August 28, 2025 • 53 mins
Fat Joe and Jadakiss are joined this week by Stove God Cooks, who's riding a wave of hype surrounding the iconic hook he laid down on Clipse's "F.I.C.O." on their 'Let God Sort Em Out' album. Joe and Jada ask Stove God how he linked up with Pusha T and Malice, the rumors of Jay-Z and Eminem trying to sign him, being mentored by Busta Rhymes, and how Westside Gunn reached out to him after his debut record 'Reasonable Drought.' Joe and Jada give the up-and-coming rapper some game and Joe tells a story of how Ludacris helped him avoid getting scammed by his label.
3:15 - Jada's ties to Syracuse
10:30 - Linking with Clipse & Stove God performs "F.I.C.O." hook acapella
18:00 - Stove God's price going UP
26:00 - Jada x Stove God coming
31:15 - Rumors of Hov & Eminem trying to sign him
39:30 - How a label tried to scam Fat Joe
53:30 - Viral comedy show clip
57:30 - Stove God plays new track "Marvin Ye" live on Joe and Jada
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Believe it or not, it's how the stove guard is.
Speaker 2 (00:02):
Wait after this one, Oh my god, they gonna think
you the darnamn sea like your price going up price.
Speaker 1 (00:11):
Wait cook coke, crack reportant live.
Speaker 3 (00:31):
This shit boy, Jada. This is the Joe and Jadas Show.
Every episode iconic, every episode legendary.
Speaker 1 (00:40):
Makes some noise today. One of the meanest artists.
Speaker 3 (00:44):
Outright now now Hooks is this socide thing.
Speaker 1 (00:47):
He does it all, but his Hookses is top of
the lener. You know what I mean. Let's make some noise,
ladies and gentlemen for stove guard cooks. Sure, welcome to
the Joe and Jayden showed my brother.
Speaker 4 (01:04):
I appreciate you.
Speaker 1 (01:04):
God ap be out on you for a while. Y'all.
Speaker 5 (01:09):
Let me tell you some stove guard cooks talk about it.
So success take a shot at you. Why you're out
to be rich with what I means it broke with friends.
Success took a shot at you. You know, man, you
a success story.
Speaker 3 (01:27):
Man.
Speaker 5 (01:29):
You know the plane diverted and went to Syracuse the
other day. It didn't come to New York. They was
running out of gas. So Jeff Blue Mint went to Syracuse.
It looked nice out the window.
Speaker 1 (01:41):
This ship looks so nice.
Speaker 5 (01:43):
And I mean here in all this cocaine talk from
you and all that, but from the window of the plane,
I'm trying to figure out where stove Guard lives out there,
because it looked beautiful from the plane.
Speaker 3 (01:55):
Break that ship down before they I think that's our connection. Besides,
I didn't even know he was from there. But you know,
I bleed orange, you know what I'm saying. Yeah, yeah, yeah,
I've been at Midnight Madness coach beheiin. I got a
couple Jady Custom jerseys from the arms.
Speaker 4 (02:15):
I mean, it was my dream.
Speaker 1 (02:17):
It was my dream.
Speaker 3 (02:19):
I was actually at work with my moms when Keith
Smart hit in the end and beat them and they
lost the chip. I was crying. I was a little
kid at work with my mind. Then to meet Mellow
when he won. That's why me and Mellows brothers like that.
Shout out to Mellow. I'm going to the all you.
Speaker 5 (02:36):
Knew more Mellow before he even went to Syracuse. Correct
a little bit, yeah, Baltimore, but yeah, Syracuse. So that's
like my home away from home.
Speaker 1 (02:47):
Man. I got I told you I bleed orange.
Speaker 3 (02:50):
How you feel you said it was nobody there no superheroes,
super rap heroes and you.
Speaker 1 (02:56):
But you got it on your back by far By.
Speaker 4 (02:59):
Now yeah, nobody to reference this ship from. You know,
like niggas seen other niggas from, like this nigga from
the block, he did it. You have none of that shit.
She was like delusion. She was a joke for a
long time. The ain't laughing no more, no doubt.
Speaker 1 (03:20):
Mama, your son ain't making no cheese steaks. Stole more.
Shout out. Steve Martarano, my brother.
Speaker 5 (03:26):
He opened up a restaurant in Atlantic City, and he
told the story, he's got one of the he got
the biggest, the best Italian you ever ate in your
life is Mount Roanos. So you open one of Atlantic
City and he started. He was crying telling this story.
Baby cry hard hard to make Joe crack great. I
heard everything you could throw at that motherfucker. But he
(03:48):
was like his mother was there, she was alive, and
he was like, my mom used to sell cheese steaks
out the window. They used to snap on me and
call me a bum. And this, mama, your sonda ain't
make you cheer the stakes. Oh my god, I start
balling crying like that was a legendary. But you you're
not even a rapper, right, you like a.
Speaker 1 (04:12):
Gospel drug dealer?
Speaker 3 (04:14):
Now that sound good though, Wow, that's I ain't put
those two together.
Speaker 5 (04:20):
Crazy that when I am rap and tell hooks, it's
like holle Loujah. It sounds like that to me, which
is disrespect. But you know you the scove God cooks.
Who in your family? Because you really talking eighty eight
shit too? Like did you have an uncle cousin in
your family that was in the game heavy?
Speaker 1 (04:41):
Like I always try to figure out how do you
know the game? Like that?
Speaker 4 (04:45):
What game are you talking about?
Speaker 1 (04:47):
The drug game?
Speaker 4 (04:48):
The wait this shit it started with my cousin. Okay,
we just put this in over dry.
Speaker 3 (04:55):
When Gun reached out there, you would that's the reasonable drug?
Uh what what was what was that?
Speaker 1 (05:02):
Like?
Speaker 4 (05:04):
Gun is crazy?
Speaker 1 (05:05):
First of all, shout out the West Side Gun.
Speaker 4 (05:09):
Yeah, nah is Gun is a legend gun crazy, Gun
restouting he was working on that awesome God album. Yeah stop,
I need three joints by tomorrow, Like three joints telling
you you got a classic album?
Speaker 1 (05:28):
Nobody know do these is gonna?
Speaker 4 (05:32):
I'm telling you anything West told me though, that ship
play out exactly the way he says that, Yeah, get
on these three joints. They're gonna go back to your
ship and then they're gonna listen to it different. I
did them three joints. We just never stopped. She just
went to the moon.
Speaker 6 (05:50):
Now.
Speaker 5 (05:50):
I don't want to disrespect you, right, but I feel
like today it's.
Speaker 6 (05:57):
The same moment for you.
Speaker 1 (05:58):
Yeah right, because you shit crack. I was about to
get mad. I ain't know what you was about to say.
He was about the ship. There flags and there's one
of them.
Speaker 3 (06:10):
Days two after they see you on this boot couch
down to the moon.
Speaker 6 (06:14):
Everybody who has sat in this couch.
Speaker 5 (06:18):
According to my business partner, he don't allow people on
the couch and got to be legendary. Something you gotta be,
Serena Williams, Is there anybody who coming here has been
a legendary icon? You, my friend, are a future icon
when they get to you. But if Fat Joe, who
(06:39):
thinks he know what time it is, discovered you a
month ago. I feel like this is one of the
moments and it was important to us because we I
think you're fucking incredible.
Speaker 1 (06:51):
You're like my favorite rapper, right and reasonable, y'all.
Speaker 5 (06:55):
I mean, everybody need to get into the stove guard
because but this I feel like this is one of
the moments for you because you know, ghost Face just
walked out.
Speaker 1 (07:05):
You walked in and sat in the same spot.
Speaker 4 (07:07):
Heard legendary shit. I'm gonna ki me. God always got
his hand on me. This shit get different for real.
That's why I don't be worried about none of this shit.
You know, these niggas trying to spin you with miss
your moment. No, I'm not going, not going, no, none
that industry shit, none, goofy shit. It's gonna be whatever
(07:30):
God wanted to be. That's why we're Here's right, that's
a fact real.
Speaker 5 (07:34):
Nobody could tell you what your future is, what blessings
God got for you. You know, it's my birthday and
for me to make it out sixteen years old was
a miracle. I'm sure there was people who looked at
my elementary school and I was in kindergarten, first second
(07:57):
grade and by the way, they seen me karate dudes
in their back and all that.
Speaker 6 (08:01):
They said, this.
Speaker 1 (08:02):
Guy going to jail.
Speaker 4 (08:04):
Yeah time.
Speaker 5 (08:06):
And so God had his hands on me and saved
me through so much ship had me navigate so I
can relate to everything you saying. Bro, It's just some
ship just don't make sense at all. Sometimes you were
supposed to die. I'm not gonna lie to you. Sometimes
they caught me. Ten guys, everybody got I was supposed
to die for the ship I did today prior somehow
(08:29):
I talked my way out of it, and that's God's doing.
Speaker 1 (08:35):
How did the Clips reach out to you?
Speaker 5 (08:40):
Because that right there, that's what put me on the stoke,
because I got to shout out Dre and cool and
dra first time on the clips when they hurt. Yeah,
yeah not yeah, Dre been trying to beg me. I
don't listen to these niggas got purple hair, yellow hair
and all type.
Speaker 4 (08:58):
I know.
Speaker 5 (08:59):
But Drake kept me young boy Yo, he's in just
and I'm like, yo, man, I'm tired of this ship, Trey.
You put me onto some dudes. Man, they weirdos man.
And so I hear him on the Clips album. Man,
I'm like what I said, this guy playing that that's
the first ship they played and that ship.
Speaker 1 (09:16):
Yo, how did that go? Who called? How'd you get
that call? Who reached out to you? Push man?
Speaker 4 (09:22):
Only? Zoe Okay, Zoe text me like.
Speaker 1 (09:26):
Jo made this happen too.
Speaker 4 (09:28):
By the way, this interview, yes, yeah, yeah, shut out.
Speaker 1 (09:30):
Up in this summer with a with a mink cat.
Speaker 5 (09:35):
Every day you took today is so colding it. He
took the day off today, he'd be having mink hats
on in the summer one hundred degrees. But Gay, I'm
sorry about you. Just trying to describe the man.
Speaker 4 (09:49):
Zoe text me like, Yo, can I I give Push
your number? Like nigga, what kind of question is that?
So we get pushed the number. Push called me like y'all.
I didn't even know it was the clips. We're like, Yo,
this record, man, send it to you right now, like
that ship through. He Yo, Pharrell had a hook on there,
m le Yo, Farrell got a hook on there. He
(10:11):
wants you to do. He want me to like a reference.
He wanted me to do. Send it through. But bro
ain't from where we're from doing what you do. So
I didn't even play for real shot. I just take
it to the studio. Now I play for after I
do what I do. So I just did that joint.
It was just one tape.
Speaker 6 (10:30):
We never asked nobody to spit do anything on this show.
Speaker 5 (10:35):
If I need you to say that chorus live, it's
just it's probably the best chorus of the year, I.
Speaker 1 (10:43):
Think, so I know show definitely called that.
Speaker 5 (10:47):
When I say some ship, don't listen to these speakle
when I say it it is wanted.
Speaker 1 (10:53):
Now, that's it. Hook of the year? Hook of the year.
Can I hear it?
Speaker 4 (10:57):
Let me you don't know what I know. You ain't
see what I saw. No, you ain't been where I go.
With a fetti so strong, you gotta.
Speaker 1 (11:08):
Do it with one eye.
Speaker 4 (11:11):
Turn you inside out. I heard your fest. Turt the
crib inside outside out. I have the roof for you.
Speaker 1 (11:16):
Niggas.
Speaker 4 (11:17):
Let the inside out fresh prince jacket boy, I cook
them to the inside out. We might as well wrap light.
Speaker 5 (11:30):
Skinned nigga running the base, or if you want to
wrap rap I'm not no no pressure.
Speaker 1 (11:35):
We don't do that. But you we need you. You're
the leader of the new school.
Speaker 4 (11:40):
Let's got friends, pretty bitch in my bed. We really
ran down on you. Be pissing down your leg nigga
and Chanel October reds she like you should have been
no bitch, I should have been in the fedes it'ch
When I get jail cause I got allergies. My young
boys really paint your fuck some gallery graduate one thousand
(12:00):
gram Academy's pussy niggas flatter?
Speaker 1 (12:03):
How you gate keeping you outside the gate with me.
Speaker 4 (12:06):
I'm over here with thirty keys. This life is making
believe shit. Ain't what they make a scene, don't make
a scene. Got the duck they rip the plastic judging
them up the stream so long that boy's gonna come
on cotsaknat tell them. I'm just wrapping nine, buying blocks. Hein'
my jersey up inside the spot. Mary to Selena, she
was spinning when we tied the knot hop out of silk. Selene,
(12:27):
you see a poke and I can't hide the chop
fire fetty personal home. You're trying to die or not
a little bit? She lapping a little bit.
