker 16 (39:19):
SnO three.
Speaker 2 (39:26):
Way away.
Speaker 6 (39:31):
If you fu.
Speaker 2 (39:44):
Si the guy spe.
Speaker 6 (39:48):
Still trap nice.
Speaker 16 (39:52):
She spell.
Speaker 6 (39:55):
Nice time.
Speaker 7 (40:01):
A way.
Speaker 16 (40:09):
Stop side.
Speaker 6 (41:16):
Us that was making desperates us.
Speaker 10 (41:56):
Well.
Speaker 9 (41:57):
I don't know if you're honoring w honor.
Speaker 7 (42:00):
As we landed here with the struggle in the heartland,
in our.
Speaker 17 (42:05):
Disconnected fear, we got politicians scream insanity, lying cold watch
truth right through that seat.
Speaker 3 (42:12):
I thought we were all in this.
Speaker 9 (42:14):
Together, huddled around this liberty.
Speaker 6 (42:17):
Is this my marriedel?
Speaker 9 (42:20):
Is this my Maryel?
Speaker 6 (42:22):
Shouldn't we stand two together? The rest war?
Speaker 2 (42:27):
This is my Mary Cole, This is my Mary.
Speaker 9 (42:33):
If it is, then we ain't even close to done.
Speaker 18 (42:37):
We gotta take it to the city's We gotta take
it to the streets because these profits of division.
Speaker 9 (42:44):
Are tearing down all our hopes and dreams.
Speaker 6 (42:47):
I don't care if you're a Democrat.
Speaker 9 (42:50):
I don't care if you love the states right. I
don't care if you're independence.
Speaker 6 (42:55):
I don't care if you're black old.
Speaker 2 (42:57):
Why this is my Mary, This is my very come
home of the brain of breathe.
Speaker 6 (43:08):
This is my very cole, this is my very.
Speaker 9 (43:14):
Huddle around, Miss Liberty. We have not forgotten who we are.
Speaker 3 (43:22):
We are bound together near and.
Speaker 10 (43:24):
For you and me, You and me, you and me,
you and me, you and me.
Speaker 9 (43:30):
Will we ride a ica as our own?
Speaker 16 (43:38):
So what is the truth? What is the truth?
Speaker 6 (43:43):
What is a meica?
Speaker 16 (43:46):
Through and through?
Speaker 3 (43:48):
Will you just open your eyes?
Speaker 6 (43:51):
Will you just letter in? Because I hear the blowing
of the wind.
Speaker 19 (44:00):
Maybe it was just a pink house.
Speaker 3 (44:02):
Maybe it was just a pink coat.
Speaker 1 (44:05):
Maybe we should.
Speaker 6 (44:06):
Try to go.
Speaker 9 (44:07):
Maybe we should take it so, maybe we should just
have some fun. Maybe we were both born to run.
Maybe we should just take a chance. What else, maybe
we should just get up and dance.
Speaker 2 (44:22):
Is this my Mary?
Speaker 14 (44:24):
Come?
Speaker 2 (44:24):
This is myna Mery, Come, whome of the brave and
of the free.
Speaker 6 (44:32):
It's the Soromery Come. It's this arm Mary.
Speaker 2 (44:36):
Come around as Liberty.
Speaker 16 (44:41):
Who so Mary?
Speaker 2 (44:44):
Because some men fara Mary, because some men let weare.
Speaker 15 (44:49):
Every voice every year, mister smerycause some men.
Speaker 6 (44:55):
All Mary come then go praying to you.
Speaker 8 (45:00):
Guy.
Speaker 6 (45:00):
Hit us clean.
Speaker 2 (45:06):
So every eye, every month, every years, rain two.
Speaker 3 (45:20):
The Lord to guide us clean.
Speaker 4 (45:23):
This is the police department. You are violating state and
post curfew.
Speaker 17 (45:29):
You must continue to disperse peacefully or you will be
subject to arrest and all other actions.
Speaker 9 (45:41):
I'm here protesting for Mike Brown. He was wrongfully killed.
Speaker 17 (45:46):
There's a lot of unity going on that they're not broadcasting.
Speaker 9 (45:50):
It's not a race state.
Speaker 17 (45:53):
I never thought I'd get political, but life in my
city right now is just so critical.
Speaker 6 (45:57):
Man.
Speaker 20 (45:57):
It's a war zone in my backyard.
Speaker 17 (46:00):
Why I get in justice gotta be this hard hoigh
the lesson that they care about.
Speaker 4 (46:04):
Tell you that that's why the police always.
Speaker 7 (46:06):
Use their cloud.
Speaker 8 (46:07):
They do that.
Speaker 17 (46:07):
My grandma said, don't fear with another man. I never will,
but they will shoot with nothing in my.
Speaker 10 (46:12):
Hand about see the media, you show the bad part and.
Speaker 4 (46:15):
They blocking out the good.
Speaker 6 (46:16):
That's the sad part.
Speaker 7 (46:17):
Man.
Speaker 10 (46:17):
I can tell you this. We're fed up.
Speaker 4 (46:19):
But if no one never told you, keep your head up.
Hope you understand.
Speaker 9 (46:24):
Take me to your leader.
Speaker 4 (46:26):
I hope you understand.
Speaker 7 (46:29):
Take me to your leader.
Speaker 4 (46:32):
I hope you understand.
Speaker 6 (46:34):
Take me to your leader. Yeah, you finally should Yeah,
take me.
Speaker 9 (46:40):
To your lead up at once once once, brothers and sisters,
brothers and sisters, brothers and sisters.
Speaker 4 (46:52):
I guess you finally heard.
Speaker 10 (46:54):
Yeah.
Speaker 9 (46:54):
Yeah, I'm just a youth in the society.
Speaker 17 (46:56):
But since my skin dunk and thugs by novoriety and
treated the fable turn into the propriety, we act moretifiably.
Speaker 9 (47:03):
Man, tell me that ain't notty.
Speaker 17 (47:05):
So many accusations because of from alien nations, the complications
we're facing, the verdicts a maid by racist. I'm just
a proud to go my nation and because of my pigmentation,
and I'm bound to live life with adaptation to allegations
because what you see is on the surface.
Speaker 20 (47:17):
Try to make me feel as if my skin was
just a verdict.
Speaker 4 (47:19):
I'm the judge and the children.
Speaker 9 (47:21):
Yeah, I got a verdict, just as it's just a sending.
In the end, I'm still a person. I hope you
want to stand. Yeah, take me to your leader.
