January 1, 2026 • 60 mins
Fat Joe and Jadakiss are joined by R&B royalty Tamar Braxton. Joe and Jada talk to the "Love and War" singer about growing up alongside her sister Toni in a superstar family, her much-discussed appearance supporting Birdman at the Cash Money vs. No Limit Verzuz battle, her new music film and EP 'Heartbreak Retrograde' available on YouTube, female singers like Kehlani and Summer Walker doing big things in the R&B game, and her popular appearances on reality television shows like 'Braxton Family Values,' 'Dancing with the Stars,' 'Celebrity Big Brother 2,' and 'RuPaul's Drag Race.' Joe also takes the time to apologize to Tamar for mistakenly spreading the false rumor of Toni and Birdman's divorce.
5:00 - Birdman's Verzuz & Joe apologizes for Toni Braxton rumor
9:30 - Why Tamar likes hood dudes
20:00 - Tamar's 5 favorite songs
39:00 - 'Bridezillas' & film work
45:30 - 'Heartbreak Retrograde' & Tamar plays "Love Me" for Joe & Jada
53:30 - Tamar's favorite Toni song
55:30 - Women are running R&B right now
[Timestamps may vary due to advertisements.]
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
I like a hood dude.
Speaker 2 (00:01):
They gotta have some money or you just wanted a
hood dude, you know what I mean.
Speaker 1 (00:05):
Gotta be able to hold his own. You know, I
like a man that want to show me all the
hood dudes like that.
Speaker 2 (00:09):
Yeah they do, but you know they gotta come with something.
Speaker 1 (00:13):
I didn't say that guy, she can't come to the tap.
Didn't you just hear me say you got that?
Speaker 2 (00:31):
Yeah? Yeah?
Speaker 3 (00:32):
What up?
Speaker 2 (00:32):
Y'allist is Joe cracked the dog?
Speaker 4 (00:34):
You know who it is? Your boy, Jada. This is
the Joe and Jada Show. Every show legendary, every show iconic.
If we are crushing ship, it is today's guests. When
you think of today's guests, you think of family.
Speaker 1 (00:52):
Family.
Speaker 2 (00:53):
Here we go, Joe got with you?
Speaker 4 (00:55):
No you why one think of family?
Speaker 1 (01:00):
You think of somebody that can sing. If you're from
the hood, you know it's singing and it's hit him
with the age. Think a great actress. Think of reality.
You think of just family driven, big family, a lot
(01:21):
of sisters, a lot of powerful systems, good background, good
cooking ladies and gentlemen. Make some noise for our guests.
Tame all bracts. That was good. That was good. It's
safe to say the black sheep of the family.
Speaker 2 (01:40):
Correct.
Speaker 1 (01:40):
Yeah, I think so the baby.
Speaker 2 (01:44):
How many sisters all together.
Speaker 1 (01:46):
Four sisters, you're the baby, the youngest, youngest, so and
you're the black sheep, most motivated.
Speaker 5 (01:56):
Yeah.
Speaker 2 (01:57):
I like that too with my family and another motherfucker
liked me and my family. No, no, I'm dead ass.
Speaker 6 (02:04):
I'm coming up on the plane with my favorite aunt,
Deety Barber.
Speaker 2 (02:08):
You know, I took it down to Miami with me.
Speaker 6 (02:10):
She came back and were talking, and I'm like, I'm
trying to find somebody else like me and my family.
If only I had somebody else that want to move
like me and want to conquer the world, I can't
find one in your family.
Speaker 2 (02:23):
You are definitely the one.
Speaker 1 (02:25):
And I think I got it from Tony. I got
a lot of my hustle from Tony. Yeah.
Speaker 2 (02:32):
This thing, yo, Yo, see something.
Speaker 6 (02:37):
I gotta apologize because when we started the show, it
was like the mother guys, you know what I'm saying.
Speaker 1 (02:42):
So I was.
Speaker 6 (02:43):
I was listening to the radio on my way down
there and they said her and Birdman caught a divorce
or whatever, and I actually said it on here and
I told them she said, don't say really.
Speaker 2 (02:55):
Yeah, but I heard the whole radio.
Speaker 6 (02:57):
Saying the ship in the morning show, this official, this, this, that,
and I said some bullshit.
Speaker 2 (03:02):
I just said, yo, they got divorced. Whatever.
Speaker 6 (03:04):
But I want to apologize to you and your sister
because that wasn't accurate. And especially when I saw the verses,
I seen him running call up and say, I guess.
Speaker 2 (03:17):
I was it?
Speaker 1 (03:17):
Oh on crag, how was it? Because you was in
the middle with it. I didn't mean to be in
the middle of it, you did. I was showing up
for my brother because he needed and he asked me
to be there, and Tony asked me to be there
because she couldn't be there. But it was iconic.
Speaker 3 (03:30):
It was amazing.
Speaker 1 (03:32):
You know. I love seeing him because that's my brother
in real life. Like I introduced Tony.
Speaker 2 (03:36):
And Brian, Oh, I didn't know that.
Speaker 3 (03:38):
Yeah.
Speaker 1 (03:38):
Yeah.
Speaker 6 (03:39):
And and Birdman is I never called him Brian in
my life.
Speaker 2 (03:43):
I never called you by says motherfucker bird man.
Speaker 1 (03:48):
You know what I'm saying, Well, to the world, he's
Birdman to me, that's my brother Brian, who's my brother
in law. And I loved the love that you gave
him in the affection you get.
Speaker 6 (03:58):
I understood that, okay, billion percent, Like yeah, people was
weird about it, but I was like, nah, fuck that
that man ride for them, She's gonna ride for you know.
Speaker 2 (04:07):
That versus Yeah differ.
Speaker 6 (04:09):
You know, this guy's the king of verses, right, but
that versus Let me tell you someonhen Birdman told your
sister mama, I was fighting Joe that shit because you
in that verses and you throw out and hit it,
another guy hit you with another one boom. It felt
like a real boxing match, like you really in there
and you're protecting your legacy. Yeah, people don't realize once
(04:32):
you run in that arena, it's like all right, like
this we're fighting for a legacy up there. So I
understood his his motivation behind it, but I also respected
you know, you standing up.
Speaker 2 (04:45):
For your brother. I knew what it was. You ain't
even have to explain that to me. But there some people,
you know.
Speaker 1 (04:50):
Weirds weird, very weird. Like I think that I heard
that I dated him first, which is preposterous. Yeah, we
dating him, and I'm gonna introduce him to my sister. No,
we're not dirty birds. We don't do that. You know
what I'm saying, you.
Speaker 6 (05:06):
Know, he got Tony Braxton. You know, yeah, yeah, I
got a special family over there.
Speaker 1 (05:10):
Man. Yeah.
Speaker 6 (05:12):
You know, I'm not a fan of reality TV. I
don't know if I ever said that before, but I'm not.
Speaker 1 (05:18):
And I why.
Speaker 6 (05:20):
I was in jail, man, and I've seen Peter Guns
on the screen, and I went back into my cell.
Speaker 2 (05:24):
I almost cried.
Speaker 6 (05:26):
You know, he a real nigga from the street one
seventy fourth and you know in jail they watching the
Love and Hip Hop Ship. Yeah, and I seen him
and I just walked right back to my cell. I
was like, damn, they got my boy, Peter. But you
know what, they're good for him or whatever. Now he's
the host of Cheetahs, So I just think that definitely.
(05:47):
I take back, Well, I'm not big on that, but
I've always watched the Braxtons. Oh really yeah, always watch you.
And you know I'm a big Tony fan. Yeah right,
but really you because I was rooting for you the
whole time. I was like, and then your ex husband.
I was like, yo, may give up, fucking hit man.
Give I'm screaming at the TV, like, give a hit.
Speaker 2 (06:11):
I understand. I think it's there not to point him
out because he's a cool dude.
Speaker 1 (06:15):
Yeah, that's my family too. That's my baby daddy cousin.
Speaker 2 (06:18):
That's your baby daddy cousin. So he cool as fuck.
Speaker 6 (06:23):
But I was like, you know, a lot of times
when women get with super producers and all that and
the stars, for some reason, the guy never really slide
them your head right. And we could do this over
and over again. We're not talking about just you. I
don't want to start the ship, but I see it
all the time. I'm like, damn, give r a hit.
Speaker 1 (06:45):
No clear missiles. Ye had miss yeah.
Speaker 6 (06:49):
But the man did. He was doing what he was doing,
the hit fucking life. He could have said whole lot
this lean backs for her, you know, he could have
did that. That's the what me being in the business,
being the artist driven, artist friendly, Like I said, I
relate to you. I feel like I'm the black sheep
(07:09):
in my family. I was like, give her the fucking head.
They can give her the head.
Speaker 1 (07:13):
I'm screaming, and you know what, shout out to Vince
because he did. He really went out of his way.
Loving war was massive. We gotta play that sometime before
we gotta play this.
Speaker 6 (07:25):
It was really an R and B guy right here,
but here the big.
Speaker 1 (07:30):
Most hood dudes are like R and B like guys.
Yeah I like a hood dude, yeah, because like I do,
always have Yeah, yeah I do.
Speaker 2 (07:41):
They gotta have some money or you just wanted a
hood dude.
Speaker 1 (07:44):
They gotta have the you know, the razzle dazzle, the thing,
you know, the thing about him, you know what I mean,
got to be able to hold his own you know.
I like a man that want to show me off.
Speaker 6 (07:52):
And hood dudes like that, Yeah they do, but you know,
they gotta come with something.
Speaker 1 (07:57):
I didn't say that guy can't come to the tech.
Didn't you just see me say he got that ship?
Got it?
Speaker 6 (08:02):
They got comings up because it's either you gotta do
with money. Most of these dudes is lame. You can
keep that to yourself, but most these dudes is lame.
Like when Niggas is seven foot Tour doing the fucking
squirre fat with the fucking all these whatever little sis
it the little dad that's ship.
Speaker 2 (08:21):
Niggas was doing the douggie in the club. I was like, Nah,
come on, bro, you gotta be kidding.
Speaker 6 (08:26):
But or you get a hood dude, they ain't got
no money, ain't got no sense, but he do you know?
Speaker 2 (08:33):
I have a friend very.
Speaker 6 (08:34):
I have a lot of them, okay, but I have
a very famous friend like Big. And one day I
mind my business because I usually don't mind my business,
I asked, I see ya with this nigga right here?
It was a hood dude, right. I don't want to
give it away, but I was like, yo, what's up?
Like you you should be the wife of the nigga
(08:55):
who owns Nabisco word mab pro like you know, I'm
talking about big friend, right, And she was like, the
things he says to me, Joe, you used to see
how he talks to me?
Speaker 2 (09:06):
I said, what not?
Speaker 6 (09:08):
The most powerful chick in the world. She was talking
about this guy be saying some ship to us. And
she was like, oh my god, the things he tells me, Joe,
you wouldn't even know this that I said, Damn, I
learned that that, you know?
Speaker 1 (09:23):
Uh yeah, praise God. Talk me through it, amen, take
me through there. Take yeah, talk that ship. I love it,
Like I feel like a man gives you your confidence.
And so like a hood guy like who come from nothing,
who really built himself up, He.
Speaker 2 (09:43):
Really built himself up. That's where I'm going with it.
Is it a bumber or he built himself?
Speaker 1 (09:48):
What's the conversation? Were we even bringing that in? It
in the doe like we can't any level.
Speaker 2 (09:54):
A lot of these guys is one week away from
the repo and all that. You know what I'm saying.
A lot of a lot of these guys, they just
and you know what, I'm in Miami, Home of the faciety.
Speaker 1 (10:04):
Yeah, it's a lot of fun. See a dude, Yo,
it's the king tut popping bottles.
Speaker 6 (10:09):
The next week You're like, yo, my man, you're working
in Poilotrophy Cow Like there's the king of the facacity.
Speaker 1 (10:15):
You never know, really got money. It's true. But one
of the qualities about me when I'm with the man
is that I know how to upgrade him, you know
what I'm saying, and to the point, you know where
I don't want him to feel like, oh, she's she's
the one. I want him to feel like that. I
want him to walk in the room and feel like,
(10:36):
you know, he the one. I don't wan him to
feel that way because of the feel that way because
he's him.
Speaker 6 (10:42):
I like that, you know, because a lot of women
they like to emasculate men. You know, the girl got
the bag and it's the same ship. If the guy
got the bag and he want to act like big ship,
talk to his girl.
Speaker 2 (10:57):
How you want?
Speaker 7 (10:58):
Yo?
Speaker 6 (10:58):
You do what I say because I'm giving you the bag.
I've seen the vice versa. I got a lot of
sisters with bags and man, they know how to play
some dudes and.
Speaker 2 (11:06):
Then masculate them.
Speaker 1 (11:07):
That drives me crazy that you.
Speaker 6 (11:09):
Saying you big them up. He ain't got no right
your man, your man. But I've seen the vice versa.
Speaker 1 (11:15):
I don't want that, and I don't want people to
look at my man that way, you know what I mean.
I want people to look at my man, respect him
in his own right. He don't even have to have
as much as me, or have anything going on as
much as me. I just want the respect factor to
be in the room when we're together.
Speaker 2 (11:30):
Got to respect vice versus men and women. That's what
it's all about.
Speaker 6 (11:34):
Respect, it really is. You don't show the respect. If
you out here looking flabby and sick, you ain't respecting
your queen, then you you you got something coming.
Speaker 1 (11:44):
Yeah, because of my dude, look corny, I look corny
and I don't want to look corny.
Speaker 6 (11:49):
You don't want to look that, ain't it. That's a
different type of pressure. That's a twenty twenty five pressure
to look corny. We look cork You know, back in
the days, your mother and my father they knew how
to work shit out. Ship fucked up this and this
and that. But that look corny. That shit is like,
check me right now, twenty twenty five. I don't want
(12:09):
to look corny. I don't want to look crazy.
Speaker 1 (12:11):
Out he realized, and he just said, my mother, your father.
Speaker 2 (12:17):
No, I didn't mean to like you.
Speaker 1 (12:18):
Gotta stop this, dude.
Speaker 2 (12:20):
I'm a cat set on this.
Speaker 6 (12:22):
On the way home when I watched this interview, I'm
be like, damn, this guy crazy. You know, I've always
felt like it's equal, no matter who got the bag,
who don't got the bag, has got to be respect.
And you know, I got a funny story because I'm
really protected by women, like a lot of women, like
I got a lot of sisters, very powerful. And so
(12:43):
I got a sister. She's super caked up. But she
she was dating. She was dating a god good looking
guy and he was making some dollars himself. He wasn't
a hook guy, but he wasn't a hook guy. He
don't like several businesses. But she's that's my sister, right.
So the guy sits next to me one day say yo, crack,
(13:04):
can I talk to you? I was like, Yo, what's up?
He was like, you know, I don't know. I feel
a little intimidated because she got so much money and
every time I try to pay the bill, she paid
the bill.