Speaker 1 (12:38):
See, ladies and gentlemen. That's real shit. Man. We don't.
Speaker 3 (12:42):
You can't come up here and make it sound effects.
None of that fucking bullshit though.
Speaker 5 (12:49):
Nah, but let me tell you something. You upstate boys,
y'all been dressing y'all asses off, every one of y'all.
They're having a fly this ship. I mean, what the
fuck y'all couldn't wait y'all turn or something like, what's.
Speaker 1 (13:05):
Like, I look at all of them? What's my man
on the rock? Marciano he battling.
Speaker 5 (13:11):
That ga for fitt of the Year, Rock the Rock
mar motherfucker model.
Speaker 4 (13:17):
Yeah, Rock been doing it, Rock, always been on that ship.
Speaker 1 (13:20):
Yeah.
Speaker 5 (13:21):
But all you guys, y'all throwing that ship on? What
is it like with what everybody fresh man? Those niggas
want to.
Speaker 4 (13:28):
Be talking about a moment?
Speaker 1 (13:30):
You know what?
Speaker 3 (13:30):
It is a long time by fresh ship m ship
ever seeing the nigga with bean boars and well you
know a few of them, but it's not that much
niggas with that's dumb nice and they gear it's horrid
and fuel, but it's not a lot.
Speaker 1 (13:49):
Of your man. Eric Spears came in. He looked like
he was War War I median Harry.
Speaker 3 (13:56):
You better get him for that. Hevery win New York man.
Ain't tim Yankey fitted black tea, you know what I mean?
That's his That's what he always do.
Speaker 1 (14:08):
He had a fade like you on the time. How
is he gonna ge? How are you gonna talk about
a guest like that? Who's the best guess ever? I'm
just whoa hard to tell.
Speaker 5 (14:22):
You just said he was game, he got money, he
just get anyway. You know, it's great you care about
your presence.
Speaker 6 (14:30):
You know what I'm saying.
Speaker 1 (14:31):
Here we go, Here we go.
Speaker 4 (14:33):
I think we all should.
Speaker 1 (14:35):
Who's so many your musical influence.
Speaker 4 (14:38):
You?
Speaker 1 (14:39):
I appreciate that.
Speaker 6 (14:41):
I think he just liked to hear that ship.
Speaker 1 (14:43):
He asked me. You're gonna ask us. We asked every Yes,
just the top dead or lie?
Speaker 5 (14:49):
You know they gonna say, Jad, the go ahead, man,
because the whole it was like a trick list.
Speaker 1 (14:55):
Don't expect. I was listening, yo, y'all.
Speaker 7 (15:02):
He three episodes.
Speaker 5 (15:05):
I set it on the song six platinum. I picked
you up like never. But brother, who's your influences?
Speaker 1 (15:11):
Man? This guy here, James?
Speaker 4 (15:13):
How many times playing them?
Speaker 1 (15:15):
Six? Eight times?
Speaker 4 (15:16):
Platinum time?
Speaker 1 (15:18):
You know what I'm saying.
Speaker 4 (15:18):
Gotta appreciate that.
Speaker 1 (15:20):
Yeah, Jad, I was.
Speaker 5 (15:21):
Listening you know over there, I stole this bar and.
Speaker 1 (15:29):
Let this man say his influences. Sorry about everything?
Speaker 4 (15:34):
Are you good?
Speaker 1 (15:36):
Kiss?
Speaker 4 (15:36):
Whole hundred three thousand?
Speaker 1 (15:39):
Okay, see see.
Speaker 5 (15:43):
Even see whole calling you if he's working on new music,
I'm not even gonna lie.
Speaker 4 (15:47):
I got to be on that yeah, I think you
will be on that.
Speaker 1 (15:50):
And that's an early prediction for Joe Crack on Draft Day.
Speaker 6 (15:54):
Y'all gonna throw a flag to that. You know what
I'm saying, because.
Speaker 5 (15:57):
Let me tell you something. That ship you talking, let
me tell you something. We went and letting me in
front of you won, right. So we're listening to the
clips now, I'm just saying, we're listening to the clips
and I hear this hook and I said, Man, who
the fuck.
Speaker 6 (16:13):
This dude on this hook? And he says, Yo, that
stove God cooks.
Speaker 5 (16:19):
But once again, I don't want to take no credit
away from Dre from cooling dra. He's been begging me
to hear, begging me, harassing me. Yo, you will love
this guy. So I said, that's a nigga Dreb talk.
So we put up reasonable drought and I was like,
what the fuck is this? And the only way I
(16:43):
have to describe what you do wrapping to anybody out
there that's watching, it's like when you got a comedian.
It's just funny and they got you and they won't stop.
They trying to make you die by laughter. Like people
go dumb on the versus, but you go super dup
(17:03):
or dup or dumb you dragging the dumbness out ball
for ball, line for lot. You're like, Yo, it's this
shit gonna stop you like it is crazy. He's just
straight crazy.
Speaker 4 (17:16):
Appreciate that.
Speaker 5 (17:17):
And so y'all, bro, let me tell you something. Man,
everybody out there, I know you y'all know we preserve
the culture.
Speaker 1 (17:24):
This this where is at. You know what I'm saying.
Speaker 5 (17:27):
You know we viral every day, but there's nothing we
can do about it. Number one podcast. I don't give
a fuck. I came out here for number one supremacy.
Speaker 1 (17:35):
They know it.
Speaker 6 (17:36):
Joe Rogan, watch yourself.
Speaker 1 (17:41):
We talked that white.
Speaker 5 (17:42):
I'm talking to different white, Amy Schumer. Watch yourself because
these other guys, they're not not competition, they're not valid.
Speaker 6 (17:51):
Bro.
Speaker 5 (17:52):
You know we it's Jady Kists top there to five
in fat Joey Krag nigga. You know the type of
treasure chest ship we've been throing hip hop. You know
when we co sign the motherfucker, believe it or not,
it's how the stove guard is.
Speaker 1 (18:06):
Wait after this one.
Speaker 2 (18:08):
Oh my god, they gonna think you the dardamn sea,
Like your price going up?
Speaker 1 (18:15):
Price? What price? What we know that doing they don't
do it. Bryce went up with some ships don't come easy.
You could make it new. I think you could do one.
Speaker 5 (18:28):
You know, I go back to earth. Nah, I go
after every spears. When he started doing the fucking TONI
sack shot. He makes his eyes like we'retarded. This sothing like, Yo,
what the fuck yo? That Nigga's just funny. Y'all listen,
Harry's we eat you back. But let me tell you something.
Speaker 3 (18:44):
Do them under the Amtrak and then said we need
it for ship.
Speaker 5 (18:48):
Don't this nigga's crazy? This ship banter man. You know
that's the problem with people don't understand. Shout up to
my brother Jim Jones. He said he's gonna be about
to start a new podcast.
Speaker 1 (19:01):
You see that. You just said they had an ice
cuel for your whole birthday party? Did he shout out
of his pocket? You up there? Support him?
Speaker 5 (19:09):
I speak from the heart. I'm cancel free. They can't
cancel me. They try every week. They can't because they
know y'all walk with God. Joe, I walk with God.
Joe gonna step on ship. Especially you put a mic
in front of fat joke. That's dangers you let him
throw this ship on. Every day you gotta fucking barager
(19:31):
bullets come in your way. This is crazy, Like how they're.
Speaker 1 (19:34):
Paying us for this ship.
Speaker 4 (19:35):
I can't make it up free money. They shaidn't printing
this ship now.
Speaker 5 (19:40):
At this point, who you want to work with in
the future is now my kids, Ben, But y'all kiss
I'll tell you about this guy.
Speaker 1 (19:58):
Man, this is going track. You can't blocking it.
Speaker 5 (20:05):
Blocking it's going. I'm just going I just need some
of that residue when I start working. Ladies, gentlemen, mex
we gotta do it.
Speaker 1 (20:14):
Scared income, just scared. That's going there.
Speaker 4 (20:19):
That dance I funk with that off your last album,
That ship dre was on the hook.
Speaker 6 (20:24):
Which one that the intro.
Speaker 4 (20:28):
That I'm not called drink I called after you lost
your mind on this ship. That's only some ship. I'll
be talking. That was crazy crazy.
Speaker 6 (20:40):
Only problem is stole because he does it to me
all the time.
Speaker 1 (20:43):
You know.
Speaker 5 (20:44):
In ninety three, I had a record call Drugs is
the Key to success, Definitely. I was talking that drug
ship and nine.
Speaker 1 (20:53):
You hear what I'm saying.
Speaker 6 (20:54):
Drugs is the key that sets money is the key
to sex.
Speaker 5 (20:59):
The life is you can bowl, getting getting wet, the games,
people play, the dang's people slay.
Speaker 6 (21:05):
It's just another noise in every day.
Speaker 5 (21:07):
Once for the cash, tos, for zevery blunt sass streets,
for all the forty crews, corner cruise, the bowel, force,
for the drug sex and power. I beat the top
dollar scholar, rock and go college. Why are you trying
to sip the juice? I'm taking swallow, step in his
zone and get blown. My name, my name is internationally
not yo.
Speaker 1 (21:26):
Man. I've been talking this drug barrels ship that.
Speaker 5 (21:30):
Was ninety three, ninety three, and I was in on Fairville,
North Carolina, every weekend.
Speaker 1 (21:37):
They must have.
Speaker 6 (21:37):
Sold a lot of drugs.
Speaker 1 (21:38):
Ninety three. I was in twelfth grade. That's when I
came out. I was twelfth man.
Speaker 4 (21:44):
That's when I go three junk. He jumped off the
porch before you.
Speaker 3 (21:49):
That's older, sir. I got to flow. Joe Cassette. You
know I'm one of them, so he can't mention. Come on,
he's my superior.
Speaker 1 (22:00):
Oh this show you. I gotta respect my elders. That
John Blaze video you was looking really young, and that
John Blade I was the ball big pond Ray wanted
blessed me.
Speaker 5 (22:14):
And be on the nice because they shiped on me
on the last show Jada and they made too much
for about me.
Speaker 1 (22:22):
They was like, but you know that's my brother.
Speaker 5 (22:23):
I've been working with him in the whole arm locks
for a thousand years of styles.
Speaker 1 (22:29):
He says his love he came to the party.
Speaker 3 (22:31):
Yeah, he was somebody. They my brother and sister there,
the rep sent I was working.
Speaker 8 (22:36):
He set our chemistry. He can't Oh he hits me.
I mean, dare yo you? And yeah he got p
wat He's an avid watcher. Repeat view of y'all.
Speaker 1 (22:47):
Stiles was something baby, I ain't know he was watching.
I'm in here talking ship to the cameras.
Speaker 5 (22:52):
I don't know who was the show yo. Ghost States
came in. He knew every episode. He was like, Oh yeah,
it's crazy, y'all.
Speaker 1 (22:59):
I love this ship.
Speaker 5 (23:00):
This this somebody really watching Rookies of the Year right
a bullet? What's up with the stage? How is your
stage show?
Speaker 1 (23:08):
Are you like? You know?
Speaker 4 (23:10):
Ship about the like? What we do is like you
get to build that ship for real with your fan
from the roots, really build it because you know it's
niggas with the big records that I can't give room facts.
That's a fact. So the way the way I got
to do it through West and through the Griselda ship.
(23:30):
Really like build that ship from the ground with the fans.
They was in my d M. Niggas laten mad because
that's how.
Speaker 1 (23:41):
Yeah, spend some time with Buster. What did you learn?
Speaker 3 (23:44):
What did how you able to apply what you learned
spending time with Buster?
Speaker 4 (23:49):
What was that like that nigga bust fucking workerholic and
they're gonna take a day off. Nigga turned me off
from that. I can't do that night studio ship though you.
Speaker 1 (24:00):
Going today and see we got more.
Speaker 4 (24:03):
I can't.
Speaker 9 (24:03):
I can't do that nice shit busting night ain't. I
ain't want that, man, I ain't like that I do tonight,
you know what I'm saying. But you know nowadays I
do today. But for the most of my career, they
taught me. I only did what they taught me.
Speaker 5 (24:18):
So they would be like, Yo, you walk in the
studio nine ten o'clock talk shit for two hours, start
at twelve May. I did that my whole life, but
now I'll go in the daytime.
Speaker 1 (24:29):
I need today.
Speaker 4 (24:30):
That's how Buster was.
Speaker 3 (24:31):
He was like my voice changed at this Shortain one thirty.
I said, like, aint no horn, I can't be here.
Speaker 4 (24:41):
That nice shit, that nice shit, you.
