Although thoroughly trained as a musician, Viennese tenor Julius Patzak had little, if any, technical schooling in the vocal arts. Yet, he became a favorite among audiences in his native city and second only to Richard Tauber as a master stylist in the Central European repertory. His voice, though not large, was plangent and somewhat hard-edged, capable of encompassing both lyric and dramatic roles. His forays into Viennese operetta were exemplary, full of character and knowing gestures, and sung with an immaculate sense of both elegance and forcefulness. His famous recording ...