Nash was one of the most elegant and yet emotionally direct lyric tenors of the first half of the twentieth century, with a sweet timbre and very fine technique. His voice was not a large one, but very well-produced and focused, though towards the end of his career, there was some occasional pinching in the uppermost register.
After serving in the army during World War I, Nash attended the Blackheath Conservatory, and later trained in Milan, Italy, under Giuseppe Borgatti. He had his operatic debut in 1924 as Count Almaviva in Rossini's The Barber of Seville, making his Londo...