Heroic tenor James McCracken achieved international fame in the heaviest tenor repertory; unusually, he did this only after leaving the famed Metropolitan Opera, where he felt his career had stalled in comprimario roles. Taking leave of the Metropolitan in 1957, he was engaged at Bonn and steadily made his way forward singing dramatic roles; this trend eventually culminated in Otello, which served as his reintroduction to America in 1960 at the Washington Opera. Unlike many heroic tenors, who often begin their careers as baritones, McCracken's voice was placed in the tenor ran...