Speaker 1 (13:15):
This this yo, my man. The man and me, you
and me, she's my people.
Speaker 6 (13:23):
It took everything I had in the world to tell
that nigga, Yo, don't play yourself. Because he was talking
like Yo, I don't know if I could do this.
I'm like, this girl's a billionaire.
Speaker 1 (13:32):
Bro.
Speaker 6 (13:32):
I was like, you don't know how bad I wanted
to be like, Yo, my man, is you crazy?
Speaker 2 (13:36):
You better marry that girl right now? Are you stupid?
Speaker 5 (13:40):
Will?
Speaker 2 (13:41):
And that man, I said, you know, you got to
figure it out. Whatever.
Speaker 6 (13:44):
I couldn't go against my code, you know, with you
know whoever I know first in my family, with him,
I won't go against it.
Speaker 2 (13:51):
So I just say, yo, my man, you know, just
do what's right. Whatever.
Speaker 6 (13:54):
But I wanted to tell him real bad, like yo,
marry her today.
Speaker 1 (13:59):
Really they broke up. She got married six months later.
That's how it be. Let me tell you why.
Speaker 2 (14:05):
Six months lady, I gotta tell you why.
Speaker 1 (14:07):
I reed. Let me tell you why, because even if
you're not holding the bag as a man, you gotta
figure out what your position is in her life.
Speaker 3 (14:14):
You know what I mean.
Speaker 1 (14:15):
She's not thinking she's a billionaire. She ain't thinking about
him paying or she's not even thinking about that. She
don't care about that, right, but she do want her
to protect her, to support her, to be her biggest cheerleader,
to be there for her, to be her safe space.
You gotta figure out, as a man, where your position
is in my woman's life. And I think that because
it's so many successful women. Men forget that that just
(14:38):
because you're not rich and you can't because it's a
lot of people out here who really can't hold up
today women meetings.
Speaker 6 (14:47):
You know, I've been my wife thirty two years, but
I wouldn't have no problem with being with a woman
as a billionaire. Now I'm keeping it a buck with you.
I ain't had no problem holding the door, carrying the
purse out. Don't give a I'm with her because you have.
Speaker 1 (15:05):
If you say him, you wouldn't feel that way. I
feel like.
Speaker 4 (15:11):
That, however, got the bag is it's not supposed to
feel like that.
Speaker 2 (15:17):
You know what's crazy?
Speaker 6 (15:18):
This conversation is making me think of that CARDI b
saw on what she said.
Speaker 1 (15:23):
She want to feel safe. That's right, that's that ship
right there, right, it's real. It's real like you. You
want to have a man who you can depend on,
like you got me in every area emotionally. You know
what I'm saying. It's the number one thing we want
to feel protected. You don't necessarily have to buy me.
(15:45):
That's first of all. That's cornball. Like if that's all
you can do is support me financially, what the fuck
are we doing?
Speaker 3 (15:53):
Boom?
Speaker 1 (15:55):
You know what I'm saying, Like somebody who's my dog,
somebody I can talk to, somebody like I know that
got me? It's nothing like it in it.
Speaker 6 (16:03):
It ain't nothing like a corny It's like a beautiful
girl that the minute.
Speaker 2 (16:06):
She talks you like, yo, where you gonna drop her off?
Speaker 1 (16:09):
At that part? Nah? It is you turh mom dropping
you back?
Speaker 2 (16:14):
All right?
Speaker 6 (16:16):
Yeah right you hit that U turn right quickly, like
y'all hold up, one second, didn't know you were a
Dodo bird.
Speaker 1 (16:23):
Nonsense.
Speaker 2 (16:25):
Nah, it's like that vice versa.
Speaker 6 (16:27):
And so you a legend, man, You legendary 'all here
in the streets man. And it's so hard to come
from such a successful family but still have a connection
with the streets.
Speaker 2 (16:40):
It's the hardest shit to do.
Speaker 6 (16:42):
So when you see kids, Disney Kids, or you see
What's My Girl, Mightley Cyrus and even Justin Bieber, you know,
he went from being the teenage thing to the next
day sixty tattoos in his face. They try bad to eliminate.
They gotta get to that next level. So you you've
been in you know, I see some comments on the
(17:03):
you know, my my daughter's pictures or whatever, and they'd
be like, you grew up in mansions your whole life.
I don't give a fuck this this is there's a
resentment and there's a hard way to be connected to
the people in the hood.
Speaker 2 (17:17):
But you have managed to do that in a strong way.
Speaker 1 (17:21):
I still have good friends. I still we're from Baltimore,
you know what I mean. And so it's like I'm
still the same, you know, like Tony, I feel like
the way that she was brought up in this industry
is completely different than mine. So she got her stardom
from music and she was a part of the realm
of being upper echelon and gowns and class. And for me,
(17:47):
I got my through reality and reality television. So it
was relatable to people. And I feel like that's why
they gravitate because they know. I mean, although I have
a lot of success, I'm still like Tamar from the hood,
you know what I'm saying. So I think that is
something that I never really straight away from because I
still do reality television and a lot of it.
Speaker 6 (18:09):
Yeah, give me a rundown. Five of your favorite songs
from other singers. What would be your soundtractive?
Speaker 1 (18:19):
So Mariah Carey is my favorite singer period really yeah,
you know.
Speaker 6 (18:22):
She go really sing she can no really, no, no, no,
I ain't gonna front. She wasn't my girl growing up,
Like I wasn't into Mariah Carey like that.
Speaker 2 (18:34):
One day I pop up in.
Speaker 1 (18:36):
The Christmas show by she start hitting ship.
Speaker 6 (18:40):
I said, Yo, it's only one Luther is the only
one that was hitting shit like she was hitting them
notes and all that, and I was like in a
Christmas show.
Speaker 2 (18:49):
That's when I realized, Oh, she one of the ones.
She's like.
Speaker 1 (18:53):
Christmas. Yeah, yeah, but you know what I noticed.
Speaker 6 (18:57):
But think about hip hop and music that is real subjective.
Speaker 1 (19:02):
Some people think this is really dope.
Speaker 6 (19:04):
I might not think it's dope, or I might think
it's dope, but it ain't really really dope to me.
Everybody hits people a different way, like different artists, you know.
But Mariah's great. I just seen Rihanna has show going crazy.
I think Rihanna go every year.
Speaker 1 (19:19):
I go every year and that is the Square Garden and.
Speaker 2 (19:22):
Go crazy, right, jumping up like a kid.
Speaker 6 (19:25):
Yeah, that's crazy because I said, for the first time ever,
because she usually got that number one spot.
Speaker 2 (19:30):
That boy pool Sisty battling enough for that number one spot.
He's trying to let go.
Speaker 6 (19:35):
You know, he dropped that shit that you heard that
pool Sheisty five minutes talking about he came home first day,
sixth Flourens.
Speaker 2 (19:42):
He told the girl he came up.
Speaker 6 (19:44):
Well, y'all don't want to hear all that shit right now,
but y'all Pool Shisty trying to ruin Christmas. I'm all
Tucker trying to fuck it up. She's been number one
for like twenty five years. That motherfucker trying to he
dead ass, trying to take that slot right now, that
us he's look at that shit you away in. You know,
I gotta see everything. I gotta know. I gotta have knowledge.
Speaker 2 (20:03):
You know.
Speaker 1 (20:03):
So that's so you said, Mariah, I didn't say artists.
That said my song. That's so hard for me. I
can do artists because I got to sit him think
about songs.
Speaker 2 (20:13):
Let's artists.
Speaker 6 (20:16):
I think Tank, you dank like that. He's amazing. Tank
is the man.
Speaker 1 (20:23):
He's amazing. It's amazing songwriter too. He stays in great shape. Tank,
he does.
Speaker 2 (20:29):
He stays a great ship. No thanks about a o G. Now,
how hold is Tank? Right now?
Speaker 8 (20:36):
Yo?
Speaker 1 (20:36):
You're eating people up. You are crazy. I'm gonna be
quiet as man.
Speaker 2 (20:39):
As saying nothing.
Speaker 1 (20:42):
I'm a fan of these You're supposed to stay out
of that area. He's a Jay singer, great song right,
takes my dog.
Speaker 2 (20:49):
But a man look.
Speaker 6 (20:51):
Forty nine. That boy looked like he can't eat an olive.
He's cocked j A packed up.
Speaker 1 (20:57):
Gotta do it.
Speaker 2 (20:58):
Fuck it.
Speaker 6 (21:00):
We had a peaceful journey of the almost had a
peaceful journey. But you gotta throw the flat it Yo. Listen,
Tank is a great songwriter. Yeah, you know, he writes
amazing songs. Who else?
Speaker 1 (21:11):
You are a big fan, huge fan of Beyonce. That's different.
I love her. She's a great songwriter too, and a
storyteller and a visual artist. I love that about her.
I love that we connect with her on a musical.
Kelly's eating it up. I went and saw her and
I can't tell you I went to go see Brandy
(21:32):
specifically because you know, we love Brandy. She's amazing, but
we have not seen her on tour to a lot
with singers.
Speaker 6 (21:40):
Yeah, all them girls, the biggest. They listen to Brandy. Sure,
she's the Blue quint or not. She's the vocal bible
they study are the biggest of the biggest. Listen to
Brandy all day.
Speaker 1 (21:52):
Yeah.
Speaker 6 (21:52):
But then if you went over there, but Kelly came
out there all chocolate and ship moving on that shit.
Speaker 1 (21:58):
Goddamn Kelly came coming through all that ship us. She like, hey,
body on, that's it? What thank you?
Speaker 2 (22:06):
She going crazy?
Speaker 1 (22:07):
Yeah? I love how Beyonce is a supporting Absolutely that's three.
I mean he gave analytics, right, got we got two more?
I love Brandy but if you take it a step above,
it would mean Kim Barrell. For me, who Kim Burrell.
(22:27):
That's who we all study of singers. We study Kim Barrell. Yeah,
you'll blame me some Kim Barrell the biggest hit because
I'm confused and oh.
Speaker 2 (22:37):
God, okay, we got it.
Speaker 1 (22:38):
We got it, Like she's amazing.
Speaker 2 (22:40):
Hold on, yo, yo, it's like you're laying to Adams
or something like that.
Speaker 1 (22:45):
I get it, got but on steroids.
Speaker 2 (22:47):
Kirk Franklin, love a Kurk. What's the Sisters?
Speaker 1 (22:50):
The Gospel Sisters, the Clark Sisters.
Speaker 2 (22:53):
Clark you know, I know, don't do that to yourself, man.
Speaker 1 (22:58):
Yeah, but my all time favorite who I had to get?
Speaker 9 (23:01):
You know?
Speaker 2 (23:02):
I love that record We Fall Down but Get It Up.
That's my ship with fav.
Speaker 1 (23:10):
Okay, you might not know who he is, but you're
going to.
Speaker 2 (23:12):
You think we're not gonna know who he is. I ain't.
Speaker 1 (23:15):
By way of PJ. Morton, his name is Darrel Walls
and there's no nobody can out sing him, not male
with female. Oh my god, he's so amazing. His voice
is like an instrument and he's he's another gospel singing
also a songwriter. Too, but he's so amazing and he
reminds me of PJ. Martin, but on steroids.
Speaker 6 (23:39):
This is crazy we have in this conversation because you
guys got one and you don't even know.
Speaker 2 (23:43):
I know before you. I met a girl. She's working
with Timberland. Her name is Faith from Yonkers.
Speaker 5 (23:49):
She is phenomenal, phenomenal, fee phenomenal.
Speaker 1 (23:54):
What makes a phenomenal?
Speaker 6 (23:56):
Everything you're talking about, she's that. I'm from Yonkers. This
this that I love you. You know her name is Faith.
Remember I told you she's like one of them. Okay,
you hear one something you like? Oh shit, they got one.
She from Yonkers. You gonna see you know, I'm my
(24:17):
hear to the street man. Don't do that to yourself
like that, Jada, say anything, do do that to yourself.
Speaker 2 (24:23):
So that's your five? What's your five? Jada? Top five
favorite singers?
Speaker 1 (24:29):
I have more than five?
Speaker 2 (24:30):
All right? But could you give us? Give us ten,
give us whatever you want to give you? Could you
give me some hot?
Speaker 1 (24:36):
Five is hard if you got to think about it.
I want to know, though, do this.
Speaker 6 (24:40):
Sometime he got the weed to wake him up. Sometimes
he got the weed to make him sleep. He and
up weed, debate my hype or am I different?
Speaker 1 (24:50):
That might relax? Right now, I'm a gym and now
so everything switches, it sure does, Lord Hemmerton, singers switch
everything that's a look good.
Speaker 6 (25:02):
You're not gonna give us something of the fans wanted,
like Luther.
Speaker 1 (25:08):
Hello, Like, uh, I gotta put MJB on me, my sister.
Speaker 6 (25:14):
We do know Luther from the Bronx, by the way,
but yeah, can we go with this? I'm telling Fox
Mary Shaku cut.
Speaker 1 (25:25):
Pattie LaBelle and Neil Paddy LaBelle.
Speaker 6 (25:29):
You know I was a young kid man, I lost
my first girlfriend.
Speaker 2 (25:32):
I was singing.
Speaker 1 (25:33):
Now I'm on my own.
Speaker 2 (25:36):
Why did they go this way? Let me tell you
when that means yo.
Speaker 6 (25:41):
I don't wish nobody to fully understand their favorite lyrics.
Like you hear a song you break up. All of
a sudden, the radio start playing a hundred breakup songs.
You know, I wonder if she remembers what's.
Speaker 2 (25:55):
The joining guy wind?
Speaker 6 (25:58):
If you brother, that's kneel right thing of me? You know,
I'm Luther van jaw saw Damn. Stephanie Mills love a
Stephanie from Ludamn. Stephanie Miles from shah day Babyface.
Speaker 1 (26:15):
That's good. Nobody fucking with babyface nowhere.
Speaker 2 (26:18):
Don't let them lie to you like that.
Speaker 1 (26:20):
Ain't nobody fucking with babyface.
Speaker 6 (26:22):
I got babyface and I'm gonna go with my man
because when you talk about, you know, a thug like
arm beat.
Speaker 2 (26:31):
We were selling a lot of drugs to Keith Sweat.
Speaker 1 (26:34):
Man and was no.
Speaker 6 (26:38):
We was sadiators to that Keith Sweat with that wide body.
Speaker 1 (26:42):
But you mayby Young Merchard.
Speaker 6 (26:47):
That ship there, Keith Sweat, all them dope, the most
feared individuals in the Bronxon, the Harlem. They wouldn't pull
up with hip hop. They would pull up with Keith Sweat.
But that you would think you might goe too with
ship coming down to.
Speaker 1 (27:05):
One of my first concerts is ll Keith Sweat and
Heavy d.
Speaker 2 (27:10):
I had to be.
Speaker 1 (27:13):
You got two of my ideals, you got three of
my idels there.
