A native of west Texas who was active on the Grand Ole Opry, Billy Walker emerged from the talent-rich Dallas scene of the late '40s and early '50s. After a brief stint on Capitol, he was signed to Columbia in 1951 at almost exactly the same time as Ray Price. For a while, Walker, Price, and Lefty Frizzell were all recording at the legendary Jim Beck studio in Dallas, which did for '50s honky tonk what Sun Studio in Memphis did for rockabilly. Nevertheless, Walker notched virtually all of his dozen-plus Top Ten hits in Nashville (beginning in the '60s), where the studio sound ...