The Yung Buddha Interview.

Episode Transcript
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Speaker 1 (00:00):
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(00:27):
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Speaker 1 (00:31):
We welcome all.

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Enjoy the show. Ladies and gentlemen. Please welcome your host
Demitrius who Demi Black Reynolds. Enjoy the show.

Speaker 3 (00:47):
Hey, Hey, what's up guys. Welcome to another incredible episode
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Speaker 5 (01:40):
Are you ready? Are you dy?

Speaker 6 (01:52):
Are you ready?

Speaker 5 (01:57):
But let's go, let's go.

Speaker 3 (01:59):
What's up again? You're listening to VRL. That is Vigilantes
Radio live right here on iHeartRadio, and I am your host, Deani.
Don't lose sight. This is the frequency of the fearles.
So let's talk about something real tonight. That's what I
really want to do. Not polished, not filtered, not Instagram caption,

(02:23):
you know, pretty with a bow. I mean real, because
sometimes the strongest thing that a man can say is
I got toxic moments, not because he's weak, not because
he's lost, but because pain has a way of pulling
things out of us. We didn't plan to show growing
up in the Dirty South, surviving Houston streets, sharpening his

(02:46):
craft and at Atlanta Trapp Studios, and building his own
production platform. Tonight's guest understands both muscle and melody, both
thug and truth, both street and spiritual code. When he
says you can be vulnerable and not be a sucker,
that it's different, and that's really that's really what I'm

(03:08):
all about. I'm not afraid to be transparent or to
stand up for myself and relationships. And when it comes
to homies, when they cross the line, I let them know, like, Yo,
they kind of stung a bit because I didn't expect
that from you, and they're like, what are you talking?
You know, and it's a bunch of gas light and
it's a bunch of h well, you know, you know how,

(03:31):
a bunch of excuses pretty much. And look, man, it's
twenty twenty six. Like everybody's so used to being fake
and putting all these fake shows, and that's who you
pull in. You pull in fake people when you're fake.
But when you real, you notice you start to stand
alone because you're not entertaining the fakenness, you know, you
call it out, you're not hand clapping the Shenanigans. And

(03:54):
that's really what I'm all about, and that's why I dig,
that's why I really really dig our Special Guests, because
I believe he's one of those people too that he's
just real about it. And sometimes they leave you in
a lonely place, but that's us as a man at
the end of the day. So you're not just here
for a talk show. And this isn't just radio. This

(04:15):
is revival for your mind, body, and spirit. This is
Vigilantes Radio Live. My name is Coach Deni and change
is possible. Are you ready? Let's go, let's go, let's go.

(04:37):
What's up, guys, you're listening to vr L. That's Vigilantes
Radio Live right here on iHeartRadio. Our interviews are designed
to go behind the scenes of music, news, books, art, acting, films, technology, education, entrepreneurship, entertainment, spirituality,
and sometimes even past that thing that we call the ego.

(04:59):
Our interview are designed to go behind the scenes into
the minds of these brilliant people, you know, the ones
who were out there giving it. They're all for me,
for you, and for the world. Well, ladies and gentlemen.
Born and raised in Houston's Cloverland neighborhood, Young Buddha represents
Dirty South culture with authenticity and grit. After sharpening his

(05:22):
skills in Atlanta studios and founding ten eighty productions, he
now focus on his own independent artist screen. His latest single,
Bring the Tosic Out of Me, from the album Way
Too Tosic blends rap and melodic vulnerability while standing firm
in faith and integrity. He lives his truth, keeps God first,

(05:44):
and moves with purpose. So please join me and saying
welcome friend to Young Kabuddha. Yo, yo, yo, Welcome to
the show.

Speaker 7 (05:56):
Yo. What it do? Man?

Speaker 3 (05:58):
Was having it was having in happen as it going, man.

Speaker 7 (06:02):
Just chilling man, just listening in to what you got going.

Speaker 3 (06:06):
And I appreciate it. Appreciate it.

Speaker 7 (06:08):
Man.

Speaker 3 (06:09):
Well we might as well call this the Young Buddha Show.
So man, before we really just dive deep into everything
that you have going on, what's been on your heart
and mind lately as a man balancing street reality, emotional
vulnerability and faith all at once.

