Joe and Jada - Hitmaka on Yung Berg name change, Pharrell & Kanye, WILD rap industry stories - The Herd with Colin Cowherd

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Here's Ts. By the way, he's protected by the almighty.
I'm gonna be honest with you.

Speaker 2 (00:04):
He where he came out. Why you want to be
a dollar? He won't. Never made it at TS without
do arts. Thank you, Yo? What up? Yardist your boy? Joe?

(00:29):
Crack the dawn? It's your boy, Jada. You know what
it is?

Speaker 3 (00:33):
Did Joe and Jada show every show legendary, every show iconic,
and we never not deliver. Speaking of delivery, our next guest.
I know him for years since he living in Miami.
Now I know him since he was a jit. Now,
ain't say that Nick, you know, man washed him. You know,

(00:54):
I mean he was part of my family. He's still
a part of my family. Then he grow on and
do his own thing. Every since then, he just been
collecting plaques, collecting diamonds, buying property, buying rose royces. Lady, gentlemen,
give it up for my men. Hit makers.

Speaker 1 (01:16):
Somebody I could say, in this industry of fakers and
vultures and pieces of shits, one guy could say, who's
really loyal? Don't get mistaken by him. You know, every
interview he bound to say some shit today, right, every
interview he go crazy. You might think he just talks shit,

(01:37):
but this man is a loyal guy, the one and.

Speaker 2 (01:40):
Only hit Makers. Yes, sir, yo, let me tell you something.

Speaker 1 (01:45):
You know, when I'm sitting here and I'm looking at
all them diamonds and shit, no I never told you,
but I'll be watching you because you know, I got
serious collections, and I see you, man, I gotta watch.
Nobody could get that costs the house in Atlanta. He
pull up a month later and be like, y'all a

(02:07):
new one. Every sit, every watch, he'll bost that bitch
up and like, yeah, yeah, I'm taking as flattery, but
I'm also happy that I see my brother come up
and do what he liked to do. The problem I
got with hit Maker, oh shit, problem, I'm on your side,
flag already. I'm on your side ready. But in this game,

(02:31):
it ain't no cheating the game. And some artists think
they can cheat the game. You gotta go in that studio.
You gotta let your life out. You gotta put in
that pain, that passion. You don't know how many artists
some of y'all call hit maker. For me, you're gonna
give me a hit like you come across that. Everybody

(02:52):
who sit down. Think you're giving him a.

Speaker 2 (02:54):
Free hit, right sure? For sure? I mean, ain't nothing
to free my brother. Only for y'all know.

Speaker 1 (03:01):
What I mean is they don't want to put in
that pain. Stay in that studio night and day. Don't
change your clothes. This, this, this, That's how I'm accustomed
to making hits.

Speaker 2 (03:12):
For sure.

Speaker 1 (03:12):
You locked yourself in six months and you in there
every day and you don't come out. You don't give
a fuck. The most you do is watch a game.
You come out with some hits. I've heard more than
twenty different artists that I respect and I know. Tell me, y'a,
I'm gonna just go see him making get a hit.
They think it's like that.

Speaker 4 (03:31):
It is like that, though I'm the walking, talking cheico.
Like I go to the studio, I give bb hell
let's circle house six days a week. I go there
and work until I can't work no more til I'm
ready to drive home. And then the reality is when
you come see me, you come get it hit. You don't.
I don't play beats. I'm playing you a smash. You

(03:52):
fill in the blanks and you go do what you
need to do. It's the aliube of all aliupes when
you come see me. So that's why people be like
I've heard it. Executives say like, man, like you ain't
no real an R. You just sent your artist to
hit maker. He did all the an R shit for you.
He got the feature on the song, he got the hook,
he got this shit already done.

Speaker 2 (04:09):
Like, what did you do? But I mean, that's why
they pay me like fifty grand a record. Man.

Speaker 1 (04:13):
Let me tell you something, Man, I watch it. You
come up and bad. It's some beautiful thing to see.
How many records sold now three hundred and fifty something million.

Speaker 4 (04:27):
I got eighteen number ones at radio, twenty seven billion
streams something like that.

Speaker 1 (04:33):
I don't know the only guy seen with numbers like that.
It's your main depre one of my idols.

Speaker 2 (04:40):
I love them. Who are your idols in doing this man? JD?

Speaker 4 (04:45):
As far as producers only JD Kanye of course, because
I'm from Chicago.

Speaker 2 (04:50):
No id damn.

Speaker 4 (04:53):
I guess Timblin forar Real around that out top five.
I never worked with Forarrel yet. That's gonna be interesting.
We finally have Yeah, No, that's gonna be interesting. He
made it happy in one of the rooms in Circle House,
that I work in all the time.

Speaker 2 (05:07):
I'm like, yo, I'm still trying to get that happy.

Speaker 1 (05:08):
You know what I'm saying. Energy was Yo, that was
a different type of ringer. I'm gonna tell you some
crazy shit. This is crazy because I love both of them,
and they both beyond historical producers. Because we're talking producers.

Speaker 2 (05:22):
You know.

Speaker 1 (05:22):
I was there when Timberland went cold and Scott Storch
was right next door, had cheese lines down the block,
Hello cool Jake this one and novel whoever was hot
was online. Scott Storch and Timbo was sitting in front
of the studio and look at all the rappers act
like he wasn't Timbo to King, I watched the same

(05:46):
thing happen to Farrell in Miami when he got cold.
I used to go there. He used to be like, Yo, Joe,
come tell me stories. He has all these stories that
I tell on here ahead of time. He knew I
was the story king. Yo, tell me stories. I'm sitting
with them when they cold. Now this guy's running, fucking
Louis Vauton, biggest guy, happiness this that. But I remember Timbo.

(06:09):
He wasn't mad at Scott Storch he'd just be like,
don't worry, I'm coming with some ship. I'm coming, And
then that boy cracked that cold I'm bringing sexy bag.
Yeah yeah, I'm not your mommy mommy mommy boy him

(06:31):
and that Danger Hand, Yes, Sir, changed the whole fucking sound.
And I'm guilty because you know, I've been around a
long time. Dayjerhands came one time a DJ Kallis studio
in the house and played me some beasts. They were
too futuristic for me at the time, and I was
just like, you know, and boy he turned into Danger Hands.

Speaker 2 (06:52):
Yo, I got. Can I tell you a story?

Speaker 4 (06:55):
Yes, sir, I think that one New Year's Eve we
did that record. I think that because you know, I'm
TS to the death of me. You know what I'm saying.

Speaker 2 (07:05):
I got. I'm mad.

Speaker 4 (07:06):
I ain't got my TS. Shane here too. I should
have brought it, but I got a real one.

Speaker 2 (07:10):
Yo.

Speaker 4 (07:10):
This this man Joe did some ship that was so insane.

Speaker 2 (07:14):
It was me. It was at DJ College New Year's
Eve b party. You invited me. I came with you.
It was me, you, Diddy and Callid and his nigga.

Speaker 4 (07:24):
Joe was like, there's Diddy there's DJ College and now
it's IT Maker. And if you said that, shit, I'm like, damn,
that was just like one of the biggest compliments ever.
I think you started beef with me in Callig right
then there at his house too.

Speaker 2 (07:40):
Well, he don't have no beef with you. He can't.

Speaker 1 (07:42):
But what I'm saying to you is the competition cut
from the family tree when it comes to producing and
making hits. So I've been a guy dead whether I
make a dollar with you or not, I'm true to
the culture.

Speaker 2 (07:56):
So if I said that.

Speaker 1 (07:57):
I meant that, you know, And I'm just letting him know, like, yo,
he's coming from that family tree of hip makers, you know,
and you know, respect the kid, the kid coming up.
Be on the lookout for him. And and that's what
I probably did. But beef with Cali Callius, he has
no beef with you.

Speaker 2 (08:16):
No, No, I'm talking about lose competitive, you know what
I'm saying.

Speaker 1 (08:19):
Oh, No, everybody's competitive in this game. Everybody think the best.
We just had l A right there. You didn't hear him,
but he said he's the best. Very quietly. He was
like and he said he's.

Speaker 2 (08:29):
In the top rapper talk. That's what he said. No, Yes,
he just said I'm in top rap.

Speaker 3 (08:37):
He was playing some new music and he said, I'm
in that top rapper to should feel like that, playing
this new project.

Speaker 2 (08:45):
And I heard it. Just let it. You ain't feeling
no way when he said it, because this top five
that I don't no nor is my ships.

Speaker 1 (09:00):
Man Stevie Jackson, man, I've seen him take a picture.
They had a fucking George Floyd's statue. George Floyd's bigger
than the building of Steve you know the NBA. He
looks like a midget, damn I mean, and that that
was his brother. This guy statued up like he don't
take none of the guys that got it.

Speaker 2 (09:18):
They're actually gonna make him taller in the statue. You can't.
You know, we're not worried about that. But the man
did mumble that ship under his breath, that ty rapper talk.
He's supposed to feel. That's what you're supposed to do.
I guess we all feel that way. If you don't,
you and the you know, you just see it.

Speaker 4 (09:36):
I don't think nobody's fucking with me. And like I
could prove it, I love talking that shit. Nobody's fucking
with me. Nobody has more hits in their phone than me.
Right now, I will out there's not a producer walking
this slanting.

Speaker 2 (09:47):
Earth white man being one from a s of course. Bro, No,
listen who you want, Leon Thomas? Who do you want?
The hook?

Speaker 4 (09:54):
I mean what it's here, It's done shit my phone
right now, adverse.

Speaker 2 (09:59):
Yeah, see what I'm saying.

