April 15, 2024 • 26 mins
Ros and Eric start today’s episode discussing a real situation that they are trying to work through as parents. Luckily the laughs are inevitable with these two when it comes to getting you the answers to your audience questions!
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
This is he said a Yadiho with Airic Winter and
Rosalind Fantev.
Speaker 2 (00:08):
Hello, sir, good morning.
Speaker 1 (00:10):
We're a little bit on edge today, I think.
Speaker 2 (00:14):
So I'm a look at you well, I mean I
think you are. You've been a stressful stressed. When you're stressed,
do you take it out on us? And then when
I do that, you think, oh, why what is your problem?
Why do you take everything at you? But when it's
on you, you're stressed out and you bring it on.
Speaker 1 (00:28):
What happened was guys, I don't know if this is
I'm not some way this is normal when it comes
to parenthood. You know, everything is wonderful. We have in
a great time. You know, I'm stressing because I am
dealing with a lot of stuff. But anyways, our daughter
has decided that besides playing tennis, which is supposedly her passion,
she wants to model and she wants to act. And
(00:49):
the way she's going about it it's really interesting, very
like entitled, because she just is lack of knowledge. She
thinks it's easy. She says, mom, MoMA and dad, we're
doing it. And to her is like when can I
model with Nike? And can I do a commercial, and
we're trying to explain to her, Sabella, it is not
that simple. And of course Sabella's way is I know
(01:10):
it all. And you became really concerned and upset about
the way she was speaking. I was trying to defuse
the situation. So then what happens at the end with
parenthood the parents end up fighting for something that has
nothing to do with us.
Speaker 2 (01:24):
Yeah, but I think what the lesson for us was
is that you could tell very quickly that I was
very passionate about this and I want her I mean, listen,
I did this for maybe a decade. I think I
know exactly what it is of anybody in the family.
I know what the business is when it comes to modeling.
It is probably the last thing I ever wanted to
hear come out of her mouth that she wants to
(01:44):
go into entertainment. I don't think she even knows what
that means. I think she's living on a dream because
she sees what mom and dad did.
Speaker 1 (01:51):
The crazy thing is that she has always been the
girl that wants nothing to do with it. Don't take
a picture. I hate cameras, so I don't understand this sixties.
Speaker 2 (02:01):
Because she sees attention that we get, and it used
to bother her before, and I think she sees it
as as a fun, easy positive that she could make
money and she could get attention and she could make
a living at it. And I tried to explain to
her the same way it's difficult to be a professional
tennis player. It's about the same difficulty to be a
very successful actor at any level. I'm not talking about
(02:24):
just Brad Pitt, I'm not talking about major movie star.
Just to be a very successful, working actor is very difficult.
Speaker 1 (02:33):
The crazy thing about kids is eric that I had
this conversation with her when she mentioned it to me,
because it was like two days ago. She says, Mom,
this is what I want to do. I had a
long conversation, so she hired me. So what is surprising
about kids is then then she goes to you, like
my conversation with her never happened, and she brings it
up and she's acting surprised about everything you tell you.
Speaker 2 (02:54):
You told her, But everything I'm telling her was not
saying you can't do it. It was saying, if you're
going to do it, because you have no idea what
you're doing, you actually can't take direction to save your life.
And taking direction applies to modeling too. You have to
be directed by a photographer. You have to be free,
you have to be very loose. I tried to explain
to her yesterday. It's just like tennis. When you get
tight and nervous, you make a bunch of mistakes. You
(03:15):
aren't playing at your best. You need to be coachable.
You need to listen to anybody, parents, the coach, whoever.
You need to be a sponge. Acting and modeling is
the same thing. If you get tight, if you're nervous,
you are terrible. If you can't be directed, you are
going to be terrible. So at the end of the day,
it's a game of no's. You'll occasionally get a yes.
It takes a very thick skin. And it bothered me.
(03:37):
It didn't bother me that you wanted to do it.
It was the way she was going about it, so
to me, I was very passionate about trying to explain
to her. If we're going to support you with this,
you're gonna have to try this out. We'll set up
a test shoot. We'll see if you are directable, even
by your own mother. If your mom says you don't
wear this. If you're going to do this for hair
and makeup, if the photographer says this, you have to
(03:58):
show us that you are not going to do with
the Sabella's way, which is I'm gonna boss everybody around.
The reason we got into a fight is because you
could see I was very passionate. You were removed from it.
You were sitting back, You were doing great with that.
Like you let me just sort of be the villain,
if you will, like I was bad cop, which is fine,
But then all I was looking for is you to
fully support my position, not diffuse it. And diffusing it
(04:21):
became very passive aggressive to me, and that's what brought
on our fight. But zey Levi, we moved on. We
got through it, and we're done with it. You were
on edge this morning, like you said, you're going through
a lot with a very important role you're trying to get.
I've been nothing but supportive all weekend. You've been on
edge all morning because of that. We're juggling a ton
of things, and I didn't appreciate it. Okay, that's relationships.
Speaker 1 (04:47):
Yeah, it is what it is. So let me ask
you something we're talking about, Sabella, do you think you
could ever be directed by Sabella. Let's say she becomes
a director. Elizabeth Harley just did a movie with her
son directing, and she had sex scenes, and she said,
you know what, it was very easy being directed by
my son, even though I am having sex with somebody
on camera. Do you think you can do that if
(05:10):
Sabella or Dylan direct you.
Speaker 2 (05:11):
I can be directed by my kids. I have no problem.
If they're talented. I have zero problem doing a sex
scene with my kid. Directing is a whole different ball game.
So it's a no for you that part of it. Yeah,
I mean especially right out the gate, Like if it
was their directorial debut and they're young and they're trying
to break in, I'd rather do a nice sort of
(05:31):
lighthearted comedy or something that was just if I'm going
to have them me, even even if it's PG. Thirteen.
But it doesn't have to be I'm having sex with somebody,
like I don't need to do that. So I think
that's a little weird for me. I'm not saying it
applies to everybody by any means, could.
Speaker 1 (05:46):
You no, not a sex scene?
Speaker 2 (05:49):
You could be directed by them if they're talented, and
if they're good, I would say, I think it would Dylan.
Speaker 1 (05:54):
It would be smooth sailing because that kid is so
loving and so.
Speaker 2 (05:58):
Has nothing to do with it.
Speaker 1 (05:59):
Amazing screwed. No, no, no, I'm not talking about the
sexing anymore. I'm talking about simply being directed by our kids.
I think with Sabella it'll be really interesting because you
know she's gonna be like, I don't like it? Can
you try to just be She'd be a little bit more,
more annoying, I believe, assertive, fantastic because she's so freaking intelligent.
But it'll be hard with there, then it'll be a dream.