Speaker 7 (06:31):
Oh honest, man, Right now, it's really like pushing this
music to another level, gaining a fan base, Like you know,
the music I'm putting as much as I want to
into the music right now, you know, but what's on
my heart is just really getting a fan base from
the blood. So when it see, isn't it? You know,

(06:52):
I've been putting work in. It's just moving the music,
grabbing the hearts in the minds of the people who
you know that can relate and the people that want
to just jam or something that they sound good.

Speaker 3 (07:05):
Really serious, sir, for sure. So man, we're not gonna
spend too much time on the original stories, uh you know,
but we will. We will touch bases on like the
journey from Atlanta to Houston. You know that change. How
how was that whole move from Atlanta to Houston? Was

(07:28):
it necessary? Terrified? You know, was it just something that
you had on your bucket Listen?

Speaker 7 (07:36):
Nah, I'm originally from Houston and I moved to Atlanta. Man, me,
jumping to Atlanta was kind of like and basis you know,
at that age, I kind of grew up. I kind
of grew up around like a lot of popular people,
and it just wasn't hitting up because of support. It
was just like, man, all right, you know, I'm doing

(07:58):
my own thing. Let me build my my own network,
my own foundation, and I can do that by you know,
connecting the dots with you know, networking and means of
solid people connecting move you know, touching bases with people,
expanding my expanding my brand really truthfully, at that age,

(08:18):
that's really what it was. And I wasn't really terrified.
It was just something new. I always knew how to
navigate through life, so it wasn't really a challenge I went. Now,
I grew up a lot out there because I was
a full blown adult moving out there. But still, like,
you know, you could be grown in one place of comfortable,
you know, have the connections being just having a lot

(08:39):
of resource on and then being dropped in a place alienated,
not knowing anybody other than a few other contexts, and
then you know, building a network that was difficult. I
wasn't scared about it, but you know, because you never
know what you get on the other side of the door.

Speaker 3 (08:57):
That's really what yo. So what brought you back home?

Speaker 5 (09:03):
Man?

Speaker 7 (09:04):
So as it was time, you know, Atlanta, Atlanta kind
of crumbled on me. I still love Atlanta. You know.
It wasn't all bad, not musically wise. It was just
a little bit of a personal life invading a business
at a at a time where it was like a
tremendous amount of growth, and it was just like, you know,
how you go through those obstacles. That's just a part

(09:25):
of my career. Part of my story. You know, it
was time for me to go back home. I had
been out of pocket for a little minute, and uh, yeah,
let meed to go get back from my roots, be
around my family, be around you know, people that that
that knew me from the beginning.

Speaker 3 (09:41):
Yeah, man, I understand that fully.

Speaker 7 (09:43):
Fully.

Speaker 3 (09:44):
I went out to Atlanta, h to start a career, man,
And uh, the first show I remember doing was like
a TV show like DJ Dirty Dirty Black or something
like that, some to that sort, and Bob was there
and he was unknown at the time, but he was
like this dude with a guitar and he just stuck
out and I was like, you know, you know, I
tried to establish some things with him, but I'm not

(10:07):
from there. And if you're not from certain parts of
Atlanta or certain hoods, you know, it's kind of hard
to put down roots. So for a man trying to
establish himself as an artist, it was a little difficult
on the personal side, you know, with you know, paying
bills and money and things like that, because Atlanta's so
diverse and so connected. If you're not a part of

(10:28):
that connection, you kind of kind of left on your own.
But yeah, man, so you went you came back home
to Texas to do your thing, get connected with family again.
Did you immediately go ahead?