Speaker 6 (47:27):
Yeah, oh this stand. Take me to your leader.
Speaker 4 (47:33):
Yeah, I hope you understand.
Speaker 9 (47:36):
Yeah yeah, take me to your leader. Yeah you find
me shure, Yeah yeah, yeah, take me to your leader.
Speaker 3 (47:43):
I have once one brothers and sisters, brothers, brothers, the world.
Speaker 17 (47:54):
I guess you finally heard kids were on our front line,
shot them in the head.
Speaker 13 (47:58):
That the media I ain't been showing all the stuff
that goes down here.
Speaker 9 (48:01):
I want to see love in America. I want to
see togetherness in America.
Speaker 4 (48:05):
We're not gonna stand for it.
Speaker 3 (48:07):
They can kill us all, kill them dead, cold blood
in the head.
Speaker 9 (48:11):
I need answers tonight.
Speaker 11 (48:12):
It's about some justice.
Speaker 9 (48:14):
My whole thing is that if it was me and you.
Speaker 17 (48:17):
And they had two eye witnesses, sweet because both of
those eye witnesses described the same thing, thing thing, thing
thing thing.
Speaker 10 (48:25):
They said, he.
Speaker 6 (48:26):
Goutting that man down and shot him.
Speaker 9 (48:28):
Guy, I don't see white boys, you know, laying on
the curb, you know, police messing.
Speaker 6 (48:34):
With them, willing them over for no reason.
Speaker 8 (48:36):
No reason.
Speaker 17 (48:37):
If they don't, it's not getting broadcasts.
Speaker 9 (48:41):
But I see that with black.
Speaker 3 (48:42):
Folks every day, and I see them get shot.
Speaker 6 (48:45):
Down every day. I'm not saying it's not happening to
white people, white.
Speaker 4 (48:49):
People, but if it is, we don't see it.
Speaker 20 (48:54):
I don't see it.
Speaker 7 (48:58):
Revolution, it be revolution.
Speaker 6 (49:02):
It begins tonight.
Speaker 19 (49:12):
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The two greatest rock and roll bands of all time
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Speaker 3 (55:46):
Won dude, wmnh rip the.
Speaker 13 (55:53):
Novels you're listening to Mattconnorton on why five point.
Speaker 9 (56:03):
Three right now the world radio premiere of the new
single from the Marches Don't fool me.
Speaker 23 (56:10):
Twice shot.
Speaker 6 (56:28):
He stand out in the dark. You know you sadly
and I will have.
Speaker 11 (56:35):
Our spark issue sadly and all that is long start,
but it keeps taving me.
Speaker 6 (56:44):
No, I'll not go into this.
Speaker 2 (56:47):
You no say the things that showed to show.
Speaker 9 (56:55):
I try to shut that shy every time.
Speaker 2 (56:58):
I so passing by pasting.
Speaker 6 (57:02):
But we were going and thats something launch.
Speaker 16 (57:06):
It's not ecadest, not sad.
Speaker 6 (57:08):
It's not too much time to do anything. And I
think it through poll means talk from me, but.
Speaker 2 (57:17):
Don't fool me.
Speaker 11 (57:18):
It's a present so theround. I know it's so well
you do the isolation in the crowd of blame it
all luck on you and all I'm saying it because
(57:39):
now you're feeling me was tough.
Speaker 6 (57:42):
Now we both going to do this smile.
Speaker 7 (57:50):
No, say the.
Speaker 6 (57:51):
Things that showed me to try.
Speaker 2 (57:54):
Shats like every time, I'll do it, passing best, but.
Speaker 6 (58:01):
We will know it s not suns not stopping away.
I think it true to me. What's not going? Don't
say don't get me sitting control.
Speaker 8 (58:45):
No, don't miss because.
Speaker 24 (58:47):
You don't want to know if you're ready. You isn't
really because no stopping Say you guys said, don't be
(59:08):
testing because you don't.
Speaker 6 (59:13):
Get mad.
Speaker 2 (59:15):
All made
When Matso wakes up in the morning, he gets into
the shower and to the top of his lungs he sings.
Speaker 2 (00:09):
The man, I do what I want because I can.
Speaker 3 (00:15):
All right back to the radio show.
Speaker 4 (00:17):
Now all the best.
Speaker 5 (00:20):
Cherry stranded and distressing, nice supplor sart down.
Speaker 6 (01:23):
There's a rich.
Speaker 2 (01:28):
Such smarts b the uncle.
Speaker 7 (01:35):
Rich.
Speaker 2 (01:38):
I must thus best several way I can see your
(02:10):
shot serious two f.
Speaker 8 (02:19):
G together with no.
Speaker 6 (02:21):
Break, just one chance to free.
Speaker 7 (02:47):
Now went on Si.
Speaker 6 (03:02):
Si small.
Speaker 7 (03:05):
Suicide shines pstroms sort by Shan. I love it.
Speaker 9 (06:29):
That is absolutely epic. That is the quality of mercury.
The track is called Radiate and we are going to
talk to the man behind that project in just a moment.
But welcome everybody. We have entered our number two numarrow
dose of Matt Connorton Unleashed and we are live from
the studios of wm NH ninety five point three FM
and Glorious Manchester, New Hampshire. Of course, you can stream
(06:51):
the show from anywhere. Go to Matt connorton dot com
slash live for all of your live streaming options, social
media links, contact and foshow archives, etc. Et cetera. Today
is Saturday, November twenty nine, twenty twenty five, and let's
bring in showing us via Microsoft Teams Jeremiah Rouse from
the Quality of Mercury. Jeremiah, are you there.
Speaker 3 (07:12):
Good morning, Matt. Thanks for having me on.
Speaker 9 (07:14):
Absolutely, it's wonderful to have you. I really really love
I love everything you're doing here with the Quality of Mercury.
I love the sound. It's just epic. It's so it's
so big, and the way that track, the way radiate,
the way it ends is so cool. You got that
that really long sustain on that guitar that just seems
to go on and on and you feel like eventually
it's just going to kind of fade out, but then
(07:34):
there's that little thing at the end that it kind
of seeks up on you. It's just so cool. I
really but I listened to the full album and I
love the whole thing. It's really really good. So congratulations
on that.
Speaker 3 (07:44):
Well, thank you very much, and thanks for the kind words.
Speaker 10 (07:46):
You know, it's a it's a love of the art
and it's something that I've been trying to really push
for it in getting this sound, you know, for a
long time now, and I'm really happy with the way
the album turned out.
