Joe and Jada - Aries Spears on Ice Cube & 50 Cent beef, T.I.'s comedy, Jay-Z & DMX impressions - The Herd with Colin Cowherd

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Congratulations all week one point one mad and is rway.

Speaker 2 (00:05):
So I'm working on it. I'm working on it, yo,
What up? Artists? Joe cracked at Dawn your.

Speaker 3 (00:24):
Boy Jada, you know what it is? Did Joe and
Jada's show. And we have a very special guest. You know,
we like to we bring variety of guests, but they're
all golden individuals. And today we have a very golden individual.
Ladies and gentlemen, make some noise for our brothers with

(00:47):
his phone ringing.

Speaker 2 (00:48):
And all that airy spears makes some noise. Yo, what up?
What up? What up? What's up? My brother?

Speaker 4 (00:55):
You gotta let me have a second to geek out
for a minute, because you know, like my best friend
over there, you know, we came up on y'all man,
you know, and the hip hop thing, and uh, you know,
I ain't know until I found out Joe hit me up.
Was like, Yo, I need you to do me a
solid and do the intro for my upcoming album. I
was more than happy to do it. One of my
favorite rappers, but I never met you until today. And

(01:17):
I'm telling you, I'm fucked up because I'm literally sitting
next to hands down one of the greatest mcs of
all time, like you and my top five dog. And
every time I every time I dolad or any kind
of show where I talk kept Hop, I go my
top five, no particular order.

Speaker 2 (01:33):
This guy ain't ship and I always show this guy.
I say, Jada, Hove, Nas, Biggie and Rock. Nah, we
ain't going for that. Want to shoot me. Let me
tell you something.

Speaker 5 (01:45):
The reason I love Jada the most because the locks unity.
They there for your This god is fucking diabolical. He
been sitting next to me in this show. I start
watching old clips of the show and I said, holy shit,
he't go flaming me, young ladies, your roastap Christmas Hlarrys City.

Speaker 2 (02:08):
But listen that it went viral.

Speaker 3 (02:12):
But if you listen to the way I scripted it
you I told him, could you listen your legendary coach
in the Rock, legendary coach in New York City.

Speaker 2 (02:24):
You won plenty of tournaments.

Speaker 3 (02:25):
You got he listens out the wazoo on your Roston.
Now if you was to happen to play, I'm just
saying the way you're golden, the legs that been to
the eighth Wonders of the world and all of this.
If you was to hit him with the year, you know,
the year of three movies, Boom boom boom.

Speaker 2 (02:44):
But if you had hit him with them, you saw
that what you did lay.

Speaker 3 (02:48):
Up if you mean your stoppable, like if you fuck
me up, because dude, it's a rapper and I don't
be shooting it was coming on a million would you talking?

Speaker 2 (03:00):
Was comedically on point?

Speaker 6 (03:01):
What because I didn't even know you had the Kenny Smiths.
I saw the picture one day and I saw that
the new was moving and I was like, oh, I know.

Speaker 2 (03:13):
Joe was felt like he was.

Speaker 3 (03:15):
Into what it is he says in me doing business
with him and being with him.

Speaker 2 (03:20):
He got a few different walks run off his depending
on his mood.

Speaker 3 (03:25):
I don't know, it's depending on I mean, he might
got a good call this day, nice super bags coming.
There might have been you know, might be one of
the days, I mean something something.

Speaker 2 (03:38):
Yeah. Some days he got he got different walks. Can
you agree with me? May he got different.

Speaker 5 (03:45):
Ship in the house I got to Sherman Helmsley, Oh
you do that.

Speaker 2 (03:52):
Off for real?

Speaker 5 (03:53):
Though, Like in the house, I'm walking to go eat
some ship, to go see the movie.

Speaker 2 (03:57):
I got the Sherman Hens That's that's in the crew.

Speaker 3 (04:00):
Is Shelman Hemsley. How you're gonna do? George Jefferson like
that man called me Shelman. He's calling me Ari.

Speaker 2 (04:11):
I'm fried Man. I fucked up from the language to
the legs.

Speaker 5 (04:14):
Listen, listen, let me tell you, Let me tell you Ari,
Let me tell you aries. This thing's under you. You're
one of the funniest guys in the world. I appreciate
all your contributions and everything you do. I believe it's
hip hop right, you always represent hip hop culture.

Speaker 2 (04:33):
We got gotta fix the ice.

Speaker 5 (04:35):
Cube borderline violation, right because ice Cube here in this show,
we is the love of the culture. He is the preservation.
This is like the national preservation forests of hip hop
and whatever that means. And uh, you know ice Cube
living legend. Do you ever is it just jokes with

(04:58):
you or do you ever feel like, let me be clear,
did I miss something? Let me yes, we skipped the
whole thing we're trying to I'm doing the Jada kiss right,
I'm trying to fix this.

Speaker 4 (05:07):
And let me let me be clear here, first and foremost,
I never attacked ice Cube demand I never attacked this character.

Speaker 2 (05:15):
And first of all, my whole point was this word hate.

Speaker 4 (05:19):
It's being so overly abused and thrown around now, and
unless you have an opinion that's favorable, you a hater. No,
I'm opinionated, and I'm sometimes in my delivery comedically na
a little bit brutal. But at the end of the day,
I never question is man his character. I never questioned
them as a man. And listen, I even gave him
as flowers and said, yes, he is a pioneer, a

(05:40):
trailblazer and icon and hip hop, especially with the West Coast.

Speaker 2 (05:45):
I'm just not a fan of his artistry.

Speaker 4 (05:47):
And by that, I'm just simply meaning listen man for me,
my musical palette, my hip hop palette. I'm an East
Coast ove man, but I like I like Stup, I
like Pop who technically is.

Speaker 2 (05:59):
From the East.

Speaker 5 (06:00):
But nonetheless, just because I'm not an audea of that
does not mean.

Speaker 2 (06:04):
That I'm a hater.

Speaker 4 (06:06):
And if I'm being really specific, what I was really
speaking to was comedically acting wise, because I just feel like,
un listen, I know it's all about getting the bag
and the money, and you know, I just feel like
with sometimes artistry.

Speaker 2 (06:20):
A rapper can't do.

Speaker 4 (06:21):
Comedically what a comedian can because that's a muscle, that's
an instinct that's in our blood. We eat, sleep, shit,
breathe comedy no more than I can go into booth
and do what you can better than you.

Speaker 2 (06:33):
You know.

Speaker 5 (06:33):
I saw TI do some comedy. He was actually pretty good. Okay,
don't go there.

Speaker 4 (06:43):
Your opinion, it's your opinion, my opinion, but the comedy
community will tell you otherwise, because here's a problem. Here's
a problem. If you gonna step into another genre, gotta
humble yourself. And Ti approaches comedy with the same bravado
approaches rapp that's a different aesthetic.

Speaker 2 (07:03):
Yeah, I'll tell yourself. I agree with you. I thought
t I was funny, right, and I'm and I'm I
may die.

Speaker 5 (07:11):
One day, fuy no, no, but I may die one
day of laughter. I don't know if nobody yet of laughing,
because I'm the guy they threw it. They threw me
out the movie, did that, Eddie Murphy raw I went
over there with the whole projects. Out of the whole projects,

(07:31):
the security came as like, you're an asshole, You're the
one that gotta go. I'm the one making the most
noise in the movie there that they threw me out
the movie. I A'm a sucker for a laugh, like
a sucker for a laugh.

Speaker 2 (07:46):
So I thought, see, I was funny. But there's levels
to this ship.

Speaker 5 (07:51):
Well, I even I'm gonna admit something here too, that
that I've been noticing I've been looking to and shit,
you know, you know, and hip hop it's all about competition, right,
so you got to convince yourself you're better than ever
you have a rapp or whatever the case may be.

Speaker 2 (08:06):
And so there's a bit of a delusion or whatever.

Speaker 5 (08:10):
And so we start the podcast and the first thing
I do is start shooting, you know, like I want
to smoke with all the podcasters.

Speaker 2 (08:17):
And I realized I gotta.

Speaker 5 (08:19):
Humble myself a little because we just started this, even
though we're the rookies of the year. But I could
see what people can look at it and be like, yo,
this guy, you know, But it's just my heart. I've
always been like a warrior gladiator to come out there
for the smoke. But I realized the podcasts a different space.
It's like everybody's smiling at each other. Nobody got smoked

(08:39):
with each other. So I'm thinking top five dead or
love who want to jump out?

Speaker 2 (08:44):
Where's the smoke?

Speaker 5 (08:45):
Who you are? But that ain't what it's about. It's
about having an opinion and bringing something to the people.
So I get what you're saying with the well t
I yeah, Chris.

Speaker 2 (08:57):
I mean you're right and then wrong.

Speaker 3 (09:00):
This is different kind of it's different kind of smokers
like behind the scenes. It's behind the scenes hate and
smoker with this. But I don't want saying even out
you just we bonding this spitch well at least.

Speaker 2 (09:16):
I am mhmm.

Speaker 3 (09:18):
I mean, if you tell me podcasting or rappid they said, gentlemen,
this is our last show. I like, but you know
what I mean, as well as you could do both.
You know, people start thinking you taking their job.

Speaker 2 (09:32):
So you were feeling that beyond the scenes.

Speaker 3 (09:36):
You don't you just being voisteous. I'm just watching them
from the side.

Speaker 5 (09:41):
Have you ever dealt with this because you're one of
the most liked Yeah, that season of all time?

Speaker 2 (09:46):
You real with that? I am, but I ain't.

Speaker 3 (09:49):
When it's time to go three on the Spartan then
I'm not that light as I am whenning And.