Speaker 7 (10:42):
Yeah, when I was in Atlanta, I touched land with
a lot of people out there in Atlanta, like it
was a lot of love, you know what I'm saying.
My my wives closed down from the infrastructure I built
without which I don't understand. You know, you know, teams
all as great as that leader. But you know a
lot of progression on my put being the face of

(11:03):
what's going on. Some people don't understand it. Okay, this
is the face. I can't get mad because it looked
like progression on him and not just you know what
I'm saying, Like when you got a group of talented people,
sometimes the face of it don't go how it go
because it's like you know, other people want to be
the face of things. So that's where it ultimately just

(11:25):
moved me back to Houston. But I touched bases with
a lot of people, a lot of legends out there,
Like I learned from a lot of like you know,
Maut rushmore producers and artists out there, while where they
accepted me, you know, with a lot of love, you
know what I'm saying. Surprisingly because I had connections with

(11:46):
people from Houston. Like one of my best friends he
passed his name was turned me Up Josh. She was
like a well known engineer in the industry though he
was from Houston, Texas, and like that was one of
my connections. After I moved to I didn't know Josh
and Houston. I met him in the A and I
connected with a lot of legends out there, like on
a personal level. So coming back home, uh, to Houston,

(12:11):
I had a little run too with a with a
few artists with through family connections instead of my own connections.
And some of the artists they took off, you know
what I'm saying. They did their thing, but then I
had to follow back on producing because I want to
focus solely on my artistry, you know, like it kind
of flip flopped the team I built around me in

(12:32):
Atlanta day. You know, I had a few artists and
I was producer for them, and they used to always
be like, bro, you put your music out first, and
then you know what I'm saying, We're gonna follow your lead.
But I had a more CEO outlook on it, where
like I was like, you know, I know, I'm an artist.
I'm always an artist, is how it started. But if
we can get the ball rolling, because I feel like

(12:52):
at this this season of my life, like fans are
gonna gravitate towards y'all. You know, I'm the I'm the
label owner. I'm a you know, take my profit in,
do what I need to do. But I'm focusing on y'all.
But when then I come back to Houston, more people
wanted me to produce than focus on the artistry. And
you know, if I wasn't like had like my vision

(13:15):
in tech, I could have got stuck in it. But
I didn't let the money control me. I stepped back
from it. I'm like, all, I forget that. Like I
did a couple albums for people, and then I moved forward.
I was like, I want to focus on my own artistry.
I had a whole label running before I stepped into
this infrastructure. I've never had like any management or anything
like that. Like I always been moving as my own

(13:38):
entity for sure. For sure.

Speaker 1 (13:41):
Yeah, wow, wow.

Speaker 3 (13:42):
It seems like you learned a lot of valuable lessons
there too, being able to navigate different personalities, different artistries,
but also being the man in charge, being the one
responsible with the label flops or if you're the seals back.
Man I was the producer, the label owner, and the artist.

(14:04):
But to me, man I was the dopest one, honestly,
but I didn't want to Yeah, I didn't want to
be that because I didn't want to be the eminem.
I wanted to be like the the dre. You know,
I'm equally as dope, but I don't want to be that.
So I would pump up my guy's head and that
just created monsters to one day they said, Nadanni, you

(14:26):
can't rap no more. You just you just punched the keys,
and I was so like this felt disrespected, Like how
could you do that? But and I had to make
the hard decision to sever well not necessarily several times,
but to just do something different. So it seems like
you had to make a similar choice with pursuing your
own artistry. How was that decision for you?

Speaker 7 (14:47):
Oh?

Speaker 3 (14:47):
It was easy.

Speaker 7 (14:48):
You know. One thing I know is when you have
a vision, you can't let anybody to see you from it.
Because you know, on my journey, aside of like you know,
personal struggles with you know, things I like indulge in
that that create my my life spread who I am.
The music side of things, it's it's moved smoothly because

(15:10):
as a producer, like I got treated right, like you know,
I had the whole run where you know, my producer
style was different because of my personality where I wasn't
I never least beats online like you had to pull
up and meet me and you know, you know, I
might give you a nice price, but you know I'm
gonna say, hey, look, you got a schoolsive rights because

(15:30):
this ain't really my vision and you not like my
little my little homie that I'm that I'm developing where
it's like, yeah, I'm want rosters office like nah, I'm
gonna spread this love, you know what I'm saying. And
you you're rocking with somebody that's that's a face of
a whole label too. So when I did things, I
executive produced things, you know what I'm saying, Like it

(15:52):
was always like and it wasn't a forced thing like
every not not on an egotistical trip, but every artist
I've done, like Elbum's or anything like that, like they
seek me, you know what I'm saying. It wasn't like
I said beat, I seek beat pets out you know
what I'm saying, Like, I know I'm not the greatest producer.
I feel like I am, but I know I'm not.
You know, I gotta live in reality. It's motherfuckers musical