Speaker 2 (27:16):
You know what I'm saying. That ship was crazy.
Speaker 1 (27:18):
Huh raisy raising the Apollo. It's like my thirteenth birthday
or twelve or thirteen. But have you seen Keith perform
right now? It's very interesting.
Speaker 6 (27:33):
Wow, I'm smoking and I love Keith Keith Sweat Smoky
Bobin said eighty five doing the butt he up on
there keep at that point we stopped doing the But
yo is so that's not what I'm saying. She's trying
to say, Keith, I'll never even saying what you're saying.
Speaker 2 (27:52):
What're saying?
Speaker 1 (27:53):
Let us say what share you saying? I think he's
great in concert, right, but he has a spirit on him,
a thrust spirit.
Speaker 6 (28:04):
The fuck Smokey Robinson be in there with silk shirts
like this eighty five?
Speaker 1 (28:08):
What entertaining? Actually, no, I'm I'm sure you.
Speaker 2 (28:12):
Don't think I saw the one where he like he's
an all a you know what?
Speaker 1 (28:16):
You know what I think? Huh.
Speaker 2 (28:18):
In entertainment, it works out.
Speaker 1 (28:20):
It when you get to a certain age and you
get the band that becomes a part of it with
the drumming and that ship.
Speaker 4 (28:32):
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Speaker 2 (30:13):
Y'all. So you saying this getting like little bit too much?
Speaker 1 (30:17):
You keep I don't know about it being too much.
It's very entertaining, but it's given pop pop and I'm
afraid of that as a single woman. Is that where
I'm going?
Speaker 10 (30:26):
Oh?
Speaker 6 (30:27):
No, you could definitely be pop. Let me tell you
something I won't say who. All of them old ladies
hit on me. They look at me like I'm an
eighteen year old.
Speaker 2 (30:35):
I've been waiting this.
Speaker 1 (30:36):
But give you how hot fuck that?
Speaker 2 (30:39):
I don't want to be the young dude for the mama.
Speaker 1 (30:42):
You know what I'm saying. You always gonna be like
a stake to the.
Speaker 6 (30:45):
No, I'm saying the old the old ladies, Oh, they
go hard.
Speaker 1 (30:51):
Oh my, I've been waiting for you my whole life.
Speaker 6 (30:53):
This I'm like, miss police, Can you signed my autocraft?
Speaker 2 (31:02):
Leave me? You got me fucked up? But yes, that's
where you had it.
Speaker 1 (31:06):
What?
Speaker 3 (31:07):
Yeah?
Speaker 1 (31:07):
Eventually not?
Speaker 6 (31:08):
I think we all we three bless because you don't
look your age. You look great. She don't look like age.
She looks great. I look great. We're lucky. I'll be
seeing niggas in the hood all the time with no teeth.
They I'll be like, yo, I'm I was in his
class in third grade. That motherfucker looked like a dinosaur.
Speaker 2 (31:29):
I'm looking at him.
Speaker 6 (31:30):
I'm like, yo, this ship could Oh my god, bro. No,
I'm being honest, like we're blest. We ain't looking old yet.
You understand, we ain't looking at oh, but it's you're
gonna look old.
Speaker 1 (31:47):
Yeah, but I'm afraid of pop hop sweat, pop pop sweat?
Speaker 2 (31:50):
What does that mean?
Speaker 1 (31:52):
I don't want to pop up humping and bumping on me.
Speaker 2 (31:54):
I don't think you ever have a pop up humping
and bumping.
Speaker 6 (31:56):
As long as you got the bag, you're beautiful and
you got the bag, you ain't gonna have.
Speaker 1 (32:00):
To pop up.
Speaker 2 (32:01):
I don't care. It's the same thing. I started this
whole ship like this the woman.
Speaker 6 (32:06):
They criticize the man being with some younger girls, But
the minute they get that bag and they get divorced,
they got a young thing going.
Speaker 2 (32:14):
It might might might make it look good and get.
Speaker 6 (32:16):
Him a pastor or something, you know, yo, let me
get the young the young pastor for that nigga flies
hair wavy. He No, I'm telling you, I'm very observative pastor.
Speaker 1 (32:30):
Any I don't know you.
Speaker 2 (32:32):
I don't know. I just said that. I'm not you
don't mean even know.
Speaker 6 (32:38):
I'm talking to you, talking to a guy who who's
entertaining the people, like, I don't know the fucking ship
about a pasta.
Speaker 2 (32:47):
You the new voice of Bride Zealous, currently streaming on
AMC network.
Speaker 1 (32:57):
Yeah, I don't even know how many television shows I have.
I haven't counted.
Speaker 2 (33:01):
No, that's a flex.
Speaker 1 (33:02):
That's like with the silence on.
Speaker 2 (33:05):
You know, we like that. You know what I'm saying.
I'm all about my people winning. So you know what
I'm saying.
Speaker 6 (33:10):
That's you know, I love that.
Speaker 1 (33:14):
It was great with a full movie. What was that
experience like filming that? It was so amazing because actually
I had a relationship right and I cheated on that person.
And so this album is about the female version of
(33:35):
taking accountability for infidelity to get cheat?
Speaker 6 (33:41):
Is this smooth talking hood dude? It wasn't like that.
Speaker 1 (33:44):
No, it was all me.
Speaker 2 (33:47):
And was like I want him, So you was like
you saw him and you was like I want him.
Speaker 1 (33:52):
No, I kind of spun the block on a situation
because I wasn't too sure about the new situation and
so the old situation just wasn't completed yet. If you
get when I'm emotionally complete again, and I think that
sometimes when men get territorial and they see you in
another situation, they want that old thing. And I fell
(34:13):
for the okie dog. But I had to figure it.
I did because that person should have never gotten my
time again, right, But I had to figure it out
within myself that music. I was yes that I was
done with it, and I also old that other person
that I hurt, you know, a huge apology because number one,
they didn't deserve it getting mixed up in my bullshit, right.
(34:37):
And also I had to help myself and I did
through this album that goes on to the new single
You on You, Yeah, actually you on You it's my
old single. The new single coming up is I love.
Speaker 3 (34:50):
Me Love Me Yeah, And.
Speaker 6 (34:53):
I like that title to slay that to me because
I've been thinking about doing the song to that title.
Speaker 1 (34:58):
Really, spell love me is a about missing the person. Yeah,
I gotta love me? Fuck that Well, it's not nothing.
It's nothing the person, and it's about telling the person
that I miss it, but I know that it's over. Yeah,
because how do you hurt a man to that capacity
and he never recovers. Let's listen to it.
Speaker 2 (35:17):
There's some suckers out there.
Speaker 1 (35:18):
Let's listen to I've seen it.
Speaker 6 (35:20):
It's some suckers out there. I love my baby mama,
I never let her go. It's some suckers out there.
Speaker 1 (35:28):
It's the suck of a man. Take a woman back.
Speaker 2 (35:31):
He's a sucker.
Speaker 1 (35:32):
What what? What?
Speaker 3 (35:37):
And do the next time?
Speaker 1 (35:39):
A suck? I want to conversation right because he to.
But I'm gonna let you go.
Speaker 2 (35:44):
You're a man.
Speaker 6 (35:45):
I'm not saying you could do whatever you want to
eat his own bottle eighteen hundred.
Speaker 1 (35:55):
Sucker. You gotta tell me so.
Speaker 6 (35:57):
A man that comes from nothing, who found a way
to get himself out of that and do a little
success in life. He gets with a girl, he makes
it his queen. He treats her like this queen. He
gives her everything he hunts, goes out there and makes
no excuses, no matter what the stress is, no matter
what the case is, he come in the back to
give us shit.
Speaker 2 (36:18):
She with her girls.
Speaker 6 (36:19):
She looking just as fly as her girls. This this
that you gotta understand. When that woman violates that, the
man don't know how to handle that, and he just
loses it because he's like, Yo, you violated that. I
don't you know, because with no disrespect, if you're a provider,
you're a guy that did it, especially when you come
(36:41):
from nothing. I'm not talking about a trust fun baby.
I'm talking about a person who came up from nothing
and said, all right, I'm gonna share this world with
this woman and give her everything equal whatever we do.
And then she violates. It's a whole nother way of
forgiving this and this and that. Now we've talked about it,
(37:01):
like if our friends they get in a problem with
their girl or whatever, that's not our business because nine
times out of ten times they getting back together and
then you in the middle trying to be like, yo, this,
you know what I'm saying. I learned that, you know
what I mean? I lost friends over there. I used
to be the dude to bring the guy to the
to the situation like Yo, let's go meet me out
(37:22):
over Sabarros. Your girl over here with the do we
doing in this doing what we're doing right now, and
then the next day you see him with this girl
riding in the car.
Speaker 2 (37:34):
You like, y'all. I played myself like why did I
even get involved?
Speaker 1 (37:38):
Yeah, but this is why I think the way that
I think now as a woman, because in that situation,
I did have the bag right, and he felt insecure
and he used to piss me off. I couldn't understand,
like why why do you not think that you're enough?
Speaker 5 (37:51):
Right?
Speaker 1 (37:52):
And I used to son the fuck out of him,
and like you were saying, what's that word? Masculate him?
And that's it's not a good.
Speaker 2 (38:00):
Feeling he was selling them.
Speaker 1 (38:02):
Then you eat it all, not because I could. Yeah,
you doesn't see what I'm saying. I don't think like
that anymore.
Speaker 6 (38:08):
It takes a strong man to hold a woman down
and know that you the bread women and all that
and just read them equals. It takes a strong man
to make the woman wake up every day and walk
out the house knowing she could do what the fuck
she want, that you got her back, did you protect her,
that you this there ain't no problem. There's God than you.
(38:29):
When you violate that cipher, it's a problem. You know
what I'm saying that that's how most men feel. Even
the construction worker, fucking McDonald's guy. He going out there
busting his ass every day. He did this. This is
a problem. Now have I seen the greatest killers in
the universe, the realest guys that I thought would kill
a factory of guys to catch their wives and be like, Okay,
(38:53):
we worked it out. This ship was shocking to be like,
you know, I'm looking, I'm like, what, huh, that's all
He's killing the whole gym. Come back, Nah, We're good.
You know, love is something it is.
Speaker 1 (39:06):
But I broke him, and I knew that he ain't
deserve you anyway I do because let me tell you,
like in the film.
Speaker 6 (39:14):
Just he ain't deserve you, and motherfucking wasn't strong enough.
He wasn't what you was describing the wild and motherfucker.
Speaker 2 (39:22):
Week you stepped on him, he was weak. Kept it
push and he was weak.
Speaker 1 (39:27):
I don't necessarily think that, you know the film that
goes along with that, with the EP or there's a
film and you really it's kind of it's based on
a true story. So I'm just gonna tell you a
little bit about it so you can watch it later on. So,
of course when DC's and Julian Houghton is in the film,
(39:47):
so one plays my current boyfriend and the other one
played on me.
Speaker 2 (39:52):
Don't start the ship, just start the ship? You like
this ship?
Speaker 1 (39:55):
No, I'm just telling you that some film. And so
this is a truth. This part really happened in my life.
So I'm texting and when DC snatched my phone and
he reads my text messages, and I'm texting the guy
once again, you shifted my uterus and he really ready it.
Speaker 2 (40:16):
You read you sent that to the wrong guy.
Speaker 1 (40:18):
No, I sent it to the.
Speaker 2 (40:21):
No, are you literally I'm confused.
Speaker 1 (40:25):
She was texting somebody.
Speaker 2 (40:27):
She threw a couple of flags up in there.
Speaker 6 (40:30):
The minute I heard the ship, I said, yo, you
know what for each his own bottle of eighteen.
Speaker 2 (40:37):
They came in here. Let me tell you something. They
came in here.
Speaker 6 (40:40):
They was like, ohh, Tamar, it's a little upset of
for past interviews. You watch what you say. She doesn't
this saying it. She's saying what she wants to say.
What are you talking about?
Speaker 1 (40:53):
Let her finish? I did so, did you hear it?
Want me to be animate? Please do Jack? She was
texting somebody and DC's grabbed the phone and he read,
but she just said it Wallace. Yeah, something that happened
to Organs. Love me here, love me. This is a
(41:17):
family show. I hell love me guys. Make sure you
playing Lilee.
Speaker 2 (41:26):
Your DOWNOV. You gotta call him her down. She outside
not outside. I was that old said with that ship on.
Speaker 1 (41:37):
Knocking knock that that.
Speaker 3 (41:45):
Please have.
Speaker 1 (41:49):
Shut up a love your hair.
Speaker 9 (41:55):
Yeah, let's get some monitor. Get back on your gains
to me and open doorsn't taken over?
Speaker 8 (42:05):
Quin a cant a boot to the.
Speaker 3 (42:17):
Should have betaked to go to you shout took up.
Speaker 10 (42:23):
Sometimes a man needs him and to let the come
o to him.
Speaker 8 (42:29):
Now I wish held hold on as lot of course.
Speaker 3 (42:39):
Baby well a mister.
Speaker 8 (42:48):
Los and we love the ones are the lovely.
Speaker 3 (43:02):
Like calumpy to say them, si you know the jous
even tho.
Speaker 8 (43:14):
No no, I miss you tell me home and unty
ones are alone and like a lumpy babies.
Speaker 3 (43:24):
How don't sign a chere had coming out the bag again,
have on a matre s.
Speaker 10 (43:37):
Learn so my choices, cryson, I always came up learning
out of f love a mister.
Speaker 3 (43:49):
Lot of cools.
Speaker 8 (43:59):
I'm mister this is love loses word a busy tell
me love me loppy.
Speaker 3 (44:14):
The ons are the loved to take your lumpy business
tack to say that side.
Speaker 7 (44:22):
So if I no no a miss are you tell
me no unt he one are the love and like
a lumpy.
Speaker 8 (44:39):
Baby, I'm sorry, please talking because a business love me
and the miss hens toss me baby come back.
Speaker 1 (45:03):
Wow, build classic Braxton tone.
Speaker 4 (45:12):
Beautiful build classic build Braxton tone.
Speaker 2 (45:16):
What a beautiful song man.
Speaker 6 (45:18):
So that gotta that gotta make you feel away when
you hear it, right, because you know you you're the culprit.
Speaker 2 (45:24):
Yeah, so you're.
Speaker 6 (45:25):
Saying, like, dang, he's taking accountability, accountability. Nobody want to
take accountability. So that's mean taking the calibility.
Speaker 1 (45:33):
Yeah, we blame y'all for everything, and it be us.
Speaker 2 (45:36):
It'd be y'all.
Speaker 1 (45:38):
She wins, she wins something when you she should really
win something. If you don't, I think we overlooking this.
She's taking accountability. You have to watch the film. It's really, really,
really good because it gives both sides, you know, and
it gives like a real depiction. Can you see it.
You can go to my YouTube's on YouTube for yeah.