Speaker 9 (07:58):
Yeah, yeah, absolutely. So the album is called The Voyager.
So what can you tell us about this? Obviously, I
mean I feel like there's I feel like there's a theme,
like there's a story here. But tell us about the
album The Voyager. Well, you know, the.
Speaker 10 (08:13):
Album itself, it kind of explores the idea of longing
and needing connection basically always you know, wanting something more
or the search for something more grand or fulfilling in life,
whether that's like a spiritual connection or human connection. But
(08:35):
basically overall theme of the album kind of conveys that idea.
Speaker 9 (08:40):
Yeah, I was reading too that you kind of tell
me if I have this right? When you the way
you approach these songs, is it kind of like each
one is a movie theme or or I'm sorry, not
a theme, but a scene in a film.
Speaker 8 (08:52):
Is that?
Speaker 3 (08:53):
Yeah?
Speaker 10 (08:53):
You know what, I'm a very visual artist when it
comes to the music, So like when I put things together,
when I write songs, I kind of write a story
that I could see, you know, being filmed cinematically and a.
Speaker 3 (09:06):
Little short stories basically.
Speaker 10 (09:08):
You know, I come from a film production background and
I watch a lot of sci fi stuff and that's
kind of like my impetus to put these things together.
Speaker 3 (09:16):
So you know, I would you know, if I had money.
Speaker 10 (09:19):
In time, I would love to put like little short
films together for all the songs. But that's kind of
how I approach the music and the writing.
Speaker 9 (09:25):
Okay, No, that makes sense given your background. So are
you currently working in film?
Speaker 10 (09:32):
I yes, not, well, not film. I manage an audio
video production company.
Speaker 9 (09:38):
Oh excellent.
Speaker 3 (09:40):
It's for a good portion of my career.
Speaker 10 (09:44):
I did film production, mainly a lot of corporate stuff
that worked on you know, music videos and commercials and
some independent short films and stuff like that. But my
bread and butter is in the corporate realm and that's
kind of what I do now as I manage large
events and provide the av support for large events.
Speaker 9 (10:04):
Oh excellent. That must be an exciting field to work in, too,
because as technology continues to evolve, I mean, you probably
never stop learning, right, You're probably constantly evolving in what
you do, and it's got to be I mean, it's
got to be just an amazing time to have a
career in your field.
Speaker 3 (10:22):
I would think, Well, I enjoyed a lot.
Speaker 10 (10:25):
The one aspect that I really enjoys being able to
travel a lot, so, I mean, my job takes me
to a lot of places. But you know, being immersed
in the new and upcoming technology is also really cool.
You know. It's it's hard to keep your finger on
the pulse of everything because technology is just increasing so
rapidly and there's always a new gadget out and by
the time you master one thing, it's obsolete.
Speaker 9 (10:49):
No doubt, no doubt. You're obviously very busy and you've
got a lot on your play it. So I'm curious
because I know that there was a was it a
nine year gap between the first album that you did Transmission?
Is that correct?
Speaker 11 (11:01):
Yeah?
Speaker 10 (11:02):
Yeah, I mean with my career and the way I
travel and family, you know, the music unfortunately is more
of a hobby and you know, it takes the back
seat to life at this point. So I try to
create when I can and record when I can. I'm hoping,
you know, keep up the pace a little bit better
than I have for the past nine years now with
my kids being older and whatnot. And yeah, but it's
(11:23):
it's uh, you know, it's it's a great creative outlet
for me. I have to do it, but sometimes making
the time to do it is just very challenging.
Speaker 9 (11:34):
I would imagine that can be challenging because you know,
you're probably day to day, You've probably got all these
ideas in your head right for songs, and you just
want to you know, you want to be able to
find the time actually record them. Yeah, I would imagine
that's uh, I would imagine that's hard in a way.
But I mean a good problem to have, and that
you've probably got tons of ideas. You strike me as
(11:55):
someone who is constantly thinking about this stuff, but but
then to find the time to actually record them and
really and to really do it right, you know, the
the sound that you achieved. I'm also very curious, and
I'm a little bit of a recording nerd and audio
engineering nerd, so I'm just curious about your process because
you really achieve that sort of I think, I use
(12:16):
the word epic coming out of that song. I mean,
it's just you've got such a big, full sound. How
what is your process like in terms of recording?
Speaker 3 (12:29):
Well, you know, thanks, you know, thanks again for the
kind words. I appreciate that.
Speaker 10 (12:32):
It's you know, I guess I really base what I
want to do on the sonic like landscape. I do
want to create these lush, you know, big sound and landscape,
so that's kind of the priority when I when I record.
Speaker 3 (12:47):
But my process is, you know, I generally.
Speaker 10 (12:50):
Start you know, noodling around with some type of rhythm
section on an acoustic guitar or an electric guitar and
I and then you know, from that, I kind of
get the hook or the chorus part of the song,
and then I have to build it or out around that.
It's probably ninety nine percent of time how I start
writing a song. And since I play by myself, you know,
(13:11):
a lot of times when I'm recording, I may have
only ever played that guitar part once or that you know,
that thing one time only. It's not like I'm a
rehearsing band or something like that. So I kind of
build it as I go, and then you know, just
kind of crafted in the box with effects and whatnot.
I have a general idea where I want to go
with things, but there's a lot of nice surprises that
(13:32):
happened along the way.
Speaker 9 (13:33):
Yeah, I would imagine. I mean, do you sometimes find
that what you end up with at the end of
it is significantly different than sort of your initial idea,
Your initial concept.
Speaker 10 (13:44):
Yeah, I would say probably most of the time it
ends up being quite a bit different than the initial concept,
just because you know, the happy accidents happen and you're like, oh,
that sounds different than I thought, but it's really good,
so let me go with it.
Speaker 9 (13:58):
Yeah, that must be exciting when that happens. And is
it correct? That is it all you like? Do you
have any collaborators at all, any guest musicians or do
you do everything yourself?
Speaker 10 (14:08):
So I do everything myself, and I basically program some
basic drum beats with some software, and then when I'm
all done with the you know, recording process, I'll have
somebody actually play real drums and record drums for me.
Speaker 9 (14:23):
So, oh, okay, for this is.
Speaker 10 (14:27):
My second record, but for each record, that's that was
my process. I wrote, recorded all the instrumentation around some
program drum tracks, and then I have the drum tracks
replaced by somebody who can actually play.