(16:14):
geniuses when they come to the keyboard and stuff I got.
I got a lot of sauts for shit shows. That's wrong.
Rugg excuse me my language if you can't curse. But yeah,
like it never was hard like I was, Like I
never got caught up in the hype where like, oh
I'm getting flu out here and I'm doing this and
I mean this paper or you know, we pushing the

(16:35):
campaign where we in South Bye we with this group,
this notorious group. I never got caught up in the
hype as the producer, you know what I'm saying, Like
my personality, I never felt disrespected because my personality already
gave if Like I don't know what you you know
what I'm saying. That's why I was going to agree
with you with with wearing the head of like being

(16:57):
a labor owner, the producer and so our engineer too,
Like that's a difficult hat. That Yeah, that's a difficult
hat to wear when you have the personality that I
have because you have you know, when I came in
a rep, when I came in just doing music and
shit like that. Like I came in as an artist,
you know what I'm saying, And I didn't have a

(17:18):
weird perspective on engineers or producers. But as I got more,
you know, culture than the music industry, I saw that
the engine hanging with my boy. You know what I'm saying,
You really love Key the most important nigga in the room.
But some of these niggas that's coming from you know,
the streets. They don't know how important you are, so

(17:41):
you'll get held any kind of way, you know what
I'm saying. And sometimes that might be the situation in
where I've seen engineers come in and they have to
in turn and things like that. So I never really
lived my life like that. Like I had a personal
client cele base where it's like, yuh, you know, I'm
an engineer, but just hit my phone, I'm pulling up udios,
you know what I'm saying. I never really I didn't

(18:02):
go to school for it, and I've been welcoming some
of the like livest studios on client base. So when
it came to me focusing on my solo career. It
wasn't hard because like I never ever like embodied that,
you know what I'm saying. Every time I've ever been
a producer. They knew I was an artist. They knew
I was in control, and I don't know egos, Like

(18:22):
I had the pieces going. You feel me like it's
like Buddha got the pieces going. We can follow his
lead in every situation. Man, I didn't. I didn't plan
in my seat and a lot of you know, a
lot of you know, groups, neighborhoods, you know, everywhere I
came up the right way. You know what I'm saying.

(18:42):
You know, I made my own choices to stay in
my own institute. So I'm just really trying to lock
their fan base here so they can see what really
is that's been right next to what's really going on
right now the whole time. You know, it's just gonna
be one of the moments where, like, you know, my
legacy get left and video campaign video is gonna come out,

(19:03):
documentaries they gonna say, damn, Bud, it was in this
situation right here with this woo whoop. You know, just
it wasn't your time.

Speaker 3 (19:11):
It was really tapped in So that was one of
my other questions because I heard you mentioned saying that
you never had management. But it seems like you wore
a lot of hats or I wanna say war you
wear a lot of hats. You have a lot of skills,
have a lot of experience. And you just mentioned too
that of the engineering part was self talk. Everything you

(19:34):
do today or back then, it has been self taught.

Speaker 7 (19:38):
Absolutely. I'm gonna tell you why how I got helped
to it. It's a simple story.

Speaker 3 (19:44):
Bro.

Speaker 7 (19:45):
My partner Josh, he like kids and now man we
in the lost in Atlanta. Man he living nice. He like, hey, bro,
you know what I'm saying, I'm paying him the engine
it for me. You know what I'm because I'm just
a street dude. I'm a hustler. He really, he got
me around so he won't get played because he be
around number of street rappers and another you know how
that get You know what I'm saying, rap game in

(20:07):
the streets. It's the same thing. But but you know
he told me this, He said, hey, bro, don't just
be in a room smoking weed, ship or drinks be
needed in the room. I never even looked at music
like that at this point, I didn't know how to
produce it anything. It's like, Bro, I'm a hustler, like
I'm here because nigga. I want some holes and I

(20:28):
want to smoke weed and look cool. And I know
these people. You know, I'm young, nigga mindset fee me
like nigga. We around these people woo and I ain't
begging and they accepting me like nigga, I'm I'm a nigga.
Feel me like I'm cool. That's that's what a young
That's what a young imagine me being twenty three being
set there in the rooms. Was they tvin and superstars