(46:01):
And so it's forty four minutes, but it's it's really fast,
but it's really good. So you have the videos that
play out, and then you have like the scenes. Vince
is in it. Vince's given advice, dating.
Speaker 6 (46:14):
Advice with me, and you know he got a bad
joint right now? Yeah, Christopher Williams fact. Then Vince, what
I got a girlfriend with the six tracks girl?
Speaker 1 (46:26):
Yeah, she's amazing. The doctor she's a doctor.
Speaker 5 (46:29):
Yeah.
Speaker 1 (46:29):
Yeah, that's gonna play like white people, like we spend Christmas.
Speaker 2 (46:37):
White people.
Speaker 1 (46:39):
He's showing that will Smith.
Speaker 2 (46:42):
Anybody gets it. I know they get along. That's what
I said. I got a big them up, but I.
Speaker 1 (46:46):
Was at the segway to save that.
Speaker 2 (46:49):
It's okay, you don't care.
Speaker 1 (46:51):
She a thank you? No, God's crazy. What do you
want me to say?
Speaker 2 (46:58):
I know this guy. I gotta see him.
Speaker 5 (47:00):
I know Vie Yo.
Speaker 1 (47:01):
You left them.
Speaker 2 (47:02):
You know that is up there talking.
Speaker 6 (47:05):
You didn't even picked me up. In no way we
biged him up. That boy Vince on that Reddit tour try.
He's not on that ozempic. He's on the next level
when the Reddit tour time. Jesus, that mother fuck the skinniest.
Speaker 1 (47:19):
He looks great.
Speaker 2 (47:19):
Ah, he's on that neck.
Speaker 1 (47:22):
This looks great more Teddy repskin, Yo.
Speaker 9 (47:26):
Tell you.
Speaker 6 (47:27):
Let me tell you something, man. You know that song
there reminds me of I remember one night I was sleeping.
I sleep with the TV on, and that Tony Braxton
song came on with the video with the umbrellas. As
long as I live, that's my favor.
Speaker 1 (47:46):
Ship.
Speaker 2 (47:46):
You know when you wake out the sleep.
Speaker 1 (47:48):
I woke up.
Speaker 6 (47:51):
Lord, No, it's like God be talking to me. I'm
telling you all the truth. I heard that ship three
four in the morning. I was dead asleep.
Speaker 2 (47:58):
I heard that.
Speaker 1 (47:58):
I woke up.
Speaker 5 (48:00):
I got on the thing and I looked at this
video with the rain drops and all that, and I said, oh,
this is gonna win something. I said, this shit is
crazy right here. I called uf Tony out in LA.
Speaker 2 (48:12):
I was like, yo, you did that. He was like yeah,
I said, Yo, that shit crazy.
Speaker 1 (48:15):
Shout out to Tony Dixon.
Speaker 6 (48:17):
Tony Dixon, what a legend. Huh, that's great, beautiful. I
tell them all the time. They don't believe me. Babyface
my friend, so like you know, I go to dinner
with Babyfaces. He's the one out of this whole shit,
my whole career.
Speaker 2 (48:30):
I mean I know woryal families.
Speaker 6 (48:32):
Yeah, he's the one guy that I tripped and I'm
actually Babyface's friend. I like when I eat dinner with him,
I'm like, yo, I'm with baby.
Speaker 1 (48:40):
Face, Like you know, I it's so tricky story. Did
this whole project shut out the trick?
Speaker 2 (48:45):
What a legend?
Speaker 1 (48:46):
Yeah, and so we're doing part two right now. The
Heartbeak retrograde that right there.
Speaker 6 (48:52):
Is a hit, So you got to put the bag
behind that. I don't never lose when I say something's
a goat, it's a goat. Thank you hearing that, I
wanted to mix the pop out a little more clear,
a little more flossy. But I'm listening to it and
I say, this is a smash hit. Huh maybe maybe
the speaker so I'm not. I'm listening to her. I said,
(49:12):
this is smash hit. So if Fat Joe put this out,
I throw the bag. You gotta throw that bag behind
this song right here. Won't miss this one right here,
won't miss this is this is a real hit. This
is a classic. But I was listening to it. The
only thing I heard in my head was like classic Clyde,
like this shit, like classic beautiful you know R and
(49:32):
B right now, the ladies, Kalane, I love her.
Speaker 1 (49:36):
She's amazing. Some Walker amazing, Rioty Scientists amazing.
Speaker 2 (49:42):
That's some of Walker.
Speaker 1 (49:44):
That album.
Speaker 2 (49:45):
You know what I do is I drive.
Speaker 6 (49:46):
When I'm in Miami, I drive for two hours just
listen to music. I'll drive to like Port Saint Lucy
or some shit like that for no reason.
Speaker 2 (49:55):
Just listen.
Speaker 1 (49:55):
I listened to that Summer Walker album, that one.
Speaker 6 (49:58):
Record she got hug doj Cat and Lottle the feel
Good to how about they killing the guys. I'm just
keeping the buck with you. I'm listening to the guys' albums.
I don't want to mention no names.
Speaker 1 (50:10):
Oh god, I'm stressed out.
Speaker 6 (50:12):
And and and then I listened to Summer Walker, They
stepping on Dudes back and that one record they rapping
smell good, tastes good.
Speaker 1 (50:21):
Yeah, this that they's good?
Speaker 2 (50:24):
What those your cat come up on there and start.
Speaker 6 (50:28):
I'm like, yo, how the girls are killing the dudes
twenty twenty five?
Speaker 2 (50:33):
Like, we ain't got no nobody killing like that?
Speaker 1 (50:37):
You agree, huh? Because we got the bag?
Speaker 2 (50:40):
Hello, So once you got the bag, you could talk
like with that.
Speaker 1 (50:44):
I'm telling you the respect level goes down the drag
to these dudes. I just told you I was son
at homeboy. Shit, that's just how it goes, and it's terrible.
It's I would never ever do that to another person ever, ever, ever,
ever again, because I can. But y'all guys do that
to We learned from y'all. We learned from the God's
pieces of ship. We learns.
Speaker 6 (51:03):
You know, every girl of mine, every friend of mine,
asked me to hook up with one of my guys.
I tell him in one second, yo, they ain't ship.
Don't look in this stable. These guys ain't ship. You
ain't gonna never like me again in your life. If
you talk to one of these guys, they ain't ship.
Would you recommend a sister that you love with one
of your friends. You got one friend, then you could say, yo,
(51:26):
he's a good guy.
Speaker 1 (51:28):
Maybe Dave k he's.
Speaker 2 (51:30):
A good guy.
Speaker 1 (51:32):
Okay, now you want to say which one?
Speaker 2 (51:40):
Kay? Over there?
Speaker 1 (51:42):
He too high for you?
Speaker 6 (51:45):
Peter King, Peter King of the who Bonnie chronic, Yo,
But listen, I want to shout out my brother, come
in here, take a little bow man, true time.
Speaker 2 (51:53):
A fella in this his birthday today. But I knew
I'd have brought you Fellas down.
Speaker 1 (52:00):
You catch another felony on that right town, fella felony Fellas.
Speaker 2 (52:07):
Happy birthday, my brother. We love you, Mary.
Speaker 1 (52:09):
What you do for the show?
Speaker 9 (52:10):
You know?
Speaker 2 (52:11):
To time a fella brad Zilla's Is that something I
gotta watch?
Speaker 1 (52:15):
Yes, it's hilarious. Yeah, you know.
Speaker 6 (52:19):
They doing the movie about somebody real close to me,
and they got Fat Joe in the movie.
Speaker 2 (52:25):
And she's sending me the guys.
Speaker 6 (52:27):
They just sending any fat guy that they think that
that's not fat Joe, Like we all get a guy
with some swag or some shit to him or something like.
They just sending any fat comedy and every she's like,
what do you think of this one? They showed me this,
I'll say, Yo, man, the fuck you think this? Like,
you better get somebody look like fat Joe to be
on this fucking movie. But will you do based on
(52:50):
your life or have you done it already with a lifetime?
Speaker 1 (52:53):
No, not yet. But I just actually started doing movies.
I was doing television shows like the film that I'm
doing right now is what Digs And yeah, it's like
a romantic comedy thriller. Tay, this is a short guy
right waiting the ax help me.
Speaker 6 (53:08):
You had an argument with it, Donovan, No dissacess, Jesus,
I had an argument with this TSA dude yesterday.
Speaker 1 (53:15):
By the way, I never argue with the TSA guys.
Speaker 2 (53:19):
Ever in my life.
Speaker 6 (53:20):
I have one argument. This little nigga was over here
being too yo. Take your hoodie.
Speaker 2 (53:25):
You off, my man. You could just search me. I
know the rules are five seven times a week.
Speaker 6 (53:31):
Naw you gotta yo, my man, I'm not talking about
this height like Yo, Bro, you way too little to
be talking to me like this. Like you're not in
the family. You're not even what they call that shit
the fruits of that nigga can't talk to fact Joe
like that. I'm like, Yo, you my man, cannot talk
to me like that. Nah, the rules is, yo, Bro.
(53:51):
You got me fucked up Apo. We was outside. I'm
with your fucking go get the boss. The boss, come Joe,
jare Makon got yo.
Speaker 1 (53:59):
You know what I mean?
Speaker 6 (54:00):
Man, gott explct looking at the Jamaican guy so nice man.
I walked away from there. Man, I wanted to smack
this nigga's cheek off so bad, man, I said, Yo,
he was just doing too much, too much talking to
me like.
Speaker 1 (54:14):
Yeah, but heast is not a shorty like that.
Speaker 2 (54:18):
Oh that's how I got to this.
Speaker 1 (54:19):
Yes she did? You called the man short. I'm like
a love man. He's not. He's not a best man.
Speaker 6 (54:28):
I love him, but I lost the fam when I
seen him. He was in my hand skipping with a
white girl in a Gramercy park or some ship.
Speaker 2 (54:35):
I seen him.
Speaker 6 (54:35):
Skipping with her down the street like this, and he
was a little nigga. I said, you've been really fronting man.
Speaker 1 (54:42):
Yeah, but Joe he's a great actor.
Speaker 2 (54:44):
He's a great act Yeah, he's watch every movie.
Speaker 1 (54:47):
He lit'sen taya every movie he does.
Speaker 6 (54:52):
I'm gonna tell you, nah, get up you never nowadays
the actors that make him a disrecord to get yo?
Speaker 2 (54:59):
What's up with all the everybody gets everybody? Everybody? This
shit is like it's toxic right now.
Speaker 6 (55:06):
No, I'm being honest, it's like really really like I'm
not really liking none of this shit.
Speaker 2 (55:11):
All I do is write gangster music. So I'm not
the holy guy.
Speaker 6 (55:15):
But I think just think time that the hip hop
community us kind of life.
Speaker 1 (55:21):
We are the world there comes to time. Yeah, but
my thing is help.
Speaker 6 (55:27):
My thing is, it's like, you know, we celebrate all
the wrong shite. You understand what I'm saying. Crack motherfucker
come home each other for twenty six years, killed thirty
six thousand people.
Speaker 2 (55:40):
Sits down, like, yeah, I'm the gangster of all gangsters,
like yo, Cat two twenty two came home. Yo, this
this is and they be celebrating.
Speaker 6 (55:49):
I'm not talking, I'm not making no subliminal so to nobody,
and I like all the shit, but I'm just saying,
at what point we gonna man up and say, yo,
this because because I keep seeing us celebrate weird shit,
and I'm now maybe I'm older. I am older, so
I'm thinking a little bit different. I'm just like, Yo,
we keep celebrating and then we keep falling for the
(56:10):
same shit. And dude, right, so now, Tamar, who we
know and love? How many years we've been watching you
on reality show? Fifteen years, fifteen years, We know her life,
we know who she are, we love her. Out of nowhere,
some girl who went to high school with her got
some shit to say, and now we believe the girl
Margaret Washington a bitch. We don't know from nowhere, but
(56:33):
no receipts. With no receipts want to talk about like
what's going on, and they fall for every time. Yo,
you've heard the god one time Taco is saying this
about this thigga. Yo, my man, if you don't get
this nigga up off the hodgie, like Yo, we gotta
start some respect.
Speaker 1 (56:48):
Needs a corn muffin control.
Speaker 6 (56:51):
You never gave me the corn bread. You said your
mom's was gonna make me some corn bread.
Speaker 1 (56:55):
I was gonna send you.
Speaker 6 (56:56):
He put me on the phone with his moms right said, listen,
my I promised Shoe some corn bread. The first thing
she said, Joe, I got a story with you. He
hung up the phone so fast.
Speaker 1 (57:07):
He just fuck that.
Speaker 2 (57:08):
No stories.
Speaker 1 (57:09):
Look your mama corn He hung that ship up so bad.
Speaker 2 (57:14):
How you make it?
Speaker 6 (57:15):
It tastes like corn bread castle. I'm on a strict
diet right now. You don't hate the fucking doctor. That's
why I don't like going to the doctor.
Speaker 1 (57:24):
How did we get there?
Speaker 6 (57:25):
Because I'm skinnier than I ever been in my life,
and the doctors like, yo, I want you keto for
a month.
Speaker 1 (57:30):
I want everybody over there and everybody rapping up over here.
Let's tell some ship, so tell me everything.
Speaker 6 (57:35):
We got the name of the album, Retrograde. I'm downloading
that right now, thank you. I am purchasing that.
Speaker 2 (57:44):
I need that in my life.
Speaker 4 (57:45):
Purchase and it means a lot to mensuming means on
your labels, your boss.
Speaker 2 (57:53):
You're putting out your own ship. That's how we're supposed
to be.
Speaker 6 (57:57):
All on my half ride, jillis the problem I have,
especially with all the R and B legends that we love,
is they let the major label with mafia, right, so
they fuck with you, spend some money and get everything
out of you, and then they tell everybody old school
at noon. Motherfucker twenty four years old doing the old
School at Noon tour because the major labels did that
(58:20):
to him. They put that stigma on that where they
think their old school at noon. So what they didn't
do the guys and the girls before us was take ownership.
Sierra came in. She putting out her own music. You
putting out your own music. I've been putting out my own.
Speaker 1 (58:37):
Music for fifteen years. That's amazing.
Speaker 2 (58:39):
And I fucked these guys all the time. Let me
tell you something.
Speaker 1 (58:44):
I'm oh.
Speaker 7 (58:50):
Fuck a I do this time?
Speaker 3 (58:55):
Is how I need a whole.
Speaker 1 (58:59):
Bad What how you gonna tell me at the end?
Speaker 2 (59:05):
Are you with me?
Speaker 6 (59:07):
From the time I sat down, Tamar, don't listen to
these guys.
Speaker 2 (59:11):
You with me?
Speaker 1 (59:13):
You with you.
Speaker 2 (59:15):
What I'm saying is like, you know, I told the
major label, yo, I want to go independent.
Speaker 6 (59:21):
Them motherfucker's just like yo, oh yes, sir, you can leave.