Speaker 4 (09:54):
Just so you know, outside. It wasn't just Cue that
jumped on me. Fifty jumped on me too. Is it
that because the joke I made about fifty. I mean, see,
with fifty in them niggas, they'll beat you up. Heris
I'm just keeping it real. Maybe Ice Cubis regular you
know what's.

Speaker 5 (10:11):
No no, no, no, no, no, no no.

Speaker 2 (10:13):
I'm keeping it a buck.

Speaker 5 (10:15):
You run into them guys in the airport, they might
do something to you. I had beef with them. That's cool,
so I.

Speaker 2 (10:20):
Know what the beat. I know what the beef is.

Speaker 5 (10:22):
One thing for us to just like certain guys you
don't play with because they're gonna come me listen.

Speaker 2 (10:29):
I love the comedians.

Speaker 4 (10:31):
I'm like, it's no thing with Joe Joe Joe. I
don't ever pretend to be something I'm not. You know,
I ain't an Evans nigger. I'm a Huxtable. But best
believe I keep some dudes with me too.

Speaker 2 (10:41):
Don't you.

Speaker 5 (10:41):
They're gonna have to jump out Jews. I'm telling team
of Juice and I saw them a fuck in a minute, y'all. Fendy, Fendy,
we got royalty in the building. I ain't no Fendy
snuck in there you got a trump at a studio.

Speaker 6 (10:58):
It is.

Speaker 5 (10:59):
We have this be by a reason. I'm just trying
to I gotta be honest with you because you're my guy.
You on my almble my fuck with you.

Speaker 2 (11:06):
Yeah, you know.

Speaker 5 (11:06):
I advocate for you every time I can because I
think you're hilarious.

Speaker 2 (11:09):
But I do know where that could go wrong.

Speaker 5 (11:12):
Well, of course one ice cube me on right? This, hey, right,
that one could go wrong. I'm promising you.

Speaker 2 (11:19):
You know you put hands and feet on people too.
Why are you?

Speaker 4 (11:22):
Why are you just like you don't do that? That's
nothing about that comedian. Listen, let me let me tell
you the joke it was. It was almost harmless. I
was talking about how, you know, any anytime they make
a brother play in a movie where he's a scientist
or a computer tech, like fifty Dead in the movie
with Stallone Foy's called but it was in the prisons

(11:43):
and glass cubes, And I said, you know what the
difference between fifty the rapper from fifty to computer tech.
I'm a computer tick, Beauties of a computer Tick, Classics,
Clark Kent, Superman. If you're a great actor, you don't
need the glasses.

Speaker 2 (12:04):
Just do the performance. So that was the joke, yo.

Speaker 5 (12:08):
But let me tell you something, right, I've been such
a fan of comedy where I believe comics.

Speaker 2 (12:14):
Should never and could never be canceled.

Speaker 5 (12:17):
So like the moment they fake canceled Dave Chappelle, which
I started on in the shows to perform at his show, Yo, Dave,
you in town, I want to come out do a
couple because I believe.

Speaker 2 (12:29):
Comedy is the one.

Speaker 5 (12:31):
Sweet spot in life where the white black agean yes,
where they could talk about whatever.

Speaker 2 (12:38):
The fuck they want to talk about.

Speaker 5 (12:40):
Like, you know, that's how I feel about comedy, and
so that's that's how you must feel about it too, huh.

Speaker 4 (12:49):
Listen three of the greatest quotes ever Dave Chappelle. You
don't know where the line is in comedy until you
cross it. George Carlin, you should know where the line
is in comedy and deliberately crossing free so O'Neil God
rest his soul. Great comedy leaves half audience laughing the
other half horrified.

Speaker 2 (13:06):
Wow. So that's the credle I lived by. Yeah, man
and you.

Speaker 5 (13:10):
From the clough man who would you say us should
you into the game, who was like a mentor.

Speaker 3 (13:16):
Of who this guy came in the game at fourteen.
That's his I think that's he made Histores. Nobody else
will death.

Speaker 4 (13:24):
Jam sixteen showtime at Apollo seventeen. So what I'm saying
is who I was then? Eighties baby, So in that era,
you know, prior to the explosion of death Jam, Hollywood
only allowed one nigga for a decade, So it was like,
you know what I mean, it was like definitely rich.

Speaker 2 (13:44):
And what's my man named?

Speaker 4 (13:46):
Dick Gregory really in the sixties, prior in the seventies,
Eddie in the eighties, and then by the nineties, death
Jam hit and now black comics was everywhere. But Eddie
was my dude, was my like my inspiration because I
know he started at fourteen, So I was like, if
he did it, does.

Speaker 2 (14:01):
It go with comedy? Is it like rap or whatever?

Speaker 5 (14:04):
Like how do they determine who's going to get the
bag right? Because there's so many funny comedians like I
did Hollywood?

Speaker 2 (14:14):
What did I do? Hollywood? Squiz? What's your man? Family feud? Well,
I want to go on family.

Speaker 5 (14:22):
You should take your family man on there and all
the all d block let's go.

Speaker 2 (14:27):
You should we shut that up? Up, So we go
on there.

Speaker 5 (14:31):
They got the fluffy Spanish guy. I didn't know much
about him, and then they turned around and said, you
know this guy sold out Dodger Stadium. Yeah, So who
determines who's going to be a big boy, who's gonna
be the underground, who's gonna be you know, in rap music,
some guys choose to be underground, but they're like, yo,

(14:53):
I don't want to hear.

Speaker 2 (14:55):
I just want to be the purest. And then.

Speaker 5 (14:58):
Some people like me, you know, commercialized. Some people might
call that sellout when I have a record like What's Love?

Speaker 4 (15:05):
Who determines well in terms of it, if you're talking
about just straight movies and TV, the gatekeepers to those
you know, white folks, they run that, you know what
I mean. If you talk about more like stand up
in the grind, that's on you, you know, and a
lot of people always go, man, you should be the bigger.
You should listen. My mouth is my biggest attribute, but

(15:25):
it's also my biggest detriment, you.

Speaker 2 (15:27):
Know what I mean.

Speaker 4 (15:28):
So it's like I say a lot of shit that
sparks controversy.

Speaker 2 (15:32):
I'm a hater, I'm this, I'm not so you know
it works for you.

Speaker 4 (15:37):
It's it's working for me, but it ain't took off
that You was like, you know, listen, I don't like
who took off that.

Speaker 2 (15:46):
You was like, why are you learning them? No, I'm
not lying them up.

Speaker 3 (15:50):
I'm just who took There's some dudes where you just go,
you know, I just don't understand, like, like, there's no
sense in this game, you know, I mean, there's no
there's no logic to none of this ship.

Speaker 4 (16:02):
You know, the people that are where they are deserved
to be there. Kevin Harnt deserves to be there. You know,
Mike Keeps deserves.

Speaker 2 (16:08):
To be there. But you know, at the end of
the day, you you just got to play this bullshit game. Man.
You know.

Speaker 4 (16:16):
I feel like if I put it in boxing terms,
you know, let me put it like this, I got
Michael Jordan's dreams with Dennis Robin Habits.

Speaker 2 (16:25):
You know what I'm saying.

Speaker 4 (16:25):
I'm saying I should be Madison Avenue b ba ba ba.

Speaker 2 (16:29):
But I like porn stars and liquor.

Speaker 4 (16:31):
So you know, I got a less talent, but my
behavior and some of the things I do and say
might be you know, like I said, my biggest detriment.

Speaker 5 (16:41):
Like me and you, we gotta talk maybe in the
next podcast about what I am and what he said
with jay Z and Black, like who I mean staying
out of that?

Speaker 2 (16:51):
Yeah, but you got it. I mean I just stay
out of that. You can.

Speaker 5 (16:56):
No, I'm going I'm gonna definitely got something to say
about that. I don't You ain't got nothing to say
about that. But my point is them guys became huge,
right they beat me for the Grammy all Black, they
beat me for What's Love. What's Love was like number
one in the country. They beat me for the Grammy,

(17:16):
this before Fergie.

Speaker 2 (17:18):
Right.

Speaker 5 (17:19):
Once they get Fergie, they start making world music and
all this shit and they take everything right. But those
are guys that went out there. They surprised me when
they were selling ten million, twenty million this then and
not saying the music ain't good. But that's what I mean.
Like you've seen somebody leak through and you was like, WHOA.

(17:40):
But to just give you some gems or some knowledge
right now, because we're talking even though this is funny,
but we're talking about some servious shit. I think you
figured out everything. You just answered it. I think if
you analyze this video, you can make certain changes to
catapult you to the next level. Just look at the
words you said and just make some adjustments.

Speaker 2 (18:03):
You know.

Speaker 4 (18:03):
I think part of what puts me or what's going
to put me on this path is doing stuff like this.
You know what I'm saying. Like for once upon a
time ago, I was against the whole social media put
in stand up clips out. I was against that. But
then I was like, you know what, man, I took
a page out of Matt Rife book was like, let
me hire a videographer and let me, you know.

Speaker 2 (18:25):
Pay the play.

Speaker 4 (18:26):
And because I did that, I went from I mean,
within the course of three months, I went from three
hundred thousand Instagram followers to one point four. You know,
my Facebook jump from three hundred thousand to one point eight.
So you know, and people is funny, like I always say,
people of most people are fucking idiots because people will
say shit online like man, all he do is crowd

(18:49):
Where did he ever tell a joke? And I said, listen, man,
you don't give the key a cocaine away for free.
I'm giving you a sample of the product. Once you
like the sample, now come to the show and pay
for the key.

Speaker 2 (19:00):
I gotta tell you this.

Speaker 4 (19:02):
I gotta cut up your food for you to eat,
like your mother did with you with Toddler, so you
don't choke.

Speaker 5 (19:07):
Certain things is common fucking knowledge. But I gotta tell
you this, that's crazy.

Speaker 2 (19:13):
Man. He's funny.

