In the mid- to late '80s and early '90s, the London-based team of Mike Stock, Matt Aitken, and Pete Waterman was to European dance-pop what L.A. & Babyface and Jimmy Jam & Terry Lewis were to urban contemporary: a slick, well-oiled producing/songwriting team that had a reputation for cranking out one major after another. Back then, many urban contemporary artists reasoned that the quickest and easiest way to score a big hit was to work with L.A. & Babyface or Jam & Lewis; and in England, dance-pop artists were every bit as anxious to work with Stock, Aitken & Waterman. Many Br...