Speaker 5 (24:42):
Know, Busterrom she still live like where he's trying to
describe it, y'all. He trying to He still live like
he's at nineteen year old rapping. So he in the
studio every day creating like he's nineteen years old. How
this rap in the game going for the home run?
This is that every day of his life.
Speaker 1 (25:02):
That's what he do.
Speaker 5 (25:04):
And so his work ethic, I mean, I mean, he
ain't gonna stop. How about that bus Swaynes would never
ever stop?
Speaker 6 (25:14):
I don't see it.
Speaker 5 (25:15):
But now so when when I talk about you and
people act like they don't hear me, but they hear me.
Speaker 1 (25:22):
They act like they're not listening, but they listening. They
all start calling me and they say.
Speaker 5 (25:25):
Well, you know Stove God was approached by Maybe these
are rumors they like, you know, I think holing them,
approach them, eminem. Everybody try to sign you at some point,
but you on like a contract that is like harded.
Speaker 1 (25:43):
I mean explained that to me.
Speaker 4 (25:44):
Man, the game is disgusting.
Speaker 6 (25:48):
Say that they had again for the guys down the block.
Speaker 4 (25:52):
The game was disgusting you and you don't know. Just
like everything else, you don't know until you know one thing.
I'm not going on. Like I said, you better don't
miss your moment. I do this very well. I do
some other ship very well. Yeah, I'm not if I
ain't comfortable, we ain't going so. Yeah, I done got
(26:14):
some calls from I ain't never got the call straight
from home, but close to it. Yeah, shady deep jam,
everybody done reached out.
Speaker 1 (26:27):
They're talking the right right there, they talking.
Speaker 4 (26:31):
We just stuck.
Speaker 5 (26:32):
It's just under a situation where you know at volatile
partner who that's one of the wacky ship be and
Jada always talk about that. The politics of the rap
game be like the wacky ship in the game. In
this industry I loved earlier you said, man, fuck this
industry fucked. And it's so true, man, because when you
(26:54):
coming up and you signed to a label and they
start putting the two sents and to ship, who call
me one time? This this this made me like ten
years ago. Oh what's the guy named Khalid? His name
is Khalid the singer. Yeah, I went to a show.
It was sold out. Madison Square gone way with my daughter.
(27:15):
Next day he sent me a song to get on.
I got on it. He was honest enough to call
me back and be like, Yo, my lady will say
you're too old to be on a song with me.
You know, I'm sorry about that. Just wanted you to
hear it from me, and this and that, and I
was just that ten years ago. So I'm looking at it.
That's just how fuck niggas just fuck your vibe up,
or you know, they always got something to say. I
(27:38):
swear it ten years ago they was like, yo, they
told him, yo, you young, you the new whatever. Who
gives a fuck. It's just I'm talking about the fuck
shit that go on in the in the industry rooms.
So in the industry rooms, you know, they always play.
(27:59):
I've been in so many industry of so many meetings
where you got twelve guys, somebody plays the song and
everybody say you always don't and it's just.
Speaker 1 (28:09):
One just one one.
Speaker 5 (28:12):
Guy or one girl, be like, I don't know if
then it turned into four six ten, So everybody like
bandwagon that person.
Speaker 1 (28:23):
Because listen, guys, yea take this.
Speaker 5 (28:29):
Right now, because people watch this show to learn Listen guys,
if God graces you with the opportunity to get a
job where if your life is A and R, if
your life is videos, movies, whatever or whatever, to change
the world to be in position. You know how many
people I've seen in a position of power in this
(28:52):
industry and never pulled the trigger once.
Speaker 1 (28:56):
This is the.
Speaker 5 (28:56):
President of Let's say anything Capitol Records, Right, and the
man don't sign nobody in three years or four years,
or make no moves like when you're coming up in
the game as a as an executive, Right, you finally
get in position, and then you get gunshot. They get
(29:17):
scared to make certain moves. You could be the hardest
artist in the world, and they scared the pool of trigger.
Do me a favor if you ever get to a
place of that importance of excellence, what.
Speaker 1 (29:29):
Are you scared of? If you the A and R
and the girls popping, make a land down.
Speaker 5 (29:37):
Her show in a pink helicopter, blow a bag, invest
in yourself, blow the bag, bload the bag.
Speaker 1 (29:45):
And less than yourself. This only game for real, huh.
Speaker 4 (29:51):
It's the only game where they don't believe in you
till you prove yourself and then you're supposed to do
business with these same niggas that didn't believe in me,
Like I don't get this ship, I'd be like fucking.
Speaker 5 (30:06):
Then they get in the middle where your album and
say saying like this or you some did you did
you see that producer?
Speaker 1 (30:14):
Did you?
Speaker 5 (30:14):
They start fucking with your ship like they're somebody like
they ever did somebody get that?
Speaker 1 (30:19):
Like they're the culture.
Speaker 5 (30:19):
I'm just telling you in the normal rap game, In
the normal rap game, that's what they do. All of
a sudden, somebody want to tell you, you know, we'll
talk about something uncomfortable, right, really uncomfortable. But for all
the shit Kanye West was saying and all that, and
I don't agree with hate or nothing like that, the
(30:41):
one part I heard in his one rant that made
him like, you know, he said, I'm making this company
hundreds of million billion dollars and they got a guy
that makes sixty thousand a year trying to tell me
what to do. So so A and R so y'all
(31:04):
can understand how wild this sounds to y'all. Some artists
is getting one hundred and fifty thousand this show on
the regular coming up in there, and you a five dollars, dude,
trying to tell me what the fuck to do.
Speaker 1 (31:18):
We're not seeing life the same way. We're not in
the same lane, we don't look in life the same way.
So how you gonna tell me what beat? O?
Speaker 6 (31:27):
Shrmim on?
Speaker 1 (31:28):
Why should I say? What shouldn't I say? And that's
where that whole shit come.
Speaker 5 (31:33):
And then in our time, and I've seen somebody say
sometimes I really respect what he say. But he said
that the A and R should be a superstar because
they'll get bro rappers are rappers, they're the superstars.
Speaker 1 (31:47):
They're the artists.
Speaker 5 (31:49):
You know, when you got dudes in the record company
thinking that they got to be bigger than the artists,
you know, like probably pop more bottles than the artists
and go up in there and act like there's somebody
and all that. Yo, bro, just get the job done.
At the end of the day, the success, your suspected
success speaks for you. Your success speaks to you.
Speaker 1 (32:15):
The more successful you.
Speaker 5 (32:16):
Are, the more revenge you get, the more you know
what I'm saying. And so people don't know how to
not get in their own way, and they just got
too much to too much to say. I guess that's
what's going on? Man, I'm sad. Just made me sad.
Speaker 6 (32:39):
I'm keeping it real. You know we all dealt with.
Speaker 1 (32:42):
That game is all with the get.
Speaker 3 (32:43):
This is one of the most discouraging games. You know
what I mean because where we come from is the
money ain't right, it's hands and feet. You can't do that,
and that makes you more steaming because now it's like
somebody that I know in real life being able to
do this to me and sitting behind this desk telling
(33:03):
me what the fuck they do? Well, I want to
grab his throat and I can't, and then that causes some.
Speaker 4 (33:11):
Other ship man today stung the gy nasty man.
Speaker 1 (33:16):
The game is filthy. Let me tell you something.
Speaker 5 (33:19):
I got a story for you, but nah, that's a
big You don't want me to tell you. I'm dropping
gems right now. That's what I'm here for. This stuff
gone one on one. But I'm just telling you what
happened to me. Right So, one day I'm in my
two three lawyers ago and ship.
Speaker 1 (33:39):
I'm in the office.
Speaker 5 (33:40):
He used to he used to be Pharrell's lawyer, used
to be Luda Chris's lawyer.
Speaker 1 (33:47):
The woots he was. Anybody who was big was with him.
Speaker 5 (33:51):
So I walk up in the lawyer's office and they
popping champagne and Luda Chris tells me, yo I just
signed this deal for like two million dollars, because believe
it or not, I know you're younger than us. There
was a time ring tones didn't exist, so if your
phone ring, it was just the ring. So they invented
(34:13):
the ring tone. But the contracts in all of the
record labels did not have that in the writing because
it did not exist like AI wasn't like it was
five years ago now, So in the contracts they fucked up.
They didn't have ownership of your ring tone. Ludacris understood that.
(34:35):
As fucking smart as he is. I just seen him
on the yacht jogging on a treadmill and Staeka somewhere.
He's jogging on butting. He's ridly smart.
Speaker 1 (34:45):
The yacht.
Speaker 6 (34:45):
He tells me, Yojo, there is this thing. He breaks
it down to me, yojo'sh thing, even ring tones. I
just got two million. This is that cool.
Speaker 5 (34:53):
I go to Atlantic Records. I'm gonna say the name.
I go to Atlantic Records where I was signed, and
I'm supposed to do press and some shit like that.
So some girl comes down, she's the assistant to the president.
Should I say his name or I could get suit?
I said, I had said, you said to just believe
(35:14):
it at that. So the boss sends the assistant down
and she says, yo. The man upstairs says, sign right here.
I said, I'm not thinking nothing of I said, Yo,
tell a many you know, you know my lawyer.
Speaker 1 (35:27):
Just send it to him, no problem.
Speaker 5 (35:29):
They never ever in their life ever did any type
of legal work at me, not go to the lawyer.
Speaker 1 (35:36):
Never in the history. But I don't know. I ain't
thinking about it.
Speaker 6 (35:39):
So he comes back down. They come back down. He
comes down.
Speaker 5 (35:42):
He got a thousand workers, so everybody's scared of their job.
So he comes down and says, Yo, Joe, you know
there's some ship that we need you to sign. There's
a thing called ring Tones, and and we.
Speaker 1 (35:54):
Own it and this and that.
Speaker 5 (35:55):
I said, my man, suck my did The whole office
looked at me, the huh everybody was looking.
Speaker 6 (36:03):
I said, you can suck my dick, my nigga freak
steck for yo.
Speaker 1 (36:08):
Bro. The man listen, you just said right now, you
started this whole story. You just said you looking for
the last three hours. I didn't say shit.
Speaker 5 (36:19):
You said there's guys that will play behind the desk.
They'll get hung for on the streets. If they did this,
they be dead.
Speaker 1 (36:29):
That's a fact.
Speaker 5 (36:30):
This guy just sold me. Hey, there's some coreenes on shore.
I got loved for Luda Chris. I just got two million.
They was popping champagne twenty minutes before I get in there.
The dude trying to scam me into sign my rights
away for something.
Speaker 4 (36:45):
I know.
Speaker 5 (36:45):
This man just got two million. I got no choice
with to tell him it sucked my dick in front
of his whole workers. Everybody, get the fuck up out
of here. Before you get a foot up, gass, nigga
fuck out of you. The whole office is looking like,
oh my god, shit li like like.
Speaker 1 (37:01):
The wild wild West. They're ready sweat.
Speaker 5 (37:05):
They already snatched their wigs, hats every day, every motherfucker bright.
Speaker 1 (37:09):
But listen, he go up.
Speaker 5 (37:13):
Then Leo Cohen comes down. Who's the chairman of Warner Brothers.
Speaker 1 (37:20):
Joe.
Speaker 5 (37:21):
We feel like this is the right of the label
and this he even told me some ship and I
ain't trying to throw you under the bus Leado because
you know, I got too much love and respect for everything.
You're actually not in this equation. But Leo says, Yo,
I met with all the enemies, Republican, Democrat, Independent, We
all met and we all agree that we own these
(37:42):
ring tombs. So we're gonna do this all the artists
and change all the contracts. I said, Leon, I have
so much respect for you brother. Well, you know I
just left my lawyer's office and Luther CHRISTI just did
a two million dollar deal. This is what you asking
me to do. You're like trying to scan be out
(38:02):
of my rights.
Speaker 1 (38:03):
So well, if you.
Speaker 5 (38:04):
Don't sign it, you know the bottom line. At the
end of the day, I stuck the niggas up for
MS and they made me sign a contract that said
don't tell no other artists.
Speaker 1 (38:14):
We gave you THENEY.
Speaker 5 (38:16):
But I was like, Yo, I need MS. I need
you not doing that to me. So they made me
sign the paper and I guess I couldn't get sued.
I mean, I guess what I signed was the NDA
or something twenty some years ago. They said, Yo, Joe,
don't I knew YE stole my shit? Oh no, they
stole your ship. I think artists, artists can go back
(38:40):
in time after this gym stove God one on one
and look up.
Speaker 1 (38:45):
Did they have the rights see your ship back? Then
you're gonna get one of them bus over the head.
