It's rare for a singer to be known as a superb vocal technician and a fine singing actor, as well as a proficient stylist. Plançon was all three of these, and while his recordings were made too early in the technology and too late in his career to give a fully accurate sense of his voice's timbre, they do capture his immense range (from top F, where most tenors have their passagio, to low D, a note at the bottom of the basso profondo range), tremendous agility, including a superb trill, and beautiful legato. A Romophone compilation shows him off in excellent vocal form, perfor...