Identified as Arturo Toscanini's favorite tenor, Aureliano Pertile was both a paradox and a paradigm. Both lauded and excoriated, he was more deserving of praise than censure. His voice, a strong, spinto-weight instrument, could sound growly and suffocated in the lower regions, but the top register was thrilling. His intensity on-stage led some to accuse him of overacting both histrionically and vocally, but his recordings reveal a very present nobility of spirit. Moreover, his attention to binding notes together into an unimpeachable legato placed him among the greats. His re...