Joe and Jada - The Alchemist & Hit-Boy on 'Goldfish' collab & WILD Drake, Eminem & Jay-Z stories

Fat Joe and Jadakiss are joined by two legends in the hip hop game, as super-producers Hit-Boy and The Alchemist sit down to discuss their upcoming collaboration album ‘Goldfish.’ Joe and Jada ask Hit-Boy about his most iconic records, including “Sicko Mode” by Travis Scott featuring Drake, “A Milli” by Lil Wayne, and “N****s In Paris” by Jay-Z and Ye (f.k.a. Kanye West). The Alchemist talks about his work with Havoc and Prodigy as Mobb Deep’s unofficial third member, Joe giving him his big break by hopping on the remix to Cypress Hill’s “Tequila Sunrise,” Eminem’s superhuman work ethic, and an UNHINGED story from being in the studio with Joe and Big Pun. Joe also tells a story about an unfortunate run-in he had with Bruno Mars and Anderson .Paak at an awards show.

 

7:00 - Hit-Boy's most legendary records ("Sicko Mode," "A Milli" & more)

13:30 - Jay-Z helping Hit-Boy get out of his deal

16:00 - Legend of Fat Joe's missing Lexus

19:30 - Alchemist shouts out Joe for his first big break

27:30 - Scott Storch & the fabled Biggie-Fat Joe project

34:30 - Alchemist's iconic collaborations with Mobb Deep

39:00 - Alchemist & Jadakiss' mixup with Ras Kass

42:15 - Mobb Deep's "Win or Lose" was for Jada & Styles P

45:00 - Toasting to new album 'Goldfish'

55:30 - People finally appreciating Alchemist

59:00 - Eminem, Paul Wall & "The White Mafia"

1:05:00 - Fat Joe's run-in with Bruno Mars

1:11:15 - "Business Merger" listening session

[Timestamps may vary due to advertisements.]

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See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:00):
You realized you were the first big artist to ever
rap on a be to mar Oh man, I'm a
cap for you today. I'm I'm capping for you today.
Hold on, let me yo. I bet you don't even
remember what's up.

Speaker 2 (00:26):
Y'ad's the biggest in the motherfucking game. Joe cracked the dawn.

Speaker 3 (00:30):
No, it is your boy, Jada did Joe and Jada
show every show legendary, every show iconic, And today is
another one of those ladies and gentlemen.

Speaker 1 (00:44):
Super le you gotta go a little more less. He
got him. Excuse his cutting me off.

Speaker 3 (00:51):
Okay, But ladies and gentlemen, viewers, people with airs, if
you love music, if you love authentic hip hop, if
you love the culture, please make some noise for our
guests today, hit Boy and my brother Alchemy.

Speaker 2 (01:17):
I know you got motherfucking Beethoven and most sacks of
the fucking of the twenty fifth century. These motherfuckers, this's hieroglyphics. Man,
These ain't even icons. These are different type of solicitors
up on the program over here.

Speaker 1 (01:36):
These guys were giving you.

Speaker 2 (01:37):
They If you don't know who they are, they've been
making your head not for the last twenty thirty years.

Speaker 1 (01:44):
How long? I mean shit for me? Yeah, what I'm
saying I started occamist.

Speaker 2 (01:50):
You know, I'm like dolchemists. You need that rewind. We
need a white boy on the cover. I gotta talk
to you, boxer, rewind.

Speaker 1 (01:56):
Get you that bad?

Speaker 2 (01:57):
Why fight the tom where you could rewind the time?
Sometimes that ship like Lego looks like Lego. No, no,
not this time. Don't fuck with me. This is the
real ship. You know you be switching that shape. Yeah, yeah,
so sweet. Say you don't like the fake look to
shoot my ship. Don't look fake shooting. It's my product.

(02:20):
Trying to make your money. White sleep Yeah, heah boy.
One thing you're gonna do is you're gonna throw that
ship on. Man, it was ninety degrees yesterday. I seen
you wear a.

Speaker 1 (02:28):
Fur coat on in the in the middle of it.
You don't get the fock ice for the fly man you.

Speaker 2 (02:33):
In the entertainment zone right like like I've seen all
the fact of the day. Diana Ross were fur coach
in the summer, Like, who gets we got adapt to
any you know, adapt to any weather.

Speaker 4 (02:47):
I'm dropped, so you have to listen in the Stone Island.
So they gave us some like custom pieces and you
got to throw that shit.

Speaker 1 (02:53):
On, shut out the Stone Island and wave fro you.

Speaker 3 (02:56):
You know what I mean. I've been connected, but it ain't.
It ain't Flemouth Rock. Then nobody give us ship. I
don't get ship a free go crazy motherfucker set up
this No, no, the game.

Speaker 2 (03:11):
Okay, he makes that my business part. I always wanted
to be humble about this ship. This is I'm not
delusion though, Like I know, we're the biggest in the game.
Were moving the whole fucking culture. We the guys, you know,
we playing record niggas change their singles. Be careful, you'll
got new music here, because I guarantee you're going to
change the single.