Speaker 2 (06:18):
She would be very much like you when you directed
me early on when I would have auditions. You're very
harsh when you direct me when we when I would
have to tape myself for auditions, you'd be like, Noah,
I don't like it. Well okay, really you remember when
I first started acting, you were it's kind you're kind
of like that, even when it comes to like teaching
me salsa dancing or teaching me Spanish, like you have
very low paid you're actually a great director. No, but
(06:41):
you're a great director to people you don't know, and
with your kids, you probably would be. But with me,
I don't know what it is. I don't think like you,
just like you have no tolerance, like really to teach
me dancing, like you get too frustrated. Same thing with Spanish,
you get too frustrated. I remember even when I had
auditions early on, I used to get so don't you
remember we used to fight about it all the time.
Speaker 1 (07:01):
I get so so sensitive, and I'll be like, I'm
not trying to criticize you. I'm just giving you a.
Speaker 2 (07:05):
Note, but the way you deliver it is kind of
like the coaching you just received for a role that
you wanted. You're like, oh, I mean, I don't know.
She just said it was all terrible, and then I
had to do it again and you got really like,
oh oh my god, and you're in your head. Then
you're in a bad mood. Same thing. It's the way
people convey. But like when it's somebody that your loved one,
Sabella would direct very much like you if it was
she was directing me. If she directed other people, she
(07:26):
might be lovely. But I think you're a harsh critic
when it comes to directing me. Wow, I think you
are well.
Speaker 1 (07:32):
I apologize if I.
Speaker 2 (07:33):
Have many arguments about that, I don't mean to. Just
know that I don't mean to, but that's the way.
Speaker 1 (07:37):
It's just the way I speak. I'm very strong, and
people always say that, oh my god, you're so strong,
and you you come across like this, And.
Speaker 2 (07:42):
I don't mean your short film. You weren't like that
with everybody. You were probably lovely.
Speaker 1 (07:46):
Yeah, but I'm but I'm specific and assertive. Yeah, Like
I remember the girl that played on my short that
she's a great little actress. She had the habit because
it was her first acting gig of like going like this,
Like every time she was she didn't know what to do,
so she would just roll her eyes right, and I said,
I don't want to wondering eyes. And the first time
(08:08):
she looked at me and I was like, don't do that.
It's like that's wondering eyes. Don't wonder And I remember
her looking at me like and then I explained it,
but I didn't mean to. I just want to. I
want her to stop with about habit immediately. That was
what I was going for, not like, okay, let me
let me.
Speaker 2 (08:23):
Tell there's one thing I will say about director if
people ever want to act. It's like it's hard when
a director directs you and other people are standing around listening.
That's uncomfortable. I prefer a director to pull you aside
and say, hey, let me talk to you about something.
You're doing it in front of your piers. It's very awkward. Anyway,
we have.
Speaker 1 (08:38):
Quo yause, we have questions from you guys. It's been
a lot of fun doing this so I haven't looked
at anything, so let's see what comes out first. One
at ZEBA hello from the UK. Hi, if you were
not actors, what would you want to do?
Speaker 2 (08:57):
I think we talked about this already. Once I was
pre med student, I wanted to be a doctor. I
would have probably gone into sports medicine or at one
point I want to be a paramedic. I mean it
would have been something in the medical field, probably.
Speaker 1 (09:07):
Okay, I don't know about me. Probably well. My dream
was always to be a figure skater because we don't
have ice rinks in Puerto Rico.
Speaker 2 (09:13):
And how are you gonna be a figure skate if
you don't have icerinks?
Speaker 1 (09:16):
That's the problem. I was enamored and obsessed with something
that was not achievable, but I love figure skating, or
I'll be an esthetician because I love popping pimples. So
I think it will bring me joy to just look
at skin and see people with severe acne and popping, popping, popping,
and then helping them. Maybe, yeah, maybe, I don't know
(09:39):
what else. At Ebers in the fourteen, What are each
of your favorite TV shows and movies?
Speaker 2 (09:45):
That's a tough one. I don't really have a single.
I mean, as of late, I would say Succession was
one of my number one shows, probably of all time.
It's definitely up there.
Speaker 1 (09:53):
Yeah, me too.
Speaker 2 (09:56):
You know, movies, I don't know. It's funny. I always
used to say Breakfast Club because I love that movie,
be back in the day. But I don't know if
I there's plenty of other great movies, so I don't
even know.
Speaker 1 (10:03):
Yeah, if I'm me as an Officer and a Gentleman,
I remember watching that movie. I think I've seen it
twenty five times, and I was obsessed with it. And
I was very young, and I had no business watching
an Officer and a Gentleman at the age that I
started watching it. It was weird, but I did and
I loved it. Anyways. At Chloe two, thousand and nine,
(10:24):
Underscore thirteen, Eric, If you could be on any other
ABC show, which one would it be?
Speaker 2 (10:30):
My own spin off of the Rookie? No, I have
no idea.
Speaker 1 (10:35):
How would you call that?
Speaker 2 (10:36):
I have no idea.
Speaker 1 (10:37):
Tim Bradford, No, I don't know.
Speaker 2 (10:38):
I'm just joking.
Speaker 1 (10:39):
We'll Trent Tim Bradford would be amazing.
Speaker 2 (10:42):
I'm joking. I don't know.
Speaker 1 (10:44):
Well, I'm not joking. Let's all petition for a spin
off of The Rookie called Tim Bradford.
Speaker 2 (10:50):
Not now dedicated, but at some point in my show.
I don't want to be at another on any other show,
Oh my god. Or maybe Gray's Anatomy. Maybe Gray's Anatomy.
Speaker 1 (11:00):
Okay, um Britt Michaels scene. Sorry, I don't know how
to pronounce it. But do your kids have a project
of yours that is their favorite?
Speaker 2 (11:13):
We don't let them watch much of our stuff, to
be honest, I don't think that. I mean you let
them watch Fantasy Island, which would drive me crazy because
you had loved kissing scene.
Speaker 1 (11:20):
I never saw that they did.
Speaker 2 (11:22):
I was in the room when I saw them. See
that's not true. We thought about that anyways, I said,
turn that off. Watching this.
Speaker 1 (11:29):
I've been trying to show Sabella The Game Plan, which
is a movie that kids love, and she's like, uh.
Speaker 2 (11:36):
They like Taste the Summer. They thought it was cute
when we did the Hallmark movie together. Yeah, but I
mean that's the only thing they've ever really seen.
Speaker 1 (11:42):
I don't know. They want to watch the Rookie. I
know that. I mean, do you know what the Dylan's
I think Dylan heard Sabella said something about dad, you
know that rookies at Disney Pluse I can watch it now.
So he grabbed his iPad the next day, right, I'm
in the kitchen and she goes start scrolling and fine,
he's at the Disney Plus. I guess finds I think
it was nine one one.
Speaker 2 (12:01):
Yeah, you showed me, so I think that's how you're
showing I know.
Speaker 1 (12:03):
And then he is like, mom, is this that? Is
this a Rookie? And I'm going no, that's a different show.
So can I watch the Rookie? No? No, you can't
watch the Rookie? You're too young.
Speaker 2 (12:20):
What drives you both to straight your own business outside
of acting? It's a good question.