(20:49):
and rappers like that. I'm coming from Houston, Texas, where
our coaches are similar, but at this time Nigga, the
trap scene, these people are getting glorified. You know what.
I'm right my first studio session as an artist coming
down there before I moved to I had funny digital
in my studio like Cision. Personally, I had the Hot

(21:11):
one or something, nine people fucking with just all out
the mud like on some like dry shit, playing with rep.
That's what made me love it. And I was just like, Bro,
I can get this type of emotion off of just
being me, you know what I'm saying, But it took
a turn to a deeper love for it. Nigga told
me be needed in the room, and I learned from
being around niggas like Cash is Jack Cash's day. Talivin

(21:34):
turned me up, Josh Juice, Man, you feel me like
being a shipped by them was just like lovely, you
know what I'm saying.

Speaker 3 (21:44):
That's real dope, man, first hand experience, and not only that,
having an opportunity to grow, to grow some more. Man,
you said, you know you can be vulnerable and not
be a sucker. That's that's a real powerful state. When
did you realize vulnerability wasn't a weakness?

Speaker 7 (22:07):
Man, I never really viewed it as a weakness because
I already naturally, like a lot of things that's going
on right now. I've been like operating like that my
entire life, which is like in the beginning of the show,
you see, you know people that just like rocked by
themselves sometimes like I have been afforded to have like brotherhood.
I know what that experience is like. I know, you know,

(22:28):
to be a part of a collective of groups, whether
it's from the sandbox or seeing the professional world. I
understand the laygy, you know, but I didn't really get
hiped to where to knowing how strong I really was,
because like you know, the ego side, the private side,
you know, to me like opening up and shit like that.

(22:50):
Like I really just came in to know. It's like, bro,
you've been wearing harder in the sleep for the longest.
That's why shit be going to where it be going.
You know, I never really looked at it like a weakness,
you know what I'm saying. You know, of course, you
know you got certain things as a man. We might
be like, oh, dude, bitch, you know, he crying or
something like that. But sometimes it do be there. Sometimes

(23:12):
it don't. Man might just need to get some off
his chest. You might not be the one that want
to head, but he might have gave it to you,
you know what I'm saying. So when I say being
vulnerable and not being a sucker, it's like basically like
dealing with women. You know, I'm gonna tell you what
you did everything you need to do, you know what
I'm saying, Like, I'm gonna tell you how you hurt

(23:33):
me and what you did. Man, it's either you're gonna
do the shit again, or you're not gonna do it
anymore because I'm not gonna let you do it again.
Feel me once I shoe size of it, I'm up.
I'm up out of though, you know what I'm saying.
I've been rocking like that my whole life with me
and and females where it comes to you know, just
you know, friendship relationship and you know, with women instrument relationship.

(23:55):
So that's just really what that is. Like I could
tell a nigga like, you hurt me. You know what
I'm saying. My partner Stamma, you hurt me, Bro, I
can't fuck with you, you know what I'm saying. That's
the vulnerability. A lot of people be like, oh, nah,
we're just gonna beef about it. I ain't gonna talk
about it. It's just unspoken or or or maybe I'm
gonna ride this situation not because my gad it hurt me.
I'm gonna shut up about it. You know what I'm saying.
You really just being a sucker, thinking you being hard

(24:17):
and not not vocalizing this because if you let you
you're trying to people how to teach you. Yes, that
part that point you feel me sometimes you. You know
what I'm saying. You you had to see how much
fucker operate before you stump down on certain things. Because
it's like, all right, you don't really know me. I
don't know you. You know what I'm saying. But once

(24:38):
we've been I feel like you get hit me in
an hour, maybe even sooner, to know what you can
and what you can't do. That might take a date
because you probably don't got comfortable. When you know me,
You're gonna try it. But not like respect, it is
something that is I don't even think respect is erin.
I think you should respect every human being. You a
counting today show you otherwise.