How fast do you want to go? We'll sign your
ship off right there. I'm like, damn, I thought they
gave a fuck. I'm on here ten years. They was
like then I put out a record, so for a
million records on they ass right there independent. So I
know all about being independent man and just working your
(59:41):
ship and all that. I salute that, boss, lady.
Speaker 1 (59:44):
Give it up.
Speaker 2 (59:44):
This ain't that.
Speaker 4 (59:46):
That ain't this cracking kiss made some noise for Tamark Pratt.
Speaker 1 (59:55):
I'm not this ways, just the real share that's first step. Mhm.
I like a hood dude.
Speaker 2 (00:01):
They gotta have some money or you just wanted a
hood dude, you know what I mean.
Speaker 1 (00:05):
Gotta be able to hold his own. You know, I
like a man that want to show me all the
hood dudes like that.
Speaker 2 (00:09):
Yeah they do, but you know they gotta come with something.
Speaker 1 (00:13):
I didn't say that guy, she can't come to the tap.
Didn't you just hear me say you got that?
Speaker 2 (00:31):
Yeah? Yeah?
Speaker 3 (00:32):
What up?
Speaker 2 (00:32):
Y'allist is Joe cracked the dog?
Speaker 4 (00:34):
You know who it is? Your boy, Jada. This is
the Joe and Jada Show. Every show legendary, every show iconic.
If we are crushing ship, it is today's guests. When
you think of today's guests, you think of family.
Speaker 1 (00:52):
Family.
Speaker 2 (00:53):
Here we go, Joe got with you?
Speaker 4 (00:55):
No you why one think of family?
Speaker 1 (01:00):
You think of somebody that can sing. If you're from
the hood, you know it's singing and it's hit him
with the age. Think a great actress. Think of reality.
You think of just family driven, big family, a lot
(01:21):
of sisters, a lot of powerful systems, good background, good
cooking ladies and gentlemen. Make some noise for our guests.
Tame all bracts. That was good. That was good. It's
safe to say the black sheep of the family.
Speaker 2 (01:40):
Correct.
Speaker 1 (01:40):
Yeah, I think so the baby.
Speaker 2 (01:44):
How many sisters all together.
Speaker 1 (01:46):
Four sisters, you're the baby, the youngest, youngest, so and
you're the black sheep, most motivated.
Speaker 5 (01:56):
Yeah.
Speaker 2 (01:57):
I like that too with my family and another motherfucker
liked me and my family. No, no, I'm dead ass.
Speaker 6 (02:04):
I'm coming up on the plane with my favorite aunt,
Deety Barber.
Speaker 2 (02:08):
You know, I took it down to Miami with me.
Speaker 6 (02:10):
She came back and were talking, and I'm like, I'm
trying to find somebody else like me and my family.
If only I had somebody else that want to move
like me and want to conquer the world, I can't
find one in your family.
Speaker 2 (02:23):
You are definitely the one.
Speaker 1 (02:25):
And I think I got it from Tony. I got
a lot of my hustle from Tony. Yeah.
Speaker 2 (02:32):
This thing, yo, Yo, see something.
Speaker 6 (02:37):
I gotta apologize because when we started the show, it
was like the mother guys, you know what I'm saying.
Speaker 1 (02:42):
So I was.
Speaker 6 (02:43):
I was listening to the radio on my way down
there and they said her and Birdman caught a divorce
or whatever, and I actually said it on here and
I told them she said, don't say really.
Speaker 2 (02:55):
Yeah, but I heard the whole radio.
Speaker 6 (02:57):
Saying the ship in the morning show, this official, this, this, that,
and I said some bullshit.
Speaker 2 (03:02):
I just said, yo, they got divorced. Whatever.
Speaker 6 (03:04):
But I want to apologize to you and your sister
because that wasn't accurate. And especially when I saw the verses,
I seen him running call up and say, I guess.
Speaker 2 (03:17):
I was it?
Speaker 1 (03:17):
Oh on crag, how was it? Because you was in
the middle with it. I didn't mean to be in
the middle of it, you did. I was showing up
for my brother because he needed and he asked me
to be there, and Tony asked me to be there
because she couldn't be there. But it was iconic.
Speaker 3 (03:30):
It was amazing.
Speaker 1 (03:32):
You know. I love seeing him because that's my brother
in real life. Like I introduced Tony.
Speaker 2 (03:36):
And Brian, Oh, I didn't know that.
Speaker 3 (03:38):
Yeah.
Speaker 1 (03:38):
Yeah.
Speaker 6 (03:39):
And and Birdman is I never called him Brian in
my life.
Speaker 2 (03:43):
I never called you by says motherfucker bird man.
Speaker 1 (03:48):
You know what I'm saying, Well, to the world, he's
Birdman to me, that's my brother Brian, who's my brother
in law. And I loved the love that you gave
him in the affection you get.
Speaker 6 (03:58):
I understood that, okay, billion percent, Like yeah, people was
weird about it, but I was like, nah, fuck that
that man ride for them, She's gonna ride for you know.
Speaker 2 (04:07):
That versus Yeah differ.
Speaker 6 (04:09):
You know, this guy's the king of verses, right, but
that versus Let me tell you someonhen Birdman told your
sister mama, I was fighting Joe that shit because you
in that verses and you throw out and hit it,
another guy hit you with another one boom. It felt
like a real boxing match, like you really in there
and you're protecting your legacy. Yeah, people don't realize once
(04:32):
you run in that arena, it's like all right, like
this we're fighting for a legacy up there. So I
understood his his motivation behind it, but I also respected
you know, you standing up.
Speaker 2 (04:45):
For your brother. I knew what it was. You ain't
even have to explain that to me. But there some people,
you know.
Speaker 1 (04:50):
Weirds weird, very weird. Like I think that I heard
that I dated him first, which is preposterous. Yeah, we
dating him, and I'm gonna introduce him to my sister. No,
we're not dirty birds. We don't do that. You know
what I'm saying, you.
Speaker 6 (05:06):
Know, he got Tony Braxton. You know, yeah, yeah, I
got a special family over there.
Speaker 1 (05:10):
Man. Yeah.
Speaker 6 (05:12):
You know, I'm not a fan of reality TV. I
don't know if I ever said that before, but I'm not.
Speaker 1 (05:18):
And I why.
Speaker 6 (05:20):
I was in jail, man, and I've seen Peter Guns
on the screen, and I went back into my cell.
Speaker 2 (05:24):
I almost cried.
Speaker 6 (05:26):
You know, he a real nigga from the street one
seventy fourth and you know in jail they watching the
Love and Hip Hop Ship. Yeah, and I seen him
and I just walked right back to my cell. I
was like, damn, they got my boy, Peter. But you
know what, they're good for him or whatever. Now he's
the host of Cheetahs, So I just think that definitely.
(05:47):
I take back, Well, I'm not big on that, but
I've always watched the Braxtons. Oh really yeah, always watch you.
And you know I'm a big Tony fan. Yeah right,
but really you because I was rooting for you the
whole time. I was like, and then your ex husband.
I was like, yo, may give up, fucking hit man.
Give I'm screaming at the TV, like, give a hit.
Speaker 2 (06:11):
I understand. I think it's there not to point him
out because he's a cool dude.
Speaker 1 (06:15):
Yeah, that's my family too. That's my baby daddy cousin.
Speaker 2 (06:18):
That's your baby daddy cousin. So he cool as fuck.
Speaker 6 (06:23):
But I was like, you know, a lot of times
when women get with super producers and all that and
the stars, for some reason, the guy never really slide
them your head right. And we could do this over
and over again. We're not talking about just you. I
don't want to start the ship, but I see it
all the time. I'm like, damn, give r a hit.
Speaker 1 (06:45):
No clear missiles. Ye had miss yeah.
Speaker 6 (06:49):
But the man did. He was doing what he was doing,
the hit fucking life. He could have said whole lot
this lean backs for her, you know, he could have
did that. That's the what me being in the business,
being the artist driven, artist friendly, Like I said, I
relate to you. I feel like I'm the black sheep
(07:09):
in my family. I was like, give her the fucking head.
They can give her the head.
Speaker 1 (07:13):
I'm screaming, and you know what, shout out to Vince
because he did. He really went out of his way.
Loving war was massive. We gotta play that sometime before
we gotta play this.
Speaker 6 (07:25):
It was really an R and B guy right here,
but here the big.
Speaker 1 (07:30):
Most hood dudes are like R and B like guys.
Yeah I like a hood dude, yeah, because like I do,
always have Yeah, yeah I do.
Speaker 2 (07:41):
They gotta have some money or you just wanted a
hood dude.
Speaker 1 (07:44):
They gotta have the you know, the razzle dazzle, the thing,
you know, the thing about him, you know what I mean,
got to be able to hold his own you know.
I like a man that want to show me off.
Speaker 6 (07:52):
And hood dudes like that, Yeah they do, but you know,
they gotta come with something.
Speaker 1 (07:57):
I didn't say that guy can't come to the tech.
Didn't you just see me say he got that ship?
Got it?
Speaker 6 (08:02):
They got comings up because it's either you gotta do
with money. Most of these dudes is lame. You can
keep that to yourself, but most these dudes is lame.
Like when Niggas is seven foot Tour doing the fucking
squirre fat with the fucking all these whatever little sis
it the little dad that's ship.
Speaker 2 (08:21):
Niggas was doing the douggie in the club. I was like, Nah,
come on, bro, you gotta be kidding.
Speaker 6 (08:26):
But or you get a hood dude, they ain't got
no money, ain't got no sense, but he do you know?
Speaker 2 (08:33):
I have a friend very.
Speaker 6 (08:34):
I have a lot of them, okay, but I have
a very famous friend like Big. And one day I
mind my business because I usually don't mind my business,
I asked, I see ya with this nigga right here?
It was a hood dude, right. I don't want to
give it away, but I was like, yo, what's up?
Like you you should be the wife of the nigga
(08:55):
who owns Nabisco word mab pro like you know, I'm
talking about big friend, right, And she was like, the
things he says to me, Joe, you used to see
how he talks to me?
Speaker 2 (09:06):
I said, what not?
Speaker 6 (09:08):
The most powerful chick in the world. She was talking
about this guy be saying some ship to us. And
she was like, oh my god, the things he tells me, Joe,
you wouldn't even know this that I said, Damn, I
learned that that, you know?
Speaker 1 (09:23):
Uh yeah, praise God. Talk me through it, amen, take
me through there. Take yeah, talk that ship. I love it,
Like I feel like a man gives you your confidence.
And so like a hood guy like who come from nothing,
who really built himself up, He.
Speaker 2 (09:43):
Really built himself up. That's where I'm going with it.
Is it a bumber or he built himself?
Speaker 1 (09:48):
What's the conversation? Were we even bringing that in? It
in the doe like we can't any level.
Speaker 2 (09:54):
A lot of these guys is one week away from
the repo and all that. You know what I'm saying.
A lot of a lot of these guys, they just
and you know what, I'm in Miami, Home of the faciety.
Speaker 1 (10:04):
Yeah, it's a lot of fun. See a dude, Yo,
it's the king tut popping bottles.
Speaker 6 (10:09):
The next week You're like, yo, my man, you're working
in Poilotrophy Cow Like there's the king of the facacity.
Speaker 1 (10:15):
You never know, really got money. It's true. But one
of the qualities about me when I'm with the man
is that I know how to upgrade him, you know
what I'm saying, and to the point, you know where
I don't want him to feel like, oh, she's she's
the one. I want him to feel like that. I
want him to walk in the room and feel like,
(10:36):
you know, he the one. I don't wan him to
feel that way because of the feel that way because
he's him.
Speaker 6 (10:42):
I like that, you know, because a lot of women
they like to emasculate men. You know, the girl got
the bag and it's the same ship. If the guy
got the bag and he want to act like big ship,
talk to his girl.
Speaker 2 (10:57):
How you want?
Speaker 7 (10:58):
Yo?
Speaker 6 (10:58):
You do what I say because I'm giving you the bag.
I've seen the vice versa. I got a lot of
sisters with bags and man, they know how to play
some dudes and.
Speaker 2 (11:06):
Then masculate them.
Speaker 1 (11:07):
That drives me crazy that you.
Speaker 6 (11:09):
Saying you big them up. He ain't got no right
your man, your man. But I've seen the vice versa.
Speaker 1 (11:15):
I don't want that, and I don't want people to
look at my man that way, you know what I mean.
I want people to look at my man, respect him
in his own right. He don't even have to have
as much as me, or have anything going on as
much as me. I just want the respect factor to
be in the room when we're together.
Speaker 2 (11:30):
Got to respect vice versus men and women. That's what
it's all about.
Speaker 6 (11:34):
Respect, it really is. You don't show the respect. If
you out here looking flabby and sick, you ain't respecting
your queen, then you you you got something coming.
Speaker 1 (11:44):
Yeah, because of my dude, look corny, I look corny
and I don't want to look corny.
Speaker 6 (11:49):
You don't want to look that, ain't it. That's a
different type of pressure. That's a twenty twenty five pressure
to look corny. We look cork You know, back in
the days, your mother and my father they knew how
to work shit out. Ship fucked up this and this
and that. But that look corny. That shit is like,
check me right now, twenty twenty five. I don't want
(12:09):
to look corny. I don't want to look crazy.
Speaker 1 (12:11):
Out he realized, and he just said, my mother, your father.
Speaker 2 (12:17):
No, I didn't mean to like you.
Speaker 1 (12:18):
Gotta stop this, dude.
Speaker 2 (12:20):
I'm a cat set on this.
Speaker 6 (12:22):
On the way home when I watched this interview, I'm
be like, damn, this guy crazy. You know, I've always
felt like it's equal, no matter who got the bag,
who don't got the bag, has got to be respect.
And you know, I got a funny story because I'm
really protected by women, like a lot of women, like
I got a lot of sisters, very powerful. And so
(12:43):
I got a sister. She's super caked up. But she
she was dating. She was dating a god good looking
guy and he was making some dollars himself. He wasn't
a hook guy, but he wasn't a hook guy. He
don't like several businesses. But she's that's my sister, right.
So the guy sits next to me one day say yo, crack,
(13:04):
can I talk to you? I was like, Yo, what's up?
He was like, you know, I don't know. I feel
a little intimidated because she got so much money and
every time I try to pay the bill, she paid
the bill.
Speaker 1 (13:15):
This this yo, my man. The man and me, you
and me, she's my people.
Speaker 6 (13:23):
It took everything I had in the world to tell
that nigga, Yo, don't play yourself. Because he was talking
like Yo, I don't know if I could do this.
I'm like, this girl's a billionaire.
Speaker 1 (13:32):
Bro.
Speaker 6 (13:32):
I was like, you don't know how bad I wanted
to be like, Yo, my man, is you crazy?
Speaker 2 (13:36):
You better marry that girl right now? Are you stupid?
Speaker 5 (13:40):
Will?