Speaker 1 (12:25):
Do you have a good answer, because we believe that
nowadays it's very important to diversify, especially the way this
business is the climate nowadays, it's it's very hard, and
the jobs are very limited. So at some point you
just don't want to be a work for hire anymore.
You know, you want to be able to control your destiny.
(12:46):
So the way of doing that is especially for me
and Eric, because we well, you get graduated from college
and you have a degree, but I didn't, so all
I know is acting. So if this doesn't work, what
am I going to do? So at my age, with
my experience and my resources and my connections and my
mind and your mind and these combined forces that we
(13:07):
have together, we decided, you know, we don't want to
depend on acting anymore. We don't want to depend on
this business. It's too unstable, it's annoying, it's putting your
future in somebody's hands, and I'm done with that. So
let's just be entrepreneurial and let's just create brands that
we believe people will enjoy.
Speaker 2 (13:28):
And I think we both like your dad was a
business person, we're both very business My dad was as well.
We're both very business minded. Ros has a lot of
creative ideas. I definitely love the business side of things.
So I think it's always been a passion of ours.
It's not just something that we've thrown out there. Now.
This has been years and years of us talking about
different things, what can we do? Before that became very
common now in our business. It is the way of
(13:50):
the future. Every actor is diversifying in what they're doing. Everybody,
whether it's I'm going to start producing, I'm going to
start directing, I'm going to be a writer and an
actor and a producer and a director, or I'm gonna
have a brand, It's very common these days.
Speaker 1 (14:03):
Whitney Lee Davis, is there any special significance with your
wedding bands? They are beautiful, thank you.
Speaker 2 (14:12):
I don't know if there's a special significance to the
design of the bands.
Speaker 1 (14:17):
Now there is because I remember telling you that you
knew that Michael Barron, that Juror I loved, and every
time I will go to his store, I will go gaga.
So you got me ring from my.
Speaker 2 (14:31):
Favorite All of the rings were designed by Michael Barra,
So there was that significance, but there's not Outside of that,
there's no personal But on the inside, we have something
engraved that's very special to us. A saying that we
always say that's on the inside of the band, So
there is some something in that, you know, it's part
of it.
Speaker 1 (14:50):
The ker check Sonia from Portugal. Oh my god, she's
asking what advice would you give the parents to parents
whose kids want to go into acting.
Speaker 2 (15:01):
Oh, well, we just touched on that. We just touched
on that. Funny enough, so your question, it's pretty great. Listen,
you got to support them. You have to support the endeavor.
Sabella has a lot of friends actually that are very
passionate about being in dance or theater or performing arts
in general. You have to support them. But I think
you really have to be present for everything they want
(15:22):
to do, especially today. I mean I would never be
a standby sort of parent. I would be definitely a
like a mamager, right, you'd be all, you be fierce,
you'd be fully in everything. We both will be very
involved in what they're doing for their own safety and guidance.
But I think you have to really help them develop
a thick skin. That's the biggest advice. It is not easy.
(15:45):
I said that Tasabella right out the gate. You're going
to be told no a thousand times.
Speaker 1 (15:49):
Yeah, it's hard, hard, and you're going to be judged.
Does being a parent ever affect your emotions acting when
there is perhaps a tough storyline about children.
Speaker 2 (16:01):
Yeah, on dred percent, Yeah, I think when there's a listen,
being a parent can affect your acting in the best
of ways because you have something to pull from, You
can relate something that's if it's traumatizing, it can affect
you because if you think about your own child, they
can you can dive deep into the character of what
they're going through. But also when you're just going through
(16:23):
your own drama at home with your kids or your family,
it's also difficult. You have to be able to really
shut that off and go to work and then now
jump into a character and stay true to that character
who's not dealing with your own personals. Yeah.
Speaker 1 (16:34):
You know what, there's different methods to acting, you know,
and a lot of people use the method which.
Speaker 2 (16:39):
Is which is more of an American style.
Speaker 1 (16:42):
You actually pull from your own experiences, right, and you
relive trauma from your childhood from experiences and a lot
of people that do that. It's incredible and it's very effective,
but it can be really really draining, and you can
get into this cycle of mental health weakness and issues
is very powerful. Or there's another technique, which is don't
(17:02):
use your personal life just to protect that aura of yourself.
Create and create, use your imagination.
Speaker 2 (17:09):
When I was not a parent, which my understanding is
more of the British approach.
Speaker 1 (17:13):
Correct and it's actually to me even more powerful to
be honest with you. But anyways, I remember when I
was not a parent and I wasn't thinking about having kids.
Every time that I had to do something very traumatic
and that I had to cry, I will think if
I had a kid, and I'll start thinking about what
if I get a phone call that my kid has cancer?
(17:33):
Or like I was always, I would use something like
that to get me there using my imagination. Then I
became a parent and it was unbearable for me to
use that. So something that works for me a lot
is I love my dogs like they're my kids, like
I push them and deliver them, and I will think
about Mota and her passing, or I would think about
my dogs, and it really works because it makes me
(17:57):
want to die. Basically, Okay, Ross, do you use any
special hair care products you can recommend it? Oh, my goodness,
I use I've used them. All. I don't know what
am I using specifically right now. I don't even know
the name of the brand, guys, but I mix a
(18:18):
lot of stuff. Oh you know what. I actually the
latest one I bought was Vegamore. Is that how you
call that product? I think it's Vegamore. The packaging is beautiful,
it smells delicious, and it's supposed to be good, and
it's super clean and it helps with hair growth, and
I'm liking it. I'm liking it.
Speaker 2 (18:36):
At Dylan's fan xox ros. Where did your love for
animals come from? I want to hear this answer.
Speaker 1 (18:44):
I don't know. I think I grew up with a
little poodle named Genie. Genie lasted maybe sixteen years. It
was very traumatic because she was kind of like sick,
and I remember going to my father never care for Ginnie.
And I went to school. I'll never forget. I went
to school, and for whatever reason, my dad picked me
(19:06):
up that day, which is honestly the only time in
my entire life that I remember my dad picking me
up from school. I don't even know why that happened.
So I go out. My dad is waiting for me.
I get in the car and he goes, well, something
happened today, and I was like what, and he goes,
(19:26):
Gene is not longer part of the family. She's gone,
So what do you mean we put her to sleep?
I passed out pretty much. And now to this day
I was like, why would he say like that? And
why did it happen without telling us the children? It
was bizarre. Anyways, fast forward too, I never had a
(19:49):
dog after that in Puerto Rico. I moved to the
States and I get my first dog over here, German shepherd,
and I was madly in love with that dog. Then Mota,
then Uzzo, then Jack, then Marocca and Archie, and they
just kept coming. And I think a lot of it
is it.
Speaker 2 (20:06):
It built. It wasn't just that you love dogs. It
built into more of a passion and it built it.
Speaker 1 (20:10):
Yeah, And I think because there was a point in
my life that Mota my last apps for that lasted
twenty years.
Speaker 2 (20:19):
Guys.
Speaker 1 (20:20):
It was amazing twenty years of my life. That dog
was with me. She traveled with me everywhere, and the
good terms, on the bad times, my constant, my rock
was Mota. You see, I can I can't think about
it anyways, I can't talk about it anymore. I love them.