Speaker 3 (10:02):
See the producers, y'all get a lot of y'all, y'all
dealing with different finances, so y'all know, yall competitive.

Speaker 5 (10:10):
Nature stays just that, and y'all see each other buying
helicopters and doing you know what I mean?

Speaker 2 (10:16):
But coming from the rappids shit is a different thing.

Speaker 5 (10:19):
Well, you're formula though over the past fucking I don't
know how much he is about here, And yeah, you've
been hitting them out the park consecutively.

Speaker 2 (10:31):
I don't know how that's making people fit.

Speaker 3 (10:33):
It should make anybody feel good because it used to
be a lot of doors to go to when you're
making a product.

Speaker 2 (10:41):
Right you can be like, yo, that was the window
is closing. Man.

Speaker 4 (10:46):
They gotta feel good about this shit because in reality, bro,
like I'm still I'm Iceberg, I'm young Berg, It's just
I'm hit making now, bro, Like people don't know the
long form of my career, like they got to see
it in real time. Like I'm literally people will be
like I was the nigga that DMX used to go
sick on niggas like, yo, go go get them. I
remember rapping with Cassidy and being at Powerhouse while you

(11:08):
cutting records and being around p K and Swiss Beats,
Like I got that type of career and then I
became young berg on my own thing. Now I'm just
like a heavy stepper as hit maker, Like I ain't
gonna lie, like it's hit like.

Speaker 2 (11:21):
This astronomical type of different things.

Speaker 1 (11:24):
I watch you on interviews and you talk about chicks
you smashed this this yo, you really are transparent out here.

Speaker 2 (11:31):
I don't lie.

Speaker 4 (11:32):
I can't lie, speak very clear, and it's on the
internet that I smashed these girls. So when I'm supposed
to be in there, if Cam Newton asked me some
bullshit and he set me up with that, and y'all
know that interview was done eight months ago. Somebody just
recycled that clip and made that shit go viral again.
But they set me up with that, like we did
the whole interview and then at the end he like,
we don't want to play a game show, and it

(11:52):
was almost like who have you fucked? Like the game show?
It should have been the title of it. And he
just rapid fire names names. If y'all look at the
I was kind of uncomfortable when he was asking me,
But I'm just like, I just met you an hour ago, Camby,
you need to know all my bodies.

Speaker 1 (12:05):
Yeah, man, he wanted them traders like he's one of
those he dude chicks too, So I don't.

Speaker 2 (12:15):
Mean in that way. I mean like he wanted them guys.
He feel he hit mad chicks, So he was trying
to make sure I ain't hit none of his work.
That's what it was.

Speaker 1 (12:25):
That's exactly what it was, yot yo.

Speaker 2 (12:32):
I gotta save that off camera right now you rather
than mask you that off the Yeah.

Speaker 4 (12:37):
I ain't know where it was gonna be cause I'm
gonna be honest, y'all. It did feel lame, like I'm
not a kissing Tale type dude. Yeah ship, I mean
it's fucked up, like that's what the people want, Like
they want to know all your business. They want to
know what you ate. For breakfast this morning. They want
to know how I mean, Dan coach, you had this
two thirty. They want to know everything, Bro, Yeah, they do.
And we hope they're happy for us. You know what

(12:58):
I'm saying, because we are here.

Speaker 1 (13:00):
What people don't realize is that our jobs is a service,
service to people, to the people. Were making the people happy.
You went out to Virginia, you bodied that shit. But
you know how many people in the crowd, You're their
favorite rapper. You made them happy. They went home happy.
You provide music to this yo, that's my song, you know,

(13:22):
And we're just providing a service. I always said, the
people don't like you this you you cut so many
records with so many singers, with so many reference artists
that never made it as big as they should because
they talented. But what they don't realize is the people
gotta like you facts. And that's the crazy part of it,

(13:47):
you know what I mean. But they you know, we
hope everybody's happy for us because we share our lives
with them.

Speaker 2 (13:53):
You know, tonight I'm getting in the ward at the
Hip Hop Museum.

Speaker 3 (13:57):
You and somebody else, right, I don't know I seen it, Joe,
think I got invited.

Speaker 6 (14:02):
He said something through eat some livest and steak and
ship me yo. And then you know it's like, is
it tiffany a space there? No, its Tiffany's to say
that's all we do. We live a fucking life.

Speaker 1 (14:13):
I go over my MX belt ship disrespectful one.

Speaker 2 (14:18):
Just restaurants put you out the business, right, yo? I
called him thinety two rappers.

Speaker 1 (14:23):
If they saw my MX bell, unbelievably, what they will
commit suic They'll pass out raises and me like, all right,
everybody together.

Speaker 4 (14:33):
I know you're filthy because I called Look, I called
Joe Crack. I'm begging him, Yo, I got some heat
on for you. I got some heat to the side
for you. He like, hit make him in Dubai trying
to live a life.

Speaker 2 (14:44):
Man, I'm like, the nigga is over skipped all the
way over the record. He's like, you know what happened?

Speaker 1 (14:49):
And Megga is when you get as old as me, Okay,
I'm gonna give you my beginning of the speech. There's
a new you know, I'm very, very into God and
religion in my relationship with the man. But I've got
a new prayer that starts my prayer every morning. God.

Speaker 2 (15:10):
Thank you for my eyes that I'm able to see God.
Thank you for my nose that I can smell. Thank
you for my mouth that I could eat and I
could talk. These simple things right here.

Speaker 1 (15:24):
If you think about how important that shit is that
he gives us the opportunity to get up another day,
it's out of control. So I'm at you know, recipees
DeAngelo the man was cock Deze. I've been fat my
whole life. I'm keeping it a buck. No, no, I'm

(15:44):
just saying to you, it's like, Yo, I gotta appreciate
every day. I'm at the point where when I wake
up in the morning, I peep to see the sun
and be like, oh God.

Speaker 2 (15:54):
Yo, I'm a fan of this show. Cock bez who
is one of them? We can't say that no more
cock these and you love yo, you love that. You
love it so much, paulse you too.

Speaker 1 (16:11):
This show is like fucking Eddie Murphy, Beverly Hills cop.

Speaker 2 (16:16):
It's one of them. Sis.

Speaker 1 (16:17):
With my partnerships on me every day, it's unbelievable, you know. Now,
you got people said Jada kiss.

Speaker 2 (16:24):
Don't even believe them.

Speaker 1 (16:25):
That's why he throws the face. He throws it like
you got a little shit going on out there were
You're giving the suckers some content, you know what I mean,
because we got blood, Well you can do another one.
We got bloodsuckers. They they whole ship is based off

(16:50):
what we talking about. And so that's how I know
how we driving the culture is when you got other
guys like, okay, what Jade kids says, have anything sound
like kiss to sign by here.

Speaker 2 (17:04):
It's the same way in the podcast.

Speaker 1 (17:07):
I watched guys wait till a new podcasts come and
they fake think they lit and they go on right
about what we say and they got a problem with it,
or they agree or they whatever is. So we're giving them,
We're feeding them content, you know what I'm saying. So
it is what it is. Brother the Flags, It's okay,

(17:27):
you know, I know what I'm doing. I'm into getting money,
a whole lot of money. I'm not even gonna lie
to you guys. And so we in this podcast game.
Motherfucker came out of jail favo for him and said, no,
save the records, hit maker, I'm a stream streaming to podcast. No, No,
I'm not saying that, but he said they asked him

(17:48):
he came out of jail. I don't know if you've
seen that little video clip and they say you're going
the studio.

Speaker 2 (17:54):
No, I'm streaming. I'm streaming. There gotta be a reason.
That's where the bad that the podcast, the streaming, that's
where the bags at.

Speaker 1 (18:02):
So you see me in it. You may laugh, And
I'm here to entertain you. I tell you we provide
a service. But laughs. That Glizzy Talk, it's gonna turn
into so many m's And I'm gonna say thank you
for loving the Glizzy Talk.

Speaker 2 (18:20):
Thank you. Joe gonna be the spokesperson for Oscar Mayer
like I will to chat you yo.

Speaker 1 (18:33):
But I'm true. I'm listen, bro, I'm true to what
I say. You say, cap, I went to the Yankee
game the all the day. I mean, the guy next
to me is eating steak, lobster crab. You know the Yankees.
They got some ship, they got like a club. You've
been in there, right, steak lost or this this this

(18:55):
I'm Glizzy Mania, little Mustard.

Speaker 2 (18:59):
I don't give a fuck, little Moncio, little Mustard.

Speaker 1 (19:06):
Were going to the awards later. My wife trying to
cook me all type of ship. When we out of yes,
it mine. Just give me a couple of goodsease, man,
I'll be all right. Then we'll go to awards show.
Maybe we need something over there. I don't give a fuck.

Speaker 4 (19:18):
Is a nostalgic like what is it with the I
don't even want to say that right about.

Speaker 1 (19:22):
I'm not phobic. It is the Star stay the way
hold on. That is yo, hobout. I'm not phobic.

Speaker 2 (19:29):
You know.

Speaker 1 (19:29):
I'm cool with some gay guys, just like really Jay
Okay at L's Finest and I'm in the Essence Fest.
I don't know no better. I'm in the golf cart.
I see my man, Miss Laurance. I'm like, Yo, Lawrence,
I jump. These guys are like, you know, they holding
up the flag. In another level, his friends are looking

(19:50):
like Yo's fat Jo the gangster rapper jumping off the
I don't give a fuck. If you my brother and
I love you, I don't give a fuck for sure,
So I'm jumping off the car lords.

Speaker 2 (20:00):
What's up? Yeah, y'all. I don't give a fuck.