Speaker 9 (14:39):
Oh. Interesting, Yeah that makes sense because I was thinking
as you were saying that, you know, when you mentioned
programming the drums, I was sinking, Wow, these drums they
sound amazing. But but so you have is it the
same drummer on each track all the way through or.
Speaker 10 (14:53):
So, yeah, for this record, it was one drummer I
actually connect with Mario quint Yeah, Mario Quintero from the
band Spotlights.
Speaker 3 (15:02):
Oh okay, he also produces and mixes.
Speaker 10 (15:06):
So he recorded and you know, played the drums for
all the songs, and he did the final mixing of
the record, which I'm super happy with. I would not
have gotten to you know where it is now without
Mario's involvement.
Speaker 9 (15:20):
Yeah, no, it sounds incredible. So he wasn't involved in transmission.
I assume he was not. It was not okay, okay, Now,
how did you come to work with him? Is he
someone that you just know through the industry.
Speaker 10 (15:31):
Or I've been a big fan of the band Spotlights
for a long time and then you know I've been
I'm the guy that reads all the record jackets and
all the stuff and credits same.
Speaker 3 (15:41):
And I had seen that he had done drums for.
Speaker 10 (15:46):
A band called Machines Learning way back when, which I
liked it, and so I know he was at one
point he was promoting his audio mixing business or it's
Audio MQ, and I just I connected through him, I
think through his website. Asked him if he'd be interested
in working on the project with me.
Speaker 9 (16:07):
Okay, okay, wow, No, that's fantastic. Yeah, Like I said,
the whole thing, it just it sounds really really good.
Before prior to Quality of Mercury, had you ever been
in a band a full, like normal sort of working
situation in a band.
Speaker 10 (16:24):
Yeah, I mean for a brief period, I was with
some friends and we had you know, we called ourselves
an emo band back in the late nineties early two thousands. Yeah,
you know, we had played a handful of shows throughout
a year, and we really enjoyed it. It's just tough
being in a band. I would love to be in
(16:45):
a band, but you know, different personalities to work with.
Everybody's got a different work ethic, and I.
Speaker 3 (16:53):
Enjoyed it a lot. I found to be a bit
frustrating at times.
Speaker 9 (16:58):
Yeah. Somebody, I wish I could remember who it was,
but somebody was on the show who was a solo
singer songwriter who had transitioned from being in a band
to just doing a solo thing. Who said something about
something like, when you're in a band with three other people,
it's like being in a relationship with three other people
who are also in a relationship with three other people,
(17:21):
and it's just it's so difficult. And I know from
my own experience too, because you know, if you're in
a band with several people, everybody's got you know, you've
got varying levels of commitment and vision in terms of
where you're going and and you know sometimes and it's
not anybody's fault, it's just you know kind of how
it goes. But it can be it can be very difficult,
(17:41):
you know, and especially too you're someone with with your
commitments and your schedule. I'm sure it's it's just easier,
you know, to be able to do this on your
own and to and to be in control of everything
and not have to check with anybody about you know, Hey,
are you available to play this show on this state
at this event? You Oh, no, you're you can't do
(18:02):
that day? Okay, I guess we're not playing that show.
Speaker 12 (18:04):
You know.
Speaker 9 (18:05):
That's the kinds of things I would go through when
I've played in bands, and it's it can be really hard.
But that brings me to the question, So is there
any sort of live performance of any of the work
that you've done as the quality of Mercury that you've
been able to do. I don't know how that would
work exactly without a band. But have you ever found
(18:25):
a way to do any of this live?
Speaker 10 (18:28):
You know, I keep exploring that I haven't done it yet.
It's not that I don't want to. I think it's,
you know, a big challenge to figure out.
Speaker 3 (18:37):
How to do it.
Speaker 10 (18:38):
There's definitely I got ideas. I have people that you
know would play with me as well. It's it's more
about finding the time to make it happen.
Speaker 3 (18:45):
At this point.
Speaker 10 (18:47):
That's my biggest chal the challenge with my music. It's
just finding time to make all this stuff happen. But
I would love to do it, and I hope, you know,
hopefully I get a chance to do something live at
some point.
Speaker 9 (18:58):
Yeah, yeah, that would be a well yeah, you know,
with with evolving technology, there are there are ways to
do it, but like you said, you know, time is uh,
you know, time can be uh a barrier to that.
I wanted to ask you too about the artwork. Now,
you created this yourself? Correct the cover for the Voyager.
Speaker 3 (19:14):
I did, Yeah, I didn't, you know.
Speaker 10 (19:16):
Using the the AI tools that are available out there now,
I can get some really you know, astonishing results. But
you know, I think it kind of really I was
able to achieve my vision of the artwork with with
the AI tools.
Speaker 9 (19:31):
Yeah, yeah, no, I like it. It looks like, uh,
it's almost hard to describe. It looks like a spaceship
landing in some sort of u body of water or
river or something or.
Speaker 3 (19:44):
Ala alien planet like yeah.
Speaker 9 (19:48):
Yeah, but I like it. I like that and I
really like the colors too. Yeah, it's it's very very cool.
How do you feel about I mean, do you have
any thoughts about it? A little bit of a side street,
but it is a subject. It comes up a lot
on the show, and you're working in areas where you know,
the technology is, as we discussed earlier, is evolving so rapidly.
(20:08):
I mean, how do you feel about the use of
AI in all things creative?
Speaker 3 (20:14):
You know, if you treat it as a tool to
you know, enhance your art, I'm all for it. Yeah,
I'm really torn, you know.
Speaker 10 (20:24):
I just started messing around with Suno the audio recording stuff,
and I am blown away with the results that give me.
But like, at the same time, I don't feel right
using it, Like right, it's kind of cool for inspiration
and it's just jaw dropping on what it's doing, but
at the same time, it's taking it's taking away that artistry.
(20:46):
So ah, man, I'm torn. You know, I'm a bit
old school, you know.
Speaker 3 (20:52):
I like analog. I stay analog, so to speak.
Speaker 10 (20:56):
And I think, you know, after messing with this AI
music generator, like, I had a lot of fun and
it's it's been, you know, quite an experience mess with
music with this souno. But I am going to continue
to write my songs record them in the traditional way.
Speaker 9 (21:14):
Yeah, no, I think I think that's good. Yeah, it is. Uh,
Suno is incredible. I always tell people, though, to enjoy
these tools while we have them, because the sharks are
circling in terms of class action lawsuits all that kind
of thing. But not that I think these uh, not
that I think these tools are going away. I think
it's too late to shove the the genie back in
the bottle. But but still, yeah, it's it's.
