Although best known for his mid-'80s instrumental smash "Axel F.," Harold Faltermeyer was also a notable producer and session player. His career began with work as an arranger on Giorgio Moroder's soundtrack to the 1978 film Midnight Express, the first in a long series of film-related projects; from there, Faltermeyer moved on to play synthesizer on Donna Summer's 1979 classic Bad Girls before reuniting with Moroder to co-produce Sparks' Terminal Jive. His breakthrough came in 1984 when he worked on the smash feature comedy Beverly Hills Cop; Faltermeyer's instrumental theme "...