Speaker 1 (20:04):
If I say, Glizzy, I know who I am as
a man, I don't I don't care about none of
that ship.

Speaker 2 (20:08):
None of that ship bothered me, man, certain.

Speaker 4 (20:11):
Shit just don't sound right though, Jo like I feel you,
like I know you older the Sigga say, I'm dealing
with the Paul's game, the Paul's Police and all the
other shit.

Speaker 2 (20:22):
But like that that.

Speaker 4 (20:24):
Certain stuff don't sound right, certain ship sound crazy, sounds unbelieve.

Speaker 2 (20:28):
You see the flags, stay out, they out.

Speaker 3 (20:34):
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Speaker 2 (22:26):
Let me tell you all a crazy story, Joe Crack story. Right,
So it's crazy, No no, no, no never never.

Speaker 4 (22:32):
So I remember I was like in a weird spot
in my career, like trying to figure out how I'm feeling,
like because the whole time when I was young berg
I was producing all my records too, like people don't
know that, but I was like, man, I was in
a weird spot. Rico Love was on Fuego at the time,
and so Rico Love I hit him on Twitter in

(22:52):
a DM and he like, YO, come meet me at
the London Hotel in La.

Speaker 2 (22:57):
I'm in LA. I went up to the London Hotel
and we having breakfast and.

Speaker 4 (23:01):
Like he on big boy shit, three phones going jumping
at the same time. He remind me of me right now.
I'm like, god Lee like this Nigga's insane. So as
we eating breakfast, I thought this was like a super
like wow move, not like that. But he was like, Yo,
what do you think about changing your name? And I'm like, huh,

(23:22):
I'm like, Nigga, I'm young, bro, I'm more famous than
Rico Love, Like you know what I'm saying. Like he
said that to me, and I was just like, maybe
y'all consider that. He like, YO, come to Miami and
he works out the room I work out of now
in Circle House. He like, YO, come to Miami. Just
vibing me for a little bit. I came down there.
So I walk into Circle House and I think Joe
and Rico are doing a record call Aloha some shit
like that or whatever.

Speaker 2 (23:42):
The nigga Rico Love said fat Joe. He said, Joe,
meet my friend Christian. Joe said, nigga's young bird. Who
the fuck is Christian? I'm like, yo, But like that.

Speaker 4 (23:54):
Was the evolving and Rico Love was actually the person
who made me change my name in hit Maker.

Speaker 2 (23:58):
That's wow.

Speaker 1 (24:00):
You know, we coach my brother. Still love him to
this day. He was a little arrogant at that time.
He was Yeah, yeah he was. He was like cocky
is like you know, I walk out the room where
artists and they'd be like, yo, this name is cocky,
like yo, but he's gonna give you the hit, you know,
my ship. It reminds me off, well we go love
my brother. I love you, man, God bless. It reminds

(24:22):
me of the night we cut. Yes, he had the song,
but you just you came in the studio. This guy
was so drunk. Bro, listen to me, man, and he
he made it a hit the way he was chopping
it up, this this, this, So everybody came out was
like Yojo, the guy spelling Champagne on the board.

Speaker 2 (24:42):
The boy's course a half familiar, sir.

Speaker 1 (24:45):
He's spelling champagne. He had to control this this, I said, Yo, listen,
he's a hit maker. Let this man do it. That
he got the motherfucker you that night you was on
your Rick James shit. Yeah for real, and I'll it
was just like telling everybody, yo, just let him do
what he gotta do. Sure enough, that was the last
hit I dropped. Yes, we got a plat for that shit.

Speaker 2 (25:08):
And it was cool and Dre Studio, and you are
loyal to Cooling Dre.

Speaker 4 (25:11):
So the fact that you even let me touch the
record while we was there was like a real thing.

Speaker 2 (25:17):
And I was wild as youl and Dre stopped in
young too.

Speaker 1 (25:20):
I'm not gonna lie to you. You're one guy that
didn't grow up with us. That he is TS by
the way, he's protected by the Almighty.

Speaker 2 (25:29):
I'm gonna be honest with you. He ain't came why
you want to be a dog. He wouldn't having made
it a TS wouldn't do ours, thank you. Okay.

Speaker 1 (25:41):
What I'm saying is ts TS know how to hate.

Speaker 2 (25:46):
On each other.

Speaker 1 (25:47):
They never hate on this guy. Every time I'm working
on the project. He said, Yo, dre to be like Yo,
you saw here Maker. I swear to God. The other
producers that I'm cool with and all that they be like,
Yo Joe, we do that, Yo joey, this this, this,
They never devalue.

Speaker 2 (26:04):
They always like Yo. See that he started off getting
to hate. I think right now is undeniable. They they
can't do that. He stands in.

Speaker 3 (26:16):
They know when you come from seeing him, the next
stop is the charge.

Speaker 1 (26:21):
You gotta spit the right ship to it that you
gotta do everything. Oh no, yeah, you can't just go
there and not knowing how to do nothing in so
many knock and beat with a great up with nothing
on any rappers told me, Yo, all I gotta do
is go see it, man say, I swear to God,
I've heard it out the mouth. Y'all going to see

(26:43):
him Maker, Like, man, you better put that pain in.
You better make sure that pen is right. You better
make sure you appreciate what you got. You know somebody else, Caen,
you work with who I love And I've watched her
career from day wants she from the Brons too. I
think she could be a SuperStar's dream Doll. Wow, shout

(27:04):
out to dream she could be a superstar. I've been
waiting for it. Well I signed Dream Doll, Cats out
the bag or whatever. Yeah.

Speaker 4 (27:10):
Yeah, we got a new project that's done, it's completed.
We dropping the EP first, So we're dropping the EP first,
top of the year. And I'm when I tell you,
my brother, she's better than a lot of these girls.
Like this music that we have, Oh my god, and
she has crazy features. The work is done, project's done,

(27:33):
and I brought back the nostalgia. Like for the EP,
we got some shit nig I put clue all over it,
Kumanada like it's like on some real New York shit.
I flipped all the right New York records.

Speaker 2 (27:43):
Trust me, my brother, she's out of here. She going
that's what she.

Speaker 1 (27:46):
Needed them because I've watched a career I didn't even
understand it. Like I'm watching her career the whole time.
I'm saying, Yo, this girl should be number one, And
it's all a matter of linking up with the right
producer who got the passion at the right time. Seeing
it in your studio, I was like, all right, he's
giving us some ship. Now she got to deliver.

Speaker 2 (28:06):
That's it.

Speaker 1 (28:06):
You say she delivered that.

Speaker 2 (28:07):
That's overly delivered. I ain't a producer no more.

Speaker 1 (28:10):
I'm a professional life changing and that's really what I'm
not going by.

Speaker 4 (28:14):
It's too many producers out there. So when you come
to see a gifted brother, you know when the day
taking off you.

Speaker 1 (28:21):
No, we're making it sound like you nigga, Like I
need to be seeing what's in the pot over there because.

Speaker 4 (28:28):
The man talking to you know what's beautiful. It's only
an ox quarter.

Speaker 2 (28:31):
Right, my friends, I like this, tell them all, I
got it, I got the I got the gifts.

Speaker 7 (28:38):
Man.

Speaker 2 (28:38):
I'm coming to.

Speaker 1 (28:41):
Yo you ozempica diapepsi this year for Halloween ozempic. I'm
ozempic Every Halloween. I'm ozempic. I might go with gov.
You know what, I got a problem. I'm gonna talk
about this because we talking about.

Speaker 2 (28:55):
The world nuts.

Speaker 1 (28:56):
They announced, right, I'm in La announced the Costco. Listen, clear, guys,
because we are the voice of the streets and the culture.
Costco now sells ozempic half the price to anybody who
don't have insurance.

Speaker 2 (29:15):
Wow. Over, then it's not true.

Speaker 1 (29:18):
I went to the Costco in La to buy some
o ZEPPI because I left my ship back in Jersey,
and they said, that's few places out the curtain.

Speaker 2 (29:29):
This bullshit. It was all over seeing nd all over
the news, all over.

Speaker 1 (29:33):
Costco is selling ozempic half price over the counter.

Speaker 2 (29:38):
You don't even need insurance.

Speaker 1 (29:40):
I walked into Costco La, y'all saw me.

Speaker 2 (29:44):
They didn't have it. They didn't.

Speaker 1 (29:46):
They was like, no, you need a prescription. No, we
don't do that in this Costco. That's false advertisement. Guys,
get on your ship.

Speaker 2 (29:55):
No. I had to come back home and freshen up. Yo.
He said, he ain't want to step on Olympic. He
ain't want to yours.

Speaker 1 (30:08):
You want the three fat Josie, You want the one
fat Joe. Another thing I do as soon as I
go out the country because over here ozempic cost twelve
hundred whoa right with insurance?

Speaker 2 (30:20):
Significent?

Speaker 1 (30:21):
Well when I go to Dubai something the mingo wherever
it costs three hundred and twenty dollars.

Speaker 2 (30:28):
That's the wildest ship. How could an American product you buy?
Of course you could buy it. Yeah, be I'll buy it.

Speaker 1 (30:36):
You shouldn't been back, are you? Five ten thousand dollars
worth of Zimpic. I'm not selling it, guys. It's for
me and whoever needs somebody ran out of old Zimpic
that come to my house. We tost some, but ma flock, yo, bro,
I'm surprised those zippe.

Speaker 2 (30:54):
Everybody's thirty yo.

Speaker 4 (30:56):
The Olympics just stopped the Glizzies over brow.

