One of the great arrangers, Bill Holman's dense but hard-swinging charts often have so much of value going on that they reward repeated listenings. After a stint with Charlie Barnet (1950-1951), Holman became well-known for his arrangements for Stan Kenton (1952-1956), which helped advance the Kenton sound. Although a fine tenor saxophonist, Holman's writing has always overshadowed his playing. He concentrated on studio work by the 1960s, but also wrote through the years for Woody Herman, Maynard Ferguson, Gerry Mulligan, Count Basie, and Buddy Rich, among others. Holman wrote...