Speaker 2 (13:41):
And that man, I said, you know, you got to
figure it out. Whatever.
Speaker 6 (13:44):
I couldn't go against my code, you know, with you
know whoever I know first in my family, with him,
I won't go against it.
Speaker 2 (13:51):
So I just say, yo, my man, you know, just
do what's right. Whatever.
Speaker 6 (13:54):
But I wanted to tell him real bad, like yo,
marry her today.
Speaker 1 (13:59):
Really they broke up. She got married six months later.
That's how it be. Let me tell you why.
Speaker 2 (14:05):
Six months lady, I gotta tell you why.
Speaker 1 (14:07):
I reed. Let me tell you why, because even if
you're not holding the bag as a man, you gotta
figure out what your position is in her life.
Speaker 3 (14:14):
You know what I mean.
Speaker 1 (14:15):
She's not thinking she's a billionaire. She ain't thinking about
him paying or she's not even thinking about that. She
don't care about that, right, but she do want her
to protect her, to support her, to be her biggest cheerleader,
to be there for her, to be her safe space.
You gotta figure out, as a man, where your position
is in my woman's life. And I think that because
it's so many successful women. Men forget that that just
(14:38):
because you're not rich and you can't because it's a
lot of people out here who really can't hold up
today women meetings.
Speaker 6 (14:47):
You know, I've been my wife thirty two years, but
I wouldn't have no problem with being with a woman
as a billionaire. Now I'm keeping it a buck with you.
I ain't had no problem holding the door, carrying the
purse out. Don't give a I'm with her because you have.
Speaker 1 (15:05):
If you say him, you wouldn't feel that way. I
feel like.
Speaker 4 (15:11):
That, however, got the bag is it's not supposed to
feel like that.
Speaker 2 (15:17):
You know what's crazy?
Speaker 6 (15:18):
This conversation is making me think of that CARDI b
saw on what she said.
Speaker 1 (15:23):
She want to feel safe. That's right, that's that ship
right there, right, it's real. It's real like you. You
want to have a man who you can depend on,
like you got me in every area emotionally. You know
what I'm saying. It's the number one thing we want
to feel protected. You don't necessarily have to buy me.
(15:45):
That's first of all. That's cornball. Like if that's all
you can do is support me financially, what the fuck
are we doing?
Speaker 3 (15:53):
Boom?
Speaker 1 (15:55):
You know what I'm saying, Like somebody who's my dog,
somebody I can talk to, somebody like I know that
got me? It's nothing like it in it.
Speaker 6 (16:03):
It ain't nothing like a corny It's like a beautiful
girl that the minute.
Speaker 2 (16:06):
She talks you like, yo, where you gonna drop her off?
Speaker 1 (16:09):
At that part? Nah? It is you turh mom dropping
you back?
Speaker 2 (16:14):
All right?
Speaker 6 (16:16):
Yeah right you hit that U turn right quickly, like
y'all hold up, one second, didn't know you were a
Dodo bird.
Speaker 1 (16:23):
Nonsense.
Speaker 2 (16:25):
Nah, it's like that vice versa.
Speaker 6 (16:27):
And so you a legend, man, You legendary 'all here
in the streets man. And it's so hard to come
from such a successful family but still have a connection
with the streets.
Speaker 2 (16:40):
It's the hardest shit to do.
Speaker 6 (16:42):
So when you see kids, Disney Kids, or you see
What's My Girl, Mightley Cyrus and even Justin Bieber, you know,
he went from being the teenage thing to the next
day sixty tattoos in his face. They try bad to eliminate.
They gotta get to that next level. So you you've
been in you know, I see some comments on the
(17:03):
you know, my my daughter's pictures or whatever, and they'd
be like, you grew up in mansions your whole life.
I don't give a fuck this this is there's a
resentment and there's a hard way to be connected to
the people in the hood.
Speaker 2 (17:17):
But you have managed to do that in a strong way.
Speaker 1 (17:21):
I still have good friends. I still we're from Baltimore,
you know what I mean. And so it's like I'm
still the same, you know, like Tony, I feel like
the way that she was brought up in this industry
is completely different than mine. So she got her stardom
from music and she was a part of the realm
of being upper echelon and gowns and class. And for me,
(17:47):
I got my through reality and reality television. So it
was relatable to people. And I feel like that's why
they gravitate because they know. I mean, although I have
a lot of success, I'm still like Tamar from the hood,
you know what I'm saying. So I think that is
something that I never really straight away from because I
still do reality television and a lot of it.
Speaker 6 (18:09):
Yeah, give me a rundown. Five of your favorite songs
from other singers. What would be your soundtractive?
Speaker 1 (18:19):
So Mariah Carey is my favorite singer period really yeah,
you know.
Speaker 6 (18:22):
She go really sing she can no really, no, no, no,
I ain't gonna front. She wasn't my girl growing up,
Like I wasn't into Mariah Carey like that.
Speaker 2 (18:34):
One day I pop up in.
Speaker 1 (18:36):
The Christmas show by she start hitting ship.
Speaker 6 (18:40):
I said, Yo, it's only one Luther is the only
one that was hitting shit like she was hitting them
notes and all that, and I was like in a
Christmas show.
Speaker 2 (18:49):
That's when I realized, Oh, she one of the ones.
She's like.
Speaker 1 (18:53):
Christmas. Yeah, yeah, but you know what I noticed.
Speaker 6 (18:57):
But think about hip hop and music that is real subjective.
Speaker 1 (19:02):
Some people think this is really dope.
Speaker 6 (19:04):
I might not think it's dope, or I might think
it's dope, but it ain't really really dope to me.
Everybody hits people a different way, like different artists, you know.
But Mariah's great. I just seen Rihanna has show going crazy.
I think Rihanna go every year.
Speaker 1 (19:19):
I go every year and that is the Square Garden and.
Speaker 2 (19:22):
Go crazy, right, jumping up like a kid.
Speaker 6 (19:25):
Yeah, that's crazy because I said, for the first time ever,
because she usually got that number one spot.
Speaker 2 (19:30):
That boy pool Sisty battling enough for that number one spot.
He's trying to let go.
Speaker 6 (19:35):
You know, he dropped that shit that you heard that
pool Sheisty five minutes talking about he came home first day,
sixth Flourens.
Speaker 2 (19:42):
He told the girl he came up.
Speaker 6 (19:44):
Well, y'all don't want to hear all that shit right now,
but y'all Pool Shisty trying to ruin Christmas. I'm all
Tucker trying to fuck it up. She's been number one
for like twenty five years. That motherfucker trying to he
dead ass, trying to take that slot right now, that
us he's look at that shit you away in. You know,
I gotta see everything. I gotta know. I gotta have knowledge.
Speaker 2 (20:03):
You know.
Speaker 1 (20:03):
So that's so you said, Mariah, I didn't say artists.
That said my song. That's so hard for me. I
can do artists because I got to sit him think
about songs.
Speaker 2 (20:13):
Let's artists.
Speaker 6 (20:16):
I think Tank, you dank like that. He's amazing. Tank
is the man.
Speaker 1 (20:23):
He's amazing. It's amazing songwriter too. He stays in great shape. Tank,
he does.
Speaker 2 (20:29):
He stays a great ship. No thanks about a o G. Now,
how hold is Tank? Right now?
Speaker 8 (20:36):
Yo?
Speaker 1 (20:36):
You're eating people up. You are crazy. I'm gonna be
quiet as man.
Speaker 2 (20:39):
As saying nothing.
Speaker 1 (20:42):
I'm a fan of these You're supposed to stay out
of that area. He's a Jay singer, great song right,
takes my dog.
Speaker 2 (20:49):
But a man look.
Speaker 6 (20:51):
Forty nine. That boy looked like he can't eat an olive.
He's cocked j A packed up.
Speaker 1 (20:57):
Gotta do it.
Speaker 2 (20:58):
Fuck it.
Speaker 6 (21:00):
We had a peaceful journey of the almost had a
peaceful journey. But you gotta throw the flat it Yo. Listen,
Tank is a great songwriter. Yeah, you know, he writes
amazing songs. Who else?
Speaker 1 (21:11):
You are a big fan, huge fan of Beyonce. That's different.
I love her. She's a great songwriter too, and a
storyteller and a visual artist. I love that about her.
I love that we connect with her on a musical.
Kelly's eating it up. I went and saw her and
I can't tell you I went to go see Brandy
(21:32):
specifically because you know, we love Brandy. She's amazing, but
we have not seen her on tour to a lot
with singers.
Speaker 6 (21:40):
Yeah, all them girls, the biggest. They listen to Brandy. Sure,
she's the Blue quint or not. She's the vocal bible
they study are the biggest of the biggest. Listen to
Brandy all day.
Speaker 1 (21:52):
Yeah.
Speaker 6 (21:52):
But then if you went over there, but Kelly came
out there all chocolate and ship moving on that shit.
Speaker 1 (21:58):
Goddamn Kelly came coming through all that ship us. She like, hey,
body on, that's it? What thank you?
Speaker 2 (22:06):
She going crazy?
Speaker 1 (22:07):
Yeah? I love how Beyonce is a supporting Absolutely that's three.
I mean he gave analytics, right, got we got two more?
I love Brandy but if you take it a step above,
it would mean Kim Barrell. For me, who Kim Burrell.
(22:27):
That's who we all study of singers. We study Kim Barrell. Yeah,
you'll blame me some Kim Barrell the biggest hit because
I'm confused and oh.
Speaker 2 (22:37):
God, okay, we got it.
Speaker 1 (22:38):
We got it, Like she's amazing.
Speaker 2 (22:40):
Hold on, yo, yo, it's like you're laying to Adams
or something like that.
Speaker 1 (22:45):
I get it, got but on steroids.
Speaker 2 (22:47):
Kirk Franklin, love a Kurk. What's the Sisters?
Speaker 1 (22:50):
The Gospel Sisters, the Clark Sisters.
Speaker 2 (22:53):
Clark you know, I know, don't do that to yourself, man.
Speaker 1 (22:58):
Yeah, but my all time favorite who I had to get?
Speaker 9 (23:01):
You know?
Speaker 2 (23:02):
I love that record We Fall Down but Get It Up.
That's my ship with fav.
Speaker 1 (23:10):
Okay, you might not know who he is, but you're
going to.
Speaker 2 (23:12):
You think we're not gonna know who he is. I ain't.
Speaker 1 (23:15):
By way of PJ. Morton, his name is Darrel Walls
and there's no nobody can out sing him, not male
with female. Oh my god, he's so amazing. His voice
is like an instrument and he's he's another gospel singing
also a songwriter. Too, but he's so amazing and he
reminds me of PJ. Martin, but on steroids.
Speaker 6 (23:39):
This is crazy we have in this conversation because you
guys got one and you don't even know.
Speaker 2 (23:43):
I know before you. I met a girl. She's working
with Timberland. Her name is Faith from Yonkers.
Speaker 5 (23:49):
She is phenomenal, phenomenal, fee phenomenal.
Speaker 1 (23:54):
What makes a phenomenal?
Speaker 6 (23:56):
Everything you're talking about, she's that. I'm from Yonkers. This
this that I love you. You know her name is Faith.
Remember I told you she's like one of them. Okay,
you hear one something you like? Oh shit, they got one.
She from Yonkers. You gonna see you know, I'm my
(24:17):
hear to the street man. Don't do that to yourself
like that, Jada, say anything, do do that to yourself.
Speaker 2 (24:23):
So that's your five? What's your five? Jada? Top five
favorite singers?
Speaker 1 (24:29):
I have more than five?
Speaker 2 (24:30):
All right? But could you give us? Give us ten,
give us whatever you want to give you? Could you
give me some hot?
Speaker 1 (24:36):
Five is hard if you got to think about it.
I want to know, though, do this.
Speaker 6 (24:40):
Sometime he got the weed to wake him up. Sometimes
he got the weed to make him sleep. He and
up weed, debate my hype or am I different?
Speaker 1 (24:50):
That might relax? Right now, I'm a gym and now
so everything switches, it sure does, Lord Hemmerton, singers switch
everything that's a look good.
Speaker 6 (25:02):
You're not gonna give us something of the fans wanted,
like Luther.
Speaker 1 (25:08):
Hello, Like, uh, I gotta put MJB on me, my sister.
Speaker 6 (25:14):
We do know Luther from the Bronx, by the way,
but yeah, can we go with this? I'm telling Fox
Mary Shaku cut.
Speaker 1 (25:25):
Pattie LaBelle and Neil Paddy LaBelle.
Speaker 6 (25:29):
You know I was a young kid man, I lost
my first girlfriend.
Speaker 2 (25:32):
I was singing.
Speaker 1 (25:33):
Now I'm on my own.
Speaker 2 (25:36):
Why did they go this way? Let me tell you
when that means yo.
Speaker 6 (25:41):
I don't wish nobody to fully understand their favorite lyrics.
Like you hear a song you break up. All of
a sudden, the radio start playing a hundred breakup songs.
You know, I wonder if she remembers what's.
Speaker 2 (25:55):
The joining guy wind?
Speaker 6 (25:58):
If you brother, that's kneel right thing of me? You know,
I'm Luther van jaw saw Damn. Stephanie Mills love a
Stephanie from Ludamn. Stephanie Miles from shah day Babyface.
Speaker 1 (26:15):
That's good. Nobody fucking with babyface nowhere.
Speaker 2 (26:18):
Don't let them lie to you like that.
Speaker 1 (26:20):
Ain't nobody fucking with babyface.
Speaker 6 (26:22):
I got babyface and I'm gonna go with my man
because when you talk about, you know, a thug like
arm beat.
Speaker 2 (26:31):
We were selling a lot of drugs to Keith Sweat.
Speaker 1 (26:34):
Man and was no.
Speaker 6 (26:38):
We was sadiators to that Keith Sweat with that wide body.
Speaker 1 (26:42):
But you mayby Young Merchard.
Speaker 6 (26:47):
That ship there, Keith Sweat, all them dope, the most
feared individuals in the Bronxon, the Harlem. They wouldn't pull
up with hip hop. They would pull up with Keith Sweat.
But that you would think you might goe too with
ship coming down to.
Speaker 1 (27:05):
One of my first concerts is ll Keith Sweat and
Heavy d.
Speaker 2 (27:10):
I had to be.
Speaker 1 (27:13):
You got two of my ideals, you got three of
my idels there.
Speaker 2 (27:16):
You know what I'm saying. That ship was crazy.
Speaker 1 (27:18):
Huh raisy raising the Apollo. It's like my thirteenth birthday
or twelve or thirteen. But have you seen Keith perform
right now? It's very interesting.
Speaker 6 (27:33):
Wow, I'm smoking and I love Keith Keith Sweat Smoky
Bobin said eighty five doing the butt he up on
there keep at that point we stopped doing the But
yo is so that's not what I'm saying. She's trying
to say, Keith, I'll never even saying what you're saying.
Speaker 2 (27:52):
What're saying?
