A self-described electronic music obsessive, Keith Fullerton Whitman's sprawling output encompasses a considerable variety of (essentially non-dance-oriented) electronic forms and sounds, with releases ranging from meticulously constructed ambient minimalism to frenetic drill'n'bass (the primary milieu of his Hrvåtski alias), academically minded compositional explorations of electronic music history, and highly abstract live laptop improvisation. Not only as a performing and recording musician, but also as a writer, educator, and entrepreneur, he has been an active and visible...