Speaker 3 (21:38):
It's crazy times right now.
Speaker 10 (21:40):
It's I don't know what the future holds, but it's
gonna keep evolving and getting better.
Speaker 3 (21:44):
But does that mean everything's going to be looking and
sounding the same?
Speaker 9 (21:47):
I don't know, right right, Yeah, exactly, Yeah, we'll see
you know that the technology, it does move, It does
move very quickly. By the way, did I see something
about do you have a family member who's also on
the album with doing backing vocals?
Speaker 3 (22:03):
Yeah, my daughter, Violet, she did backing vocals and some
of the tracks.
Speaker 9 (22:06):
Oh that's so cool. That must be that must be
a kick.
Speaker 10 (22:10):
Yes, she kind of You know, I wanted to do
backing vocals for almost all the tracks, and she she
did like half of them, and then she refused to
do the rest. Oh really, yeah, you know at nine years.
You know, a young girl changes a lot in nine years.
So when she was younger, she was more interested in
help me out, and as I got closer to the
(22:32):
end of the recording process, she didn't have anything to
do with it.
Speaker 4 (22:35):
Oh, no kidding.
Speaker 9 (22:36):
Oh that's funny. No, that must be so cool though,
having your daughter on the tracks, is she I mean,
does she have interest in being a professional musician or
or what? Do you what do you think?
Speaker 8 (22:47):
I don't know.
Speaker 3 (22:48):
You know, earlier on I thought she she was playing piano.
Speaker 9 (22:51):
She loves to singing.
Speaker 10 (22:52):
She still sings constantly, so I think I think she'll
have the bug. You know, she's still kind of young.
But I think she gets a little bit more into
the high school years. I think she's gonna kind of
reconsider what she does with music and take it a
little bit more seriously.
Speaker 9 (23:08):
Right right, Yeah, No, that's great, that's that's fantastic. And
then so what can you tell us too? I wanted
to ask you about these songs because I know Radiate.
We opened with Radiate because that's kind of the focus
track as we say, what's what can you tell us
about that song? And why is that song so significant
to you?
Speaker 10 (23:31):
Well, I mean, I guess for most of these songs,
you know, they're all kind of set in a space theme, right,
the sci fi space theme, But they're all most of
my songs are metaphors for something. Either it's some kind
of love lost or longing for something bigger or new.
And that's kind of, like I said, the overall theme
of this But this particular song, you know, it's it's
(23:55):
about this guy who's stuck in this disabled spaceship that's
you know, about to explode and he needs to he
needs to get out of there, and oft in a
distance is a smaller space station that he's gonna try
to like kind of use the airlock to eject himself
out towards that.
Speaker 3 (24:16):
Space station for survival.
Speaker 10 (24:20):
But you know, the tether that he would normally wear doesn't,
you know, go that far out, so it would be
too short. So he's going to be out in space
free and he's hoping to meet someone on the other
side halfway basically, So that's kind of just that story
there literally, but metaphorically it's about, you know, having all
(24:42):
of your options, you know, taken away except for one,
and you've got to take the leap of faith to
move forward and survive.
Speaker 9 (24:53):
It's relatable. I think everyone's yeah, been in that position
or will at some point certainly, So yeah, yeah, I
think that's I think that's that's interesting. And then what
about in a moment, So at the end of our segment,
we're gonna play uh g made or a Ganymede? How
am I saying that? Right?
Speaker 3 (25:10):
Ganymede it's yeah, named after one of the moons.
Speaker 9 (25:15):
Oh okay, yeah, Well, and and what can you tell
us about that track?
Speaker 10 (25:22):
Well, that track that's essentially a love story and it's
it's basically about this guy who or yeah, it meets
a partner on a like a space station and basically
(25:42):
falls in love with her, follows her around, and then
he she she's kind of reckless and loose and wants
to get off planet Jupiter and go to the moon,
uh Ganymede, which is this ice planet, and and he
follows her, but uh, you know, he hates going there
(26:02):
and things don't work out, they don't see eye to eye,
and then she ends up leaving him.
Speaker 3 (26:07):
That's kind of what the story is about, Okay.
Speaker 10 (26:09):
And the significance of this track, you know, I think
this was this was my initial single. I think this
track really captures, you know, what the album's about, and
like what the landscape is of the album and the
journey is of the album.
Speaker 3 (26:27):
So this is why it was the lead track.
Speaker 10 (26:29):
It kind of has all that in there, you know,
the space, the metaphorical story, plus the sonical landscape, so
it kind of laid out what the albums are all about.
Speaker 9 (26:39):
Okay, Okay, that makes sense. Yeah, yeah, it's another great track.
We're gonna play that in just a couple of minutes.
But now, what is uh, what's kind of your future
trajectory with this track? I mean, I mean not with
this track, but with with your music, with the quality
of Mercury because obviously, I'm sure you don't want to
wait another nine years until the next one. But I mean,
do you have do you have plans for the next
(27:02):
album or are you obviously in the moment you're focused
on this one, But I mean, are you already thinking
about songs for the next the next record, or where
are you with that?
Speaker 10 (27:11):
Yeah, I'm not sure if I'm going to do another
record right away. You know, I just started recording a
new song. I want to release a single, Oh in
the next few months.
Speaker 9 (27:19):
So good.
Speaker 10 (27:19):
I'm going to do a single and then I have
an idea for an EP that I want to do
some things that I've already recorded but want to recreate,
you know, older things that I've I liked in my
shelved a long time ago that I want to kind of.
Speaker 3 (27:35):
Give new life to and do an EP.
Speaker 8 (27:37):
Oh.
Speaker 9 (27:38):
Very nice. Yeah, there's so many different ways to release
music now and so many different strategies you can use.
And I think the album format is great for what
you're doing because obviously all these songs, you know, there's
there's a theme, there's a story here with everything. But
but releasing singles is great too, And you know, as
soon as the next single is ready, we'd love to
play it here and have you back on the show
to talk about it, because you know, we really like
(27:59):
what you're doing a lot. But no, that's great. I'm
glad you're I'm glad you're already working on something new.
So that's fantastic. That's good to hear, Jeremiah, where should
people go online to?
Speaker 13 (28:09):
Uh?
Speaker 9 (28:09):
Where's the best place to go to keep up with
everything that you're doing? Uh, be it with the quality
of Mercury or anything else you want people to be
aware of and know about.
