Back in the 1970s, when film music first began to boom as an area of recording activity, one would have been hard put to find a mention of the name Frank Skinner much less any examples of his movie scores on record. Skinner, although a very important figure in the field of film music, had the misfortune to have done his work at Universal, one of the two "small" majors (along with Columbia Pictures, mainly on genre films that were less than the most prestigious of their era. And, like a lot of Universal composers of the period, much of his work was the subject of mixing and mat...