Speaker 2 (20:35):
What happened to the razon that used to like shoot
lizards with the baby gun and feed them they fish?
Speaker 1 (20:40):
I care for animals, she said.
Speaker 2 (20:43):
She used to tell me she's so petrified of lizards
growing up in Puerto Rico.
Speaker 1 (20:48):
I used to kill that.
Speaker 2 (20:49):
And I love reptiles. She used to like shoot them
with baby guns and then feed them to her pet fish. Guys, how,
she says, I don't know if I.
Speaker 1 (20:57):
Believe as my family told.
Speaker 2 (21:00):
Definitely afraid of Yeah. And she's also a girl now
that would like doesn't even like to hurt a bug
that's a house. She'd like to hear animals at all.
Speaker 1 (21:07):
The only animal that I got I don't mind killing
is mosquitoes. I can't stand them. But but I have
a thing with animals. I was doing a movie in Toronto, right,
and I was at this hotel, and I had a fly.
When a mosca a fly? Right, how do you call
a fly a mosca? I became and she stayed with
(21:28):
me the entire duration of my freaking stay in Toronto,
inside my room. Granted there's housekeeping, the open doors never left,
and that moscow will come all the way to me.
Speaker 2 (21:41):
I have videos of it all the way.
Speaker 1 (21:43):
I would joke with lyric about it all the way
to me and just say it like basically looking at
me in Toronto when I did ice wine Christmas. But
fly enormosquito, fly the mosca a fly? Okay, fly?
Speaker 2 (21:58):
The flies go to everybody, So flies land on everybody?
They don't They land on everything and anything. They don't
just throwing up. Have you ever flies land on things
and then vomit? Yeah, they do.
Speaker 1 (22:10):
You're missing the point again. My connection with animals have.
Speaker 2 (22:14):
No bond with a fly.
Speaker 1 (22:15):
I did.
Speaker 2 (22:16):
Her connection gets a little bit cuckoo. She does. She
had a connection with this parrotfish that was at our
house that would attack the tank. But it would do
it to me too.
Speaker 1 (22:25):
It does it with everybody, Eric Winter, did you honestly
believe that I didn't have a connection with Oscar de
la joy our fish?
Speaker 2 (22:32):
Do you honestly believe that you had a connection that
this fish saw the same shadow over and over and
over go to the tank.
Speaker 1 (22:39):
You don't get it.
Speaker 2 (22:39):
But it had a connection with you just because you
don't have it had a connection. Don't you didn't have
a connection with the most Yes, I did. Know you
didn't fly.
Speaker 1 (22:50):
Vomiting, It was throwing over doesn't Oh my god, you
so so doesn't get it.
Speaker 2 (22:56):
H O dot zero eight from Germany asked, how did
your propose? What happened? If you were willing to share,
that's a very long story. But to make a long story.
Speaker 1 (23:06):
Short, in Puerto Rico a fluoros florist.
Speaker 2 (23:09):
Florissan Bay just fluorescent bay in the world or second
largest or something like that on the island, and I
had it and we were in a kayak and I
had it all set up and I was going to
propose while we were on the kayak and Rosland panicked
because the tour guy knew what was going on and
left us alone. And she's screaming in Spanish with the guy.
The guy's confused, He's like back and forth, doesn't know
if he should stay with us, not stay with us.
I'm trying to propose. I can't get a word out
(23:31):
because she's screaming and panic. It was kind of a
mess and kind of a comedy show. It was like
I'd say something, she says something. I'd say something, she
says something. I couldn't get a word out to propose,
And at the end of the day. I said, do
you want to marry me or not? She said yes,
Oh my god. I said, don't touch the ring you're
gonna drop in the water. And we went back to shore.
It was very funny. It was it was romantic and
(23:52):
funny and a mess all at the same time.
Speaker 1 (23:54):
And vees Puerto Rico. I want you to take this one.
Speaker 2 (23:58):
At Hannah Free.
Speaker 1 (23:58):
Yeah.
Speaker 2 (23:59):
Do you have any advice for a graduate who is
not sure what they should do first to start being
an adult? Why don't you want to take that answer?
Speaker 1 (24:06):
Because it's very it's too heady, and I'm still a
little stressed and sleepy, and I don't know if I
can give you an intelligent, educating answer.
Speaker 2 (24:15):
If you're a graduate, you graduated with a degree in something,
I'm assuming it is something you want to pursue. If
it's more general and you still don't know what you
should do first, I mean, look, if.
Speaker 1 (24:25):
It's in the path of what you graduated first to
start being an adult, yeah.
Speaker 2 (24:29):
But if it's in the path of what you wanted
to start to do, then maybe try to get an
internship somewhere, try to learn, try to get out in
the workforce a bit, and explore your your major and
what you're hoping to accomplish. See if it speaks to you.
If you're still happy and you're passionate.
Speaker 1 (24:43):
About it, this is my advice I can think now
if you still live, No, don't follow the heart, follow
the money anyways.
Speaker 2 (24:51):
What if you gotta do both can follow the money.
Speaker 1 (24:55):
What if you're miserable, be smart, and hopefully you're graduated for.
Speaker 2 (24:58):
Something, follow the money and be miss I hope you.
Speaker 1 (25:00):
Graduated from something that is that the workplace is looking for,
not a degree that is going to be struggle, struggle,
struggle because nobody cares anyways. I just watched the whole
podcast about that. That's why I said that comment. Like before,
I'll be all about follow your passion, which I agree,
follow your heart, which I one hundred percent agree. But nowadays, guys,
(25:21):
be smart. Just try to gravitate towards things that you
know will pay your bills anyway.
Speaker 2 (25:28):
And help you grow as a person.
Speaker 1 (25:30):
Yeah, but this is my advice. If you graduate and
you are still living with your parents, the first step
to adulthood is get out. Get out and stop being
with Mama and Dada and go and explore the world
by yourself and take responsibility, pay rent, get credit. And
that's one thing. Number two is if you're so confused
(25:52):
about what you want to do, you know what's a
wonderful thing that is an incredible open door for adulthood. Travel.
Just say you know what, I'm just going to travel
for a little bit. If you have the money, if
you can do it very cheap, and just travel and
see what interests you and see where you feel that
your soul belongs and then.
Speaker 2 (26:11):
Make this sense will definitely help you start being an adult.
Now we're gonna jump, but last question, just very fast.
What's your biggest pet peeve that you have about each other?
I would say when Roselynd is stressed out and grumpy
and brushes it out on me. Okay, peace out, I
gotta go bye.
Speaker 1 (26:24):
I love you, I love you.
Speaker 2 (26:26):
Thanks for listening. Don't forget to write us a review
and tell us what you think.
Speaker 1 (26:29):
If you want to follow us on Instagram, check us
out at he said ajo or is that email Eric
and Ross at iHeartRadio dot com. He said, AJAB is
part of iHeartRadio's Mike Will Do That podcast network.