Speaker 1 (03:30):
Play that, Joe.

Speaker 2 (03:31):
Whatever you play here becomes the fucking single. Tianna Taylor came,
he said, I play the thirteenth song on the album.

Speaker 1 (03:39):
Became a single. Too many people came here and played that.
Mom see what he's doing.

Speaker 2 (03:49):
Came up here in the fucking country with a sombrero,
five million views. It changed the single. We are controlling
the culture right now. We're not delusional. You're not lying, man, yo,
but listen, we love you man. You ain't bring that up,
Ericaba do to this one though, I didn't even got
Erkabad over here.

Speaker 1 (04:07):
She's gonna pull up, man, we ain't gonna talk it.

Speaker 3 (04:10):
We ain't gonna We're gonna get into y'all new project,
y'all collaborating.

Speaker 1 (04:15):
In a minute.

Speaker 3 (04:15):
But it don't even make sense for y'all to do
something that goether, because yeah, I've been controlling the fucking
I've been controlling Ship for the past.

Speaker 1 (04:26):
How does that just feel? You know what I mean?

Speaker 4 (04:28):
You know, I mean, shit, the last was about five years.
Every end of the year list is to be like
Alchemis hit Boy rolling producer lists and Ship. So for
us to tip in it just you know, it made sense,
you know. I mean, I got hell of respect for
bout and obviously legendary, and I'm getting to learn from
you know what I mean. I'm a student and this ship,
I'm always trying to learn, trying to pick up new techniques,

(04:48):
new ways think about shit.

Speaker 1 (04:50):
And I was just he got that game. So I'm
gonna drop some titles and you just give us what
was it?

Speaker 3 (04:56):
Like?

Speaker 1 (04:56):
Megan it? What was the what was the whole journey?
When when I named these joints. First things first, niggas
in Paris, damn straightforward. Let's not even play with it. Man,
you found for making. I threw a flag ship.

Speaker 4 (05:20):
You know what I mean, Bro, ship that was that
shi it's still ringing off. I just seen hole do
it at the last say, there's one hundred thousand more
fuckers in that ship. I was just a kid, excited
making beats, having fun with the ship, you know what
I mean. I flew out of New York. I did
some records with over yay On that never seen a
lot of day. I was hyping on them records and ship.

(05:41):
I'm going back to the city telling the homies. Man,
I got hold rapping on my ship.

Speaker 5 (05:44):
Hey.

Speaker 4 (05:45):
And then none of them joints became anything like the
beat for niggas in Paris was just beat out an
email yay like once prior. I wasn't thinking about the
ship at all. He hit me like, Bro, we just
did this song out in Paris, and when it should dropped,
your life about to change. Nigga was right, that's what
you said. Just talk about this sickle mo, ma, I

(06:07):
mean ship. I did the first part of it. This nigga,
my nigga I mean I did the first part of it,
you know what I mean, Like the Drake Park Me
and my.

Speaker 1 (06:16):
Boy Rose produced that together.

Speaker 4 (06:17):
And uh, that actually is crazy because I did some
ship on the Travis album that came out prior to
Astraal World, Birds in the Trap. I did a song
called way Back the day that ship came out, Birds
in the Trap. Travis see me like, bro I got
a big session and that I got some I got
a session with Drake, I need you to send me
some bombs and I sent the sygam Moore beat that
nigga facetimed me the next day going crazy playing the joint.

(06:39):
But he was like, gonna have to hold the ship
to the next album. So I had to hold that
beef for two years. Yeah, but you knew that was
that was that was a force feeling. You knew that
show whenever that ship, you know that was Come on,
what you're talking about? You just asking about niggas in Paris,
the Sycamore them joints. That's unconscious ship.

Speaker 1 (06:59):
Like you know what I'm saying. We heard Sycamore just
as fans.

Speaker 2 (07:03):
That ship was unfucking real and that was something that
my daughter kept, Like I think COVID, right, that ship
just was like that was playing in COVID.

Speaker 1 (07:12):
It was like legend.

Speaker 2 (07:14):
You know, I had a kukuzzie in COVID, so I
was scared to go to the pool, so I had
like a little round kokuzzie every game.

Speaker 1 (07:24):
It ain't quite at jacuzzi.

Speaker 2 (07:26):
It's a concusion mixed with maybe like a three hundred
dollars plastic fucking filled up with water sitting in the
sun in Miami. Like I wasn't fucking with nobody here.
I had the kukuzzie. But that's sycamore, dude.

Speaker 1 (07:40):
Every little let me ask you about some more hold on, click,
yeah click.

Speaker 4 (07:46):
Ain't nobody messing with my class there for that? Yeah,
I'm only a big shine too, you know what I mean.
We didn't have all type of planning records and ship.
But uh yeah, the first time I heard that, I
was actually I was in the half this working on
Beyonce and Yay brought the version three right before you
put the album out of Cold Was it Cold Summer
some shit like that, and uh yeah, I did a

(08:07):
few records on there, but click, that's just.