Speaker 4 (19:14):
All he does is impressions. So I'm thirty six years
in this game, and all I know how to do
is dunk.

Speaker 2 (19:19):
Man.

Speaker 5 (19:19):
I sit, I sit down in the studio. Sometimes, like
I heard some shit. Somebody said, you definitely don't want
no part of this. What I'm about to say, Oh,
he's not responsible for the next line. But somebody said
they not like us. I forget who it was said
that it wasn't mixed right. Somebody said, yo, that wasn't

(19:40):
mixed right, right. I forget who James looked that up
right now, because that's important. Somebody said, yo, wasn't the
music wasn't mixed right?

Speaker 2 (19:51):
Right?

Speaker 5 (19:51):
And then some people agreed with the person who Rodney Jenkins. Jerkins,
somebody agreed with him and say, yeah, you know it
could have been mixed better, right.

Speaker 2 (20:00):
But all we know.

Speaker 5 (20:03):
Is that they not like us is a smoker. That
shit filtered the whole hemisphere, right. And so when I
get in the studio with producers and they start to
talk about a smashit record, they'd be like, the snare
wasn't right.

Speaker 2 (20:19):
The eight o eight? Could it came? I'm like, yo, bro,
no one gives a fuck about what.

Speaker 5 (20:25):
It should have been. How professional it is? The fucking
record's number one. It's a fucking head and I've been
in there in the studio with producers.

Speaker 2 (20:35):
This guy didn't use the tinker bell right, he didn't, Yo,
My man.

Speaker 5 (20:38):
Who gives a fuck? This shit is number one? And
so uh who was that?

Speaker 2 (20:46):
DJ?

Speaker 5 (20:46):
Ve Ladd said, what, well listen? But the engineers agreed
with him. They said Kendrick sent that shit in and
said I wanted out in a half an hour. So
that the engineer was like, yo, I couldn't even mix it.

Speaker 2 (20:58):
It was just it was good. It was just smash hit.

Speaker 5 (21:02):
He did the best he could and that ship went
out there, so he actually was right.

Speaker 2 (21:07):
I didn't hear it like that.

Speaker 5 (21:08):
When I hear that ship going crazy in the club
in the stadium and everything going crazy, I'm like, yo,
say hit. Yeah, I didn't know how he was supposed
to person. They no, because why did I come up
with that scenario?

Speaker 2 (21:22):
You know I'm fried. I keep telling you showing men, No,
I'm fried. What do people ask you to do? What's
your most successful impersonation? Ah? Ship, I know it all
they all are. They like the Tellervione that people always

(21:45):
Actually they like the Tony soprano. Oh yeah, you be killing.

Speaker 7 (21:49):
Fucking medal of ag. She's going down to the fucking uties.
She's got the matter guy. But the fucker grazy. Oh
my kids love it. Mend a Janis joy shack.

Speaker 2 (21:59):
You know that ship phrase?

Speaker 5 (22:00):
You know me, I don't know my voice might be
didn't the Italian spider all Italian joint and you start
talking like that the whole fucking place to look at you, right,
They be like yo, what the fuck?

Speaker 2 (22:11):
They love it?

Speaker 4 (22:11):
And when I do it at the show, it's like
the Italians go, fucking niggas good.

Speaker 5 (22:19):
You know that one guy he does a good Denzel
Oh just King, yeah, say something heap of all the
dudes that did Denzel me godfree my man.

Speaker 2 (22:29):
Reggie reads out of Chicago.

Speaker 4 (22:31):
Uh, Sea King and Dean Edwards and again this place
two people going, man, you hey, do you you don't
give it up to other people? I said, listen, Sea
King was is so cold with it. I stopped doing
it because I felt foolish. He's dead the fuck on,
and every chance I get to promote him, I tell people.

(22:51):
People still hit me up and go, yo, you're Denzel
see King. He got the crown. Man got that, he
got the crowns like that that.

Speaker 2 (23:01):
It's like that.

Speaker 5 (23:01):
Sometimes you know you got a big something. Sometimes somebody
does something so good you don't want to fuck with it.

Speaker 4 (23:07):
Well, you know, everybody like this, there's certain impressions that
everybody owns, like you go, Frank Caliendo owns Madden, see
King owns Denzel J. Farrell owns Will Smith. So for me,
it's like throwing soprano shack, you know.

Speaker 2 (23:25):
And scored when they dominate, dominate, get inside inside outside game.
You gotta get the ball man. You gotta put the
eyes comedic comedic part of it.

Speaker 5 (23:40):
Why you made it like the back of the bus,
just like that.

Speaker 2 (23:45):
You know he sounds just that, but you ain't see
the eyes. Sha shack. He was doing the real loves
it in the yellow bus shaq. But he loves it.
He loves it. He was on that dress. I love
Jada Kitts, but he really fun me up with this
euro step ship. I'm it's just like god.

Speaker 5 (24:03):
I said, no, no, no, you being a comedian, you've
seen that ship. You you thought somebody helped dig anybody
do the battery back?

Speaker 2 (24:13):
That was so good? Yes, that ship was too good.
Joe I said that I can't. I can't keep fighting
you for verbal rebound position.

Speaker 4 (24:20):
Uh, listen, rappers and comedians a little bit of because
it's wordplay, it's it's jokes, it's metaphors, punchlines.

Speaker 2 (24:30):
So that's not that's not. I can rap, but.

Speaker 4 (24:34):
I'm not a rapper, but I can. I can some lyrics. Fact,
let me see. I don't want to embarrass myself. But
because I tried to do a BIGGI impression and it
was awful. Uh, but I wrote the lyrics where I
said some about the Biggie baby bit delivers cold like
the shivers, talk slick ship, spick game is vicious, malicious.
How I rolled through you like a cancer doctor speak bleak,

(24:55):
talk about your chances, seem the work slow to keeme on,
flush to the bone, merrow when that row fuck several
fuck beef, make peace with your priest. The least think
an think about tomorrow Poppa spotsor Biggie be the dropcher, Chris,
keep it real, keep it frank like Sinatra, something like that.
So I'm not a rapper, but you know what I mean,
and I'm got it in this new generation was using

(25:18):
it be a voice a little bit?

Speaker 2 (25:21):
How you I don't really have it?

Speaker 5 (25:22):
Like, how do you feel when you go into and
enough people have Jack Biggie's voice that he don't have
to be that accurate? Like you know, but when I
every fat dude came up to me with Biggie voice,
I personally no disrespect. Guys, let me if you want

(25:43):
to learn something right now on hip hop. I think
I've been in it for a long time as a
fan as a rapper.

Speaker 2 (25:51):
Don't jack nobody.

Speaker 5 (25:52):
Their style, their voice, they're swagg You're wasting your time.
Do you know how many guys I met? They were
fucking dead nice, they allly had to be was dumb.

Speaker 2 (26:05):
And they might have been a superstar.

Speaker 5 (26:07):
But when they come on us and they doing the voice,
I don't like, nobody sounded like nobody.

Speaker 4 (26:14):
That's why when when I get called the old head
for going yo, why don't you like this new generation?
All your niggas sound the same, the same melodies, the
same cadence, the same flow.

Speaker 5 (26:26):
All your niggas sound the same. But it was always
like that. No, no, you have listen if you try.
In the nineties, treachers rhyming like this, dude, your niggas.

Speaker 2 (26:40):
It's craziest. If you look at every video at that time.

Speaker 5 (26:45):
Every rapper from anywhere was doing whoever's been popping, they've
been jacking this. If DMX Tretch had that move, if
DMX was you know how many guys I've seen coming
in the studio with a dog thinking.

Speaker 3 (27:00):
There and those guys didn't last no at all.

Speaker 2 (27:04):
So originality was a thing back then.

Speaker 5 (27:06):
Oh no, very very Now it's commonplace to be the same.
It's crazy. But I do believe that this new generation
is a lot different from my and I'm not trying
to hate on them or talk them down. I just
say that they're looking more for the bag or the lick.
It ain't so much culture, it ain't so much YO.

(27:29):
This legacy. They like YO for some reason.

Speaker 2 (27:34):
Everybody.

Speaker 5 (27:36):
I don't know if it's like that in comedy, but
everybody think they could be a rapper.

Speaker 2 (27:41):
They think this is the easiest job in the world.

Speaker 5 (27:43):
Everybody, the guy at the target, Target, the guy works
the front desk in this building, the.

Speaker 2 (27:50):
Guy at the deli, the dudes on the court.

Speaker 5 (27:53):
Everybody think the rap is just the easiest ship in
the world.

Speaker 2 (27:57):
But they could become successful.

Speaker 4 (27:59):
But a lot of people will feel like today it
is because it's garbage.

Speaker 2 (28:04):
It's just not as potent as it used to be.
It's gobbage.

Speaker 4 (28:08):
So the dude that talks can be a rapper, it's
stepped on bacon soda. Then I'm telling you, if I
really wanted to, I could do this shit. But but
my passion, my passion for excellence, don't allow me to
sound like garbage.

Speaker 5 (28:22):
I try to tell like guys similar. I try to
but not so offensive. But I try to tell like
my nephews or whoever try to rap and all that.

Speaker 2 (28:33):
I'd be like, yo, it's so much easier for you,
and we had.

Speaker 5 (28:37):
To guard Rock Kim. You know, even Fat Joe I
discovered big pun. But I went to the school of
big pun, meaning we double platinum and the parties outside
and we the hottest. And he'd be like, fuck that
we write moms. Today there's ninety degrees and everybody coming
in the benzes in the truck Yo were.

Speaker 2 (28:56):
Going to ortr be.

Speaker 5 (28:57):
She be like, fuck all that crack we're writing. And
so I went to the school of Big Pump with
he will bust your bubble like the way we used
to rhyme when Big Pump was alive.