Speaker 2 (31:01):
You still got the craving for glitch and you're on
a zempe.

Speaker 8 (31:04):
What I'm trying to tell you they gotta level sew
it man, it's level swort.

Speaker 1 (31:16):
But what I'm saying is, you know you got I
am o ziempic for Halloween dunks again.

Speaker 2 (31:22):
You know that's that's my outfit.

Speaker 1 (31:23):
What does it do though? It just make you not
want to eat as much. First, my half diabetes, right,
I've had it since I'm twelve years old. Right, So
now I've been taking insulin for many, many years. Insulin,
you know, you take it daily and you know your
paincreas if we want to get technical, don't let out

(31:44):
enough to cover your sugar. So you need insolin to
make sure, you know. But they invented an old Zimpi
that does it once a week. You don't have to
take that shit. That was pretty horrible. Taking insolin twice
a day, right, and that's only way to regulate.

Speaker 2 (32:01):
The sugar, otherwise you die. So a lot of people
that we see that just die.

Speaker 1 (32:05):
They don't admit to themselves that they're diabetic, and they
don't take the medicine as sooner or later that shit
gets real and they find no kind of kidney failure,
thistances whatever. Ozempic regulates that shit like a computer all
week long. So if you eat too much, it'll bring
down to the normal sugar, if you eat too less,
it'll bring it to the normal sugar.

Speaker 2 (32:23):
It's insane.

Speaker 1 (32:25):
Oh shit, the technology in ozempic, I'm not gonna lie
to you, is AI type shit.

Speaker 2 (32:32):
It's insane. We've been waiting for that.

Speaker 1 (32:34):
So it's also the side effect of ozempic is you
lose weight.

Speaker 2 (32:41):
I don't think they made it.

Speaker 1 (32:41):
They made it for diabetes, but it curbs your appetite
to where you lose weight. So a lot of people
started taking it for diabetes, and then you know, you
got the sexy women want to stay sexy.

Speaker 2 (32:54):
They like what they hit. They shit, this shit ain't
even the needle. It's the smallest shit and you could
be scared of needles and still this shit is't nothing.
Boom you good for the week.

Speaker 1 (33:09):
You don't know how many people like I said, when
they come to my house, they could get a bottle
of kmis Opus one or a month's supply of old
zenphic art, whatever y'all want to do. You know what
I'm saying. They came to my house yesterday. See you
know my wife are best friend Mary j Bli or
Chrissy Jim Jones, all of them they come. I call

(33:29):
them the four Musketados. Yesterday, I'm home all day. They
came in about nine thirty. I thought they was about
to start drinking, turning up the music to four in
the morning.

Speaker 2 (33:38):
I'm sitting there. They must have seen grumpy Joe.

Speaker 1 (33:42):
They was like, all right, yeah, we're out of We're
going to the next stop. I was like, this time,
I'm not telling stories. I'm sitting on the couch like,
I don't know if I want to do this tonight.

Speaker 2 (33:56):
Four in the morning. My walls also.

Speaker 1 (33:59):
Shut up the town. My house is pretty spectacular. But
the one complaint I would have if I built enough,
I built my house from scratch.

Speaker 2 (34:07):
If I had to build another house I make. I
didn't say nothing.

Speaker 1 (34:12):
I make the wall sticker, like you know, straight concrete
where you can't hear ship in every room.

Speaker 2 (34:20):
Sometimes they torturing me.

Speaker 1 (34:21):
We got the super system around every room in the house,
and they sat I'm to thank you that shit about four.

Speaker 2 (34:28):
In the morning.

Speaker 1 (34:29):
I'm sitting up there like there, I gotta take a
flight six in the morning. I'm tiring as fuck. Like
this is just me and the dog. You know, the
dog is the best friend, male's best friend.

Speaker 2 (34:40):
That's Mary. This Mark died.

Speaker 1 (34:42):
Damn we got we got a dog called Bear.

Speaker 2 (34:46):
You had a dog called Bismarck.

Speaker 1 (34:48):
Yeah, makey, and so we got them for my daughter
dog Bismarky because that's one of my favorite. Well anyway,
the way I got it was my daughter. I never forget.
My daughter was like three years of and I bought
her a dog and I said, baby, what's his name?
And she said, you know, like your friend silly biz Marquee.

(35:11):
So she named it as he named a biz Markey.
And at that time bis Markey was popping on the
cartoon net with Gable.

Speaker 2 (35:20):
He was your gabble gabble of us. She was like, like,
your friend silly.

Speaker 1 (35:25):
Biz Marquee shout out to Bismarcky another super producer. Biz
Mark is going off. This was crazy out there. What's
some new projects that you're working on? Whose life you changing? Now?
Everybody shit? On Friday. On Friday, Toddella signs new album Drop.

(35:48):
I got probably like four or five records on there.
On Friday, my artist Ronnie who's sitting over there, his
project comes out is called let Me Explain.

Speaker 2 (35:55):
He's amazing. This guy is like when it's spin King's Brothers,
you do like family, right, Yeah, you look like right?

Speaker 4 (36:07):
He from Long Island. I know they be talking crazy
about Long Island. I don't know why we big a
month here, but the guy's amazing. He's an incredible writer,
just someone that I linked up with, and he's a
credible artist and man, we've been working together for a year.

Speaker 2 (36:20):
He's won a Grammy already.

Speaker 4 (36:22):
Professional life Changer, Top ten records, He's on everybody shit.

Speaker 2 (36:27):
You know how long this niggas been making records.

Speaker 4 (36:28):
There's just to link with a nigga and you get
a Grammy off you here, not even twelve months.

Speaker 2 (36:32):
That's crazy.

Speaker 4 (36:32):
You gotta lock in, you know, I mean Chris Brown
tie dollars sign all my people that I'm that I'm
building up with Tink, Ronnie, toy Yan.

Speaker 2 (36:43):
Everybody that's in house.

Speaker 4 (36:44):
And then as far as just like everybody that I'm
working with, I mean, whoever got an album coming out,
I'm on it.

Speaker 2 (36:49):
For the rest of the year.

Speaker 4 (36:50):
I said a week ago, fifty songs was coming out
before the end of the year. Seven came out on
Friday twenty one, will come out and then we'll press
it again next time.

Speaker 1 (37:00):
You know, I need that pain Damn, I got you
no no, but I'm working a new album with no hits.

Speaker 2 (37:05):
Wait what with no hits, no compressions, pain, just balls.

Speaker 1 (37:09):
Just you gotta give me that hunt you back? I
got ship like that. You know what I'm saying, just
that straight.

Speaker 3 (37:16):
I just wanted to come. Hey, I just need one
hit and my son need one.

Speaker 2 (37:20):
I got the one with Leon Thomas for you.

Speaker 4 (37:22):
Already on that Jake Wan talking them to come Miami
already no more.

Speaker 2 (37:26):
I'm out of it. This show has.

Speaker 1 (37:29):
This show has become a solicit This guy he might
as well be called pistol b. Everybody come, anybody, come
sit on that couch. She's like, Yo, you gave one.

Speaker 2 (37:43):
It's fine time that Jada Kiss. I'm using this job
to do my other job. Definitely.

Speaker 4 (37:50):
Me and Kiss had a hit with this record called
needs Your Best Feature entire dollar sign to death cham covid.

Speaker 2 (37:57):
Covid fucked it up.

Speaker 3 (37:59):
People, I ain't wearing because already when I come, when
I get.

Speaker 2 (38:02):
Next to you, and this is my brother, brain is genius.
You want to know what happened to me?

Speaker 1 (38:08):
You know, I was signed to a record label. I
put out a record that I thought, I didn't think
so similar to you. I'm not a producer, but I
make hits, so we know monsters. And so the way
I was taught was like, Yojoe, you're getting the one
shot deal. If it ain't a hit, you ain't going
to the next single. You ain't this this. They kept

(38:30):
the real with that. So I trained my ears to
almost think like a program director that I knew this
was gonna play all day long. Shorty short. I did
this song with Young Jeezy slow down son you killing him.

Speaker 2 (38:43):
With the sample get here ha shit.

Speaker 1 (38:46):
There's another way, you know, played it one time. Everybody
and their mother who had my number call me Mike, guys,
this welcome back Joe like they was giving me the
this was already a number one.

Speaker 2 (39:00):
They heard it one time on the radio.

Speaker 1 (39:01):
Was like that's when they called you, yeah, yo, this
is They felt like it was a lean back.

Speaker 2 (39:08):
The shit ain't do shit right.

Speaker 1 (39:10):
We shot the video HAULM Diddy on the he was
on the hood of the fucking ros. We went crazy,
and I say, you know what, it's the last time
I'm gonna sit at a desk looking at some so
called boss acting them.

Speaker 2 (39:25):
If they put did you press the button? Did you
put money that you?

Speaker 1 (39:30):
I knew they ain't put money behind that, because that
shit would have been out of here. That's when I
took power into my own hand and said, from now on,
I'm independent, and I put up my own money, and
I paid for my videos, I pay for my radio,
I pay for my sampoos, I pay for everything, and
I win. I never been off the green. I never
not won in my whole career. Now I got records

(39:54):
on Atlantic Records, where I sold two million hours.

Speaker 2 (39:58):
You're still hell oh damn.

Speaker 1 (40:01):
I got albums I put out one hundred thousand. Shout
out to Gazi, you changed my life. Empire Records. I
got albums I put out a solo one hundred thousand
that made three four million on that sh So that
is the one record that got me. I will never forget.
I'm actually embarrassed to myself for sitting on the other

(40:24):
side of the desk begging these dudes. Is they gonna
promote my record? Is they're gonna spend money?

