For the repressive forces of Nazism and the uninhibited creativity of jazz to co-exist may have seemed an impossibility, but jazzmen kept many aspects of their music happening throughout World War II in countries such as Belgium. The resulting gigs, recordings, and performing careers acquired an additional level of interest from intrigue alone. Stan Brenders would stand on-stage in Brussels in the late '30s and announce that the next tune was going to be "Sept, et avec un combination avec onze," knowing full well the Nazi censors wouldn't be able to follow the pigeon French re...