Speaker 2 (29:08):
Not even healthy for your brain.

Speaker 5 (29:10):
Now you find a way to put fifty words in
one loose sleeve with that thing one of the most
classics over that diddly Itly this exactly what I'm thinking
of while I'm explaining it to you, right.

Speaker 2 (29:22):
It's like, well we did that song. It was like.

Speaker 5 (29:26):
So much pressure to put every word together, everything together,
and now you gotta have some swags, some melody, something.
It's definitely easy in this man.

Speaker 4 (29:39):
I said out the post one time where I said
Biggie's Niggas Bleed should be a tutorial anybody trying to rap,
because with that win, with that picture he painted, with
the melody and the pace of the song, you thought
you was looking at a scene in the Martin Scus
says he felt. I mean it was vivid, and I'm like,

(30:00):
that should be if you want to be a rapper,
you have to You should.

Speaker 2 (30:03):
Have thought in real life I can't say much.

Speaker 5 (30:05):
Yeah, in real life, I can't say as much as
him because they was actually part of the team.

Speaker 2 (30:11):
But you know, Biggie was my man.

Speaker 5 (30:13):
And I seen the Scorsese picture in real life, you know,
I uh, I was in his house, hanging out with
him in Brooklyn and this he just got lit. But
I mean like just got lit. He was like, yo, Joe,
come to my show. I think it was Roseland and
the Palladium. I got a shoulder night, this and that,
and Biggie was like us hockey shirt shorts, whatever, this, this, this,

(30:37):
and man. When I seen the pictures of that party
where he had the soundmon suit on with the Gators
with that, I seen him transform into that character.

Speaker 2 (30:47):
And I say, he ain't the real deal, but I've
seen it with my own eyes.

Speaker 5 (30:50):
It shocked me. I knew him, and I couldn't believe it.
Like he did so much for the culture of you
know taking. You know, if you think about Biggie, everything
was underground before that.

Speaker 2 (31:02):
Like so a song like.

Speaker 5 (31:04):
Mass a Field that was straight hardcore beats pre mo
and lyrics from Google Rest in Peace. That was the hit,
and that was playing on every radio station, and it
was like hardcore.

Speaker 2 (31:16):
Ship was the hit, and then Biggie turned.

Speaker 5 (31:19):
It into like taking those samples and making it a
super hit. Right, So his vision to rap on those
beats and to take it to another level, everything about
him is still all falls blows my mind every time
I listen to Biggie because I just can't believe he

(31:40):
was that good like and it's cadence and it's.

Speaker 2 (31:45):
It's funny because again when people go, yo, what's your
top five?

Speaker 5 (31:48):
And I say it, and I've seen this online where
people go, I don't know how people put Big in
the top five. He only watched two albums And I'm
going listen, how much evidence do you need to see
to tell this? Somebody is special? So what do you
think that if he if he was alive, he would
have just fell off? He was gonna get better. I
don't need eight albums to know what you were. You

(32:10):
showed me the first time. So come on, man, that's
what I'm telling you.

Speaker 2 (32:14):
Man. I people are fucking stupid. Most people are fucking stupid,
but you really don't see it.

Speaker 1 (32:22):
You don't understand it. And because I'll say that, oh.

Speaker 5 (32:26):
This here, do you want me to stay true to
your to your opinion and your voice in your opinion.

Speaker 2 (32:33):
I don't disagree with you.

Speaker 5 (32:35):
I've had young kids telling me that Biggie sounds like
to the hip hop to them right now with the
way they wrap y.

Speaker 2 (32:43):
You know, the youth is crazy.

Speaker 4 (32:45):
Look our heroes, well my heroes, Like I said, I
grew up on your rock, Kim krus One. You know
what I mean, Biggie. They heroes is liu Uzi, Satchel's
and purses. I can't disrespect little Uzi. That's your opinion.
Just he's my guy and I love it.

Speaker 2 (33:03):
Well, what was your experience like on Mad Team?

Speaker 3 (33:07):
When I saw you on there, it was like you
was fucking Litton.

Speaker 2 (33:12):
It was like one of the first black people on
Mad TV for me.

Speaker 4 (33:16):
Yeah, yeah, well no, actually before that was Orlando Jones,
Phil Lamar, and Deborah Wilson.

Speaker 2 (33:23):
I came in season three. He was one of the litis.

Speaker 4 (33:27):
Listen man, I you know again, if I could have
had it my way, I would have loved to have
taken the path of Eddie Murphy, you know, a couple
of years on SNL and.

Speaker 2 (33:35):
Then to the Stratosphere.

Speaker 4 (33:37):
But I didn't get a chance of playing the NBA
I played in CBA for the ABA, you know what
I mean.

Speaker 2 (33:42):
Mad TV just wasn't snl.

Speaker 5 (33:44):
Let me tell you something, they always got that little
white affiliation. With no disrespect to my white brothers and sisters,
but they always got like JB. Smooth, he's pretty much
a black jew Like they look he with that Larry David.

Speaker 2 (33:58):
He must be performing at every bar I missed for.
Jamie Smooth is Jewish. Don't get that fucked up. You
know they got that once you get that little jam
them gold sign.

Speaker 5 (34:11):
I'm telling you that's my man. They love him, The
Jews love him. He's down with Larry David.

Speaker 2 (34:18):
That's his crew. Like Tracy Morgan.

Speaker 5 (34:21):
Tracy Morgan keep it all the way hip hop, big
gold chase like I'd be working.

Speaker 2 (34:25):
I'll be bumping at Tracy Morgan's one guy.

Speaker 5 (34:29):
I bump into the hood in a million dollar Lamborghini
an the other day with the top of I don't
know what the fuck he doing there. He's driving by himself.

Speaker 2 (34:37):
No security. He's all the way hood.

Speaker 5 (34:40):
But for some reason, the white people really love Tracy Morgan.

Speaker 4 (34:45):
I mean, he hit all the right notes, you know
what I mean. Saturday Live thirty Rock you know what
I mean. So he hit all the right notes and listen.
Worked so there is a truth to that. Oh absolutely,
and listen Tracy Man. You know I love you. We
comedians always go Tracy Morgan. Sounds like a New York
City that way.

Speaker 2 (35:01):
Yo, trip shit, how are you doing? That's comic Banta
man Scott shipping. None on my whosh, But that's what
comics do. Man. If he if he was, he hit
me back. Yeah, trip shit. Tracy caught that bag too.

Speaker 5 (35:28):
Ain't sure that that motherfucker got too much money? Every
time I say him, yo, can I invest? He don't
even know what he want to invest in? You telling
me want some money? Can I invest? Yo, Tracy, I
don't need no money now. That motherfucker got the super bag.
You know he told me, he said if he dropped.
We live in the same neighborhood. His ship is bigger

(35:48):
than mine. Don't get it fucked up his thirty Rock money.
I think it was that Walmart money. I'm sure that
made the bag.

Speaker 4 (35:56):
Have you but NBC Tina fey Alec bowin thirty Rock
Prime Time, I'm sure he had the bag. But the
bag you know, when you lawsuit, it's like you don't
get no taxes on that or not.

Speaker 2 (36:10):
You get the whole whatever you get. But he said he.

Speaker 5 (36:13):
Called the cops on his if he sees his brother
and sisters in that neighborhood because they don't belong there,
he'll call the cops, Like, yo, they outside.

Speaker 2 (36:21):
That's hilarious, that's hilarious.

Speaker 3 (36:24):
How does how does it work when you trust some
material on it? Don't land how you expect it, but
just throw it out off now.

Speaker 2 (36:31):
You just go back in the lab and rework it.

Speaker 4 (36:34):
And you know, I always say a joke is never
done because you don't know at what point, at any
point at night, you're on the stage and you say
one word that takes it from here to here. So
a joke is never done. You know, big poem was
real funny, and I grew up some funny guys.

Speaker 2 (36:52):
Yeah, and.

Speaker 5 (36:54):
I had this one friend and maybe you just what
you're talking about. If he gets you laughing, he will
double triple quad you five times double down, like he'll
just keep on with the ship where you can't, you know,
when you got cramps and shit, like you just can't
take it no more. It's like a real assassin, you know,

(37:17):
he's like the movie Killer or some shit like that.
He really trying to kill you with the shits. Oh
that's my approach on stage.

Speaker 2 (37:24):
Man, Like if you got him, you're like, oh no,
I'm gonna finish this time. This guy.

Speaker 4 (37:28):
My approach is, I'm Mike Tyson in the eighties and
we ain't going two rounds. I'm trying to tear your
head off. That's why I'm glad I came up when
I did. Man, I got these T shirts I'm gonna
drop and says built eighties tough because the shit we
did back then kids don't do now, and I think
it's kind of made them a little soft.

Speaker 2 (37:47):
When you went to show What, Show What?

Speaker 5 (37:51):
One of the shows you went to where you was
on the lineup and it was some other people in
the line up say like for us, it's a sumber
jam or something like that, and you like, y'all, I'm
gonna smoke this and you walk out of the head.

Speaker 2 (38:04):
You know, top Dog, you know that night. But who
else was on the lineup? It was the after Death
Jam exploded.

Speaker 4 (38:12):
It was the first Death Gym tour and it was
Adele Givens, Regie McFadden, me Bill Bellamy and Bernie Mac
and uh Bernie step your game up.

Speaker 2 (38:25):
We let that bitch just step your game up.

Speaker 5 (38:27):
You know, because every time I got a concert, Fabulous
wants to perform after me.

Speaker 2 (38:32):
I don't know why we.