Speaker 2 (40:29):
Dan? Well? They was? I invested in myself. I never
took an ol, Thank god. Can I ask you a question.

Speaker 4 (40:36):
This is a money conversation because you've said independent, right,
how much are you spending on these videos? Because you
have the most extravagant videos. Yeah, road, when y'all did
Family Ties Hour, you know, these niggas shut down recipes
er Gotti, they shut down Club Live. I'm like, how
expensive is this like? And it wasn't like early daytime,
It's like nighttime. They had the whole club live.

Speaker 1 (40:59):
This is for you, Okay, So you can hear me
out because if you feel like you in a situation
with death Jam that they don't really give a fuck
about you, or they got new people just saying you
are Jadakiss, you are the brand, you are a hit maker.
I am fad. Joe James is a customer of hip hop.
He does not look if I'm on Buzzby Records on

(41:22):
one Thala Bella LLC. He's buying the new Fad Joe album. Right,
This is where we gotta get that fucked.

Speaker 2 (41:29):
Up like that. They think that it's a label to
sold something.

Speaker 1 (41:34):
No, Now I understood that, and I said, I'm a
go independent and one thing I really gotta do is
make sure that the fat Joe image stays up. So
I you're correct, I spend four hundred thousand dollars on videos.

Speaker 2 (41:49):
He shut down the live the ceiling come down.

Speaker 1 (41:51):
The fucking mansys that this because you have to look
like nothing changed.

Speaker 2 (41:56):
That was my whole philosophy.

Speaker 1 (41:58):
It don't you know niggas they go into depend that
they start shooting in front of the boat dygo in
the baseball parking. So but this man went from from
million dollar videos to crack ead videos. They know something's
wrong here. You gotta act like the pure still there
to cut his there. I understood that, and I pray
to God. Then I made the right choice for investing

(42:21):
in my career.

Speaker 2 (42:22):
You did, you know?

Speaker 1 (42:24):
And so that was the whole point for me, were
going independent, making sure you know, I looked at a
video the other day.

Speaker 2 (42:29):
I'd see a shot up to IRV.

Speaker 1 (42:31):
God he rested there because you know, he was such
a genius at doing what you do.

Speaker 2 (42:37):
He was a genie.

Speaker 1 (42:39):
And this guy, he was my go to for the
video at Irving. Nothing cheap was three hundred, four hundred thousand.
He'd be in the fucking the day of the video,
like me, another one hundred Joe. They charging for this
and this and that earthed on no cheat and he think.

Speaker 2 (42:54):
Like everybody he was running a budget. Oh but it
was me.

Speaker 1 (42:59):
It ain't so I gotta pay this ship man.

Speaker 2 (43:10):
I watched this video I got called deep the other day.

Speaker 1 (43:13):
I remember that one. That ship was crazy. I just
felt like, yo, let me watch that deep.

Speaker 2 (43:19):
Well all of the video he was in the swimming
pool with the minkle. Oh that's the thinking man.

Speaker 1 (43:25):
As you get at the pool with the mink. We
was blowing money fast. You see this man, how many
diamonds he got? He don't give up. Fuck, he's at
that level. You know what I'm saying. When you when
you feel like you number one?

Speaker 2 (43:40):
You know what? You know how number one? That record was?

Speaker 1 (43:43):
Let me tell you some all killing only rocked before
that with Biggie Damn, not jay Z yet when I
caught that feature, I want to say maybe Nas when
he had that shit in Chicago. That was incredible, but
nobody he was number one. He was the greatest thing
ever created in the history of man. Cind we did

(44:07):
that song together. There is no doubt in my mind.
I had a smoker. It was unbelievable. I couldn't believe
the man even knew who I was, and he was like, Yo,
Fat Joe was up, that's rock. I thought he was
fuller And at that time I was really the guns
was rusty. I was really in them streets heavy and
I was saying, Yo, my man through me a favor.

(44:28):
Don't lie to me to say you're doing a record
with me and I'm coming down, Nah nah Joe.

Speaker 2 (44:33):
Come. The point is the man gave me a here
never forget, you know.

Speaker 1 (44:37):
We started Memorial Weekend in Miami Beach started it.

Speaker 2 (44:41):
I was the promoter.

Speaker 1 (44:42):
If y'all didn't know Jada Kissing Cameo or get ask
him or Matt Clark Mansion, I had everybody Young, Jeezy Club,
Mansion fabulous in this I was the promoter.

Speaker 2 (44:57):
Fat Joe was the promoter shot out, but a few I.

Speaker 1 (45:00):
Threw every every year Memorial Weekend, I threw a Terror
squad pool party.

Speaker 2 (45:05):
Was crazy one day. All of them was mine. You
didn't know. So I threw a Fat Joe pool party.

Speaker 1 (45:10):
I'll never forget.

Speaker 2 (45:11):
Cam was deare Fab was deare Ai was dead.

Speaker 1 (45:14):
Every we threw the ill pool party and I told
the DJ press play and that shit came on and man,
we thug and rolling on doves and I looked at
every rapper's face and then.

Speaker 2 (45:28):
She Fat Joe went, I'm out of the game.

Speaker 3 (45:31):
They you were there, you know what that was like
that title book wave.

Speaker 1 (45:41):
I was like, hass, like you you get when you're
throwing that dice and you throw them trips.

Speaker 2 (45:48):
I was there. I looked at every rapper's face and
they said, holy shit due because before that I was underground.
So they was like, holy ship, this guy made one
of these and they ain't know what's love was coming
right after that and that my lifestyle paralyzed the streets.
I got you on that remix. So you know, people

(46:10):
try to forget when when dudes had ship paralyzed out
here in these streets.

Speaker 1 (46:14):
This shipment, it's a couple of times Fat Joe had
the game paralyzed that lean back. I stood in the
club and I'm looking at Fab on the couch and
kid me not, they played that shit about thirty times
in the row. No other record, and I'm looking at
Fab and Fab looking at me like jeezus Christ.

Speaker 2 (46:36):
They gave him one of those.

Speaker 4 (46:40):
Speaking speaking of Fab, tell them to drop the record
with Rice and Tila, that's another professional life changer.

Speaker 1 (46:45):
Rice until it just fifteen millions first singles? Don't he
leave record for R and B unbelieved? If God don't
even want to take a picture. I don't, No, I don't.
He ain't roll And he wrote one on the last
album with me.

Speaker 2 (47:01):
No.

Speaker 1 (47:01):
I was there when he wrote that. You know, my
man Rich governed him. I was there, like I'm seeing
the process. So but he's sold fifteen milliga's on that
one song. He broke a record or whatever the case
may be. The thing I don't understand is you you
work on your shit. You come and tell yo, let
me do the number one podcast, And just this guy

(47:22):
don't want to.

Speaker 3 (47:23):
He's like almost what he that helps him, like that
mystique here that helps his mistake.

Speaker 2 (47:29):
But it works for some people.

Speaker 4 (47:31):
He might be the last guy in ooch, right, Nigga,
If I sell fifteen million on my first thing, I
might not want to talk to nobody either.

Speaker 2 (47:40):
I was so proud that Nigga talked to me and
he giving me feature slipping. Fuck, you know what's crazy?
He is? Man?

Speaker 1 (47:46):
I watched his come up literally from the infancy. How
about he never changed on me?

Speaker 2 (47:54):
Man? The guy is the same guy. Yeah, you know
what I'm saying. And when we did that record, oh
my god, I had an I did. Yeah. I don't think.

Speaker 1 (48:03):
I don't think nobody could ever get rice a tiller
on a twenty four hour radius. I got him, Like Yo,
I'm putting this out tomorrow and I need the verse.
And this guy he don't want it. He went in
there and did it.

Speaker 2 (48:15):
What's that hands on you?

Speaker 1 (48:16):
Right?

Speaker 2 (48:17):
That's a mean joint, bro, I ain't gonna lie you.
Was drunk at that video too. I had to be.
We were. I gotta save you. Every time I was
supposed to be sober, I was supposed to be sober
and live. You know how many times I told dudes?
How many times?

Speaker 1 (48:33):
And I'm not saying nothing, but how many times you said,
some crazy shitted dudes And I say, yo, you with us?

Speaker 2 (48:39):
And they like, oh Joe, I know, I know, said nah,
I'm under that real.

Speaker 1 (48:45):
You know, the craziest shit is when you got some
not you. I've had a situation where somebody came to
me to tell me how he was gonna do something
to one of them, one of the glow ambassadors under
the Year umbrella. And this guy's a serious guy. Like
this guy who's telling me, this is a serious guy.

(49:08):
Once he finishes, I tell him, well, what you want
me to do with us? I watched this guy's eyes
open up like a fucking raccoon.

Speaker 2 (49:22):
He looked at me, he said, huh, I said, he
with us? What you're gonna do?

Speaker 1 (49:28):
Man?

Speaker 4 (49:30):
I got a real question? Can I ask a real question?
What is the stylist budget for this ship? You know
what I'm saying because I know Torrelish? Is he putting
these things? Because y'all niggas are snapping like he got
Danny and he do. There's a new watch on this
man Wrisk almost every episode you too as well, Like
watch Mash the Fit, Mash the Whip, Mash the Bars Man.

Speaker 2 (49:50):
It was like it's one of them.

Speaker 1 (49:51):
Bro down of control? Yo, Jada, how are you keeping
up the budget? Because it ain't what we're making on
the show. We just said, Ben and Moore, we spend
the morning we made in the morning, just like we're
gonna put our foot in the ass out there because oh,
if you, I'm like you, y'all hit making. If you
had a podcast, it's like, y'all here, we get it.