Speaker 10 (28:19):
Yeah, I'm most active on Facebook. I'm not real great
at social media, but I'm most active on Facebook. If
you want to listen to my music, I always try
to get people to go to band camp first, but
music's available on all the streaming platforms.
Speaker 9 (28:34):
So yeah, yeah, band camp is a great resource. And uh, yeah,
the album is the album is there and it sounds great.
A lot of people don't know too. Something people don't
realize about band camp is you actually get a higher
quality You'll get a higher quality file if you get
it from band camp. Then if you're just say streaming
it on YouTube or something like that, and I've noticed
that people don't seem to realize that, but that's one
(28:56):
of the reasons that band camp is so great, so
I like to direct people there.
Speaker 3 (28:59):
Absolute yeah, and then you know, I have vinyl for sale.
Oh you do my first Yeah, my first album.
Speaker 10 (29:05):
And then there's pre orders for this record, so I
will be releasing the vinyl.
Speaker 3 (29:09):
Oh hopefully. I'm waiting.
Speaker 10 (29:12):
You know, the pressing companies are all backed up all
the time, but I'm hoping to have those in hand
by the end of December, early January.
Speaker 9 (29:19):
Oh that is so cool, very cool. Yeah, that's awesome.
I love to hear that is Are you also doing
physical CDs? Physical discs of no no CDs?
Speaker 3 (29:27):
So it's just digital and then the vinyl.
Speaker 9 (29:29):
Yeah, I think that's really cool, very very cool, excellent.
Well listen, Jeremiah, thank you so much. We're gonna play
this track get a meat in just a moment. We'll
let you go, but like I said, when you've got
the next single ready, please come back. We'd love to
have you back on to play it and talk about it.
And like I said, we're fast fans here. I love
your sound, I love everything you're doing, so we definitely
(29:50):
want to stay in touch.
Speaker 3 (29:52):
Well, I appreciate you, Matt, thanks for having me on.
It was a great time.
Speaker 9 (29:54):
Absolutely, we'll talk to you soon, my friend. Take care,
take care, all right. That was Jeremiah Rouse and the
project is The Quality of Mercury. And we're gonna play
this track. So this was the first single from the
album The Voyager, and this is called Ganymede. Let me
try that again. My brain is cold here, my brain
is still frozen. Here we go here it is.
Speaker 14 (30:24):
Chicken, You're young, stars.
Speaker 15 (31:26):
Sip you explore how the fathers, but you groups about
(31:49):
the stars, nice the crystals as a joyous stron Street
(33:50):
STOs talk about.
Speaker 7 (33:57):
Les c Do you have dad?
Speaker 6 (34:25):
After all?
Speaker 9 (34:26):
Was charged to fight.
Speaker 6 (34:28):
I was going and a.
Speaker 2 (35:04):
S s, schools, school, shops, school and stop stop stop.
Speaker 9 (36:25):
I love that. That is Ganymede from the Quality of Mercury.
Thank you again to Jeremiah Rous for joining us. And hey,
little bonus for you. I'm gonna play one more. We
have time. I'm gonna play one more from the Quality
of Mercury. This is another great single from or a
great track from the album. I don't think this has
been no, this hasn't been a single yet, I don't think.
But it's from the album The Voyager. This is called
(36:45):
Heaven's Gate. We're gonna play this one too. One more
track from the Quality of Mercury. This is so good.
Check this out, xpen.
Speaker 16 (38:12):
True tell me.
Speaker 7 (38:17):
Miss t.
Speaker 2 (38:21):
Speaks sty searching my salvation.
Speaker 15 (38:47):
Class times as desperate.
Speaker 7 (39:04):
Just away.
Speaker 16 (39:19):
SnO three.
Speaker 2 (39:26):
Way away.
Speaker 6 (39:31):
If you fu.
Speaker 2 (39:44):
Si the guy spe.
Speaker 6 (39:48):
Still trap nice.
Speaker 16 (39:52):
She spell.
Speaker 6 (39:55):
Nice time.
Speaker 7 (40:01):
A way.
Speaker 16 (40:09):
Stop side.
Speaker 6 (41:16):
Us that was making desperates us.
Speaker 10 (41:56):
Well.
Speaker 9 (41:57):
I don't know if you're honoring w honor.
Speaker 7 (42:00):
As we landed here with the struggle in the heartland,
in our.
Speaker 17 (42:05):
Disconnected fear, we got politicians scream insanity, lying cold watch
truth right through that seat.
Speaker 3 (42:12):
I thought we were all in this.
Speaker 9 (42:14):
Together, huddled around this liberty.
Speaker 6 (42:17):
Is this my marriedel?
Speaker 9 (42:20):
Is this my Maryel?
Speaker 6 (42:22):
Shouldn't we stand two together? The rest war?
Speaker 2 (42:27):
This is my Mary Cole, This is my Mary.
Speaker 9 (42:33):
If it is, then we ain't even close to done.
Speaker 18 (42:37):
We gotta take it to the city's We gotta take
it to the streets because these profits of division.
Speaker 9 (42:44):
Are tearing down all our hopes and dreams.
Speaker 6 (42:47):
I don't care if you're a Democrat.
Speaker 9 (42:50):
I don't care if you love the states right. I
don't care if you're independence.
Speaker 6 (42:55):
I don't care if you're black old.
Speaker 2 (42:57):
Why this is my Mary, This is my very come
home of the brain of breathe.
Speaker 6 (43:08):
This is my very cole, this is my very.
Speaker 9 (43:14):
Huddle around, Miss Liberty. We have not forgotten who we are.
Speaker 3 (43:22):
We are bound together near and.
Speaker 10 (43:24):
For you and me, You and me, you and me,
you and me, you and me.
Speaker 9 (43:30):
Will we ride a ica as our own?
Speaker 16 (43:38):
So what is the truth? What is the truth?
Speaker 6 (43:43):
What is a meica?
Speaker 16 (43:46):
Through and through?
Speaker 3 (43:48):
Will you just open your eyes?
Speaker 6 (43:51):
Will you just letter in? Because I hear the blowing
of the wind.
Speaker 19 (44:00):
Maybe it was just a pink house.
Speaker 3 (44:02):
Maybe it was just a pink coat.
Speaker 1 (44:05):
Maybe we should.
Speaker 6 (44:06):
Try to go.
Speaker 9 (44:07):
Maybe we should take it so, maybe we should just
have some fun. Maybe we were both born to run.
