Swedish reeds player and improviser Mats Gustafsson's extended saxophone techniques draw equally from the fiery free jazz blowing tradition and the European microtonal schools. Born in 1964 in the culturally rich area of Ume+Ñ, he was exposed at a young age to various Swedish improvisers such as saxophonist Lars G+¦ran Ulander and pianist Per Henrik Wallin. His first instrument was the flute, but by his early teens Gustafsson was playing saxophone as well. Around the age of 14, he put his saxophone mouthpiece on his flute to bring an instrument along on a trip, and since then ...