Speaker 3 (38:50):
You're gonna get one of the executives busts over the
head for that, because I don't take that. You know,
I played refrigerators and Saints and aug I played with kids.
We got stove God cooks here. I play with ketchen applies,
misycho waves and ship like that. Man, the ship, air
fries and all that off the roof. Your air fries
(39:12):
make a mean chicken wing.
Speaker 1 (39:16):
Your airfriers make a mean ship.
Speaker 5 (39:20):
You will never believe the air fire makes some wings
better than the fucking ghetto Chinese.
Speaker 1 (39:26):
I'm telling.
Speaker 3 (39:37):
Jet check this out. You once said, if I bring
them into my world is over. What does your world
consist of? That makes the soa compellent? I also that
should be every artist, if you can get the people
to your world, it's fucking old.
Speaker 4 (39:55):
I think I said that back when I was fucking
with Buskers. We're trying to do the single shing. I'm like, Yo,
that sh ain't gonna work for me.
Speaker 1 (40:04):
Man.
Speaker 4 (40:04):
Yeah, so they can really understand it. Just like when
you heard you heard this ship five years later if
I bring a man so they understand, like this world
it ain't like that ship they doing. But once you
hear it's like everybody talk drug shit, but everybody can't
talk to ship it.
Speaker 5 (40:24):
You know, I'm sure the city without without the jersey,
this ship his ship. Like like all I could say
from a guy who grew up in the streets to
sound like fucking street gospel, like when he posed to
that ship, incredible, you know what I'm saying. And so
your man west Side gonna they say he's the one
(40:45):
guy that could get you on records, but they stick
him up to them.
Speaker 1 (40:51):
Everybody got to pass. Stick him up.
Speaker 4 (40:53):
They stick him up too. My brother, like he's paying
to make sure I'm heard that specially like gun might
be one of realist niggas in this ship.
Speaker 6 (41:02):
Yeah, you gotta love him, man, he's paid.
Speaker 4 (41:04):
He's been paying to make sure they hear me. No, man,
you got it, like you're gonna do just sit around, Yeah,
get on this while you're putting that's my top five song,
sevens or whatever. Because we were figuring out my ship.
Speaker 1 (41:19):
Mhm.
Speaker 4 (41:20):
You know we're trying to get ship right and make
sure right now. But he was figuring that ship out
for a long time, and during that little drought, was like, no,
we're just gonna funnel you through this ship and when
they come, they come, I'll take care of you. That's
a fast fight. Whenever my brother need me, I'm there.
Speaker 1 (41:39):
Fish. Wow.
Speaker 3 (41:41):
After all the coach signs that collapse though, what motivates
you to keep pushing? It's right about now, your your
d ms and phones and emails gotta be trading. Can
hit you up off the fucking Yeah, I definitely had.
I hit him in the DM.
Speaker 1 (41:59):
Stove brought you up. He was like, I've been looking
for him. I'm going we're gonna do so.
Speaker 4 (42:04):
We got the joint though.
Speaker 1 (42:06):
Yeah, but then I needed It's so strong enough, man,
y'all he need that.
Speaker 4 (42:18):
That's it. Run that when he run. When y'all edited
to send me that melody. Whatever that ship just was
was doing, that.
Speaker 5 (42:24):
Was your ship inside out, sitting with it and with
it inside.
Speaker 1 (42:28):
You know, I'm an.
Speaker 5 (42:29):
Exact everything they CLiPPA, y'all fuck up everything.
Speaker 1 (42:34):
I can't. I don't even know my own lyrics. I
was surprised earlier. I start spitting.
Speaker 6 (42:38):
I remember I don't even remember my own ship. I'm
gonna be honest with you.
Speaker 3 (42:42):
When you see yourself in hip hop history, when it's
all said and done, what do you want to leave
to the people.
Speaker 4 (42:50):
She can go the right way. I think I could
be one of the ones.
Speaker 1 (42:56):
Not if it could.
Speaker 3 (42:57):
It's going go, it's going. You know you stand fermore?
Are you standing firm on it? You ain't going, don't
go and let them come to you. Everything else gonna
go because everybody everybody goes. See somebody gotta be the
one that say, I ain't gonna.
Speaker 1 (43:18):
Hard to not go.
Speaker 4 (43:19):
Sometimes, yeah, it's hard to not go. That's the once
you get here and they, oh, million.
Speaker 1 (43:25):
It's hard to not go. They put the fishing rod
with the check on that check book.
Speaker 4 (43:30):
I did absolutely.
Speaker 1 (43:33):
Yo.
Speaker 6 (43:34):
I saw a clip a view at the comedy show.
Speaker 5 (43:38):
Yeah yeah, you had you had your girl with you
and all that, and uh that ship went viral and
I was like, Yo, this stove guard right here and
the man.
Speaker 1 (43:52):
You're a good sport like that?
Speaker 4 (43:53):
Huh him run. I'm saying I stumbled in there. My
wife was there. I stumbled in there. Off the place.
Ain't on some drunk feel like I was just letting
you like I didn't even know.
Speaker 1 (44:03):
Once you late, it's yeah, it clumps. No, no, once
you late, because it's like you the only one coming in.
Speaker 4 (44:12):
And then I'm like this. I come in there like this,
looking right, like.
Speaker 5 (44:18):
Ah, what is the joy happened to me? I told
him the story. I told them all the story. It
happened to me in front of the Beacon Theater. It
was like five thousand people, nigga said, he squeezed donuts
on my head. The back of my neck looked like
Frank's this like he was on a fucking roll and
he would not stop. You fake heavy d ass, nigga.
(44:42):
This that this a float Joe was then ship. I'm saying,
wait a minute, that's the fake heavy d fat Joe.
Fuck this nigga, Like, Yo, they wish chilling me. And
I sat in that chair and it just kept sinking
in the chair. I kept sinking in the fucking chair.
Yeah that's that's that's some good sports ship right there.
Speaker 1 (45:03):
What's on?
Speaker 4 (45:04):
We ain't say for something? And Peter Roseb hit me like, yo,
you gotta start a class on how the hell rappers
deal with these comedians man at these shows.
Speaker 1 (45:15):
Fuck this sh.
Speaker 4 (45:18):
Nah, but it's gonna get me twice. Man.
Speaker 1 (45:21):
Now, it's really really dope.
Speaker 5 (45:23):
You know what's crazy is a shout out to uh
constant not right, So Constannat he did some university shit
or something and streaming university. He was giving classes how
to not get got.
Speaker 4 (45:39):
By.
Speaker 6 (45:40):
I don't think we want to say a fought but
a young lady whatever and they was in there.
Speaker 5 (45:46):
She was like, hey, babe, I just saw this, watch this, this, that,
and they said stop. And the dude would be like
around this time. It's when you ask what kind of watch? Hey,
what kind of watch?
Speaker 1 (45:59):
AP? Hold up?
Speaker 5 (46:02):
You hate APIs it was anything else, you might go
for it, but AP watches not your thing.
Speaker 1 (46:10):
They whack this bag.
Speaker 4 (46:12):
Anything but AP.
Speaker 1 (46:14):
I don't like that.
Speaker 5 (46:15):
Niggas was giving a fucking in the like a like
a college class. I thought it was the smartest shit
in the world. The man wound up saying this bank account,
something happened to it. He can't send no money out right,
like it was out of control.
Speaker 1 (46:28):
But it was all right, you know what I'm saying.
Speaker 5 (46:32):
And so that's gonna be some shit some dudes and
don'ts of a hip hop like a university.
Speaker 4 (46:38):
That's what we need.
Speaker 1 (46:40):
But you got cooking right now.
Speaker 4 (46:43):
I got two albums done. I'm working right now. So
I tried. You know, I handed doze in. That shit
was the hold up and all of that. So I
just started working again. Man, Yeah, and gun working on
some ship. Then I got another soul one working on
whatever we're gonna do.
Speaker 1 (47:05):
James, kids, finas this way costs. Why couldn't this be
a mutual woman, I mean we, I mean we all now.
Speaker 5 (47:18):
I feel good, man, Yo, you gotta joint here. I
want to hear new joint from you. I said, the
world ain't here yet. It's James that he broke out
of y'all got it.
Speaker 1 (47:29):
I'm ready. That's in that ship man, And don't we knowing.
Speaker 4 (47:33):
That's why we're gonna do this there ship Ah, say
you let me lie to me sweet double lost, stitched
in my seat, powder footprists falling off my feet.
Speaker 7 (47:55):
If the web right, did we straight rise? I get money.
Ain't cuty day and night. If the wag right straight right,
I get money.
Speaker 4 (48:09):
Kids.
Speaker 7 (48:09):
Cut he.
Speaker 1 (48:13):
While you're playing.
Speaker 4 (48:14):
I here every whisp that these fuck niggas saying, make
me leave in the product trench with the can they
grab us. We better get comforing first shaying because I'm
all cooking and wag they more funny like the wings
because I shot him on the wing.
Speaker 7 (48:26):
You know that's the same time for a year. You
know that's the same time. I have my year.
Speaker 4 (48:33):
Clear to your mo on how they gonna bury your
god deep in the pot? Stretching my arms, I made
him fourteen and a half pounces.
Speaker 7 (48:39):
The scale said four to one one.
Speaker 4 (48:40):
Then Mary came on water with raindrops splashed on the base.
Speaker 1 (48:44):
Get riched, got fast through that shit. It can, Mama.
Speaker 7 (48:47):
The main't then my friends they ain't.
Speaker 4 (48:50):
Dylan's did my stove cools tray like oh ray like
murder was the case? They they gave me the rings.
Speaker 7 (48:56):
If I die now, my plug will still haunt you.
Speaker 4 (48:58):
Everybody or none. I have a shooting up his weight.
They want to put their feet in my kids. They
want to put their shoes in my prints. They want
to see this step of my bricks. They study in
the way my rest is studying the funnel.
Speaker 7 (49:10):
Say you let me lie to.
Speaker 4 (49:12):
Me sweet that a lost stitch in my seat, powder
foot prists falling off my feet.
Speaker 10 (49:20):
If the way right, then we straight rise, I get money,
kick cutting damn Knights. If the wave right, then we
straight right, I get money, kick Cutty damn Knights.
Speaker 4 (49:45):
One verse what was gone?
Speaker 1 (49:49):
So you you might have a bigger problem in that song.
I see you shout out kick cutting Cuddy, Damn. He
didn't say kit Cutty, say kid Cuddy. He ain't think
this grounds Hallstead ship.
Speaker 4 (50:13):
He got up there.
Speaker 1 (50:18):
Don't mind me, stove, don't mind me. You know, I
woke up today and the first thing I said was
he said he s afraid of I knew it was you.
You broke my heart. You broke you said your father,
Like you know what I mean?
Speaker 5 (50:35):
These guys out here, he's ugly man, God's taking the
stand against their kids.
Speaker 1 (50:41):
Ship like that, this ship out of control.
Speaker 6 (50:44):
Listen, Yeah, that's a splash right there.
Speaker 5 (50:49):
That's a smash right there. That's one Stovegard cooks man.
Thank you for blessing us coming up on the show.
Speaker 1 (50:58):
Yo. What what we call it? That eighty seven north?
Speaker 5 (51:01):
Because I've been like, like the highway up to Syracuse
is eighty seven north, right, what is it?
Speaker 1 (51:10):
Eighty seven turns into eighty one? Well up here's eighty seven.
Like in the Bronx going. There's only one way to
go to and that shit is the eighty seven all
eighty seven turning eighty one eighty seven to seven eighty one.
So it's fucked up, I believe, man, mellowy, where you
do know the coach? What's the name of the coach?
(51:32):
Uchree red At right now? He played for me. I
know that it's on Polo Brown for me. I mean
your coach played for me.
Speaker 3 (51:44):
We know that.
Speaker 5 (51:44):
Yeah, Red Orchie used to play for everybody that if
you ain't figured it out, yes.
Speaker 4 (51:50):
Tho, Yo, Joe, tell these things. I need the floor seats.
Speaker 1 (51:54):
You ain't got it that Syracuse I got that. This
is what I believe. Yo. You got a lot of
shit for you want them? Yo, you're gonna do six
honks down. Man, I'm telling you sex. See I they
with mine? You got sex.
Speaker 3 (52:10):
So DC Billy Owens, he's my dudes, man, rest in peace.
Pearl Sherman Douglas was good.
Speaker 1 (52:18):
Better record.
Speaker 4 (52:20):
They better recognized stove Guardystopher Pearl.
Speaker 1 (52:24):
Here Pearl was that nigga.
Speaker 5 (52:29):
You'd be surprised. Who is from my projects? Dean member,
your senior who played for the Knicks. It is from
my building. Okay, be surprised. He was a legend, the
Knicks great. His son is in New York one, the
(52:49):
the You've seen him in New York one a million times.