Maybe we should just take a chance. What else, maybe
we should just get up and dance.
Speaker 2 (44:22):
Is this my Mary?
Speaker 14 (44:24):
Come?
Speaker 2 (44:24):
This is myna Mery, Come, whome of the brave and
of the free.
Speaker 6 (44:32):
It's the Soromery Come. It's this arm Mary.
Speaker 2 (44:36):
Come around as Liberty.
Speaker 16 (44:41):
Who so Mary?
Speaker 2 (44:44):
Because some men fara Mary, because some men let weare.
Speaker 15 (44:49):
Every voice every year, mister smerycause some men.
Speaker 6 (44:55):
All Mary come then go praying to you.
Speaker 8 (45:00):
Guy.
Speaker 6 (45:00):
Hit us clean.
Speaker 2 (45:06):
So every eye, every month, every years, rain two.
Speaker 3 (45:20):
The Lord to guide us clean.
Speaker 4 (45:23):
This is the police department. You are violating state and
post curfew.
Speaker 17 (45:29):
You must continue to disperse peacefully or you will be
subject to arrest and all other actions.
Speaker 9 (45:41):
I'm here protesting for Mike Brown. He was wrongfully killed.
Speaker 17 (45:46):
There's a lot of unity going on that they're not broadcasting.
Speaker 9 (45:50):
It's not a race state.
Speaker 17 (45:53):
I never thought I'd get political, but life in my
city right now is just so critical.
Speaker 6 (45:57):
Man.
Speaker 20 (45:57):
It's a war zone in my backyard.
Speaker 17 (46:00):
Why I get in justice gotta be this hard hoigh
the lesson that they care about.
Speaker 4 (46:04):
Tell you that that's why the police always.
Speaker 7 (46:06):
Use their cloud.
Speaker 8 (46:07):
They do that.
Speaker 17 (46:07):
My grandma said, don't fear with another man. I never will,
but they will shoot with nothing in my.
Speaker 10 (46:12):
Hand about see the media, you show the bad part and.
Speaker 4 (46:15):
They blocking out the good.
Speaker 6 (46:16):
That's the sad part.
Speaker 7 (46:17):
Man.
Speaker 10 (46:17):
I can tell you this. We're fed up.
Speaker 4 (46:19):
But if no one never told you, keep your head up.
Hope you understand.
Speaker 9 (46:24):
Take me to your leader.
Speaker 4 (46:26):
I hope you understand.
Speaker 7 (46:29):
Take me to your leader.
Speaker 4 (46:32):
I hope you understand.
Speaker 6 (46:34):
Take me to your leader. Yeah, you finally should Yeah,
take me.
Speaker 9 (46:40):
To your lead up at once once once, brothers and sisters,
brothers and sisters, brothers and sisters.
Speaker 4 (46:52):
I guess you finally heard.
Speaker 10 (46:54):
Yeah.
Speaker 9 (46:54):
Yeah, I'm just a youth in the society.
Speaker 17 (46:56):
But since my skin dunk and thugs by novoriety and
treated the fable turn into the propriety, we act moretifiably.
Speaker 9 (47:03):
Man, tell me that ain't notty.
Speaker 17 (47:05):
So many accusations because of from alien nations, the complications
we're facing, the verdicts a maid by racist. I'm just
a proud to go my nation and because of my pigmentation,
and I'm bound to live life with adaptation to allegations
because what you see is on the surface.
Speaker 20 (47:17):
Try to make me feel as if my skin was
just a verdict.
Speaker 4 (47:19):
I'm the judge and the children.
Speaker 9 (47:21):
Yeah, I got a verdict, just as it's just a sending.
In the end, I'm still a person. I hope you
want to stand. Yeah, take me to your leader.
Speaker 6 (47:27):
Yeah, oh this stand. Take me to your leader.
Speaker 4 (47:33):
Yeah, I hope you understand.
Speaker 9 (47:36):
Yeah yeah, take me to your leader. Yeah you find
me shure, Yeah yeah, yeah, take me to your leader.
Speaker 3 (47:43):
I have once one brothers and sisters, brothers, brothers, the world.
Speaker 17 (47:54):
I guess you finally heard kids were on our front line,
shot them in the head.
Speaker 13 (47:58):
That the media I ain't been showing all the stuff
that goes down here.
Speaker 9 (48:01):
I want to see love in America. I want to
see togetherness in America.
Speaker 4 (48:05):
We're not gonna stand for it.
Speaker 3 (48:07):
They can kill us all, kill them dead, cold blood
in the head.
Speaker 9 (48:11):
I need answers tonight.
Speaker 11 (48:12):
It's about some justice.
Speaker 9 (48:14):
My whole thing is that if it was me and you.
Speaker 17 (48:17):
And they had two eye witnesses, sweet because both of
those eye witnesses described the same thing, thing thing, thing
thing thing.
Speaker 10 (48:25):
They said, he.
Speaker 6 (48:26):
Goutting that man down and shot him.
Speaker 9 (48:28):
Guy, I don't see white boys, you know, laying on
the curb, you know, police messing.
Speaker 6 (48:34):
With them, willing them over for no reason.
Speaker 8 (48:36):
No reason.
Speaker 17 (48:37):
If they don't, it's not getting broadcasts.
Speaker 9 (48:41):
But I see that with black.
Speaker 3 (48:42):
Folks every day, and I see them get shot.
Speaker 6 (48:45):
Down every day. I'm not saying it's not happening to
white people, white.
Speaker 4 (48:49):
People, but if it is, we don't see it.
Speaker 20 (48:54):
I don't see it.
Speaker 7 (48:58):
Revolution, it be revolution.
Speaker 6 (49:02):
It begins tonight.
Speaker 19 (49:12):
Nana's Kitchen and Pizzeria from.
Speaker 18 (49:15):
Nana's handss to your play Tradition, Love and taste, That's great,
Solo fermented dough flavor so true.
Speaker 14 (49:28):
Each bite the.
Speaker 19 (49:29):
Story made just for you six o three two three
two nine three six six Nana's Kitchen and Pizzerive fifteen
Yartmouth Dry Auburn, New.
Speaker 2 (49:42):
Hampshire Kitchen and Hissar.
Speaker 4 (49:51):
The two greatest rock and roll bands of all time
face off as the Chubb Theater hosts tributes to the
Beatles and the Rolling Stone. Beatles Versus Stones, a musical
Showdown comes to Chubb Theater at the Capitol Center for
the Arts on Thursday, December eleventh at seven thirty pm.