(50:12):
We get an opportunity to shit on dudes every day.
Jeevon Chi, you know what I'm saying. Gucci ship, you
know fucking Kobe ships. You ain't see these ships in
twenty years. I get to talk ship. Wow, come up
in here. Ship on these dudes every day.

Speaker 2 (50:29):
It's unbelievable. It's refreshable, believable.

Speaker 3 (50:32):
You a real one for noticing that, noticing they noticing
they hate us.

Speaker 2 (50:38):
They hated, well, they better hate some more. Bro y'all.

Speaker 1 (50:42):
I just told him, it's getting chilly out here. I
just told you, Jackie season ya.

Speaker 2 (50:47):
You coming minked up?

Speaker 1 (50:50):
Yo's fourth seasons? Baby, how dang you niggas try to
stun It's four seasons.

Speaker 2 (51:02):
I dare you, It's gonna be times. Come on this podcast.
It's gonna be unconscious able just enjoy it. That's unconsciousle
as a flag. What was that meaning? We got the
he got the meaning, dud.

Speaker 1 (51:20):
I'm dumbing out. I'm coming up in there with ship
that you never seen in your life. When you want
to fur, it's two different from rabbit fur and a sable.

Speaker 2 (51:30):
There's difference from a lot of a lot of rappers
out here wearing study.

Speaker 1 (51:39):
Don't you dry your feet in the bathroom, study the blueprint.

Speaker 2 (51:43):
I am not playing with you. So this ain't no.
Daniel's leaving ship right, different ship with that god level.
It's even that level.

Speaker 1 (51:55):
It's level Dan, you No, I gotta be Yeah, this
level Nigga's going to it by the Pink and Black
Chinchilla from them.

Speaker 2 (52:02):
I fuck with Daniels love Pink and Black Chiller. Yes,
she seen last year. I went like an asshole to
the gate. Oh I do remember.

Speaker 1 (52:10):
That first had the max to Pink Chin Chill. I
went like an asshole to the game. And I'm saying,
Loo was looking like, yo, fuck is wrong with this Mermaid?
I come up in there, asshole, yo, making you ain't
the only eye So in the g I learned from
the best class.

Speaker 2 (52:28):
I said up in there with the ship, I said.
I went to Switzerland.

Speaker 1 (52:31):
I said, yo, I said, yo, you remember they started
wearing the asshole hats, yes, last year.

Speaker 2 (52:36):
Okay, whatever them hats is? What is the hats? The
snow hats.

Speaker 9 (52:41):
So see, yo, he called them asshole the asshole hats.
They're like, you know, you acting up right? So I said, yo,
dang you leve. I was in Switzerland and not seeing
what was going on. I said, remember that pink chinchilla boyfriend?

Speaker 1 (52:55):
He said, yeah. By the way, shout up my, shout
up my to Stephanie Mills, the Living Legend, her shit going.

Speaker 2 (53:03):
You know, we went viral with that clip.

Speaker 1 (53:04):
You see me hit them with the motherfucking youuro Leota
euroleg shit to Tom hit the ramp with that Louis shit.
That shit was pain. I don't how much y'all want
me to do right forget. So I got Stephanie Mills
one of them chinchillas too, the pink and black shit,
just because I love her, oh wow, because of what
she do for the game. So I turned around, I

(53:26):
got the jacket and I said, yo, you see these
asshole hats they wearing, sending them and Daniel's he says yes, Yo,
I said, can you make them in the pink and
black chinchilla? I went to the Knicks game straight, asshole.
You know how much courage you gotta have the walk
to see what? What's my man from my Back to
the Future Michael J.

Speaker 2 (53:47):
Fox? Michael J.

Speaker 1 (53:49):
Fox and dat him and be like, Yo, what's up
with the asshole shit on?

Speaker 2 (53:54):
I've been killing you niggas in the fashion game. I've
been slaying you. We are not the same.

Speaker 1 (53:59):
If you're wearing a free Death JMT shirt with some shit, oh,
I know how.

Speaker 2 (54:03):
To put bull shit.

Speaker 1 (54:06):
I've been killing you niggas in the game, destroying y'all
on every fucking level.

Speaker 7 (54:12):
Now, if you're a hard worker, they fat foe be hume.
If you're hard worker, yeah, that's it. If you're hall worker, right,
If you're a hard worker and you.

Speaker 1 (54:25):
Can't afford some of the expensive shit and you go
to Zarro and all that, I'm saluting respect. I see
some guys that I knew from the Rock of days
that I want to queen the Harlem shit, and they
still got a nice sweatshoe on, some clean sneakers, nice rollie.
I respect you and salute you. I'm not trying to
play you because I might have a little more money
than you. But I'm talking about whoever think they're lying,

(54:50):
you know every time they come up.

Speaker 2 (54:52):
Yo.

Speaker 1 (54:52):
By the way, a fat jo kind of fresh this boat.
Take you this navy blue gvon chief with the fucking
watch to match. I am knocking you guys silly like
lieing yourself if you want.

Speaker 2 (55:05):
I don't know why they don't want to like.

Speaker 1 (55:07):
This is a no brainer. The way I'm shitting on them.
The next got a game against Cleveland. Don't come, Yo,
if you into your faster shit, oh shit, if you
into your there's a please come. But if you into
your faster ship, don't come. It's gonna be unconscious. The

(55:28):
fit already laid out, fit disrespectful is actually my wife
is mad at me because it's on the dinner define
dinner table.

Speaker 2 (55:35):
The jack and jeans is there, the boots is there.

Speaker 1 (55:41):
It's waiting for you.

Speaker 2 (55:42):
Mary Jay came in my house yesterday.

Speaker 1 (55:44):
She seen that shit. She said, damn Joe, what you
I said, Listen Mary, listen, Mary, I said this. I
have prot I said, listen. I grew up shit poor.
I watched my mother have welfare asking the people from
Section eight to please give her some money so she

(56:05):
could feed her kids sneakers. Them ships came three years
after they was this stop. You cannot tell me nothing
about rice and eggs to dinner. I had to wipe
my ass with newspaper, throw it under the water when
it was too hot outside. We sleep on the floor
because we had no ac. Don't tell me about this

(56:26):
poor shit ever in your fucking life. And you niggas
laughed at me, And that's why I give you the
pain give you. That's why you caught the vapist and
you and let me tell you something.

Speaker 2 (56:40):
You're gonna catch this ship till I'm in the casket
most death.

Speaker 1 (56:44):
And guess what, I'm gonna leave enough money for my
family to finish it OFFNA keep takes keep step two.

Speaker 2 (56:51):
Listen, you're gonna ask it down. Listen.

Speaker 1 (56:54):
It's gonna be pain out here in these streets with
these carda genus to the last because we not.

Speaker 2 (57:01):
Playing with y'all. Man.

Speaker 1 (57:02):
They try to you know, they try to write us off,
they try to finish us. You know how many times
I had to come back. I've seen somebody who said this.
Other there I think was Swiss.

Speaker 2 (57:12):
He said, you're not official to you make it and
fall off five times and then come back, and that
that's the guys we've rate. I respect that. How many
times that happened to us? For sure?

Speaker 1 (57:24):
Let me tell you something. I got a ten million
dollar deal. Shout out au reef too low that we're
talking to and it's unbelievable.

Speaker 2 (57:33):
Right. I went to the bank. You want some asshole shit, please.

Speaker 1 (57:37):
I went to the bank every single day for fifty
thousand dollars cash. Have fifty guys with me, thirty of
them have paid four white Cadillac trucks. Everybody ts state
lops of champagne every day. This disgusting. They've been seeing
this movie System fourteen here make out he in New York.

Speaker 2 (57:57):
They are not confused. They know we've been doing this
shit forever. Right. I go in the bank on one
sixty one by Yankee Stadium one day and go up
and say, hey, mister Jall, say hey, what's up, y'all?
I need fifty cash. Something's wrong with the computer or something,
miss jokers. It's no money in here. Oh shit.

Speaker 1 (58:21):
I walked out that bank like I had a fucking
hole in my head, like a dulphin My shit was going.
I don't know if you ever heard that, You ever
heard the ring nig I was knocked out without the punch.

Speaker 2 (58:36):
I walked out of that shit.

Speaker 1 (58:37):
I said, we got no money, like so, I'm thinking
it just can't run out to me ten million dollars.
I'm thinking it's like a fucking cloud from the sky
in the bottle.

Speaker 2 (58:50):
I walk out of there.

Speaker 1 (58:51):
I tell my guys are sick, anybody, And I'm sorry
guys because I did some foul shit. Anybody, Oh what's
a dodlar?

Speaker 2 (59:01):
You lift them up upside down? And we did it.
Swear to god.

Speaker 1 (59:09):
We did it to friends of ours, guys who are
our friends who owe me ten thy fifteen, we lift
them upside down to see yo. Niggas was calling me
like yo joke. They could have just asked me why
you got me dragging? They dragging me out there the restaurant,
butt naked in front of everybody.

Speaker 2 (59:26):
This still Joe, just ask me. I know I owe
you ten grand man.

Speaker 1 (59:30):
The next day I have maybe two hundred and fifty thousand, oh,
you know, from people who owe me. But then I
had to You know, when you come back from having
nothing This is why you gotta love God in the
good and bad times, because a lot of times, the
ones that God loved the most, he'll put them through

(59:51):
some shit so that.

Speaker 2 (59:53):
You can now.

Speaker 1 (59:53):
Man, I went on my knees talking about that album.
I went them done my knees. Big pun just died.
I was depressed. I'm like five hundred pounds. My sister died,
my grandfather. I'm man, I praised so hard on my knees.
I'm talking about on your knees. That's when it worked.

