Songs
- L'Orontea, Act III: scenes 14 à 17Richard Wistreich, Agnès Mellon, René Jacobs, Jean Nirouet, John Elwes
- L'Orontea, Act II: scenes 16 à 18Richard Wistreich, Jean Nirouet, René Jacobs, Judith Nelson
- L'Orontea, Act I: scenes 15 & 16Richard Wistreich, Judith Nelson, Agnès Mellon
- L'Orontea, Act I: scenes 12 à 14Richard Wistreich, René Jacobs, John Elwes, Judith Nelson, Guy de Mey
- Memoirs: LV. When he had paid his respectsRichard Wistreich
- Memoirs: LIV. He had leave to be absentRichard Wistreich
- Memoirs: LIII. He had leave to be absentRichard Wistreich
- Memoirs: LII. But he also expressed his apprehensionsRichard Wistreich
- Memoirs: LI. This person was Baron KilmanseckRichard Wistreich
- Memoirs: L. We soon shall have occasionRichard Wistreich
- Memoirs: XLIX. This personRichard Wistreich
- Memoirs: XLVIII. Handel having now long enough in ItalyRichard Wistreich
- Memoirs: XLVII. From such a specimanRichard Wistreich
- Memoirs: XLVI. The lovers of the artRichard Wistreich
- Memoirs: XLV. After he quitted NaplesRichard Wistreich
- Memoirs: XLIV. How Handel executed his taskRichard Wistreich
- Memoirs: XLIII. From RomeRichard Wistreich
- Memoirs: XLII. No hopes appearing of a real conversionRichard Wistreich
- Memoirs: XLI. As he was familiarRichard Wistreich
- Memoirs: XL. Wheter his EminenceRichard Wistreich
- Memoirs: XXXIX. Ils seavent encoreRichard Wistreich
- Memoirs: XXXVIII. While he was at RomeRichard Wistreich & Sir Hamilton Harty
- Memoirs: XXXVII. Though no two persons ever arrivedRichard Wistreich
- Memoirs: XXXVI. Handel used often to speak of this personRichard Wistreich
- Memoirs: XXXV. As he was an exquisite player on the harpsichordRichard Wistreich
- Memoirs: XXXIV. The first of these he became aquainted withRichard Wistreich
- Memoirs: XXXIII. Hitherto Handel was chiefly been consideredRichard Wistreich
- Memoirs: XXXII. Corelli gently lays down his instrumentRichard Wistreich
- Memoirs: XXX. Severall fruitless attempsRichard Wistreich
- Memoirs: XXIX. There was also something in his mannerRichard Wistreich
- Memoirs: XXVIII. Besides a fine collection of pictures and statuesRichard Wistreich
- Memoirs: XXVI. Having mentionedRichard Wistreich
- Memoirs: XXV. This opera drew over all the best singersRichard Wistreich
- Memoirs: XXIV. The theatre, at almost every pauseRichard Wistreich
- Memoirs: XXIII. At last, however, he consentedRichard Wistreich
- Memoirs: XXII. The nature of his design in travellingRichard Wistreich
- Memoirs: XXI. But, from the natural restlessnessRichard Wistreich
- Memoirs: XX. At the age of eighteenRichard Wistreich
- Memoirs: XIX. With less experienceRichard Wistreich
- Memoirs: XVII. The excellence of Mr. AddisonRichard Wistreich
- Memoirs: XVI. For though all men will agreeRichard Wistreich
- Memoirs: XV. It is the more to be lamentedRichard Wistreich
- Memoirs: XIV. The advantages which he drewRichard Wistreich
- Memoirs: XIII. And might we not askRichard Wistreich
- Memoirs: XII. Vossius having declaredRichard Wistreich
- Memoirs: XI. They do not consider the advantagesRichard Wistreich
- Memoirs: X. Indeed, from the best informationRichard Wistreich
- Memoirs: IX. The younger ScarlattiRichard Wistreich