A sensational new figure on the Baroque music scene in the early 2000s, conductor Emmanuelle Haïm electrified audiences with her passionate interpretations of operatic and choral works. She has never studied conducting formally, and, like many other performers involved with older repertoire, she first came to early music only in adulthood. In her deep ancestry was a family of Breton organmakers, and her Hungarian stepfather passed time as friends with both Andras Schiff and Zoltan Kocsis. Emmanuelle and her siblings performed chamber music at these high-level gatherings, and s...