(01:00:14):
That's when you go on your knees and you just
that's the goodness.

Speaker 2 (01:00:18):
Jesus.

Speaker 1 (01:00:20):
Let me show these guys please one more time and
then he give me what's love. We dug in and
we fuck up that bag too, We fuck I fucked
up the bag about a good time.

Speaker 2 (01:00:29):
How many as you think you'll be fucked up over
your whole career? WHOA, at least maybe up. Look, I
don't want to gasp. I don't know.

Speaker 1 (01:00:38):
This is hard. Listen, it's a lot of money. But
I want to say I never had it in one lump, son,
So I never been like that, you know what I'm saying.
So I might have a hundred million or something, but
it was in different times. He was getting bags in
all eras though. That's what's so crazy, Like the bag

(01:01:00):
You've seen all the different money changes. You've been a
relas the little head ye I was.

Speaker 2 (01:01:06):
I was getting and my time flow Joe was number
one in the country. I was getting five hundred dollars
a show, crackhead money. So I would do Yonkers, white Planes,
then some shit. Boston, come back, dude, Norfolk, Virginia, Fayetteville,
North Carolina, DC, come back. In one day, I'm picking

(01:01:30):
up fifteen hours.

Speaker 1 (01:01:31):
Like, that's how ambitious I've been about this money since
I was a kid, you know, so you know it's
not gonna stay this what we do, that's amazing, bro,
I'm addicted to the wind man man. Well for me,
it's like I'm just as ambitious too, because like I'm

(01:01:52):
delusional because I go to the studio with nothing every
day knowing that something's gonna come from a vibe of
energy or whatever I do.

Speaker 2 (01:02:00):
Like people would create us.

Speaker 4 (01:02:02):
We are the most delusional people that we're paying for
the studio, we're paying for the engineer. We're paying when
you go there with nothing with the hopes that at
the end of the night or the next day, you're
gonna wake up and play something that was worth your time.
I think that we the most delusional people in the game,
but like we do it because we love it so much,
you know what I'm saying, Like we've seen it happen,
Like I've went to a studio and had nothing and

(01:02:24):
woke up with a number one or woke up with.

Speaker 2 (01:02:26):
Some different shit.

Speaker 4 (01:02:27):
So that's why I'm always like, how you saying, like
ambitious and betting on yourself, Like I'm always doing that
shit twenty four seven.

Speaker 1 (01:02:33):
Bro, we gotta do that, and we also got to
invest businesses and be smart save your money.

Speaker 3 (01:02:41):
Man.

Speaker 1 (01:02:42):
Yeah, whenever we ain't you know, as hot or something
or whatever the case may be, because you know, somebody,
they always come out with a new TV. Like I
always tell everybody the biggest shit, The biggest shit was
to have a big TV. Remember the big TV that
you had one of them shits. The girl ain't want
to leave your house, She want to stay. She knew
there was some type of money going on out here.

(01:03:04):
Niggas got the big TV and one day they woke
up and said flat screen. One day it went from
the phone to this. So all I'm saying is we
smart enough to see so many people like I tell you,
I went broke three four times in my life, like
dead broke. So we're smart enough now to knock go

(01:03:25):
bro invest in different businesses, invest in different things, but
franchises if you could do with check did and all that, like,
just buy a bunch of franchises. My new thing is,
and listen, guys, don't quote me literally, but my new
thing is, I want to buy my son a franchise,
like I want to be like something, so he don't
keep asking me for money, you know what I'm saying.

(01:03:47):
So it'll be like yo, play in some ways. Take
Papa John's, take a dunkin donuts that way. If you
hustle like me, you're able to open two three four.
You know I tell people all the time, I say, Yo,
McDonald's ain't stop at one store. They just kept going
in that arch everywhere. That arch is everywhere. So we

(01:04:09):
got to invest in a bunch of different things. The
one thing I never liked was yo. He used to have.

Speaker 2 (01:04:25):
Yeah, I've seen that live. You know.

Speaker 1 (01:04:33):
I never liked liver either, or beats like beats.

Speaker 2 (01:04:37):
The red you gotta gotta mix beats with something.

Speaker 1 (01:04:42):
They make a good beat salad now. But when I
was a kid, I used to cry to the liver.
I literally, fat Joe. I ate everything you could think of,
But when they would give me liver, I would cry,
like literally cry. My father would force me to eat liver,
and I would cry like I hated that ship.

Speaker 2 (01:05:03):
Like literally, I was a vacuum cleaner. Like you know
what I'm saying. I used to sit down and keep
with my family, and my sisters were skinny, and they
would pass me. They steak or they chicking the ship,

(01:05:23):
and I'm killing everything, Fat Joe, he's eating everything. When
that liver come out.

Speaker 1 (01:05:30):
They used to have to. I cried like a baby,
like I ain't want that liver. And my father was
trying to teach me, Yo, we ain't rich. We're gonna
eat whatever God gave us today. You're gonna eat this liver.
And I'm like, oh, like I hated that ship. I
hate liver, but I also hate and I always salute him.

(01:05:51):
But Yo used to have a run. Yo used to
have it. Remember this, there's still dudes outside talking about
when they had the Master r used to do it.
Someone when up came around summer in ninety six and
I had to let this two dogs, Nah Papo, this
is for life, this money game, it's for life. That's

(01:06:15):
why we worked so hard, scared of falling off, scared
of not being able to have it. And that's the
true meaning of working and working and working because you
gotta have it. What was the peak like in both
of youall career like, I'm not career wise, but just
like on some music shit like what was what was
your Rico love moment where you like, nobody's fucking with me?

(01:06:36):
But what was your hit makeup moment? What was your
moments where you like, man, nobody, I feel like.

Speaker 2 (01:06:42):
That every dad way up in the morning.

Speaker 3 (01:06:44):
But in the game, I had a feel, I had
a nice I had a few of them in the beginning,
you know what I mean in the middle.

Speaker 1 (01:06:53):
But when what was the moment where you was just
like I'm that Nigga, I'm JD kiss for me.

Speaker 4 (01:06:59):
It's when he put the paper towel on his head,
like you knew he like nobody was fucking with him.
You know what I'm saying, Like Nigga went paper towel,
this like knock yourself out this. Yeah, that was that
era was incredible too. Solo Jada first solo album was incredible.

Speaker 2 (01:07:14):
I agree for me. For me, it's always about the money.
I want to hit, I want the fame and all that.

Speaker 1 (01:07:22):
But anytime I caught that super check, like that ten
million we're talking about, or you couldn't tell me shit.
Probably he probably saw me in clubs and all that
and was like this, Nigga is on Cloud ten thousand
because I had the army.

Speaker 2 (01:07:38):
You know what I'm saying. They just gave you the bread.
Nig Nigga, get me red.

Speaker 1 (01:07:43):
And so what's so crazy is you know I used
to stick people up two time feeling like I did this. No, no, no,
it's the difference between me. I hear a lot of rappers.
You're always homeless, yo, always this. I don't know about
that broup, whoever you thought was the biggest. I lined
them up. I'm hustled at this. I'm not the guy.

(01:08:06):
I'm gonna get the bag right. So when they give
you the check and the guy who gives you a
ten million dollar check takes the train afterwards and said
body fellas gets on the train, and.

Speaker 2 (01:08:20):
Now you're like, yes, I got it.

Speaker 1 (01:08:26):
I feel sorry for anybody who knew me because I
always think that I'm humble, but I definitely was not
humble at that time. I definitely probably was walking past
people I knew my whole life, like fuck out, smash
them like you know. I no, no, I'm telling you
I definitely was violating dudes on another another another level

(01:08:50):
of excellent. You took a guy who was just a
stone cold criminal, dangerous, dealt with violence his whole life,
and gave.

Speaker 2 (01:08:58):
Them ten million.

Speaker 1 (01:09:00):
I'm walking in the club smacking the shit out of Kingpintins,
guys that are really killing people in the book. Huh, Yo,
this is one God, the whole cheek bonk get a
fuck up, and then the whole club is right, like, Yo,
did he just do that to the guys who be
pulling up in Lamborghinis and Ferraris and I was overdoing it?
You gave the wrong person a bunch of money at

(01:09:21):
the wrong.

Speaker 4 (01:09:21):
Time, yo, and then you feel like that twice. The
most recent one is probably when I sold my catalog
or whatever. If we talk about I saw the portion
of my catalogs, yeah, half of.

Speaker 1 (01:09:34):
It who you did to deal with?

Speaker 4 (01:09:37):
I was doing it with hypnosis and then the people, well,
Mike Karen.

Speaker 2 (01:09:41):
Came out of nowhere and was like, uh uh uh,
you ain't read the fine print. Mike Karen been fucking
with you since day one. Huh yo.

Speaker 1 (01:09:47):
Mike Karen signed me for like twenty thousand dollars in
twenty fourteen, Like twenty fourteen, he signed me for twenty
thousand dollars.

Speaker 2 (01:09:55):
Unbelievable.

Speaker 4 (01:09:56):
At that moment, I look back at it and I
don't hold no resentment to because it's like I ain't
had a hit stand so it might have looked like
a gamble at that moment, but to where we're at now,
it's like it's incredible.

Speaker 1 (01:10:08):
Mike Cameron never fucked with Joe krat never Ever. He
came in Atlantic like after my run. This guy watched
what he did for flow Ride US and he helped
a lot of people, for sure throw me a frisbee.
Never he never threw me a It's a lot of that,
you see. So with me, I try to tell everybody
we did it all on our own, not meaning by

(01:10:30):
myself individually, but our team. You see, we want to
make some money with products. We got some rum we
got rewinded ten kiss cafe because nobody when I say
nobody comes to me with a bag or yo.