Speaker 3 (24:58):
For sure, for sure, I totally believe that. And Man,
a lot of what you said, man is his own
point truth, especially not knowing that you just being straightforward
and honest your entire life. And like I was saying earlier, man,
we live in a fake world where the fakeness is
pushed and if you hold it in, you being real

(25:20):
because you know you're holding it in, you're you're strong
or whatever. But Man, in my past relationships, if I
ever says something to a woman, it was only to
help her grow. It wasn't like the chest ties. And
it wasn't bashing, it wasn't putting her down. It was
to teach her how to be in this thing with me,
how to grow with me, how to deal with me,
and and a lot of things that we're faced with.

(25:41):
Buddha is past traumas or you know, daddy issues, or
women growing up being like princesses and not knowing how
to give of themselves for another person. So totally feel you,
bro Totally feel you. You got this song bring the
Toxic out of Me. We're about to play that. It
feels like a confession. Was that song written in the

(26:04):
middle of something or after a reflection of something?

Speaker 7 (26:10):
Man I did that song? Man I choose that was
in the midst of like a whole little spill of
what That's truth. Man, it hurts, but it's truthful. It's
just a whole It's the truth. You listen to it.
You know what I'm saying, Like, I ain't incriminating myself
to there, I'm shit. You know, I'm guilty of having emotions,

(26:30):
that's it. And telling you how I responded. You know
what I'm saying. So rent toxic got to me is
very real. You know what I'm saying, some people don't
have control of their emotions. And you know, like I said,
being vulnerable and not being a sucker is real man.
You gotta know when to move around and and it
ain't even to be evil for evil. It's just like

(26:52):
you know, either you're going to be stuck in this shit,
are you going to move on? That's for me mentioning
of dealing with other women in out the situation or whatnot.
You know, it ain't on no crazy massagy thistic shit.
You know what I'm saying. It can get like that.
But you know that's that's real love right there, because
I'm saying I still fuck with you and you hold me.

Speaker 3 (27:14):
M hm wow.

Speaker 7 (27:16):
You know what I'm saying. How many people say that
people people don't wish the best all of you after
you do something, So that's that's real vulnerability.

Speaker 3 (27:28):
Or just a good heart man, good heart and not
wearing that negativity on your sleeve as well, you know,
allowing people to be the super villain of your story.
Some people don't even deserve that.

Speaker 7 (27:42):
Their heartship circumstantial though everything ain't like the circumstance like
that's just me, that's me being honest. Like like I
feel like if you don't openly admit that you like
you're a snakish person, you're a ruggish person. Like everything
is circumstantial, like down to the simplest things of Like
it could be like we protect our kids, but some

(28:03):
people shot off evert to like better looking kids, more intelligent.
You feel me, they're just down to the similar things
to where circumstantials shit to not you know, happen. They
just down and race like a motherfucker might be giving
T shirts out and then ten T shirts, nine T shirts.
Still nine white kids can get one to one black kid,
and there was three Spanish kids and six black kids

(28:23):
in the crowd. You feel me. Shit be circumstantial is
just about that person's perspective, like what you want to do.
People over Yeah, people overs speak on being good people
because it's somebody you you prejudice towards. It's somebody you
rude to. It somebody you just don't like as much
as you like the next person. So people like overspeak
on being good and good heart. It's like, man, bro

(28:44):
live your life under God. We all for about short
of the great to God. So it's like, hey, try
to be the best person. You can. Don't focus on
saying I am a good person. Just beat it.

Speaker 3 (28:54):
That's right, that's what what you just say. Nobody good
but god.

Speaker 7 (29:01):
Real though.

Speaker 3 (29:02):
All right, all right, guys, let's get into this music
we have Bring the Toxic out of Me by Young Buddha,
and it will be right back. I stay tuned.

Speaker 1 (29:17):
How do you follow you? Dug thought I moved down
those dolls?

Speaker 5 (29:28):
Wrong?

Speaker 8 (29:29):
Am I just coming into the stars? How to fucking
do me? And all your how to fucking do me?
All you can stand and see when no one that's
like can't make me n and now let's ship.

Speaker 1 (29:39):
You bull you pull me? You know that I still
fuck with you.

Speaker 9 (29:42):
It's hard to follow up when you dug it, y'all
ain't know who was that hurdel down while you teach
me fighting crossby y'all that's how you bring up toss
it got me down, you know, must have the winners
in the test.