Speaker 1 (52:52):
That's his son.
Speaker 5 (52:53):
I grew up with dean member of the son the
father played for the Knicks. Don't do that to the
gard body of or gall bodies. This ship mathematical, symmetric.
This is the pack the ethereum fager.
Speaker 1 (53:10):
Telling you that's it. This, ain't that, ain't this it's tracking.
Speaker 3 (53:15):
Kiss makes some noise all stove stone down down down, no, no,
Believe it or not, it's how the stove guard is.
Speaker 2 (00:02):
Wait after this one, Oh my god, they gonna think
you the darnamn sea like your price going up price.
Speaker 1 (00:11):
Wait cook coke, crack reportant live.
Speaker 3 (00:31):
This shit boy, Jada. This is the Joe and Jadas Show.
Every episode iconic, every episode legendary.
Speaker 1 (00:40):
Makes some noise today. One of the meanest artists.
Speaker 3 (00:44):
Outright now now Hooks is this socide thing.
Speaker 1 (00:47):
He does it all, but his Hookses is top of
the lener. You know what I mean. Let's make some noise,
ladies and gentlemen for stove guard cooks. Sure, welcome to
the Joe and Jayden showed my brother.
Speaker 4 (01:04):
I appreciate you.
Speaker 1 (01:04):
God ap be out on you for a while. Y'all.
Speaker 5 (01:09):
Let me tell you some stove guard cooks talk about it.
So success take a shot at you. Why you're out
to be rich with what I means it broke with friends.
Success took a shot at you. You know, man, you
a success story.
Speaker 3 (01:27):
Man.
Speaker 5 (01:29):
You know the plane diverted and went to Syracuse the
other day. It didn't come to New York. They was
running out of gas. So Jeff Blue Mint went to Syracuse.
It looked nice out the window.
Speaker 1 (01:41):
This ship looks so nice.
Speaker 5 (01:43):
And I mean here in all this cocaine talk from
you and all that, but from the window of the plane,
I'm trying to figure out where stove Guard lives out there,
because it looked beautiful from the plane.
Speaker 3 (01:55):
Break that ship down before they I think that's our connection. Besides,
I didn't even know he was from there. But you know,
I bleed orange, you know what I'm saying. Yeah, yeah, yeah,
I've been at Midnight Madness coach beheiin. I got a
couple Jady Custom jerseys from the arms.
Speaker 4 (02:15):
I mean, it was my dream.
Speaker 1 (02:17):
It was my dream.
Speaker 3 (02:19):
I was actually at work with my moms when Keith
Smart hit in the end and beat them and they
lost the chip. I was crying. I was a little
kid at work with my mind. Then to meet Mellow
when he won. That's why me and Mellows brothers like that.
Shout out to Mellow. I'm going to the all you.
Speaker 5 (02:36):
Knew more Mellow before he even went to Syracuse. Correct
a little bit, yeah, Baltimore, but yeah, Syracuse. So that's
like my home away from home.
Speaker 1 (02:47):
Man. I got I told you I bleed orange.
Speaker 3 (02:50):
How you feel you said it was nobody there no superheroes,
super rap heroes and you.
Speaker 1 (02:56):
But you got it on your back by far By.
Speaker 4 (02:59):
Now yeah, nobody to reference this ship from. You know,
like niggas seen other niggas from, like this nigga from
the block, he did it. You have none of that shit.
She was like delusion. She was a joke for a
long time. The ain't laughing no more, no doubt.
Speaker 1 (03:20):
Mama, your son ain't making no cheese steaks. Stole more.
Shout out. Steve Martarano, my brother.
Speaker 5 (03:26):
He opened up a restaurant in Atlantic City, and he
told the story, he's got one of the he got
the biggest, the best Italian you ever ate in your
life is Mount Roanos. So you open one of Atlantic
City and he started. He was crying telling this story.
Baby cry hard hard to make Joe crack great. I
heard everything you could throw at that motherfucker. But he
(03:48):
was like his mother was there, she was alive, and
he was like, my mom used to sell cheese steaks
out the window. They used to snap on me and
call me a bum. And this, mama, your sonda ain't
make you cheer the stakes. Oh my god, I start
balling crying like that was a legendary. But you you're
not even a rapper, right, you like a.
Speaker 1 (04:12):
Gospel drug dealer?
Speaker 3 (04:14):
Now that sound good though, Wow, that's I ain't put
those two together.
Speaker 5 (04:20):
Crazy that when I am rap and tell hooks, it's
like holle Loujah. It sounds like that to me, which
is disrespect. But you know you the scove God cooks.
Who in your family? Because you really talking eighty eight
shit too? Like did you have an uncle cousin in
your family that was in the game heavy?
Speaker 1 (04:41):
Like I always try to figure out how do you
know the game? Like that?
Speaker 4 (04:45):
What game are you talking about?
Speaker 1 (04:47):
The drug game?
Speaker 4 (04:48):
The wait this shit it started with my cousin. Okay,
we just put this in over dry.
Speaker 3 (04:55):
When Gun reached out there, you would that's the reasonable drug?
Uh what what was what was that?
Speaker 1 (05:02):
Like?
Speaker 4 (05:04):
Gun is crazy?
Speaker 1 (05:05):
First of all, shout out the West Side Gun.
Speaker 4 (05:09):
Yeah, nah is Gun is a legend gun crazy, Gun
restouting he was working on that awesome God album. Yeah stop,
I need three joints by tomorrow, Like three joints telling
you you got a classic album?
Speaker 1 (05:28):
Nobody know do these is gonna?
Speaker 4 (05:32):
I'm telling you anything West told me though, that ship
play out exactly the way he says that, Yeah, get
on these three joints. They're gonna go back to your
ship and then they're gonna listen to it different. I
did them three joints. We just never stopped. She just
went to the moon.
Speaker 6 (05:50):
Now.
Speaker 5 (05:50):
I don't want to disrespect you, right, but I feel
like today it's.
Speaker 6 (05:57):
The same moment for you.
Speaker 1 (05:58):
Yeah right, because you shit crack. I was about to
get mad. I ain't know what you was about to say.
He was about the ship. There flags and there's one
of them.
Speaker 3 (06:10):
Days two after they see you on this boot couch
down to the moon.
Speaker 6 (06:14):
Everybody who has sat in this couch.
Speaker 5 (06:18):
According to my business partner, he don't allow people on
the couch and got to be legendary. Something you gotta be,
Serena Williams, Is there anybody who coming here has been
a legendary icon? You, my friend, are a future icon
when they get to you. But if Fat Joe, who
(06:39):
thinks he know what time it is, discovered you a
month ago. I feel like this is one of the
moments and it was important to us because we I
think you're fucking incredible.
Speaker 1 (06:51):
You're like my favorite rapper, right and reasonable, y'all.
Speaker 5 (06:55):
I mean, everybody need to get into the stove guard
because but this I feel like this is one of
the moments for you because you know, ghost Face just
walked out.
Speaker 1 (07:05):
You walked in and sat in the same spot.
Speaker 4 (07:07):
Heard legendary shit. I'm gonna ki me. God always got
his hand on me. This shit get different for real.
That's why I don't be worried about none of this shit.
You know, these niggas trying to spin you with miss
your moment. No, I'm not going, not going, no, none
that industry shit, none, goofy shit. It's gonna be whatever
(07:30):
God wanted to be. That's why we're Here's right, that's
a fact real.
Speaker 5 (07:34):
Nobody could tell you what your future is, what blessings
God got for you. You know, it's my birthday and
for me to make it out sixteen years old was
a miracle. I'm sure there was people who looked at
my elementary school and I was in kindergarten, first second
(07:57):
grade and by the way, they seen me karate dudes
in their back and all that.
Speaker 6 (08:01):
They said, this.
Speaker 1 (08:02):
Guy going to jail.
Speaker 4 (08:04):
Yeah time.
Speaker 5 (08:06):
And so God had his hands on me and saved
me through so much ship had me navigate so I
can relate to everything you saying. Bro, It's just some
ship just don't make sense at all. Sometimes you were
supposed to die. I'm not gonna lie to you. Sometimes
they caught me. Ten guys, everybody got I was supposed
to die for the ship I did today prior somehow
(08:29):
I talked my way out of it, and that's God's doing.
Speaker 1 (08:35):
How did the Clips reach out to you?
Speaker 5 (08:40):
Because that right there, that's what put me on the stoke,
because I got to shout out Dre and cool and
dra first time on the clips when they hurt. Yeah,
yeah not yeah, Dre been trying to beg me. I
don't listen to these niggas got purple hair, yellow hair
and all type.
Speaker 4 (08:58):
I know.
Speaker 5 (08:59):
But Drake kept me young boy Yo, he's in just
and I'm like, yo, man, I'm tired of this ship, Trey.
You put me onto some dudes. Man, they weirdos man.
And so I hear him on the Clips album. Man,
I'm like what I said, this guy playing that that's
the first ship they played and that ship.
Speaker 1 (09:16):
Yo, how did that go? Who called? How'd you get
that call? Who reached out to you? Push man?
Speaker 4 (09:22):
Only? Zoe Okay, Zoe text me like.
Speaker 1 (09:26):
Jo made this happen too.
Speaker 4 (09:28):
By the way, this interview, yes, yeah, yeah, shut out.
Speaker 1 (09:30):
Up in this summer with a with a mink cat.
Speaker 5 (09:35):
Every day you took today is so colding it. He
took the day off today, he'd be having mink hats
on in the summer one hundred degrees. But Gay, I'm
sorry about you. Just trying to describe the man.
Speaker 4 (09:49):
Zoe text me like, Yo, can I I give Push
your number? Like nigga, what kind of question is that?
So we get pushed the number. Push called me like y'all.
I didn't even know it was the clips. We're like, Yo,
this record, man, send it to you right now, like
that ship through. He Yo, Pharrell had a hook on there,
m le Yo, Farrell got a hook on there. He
(10:11):
wants you to do. He want me to like a reference.
He wanted me to do. Send it through. But bro
ain't from where we're from doing what you do. So
I didn't even play for real shot. I just take
it to the studio. Now I play for after I
do what I do. So I just did that joint.
It was just one tape.
Speaker 6 (10:30):
We never asked nobody to spit do anything on this show.
Speaker 5 (10:35):
If I need you to say that chorus live, it's
just it's probably the best chorus of the year, I.
Speaker 1 (10:43):
Think, so I know show definitely called that.
Speaker 5 (10:47):
When I say some ship, don't listen to these speakle
when I say it it is wanted.
Speaker 1 (10:53):
Now, that's it. Hook of the year? Hook of the year.
Can I hear it?
Speaker 4 (10:57):
Let me you don't know what I know. You ain't
see what I saw. No, you ain't been where I go.
With a fetti so strong, you gotta.
Speaker 1 (11:08):
Do it with one eye.
Speaker 4 (11:11):
Turn you inside out. I heard your fest. Turt the
crib inside outside out. I have the roof for you.
Speaker 1 (11:16):
Niggas.
Speaker 4 (11:17):
Let the inside out fresh prince jacket boy, I cook
them to the inside out. We might as well wrap light.
Speaker 5 (11:30):
Skinned nigga running the base, or if you want to
wrap rap I'm not no no pressure.
Speaker 1 (11:35):
We don't do that. But you we need you. You're
the leader of the new school.
Speaker 4 (11:40):
Let's got friends, pretty bitch in my bed. We really
ran down on you. Be pissing down your leg nigga
and Chanel October reds she like you should have been
no bitch, I should have been in the fedes it'ch
When I get jail cause I got allergies. My young
boys really paint your fuck some gallery graduate one thousand
(12:00):
gram Academy's pussy niggas flatter?
Speaker 1 (12:03):
How you gate keeping you outside the gate with me.
Speaker 4 (12:06):
I'm over here with thirty keys. This life is making
believe shit. Ain't what they make a scene, don't make
a scene. Got the duck they rip the plastic judging
them up the stream so long that boy's gonna come
on cotsaknat tell them. I'm just wrapping nine, buying blocks. Hein'
my jersey up inside the spot. Mary to Selena, she
was spinning when we tied the knot hop out of silk. Selene,
(12:27):
you see a poke and I can't hide the chop
fire fetty personal home. You're trying to die or not
a little bit? She lapping a little bit.
Speaker 1 (12:38):
See, ladies and gentlemen. That's real shit. Man. We don't.
Speaker 3 (12:42):
You can't come up here and make it sound effects.
None of that fucking bullshit though.
Speaker 5 (12:49):
Nah, but let me tell you something. You upstate boys,
y'all been dressing y'all asses off, every one of y'all.
They're having a fly this ship. I mean, what the
fuck y'all couldn't wait y'all turn or something like, what's.