Tickets can be purchased at the theater box office or
(50:12):
online at CCANH dot com. The Capital Center for the
Arts is located at forty four South Main Street, Conquered,
New Hampshire. The show was appropriate for all ages. Luigi's
Pizza Barren Grill.
Speaker 17 (50:29):
Under one Let's raise a slyes On Hides with top
and all the Ground Pizza Pizza Barrio.
Speaker 4 (50:37):
Line Luigi's Pizza Barren Grill seven to twelve Valley Street, Manchester.
Come on in or call six two two one zero
two one Luigi, keeping the tradition alive since nineteen seventy five.
Speaker 17 (50:53):
Pizza for a brief one, Come join a piece to
night with each sly sense everything feels so right.
Speaker 21 (51:05):
In times of crisis, you need a law firm that
stands by your side. With over forty years of experience,
Craigan Getsulis is dedicated to fighting for your rights. As
former state prosecutors, our attorneys have the knowledge and trial
experience to provide an aggressive defense against any charge, from
DUIs to homicides. If you've been injured, our compassionate team
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will assess your case and fight for the compensation you deserve.
Serving all of New Hampshire, Craigan Getzulis is here when
you need us most. Visit craigatzulis dot com for a
free consultation. Craigan getsulus, your advocates, your allies.
Speaker 20 (51:40):
Bring your kitchen to life with Queen City Cabinetry, located
at eighty seven Elm Street in the historic Sunbeam Wall
in Manchester, open Monday through Friday nine am to five
thirty pm, in Saturdays ten am to two pm. They
can be reached at six h three two two two
two zero zero seven. We're on the web at Queen
(52:03):
Citycabina Tree nh dot com. Come see the possibility is
Queen City Cabinet Tree. Another crowd sponsor.
Speaker 1 (52:11):
I'll you mnh Hey everyone, there's Rob Azevido, host of
Grantite State of Mind, and I want to tell you
about Pembrooke City Limits and the Historic Suncook Village. PCL
is an award winning bar, restaurant and music venue where
there's live music five days a week and twice on Saturdays,
everything from blues, country, folk, funk, and a whole lot
of jazz. We have twelve craft beers on tap dedicated
(52:32):
to local brewers in the area and some of the
friendliest bartenders around. Please come visit Pembrook City Limits at
one thirty four Main Street, the Historic Suncook Village, only
six miles outside of Manchester. Open Tuesdays to Wednesdays four
to ten Thursday's a Sunday eleven to ten. Pembrook City
Limits where it's all about.
Speaker 4 (52:50):
The music business. Cafe is the place to put a
smile on your face. Judy and the crew will take
care of you, bring your appetite and treat your taste.
Bus Right is always a winning choice breakfast, lunch or
supper Dizze's Cafe at eight sixty Elm Street in downtown Manchester.
Dine in, take out or make a reservation call six
(53:12):
h three six oh six two five three two, eat,
drink and be happy Dizze's Cafe.
Speaker 12 (53:19):
When it comes to keeping WMNH on the air and
your own personal or business computer needs, trust groll In Computers,
located on Elm Street in Manchester. Grolin handles computer repair,
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Your Tech, your way. Trust groll In Computers.
Speaker 8 (53:58):
Nice seven times out of ten. We listened to our
music at night. That's one titled business program.
Speaker 17 (54:08):
Late Night to Light with DJ Mitas right here on
WMNH Manchester.
Speaker 4 (54:14):
Because Saturdays and Sunday nights midnight to four am.
Speaker 22 (54:20):
This hour on WMNH is sponsored by CGI Business Solutions,
located at five Dartmouth Drive in Auburn. They serve all
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business administration, investments and wealth management and customized business insurance solutions.
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Their phone number is eight sixty six eighty four to
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Speaker 13 (54:52):
Behold the harmony of airwaves as you immerse yourself in
the captivating frequencies of w n NHLP their sonic our
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point three megahertz frequency modulation or transmissions M and eate
from the zedith of one thousand Elm streets, insure into
the hearts of our creative realm at one nineteen Canal Street,
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where innovation and sound collode. They're the impro moder of
Manchester Public Television Service in the venerable city of Manchester,
New Hampshire, USA. Enrich your auditory journey with the depth
of our license to wesidens when you spent your missives
did w m n H ninety five three at gmail
dot com or traverse the virtual corridors of w mnhradio
(55:34):
dot org. Engage with our sonic vibrations by communing with
us through the digital channels or radio beckons eager to
enthrall you with its mesmerizing cadence and envelop you with
a symphony of foundless auditories.
Speaker 3 (55:46):
Won dude, wmnh rip the.
Speaker 13 (55:53):
Novels you're listening to Mattconnorton on why five point.
Speaker 9 (56:03):
Three right now the world radio premiere of the new
single from the Marches Don't fool me.
Speaker 23 (56:10):
Twice shot.
Speaker 6 (56:28):
He stand out in the dark. You know you sadly
and I will have.
Speaker 11 (56:35):
Our spark issue sadly and all that is long start,
but it keeps taving me.
Speaker 6 (56:44):
No, I'll not go into this.
Speaker 2 (56:47):
You no say the things that showed to show.
Speaker 9 (56:55):
I try to shut that shy every time.
Speaker 2 (56:58):
I so passing by pasting.
Speaker 6 (57:02):
But we were going and thats something launch.
Speaker 16 (57:06):
It's not ecadest, not sad.
Speaker 6 (57:08):
It's not too much time to do anything. And I
think it through poll means talk from me, but.
Speaker 2 (57:17):
Don't fool me.
Speaker 11 (57:18):
It's a present so theround. I know it's so well
you do the isolation in the crowd of blame it
all luck on you and all I'm saying it because
(57:39):
now you're feeling me was tough.
Speaker 6 (57:42):
Now we both going to do this smile.
Speaker 7 (57:50):
No, say the.
Speaker 6 (57:51):
Things that showed me to try.
Speaker 2 (57:54):
Shats like every time, I'll do it, passing best, but.
Speaker 6 (58:01):
We will know it s not suns not stopping away.
I think it true to me. What's not going? Don't
say don't get me sitting control.
Speaker 8 (58:45):
No, don't miss because.
Speaker 24 (58:47):
You don't want to know if you're ready. You isn't
really because no stopping Say you guys said, don't be
(59:08):
testing because you don't.
Speaker 6 (59:13):
Get mad.
Speaker 2 (59:15):
All made
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