Speaker 1 (30:00):
Damn, I thought you was bess. Now gonna fuck my own.
I don't wanna fuck my art noose brocos out of my back.
They ain't even got what I got. Nigga's all on
my toe.

Speaker 9 (30:11):
They ain't gonna stop my shine no ship onto my mind,
I go and get that. Don't really what God all right,
nigga is truth in pride?

Speaker 8 (30:19):
What the last time you slid and the last time
we six three times in the same damn night.

Speaker 1 (30:24):
The I'm telling my Cooper put a little bitch gone right,
moved on? I was wrong?

Speaker 8 (30:29):
Am I just coming into the strong? How to fucking
do me around you?

Speaker 7 (30:33):
How the fucking do me around you?

Speaker 8 (30:35):
They standing to see you with no one knows like
let's they make me? I had a now unless ship
you put me throw me? You know that I still
fuck with you and try.

Speaker 9 (30:43):
To fuck up when you thugging y'all cold and no
one dachel dawn while you teach me fighting.

Speaker 7 (30:52):
Cross me y'all.

Speaker 8 (30:54):
It's how you bringing toss it got me down? No, no, no, no.

Speaker 1 (31:01):
How still feeling love? Ren you've done? Acting like I
wasn't knowing?

Speaker 9 (31:06):
Yea the one all these niggas really prawns down with
suthering the fucking niggas.

Speaker 1 (31:13):
In the colors though I was wrong?

Speaker 8 (31:15):
Am I just coming into the storm? How to fucking
doing me around here? How to fucking doing me around you?

Speaker 1 (31:21):
They standing to see when no one else like this
they'll make me. I had enough all that shit you
puting you put me throw it.

Speaker 9 (31:27):
I still fuck with you, or try to follow up
when you're thugging, y'all, hold and know that Rachel Dawn
while you teach me fighting across me y'all, it's how
you bring the TOSSI.

Speaker 7 (31:42):
Got me down.

Speaker 1 (31:44):
Are you trying to make me humpy? Hope you don't
down on that? The man trying to stot me too?

Speaker 8 (31:49):
For real, niggas can't stand on that budget.

Speaker 1 (31:52):
Just really be happy. That's why I got friends like that.
I don't we can't feel my case.

Speaker 8 (31:58):
Nigga said like that here, y'allo got.

Speaker 9 (32:00):
A BB Yeah, it's gonna fucking you well. Remember I
was selling them best. I was just sitting in the crackhouse.
My brother, don't fuck me in.

Speaker 8 (32:09):
I can't even screen free crackout time for the first
stick over.

Speaker 1 (32:13):
Yeah, Nigga really had a mac out kind of moved out.

Speaker 8 (32:15):
I was wrong, am I just coming into a strong
how the fuck you do?

Speaker 1 (32:19):
Being around your how to fucking do me around your
standing to see when no one else I guess they
make me. I had an outlet ship you put me
throw me loaded. I still fuck with you. It's trying
to follow up when you're.

Speaker 9 (32:31):
Thugging, y'all, holding on on what that Rachel down while you.

Speaker 1 (32:38):
Teach me fighting across me y'all. That's how you bringing toxic.

Speaker 7 (32:43):
Got me down?

Speaker 3 (33:00):
All right, all right, welcome back, Welcome back. That was
bring the toxic out of me or out me by
Young Buddha, And he said, why you teach me fight?
Didn't cross me in that line? Hit deep? You know,
as we navigate our lives through this world we live in,

(33:22):
you're about to cross you know, some portrayal here and there,
if you ask me, it's all about how you respond
to you know, like I said, some people don't deserve
to be the super villain in your story. Some people
like to be that. But Ada ex tell me that
that's all I think about is the hurt. She thought,
was like what I don't even think about you, Like,

(33:45):
why would you say that? You know you're not the supervillain,
Like you didn't change my life dramatically, be for real?
But uh, it's all about how you deal with the
trail or hurt pain, whether you express it or you
bury it deep, it's all perspective and like a Buddha said,

(34:06):
is all circumstantial? All right, let's go ahead and bring
them back on. This song was fire, all right? All right,
welcome back, welcome back?

Speaker 7 (34:18):
What's up?

Speaker 5 (34:18):
Man?

