Early in his career, it was typical for jazz critics to compare the extraordinary free jazz pianist Borah Bergman to Cecil Taylor. However, critics subsequently pointed out the folly in such comparisons, perpetuating the very same juxtaposition, instead of listening to Bergman abstracted from such concerns. Though Bergman himself claimed Tristano, Monk, and Powell as influences, he rated comparison with nobody, so singular was his ability as an improvising pianist. Bergman had perhaps the most comprehensive technique of any jazz musician on any instrument. His facility was non...