Speaker 2 (26:41):
See you next time By
This is he said a Yadiho with Airic Winter and
Rosalind Fantev.
Speaker 2 (00:08):
Hello, sir, good morning.
Speaker 1 (00:10):
We're a little bit on edge today, I think.
Speaker 2 (00:14):
So I'm a look at you well, I mean I
think you are. You've been a stressful stressed. When you're stressed,
do you take it out on us? And then when
I do that, you think, oh, why what is your problem?
Why do you take everything at you? But when it's
on you, you're stressed out and you bring it on.
Speaker 1 (00:28):
What happened was guys, I don't know if this is
I'm not some way this is normal when it comes
to parenthood. You know, everything is wonderful. We have in
a great time. You know, I'm stressing because I am
dealing with a lot of stuff. But anyways, our daughter
has decided that besides playing tennis, which is supposedly her passion,
she wants to model and she wants to act. And
(00:49):
the way she's going about it it's really interesting, very
like entitled, because she just is lack of knowledge. She
thinks it's easy. She says, mom, MoMA and dad, we're
doing it. And to her is like when can I
model with Nike? And can I do a commercial, and
we're trying to explain to her, Sabella, it is not
that simple. And of course Sabella's way is I know
(01:10):
it all. And you became really concerned and upset about
the way she was speaking. I was trying to defuse
the situation. So then what happens at the end with
parenthood the parents end up fighting for something that has
nothing to do with us.
Speaker 2 (01:24):
Yeah, but I think what the lesson for us was
is that you could tell very quickly that I was
very passionate about this and I want her I mean, listen,
I did this for maybe a decade. I think I
know exactly what it is of anybody in the family.
I know what the business is when it comes to modeling.
It is probably the last thing I ever wanted to
hear come out of her mouth that she wants to
(01:44):
go into entertainment. I don't think she even knows what
that means. I think she's living on a dream because
she sees what mom and dad did.
Speaker 1 (01:51):
The crazy thing is that she has always been the
girl that wants nothing to do with it. Don't take
a picture. I hate cameras, so I don't understand this sixties.
Speaker 2 (02:01):
Because she sees attention that we get, and it used
to bother her before, and I think she sees it
as as a fun, easy positive that she could make
money and she could get attention and she could make
a living at it. And I tried to explain to
her the same way it's difficult to be a professional
tennis player. It's about the same difficulty to be a
very successful actor at any level. I'm not talking about
(02:24):
just Brad Pitt, I'm not talking about major movie star.
Just to be a very successful, working actor is very difficult.
Speaker 1 (02:33):
The crazy thing about kids is eric that I had
this conversation with her when she mentioned it to me,
because it was like two days ago. She says, Mom,
this is what I want to do. I had a
long conversation, so she hired me. So what is surprising
about kids is then then she goes to you, like
my conversation with her never happened, and she brings it
up and she's acting surprised about everything you tell you.
Speaker 2 (02:54):
You told her, But everything I'm telling her was not
saying you can't do it. It was saying, if you're
going to do it, because you have no idea what
you're doing, you actually can't take direction to save your life.
And taking direction applies to modeling too. You have to
be directed by a photographer. You have to be free,
you have to be very loose. I tried to explain
to her yesterday. It's just like tennis. When you get
tight and nervous, you make a bunch of mistakes. You
(03:15):
aren't playing at your best. You need to be coachable.
You need to listen to anybody, parents, the coach, whoever.
You need to be a sponge. Acting and modeling is
the same thing. If you get tight, if you're nervous,
you are terrible. If you can't be directed, you are
going to be terrible. So at the end of the day,
it's a game of no's. You'll occasionally get a yes.
It takes a very thick skin. And it bothered me.
(03:37):
It didn't bother me that you wanted to do it.
It was the way she was going about it, so
to me, I was very passionate about trying to explain
to her. If we're going to support you with this,
you're gonna have to try this out. We'll set up
a test shoot. We'll see if you are directable, even
by your own mother. If your mom says you don't
wear this. If you're going to do this for hair
and makeup, if the photographer says this, you have to
(03:58):
show us that you are not going to do with
the Sabella's way, which is I'm gonna boss everybody around.
The reason we got into a fight is because you
could see I was very passionate. You were removed from it.
You were sitting back, You were doing great with that.
Like you let me just sort of be the villain,
if you will, like I was bad cop, which is fine,
But then all I was looking for is you to
fully support my position, not diffuse it. And diffusing it
(04:21):
became very passive aggressive to me, and that's what brought
on our fight. But zey Levi, we moved on. We
got through it, and we're done with it. You were
on edge this morning, like you said, you're going through
a lot with a very important role you're trying to get.
I've been nothing but supportive all weekend. You've been on
edge all morning because of that. We're juggling a ton
of things, and I didn't appreciate it. Okay, that's relationships.
Speaker 1 (04:47):
Yeah, it is what it is. So let me ask
you something we're talking about, Sabella, do you think you
could ever be directed by Sabella. Let's say she becomes
a director. Elizabeth Harley just did a movie with her
son directing, and she had sex scenes, and she said,
you know what, it was very easy being directed by
my son, even though I am having sex with somebody
on camera. Do you think you can do that if
(05:10):
Sabella or Dylan direct you.
Speaker 2 (05:11):
I can be directed by my kids. I have no problem.
If they're talented. I have zero problem doing a sex
scene with my kid. Directing is a whole different ball game.
So it's a no for you that part of it. Yeah,
I mean especially right out the gate, Like if it
was their directorial debut and they're young and they're trying
to break in, I'd rather do a nice sort of
(05:31):
lighthearted comedy or something that was just if I'm going
to have them me, even even if it's PG. Thirteen.
But it doesn't have to be I'm having sex with somebody,
like I don't need to do that. So I think
that's a little weird for me. I'm not saying it
applies to everybody by any means, could.
Speaker 1 (05:46):
You no, not a sex scene?
Speaker 2 (05:49):
You could be directed by them if they're talented, and
if they're good, I would say, I think it would Dylan.
Speaker 1 (05:54):
It would be smooth sailing because that kid is so
loving and so.
Speaker 2 (05:58):
Has nothing to do with it.
Speaker 1 (05:59):
Amazing screwed. No, no, no, I'm not talking about the
sexing anymore. I'm talking about simply being directed by our kids.
I think with Sabella it'll be really interesting because you
know she's gonna be like, I don't like it? Can
you try to just be She'd be a little bit more,
more annoying, I believe, assertive, fantastic because she's so freaking intelligent.
But it'll be hard with there, then it'll be a dream.
Speaker 2 (06:18):
She would be very much like you when you directed
me early on when I would have auditions. You're very
harsh when you direct me when we when I would
have to tape myself for auditions, you'd be like, Noah,
I don't like it. Well okay, really you remember when
I first started acting, you were it's kind you're kind
of like that, even when it comes to like teaching
me salsa dancing or teaching me Spanish, like you have
very low paid you're actually a great director. No, but
(06:41):
you're a great director to people you don't know, and
with your kids, you probably would be. But with me,
I don't know what it is. I don't think like you,
just like you have no tolerance, like really to teach
me dancing, like you get too frustrated. Same thing with Spanish,
you get too frustrated. I remember even when I had
auditions early on, I used to get so don't you
remember we used to fight about it all the time.