Speaker 1 (27:53):
Let us say what share you saying? I think he's
great in concert, right, but he has a spirit on him,
a thrust spirit.
Speaker 6 (28:04):
The fuck Smokey Robinson be in there with silk shirts
like this eighty five?
Speaker 1 (28:08):
What entertaining? Actually, no, I'm I'm sure you.
Speaker 2 (28:12):
Don't think I saw the one where he like he's
an all a you know what?
Speaker 1 (28:16):
You know what I think? Huh.
Speaker 2 (28:18):
In entertainment, it works out.
Speaker 1 (28:20):
It when you get to a certain age and you
get the band that becomes a part of it with
the drumming and that ship.
Speaker 4 (28:32):
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Speaker 2 (30:13):
Y'all. So you saying this getting like little bit too much?
Speaker 1 (30:17):
You keep I don't know about it being too much.
It's very entertaining, but it's given pop pop and I'm
afraid of that as a single woman. Is that where
I'm going?
Speaker 10 (30:26):
Oh?
Speaker 6 (30:27):
No, you could definitely be pop. Let me tell you
something I won't say who. All of them old ladies
hit on me. They look at me like I'm an
eighteen year old.
Speaker 2 (30:35):
I've been waiting this.
Speaker 1 (30:36):
But give you how hot fuck that?
Speaker 2 (30:39):
I don't want to be the young dude for the mama.
Speaker 1 (30:42):
You know what I'm saying. You always gonna be like
a stake to the.
Speaker 6 (30:45):
No, I'm saying the old the old ladies, Oh, they
go hard.
Speaker 1 (30:51):
Oh my, I've been waiting for you my whole life.
Speaker 6 (30:53):
This I'm like, miss police, Can you signed my autocraft?
Speaker 2 (31:02):
Leave me? You got me fucked up? But yes, that's
where you had it.
Speaker 1 (31:06):
What?
Speaker 3 (31:07):
Yeah?
Speaker 1 (31:07):
Eventually not?
Speaker 6 (31:08):
I think we all we three bless because you don't
look your age. You look great. She don't look like age.
She looks great. I look great. We're lucky. I'll be
seeing niggas in the hood all the time with no teeth.
They I'll be like, yo, I'm I was in his
class in third grade. That motherfucker looked like a dinosaur.
Speaker 2 (31:29):
I'm looking at him.
Speaker 6 (31:30):
I'm like, yo, this ship could Oh my god, bro. No,
I'm being honest, like we're blest. We ain't looking old yet.
You understand, we ain't looking at oh, but it's you're
gonna look old.
Speaker 1 (31:47):
Yeah, but I'm afraid of pop hop sweat, pop pop sweat?
Speaker 2 (31:50):
What does that mean?
Speaker 1 (31:52):
I don't want to pop up humping and bumping on me.
Speaker 2 (31:54):
I don't think you ever have a pop up humping
and bumping.
Speaker 6 (31:56):
As long as you got the bag, you're beautiful and
you got the bag, you ain't gonna have.
Speaker 1 (32:00):
To pop up.
Speaker 2 (32:01):
I don't care. It's the same thing. I started this
whole ship like this the woman.
Speaker 6 (32:06):
They criticize the man being with some younger girls, But
the minute they get that bag and they get divorced,
they got a young thing going.
Speaker 2 (32:14):
It might might might make it look good and get.
Speaker 6 (32:16):
Him a pastor or something, you know, yo, let me
get the young the young pastor for that nigga flies
hair wavy. He No, I'm telling you, I'm very observative pastor.
Speaker 1 (32:30):
Any I don't know you.
Speaker 2 (32:32):
I don't know. I just said that. I'm not you
don't mean even know.
Speaker 6 (32:38):
I'm talking to you, talking to a guy who who's
entertaining the people, like, I don't know the fucking ship
about a pasta.
Speaker 2 (32:47):
You the new voice of Bride Zealous, currently streaming on
AMC network.
Speaker 1 (32:57):
Yeah, I don't even know how many television shows I have.
I haven't counted.
Speaker 2 (33:01):
No, that's a flex.
Speaker 1 (33:02):
That's like with the silence on.
Speaker 2 (33:05):
You know, we like that. You know what I'm saying.
I'm all about my people winning. So you know what
I'm saying.
Speaker 6 (33:10):
That's you know, I love that.
Speaker 1 (33:14):
It was great with a full movie. What was that
experience like filming that? It was so amazing because actually
I had a relationship right and I cheated on that person.
And so this album is about the female version of
(33:35):
taking accountability for infidelity to get cheat?
Speaker 6 (33:41):
Is this smooth talking hood dude? It wasn't like that.
Speaker 1 (33:44):
No, it was all me.
Speaker 2 (33:47):
And was like I want him, So you was like
you saw him and you was like I want him.
Speaker 1 (33:52):
No, I kind of spun the block on a situation
because I wasn't too sure about the new situation and
so the old situation just wasn't completed yet. If you
get when I'm emotionally complete again, and I think that
sometimes when men get territorial and they see you in
another situation, they want that old thing. And I fell
(34:13):
for the okie dog. But I had to figure it.
I did because that person should have never gotten my
time again, right, But I had to figure it out
within myself that music. I was yes that I was
done with it, and I also old that other person
that I hurt, you know, a huge apology because number one,
they didn't deserve it getting mixed up in my bullshit, right.
(34:37):
And also I had to help myself and I did
through this album that goes on to the new single
You on You, Yeah, actually you on You it's my
old single. The new single coming up is I love.
Speaker 3 (34:50):
Me Love Me Yeah, And.
Speaker 6 (34:53):
I like that title to slay that to me because
I've been thinking about doing the song to that title.
Speaker 1 (34:58):
Really, spell love me is a about missing the person. Yeah,
I gotta love me? Fuck that Well, it's not nothing.
It's nothing the person, and it's about telling the person
that I miss it, but I know that it's over. Yeah,
because how do you hurt a man to that capacity
and he never recovers. Let's listen to it.
Speaker 2 (35:17):
There's some suckers out there.
Speaker 1 (35:18):
Let's listen to I've seen it.
Speaker 6 (35:20):
It's some suckers out there. I love my baby mama,
I never let her go. It's some suckers out there.
Speaker 1 (35:28):
It's the suck of a man. Take a woman back.
Speaker 2 (35:31):
He's a sucker.
Speaker 1 (35:32):
What what? What?
Speaker 3 (35:37):
And do the next time?
Speaker 1 (35:39):
A suck? I want to conversation right because he to.
But I'm gonna let you go.
Speaker 2 (35:44):
You're a man.
Speaker 6 (35:45):
I'm not saying you could do whatever you want to
eat his own bottle eighteen hundred.
Speaker 1 (35:55):
Sucker. You gotta tell me so.
Speaker 6 (35:57):
A man that comes from nothing, who found a way
to get himself out of that and do a little
success in life. He gets with a girl, he makes
it his queen. He treats her like this queen. He
gives her everything he hunts, goes out there and makes
no excuses, no matter what the stress is, no matter
what the case is, he come in the back to
give us shit.
Speaker 2 (36:18):
She with her girls.
Speaker 6 (36:19):
She looking just as fly as her girls. This this
that you gotta understand. When that woman violates that, the
man don't know how to handle that, and he just
loses it because he's like, Yo, you violated that. I
don't you know, because with no disrespect, if you're a provider,
you're a guy that did it, especially when you come
(36:41):
from nothing. I'm not talking about a trust fun baby.
I'm talking about a person who came up from nothing
and said, all right, I'm gonna share this world with
this woman and give her everything equal whatever we do.
And then she violates. It's a whole nother way of
forgiving this and this and that. Now we've talked about it,
(37:01):
like if our friends they get in a problem with
their girl or whatever, that's not our business because nine
times out of ten times they getting back together and
then you in the middle trying to be like, yo, this,
you know what I'm saying. I learned that, you know
what I mean? I lost friends over there. I used
to be the dude to bring the guy to the
to the situation like Yo, let's go meet me out
(37:22):
over Sabarros. Your girl over here with the do we
doing in this doing what we're doing right now, and
then the next day you see him with this girl
riding in the car.
Speaker 2 (37:34):
You like, y'all. I played myself like why did I
even get involved?
Speaker 1 (37:38):
Yeah, but this is why I think the way that
I think now as a woman, because in that situation,
I did have the bag right, and he felt insecure
and he used to piss me off. I couldn't understand,
like why why do you not think that you're enough?
Speaker 5 (37:51):
Right?
Speaker 1 (37:52):
And I used to son the fuck out of him,
and like you were saying, what's that word? Masculate him?
And that's it's not a good.
Speaker 2 (38:00):
Feeling he was selling them.
Speaker 1 (38:02):
Then you eat it all, not because I could. Yeah,
you doesn't see what I'm saying. I don't think like
that anymore.
Speaker 6 (38:08):
It takes a strong man to hold a woman down
and know that you the bread women and all that
and just read them equals. It takes a strong man
to make the woman wake up every day and walk
out the house knowing she could do what the fuck
she want, that you got her back, did you protect her,
that you this there ain't no problem. There's God than you.
(38:29):
When you violate that cipher, it's a problem. You know
what I'm saying that that's how most men feel. Even
the construction worker, fucking McDonald's guy. He going out there
busting his ass every day. He did this. This is
a problem. Now have I seen the greatest killers in
the universe, the realest guys that I thought would kill
a factory of guys to catch their wives and be like, Okay,
(38:53):
we worked it out. This ship was shocking to be like,
you know, I'm looking, I'm like, what, huh, that's all
He's killing the whole gym. Come back, Nah, We're good.
You know, love is something it is.
Speaker 1 (39:06):
But I broke him, and I knew that he ain't
deserve you anyway I do because let me tell you,
like in the film.
Speaker 6 (39:14):
Just he ain't deserve you, and motherfucking wasn't strong enough.
He wasn't what you was describing the wild and motherfucker.
Speaker 2 (39:22):
Week you stepped on him, he was weak. Kept it
push and he was weak.
Speaker 1 (39:27):
I don't necessarily think that, you know the film that
goes along with that, with the EP or there's a
film and you really it's kind of it's based on
a true story. So I'm just gonna tell you a
little bit about it so you can watch it later on. So,
of course when DC's and Julian Houghton is in the film,
(39:47):
so one plays my current boyfriend and the other one
played on me.
Speaker 2 (39:52):
Don't start the ship, just start the ship? You like
this ship?
Speaker 1 (39:55):
No, I'm just telling you that some film. And so
this is a truth. This part really happened in my life.
So I'm texting and when DC snatched my phone and
he reads my text messages, and I'm texting the guy
once again, you shifted my uterus and he really ready it.
Speaker 2 (40:16):
You read you sent that to the wrong guy.
Speaker 1 (40:18):
No, I sent it to the.
Speaker 2 (40:21):
No, are you literally I'm confused.
Speaker 1 (40:25):
She was texting somebody.
Speaker 2 (40:27):
She threw a couple of flags up in there.
Speaker 6 (40:30):
The minute I heard the ship, I said, yo, you
know what for each his own bottle of eighteen.
Speaker 2 (40:37):
They came in here. Let me tell you something. They
came in here.
Speaker 6 (40:40):
They was like, ohh, Tamar, it's a little upset of
for past interviews. You watch what you say. She doesn't
this saying it. She's saying what she wants to say.
What are you talking about?
Speaker 1 (40:53):
Let her finish? I did so, did you hear it?
Want me to be animate? Please do Jack? She was
texting somebody and DC's grabbed the phone and he read,
but she just said it Wallace. Yeah, something that happened
to Organs. Love me here, love me. This is a
(41:17):
family show. I hell love me guys. Make sure you
playing Lilee.
Speaker 2 (41:26):
Your DOWNOV. You gotta call him her down. She outside
not outside. I was that old said with that ship on.
Speaker 1 (41:37):
Knocking knock that that.
Speaker 3 (41:45):
Please have.
Speaker 1 (41:49):
Shut up a love your hair.
Speaker 9 (41:55):
Yeah, let's get some monitor. Get back on your gains
to me and open doorsn't taken over?
Speaker 8 (42:05):
Quin a cant a boot to the.
Speaker 3 (42:17):
Should have betaked to go to you shout took up.
Speaker 10 (42:23):
Sometimes a man needs him and to let the come
o to him.
Speaker 8 (42:29):
Now I wish held hold on as lot of course.
Speaker 3 (42:39):
Baby well a mister.
Speaker 8 (42:48):
Los and we love the ones are the lovely.
Speaker 3 (43:02):
Like calumpy to say them, si you know the jous
even tho.
Speaker 8 (43:14):
No no, I miss you tell me home and unty
ones are alone and like a lumpy babies.
Speaker 3 (43:24):
How don't sign a chere had coming out the bag again,
have on a matre s.
Speaker 10 (43:37):
Learn so my choices, cryson, I always came up learning
out of f love a mister.
Speaker 3 (43:49):
Lot of cools.
Speaker 8 (43:59):
I'm mister this is love loses word a busy tell
me love me loppy.
Speaker 3 (44:14):
The ons are the loved to take your lumpy business
tack to say that side.
Speaker 7 (44:22):
So if I no no a miss are you tell
me no unt he one are the love and like
a lumpy.
Speaker 8 (44:39):
Baby, I'm sorry, please talking because a business love me
and the miss hens toss me baby come back.
Speaker 1 (45:03):
Wow, build classic Braxton tone.
Speaker 4 (45:12):
Beautiful build classic build Braxton tone.
Speaker 2 (45:16):
What a beautiful song man.
Speaker 6 (45:18):
So that gotta that gotta make you feel away when
you hear it, right, because you know you you're the culprit.
Speaker 2 (45:24):
Yeah, so you're.
Speaker 6 (45:25):
Saying, like, dang, he's taking accountability, accountability. Nobody want to
take accountability. So that's mean taking the calibility.
Speaker 1 (45:33):
Yeah, we blame y'all for everything, and it be us.
Speaker 2 (45:36):
It'd be y'all.
Speaker 1 (45:38):
She wins, she wins something when you she should really
win something. If you don't, I think we overlooking this.
She's taking accountability. You have to watch the film. It's really, really,
really good because it gives both sides, you know, and
it gives like a real depiction. Can you see it.
You can go to my YouTube's on YouTube for yeah.
(46:01):
And so it's forty four minutes, but it's it's really fast,
but it's really good. So you have the videos that
play out, and then you have like the scenes. Vince
is in it. Vince's given advice, dating.
Speaker 6 (46:14):
Advice with me, and you know he got a bad
joint right now? Yeah, Christopher Williams fact. Then Vince, what
I got a girlfriend with the six tracks girl?
Speaker 1 (46:26):
Yeah, she's amazing. The doctor she's a doctor.
Speaker 5 (46:29):
Yeah.
Speaker 1 (46:29):
Yeah, that's gonna play like white people, like we spend Christmas.
Speaker 2 (46:37):
White people.
