Wagner: An Introduction to Der Ring des Nibelungen
Deryke Cooke
Sep 2005•40 Songs
Tracks
- 11. Of all great musical compositions (Ex.1-4)Deryke Cooke
- 22. The fundamental symbol (Ex.5-11)Deryke Cooke
- 33. Returning now to the Nature Motive (Ex.12-16)Deryke Cooke
- 44. A number of further motives (Ex.17-21)Deryke Cooke
- 55. A second, much smaller family (Ex.22-25)Deryke Cooke
- 66. So much for nature (Ex.26-38)Deryke Cooke
- 77. The cause of the deterioration (Ex.39-44)Deryke Cooke
- 88. The other transformation (Ex.45-48)Deryke Cooke
- 99. Several other motives (Ex.49-52)Deryke Cooke
- 1010. Two further motives (Ex.41,53-61)Deryke Cooke
- 11
- 1212. Along another, more complex line (Ex.69-72)Deryke Cooke
- 1313. In Act 2 of "Walküre" (Ex.69,73-75)Deryke Cooke
- 14
- 15
- 1616. Later in the same scene (Ex.84-87)Deryke Cooke
- 17
- 1818. The label "Flight" (Ex.92)Deryke Cooke
- 19
- 2020. A little later in this interlude (Ex.99-103)Deryke Cooke
- 121. The other new motive (Ex.104-09)Deryke Cooke
- 2
- 323. The characters in whose lives (Ex.115-120)Deryke Cooke
- 424. One further motive belongs (Ex.121)Deryke Cooke
- 525. The sword motive recurs (Ex.122-130)Deryke Cooke
- 626. Ironically, this phrase (Ex.131-5)Deryke Cooke
- 7
- 828. Here we come to the end (Ex.141-6)Deryke Cooke
- 929. Complementary to this symbol (Ex.147-9)Deryke Cooke
- 1030. One last central symbol (Ex.150-7)Deryke Cooke
- 1131. One further motive connected (Ex.158-61)Deryke Cooke
- 1232. There are one or two motives (Ex.162-8)Deryke Cooke
- 1333. These motives of Alberich & Mime (Ex.169-71)Deryke Cooke
- 14
- 1535. Besides this family of motives (Ex.177-80)Deryke Cooke
- 1636. Our final example (Ex.10,181-2)Deryke Cooke
- 17
- 1838. Even more masterly (Ex.184-8)Deryke Cooke
- 1939. Now if we return (Ex.189-91)Deryke Cooke
- 2040. This masterly way (Ex.192-3)Deryke Cooke
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