Speaker 1 (07:01):
I get so so sensitive, and I'll be like, I'm
not trying to criticize you. I'm just giving you a.
Speaker 2 (07:05):
Note, but the way you deliver it is kind of
like the coaching you just received for a role that
you wanted. You're like, oh, I mean, I don't know.
She just said it was all terrible, and then I
had to do it again and you got really like,
oh oh my god, and you're in your head. Then
you're in a bad mood. Same thing. It's the way
people convey. But like when it's somebody that your loved one,
Sabella would direct very much like you if it was
she was directing me. If she directed other people, she
(07:26):
might be lovely. But I think you're a harsh critic
when it comes to directing me. Wow, I think you
are well.
Speaker 1 (07:32):
I apologize if I.
Speaker 2 (07:33):
Have many arguments about that, I don't mean to. Just
know that I don't mean to, but that's the way.
Speaker 1 (07:37):
It's just the way I speak. I'm very strong, and
people always say that, oh my god, you're so strong,
and you you come across like this, And.
Speaker 2 (07:42):
I don't mean your short film. You weren't like that
with everybody. You were probably lovely.
Speaker 1 (07:46):
Yeah, but I'm but I'm specific and assertive. Yeah, Like
I remember the girl that played on my short that
she's a great little actress. She had the habit because
it was her first acting gig of like going like this,
Like every time she was she didn't know what to do,
so she would just roll her eyes right, and I said,
I don't want to wondering eyes. And the first time
(08:08):
she looked at me and I was like, don't do that.
It's like that's wondering eyes. Don't wonder And I remember
her looking at me like and then I explained it,
but I didn't mean to. I just want to. I
want her to stop with about habit immediately. That was
what I was going for, not like, okay, let me
let me.
Speaker 2 (08:23):
Tell there's one thing I will say about director if
people ever want to act. It's like it's hard when
a director directs you and other people are standing around listening.
That's uncomfortable. I prefer a director to pull you aside
and say, hey, let me talk to you about something.
You're doing it in front of your piers. It's very awkward. Anyway,
we have.
Speaker 1 (08:38):
Quo yause, we have questions from you guys. It's been
a lot of fun doing this so I haven't looked
at anything, so let's see what comes out first. One
at ZEBA hello from the UK. Hi, if you were
not actors, what would you want to do?
Speaker 2 (08:57):
I think we talked about this already. Once I was
pre med student, I wanted to be a doctor. I
would have probably gone into sports medicine or at one
point I want to be a paramedic. I mean it
would have been something in the medical field, probably.
Speaker 1 (09:07):
Okay, I don't know about me. Probably well. My dream
was always to be a figure skater because we don't
have ice rinks in Puerto Rico.
Speaker 2 (09:13):
And how are you gonna be a figure skate if
you don't have icerinks?
Speaker 1 (09:16):
That's the problem. I was enamored and obsessed with something
that was not achievable, but I love figure skating, or
I'll be an esthetician because I love popping pimples. So
I think it will bring me joy to just look
at skin and see people with severe acne and popping, popping, popping,
and then helping them. Maybe, yeah, maybe, I don't know
(09:39):
what else. At Ebers in the fourteen, What are each
of your favorite TV shows and movies?
Speaker 2 (09:45):
That's a tough one. I don't really have a single.
I mean, as of late, I would say Succession was
one of my number one shows, probably of all time.
It's definitely up there.
Speaker 1 (09:53):
Yeah, me too.
Speaker 2 (09:56):
You know, movies, I don't know. It's funny. I always
used to say Breakfast Club because I love that movie,
be back in the day. But I don't know if
I there's plenty of other great movies, so I don't
even know.
Speaker 1 (10:03):
Yeah, if I'm me as an Officer and a Gentleman,
I remember watching that movie. I think I've seen it
twenty five times, and I was obsessed with it. And
I was very young, and I had no business watching
an Officer and a Gentleman at the age that I
started watching it. It was weird, but I did and
I loved it. Anyways. At Chloe two, thousand and nine,
(10:24):
Underscore thirteen, Eric, If you could be on any other
ABC show, which one would it be?
Speaker 2 (10:30):
My own spin off of the Rookie? No, I have
no idea.
Speaker 1 (10:35):
How would you call that?
Speaker 2 (10:36):
I have no idea.
Speaker 1 (10:37):
Tim Bradford, No, I don't know.
Speaker 2 (10:38):
I'm just joking.
Speaker 1 (10:39):
We'll Trent Tim Bradford would be amazing.
Speaker 2 (10:42):
I'm joking. I don't know.
Speaker 1 (10:44):
Well, I'm not joking. Let's all petition for a spin
off of The Rookie called Tim Bradford.
Speaker 2 (10:50):
Not now dedicated, but at some point in my show.
I don't want to be at another on any other show,
Oh my god. Or maybe Gray's Anatomy. Maybe Gray's Anatomy.
Speaker 1 (11:00):
Okay, um Britt Michaels scene. Sorry, I don't know how
to pronounce it. But do your kids have a project
of yours that is their favorite?
Speaker 2 (11:13):
We don't let them watch much of our stuff, to
be honest, I don't think that. I mean you let
them watch Fantasy Island, which would drive me crazy because
you had loved kissing scene.
Speaker 1 (11:20):
I never saw that they did.
Speaker 2 (11:22):
I was in the room when I saw them. See
that's not true. We thought about that anyways, I said,
turn that off. Watching this.
Speaker 1 (11:29):
I've been trying to show Sabella The Game Plan, which
is a movie that kids love, and she's like, uh.
Speaker 2 (11:36):
They like Taste the Summer. They thought it was cute
when we did the Hallmark movie together. Yeah, but I
mean that's the only thing they've ever really seen.
Speaker 1 (11:42):
I don't know. They want to watch the Rookie. I
know that. I mean, do you know what the Dylan's
I think Dylan heard Sabella said something about dad, you
know that rookies at Disney Pluse I can watch it now.
So he grabbed his iPad the next day, right, I'm
in the kitchen and she goes start scrolling and fine,
he's at the Disney Plus. I guess finds I think
it was nine one one.
Speaker 2 (12:01):
Yeah, you showed me, so I think that's how you're
showing I know.
Speaker 1 (12:03):
And then he is like, mom, is this that? Is
this a Rookie? And I'm going no, that's a different show.
So can I watch the Rookie? No? No, you can't
watch the Rookie? You're too young.
Speaker 2 (12:20):
What drives you both to straight your own business outside
of acting? It's a good question.
Speaker 1 (12:25):
Do you have a good answer, because we believe that
nowadays it's very important to diversify, especially the way this
business is the climate nowadays, it's it's very hard, and
the jobs are very limited. So at some point you
just don't want to be a work for hire anymore.
You know, you want to be able to control your destiny.