Speaker 5 (38:33):
Gotta ask fab when he come here, because I've watched
him sit in the car like the lineup says Fabulous,
the Fat Joe and uh Nellie or something like this.
The man find a way all the time to perform
after me. Findy here, Joe, Fendy. Why does Fabulous want
to perform after Fat Joe in every shot like you see,

(38:58):
I don't watch it. I'm gonna ask him when he
comes on the couch. Boy, I'm just trying to tell you,
is there anybody like that that you just like? Oh?
He trying to like because fab is particular the one
that he wanted to perform. I mean, you're up anywhere.
I don't care if I got the number one song
in the world. He gonna find a way to come
late to perform after.

Speaker 2 (39:19):
Why is that? You think? Is it? Because is it up?

Speaker 5 (39:22):
We gotta ask him because I'm confused because he's my friend,
He's my buddy. Do you I'm asking you do you
think it's a thing where it's like he doesn't want
to follow you or he wants to I'm confused.

Speaker 2 (39:34):
I keep telling you, I'm confused.

Speaker 5 (39:35):
We done did everything from stadiums to little low budget.

Speaker 2 (39:39):
You know, every last minute.

Speaker 5 (39:40):
You know it's a nice winter day, they call you
and they be like, yo, somebody's having his birthday party.
He got a little bag pull up and it's me
and Fab and I watched him in the car like
like this, waiting for me to go on perform. The
minute I'm on stage, just as Fab come in, he
grabbed the mike after me. You know, I don't know
what is I don't know if he does that to everybody,

(40:04):
he does it to me, Who does that to you?

Speaker 4 (40:08):
Uh no, nobody really, because you know, whenever I would
do you know, dinners with for five other comics, your placement,
with your placement, and you know you.

Speaker 2 (40:18):
Want to go before rap.

Speaker 3 (40:20):
I want to go early anywhere and rip the gizze
druns off and leave you with no Gizzard drugs.

Speaker 2 (40:26):
I don't want to go after it. I want to
make it. It's hard. I don't want to go after it's.

Speaker 5 (40:33):
A super pause. But let me let me tell you something.
I feel the same way. I got no problem at
certain places where I go. If they'll be like Joe,
you got a half an hour, that's even easier for me.
That's hip mania. I just keep banging to the dizzy
and I'm mad at it. You made a mistake if
you want to perform after me, especially if they say, yo, Joe,

(40:55):
just a half an hour forty five. I'm just coming
with straight hits to me. You know you said earlier
that you know you are fair something to me. Last
week they didn't do nothing to me. But I'm out
in La I got a concert, and I knew it
was a mistake.

Speaker 2 (41:12):
So I'm like they put me before somebody.

Speaker 5 (41:14):
And I was like, oh, this is a mistake, I said,
because I'm about to tear the paint off this bitch
so bad that this next person performed after me and
their legends and I was like, this is a mistake.

Speaker 2 (41:28):
Like, but I ain't say nothing. You know, you know
what talking to him it is like playing double Dutch. Fact.
You gotta try to jump in because even when I started.

Speaker 5 (41:37):
The station, now you said verbal you said verbal rebound
position either or yo me and Nori, we're gonna vacation.

Speaker 2 (41:47):
Phil.

Speaker 4 (41:50):
Because I clearly was off the runway, and that Nigga said,
and then then here's the thing, so let me you
earlier said you love the last and you take a
joke and all that all the time. Dude, does anybody
ever comedians do you like like I'm saying, if somebody
tried to fuck with you, will that bother you?

Speaker 2 (42:09):
No? Okay, that's the job.

Speaker 4 (42:12):
When because I wanted to say, man, you got the
blackest fingers I've ever seen, Nigga, you got trick daddy fingers.

Speaker 2 (42:17):
They're similar to the paint in the eye. Okay, he
might be cousins to.

Speaker 5 (42:26):
Shame, might be God on fu sha be your raided
shall be stereotype.

Speaker 2 (42:31):
I can't walk all over you.

Speaker 5 (42:33):
After I saw with the year he got the die
your bollic Cole, I know when it's preemitated.

Speaker 2 (42:40):
That was, that was, that was, That's what we do.

Speaker 5 (42:43):
That's what the fact, that's only in the black of me.
He said, you know whatever you want to use the
Euro Joe, it's over, yo.

Speaker 2 (42:50):
You'a motherfucker's plant that one that ship, buddy Evan. No
agree with the Euro lady, No, I agree with you.
That's it was crazy, man. It was the euro Yo.

(43:11):
I looked at the gotta set up a celebrity game.
Let me just say, Harry.

Speaker 5 (43:27):
All I care about besides God and family and health
into them. So even if I gotta laugh my way
at myself to the bank, I laughed.

Speaker 2 (43:40):
And to answer you, I went to the Beacon Theater.

Speaker 5 (43:43):
I'm sure you you you've been there before, right, And
it was I think it's Joe Torre. But I was
late and the worst thing you could ever do is
walk in the comedy show late.

Speaker 2 (43:57):
And the man caught me. He wouldn't let go.

Speaker 3 (44:01):
He was like, he was like, yo, firs, that's one
of my worst fids though, like they beat put the
spotlight on you like Reggie and right none he professor, Yo,
this guy.

Speaker 2 (44:14):
Care me up in real life.

Speaker 5 (44:18):
Let me say, lock of my necklace got Frank's Joe,
he got a good send the twenty on me and
I'm still sitting down trying to play it off, laughing
and the whole fucking beat when is laughing at me,
he kept going.

Speaker 2 (44:30):
Joe's one of the dudes. Him and D. L.

Speaker 4 (44:32):
Hewley, who I studied in terms of going all right,
telling jokes is one thing, but there's certain aspects to
the game.

Speaker 2 (44:39):
Crowd work, and Joe is fishes.

Speaker 4 (44:41):
Joe once told the dude he said something about his mother,
and the guy goes, hey, man, don't talk about my mother.

Speaker 2 (44:46):
She dad, And Joe said, I'll give funk.

Speaker 4 (44:48):
I'll dig the bitch up prop up against the tree
so I can talk about it small.

Speaker 2 (44:51):
Oh god, whoa it was in his own town. Yeah,
I mean it's driven ship like that's a little bit
too much.

Speaker 4 (45:02):
Listen, when when something, when the heckler, when the motherfuckers
drunk and heckling you. There's no such thing as too much,
because drunk people turn into suicide bombers.

Speaker 2 (45:11):
They're not afraid to die. So it's gonna be you
and me. I mean, man, that's that's a lot of
humor right there.

Speaker 5 (45:19):
To hand bro when he fucked me up, he said
he could squeeze the donut out my forehead.

Speaker 2 (45:23):
He was gonna crayhamn in front of all you just
stay did for that.

Speaker 5 (45:27):
I had to, man, I gotta be a good sport
if I walk out. That's that's like the guy, you know,
the guy, the CEO guy who is with the side
piece up at the cold play if he don't run away,
and he.

Speaker 2 (45:40):
Staid, there, I ain't calling him like that, and the
cook just finished the concert off. No no, no. If
he's started to just say with obvious.

Speaker 3 (45:50):
Exactly like he was.

Speaker 2 (45:52):
Having to work meeting running away.

Speaker 5 (45:56):
Man should have stayed in today, would have been a
normal white guy with normal white girl.

Speaker 2 (46:02):
Stated it would have been better than him trying to
dunk in the old ship. You fuck this old ship up,
That's what I'm trying to say, Joe Torrey got me.
Oh you say you gotta hand do the shit? Sit down?
You know? Yeah you fat fu? No, tor can't you

(46:22):
run run out of that ship? Is even worse you
done whatever they said. You had an encounterment with the
dog backstage in l A E M X oh ship.
Oh man, Uh yeah. This was back when you know,
comedy albums was the thing.

Speaker 4 (46:42):
And so I went to the jay Z concert at
the Staples Center and everybody in the back, you know,
bus Rhyme's stoopid.

Speaker 2 (46:49):
I was trying to get people to hold up the
album and be like, yo, support my man.

Speaker 4 (46:52):
Did so I saw X and I was like, yo,
let me And so I go into the liver, into
the locker room and there's one entrance in, one entrance out.
Fifteen niggas came in there behind him, and then the
security comes in, slams the door and stands in front
of the door, and I'm like, hey, I was just
wondering if you could do some joint my dog my voice,

(47:13):
I don't know I heard you. You know what I
mean by my voice? If it's good, yeah, if it's not.
Let me tell you something, man, I've been.

Speaker 2 (47:23):
I've been.

Speaker 4 (47:24):
I've been black my whole life. I grew up you know,
I didn't grow up in the projects, but I grew
up poor. And Uh, this how I knew where my
level of blackness ended.

Speaker 2 (47:34):
Uh.

Speaker 4 (47:34):
This nigga was talking to me, and at one point
he pulls the razor blade from under his tongue, and
that's the first time I saw that. And I'm like,
how is this nigga talking not cutting himself? And I went, yeah,
my nigga, don't understand. Yo, my nigga, I'm black up
to a point.

Speaker 2 (47:52):
That was it.

Speaker 5 (47:53):
Let me tell you something, your man DMX. The stories
I got about DMX, he probably got more. He was
down with him, But yo, d m X, man, he
was the trip. He was a real, real trip.

Speaker 2 (48:06):
He did Man TV. He was the real deal DM
Man Man TV. Yeah, I played his mother.

Speaker 4 (48:12):
We did a skit when he off the road and
I'm in the grand outfit with the gray hair and
the glasses, with the chain with times on, and so
he said, Yoman, the's bitches, and I mean, they don't
theyn't let me fight for me, earl, you know what
I mean. And I was like, your son, Blacks, you're
gonna talk about these hosts. So it's just me and
him going.

Speaker 2 (48:28):
Back and the.

Speaker 5 (48:30):
Like, Yeah, I thought of this crazy story. Right, it's
gonna lead to a question for me. That's crazy, that's insane.
It's insane one right, but it's the truth. It's uncapable.

