Before the emergence of David Daniels as a countertenor superstar, Paul Esswood alone offered a rounded, settled, womanly sound spun around a firm, even vibrato. He quickly made his way among conductors who appreciated both his conscientious musicianship and beautiful sound. His now-legendary series of Bach recordings made with Nikolaus Harnoncourt in the 1970s still gives much pleasure even though Baroque-period performing styles have evolved since then. Esswood trained at the Royal Academy of Music from 1961, studying under baritone Gordon Clinton. Beginning in 1964, he was ...