(12:46):
So the way of doing that is especially for me
and Eric, because we well, you get graduated from college
and you have a degree, but I didn't, so all
I know is acting. So if this doesn't work, what
am I going to do? So at my age, with
my experience and my resources and my connections and my
mind and your mind and these combined forces that we
(13:07):
have together, we decided, you know, we don't want to
depend on acting anymore. We don't want to depend on
this business. It's too unstable, it's annoying, it's putting your
future in somebody's hands, and I'm done with that. So
let's just be entrepreneurial and let's just create brands that
we believe people will enjoy.
Speaker 2 (13:28):
And I think we both like your dad was a
business person, we're both very business My dad was as well.
We're both very business minded. Ros has a lot of
creative ideas. I definitely love the business side of things.
So I think it's always been a passion of ours.
It's not just something that we've thrown out there. Now.
This has been years and years of us talking about
different things, what can we do? Before that became very
common now in our business. It is the way of
(13:50):
the future. Every actor is diversifying in what they're doing. Everybody,
whether it's I'm going to start producing, I'm going to
start directing, I'm going to be a writer and an
actor and a producer and a director, or I'm gonna
have a brand, It's very common these days.
Speaker 1 (14:03):
Whitney Lee Davis, is there any special significance with your
wedding bands? They are beautiful, thank you.
Speaker 2 (14:12):
I don't know if there's a special significance to the
design of the bands.
Speaker 1 (14:17):
Now there is because I remember telling you that you
knew that Michael Barron, that Juror I loved, and every
time I will go to his store, I will go gaga.
So you got me ring from my.
Speaker 2 (14:31):
Favorite All of the rings were designed by Michael Barra,
So there was that significance, but there's not Outside of that,
there's no personal But on the inside, we have something
engraved that's very special to us. A saying that we
always say that's on the inside of the band, So
there is some something in that, you know, it's part
of it.
Speaker 1 (14:50):
The ker check Sonia from Portugal. Oh my god, she's
asking what advice would you give the parents to parents
whose kids want to go into acting.
Speaker 2 (15:01):
Oh, well, we just touched on that. We just touched
on that. Funny enough, so your question, it's pretty great. Listen,
you got to support them. You have to support the endeavor.
Sabella has a lot of friends actually that are very
passionate about being in dance or theater or performing arts
in general. You have to support them. But I think
you really have to be present for everything they want
(15:22):
to do, especially today. I mean I would never be
a standby sort of parent. I would be definitely a
like a mamager, right, you'd be all, you be fierce,
you'd be fully in everything. We both will be very
involved in what they're doing for their own safety and guidance.
But I think you have to really help them develop
a thick skin. That's the biggest advice. It is not easy.
(15:45):
I said that Tasabella right out the gate. You're going
to be told no a thousand times.
Speaker 1 (15:49):
Yeah, it's hard, hard, and you're going to be judged.
Does being a parent ever affect your emotions acting when
there is perhaps a tough storyline about children.
Speaker 2 (16:01):
Yeah, on dred percent, Yeah, I think when there's a listen,
being a parent can affect your acting in the best
of ways because you have something to pull from, You
can relate something that's if it's traumatizing, it can affect
you because if you think about your own child, they
can you can dive deep into the character of what
they're going through. But also when you're just going through
(16:23):
your own drama at home with your kids or your family,
it's also difficult. You have to be able to really
shut that off and go to work and then now
jump into a character and stay true to that character
who's not dealing with your own personals. Yeah.
Speaker 1 (16:34):
You know what, there's different methods to acting, you know,
and a lot of people use the method which.
Speaker 2 (16:39):
Is which is more of an American style.
Speaker 1 (16:42):
You actually pull from your own experiences, right, and you
relive trauma from your childhood from experiences and a lot
of people that do that. It's incredible and it's very effective,
but it can be really really draining, and you can
get into this cycle of mental health weakness and issues
is very powerful. Or there's another technique, which is don't
(17:02):
use your personal life just to protect that aura of yourself.
Create and create, use your imagination.
Speaker 2 (17:09):
When I was not a parent, which my understanding is
more of the British approach.
Speaker 1 (17:13):
Correct and it's actually to me even more powerful to
be honest with you. But anyways, I remember when I
was not a parent and I wasn't thinking about having kids.
Every time that I had to do something very traumatic
and that I had to cry, I will think if
I had a kid, and I'll start thinking about what
if I get a phone call that my kid has cancer?
(17:33):
Or like I was always, I would use something like
that to get me there using my imagination. Then I
became a parent and it was unbearable for me to
use that. So something that works for me a lot
is I love my dogs like they're my kids, like
I push them and deliver them, and I will think
about Mota and her passing, or I would think about
my dogs, and it really works because it makes me
(17:57):
want to die. Basically, Okay, Ross, do you use any
special hair care products you can recommend it? Oh, my goodness,
I use I've used them. All. I don't know what
am I using specifically right now. I don't even know
the name of the brand, guys, but I mix a
(18:18):
lot of stuff. Oh you know what. I actually the
latest one I bought was Vegamore. Is that how you
call that product? I think it's Vegamore. The packaging is beautiful,
it smells delicious, and it's supposed to be good, and
it's super clean and it helps with hair growth, and
I'm liking it. I'm liking it.
Speaker 2 (18:36):
At Dylan's fan xox ros. Where did your love for
animals come from? I want to hear this answer.
Speaker 1 (18:44):
I don't know. I think I grew up with a
little poodle named Genie. Genie lasted maybe sixteen years. It
was very traumatic because she was kind of like sick,
and I remember going to my father never care for Ginnie.
And I went to school. I'll never forget. I went
to school, and for whatever reason, my dad picked me
(19:06):
up that day, which is honestly the only time in
my entire life that I remember my dad picking me
up from school. I don't even know why that happened.
So I go out. My dad is waiting for me.
I get in the car and he goes, well, something
happened today, and I was like what, and he goes,
(19:26):
Gene is not longer part of the family. She's gone,
So what do you mean we put her to sleep?
I passed out pretty much. And now to this day
I was like, why would he say like that? And
why did it happen without telling us the children? It
was bizarre. Anyways, fast forward too, I never had a
(19:49):
dog after that in Puerto Rico. I moved to the
States and I get my first dog over here, German shepherd,
and I was madly in love with that dog. Then Mota,
then Uzzo, then Jack, then Marocca and Archie, and they
just kept coming. And I think a lot of it
is it.
Speaker 2 (20:06):
It built. It wasn't just that you love dogs. It
built into more of a passion and it built it.
Speaker 1 (20:10):
Yeah, And I think because there was a point in
my life that Mota my last apps for that lasted
twenty years.
Speaker 2 (20:19):
Guys.
Speaker 1 (20:20):
It was amazing twenty years of my life. That dog
was with me. She traveled with me everywhere, and the
good terms, on the bad times, my constant, my rock
was Mota. You see, I can I can't think about
it anyways, I can't talk about it anymore. I love them.
Speaker 2 (20:35):
What happened to the razon that used to like shoot
lizards with the baby gun and feed them they fish?