Speaker 2 (48:42):
Right.

Speaker 5 (48:43):
So I got a friend, right, he passed away. We
used to call him Joe Bentley because he owned so
many Well we go to Miami. We used to have
all these drop top Bentley. This guy had too many Bentleys,
like the Italian dude.

Speaker 2 (48:59):
Too much?

Speaker 5 (49:00):
Right, he said he died, right, But I'm just telling
you this story because I thought about it on the
way here.

Speaker 2 (49:05):
I was like, who would be?

Speaker 5 (49:08):
But anyway, so this guy must have been the original
capper because you know everything I say is true. These
people just ain't having an incredible life like you, so
they can't they can't comprehend the shit I'll be saying.

Speaker 2 (49:24):
Right.

Speaker 5 (49:25):
So this man was the bigger capper than me. So
every time he was so rich, but every time he
would tell me stories, I'd be like full of shit.
Told me he used to fuck sit Share. One day,
he picks me up in my house in Miami, pulls
up to Star Island, Share, opens the door and the
boost DA and this name the ass walks it.

Speaker 2 (49:44):
Shit, you can't believe, right.

Speaker 5 (49:46):
So the man tells me that when OJ Simpson was
in the Bronco, he was in the airport with the
private that OJ Simpson is this man right, he was
the one waiting for him, for him and the A
C Green to come on a private breakout. This guy
he's telling me our counts. But the point is the

(50:08):
man telling me all this shit the whole time. I
know your friendy, I know he's I know, he's my man,
filthy rich with the ship.

Speaker 2 (50:18):
He was telling me. I could not believe right.

Speaker 5 (50:22):
So one days his wife's birthday and he says, yo,
we're throwing His wife is named the Cole Joe Bentley.

Speaker 2 (50:30):
His wife is named the.

Speaker 5 (50:30):
Co So he says, Yo, we're throwing her birthday party
in my other house up and like where Trump lives, Palm.

Speaker 2 (50:37):
Beach and some shit we pull up. This shit got
white horses, or it's just the guy had too much money.

Speaker 5 (50:44):
Right, I go with the terror squad, Me, Remmy, Pistol,
p This is why I got witnesses with this one.

Speaker 2 (50:52):
We going there. O J.

Speaker 5 (50:55):
Simpson is in the house, so Remmy and Pistol starts
smoking blunts with him. They having the best time with Ojson.
He was smoking smoking joint blunts with Remmy and Pistol. Right,
Remmy says she even got a picture of that. Right,
so I go go like he's murdered two people smoking
blunts is easy, You're right. The moral to the story

(51:18):
is when it came down to cut the cake, Happy birthday, Nicoll,
Joe Bentley puts the machete in oj OJ's hand. He said,
you did it, nigga, you did it, and oj start
chasing him around the house with the fucking knife.

Speaker 2 (51:34):
Somebody got you gotta get an animator and turn these
stories tell it.

Speaker 5 (51:38):
I shout out to mister Comodore, mister Comradore, just a
ready start.

Speaker 2 (51:43):
You seen the shit he did?

Speaker 5 (51:44):
He did it like when I robbed the Jimmy played
it over his white face with blonde hair, fat belly out.
He's doing this, Charlie Murphy. But listen what I'm saying.
O J starts chasing him around the house with the knife.

Speaker 2 (51:58):
He said, you did it, man, you did it. The
fucking who would be the O J.

Speaker 5 (52:05):
Simpson of twenty twenty five if somebody killed they wife
or something like that?

Speaker 2 (52:12):
Who are you the fuck? Who? Who is stopped TV?
Talking about? Who would stop TV if they was in the.

Speaker 5 (52:20):
White bronco chasing them they might have allegedly killed their
wife in twenty twenty five? Who's the celebrity, any celebrity?
And he at no, you know that's that's murder and fame.
So you think any celebrity would would have the TV
going crazy? Yeah, so you ain't got one pick? Oh

(52:41):
J wasn't even a big celebrity when that shit happened.

Speaker 2 (52:44):
He just was OJ.

Speaker 5 (52:46):
My pick is Tiger Woods. Because you got a white girl.
It gotta be a white girl right to make this
shit go crazy and white people.

Speaker 2 (52:57):
It is comfortable. I thought he had a question. I do.
Here's the question. The question is I was setting him up.

Speaker 5 (53:05):
Who's the old jail Who's twenty twenty five celebrity did
some allegedly did some.

Speaker 2 (53:11):
Ship like that? Who with every channel turned on to hey,
anybody that killed two?

Speaker 4 (53:16):
But when you said, when you say that element, now
you're talking about the white girl, is it? Does it
have to be that element?

Speaker 5 (53:22):
No, I'm just thinking about how crazy it's Will Smith
from slap to murder?

Speaker 2 (53:31):
Will Smith running this crazy? Are you? Oh? No, you're fighting?
Jazz is driving Jessy and he got the j He's
DJing while he's driving, and.

Speaker 3 (53:45):
As he's driving us in West Philadelphia born and raided.
Oh because I'm thinking Tiger boys got the white wife.
He's golf The white people watch golfing because the white
people love oh j That's what made it so crazy.

Speaker 4 (54:00):
Righty, it's twenty twenty five. Black men murdering white women
don't have the same cachet.

Speaker 2 (54:06):
Yeah, yo, yo yo. The diffuse of this Saint Yo
is out of control. Let's let me tell you one
of the funniest story ever heard.

Speaker 4 (54:15):
Niggas leg the Mike Tyson Eve at the awards and
he was like, Yo, you gotta take the base off
the boys.

Speaker 2 (54:23):
Chell, Mike Chick dad ship. I told him what story?
I don't know that story.

Speaker 3 (54:30):
Well, one day Mike was talking crazy to Eve, like
what crazy out of this world? Great like picture I'll
eat your kids and not like that. It was not
like that, but no, he was saying.

Speaker 2 (54:46):
Mike's saying that crazy ship to him.

Speaker 3 (54:49):
You must have lifted like a stake instead of you
know when you see he was gonna suck you up.

Speaker 2 (54:54):
Listen, listen to the story. Know when it's you.

Speaker 3 (54:57):
See something and you say something something in your mind.
He was doing that, but it wasn't in his mind.
He was just whatever he was taking. He was saving
me and me styles and loops like somebody got to
somebody got to be the crash dummy.

Speaker 2 (55:15):
Then we got a hawk, somebody got to get the horde.
Hit him, bro, and then we're gonna halt matter.

Speaker 3 (55:21):
That gone dawn and we did twenty first fingers about
twenty million times.

Speaker 2 (55:26):
Nobody wanted to take the first hit. But Mike was
telling her that crazy shit.

Speaker 3 (55:30):
I want to tell you, I want to He was
saying that crazy ship to it and we did that
the remy. But we was in his house after she
shot the girl before.

Speaker 2 (55:40):
That's that's after she elect that's before she elected shot
the girl. I turned out.

Speaker 5 (55:46):
Saucy opened the door, asked man, Jerry, she can't do
you opened the door, asked naked, And I was like,
am I hearing that?

Speaker 6 (55:52):
No? No?

Speaker 2 (55:52):
See your Mica all right is doing that?

Speaker 5 (55:55):
Yo, you gotta have heart to tell Mike Tyson like, yo,
my man, throw the top one man like and I'm
with some allegedly got out though.

Speaker 2 (56:05):
Yeah.

Speaker 5 (56:08):
He was like, yo, Joe, you know this is the boxes.
We were like, yo, my man, you gotta stop. Then
we're gonna side. And the type of things he was
telling remby mo, I felt pussy if I didn't like
like address it, like I have to be like.

Speaker 2 (56:24):
Your mic h that might have to be around the
same demon shoes losing his fucking mind. Fu, yo, y
Mike is crazy. He was like, yo, Joe.

Speaker 5 (56:36):
You know he showed me a brand new Bens. It
was like a five money some brand new ship never drove.

Speaker 2 (56:41):
He was like, yo, you just leave her head. You
got the bends, you know. The ship was crazy. Like
I was like Yo, my maid. He was looking at me.

Speaker 5 (56:56):
Remmy's eyes looked at me, her eyes open so big.
She was like, nigga, you better not leave me in
this fucking place. I think a brother was with us too.
Everybody was looking like yo, like, we're gonna have to,
like pound Mike Tyson out we get We have no pause,
no choice, We're gonna have to like it's nothing we

(57:18):
can do. Like he was like, Yo, showed us the
brand new ben shit was like one hundred and fifty
two hundred. Nobody even had that shit right then. They
still have to stick to we was like, ah, she
gotta go with us, my d man. No, that shit
was crazy.

Speaker 2 (57:34):
Man. Oh, it takes a lot of courage.

Speaker 5 (57:36):
It's almost like a guy at the movies with his
girl and they wrap it to this girl and they
disrespect this girl from him as they tend deep. You
know you're gonna get your ass. But a lot of
these guys are cowards. They won't defend their wife or
or they girl of shit like that. But the guy
that does, he gets the beats.

Speaker 2 (57:52):
Well.

Speaker 4 (57:52):
Sometimes the girls are the reason why they're get in
the situations because she get maud and start doing a
whole bunch of extra shit.

Speaker 2 (57:59):
Who you beat that. Let me tell you something. My
wife used to force me. This is when we used
to have one hundred guys. You're a real nigga. Take
me to the club tonight by yourself. You don't need
the crew. This this that I go to the.

Speaker 5 (58:17):
Club, I see the guys we beat up the night
before one hundred d and I'm like, there you go,
you got it.

Speaker 2 (58:24):
This the shit you want it?

Speaker 5 (58:26):
Remember I told you about the shit happened yesterday that
stump one hundred D one nigg Your man's a realist.