Speaker 1 (13:05):
Like, I look at all of them? What's my man
on the rock? Marciano he battling.
Speaker 5 (13:11):
That ga for fitt of the Year, Rock the Rock
mar motherfucker model.
Speaker 4 (13:17):
Yeah, Rock been doing it, Rock, always been on that ship.
Speaker 1 (13:20):
Yeah.
Speaker 5 (13:21):
But all you guys, y'all throwing that ship on? What
is it like with what everybody fresh man? Those niggas
want to.
Speaker 4 (13:28):
Be talking about a moment?
Speaker 1 (13:30):
You know what?
Speaker 3 (13:30):
It is a long time by fresh ship m ship
ever seeing the nigga with bean boars and well you
know a few of them, but it's not that much
niggas with that's dumb nice and they gear it's horrid
and fuel, but it's not a lot.
Speaker 1 (13:49):
Of your man. Eric Spears came in. He looked like
he was War War I median Harry.
Speaker 3 (13:56):
You better get him for that. Hevery win New York man.
Ain't tim Yankey fitted black tea, you know what I mean?
That's his That's what he always do.
Speaker 1 (14:08):
He had a fade like you on the time. How
is he gonna ge? How are you gonna talk about
a guest like that? Who's the best guess ever? I'm
just whoa hard to tell.
Speaker 5 (14:22):
You just said he was game, he got money, he
just get anyway. You know, it's great you care about
your presence.
Speaker 6 (14:30):
You know what I'm saying.
Speaker 1 (14:31):
Here we go, Here we go.
Speaker 4 (14:33):
I think we all should.
Speaker 1 (14:35):
Who's so many your musical influence.
Speaker 4 (14:38):
You?
Speaker 1 (14:39):
I appreciate that.
Speaker 6 (14:41):
I think he just liked to hear that ship.
Speaker 1 (14:43):
He asked me. You're gonna ask us. We asked every Yes,
just the top dead or lie?
Speaker 5 (14:49):
You know they gonna say, Jad, the go ahead, man,
because the whole it was like a trick list.
Speaker 1 (14:55):
Don't expect. I was listening, yo, y'all.
Speaker 7 (15:02):
He three episodes.
Speaker 5 (15:05):
I set it on the song six platinum. I picked
you up like never. But brother, who's your influences?
Speaker 1 (15:11):
Man? This guy here, James?
Speaker 4 (15:13):
How many times playing them?
Speaker 1 (15:15):
Six? Eight times?
Speaker 4 (15:16):
Platinum time?
Speaker 1 (15:18):
You know what I'm saying.
Speaker 4 (15:18):
Gotta appreciate that.
Speaker 1 (15:20):
Yeah, Jad, I was.
Speaker 5 (15:21):
Listening you know over there, I stole this bar and.
Speaker 1 (15:29):
Let this man say his influences. Sorry about everything?
Speaker 4 (15:34):
Are you good?
Speaker 1 (15:36):
Kiss?
Speaker 4 (15:36):
Whole hundred three thousand?
Speaker 1 (15:39):
Okay, see see.
Speaker 5 (15:43):
Even see whole calling you if he's working on new music,
I'm not even gonna lie.
Speaker 4 (15:47):
I got to be on that yeah, I think you
will be on that.
Speaker 1 (15:50):
And that's an early prediction for Joe Crack on Draft Day.
Speaker 6 (15:54):
Y'all gonna throw a flag to that. You know what
I'm saying, because.
Speaker 5 (15:57):
Let me tell you something. That ship you talking, let
me tell you something. We went and letting me in
front of you won, right. So we're listening to the
clips now, I'm just saying, we're listening to the clips
and I hear this hook and I said, Man, who
the fuck.
Speaker 6 (16:13):
This dude on this hook? And he says, Yo, that
stove God cooks.
Speaker 5 (16:19):
But once again, I don't want to take no credit
away from Dre from cooling dra. He's been begging me
to hear, begging me, harassing me. Yo, you will love
this guy. So I said, that's a nigga Dreb talk.
So we put up reasonable drought and I was like,
what the fuck is this? And the only way I
(16:43):
have to describe what you do wrapping to anybody out
there that's watching, it's like when you got a comedian.
It's just funny and they got you and they won't stop.
They trying to make you die by laughter. Like people
go dumb on the versus, but you go super dup
(17:03):
or dup or dumb you dragging the dumbness out ball
for ball, line for lot. You're like, Yo, it's this
shit gonna stop you like it is crazy. He's just
straight crazy.
Speaker 4 (17:16):
Appreciate that.
Speaker 5 (17:17):
And so y'all, bro, let me tell you something. Man,
everybody out there, I know you y'all know we preserve
the culture.
Speaker 1 (17:24):
This this where is at. You know what I'm saying.
Speaker 5 (17:27):
You know we viral every day, but there's nothing we
can do about it. Number one podcast. I don't give
a fuck. I came out here for number one supremacy.
Speaker 1 (17:35):
They know it.
Speaker 6 (17:36):
Joe Rogan, watch yourself.
Speaker 1 (17:41):
We talked that white.
Speaker 5 (17:42):
I'm talking to different white, Amy Schumer. Watch yourself because
these other guys, they're not not competition, they're not valid.
Speaker 6 (17:51):
Bro.
Speaker 5 (17:52):
You know we it's Jady Kists top there to five
in fat Joey Krag nigga. You know the type of
treasure chest ship we've been throing hip hop. You know
when we co sign the motherfucker, believe it or not,
it's how the stove guard is.
Speaker 1 (18:06):
Wait after this one.
Speaker 2 (18:08):
Oh my god, they gonna think you the dardamn sea,
Like your price going up?
Speaker 1 (18:15):
Price? What price? What we know that doing they don't
do it. Bryce went up with some ships don't come easy.
You could make it new. I think you could do one.
Speaker 5 (18:28):
You know, I go back to earth. Nah, I go
after every spears. When he started doing the fucking TONI
sack shot. He makes his eyes like we'retarded. This sothing like, Yo,
what the fuck yo? That Nigga's just funny. Y'all listen,
Harry's we eat you back. But let me tell you something.
Speaker 3 (18:44):
Do them under the Amtrak and then said we need
it for ship.
Speaker 5 (18:48):
Don't this nigga's crazy? This ship banter man. You know
that's the problem with people don't understand. Shout up to
my brother Jim Jones. He said he's gonna be about
to start a new podcast.
Speaker 1 (19:01):
You see that. You just said they had an ice
cuel for your whole birthday party? Did he shout out
of his pocket? You up there? Support him?
Speaker 5 (19:09):
I speak from the heart. I'm cancel free. They can't
cancel me. They try every week. They can't because they
know y'all walk with God. Joe, I walk with God.
Joe gonna step on ship. Especially you put a mic
in front of fat joke. That's dangers you let him
throw this ship on. Every day you gotta fucking barager
(19:31):
bullets come in your way. This is crazy, Like how they're.
Speaker 1 (19:34):
Paying us for this ship.
Speaker 4 (19:35):
I can't make it up free money. They shaidn't printing
this ship now.
Speaker 5 (19:40):
At this point, who you want to work with in
the future is now my kids, Ben, But y'all kiss
I'll tell you about this guy.
Speaker 1 (19:58):
Man, this is going track. You can't blocking it.
Speaker 5 (20:05):
Blocking it's going. I'm just going I just need some
of that residue when I start working. Ladies, gentlemen, mex
we gotta do it.
Speaker 1 (20:14):
Scared income, just scared. That's going there.
Speaker 4 (20:19):
That dance I funk with that off your last album,
That ship dre was on the hook.
Speaker 6 (20:24):
Which one that the intro.
Speaker 4 (20:28):
That I'm not called drink I called after you lost
your mind on this ship. That's only some ship. I'll
be talking. That was crazy crazy.
Speaker 6 (20:40):
Only problem is stole because he does it to me
all the time.
Speaker 1 (20:43):
You know.
Speaker 5 (20:44):
In ninety three, I had a record call Drugs is
the Key to success, Definitely. I was talking that drug
ship and nine.
Speaker 1 (20:53):
You hear what I'm saying.
Speaker 6 (20:54):
Drugs is the key that sets money is the key
to sex.
Speaker 5 (20:59):
The life is you can bowl, getting getting wet, the games,
people play, the dang's people slay.
Speaker 6 (21:05):
It's just another noise in every day.
Speaker 5 (21:07):
Once for the cash, tos, for zevery blunt sass streets,
for all the forty crews, corner cruise, the bowel, force,
for the drug sex and power. I beat the top
dollar scholar, rock and go college. Why are you trying
to sip the juice? I'm taking swallow, step in his
zone and get blown. My name, my name is internationally
not yo.
Speaker 1 (21:26):
Man. I've been talking this drug barrels ship that.
Speaker 5 (21:30):
Was ninety three, ninety three, and I was in on Fairville,
North Carolina, every weekend.
Speaker 1 (21:37):
They must have.
Speaker 6 (21:37):
Sold a lot of drugs.
Speaker 1 (21:38):
Ninety three. I was in twelfth grade. That's when I
came out. I was twelfth man.
Speaker 4 (21:44):
That's when I go three junk. He jumped off the
porch before you.
Speaker 3 (21:49):
That's older, sir. I got to flow. Joe Cassette. You
know I'm one of them, so he can't mention. Come on,
he's my superior.
Speaker 1 (22:00):
Oh this show you. I gotta respect my elders. That
John Blaze video you was looking really young, and that
John Blade I was the ball big pond Ray wanted
blessed me.
Speaker 5 (22:14):
And be on the nice because they shiped on me
on the last show Jada and they made too much
for about me.
Speaker 1 (22:22):
They was like, but you know that's my brother.
Speaker 5 (22:23):
I've been working with him in the whole arm locks
for a thousand years of styles.
Speaker 1 (22:29):
He says his love he came to the party.
Speaker 3 (22:31):
Yeah, he was somebody. They my brother and sister there,
the rep sent I was working.
Speaker 8 (22:36):
He set our chemistry. He can't Oh he hits me.
I mean, dare yo you? And yeah he got p
wat He's an avid watcher. Repeat view of y'all.
Speaker 1 (22:47):
Stiles was something baby, I ain't know he was watching.
I'm in here talking ship to the cameras.
Speaker 5 (22:52):
I don't know who was the show yo. Ghost States
came in. He knew every episode. He was like, Oh yeah,
it's crazy, y'all.
Speaker 1 (22:59):
I love this ship.
Speaker 5 (23:00):
This this somebody really watching Rookies of the Year right
a bullet? What's up with the stage? How is your
stage show?
Speaker 1 (23:08):
Are you like? You know?
Speaker 4 (23:10):
Ship about the like? What we do is like you
get to build that ship for real with your fan
from the roots, really build it because you know it's
niggas with the big records that I can't give room facts.
That's a fact. So the way the way I got
to do it through West and through the Griselda ship.
(23:30):
Really like build that ship from the ground with the fans.
They was in my d M. Niggas laten mad because
that's how.
Speaker 1 (23:41):
Yeah, spend some time with Buster. What did you learn?
Speaker 3 (23:44):
What did how you able to apply what you learned
spending time with Buster?
Speaker 4 (23:49):
What was that like that nigga bust fucking workerholic and
they're gonna take a day off. Nigga turned me off
from that. I can't do that night studio ship though you.
Speaker 1 (24:00):
Going today and see we got more.
Speaker 4 (24:03):
I can't.
Speaker 9 (24:03):
I can't do that nice shit busting night ain't. I
ain't want that, man, I ain't like that I do tonight,
you know what I'm saying. But you know nowadays I
do today. But for the most of my career, they
taught me. I only did what they taught me.
Speaker 5 (24:18):
So they would be like, Yo, you walk in the
studio nine ten o'clock talk shit for two hours, start
at twelve May. I did that my whole life, but
now I'll go in the daytime.
Speaker 1 (24:29):
I need today.
Speaker 4 (24:30):
That's how Buster was.
Speaker 3 (24:31):
He was like my voice changed at this Shortain one thirty.
I said, like, aint no horn, I can't be here.
Speaker 4 (24:41):
That nice shit, that nice shit, you.
Speaker 5 (24:42):
Know, Busterrom she still live like where he's trying to
describe it, y'all. He trying to He still live like
he's at nineteen year old rapping. So he in the
studio every day creating like he's nineteen years old. How
this rap in the game going for the home run?
This is that every day of his life.
Speaker 1 (25:02):
That's what he do.
Speaker 5 (25:04):
And so his work ethic, I mean, I mean, he
ain't gonna stop. How about that bus Swaynes would never
ever stop?
Speaker 6 (25:14):
I don't see it.