Speaker 1 (20:40):
I care for animals, she said.
Speaker 2 (20:43):
She used to tell me she's so petrified of lizards
growing up in Puerto Rico.
Speaker 1 (20:48):
I used to kill that.
Speaker 2 (20:49):
And I love reptiles. She used to like shoot them
with baby guns and then feed them to her pet fish. Guys, how,
she says, I don't know if I.
Speaker 1 (20:57):
Believe as my family told.
Speaker 2 (21:00):
Definitely afraid of Yeah. And she's also a girl now
that would like doesn't even like to hurt a bug
that's a house. She'd like to hear animals at all.
Speaker 1 (21:07):
The only animal that I got I don't mind killing
is mosquitoes. I can't stand them. But but I have
a thing with animals. I was doing a movie in Toronto, right,
and I was at this hotel, and I had a fly.
When a mosca a fly? Right, how do you call
a fly a mosca? I became and she stayed with
(21:28):
me the entire duration of my freaking stay in Toronto,
inside my room. Granted there's housekeeping, the open doors never left,
and that moscow will come all the way to me.
Speaker 2 (21:41):
I have videos of it all the way.
Speaker 1 (21:43):
I would joke with lyric about it all the way
to me and just say it like basically looking at
me in Toronto when I did ice wine Christmas. But
fly enormosquito, fly the mosca a fly? Okay, fly?
Speaker 2 (21:58):
The flies go to everybody, So flies land on everybody?
They don't They land on everything and anything. They don't
just throwing up. Have you ever flies land on things
and then vomit? Yeah, they do.
Speaker 1 (22:10):
You're missing the point again. My connection with animals have.
Speaker 2 (22:14):
No bond with a fly.
Speaker 1 (22:15):
I did.
Speaker 2 (22:16):
Her connection gets a little bit cuckoo. She does. She
had a connection with this parrotfish that was at our
house that would attack the tank. But it would do
it to me too.
Speaker 1 (22:25):
It does it with everybody, Eric Winter, did you honestly
believe that I didn't have a connection with Oscar de
la joy our fish?
Speaker 2 (22:32):
Do you honestly believe that you had a connection that
this fish saw the same shadow over and over and
over go to the tank.
Speaker 1 (22:39):
You don't get it.
Speaker 2 (22:39):
But it had a connection with you just because you
don't have it had a connection. Don't you didn't have
a connection with the most Yes, I did. Know you
didn't fly.
Speaker 1 (22:50):
Vomiting, It was throwing over doesn't Oh my god, you
so so doesn't get it.
Speaker 2 (22:56):
H O dot zero eight from Germany asked, how did
your propose? What happened? If you were willing to share,
that's a very long story. But to make a long story.
Speaker 1 (23:06):
Short, in Puerto Rico a fluoros florist.
Speaker 2 (23:09):
Florissan Bay just fluorescent bay in the world or second
largest or something like that on the island, and I
had it and we were in a kayak and I
had it all set up and I was going to
propose while we were on the kayak and Rosland panicked
because the tour guy knew what was going on and
left us alone. And she's screaming in Spanish with the guy.
The guy's confused, He's like back and forth, doesn't know
if he should stay with us, not stay with us.
I'm trying to propose. I can't get a word out
(23:31):
because she's screaming and panic. It was kind of a
mess and kind of a comedy show. It was like
I'd say something, she says something. I'd say something, she
says something. I couldn't get a word out to propose,
And at the end of the day. I said, do
you want to marry me or not? She said yes,
Oh my god. I said, don't touch the ring you're
gonna drop in the water. And we went back to shore.
It was very funny. It was it was romantic and
(23:52):
funny and a mess all at the same time.
Speaker 1 (23:54):
And vees Puerto Rico. I want you to take this one.
Speaker 2 (23:58):
At Hannah Free.
Speaker 1 (23:58):
Yeah.
Speaker 2 (23:59):
Do you have any advice for a graduate who is
not sure what they should do first to start being
an adult? Why don't you want to take that answer?
Speaker 1 (24:06):
Because it's very it's too heady, and I'm still a
little stressed and sleepy, and I don't know if I
can give you an intelligent, educating answer.
Speaker 2 (24:15):
If you're a graduate, you graduated with a degree in something,
I'm assuming it is something you want to pursue. If
it's more general and you still don't know what you
should do first, I mean, look, if.
Speaker 1 (24:25):
It's in the path of what you graduated first to
start being an adult, yeah.
Speaker 2 (24:29):
But if it's in the path of what you wanted
to start to do, then maybe try to get an
internship somewhere, try to learn, try to get out in
the workforce a bit, and explore your your major and
what you're hoping to accomplish. See if it speaks to you.
If you're still happy and you're passionate.
Speaker 1 (24:43):
About it, this is my advice I can think now
if you still live, No, don't follow the heart, follow
the money anyways.
Speaker 2 (24:51):
What if you gotta do both can follow the money.
Speaker 1 (24:55):
What if you're miserable, be smart, and hopefully you're graduated for.
Speaker 2 (24:58):
Something, follow the money and be miss I hope you.
Speaker 1 (25:00):
Graduated from something that is that the workplace is looking for,
not a degree that is going to be struggle, struggle,
struggle because nobody cares anyways. I just watched the whole
podcast about that. That's why I said that comment. Like before,
I'll be all about follow your passion, which I agree,
follow your heart, which I one hundred percent agree. But nowadays, guys,
(25:21):
be smart. Just try to gravitate towards things that you
know will pay your bills anyway.
Speaker 2 (25:28):
And help you grow as a person.
Speaker 1 (25:30):
Yeah, but this is my advice. If you graduate and
you are still living with your parents, the first step
to adulthood is get out. Get out and stop being
with Mama and Dada and go and explore the world
by yourself and take responsibility, pay rent, get credit. And
that's one thing. Number two is if you're so confused
(25:52):
about what you want to do, you know what's a
wonderful thing that is an incredible open door for adulthood. Travel.
Just say you know what, I'm just going to travel
for a little bit. If you have the money, if
you can do it very cheap, and just travel and
see what interests you and see where you feel that
your soul belongs and then.
Speaker 2 (26:11):
Make this sense will definitely help you start being an adult.
Now we're gonna jump, but last question, just very fast.
What's your biggest pet peeve that you have about each other?
I would say when Roselynd is stressed out and grumpy
and brushes it out on me. Okay, peace out, I
gotta go bye.
Speaker 1 (26:24):
I love you, I love you.
Speaker 2 (26:26):
Thanks for listening. Don't forget to write us a review
and tell us what you think.
Speaker 1 (26:29):
If you want to follow us on Instagram, check us
out at he said ajo or is that email Eric
and Ross at iHeartRadio dot com. He said, AJAB is
part of iHeartRadio's Mike Will Do That podcast network.
Speaker 2 (26:41):
See you next time By
Popular Podcasts
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations.
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
The Nikki Glaser Podcast
Every week comedian and infamous roaster Nikki Glaser provides a fun, fast-paced, and brutally honest look into current pop-culture and her own personal life.