Speaker 2 (58:34):
There you go, you got it, baba, no problem this
this that. Then we always got away from that. But
you know, she used to test me like that.

Speaker 5 (58:42):
You know what I'm saying, like, Yo, you got to
come up in there by yourself. This this that you know, Yeah,
the woman could definitely talk. You went to some shit.

Speaker 4 (58:52):
Yeah we'll so with your podcast it's called Spears and
Steinberg uh bailable or all streaming platform.

Speaker 2 (59:00):
You got a Jewish guy, which yeah yeah, yeah.

Speaker 4 (59:03):
The game money the money, Uh check out the YouTube
channel Spisburg Pod hit like and subscribe. And I always
tell people, look, we like six hundred and seventy nine episodes,
and start from the beginning because when you it's like,
you know, you get it said, chance to hit the jokes,
the evolution of the characters. I do you know, callbacks

(59:24):
and uh it's like uh massturbation and potato chips.

Speaker 2 (59:28):
Once you start, you won't stop. Binge. Yeah, I mean
it's binge. Man.

Speaker 5 (59:35):
You know why he is just making big money with
this ship? Is the country Wane they said on Facebook? Yeah,
he got a choke hole over there, Maber. I called
you that Tom Dove is is she does my all
social media and I called it and I was like, yo,
I heard that dude is clearing.

Speaker 2 (59:51):
Checks over there in Facebook.

Speaker 4 (59:54):
Yeah, I mean you know this this If you know
how to finagle this ship, there's money in it. So
and I'm kind of just on the cusper figuring that out.

Speaker 2 (01:00:04):
You know. When you get it though, that ship is
a oh yeah, oh yeah.

Speaker 4 (01:00:08):
So And also slide into my DMS and Instagram and
I'll chop it up with you and send you the
links Spears and Steinberg.

Speaker 2 (01:00:15):
I like that. And you're on tour right now too. Yeah,
all year round. I hardly ever get a break, right too. Man?

Speaker 5 (01:00:23):
What about you work a lot too, Like I find
myself not being able to truly enjoy my peace because
I'm always thinking about all right, Thursday we out to Vegas. Uh,
then Saturday we in Canada. Like how do you do
it's the same way through your week. Or you don't care,

(01:00:45):
you just know that shit's on your mind. You gotta
it's constantly thinking about you.

Speaker 2 (01:00:49):
Can't really just ship rest some shit today.

Speaker 3 (01:00:52):
They say you're gonna make time for you, So you're
gonna make' gonna make some time.

Speaker 4 (01:00:56):
But wherever you go sometimes is it like because for me,
it's like sometimes if I go if I'm going to Miami,
I'm going to Vegas, New York, that's like a vacation.

Speaker 2 (01:01:05):
But if I got to go to Mississippi, Oh Street word, man,
I just like niggas and red Yo.

Speaker 5 (01:01:14):
Listen, man, I went to North Dakota last week. You've
been to North Dakota. Ass pussy value go down in
certain parts of the country. I don't even call Miami Miami.
I call it me Mommy, Mommy, Florida baby Me, Mommy.

(01:01:34):
Them women out there dressed like they don't like their fathers.
One thing in Miami is day in shape. Yeah, in shape,
and everybody works out over there, like everybody. So the
minute you driving down the street, it's like no other place.
The minute you driving, you know, everybody got their workout

(01:01:56):
clothes on. The dude just cocked these who they running
around like. You know, Miami is definitely all about their
appearance and stuff like that. So you know, my, mommy, mommy,

(01:02:20):
I'm gonna ask you one last question. When is the
one time you stepped in ship and you just said
holy shit?

Speaker 2 (01:02:27):
Comedically? Oh that's easy.

Speaker 3 (01:02:30):
Uh.

Speaker 4 (01:02:31):
We ended the first that death comedy Jam tour the
Garden And at that time, before the clip that I
did eventually that went viral fourteen million, I was at
the radio station in San Francisco and I did.

Speaker 2 (01:02:44):
Some went viral back then. No no, no, no no no.

Speaker 4 (01:02:46):
I'm talking about later after this moment and I did
a jay z DMX snoop rapping and it went viral.

Speaker 2 (01:02:54):
But before this the Garden, I didn't write I didn't
write it down. I just thought I'm gonna wing it.
I'm gonna just just go off the head. And this
is why you go. You have to have respect for
what you do. I bomb so horrifically.

Speaker 4 (01:03:07):
And as I'm walking past Kid Capri's table, dudes just
standing over there at the DJ booth and one of
them goes, I don't know if they said it on
purpose so I can hear it or just the timing.
He was like, man, that niggas got it. And I
had to walk back from the garden to the hotel.
Sherifdan on fifty seven. I felt like Will Smith and

(01:03:28):
I am legend. There was no cause to help people.

Speaker 2 (01:03:32):
It was just lonely.

Speaker 4 (01:03:32):
It was me by myself. It was the loneliest walk.
It's like change don't come.

Speaker 2 (01:03:37):
And that's what I went. You know what, dude, you
gotta respect this shit.

Speaker 4 (01:03:39):
So I smoked the blunt and I and I wrote
and I just I wrote the lyrics out and cut
to that's when I did it at the radio station
and it went viral.

Speaker 8 (01:03:49):
Yeah, you know what he just reminded me in this podcast,
there's certain guys you can't really big up like that, right,
So there's some people I big up and they and
they try to diss me, like kick the Pree.

Speaker 2 (01:04:01):
I call him one of my top five. It wasn't
good enough. He's on this Discraunt we gotta discuss this.

Speaker 5 (01:04:06):
This is this.

Speaker 2 (01:04:07):
I see the Matt Raids John's funeral. I say, yo, kid,
I can't even beg you up, Like I can't even
beg you up.

Speaker 5 (01:04:13):
I call you my the number one on my top five,
and you still got a problem with it.

Speaker 2 (01:04:17):
You on your Instagram like, yo, we got to talk
about it.

Speaker 5 (01:04:21):
I'm like, you care, I can't be There's certain guys
I'm realizing on this podcast and you can't even big
them up because somehow that turns into how we gonna
turn this into some other shit?

Speaker 2 (01:04:33):
Right? I mean, I gotta act because now just hit me.
I gotta ask you a question.

Speaker 4 (01:04:38):
So when most people go there's dudes that do battle
rap like Loaded Bucks and Murder Move.

Speaker 2 (01:04:45):
For some reason, a lot of battle rappers can't make
successful albums.

Speaker 4 (01:04:49):
And then I'm going and they also but well, a
lot of guys that are successful in making albums can't
battle rap, and I go, when you think about a
guy like Jada, one of the hardest MC's ever, if
you had the battle rap, like you.

Speaker 2 (01:05:03):
Know, I can't do that for real? I think I
mean I could, but I can't. They possessed a special
thing with that that's what that's they and.

Speaker 3 (01:05:13):
I mean matter of fact, I might could and they
might be able to make classic albums. Is just once
the people start saying, YO know, the battle rap niggas
can't make good albums.

Speaker 2 (01:05:23):
You know the regular things can't be battle I maybe can't.

Speaker 3 (01:05:28):
If you pushed me to the min or, the bag
was out it because they never say who win the
look whoever you just the win or to lose. It
is up to the individual's ears. Like they never just
put a thing up Arie fifty rounds kids, three raps,
just say you was there or you watched the link

(01:05:50):
you come outside of Your man might think you one
other man might think I won. So if the baggage
right and is no, all you gotta do is win
a good round and a half.

Speaker 2 (01:06:00):
I think that. I think that was get around and
a half up? You could be I meany rounds? Is
it three? But is it is? It's really all of
that ship.

Speaker 3 (01:06:10):
They can keep starting over in order to come back
with the other I don't.

Speaker 2 (01:06:15):
I should take a lot of practice.

Speaker 3 (01:06:17):
I would have to go to the I have to
go into campus see from the outside looking in, and
just as a fan, you just go, you know, I
could do it.

Speaker 4 (01:06:24):
I probably could, but I ain't going to just step
out there and say. And then my question to you,
Joe is.

Speaker 2 (01:06:31):
I want to help answer that too. Okay, but let
me ask you this.

Speaker 4 (01:06:35):
I would think like, if there's so much potential money
and what if they were to set up like a
pay per view and go, we would love to see
Eminem versus Jada fabulous verse another MC like that. And
that never happens really, except with the versus thing that
just happened because of COVID.

Speaker 5 (01:06:54):
The thing I'm trying to tell you is to be
careful with fifty cent in them, you know is no,
I'm just trying to tell you.

Speaker 2 (01:07:04):
Were talking about are you this hip hop thing right?

Speaker 5 (01:07:09):
It's could well the guys to get the most respect
they have unscathed.

Speaker 2 (01:07:18):
Resumes.

Speaker 5 (01:07:19):
So nobody ever robbed Fat Joe, nobody ever beat Fat
Joe up, Nobody with all the guys ever beefed with,
they never got one up right. Fifties part of that
frame of thought where no one gets one up on him, right,
So you gotta understand these guys got these type of
like egos where they not trying to take no type

(01:07:42):
of hell. So with the battle ap ain't no professional
rapper like a professor. You might find a fragio star,
you might find one of them, you ain't gonna find
a top tier rapper trying to battle for any amount
of money.

Speaker 2 (01:07:56):
Jada against eminem distance.

Speaker 5 (01:07:57):
They're not doing that shit because nobody once that blemish
on the record, you know.

Speaker 2 (01:08:04):
And it's the same way street wise with rappers. Once
you catch that L and you.

