One of the leading German baritones during the interwar period, Heinrich Schlusnus possessed a handsome, beautifully schooled instrument with an unusually free top register. If he lacked great imagination in interpreting his roles and was somewhat compromised by a weak lower register, he nevertheless was a sufficiently polished technician to make important points by vocal means alone. In accordance with his vocal endowment, he specialized in Verdi roles in addition to the more lyric end of the German spectrum and sang with scarcely diminished means to the time of his death in ...