Speaker 1 (46:39):
He's showing that will Smith.
Speaker 2 (46:42):
Anybody gets it. I know they get along. That's what
I said. I got a big them up, but I.
Speaker 1 (46:46):
Was at the segway to save that.
Speaker 2 (46:49):
It's okay, you don't care.
Speaker 1 (46:51):
She a thank you? No, God's crazy. What do you
want me to say?
Speaker 2 (46:58):
I know this guy. I gotta see him.
Speaker 5 (47:00):
I know Vie Yo.
Speaker 1 (47:01):
You left them.
Speaker 2 (47:02):
You know that is up there talking.
Speaker 6 (47:05):
You didn't even picked me up. In no way we
biged him up. That boy Vince on that Reddit tour try.
He's not on that ozempic. He's on the next level
when the Reddit tour time. Jesus, that mother fuck the skinniest.
Speaker 1 (47:19):
He looks great.
Speaker 2 (47:19):
Ah, he's on that neck.
Speaker 1 (47:22):
This looks great more Teddy repskin, Yo.
Speaker 9 (47:26):
Tell you.
Speaker 6 (47:27):
Let me tell you something, man. You know that song
there reminds me of I remember one night I was sleeping.
I sleep with the TV on, and that Tony Braxton
song came on with the video with the umbrellas. As
long as I live, that's my favor.
Speaker 1 (47:46):
Ship.
Speaker 2 (47:46):
You know when you wake out the sleep.
Speaker 1 (47:48):
I woke up.
Speaker 6 (47:51):
Lord, No, it's like God be talking to me. I'm
telling you all the truth. I heard that ship three
four in the morning. I was dead asleep.
Speaker 2 (47:58):
I heard that.
Speaker 1 (47:58):
I woke up.
Speaker 5 (48:00):
I got on the thing and I looked at this
video with the rain drops and all that, and I said, oh,
this is gonna win something. I said, this shit is
crazy right here. I called uf Tony out in LA.
Speaker 2 (48:12):
I was like, yo, you did that. He was like yeah,
I said, Yo, that shit crazy.
Speaker 1 (48:15):
Shout out to Tony Dixon.
Speaker 6 (48:17):
Tony Dixon, what a legend. Huh, that's great, beautiful. I
tell them all the time. They don't believe me. Babyface
my friend, so like you know, I go to dinner
with Babyfaces. He's the one out of this whole shit,
my whole career.
Speaker 2 (48:30):
I mean I know woryal families.
Speaker 6 (48:32):
Yeah, he's the one guy that I tripped and I'm
actually Babyface's friend. I like when I eat dinner with him,
I'm like, yo, I'm with baby.
Speaker 1 (48:40):
Face, Like you know, I it's so tricky story. Did
this whole project shut out the trick?
Speaker 2 (48:45):
What a legend?
Speaker 1 (48:46):
Yeah, and so we're doing part two right now. The
Heartbeak retrograde that right there.
Speaker 6 (48:52):
Is a hit, So you got to put the bag
behind that. I don't never lose when I say something's
a goat, it's a goat. Thank you hearing that, I
wanted to mix the pop out a little more clear,
a little more flossy. But I'm listening to it and
I say, this is a smash hit. Huh maybe maybe
the speaker so I'm not. I'm listening to her. I said,
(49:12):
this is smash hit. So if Fat Joe put this out,
I throw the bag. You gotta throw that bag behind
this song right here. Won't miss this one right here,
won't miss this is this is a real hit. This
is a classic. But I was listening to it. The
only thing I heard in my head was like classic Clyde,
like this shit, like classic beautiful you know R and
(49:32):
B right now, the ladies, Kalane, I love her.
Speaker 1 (49:36):
She's amazing. Some Walker amazing, Rioty Scientists amazing.
Speaker 2 (49:42):
That's some of Walker.
Speaker 1 (49:44):
That album.
Speaker 2 (49:45):
You know what I do is I drive.
Speaker 6 (49:46):
When I'm in Miami, I drive for two hours just
listen to music. I'll drive to like Port Saint Lucy
or some shit like that for no reason.
Speaker 2 (49:55):
Just listen.
Speaker 1 (49:55):
I listened to that Summer Walker album, that one.
Speaker 6 (49:58):
Record she got hug doj Cat and Lottle the feel
Good to how about they killing the guys. I'm just
keeping the buck with you. I'm listening to the guys' albums.
I don't want to mention no names.
Speaker 1 (50:10):
Oh god, I'm stressed out.
Speaker 6 (50:12):
And and and then I listened to Summer Walker, They
stepping on Dudes back and that one record they rapping
smell good, tastes good.
Speaker 1 (50:21):
Yeah, this that they's good?
Speaker 2 (50:24):
What those your cat come up on there and start.
Speaker 6 (50:28):
I'm like, yo, how the girls are killing the dudes
twenty twenty five?
Speaker 2 (50:33):
Like, we ain't got no nobody killing like that?
Speaker 1 (50:37):
You agree, huh? Because we got the bag?
Speaker 2 (50:40):
Hello, So once you got the bag, you could talk
like with that.
Speaker 1 (50:44):
I'm telling you the respect level goes down the drag
to these dudes. I just told you I was son
at homeboy. Shit, that's just how it goes, and it's terrible.
It's I would never ever do that to another person ever, ever, ever,
ever again, because I can. But y'all guys do that
to We learned from y'all. We learned from the God's
pieces of ship. We learns.
Speaker 6 (51:03):
You know, every girl of mine, every friend of mine,
asked me to hook up with one of my guys.
I tell him in one second, yo, they ain't ship.
Don't look in this stable. These guys ain't ship. You
ain't gonna never like me again in your life. If
you talk to one of these guys, they ain't ship.
Would you recommend a sister that you love with one
of your friends. You got one friend, then you could say, yo,
(51:26):
he's a good guy.
Speaker 1 (51:28):
Maybe Dave k he's.
Speaker 2 (51:30):
A good guy.
Speaker 1 (51:32):
Okay, now you want to say which one?
Speaker 2 (51:40):
Kay? Over there?
Speaker 1 (51:42):
He too high for you?
Speaker 6 (51:45):
Peter King, Peter King of the who Bonnie chronic, Yo,
But listen, I want to shout out my brother, come
in here, take a little bow man, true time.
Speaker 2 (51:53):
A fella in this his birthday today. But I knew
I'd have brought you Fellas down.
Speaker 1 (52:00):
You catch another felony on that right town, fella felony Fellas.
Speaker 2 (52:07):
Happy birthday, my brother. We love you, Mary.
Speaker 1 (52:09):
What you do for the show?
Speaker 9 (52:10):
You know?
Speaker 2 (52:11):
To time a fella brad Zilla's Is that something I
gotta watch?
Speaker 1 (52:15):
Yes, it's hilarious. Yeah, you know.
Speaker 6 (52:19):
They doing the movie about somebody real close to me,
and they got Fat Joe in the movie.
Speaker 2 (52:25):
And she's sending me the guys.
Speaker 6 (52:27):
They just sending any fat guy that they think that
that's not fat Joe, Like we all get a guy
with some swag or some shit to him or something like.
They just sending any fat comedy and every she's like,
what do you think of this one? They showed me this,
I'll say, Yo, man, the fuck you think this? Like,
you better get somebody look like fat Joe to be
on this fucking movie. But will you do based on
(52:50):
your life or have you done it already with a lifetime?
Speaker 1 (52:53):
No, not yet. But I just actually started doing movies.
I was doing television shows like the film that I'm
doing right now is what Digs And yeah, it's like
a romantic comedy thriller. Tay, this is a short guy
right waiting the ax help me.
Speaker 6 (53:08):
You had an argument with it, Donovan, No dissacess, Jesus,
I had an argument with this TSA dude yesterday.
Speaker 1 (53:15):
By the way, I never argue with the TSA guys.
Speaker 2 (53:19):
Ever in my life.
Speaker 6 (53:20):
I have one argument. This little nigga was over here
being too yo. Take your hoodie.
Speaker 2 (53:25):
You off, my man. You could just search me. I
know the rules are five seven times a week.
Speaker 6 (53:31):
Naw you gotta yo, my man, I'm not talking about
this height like Yo, Bro, you way too little to
be talking to me like this. Like you're not in
the family. You're not even what they call that shit
the fruits of that nigga can't talk to fact Joe
like that. I'm like, Yo, you my man, cannot talk
to me like that. Nah, the rules is, yo, Bro.
(53:51):
You got me fucked up Apo. We was outside. I'm
with your fucking go get the boss. The boss, come Joe,
jare Makon got yo.
Speaker 1 (53:59):
You know what I mean?
Speaker 6 (54:00):
Man, gott explct looking at the Jamaican guy so nice man.
I walked away from there. Man, I wanted to smack
this nigga's cheek off so bad, man, I said, Yo,
he was just doing too much, too much talking to
me like.
Speaker 1 (54:14):
Yeah, but heast is not a shorty like that.
Speaker 2 (54:18):
Oh that's how I got to this.
Speaker 1 (54:19):
Yes she did? You called the man short. I'm like
a love man. He's not. He's not a best man.
Speaker 6 (54:28):
I love him, but I lost the fam when I
seen him. He was in my hand skipping with a
white girl in a Gramercy park or some ship.
Speaker 2 (54:35):
I seen him.
Speaker 6 (54:35):
Skipping with her down the street like this, and he
was a little nigga. I said, you've been really fronting man.
Speaker 1 (54:42):
Yeah, but Joe he's a great actor.
Speaker 2 (54:44):
He's a great act Yeah, he's watch every movie.
Speaker 1 (54:47):
He lit'sen taya every movie he does.
Speaker 6 (54:52):
I'm gonna tell you, nah, get up you never nowadays
the actors that make him a disrecord to get yo?
Speaker 2 (54:59):
What's up with all the everybody gets everybody? Everybody? This
shit is like it's toxic right now.
Speaker 6 (55:06):
No, I'm being honest, it's like really really like I'm
not really liking none of this shit.
Speaker 2 (55:11):
All I do is write gangster music. So I'm not
the holy guy.
Speaker 6 (55:15):
But I think just think time that the hip hop
community us kind of life.
Speaker 1 (55:21):
We are the world there comes to time. Yeah, but
my thing is help.
Speaker 6 (55:27):
My thing is, it's like, you know, we celebrate all
the wrong shite. You understand what I'm saying. Crack motherfucker
come home each other for twenty six years, killed thirty
six thousand people.
Speaker 2 (55:40):
Sits down, like, yeah, I'm the gangster of all gangsters,
like yo, Cat two twenty two came home. Yo, this
this is and they be celebrating.
Speaker 6 (55:49):
I'm not talking, I'm not making no subliminal so to nobody,
and I like all the shit, but I'm just saying,
at what point we gonna man up and say, yo,
this because because I keep seeing us celebrate weird shit,
and I'm now maybe I'm older. I am older, so
I'm thinking a little bit different. I'm just like, Yo,
we keep celebrating and then we keep falling for the
(56:10):
same shit. And dude, right, so now, Tamar, who we
know and love? How many years we've been watching you
on reality show? Fifteen years, fifteen years, We know her life,
we know who she are, we love her. Out of nowhere,
some girl who went to high school with her got
some shit to say, and now we believe the girl
Margaret Washington a bitch. We don't know from nowhere, but
(56:33):
no receipts. With no receipts want to talk about like
what's going on, and they fall for every time. Yo,
you've heard the god one time Taco is saying this
about this thigga. Yo, my man, if you don't get
this nigga up off the hodgie, like Yo, we gotta
start some respect.
Speaker 1 (56:48):
Needs a corn muffin control.
Speaker 6 (56:51):
You never gave me the corn bread. You said your
mom's was gonna make me some corn bread.
Speaker 1 (56:55):
I was gonna send you.
Speaker 6 (56:56):
He put me on the phone with his moms right said, listen,
my I promised Shoe some corn bread. The first thing
she said, Joe, I got a story with you. He
hung up the phone so fast.
Speaker 1 (57:07):
He just fuck that.
Speaker 2 (57:08):
No stories.
Speaker 1 (57:09):
Look your mama corn He hung that ship up so bad.
Speaker 2 (57:14):
How you make it?
Speaker 6 (57:15):
It tastes like corn bread castle. I'm on a strict
diet right now. You don't hate the fucking doctor. That's
why I don't like going to the doctor.
Speaker 1 (57:24):
How did we get there?
Speaker 6 (57:25):
Because I'm skinnier than I ever been in my life,
and the doctors like, yo, I want you keto for
a month.
Speaker 1 (57:30):
I want everybody over there and everybody rapping up over here.
Let's tell some ship, so tell me everything.
Speaker 6 (57:35):
We got the name of the album, Retrograde. I'm downloading
that right now, thank you. I am purchasing that.
Speaker 2 (57:44):
I need that in my life.
Speaker 4 (57:45):
Purchase and it means a lot to mensuming means on
your labels, your boss.
Speaker 2 (57:53):
You're putting out your own ship. That's how we're supposed
to be.
Speaker 6 (57:57):
All on my half ride, jillis the problem I have,
especially with all the R and B legends that we love,
is they let the major label with mafia, right, so
they fuck with you, spend some money and get everything
out of you, and then they tell everybody old school
at noon. Motherfucker twenty four years old doing the old
School at Noon tour because the major labels did that
(58:20):
to him. They put that stigma on that where they
think their old school at noon. So what they didn't
do the guys and the girls before us was take ownership.
Sierra came in. She putting out her own music. You
putting out your own music. I've been putting out my own.
Speaker 1 (58:37):
Music for fifteen years. That's amazing.
Speaker 2 (58:39):
And I fucked these guys all the time. Let me
tell you something.
Speaker 1 (58:44):
I'm oh.
Speaker 7 (58:50):
Fuck a I do this time?
Speaker 3 (58:55):
Is how I need a whole.
Speaker 1 (58:59):
Bad What how you gonna tell me at the end?
Speaker 2 (59:05):
Are you with me?
Speaker 6 (59:07):
From the time I sat down, Tamar, don't listen to
these guys.
Speaker 2 (59:11):
You with me?
Speaker 1 (59:13):
You with you.
Speaker 2 (59:15):
What I'm saying is like, you know, I told the
major label, yo, I want to go independent.
Speaker 6 (59:21):
Them motherfucker's just like yo, oh yes, sir, you can leave.
How fast do you want to go? We'll sign your
ship off right there. I'm like, damn, I thought they
gave a fuck. I'm on here ten years. They was
like then I put out a record, so for a
million records on they ass right there independent. So I
know all about being independent man and just working your
(59:41):
ship and all that. I salute that, boss, lady.
Speaker 1 (59:44):
Give it up.
Speaker 2 (59:44):
This ain't that.
Speaker 4 (59:46):
That ain't this cracking kiss made some noise for Tamark Pratt.
Speaker 1 (59:55):
I'm not this ways, just the real share that's first step. Mhm.
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Colin Cowherd
Jason McIntyre
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