Speaker 5 (25:15):
But now so when when I talk about you and
people act like they don't hear me, but they hear me.
Speaker 1 (25:22):
They act like they're not listening, but they listening. They
all start calling me and they say.
Speaker 5 (25:25):
Well, you know Stove God was approached by Maybe these
are rumors they like, you know, I think holing them,
approach them, eminem. Everybody try to sign you at some point,
but you on like a contract that is like harded.
Speaker 1 (25:43):
I mean explained that to me.
Speaker 4 (25:44):
Man, the game is disgusting.
Speaker 6 (25:48):
Say that they had again for the guys down the block.
Speaker 4 (25:52):
The game was disgusting you and you don't know. Just
like everything else, you don't know until you know one thing.
I'm not going on. Like I said, you better don't
miss your moment. I do this very well. I do
some other ship very well. Yeah, I'm not if I
ain't comfortable, we ain't going so. Yeah, I done got
(26:14):
some calls from I ain't never got the call straight
from home, but close to it. Yeah, shady deep jam,
everybody done reached out.
Speaker 1 (26:27):
They're talking the right right there, they talking.
Speaker 4 (26:31):
We just stuck.
Speaker 5 (26:32):
It's just under a situation where you know at volatile
partner who that's one of the wacky ship be and
Jada always talk about that. The politics of the rap
game be like the wacky ship in the game. In
this industry I loved earlier you said, man, fuck this
industry fucked. And it's so true, man, because when you
(26:54):
coming up and you signed to a label and they
start putting the two sents and to ship, who call
me one time? This this this made me like ten
years ago. Oh what's the guy named Khalid? His name
is Khalid the singer. Yeah, I went to a show.
It was sold out. Madison Square gone way with my daughter.
(27:15):
Next day he sent me a song to get on.
I got on it. He was honest enough to call
me back and be like, Yo, my lady will say
you're too old to be on a song with me.
You know, I'm sorry about that. Just wanted you to
hear it from me, and this and that, and I
was just that ten years ago. So I'm looking at it.
That's just how fuck niggas just fuck your vibe up,
or you know, they always got something to say. I
(27:38):
swear it ten years ago they was like, yo, they
told him, yo, you young, you the new whatever. Who
gives a fuck. It's just I'm talking about the fuck
shit that go on in the in the industry rooms.
So in the industry rooms, you know, they always play.
(27:59):
I've been in so many industry of so many meetings
where you got twelve guys, somebody plays the song and
everybody say you always don't and it's just.
Speaker 1 (28:09):
One just one one.
Speaker 5 (28:12):
Guy or one girl, be like, I don't know if
then it turned into four six ten, So everybody like
bandwagon that person.
Speaker 1 (28:23):
Because listen, guys, yea take this.
Speaker 5 (28:29):
Right now, because people watch this show to learn Listen guys,
if God graces you with the opportunity to get a
job where if your life is A and R, if
your life is videos, movies, whatever or whatever, to change
the world to be in position. You know how many
people I've seen in a position of power in this
(28:52):
industry and never pulled the trigger once.
Speaker 1 (28:56):
This is the.
Speaker 5 (28:56):
President of Let's say anything Capitol Records, Right, and the
man don't sign nobody in three years or four years,
or make no moves like when you're coming up in
the game as a as an executive, Right, you finally
get in position, and then you get gunshot. They get
(29:17):
scared to make certain moves. You could be the hardest
artist in the world, and they scared the pool of trigger.
Do me a favor if you ever get to a
place of that importance of excellence, what.
Speaker 1 (29:29):
Are you scared of? If you the A and R
and the girls popping, make a land down.
Speaker 5 (29:37):
Her show in a pink helicopter, blow a bag, invest
in yourself, blow the bag, bload the bag.
Speaker 1 (29:45):
And less than yourself. This only game for real, huh.
Speaker 4 (29:51):
It's the only game where they don't believe in you
till you prove yourself and then you're supposed to do
business with these same niggas that didn't believe in me,
Like I don't get this ship, I'd be like fucking.
Speaker 5 (30:06):
Then they get in the middle where your album and
say saying like this or you some did you did
you see that producer?
Speaker 1 (30:14):
Did you?
Speaker 5 (30:14):
They start fucking with your ship like they're somebody like
they ever did somebody get that?
Speaker 1 (30:19):
Like they're the culture.
Speaker 5 (30:19):
I'm just telling you in the normal rap game, In
the normal rap game, that's what they do. All of
a sudden, somebody want to tell you, you know, we'll
talk about something uncomfortable, right, really uncomfortable. But for all
the shit Kanye West was saying and all that, and
I don't agree with hate or nothing like that, the
(30:41):
one part I heard in his one rant that made
him like, you know, he said, I'm making this company
hundreds of million billion dollars and they got a guy
that makes sixty thousand a year trying to tell me
what to do. So so A and R so y'all
(31:04):
can understand how wild this sounds to y'all. Some artists
is getting one hundred and fifty thousand this show on
the regular coming up in there, and you a five dollars, dude,
trying to tell me what the fuck to do.
Speaker 1 (31:18):
We're not seeing life the same way. We're not in
the same lane, we don't look in life the same way.
So how you gonna tell me what beat? O?
Speaker 6 (31:27):
Shrmim on?
Speaker 1 (31:28):
Why should I say? What shouldn't I say? And that's
where that whole shit come.
Speaker 5 (31:33):
And then in our time, and I've seen somebody say
sometimes I really respect what he say. But he said
that the A and R should be a superstar because
they'll get bro rappers are rappers, they're the superstars.
Speaker 1 (31:47):
They're the artists.
Speaker 5 (31:49):
You know, when you got dudes in the record company
thinking that they got to be bigger than the artists,
you know, like probably pop more bottles than the artists
and go up in there and act like there's somebody
and all that. Yo, bro, just get the job done.
At the end of the day, the success, your suspected
success speaks for you. Your success speaks to you.
Speaker 1 (32:15):
The more successful you.
Speaker 5 (32:16):
Are, the more revenge you get, the more you know
what I'm saying. And so people don't know how to
not get in their own way, and they just got
too much to too much to say. I guess that's
what's going on? Man, I'm sad. Just made me sad.
Speaker 6 (32:39):
I'm keeping it real. You know we all dealt with.
Speaker 1 (32:42):
That game is all with the get.
Speaker 3 (32:43):
This is one of the most discouraging games. You know
what I mean because where we come from is the
money ain't right, it's hands and feet. You can't do that,
and that makes you more steaming because now it's like
somebody that I know in real life being able to
do this to me and sitting behind this desk telling
(33:03):
me what the fuck they do? Well, I want to
grab his throat and I can't, and then that causes some.
Speaker 4 (33:11):
Other ship man today stung the gy nasty man.
Speaker 1 (33:16):
The game is filthy. Let me tell you something.
Speaker 5 (33:19):
I got a story for you, but nah, that's a
big You don't want me to tell you. I'm dropping
gems right now. That's what I'm here for. This stuff
gone one on one. But I'm just telling you what
happened to me. Right So, one day I'm in my
two three lawyers ago and ship.
Speaker 1 (33:39):
I'm in the office.
Speaker 5 (33:40):
He used to he used to be Pharrell's lawyer, used
to be Luda Chris's lawyer.
Speaker 1 (33:47):
The woots he was. Anybody who was big was with him.
Speaker 5 (33:51):
So I walk up in the lawyer's office and they
popping champagne and Luda Chris tells me, yo I just
signed this deal for like two million dollars, because believe
it or not, I know you're younger than us. There
was a time ring tones didn't exist, so if your
phone ring, it was just the ring. So they invented
(34:13):
the ring tone. But the contracts in all of the
record labels did not have that in the writing because
it did not exist like AI wasn't like it was
five years ago now, So in the contracts they fucked up.
They didn't have ownership of your ring tone. Ludacris understood that.
(34:35):
As fucking smart as he is. I just seen him
on the yacht jogging on a treadmill and Staeka somewhere.
He's jogging on butting. He's ridly smart.
Speaker 1 (34:45):
The yacht.
Speaker 6 (34:45):
He tells me, Yojo, there is this thing. He breaks
it down to me, yojo'sh thing, even ring tones. I
just got two million. This is that cool.
Speaker 5 (34:53):
I go to Atlantic Records. I'm gonna say the name.
I go to Atlantic Records where I was signed, and
I'm supposed to do press and some shit like that.
So some girl comes down, she's the assistant to the president.
Should I say his name or I could get suit?
I said, I had said, you said to just believe
(35:14):
it at that. So the boss sends the assistant down
and she says, yo. The man upstairs says, sign right here.
I said, I'm not thinking nothing of I said, Yo,
tell a many you know, you know my lawyer.
Speaker 1 (35:27):
Just send it to him, no problem.
Speaker 5 (35:29):
They never ever in their life ever did any type
of legal work at me, not go to the lawyer.
Speaker 1 (35:36):
Never in the history. But I don't know. I ain't
thinking about it.
Speaker 6 (35:39):
So he comes back down. They come back down. He
comes down.
Speaker 5 (35:42):
He got a thousand workers, so everybody's scared of their job.
So he comes down and says, Yo, Joe, you know
there's some ship that we need you to sign. There's
a thing called ring Tones, and and we.
Speaker 1 (35:54):
Own it and this and that.
Speaker 5 (35:55):
I said, my man, suck my did The whole office
looked at me, the huh everybody was looking.
Speaker 6 (36:03):
I said, you can suck my dick, my nigga freak
steck for yo.
Speaker 1 (36:08):
Bro. The man listen, you just said right now, you
started this whole story. You just said you looking for
the last three hours. I didn't say shit.
Speaker 5 (36:19):
You said there's guys that will play behind the desk.
They'll get hung for on the streets. If they did this,
they be dead.
Speaker 1 (36:29):
That's a fact.
Speaker 5 (36:30):
This guy just sold me. Hey, there's some coreenes on shore.
I got loved for Luda Chris. I just got two million.
They was popping champagne twenty minutes before I get in there.
The dude trying to scam me into sign my rights
away for something.
Speaker 4 (36:45):
I know.
Speaker 5 (36:45):
This man just got two million. I got no choice
with to tell him it sucked my dick in front
of his whole workers. Everybody, get the fuck up out
of here. Before you get a foot up, gass, nigga
fuck out of you. The whole office is looking like,
oh my god, shit li like like.
Speaker 1 (37:01):
The wild wild West. They're ready sweat.
Speaker 5 (37:05):
They already snatched their wigs, hats every day, every motherfucker bright.
Speaker 1 (37:09):
But listen, he go up.
Speaker 5 (37:13):
Then Leo Cohen comes down. Who's the chairman of Warner Brothers.
Speaker 1 (37:20):
Joe.
Speaker 5 (37:21):
We feel like this is the right of the label
and this he even told me some ship and I
ain't trying to throw you under the bus Leado because
you know, I got too much love and respect for everything.
You're actually not in this equation. But Leo says, Yo,
I met with all the enemies, Republican, Democrat, Independent, We
all met and we all agree that we own these
(37:42):
ring tombs. So we're gonna do this all the artists
and change all the contracts. I said, Leon, I have
so much respect for you brother. Well, you know I
just left my lawyer's office and Luther CHRISTI just did
a two million dollar deal. This is what you asking
me to do. You're like trying to scan be out
(38:02):
of my rights.
Speaker 1 (38:03):
So well, if you.
Speaker 5 (38:04):
Don't sign it, you know the bottom line. At the
end of the day, I stuck the niggas up for
MS and they made me sign a contract that said
don't tell no other artists.
Speaker 1 (38:14):
We gave you THENEY.
Speaker 5 (38:16):
But I was like, Yo, I need MS. I need
you not doing that to me. So they made me
sign the paper and I guess I couldn't get sued.
I mean, I guess what I signed was the NDA
or something twenty some years ago. They said, Yo, Joe,
don't I knew YE stole my shit? Oh no, they
stole your ship. I think artists, artists can go back
(38:40):
in time after this gym stove God one on one
and look up.
Speaker 1 (38:45):
Did they have the rights see your ship back? Then
you're gonna get one of them bus over the head.
Speaker 3 (38:50):
You're gonna get one of the executives busts over the
head for that, because I don't take that. You know,
I played refrigerators and Saints and aug I played with kids.
We got stove God cooks here. I play with ketchen applies,
misycho waves and ship like that. Man, the ship, air
fries and all that off the roof. Your air fries
(39:12):
make a mean chicken wing.
Speaker 1 (39:16):
Your airfriers make a mean ship.
Speaker 5 (39:20):
You will never believe the air fire makes some wings
better than the fucking ghetto Chinese.
Speaker 1 (39:26):
I'm telling.