Speaker 5 (01:08:09):
On video, Look they look, they were terrified at this
night till they seen them get beat up one time
and they had them on film. After that, they were
trying to rush them everywhere he went Arizona. These people
were so terrified at so once they see you catch
that L somewhere, whether it's battle Way or whatever the

(01:08:30):
case may be, Oh good luck walking around the same
way you walk around. Now let me let me go
back to that original question. The truth is, there's a
lot of artists out there. They don't know how to
make a hit record. Don't ask me why. There's a
lot of artists out there they don't know how to

(01:08:51):
make a hit hook. Don't ask me why. There's a
lot of artists out there that don't know how to
change their flows there's a lot of artists out there
is considered the greatest lyricists of all time that never
could pick a good beat.

Speaker 2 (01:09:06):
Don't know why. It's like, well, you you come to comedy.
They got to be like a chamber.

Speaker 5 (01:09:11):
Does he rock the crowd or does he say funny
shit on the spot? Does he have premeditated ship this,
there's a there's a criteria for some reason.

Speaker 2 (01:09:23):
Everybody's not born with that chamber, with every single chamber.
And I watched it. I mean the greatest you know,
if you want me to say a name, which is
not right.

Speaker 5 (01:09:34):
But there's been some of the greatest guys that we
considered the greatest rappers of all time that didn't know
how to pick the beat or didn't know how to
really make a hit, and so some of them kid
under the claw of I'm underground. You know, I'm underground.
I don't really want to make a hit, you know,

(01:09:56):
I don't really want that kind of success.

Speaker 2 (01:09:58):
I don't. I don't this, but that that end of
the day.

Speaker 5 (01:10:01):
I think rappers like I started out underground, digging in
the crates. I think it shows growth if you're able
to make a song like who shot You? And then
do a what's love?

Speaker 2 (01:10:12):
You know what I mean?

Speaker 5 (01:10:13):
And me, I used to tell all my crew digging
in the crates, I used to tell them more of
y'all came in here to be a superstar.

Speaker 2 (01:10:19):
I did not come in here to just be underground.

Speaker 5 (01:10:21):
Not pointing them out in any way, but just saying,
there's artists that just can't do everything, and there's some
artists that haven't had the luck like you. You beyond talented.
Everybody knows you beyond talented. You just ain't have no
Adam Sandler in your corner. You just ain't have no

(01:10:42):
like like you know, you ain't have somebody with that
type of power to say this is the guy you know,
So you similar to us. You gotta fight your way
to where you got your spot. Were still fighting on
the greatest side from you that I loved. It was

(01:11:02):
at that time when you said, uh, what's everybody so
mad at the south Wall? Switch up your style? Switch
to south Wall? I was thinking about that today. That
was me and he bowed.

Speaker 2 (01:11:15):
I was Jada. I was listening. That's my region, that's
my love, Google yo Ja, We'll be right back after
this commercial rank hold up.

Speaker 9 (01:11:29):
I followed everybody so mad at the south Fork, learn
how to switch your style up and go southball say it,
but you open your mouth for better reason for me
to just open your scout more up.

Speaker 2 (01:11:42):
Man, that's me. Man, let's not get this. I mean,
we ain't got all time. It's no no, no no.

Speaker 5 (01:11:48):
But I gave you that shout out no yeah on
a super smash ship breck Aga. But that's it's visually
who came from thugging out? Then he threw it on
on this once again the crossover. Let me explain saying
to you right. The point I was making right is
at that time everybody borrow No I didn't.

Speaker 2 (01:12:12):
I'm just making sure he I didn't know where it
came from. He might have set me up with that ship.
I would have gotten this face. I would have gotten you.
You're the only person that I heard say that.

Speaker 5 (01:12:25):
It was a little underground and was it my ship
was smash No. But I still gave him the prom shade.

Speaker 2 (01:12:31):
I was listening. I don't care.

Speaker 3 (01:12:33):
I'm like, but it being the biggest song, I just
don't You're not gonna deprive me and being a part
of it.

Speaker 2 (01:12:41):
So but I did big he gave me. I love you.

Speaker 5 (01:12:46):
That's a big breaford making brain. But let me explain
something to you, right, I traveled around the whole country.

Speaker 2 (01:12:54):
I did this thing.

Speaker 5 (01:12:54):
I think it was for bud Light, and then every
city to starve the city basketball player would come out.

Speaker 2 (01:13:02):
Right.

Speaker 5 (01:13:03):
So if it was Memphis, it was Zach Randolph at
the time. If it was Philly, AI and now we
would host everyone. But I noticed that the whole entire country,
from the East to the Midwest, to the West to
the South, we're only playing down South music in the club.

(01:13:26):
One time New York created hip hop. That was no
longer that we was not running the game. The West
took it. We wasn't running it. South took over the
game to the point of I gotta be deaf, dumb,
and blind to be sitting in the hottest club with
the hottest ball player not to notice this shit unchanged

(01:13:47):
on us. You can't come with the boom back and
think you're gonna pop one off. It just wasn't working
at that time. The DJ got to spend with fl
fluidity the same shit, this rocket, So the d he
ain't playing nothing but the down South shit.

Speaker 2 (01:14:02):
So I'm in Memphis and the guy goes and says,
let's throw it back. He throws on the rock Buildings
in the Building to night. Oh the problem with that
was that was actually number one at that time.

Speaker 5 (01:14:15):
He said, the throwback, the throwback of the day rock
building in the Building to Night.

Speaker 2 (01:14:20):
Is because they're so used to hearing nothing but the.

Speaker 5 (01:14:23):
Dirty South winning all day that even though that record
was the hottest shit out, they called it the throwback.

Speaker 2 (01:14:31):
Same with New York. New York was really really cocky.

Speaker 5 (01:14:35):
I remember there was a time when New York you
listen to Hot ninety seven and they'd be like, yo,
what's playing outside of the Five Boroughs?

Speaker 2 (01:14:44):
And they'd be like, these are my confessions.

Speaker 5 (01:14:46):
And they had that shit in the choko to where
they wasn't playing that. So according to it, to the line,
why are you bad at the city, you gotta switch
to South for you know how many New York.

Speaker 3 (01:14:59):
Rappers was which nigga's shit it No, no, because at
first they get mad at you.

Speaker 5 (01:15:05):
You figure it out, you get upset, Yo, he get
into the bag. The nigga made it dawn South here.
That's what's ringing right now. So all my New York
colleagues furious, I'm reading the Sauce magazine. Oh I could
he rhyme on something like this this next thing? I
know everybody's everybody's the ate away rocking like this. But

(01:15:25):
they was dumb mad at me. When I first did
make it ring. They were like, yo, how you can
rap on that? And then everybody is just a new norm.
Then New York starts sounding like the Dirty South. To
be honest with you, if you're.

Speaker 2 (01:15:36):
Gonna keep it a buck because they were like, yo,
we got to make one of these.

Speaker 4 (01:15:41):
So in other words, being that he was the originator,
it's like you Elvis Presley did it, but he was
Big Mama Thornton.

Speaker 2 (01:15:49):
I guess so I begged the boy you know who
Big Mama. No she she wrote, uh not but a
hound a right, wow, just took it, you know.

Speaker 5 (01:16:02):
But no, she's the real Well he spit a bar.
He didn't write my song, brother, be clear. He spit
a bar, you know, and that ship went, you know,
make it ring one of them classic coals. Don't get
it fucked up.

Speaker 2 (01:16:20):
Just this cry. It is the first line of the
first verse.

Speaker 5 (01:16:24):
Young motherfucker kid kids, I'm going to hire a comedian
behind the scenes.

Speaker 2 (01:16:31):
I might hire you give me some Jadakis jokes because
this guy ship you tried and you lost. I though
you tried, you tried forty eight hours, tried. He was unsuccessful.
You try, You talked about how black ship.

Speaker 7 (01:16:45):
Don't know that ship was.

Speaker 2 (01:16:47):
You got the base, that was it. That was a
odd that was a draw, that was a draw, that
was more and one, but that was off the top.
I wouldn't ever.

Speaker 5 (01:16:56):
Ask you for directions. I asked you to get to
the Bronx. She sent me to Kentucky the way you
all over the place. Man, No, he said, I frid
But let me tell you something. He hit you with
that ship, right faty, I said, too, shame man. He
gave me my I thought that was a great one.

Speaker 2 (01:17:14):
Dude.

Speaker 4 (01:17:14):
Sometimes when you speak in your regular voice, especially if
I've been smoking a lot drinking rasp I get a
little raspy.

Speaker 2 (01:17:21):
I've been working on it, you know. Uh, let's get it, baby.

Speaker 1 (01:17:26):
Congratulations all week one point one maid and the show
a week.

Speaker 2 (01:17:31):
So I'm working on it. I'm working on it.

Speaker 4 (01:17:34):
Let me see if my hull up and I ain't animated,
like say it buster rhyme to real shit, you kid,
when you break down. My line had that to the
fact I'm going plat a bunch of times. Time sap
a mindfluence, some pot coach. I'm supposed to be number
one on everybody list O. I love you, Tony Soprano.

(01:17:54):
I used you on the intro to the album.

Speaker 7 (01:17:57):
Fuck of course you didn't you know on the fuck
of dal one the guys in the fucking a Diance.

Speaker 2 (01:18:02):
You know what it is. I've seen you with the
fucking euro step. You're pretty good, yo. This is Joe
Crack Jady Kiss another episode of The Joe and Jadis Show.
Make some noise for our brother Ary Spears Jersey. That
was beautifully appreciate it

All Episodes

Joe and Jada - Aries Spears on Ice Cube & 50 Cent beef, T.I.'s comedy, Jay-Z & DMX impressions

Episode Transcript

Hosts And Creators

Colin Cowherd

Jason McIntyre

Popular Podcasts

New Heights with Jason & Travis Kelce

The Breakfast Club

Fudd Around And Find Out

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Joe and Jada - Aries Spears on Ice Cube & 50 Cent beef, T.I.'s comedy, Jay-Z & DMX impressions