Speaker 2 (01:10:46):
I got these people. I got this. YO.

Speaker 1 (01:10:49):
When I say it's sad, it's a thirty year run
of nobody coming to me with some money or some bag.
I had to make it all on my home. If
I want some sneakers, I gotta cup up in my seat.
If I wanted this, I tell you I had to
invest in myself this like nobody has come with the
bang for years. Let me give you another one. Maybe

(01:11:12):
you maybe you haven't. I just want you to say
true or not right, true or false. At one time,
not now, but at one time I felt like I
was on such a run that some of these labels
could have came and tapped me on the shoulder and say, yo, joke,
we want to make you president of A and R
president of the label. Because at this time I could

(01:11:34):
miss with the hits. Nobody tapped me on the shoulder.
Even here, they got conversations with rock Nations to LOWT,
Deaz and Jay and they said, you know how many
times your name came up to be president of rock
Nation and.

Speaker 2 (01:11:52):
Nobody called. I was waiting for the call.

Speaker 1 (01:11:56):
Oh no, I'm telling you facts, say anything, just this
funny you say that.

Speaker 4 (01:12:02):
So I'm actually going back into the building. I guess
I could announce it here on Jordan Jada. I'm going
back inside the building to be to work for a
building again. I took some time off because of course
I did. I think I did four years at Atlantic
and then I did two years with Empire.

Speaker 2 (01:12:16):
But when I moved to Miami.

Speaker 4 (01:12:18):
And I sold my catalog, I kind of wanted to
just like enjoy myself a little bit, still stay working,
but not being a building because it was getting a
little frustrating just because of with Gazzi and them being
in San Francisco and then me moving to Miami. It
was like a lot of disconnect or whatever. And I
lived in San Francisco for a lot of the time
during COVID up there with Gazi and them, So when
I moved to Miami, it just kind of got a

(01:12:39):
little weirded out.

Speaker 2 (01:12:40):
So like I stepped back. But now I'm going back
inside the building.

Speaker 4 (01:12:44):
I won't say where, but I think it's necessary and needed,
Like cause everybody wants to complain about no artist development,
no this, no that, it's just because they don't respect
the niggas that they want to develop them. So when
you get somebody like myself, and I'm encouraging every producer
watching this ship right now, go inside the building, take
that step and do what I want to what I'm

(01:13:05):
about to do, because one, it's not about job security.

Speaker 2 (01:13:08):
Huh Did I sign it yet? Yeah?

Speaker 1 (01:13:11):
Did you?

Speaker 2 (01:13:12):
Son?

Speaker 3 (01:13:13):
Like?

Speaker 6 (01:13:13):
Yeah?

Speaker 4 (01:13:14):
But I got multiple different offers, but I think I'm
gonna go with who I gave my word to.

Speaker 2 (01:13:19):
You know what I'm saying, and you are men of
your word. Yeah, for sure.

Speaker 4 (01:13:23):
Salute to that person, and also saluting New York La
Gillian Wallow whatever.

Speaker 1 (01:13:28):
I just got them a major label dealer as well
too for his daughter. His daughter, Gilly's daughter name is
New York La.

Speaker 4 (01:13:35):
She's an artist. I'm executive producing her album. She's the most.

Speaker 1 (01:13:39):
Incredible, incredible, incredible, incredible.

Speaker 2 (01:13:43):
She's out of here. Let me use the bathroom before
close it out. Say, let's today.

Speaker 1 (01:13:48):
We're celebrating to you selling your catalog most definitely selling
over three hundred and fifty million records and then some.

Speaker 2 (01:13:57):
Because you just started want step okay what you got
some mistake cast you celebrating this new single, new project
out Friday, ye. Let me explain talking telling people what's
going on. We do project. I'll go by the name
of right e here A pleasure to be here. He got
a special microphone. Yeah, I love that, love that, love
that so project drop. Let me explain. I got my single.

Speaker 10 (01:14:18):
I was still on my mom future in fab it's
going crazy, going crazy.

Speaker 2 (01:14:21):
So yeah, what's up living life? Let me explain. It's Friday.
Let's go my better.

Speaker 1 (01:14:31):
We live a life.

Speaker 10 (01:14:36):
Yeah yeah, baby, you still don't mind? Cut it up?
Wastelm What started telling me to new lace. She's from

(01:14:57):
the West End beach b of course, I why you
hit her?

Speaker 5 (01:15:01):
Heat?

Speaker 2 (01:15:01):
Play you on the wave back?

Speaker 10 (01:15:03):
Let me see, shait, I need you bad back. I'm
never leaving. She thinks she loves so believe me, fabulous.
We on the same pass.

Speaker 2 (01:15:10):
I guess I guess.

Speaker 5 (01:15:11):
I guess you only.

Speaker 2 (01:15:14):
Call me way you know, leave girl.

Speaker 1 (01:15:16):
I guess.

Speaker 2 (01:15:19):
Shorty wished me. It's talking to your complaints.

Speaker 10 (01:15:22):
Oh that you're still gonna through it. Gave you the
bag and flew I spend bag in the game too.

Speaker 11 (01:15:28):
It Baby, you still don't ma mind? Baby, you still
don't ma mind?

Speaker 12 (01:15:45):
Still here, I hard to forget baby.

Speaker 11 (01:15:48):
You still don't, mam.

Speaker 12 (01:15:50):
Yeah, I ain't forget you. You been with me whole time.
I just ain't been with you. When I see you,
wanna chack the body linguage with you, and I'm gonna
stoke you up and down.

Speaker 2 (01:15:58):
I'm gonna paint the picture.

Speaker 12 (01:15:59):
If you ever had somebody they live in rent Free
in your head, ever had a shorty live in rent
Free for the head thinking about the balcony we went
deep on the lst or that time that we turned
the bend leader, or bed gotta see it, or you
actually won't believe it. Madam made a video and asked me,
could you see it? You've been acting shot, but you're
actually gonna freak it. But I won't tell nobody. You
my nasty little secret. Yeah, you're still on my mom,

(01:16:20):
and they ain't came up on my iPhone.

Speaker 2 (01:16:22):
You're still on them.

Speaker 12 (01:16:22):
Say y'all still look at George and you still look
at my had to slide up in a DMN.

Speaker 2 (01:16:26):
You still on my mind.

Speaker 1 (01:16:30):
Let's go.

Speaker 2 (01:16:32):
To hey, have you.

Speaker 11 (01:16:46):
Still don't.

Speaker 1 (01:16:48):
Y'all don't want me to play that bomb I was
talking about to either shame, don't do that.

Speaker 2 (01:16:55):
Mom. You know this. You know this phone.

Speaker 1 (01:17:01):
I'm working and I got you my man. I got you.
Your man is incredible. Man, it's tone everything about that.
I love it.

Speaker 2 (01:17:12):
Oh ship, you just want to jump on that? And
he did.

Speaker 4 (01:17:16):
Kids, he jumped on this record. I don't know if
I'm announcing it before her, but Angela Simmons, she got
a record that's about to come out featuring Jada Kiss
video done in the bag and all that, and it's
going to be very surprising for.

Speaker 1 (01:17:31):
Maybe you're still on my mind. Let me tell you
something about music, man. It's just so much from the
heart and the soul and even me, man, I be like,
you know, one of my favorite artists of all time
is Babyface too.

Speaker 2 (01:17:47):
And when I listen to that shit, he said, tell
me where where where you go? Tell me who?

Speaker 1 (01:17:54):
It's just you know you've been going, you go through
some ship in your life with the music.

Speaker 2 (01:18:00):
Relate like somebody I met some chick. He ain't talking
to her no more.

Speaker 1 (01:18:05):
He's like, baby, you still love my mind And he's like,
dam I wish you know what I'm saying at this
Ain't that that ain't this crack makes some noise fall?

Speaker 2 (01:18:19):
Yes today?

Speaker 3 (01:18:21):
Three tell you hit maker?

Speaker 1 (01:18:26):
You know what I mean, ship, Let me tell you something.
I love you brother man. You know I went up
in the room life change sh.

Speaker 2 (01:18:34):
Sounds just like the life Ship. I thought somebody played
them cracking. Let me tell you something. He don't gotta
go with us, with him publishers Smith, but with us.
But let me say something, No producer ain't done.

Speaker 4 (01:18:54):
Since we're talking about runs and ship like that, I
still got the record for a young nigga because I
I don't think like maybe for real or somebody else
did it. If there's urban radio top forty songs at
urban radio at one moment, I had thirteen of the forty,
So I don't know what percentage that is, but I
don't know that nigga that are hogged up that type

(01:19:15):
of lane and this time in the last ten years.

Speaker 2 (01:19:18):
But me so so talk about it.

Speaker 13 (01:19:24):
We're gonna end it with that. You know what I
mean to you? Top that young motherfucker. I knew it
was it never glow you said you sow your catalog.
I knew there was something special luck No, I knew
it was another glow with Yo. When I moved it,
I thought that.

Speaker 1 (01:19:41):
When you bring out the whistle, that man, YO, Joe
yo Ha see Bridge.

Speaker 4 (01:19:50):
These joints I got for y'all, they rose race spectra music.
That's when I play in my spectral when I'm about
to get y'all.

Speaker 2 (01:19:56):
No capt

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Joe and Jada - Hitmaka on Yung Berg name change, Pharrell & Kanye, WILD rap industry stories

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