Speaker 3 (39:37):
Jet check this out. You once said, if I bring
them into my world is over. What does your world
consist of? That makes the soa compellent? I also that
should be every artist, if you can get the people
to your world, it's fucking old.
Speaker 4 (39:55):
I think I said that back when I was fucking
with Buskers. We're trying to do the single shing. I'm like, Yo,
that sh ain't gonna work for me.
Speaker 1 (40:04):
Man.
Speaker 4 (40:04):
Yeah, so they can really understand it. Just like when
you heard you heard this ship five years later if
I bring a man so they understand, like this world
it ain't like that ship they doing. But once you
hear it's like everybody talk drug shit, but everybody can't
talk to ship it.
Speaker 5 (40:24):
You know, I'm sure the city without without the jersey,
this ship his ship. Like like all I could say
from a guy who grew up in the streets to
sound like fucking street gospel, like when he posed to
that ship, incredible, you know what I'm saying. And so
your man west Side gonna they say he's the one
(40:45):
guy that could get you on records, but they stick
him up to them.
Speaker 1 (40:51):
Everybody got to pass. Stick him up.
Speaker 4 (40:53):
They stick him up too. My brother, like he's paying
to make sure I'm heard that specially like gun might
be one of realist niggas in this ship.
Speaker 6 (41:02):
Yeah, you gotta love him, man, he's paid.
Speaker 4 (41:04):
He's been paying to make sure they hear me. No, man,
you got it, like you're gonna do just sit around, Yeah,
get on this while you're putting that's my top five song,
sevens or whatever. Because we were figuring out my ship.
Speaker 1 (41:19):
Mhm.
Speaker 4 (41:20):
You know we're trying to get ship right and make
sure right now. But he was figuring that ship out
for a long time, and during that little drought, was like, no,
we're just gonna funnel you through this ship and when
they come, they come, I'll take care of you. That's
a fast fight. Whenever my brother need me, I'm there.
Speaker 1 (41:39):
Fish. Wow.
Speaker 3 (41:41):
After all the coach signs that collapse though, what motivates
you to keep pushing? It's right about now, your your
d ms and phones and emails gotta be trading. Can
hit you up off the fucking Yeah, I definitely had.
I hit him in the DM.
Speaker 1 (41:59):
Stove brought you up. He was like, I've been looking
for him. I'm going we're gonna do so.
Speaker 4 (42:04):
We got the joint though.
Speaker 1 (42:06):
Yeah, but then I needed It's so strong enough, man,
y'all he need that.
Speaker 4 (42:18):
That's it. Run that when he run. When y'all edited
to send me that melody. Whatever that ship just was
was doing, that.
Speaker 5 (42:24):
Was your ship inside out, sitting with it and with
it inside.
Speaker 1 (42:28):
You know, I'm an.
Speaker 5 (42:29):
Exact everything they CLiPPA, y'all fuck up everything.
Speaker 1 (42:34):
I can't. I don't even know my own lyrics. I
was surprised earlier. I start spitting.
Speaker 6 (42:38):
I remember I don't even remember my own ship. I'm
gonna be honest with you.
Speaker 3 (42:42):
When you see yourself in hip hop history, when it's
all said and done, what do you want to leave
to the people.
Speaker 4 (42:50):
She can go the right way. I think I could
be one of the ones.
Speaker 1 (42:56):
Not if it could.
Speaker 3 (42:57):
It's going go, it's going. You know you stand fermore?
Are you standing firm on it? You ain't going, don't
go and let them come to you. Everything else gonna
go because everybody everybody goes. See somebody gotta be the
one that say, I ain't gonna.
Speaker 1 (43:18):
Hard to not go.
Speaker 4 (43:19):
Sometimes, yeah, it's hard to not go. That's the once
you get here and they, oh, million.
Speaker 1 (43:25):
It's hard to not go. They put the fishing rod
with the check on that check book.
Speaker 4 (43:30):
I did absolutely.
Speaker 1 (43:33):
Yo.
Speaker 6 (43:34):
I saw a clip a view at the comedy show.
Speaker 5 (43:38):
Yeah yeah, you had you had your girl with you
and all that, and uh that ship went viral and
I was like, Yo, this stove guard right here and
the man.
Speaker 1 (43:52):
You're a good sport like that?
Speaker 4 (43:53):
Huh him run. I'm saying I stumbled in there. My
wife was there. I stumbled in there. Off the place.
Ain't on some drunk feel like I was just letting
you like I didn't even know.
Speaker 1 (44:03):
Once you late, it's yeah, it clumps. No, no, once
you late, because it's like you the only one coming in.
Speaker 4 (44:12):
And then I'm like this. I come in there like this,
looking right, like.
Speaker 5 (44:18):
Ah, what is the joy happened to me? I told
him the story. I told them all the story. It
happened to me in front of the Beacon Theater. It
was like five thousand people, nigga said, he squeezed donuts
on my head. The back of my neck looked like
Frank's this like he was on a fucking roll and
he would not stop. You fake heavy d ass, nigga.
(44:42):
This that this a float Joe was then ship. I'm saying,
wait a minute, that's the fake heavy d fat Joe.
Fuck this nigga, Like, Yo, they wish chilling me. And
I sat in that chair and it just kept sinking
in the chair. I kept sinking in the fucking chair.
Yeah that's that's that's some good sports ship right there.
Speaker 1 (45:03):
What's on?
Speaker 4 (45:04):
We ain't say for something? And Peter Roseb hit me like, yo,
you gotta start a class on how the hell rappers
deal with these comedians man at these shows.
Speaker 1 (45:15):
Fuck this sh.
Speaker 4 (45:18):
Nah, but it's gonna get me twice. Man.
Speaker 1 (45:21):
Now, it's really really dope.
Speaker 5 (45:23):
You know what's crazy is a shout out to uh
constant not right, So Constannat he did some university shit
or something and streaming university. He was giving classes how
to not get got.
Speaker 4 (45:39):
By.
Speaker 6 (45:40):
I don't think we want to say a fought but
a young lady whatever and they was in there.
Speaker 5 (45:46):
She was like, hey, babe, I just saw this, watch this, this, that,
and they said stop. And the dude would be like
around this time. It's when you ask what kind of watch? Hey,
what kind of watch?
Speaker 1 (45:59):
AP? Hold up?
Speaker 5 (46:02):
You hate APIs it was anything else, you might go
for it, but AP watches not your thing.
Speaker 1 (46:10):
They whack this bag.
Speaker 4 (46:12):
Anything but AP.
Speaker 1 (46:14):
I don't like that.
Speaker 5 (46:15):
Niggas was giving a fucking in the like a like
a college class. I thought it was the smartest shit
in the world. The man wound up saying this bank account,
something happened to it. He can't send no money out right,
like it was out of control.
Speaker 1 (46:28):
But it was all right, you know what I'm saying.
Speaker 5 (46:32):
And so that's gonna be some shit some dudes and
don'ts of a hip hop like a university.
Speaker 4 (46:38):
That's what we need.
Speaker 1 (46:40):
But you got cooking right now.
Speaker 4 (46:43):
I got two albums done. I'm working right now. So
I tried. You know, I handed doze in. That shit
was the hold up and all of that. So I
just started working again. Man, Yeah, and gun working on
some ship. Then I got another soul one working on
whatever we're gonna do.
Speaker 1 (47:05):
James, kids, finas this way costs. Why couldn't this be
a mutual woman, I mean we, I mean we all now.
Speaker 5 (47:18):
I feel good, man, Yo, you gotta joint here. I
want to hear new joint from you. I said, the
world ain't here yet. It's James that he broke out
of y'all got it.
Speaker 1 (47:29):
I'm ready. That's in that ship man, And don't we knowing.
Speaker 4 (47:33):
That's why we're gonna do this there ship Ah, say
you let me lie to me sweet double lost, stitched
in my seat, powder footprists falling off my feet.
Speaker 7 (47:55):
If the web right, did we straight rise? I get money.
Ain't cuty day and night. If the wag right straight right,
I get money.
Speaker 4 (48:09):
Kids.
Speaker 7 (48:09):
Cut he.
Speaker 1 (48:13):
While you're playing.
Speaker 4 (48:14):
I here every whisp that these fuck niggas saying, make
me leave in the product trench with the can they
grab us. We better get comforing first shaying because I'm
all cooking and wag they more funny like the wings
because I shot him on the wing.
Speaker 7 (48:26):
You know that's the same time for a year. You
know that's the same time. I have my year.
Speaker 4 (48:33):
Clear to your mo on how they gonna bury your
god deep in the pot? Stretching my arms, I made
him fourteen and a half pounces.
Speaker 7 (48:39):
The scale said four to one one.
Speaker 4 (48:40):
Then Mary came on water with raindrops splashed on the base.
Speaker 1 (48:44):
Get riched, got fast through that shit. It can, Mama.
Speaker 7 (48:47):
The main't then my friends they ain't.
Speaker 4 (48:50):
Dylan's did my stove cools tray like oh ray like
murder was the case? They they gave me the rings.
Speaker 7 (48:56):
If I die now, my plug will still haunt you.
Speaker 4 (48:58):
Everybody or none. I have a shooting up his weight.
They want to put their feet in my kids. They
want to put their shoes in my prints. They want
to see this step of my bricks. They study in
the way my rest is studying the funnel.
Speaker 7 (49:10):
Say you let me lie to.
Speaker 4 (49:12):
Me sweet that a lost stitch in my seat, powder
foot prists falling off my feet.
Speaker 10 (49:20):
If the way right, then we straight rise, I get money,
kick cutting damn Knights. If the wave right, then we
straight right, I get money, kick Cutty damn Knights.
Speaker 4 (49:45):
One verse what was gone?
Speaker 1 (49:49):
So you you might have a bigger problem in that song.
I see you shout out kick cutting Cuddy, Damn. He
didn't say kit Cutty, say kid Cuddy. He ain't think
this grounds Hallstead ship.
Speaker 4 (50:13):
He got up there.
Speaker 1 (50:18):
Don't mind me, stove, don't mind me. You know, I
woke up today and the first thing I said was
he said he s afraid of I knew it was you.
You broke my heart. You broke you said your father,
Like you know what I mean?
Speaker 5 (50:35):
These guys out here, he's ugly man, God's taking the
stand against their kids.
Speaker 1 (50:41):
Ship like that, this ship out of control.
Speaker 6 (50:44):
Listen, Yeah, that's a splash right there.
Speaker 5 (50:49):
That's a smash right there. That's one Stovegard cooks man.
Thank you for blessing us coming up on the show.
Speaker 1 (50:58):
Yo. What what we call it? That eighty seven north?
Speaker 5 (51:01):
Because I've been like, like the highway up to Syracuse
is eighty seven north, right, what is it?
Speaker 1 (51:10):
Eighty seven turns into eighty one? Well up here's eighty seven.
Like in the Bronx going. There's only one way to
go to and that shit is the eighty seven all
eighty seven turning eighty one eighty seven to seven eighty one.
So it's fucked up, I believe, man, mellowy, where you
do know the coach? What's the name of the coach?
(51:32):
Uchree red At right now? He played for me. I
know that it's on Polo Brown for me. I mean
your coach played for me.
Speaker 3 (51:44):
We know that.
Speaker 5 (51:44):
Yeah, Red Orchie used to play for everybody that if
you ain't figured it out, yes.
Speaker 4 (51:50):
Tho, Yo, Joe, tell these things. I need the floor seats.
Speaker 1 (51:54):
You ain't got it that Syracuse I got that. This
is what I believe. Yo. You got a lot of
shit for you want them? Yo, you're gonna do six
honks down. Man, I'm telling you sex. See I they
with mine? You got sex.
Speaker 3 (52:10):
So DC Billy Owens, he's my dudes, man, rest in peace.
Pearl Sherman Douglas was good.
Speaker 1 (52:18):
Better record.
Speaker 4 (52:20):
They better recognized stove Guardystopher Pearl.
Speaker 1 (52:24):
Here Pearl was that nigga.
Speaker 5 (52:29):
You'd be surprised. Who is from my projects? Dean member,
your senior who played for the Knicks. It is from
my building. Okay, be surprised. He was a legend, the
Knicks great. His son is in New York one, the
(52:49):
the You've seen him in New York one a million times.
Speaker 1 (52:52):
That's his son.
Speaker 5 (52:53):
I grew up with dean member of the son the
father played for the Knicks. Don't do that to the
gard body of or gall bodies. This ship mathematical, symmetric.
This is the pack the ethereum fager.
Speaker 1 (53:10):
Telling you that's it. This, ain't that, ain't this it's tracking.
Speaker 3 (53:15):
Kiss makes some noise all stove stone down down down, no, no,
Hosts And Creators
Colin Cowherd
Jason McIntyre
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