Although not regarded as a great operatic actor, Cornell MacNeil possessed one of the most sumptuous baritone voices of the twentieth century's second half. A mainstay at the Metropolitan Opera, his rounded, heavyweight instrument coursed magnificently through such roles as Tonio, Amonasro, Rigoletto, Germont, Nabucco, and Scarpia, making vocal points impossible to ignore. MacNeil's occasional tendency toward unsteadiness was mitigated by the sheer splendor of his sound. MacNeil was one of the last of the true dramatic Verdi baritones, and the end of his career left a void tha...