Speaker 7 (34:19):
You gotta turned the song is jamming. Every time I
hear it, I enjoy it even more.

Speaker 3 (34:25):
Man, how long have you sat with this record?

Speaker 7 (34:29):
Man? That was the last record I added on to
the album. Like that was recorded in Let me see,
I think I recorded that in November. Y'all recorded that
in November.

Speaker 3 (34:44):
It was not old to you? Really? And the album
has fifteen records on it, Is that correct?

Speaker 7 (34:51):
Yes, sir, the one would bring the Toxic out of me?
That's the deluxe version. I attached six ditional songs to
the original album. The original album came out December second,
then I dropped the deluxe on February second. Yeah, the
Dead body of Work like to me? You know? Yeah? Yeah, yeah,

(35:16):
it was It's dope November. It was first.

Speaker 3 (35:19):
That record was first, cool bill man. So this is
our Mike drop moment. Just finished this sentence, brother, real
strength is.

Speaker 7 (35:34):
Unity? Hmm?

Speaker 3 (35:39):
Absolutely? Unity? Absolutely? Buddha is unity? All right? Well man,
where can our listeners connect with you on the internet
and check out more music?

Speaker 7 (35:53):
You could tap in on all streaming platforms Apple Music, Spotify,
title sarch under my name Young Buddha, why U N
G Space b U D d h A. I'm on
Twitter x as one zero eight zero y B on Instagram,
I am Jean Shoty. That's my moniker. So y'all can
get used to that gen like it's blue jeans j

(36:15):
E A N s h A W T y gen Shody.
You can tap in on those platforms, Yeah, so x, Instagram,
TikTok one zero eight zero Gene Shoty so a mixture
of both, and all streaming platforms. YouTube is one zero
eight zero, Young Buddha. Yeah, I'm I'm available everywhere across

(36:40):
the net for sure, for sure.

Speaker 3 (36:44):
All right, all right, alright, and listeners, just in case
you need those links, and of course you will. I
will have them in the description of this episode and
in the show notes, So all you guys have to
do is just click the links. Young Bododa reminded us
tonight that being real does mean being reckless. You can
be vulnerable and still stand tall. You can feel toxic

(37:06):
moments and still choose integrity. You can come from the
streets and still walk with God. And of course my
listeners know I have an opinion about that, but we'll
say that for another time. I want you guys to
go stream way too toxic now on all platforms, follow
Young Buddha. Support independent artists telling their truth without compromise.

(37:28):
And remember, guys, this isn't just radio, this is revival,
all right, man, I appreciate you Young Buddha for stopping
by and blessing us with some wisdom and with some flavor.
Much appreciation, y'all.

Speaker 7 (37:42):
Stay tapped in with my music. Man watch out for me.

Speaker 3 (37:45):
Absolutely absolutely all right, brother, take care, peace to all.

Speaker 5 (37:52):
My name is Deni and I am the host of
Vigilantes Live. I think that we are beyond just asking
cool questions. We get a cool responsible I think that
we are here as.

Speaker 6 (38:09):
Crenatos to provide an example that you can do things
different outside of expectations because some of us simply we're
not born into the club. But there is perhaps a door, window,
back gate that we can leave a clue for you

(38:30):
to get into.

Speaker 5 (38:31):
Your life is short, but there are plenty of.

Speaker 6 (38:35):
Moments to try and get it right down, pursuing your
dreams and learning from the stakes.

Speaker 5 (38:41):
Maybe tough, regret is tough to book.

Speaker 6 (38:45):
Your interview emails at the radio at only one media
book dot com. That's a v as a victorious or
visit only one media book dot com account all accounting.
Just step into your purpose and your passion. You're listening

(39:07):
to radio live you or radio providing you.

Speaker 8 (39:13):
With a comportunity and to die unless.

Speaker 1 (39:19):
I still fuck with yours?

Speaker 8 (39:28):
Why no, no, no no.

Speaker 2 (39:40):
You are now listening to vigil Lances Radio, the people's
choice for quality interviews, art, music and Hot sup X,
hosted by Demetrious Hazini Black Reynolds. All episodes of this
podcast are available for free download at www dots only
one media greet dot com

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The Yung Buddha Interview.

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