Speaker 3 (08:09):
You know, they all snapped on that s Speaking of bees,
let's go right and in the feeling myself, what was how.

Speaker 1 (08:14):
You bos it? What's that love man? Game? Bro?

Speaker 4 (08:19):
Just having joints like you know, she invited me to
the stow. She was like record playing Beyonce and I
went and play some Beasts four. She did that joint.

Speaker 1 (08:27):
The next thing I know, Nikki was on it. She
used that ship and don't Nigga the video all like, yeah,
I got more Drop the world Man and Little Wayne feature.

Speaker 4 (08:40):
I was like, that was the first time people really
in the hip hop world start seeing with you know,
like my name and ship on a bigger platform, you know.
I mean that was probably the first like platinum song
I had produced, Me and my boy Chasing Cash Out,
Chasing Cash and Ship. Yeah, just young niggas. That was
like twenty ten, Bro, that was the first one I was.
That was before streaming and all that. So I'm on
the iTunes charge watching that shit just go up and

(09:01):
it went to number one. I'm like, damn, that shit
was crazy for this.

Speaker 3 (09:03):
Fight super fun back see Free Style Man, Kendrick lamar
Man Legend. Yeah shit, I had a I went to
Vegas fucking with TV and Kendrick before we put out
good Kid, Mad City.

Speaker 1 (09:18):
We was just locked in on joints again.

Speaker 4 (09:20):
That was another one where it's like he had put
his vocals on some other beats and I was like,
hype off that ship. He like, bro, I fuck with
them joints, but let me let me hear a few
more beats type shit. Him and Dave Free pulled up
to my crib and that was one of the first
beats I played. He was like, this is it to
get roll to it and he was on tory, text
me like, bro, we got one. He's like this ship
on the album for sure. Yeah, good ship, man, go

(09:42):
be asap rocky Man. I fucked up because I got
invited to that video with him and Yams in Paris
and I didn't make it.

Speaker 1 (09:50):
I don't know why I didn't go, but that would
have been a crazy look you know what I mean.

Speaker 4 (09:54):
RPMs and ship you know here go that was like
that was really bro like first single on the major
label type ship, you know what I mean. So that
was pivotal moment, like that shit, you know, helped bout,
you know, going to that stratosphere. Let's talk about the
King's disease triloge, how you rappy that's coaches coldure and
said that really my boy double.

Speaker 1 (10:15):
Right here was with with Bro. Yeah, they was a
doing noble business.

Speaker 4 (10:19):
I seen Double posts nas on the story. I just
hit that nigga like, Bro, you gotta have this nigga
pull up. Literally, he like, man, he's gonna slide tomorrow.
I'm thinking niggas bullshit and he's slid and was opening
my ideas. I had some hook ideas with like Don
Tolliver that ended up going on the album. I had
some Handerson packed ship. I just playing my ideas and
he was laying versus and really fucking with me. So

(10:39):
I'm like he like after the session, like I'm gonna
keep pulling up. I'm thinking, like, come on, this is
no This nigga'tna keep pulling up. The niggas pulled up
for three years straight with just six hours process.

Speaker 2 (10:50):
Does he take long spit averse because he looked like
one of the guys take longness.

Speaker 3 (10:54):
No, I mean if he is for sure, it's like
if it's the right vig, I mean, bro, don't know
how you we threw it without eighty songs for three years.

Speaker 1 (11:02):
Yeah, he was. He was being through like a kidd already. Yeah,
he was speaking through Ship eighty longs in another three years.

Speaker 2 (11:11):
Yeah, I like that Car eighty five. That Krity five
was my ship on that out and I really loved
that first album. You know what I'm saying that Car
eighty five and bady ate that they call me baby face.

Speaker 1 (11:23):
That was hard. Now, that was hard Charlie Wilson singing
on him. That was hall.

Speaker 3 (11:30):
Now, the the valleys and peaks in the industry. You
just got out of a publishing deal. Yeah, who helped
you get out of that?

Speaker 1 (11:37):
Ye? Shut out the eight Joe he always coming through it.

Speaker 4 (11:40):
Shout out to him and deserate they I mean with
you know, pulled that power play man and got me
an in date because I didn't have no in dates on.

Speaker 2 (11:48):
My shitt one of them I think heard I got
robbed for like fourteen years. My ship has differently came
to me like, Yo, we the only Latinos in the
industry and this and that nigga robbed me in punt
fourteen years man, and you slapping couldn't that We never
saw him who we got?

Speaker 1 (12:07):
He got mission after that? Na, He's just he's in
a different run. He's kid.

Speaker 2 (12:12):
It's jelly Bean Ben days and he hanging out with
Madonna and them. He ain't coming around our shit. So
if he would have came around allegendly you know what's up, right,
But he's nowhere to be you know what I'm saying.
He was no way, he was no where to be found.
So were in different circles. But eventually, like you know

(12:33):
what happened to me beat this? I did a soundtrack, right,
and I asked him for one hundred and fifty thousand, right,
I'm like, y'all and I did this song and I said,
y'all need one hundred and fifty thousand At that time.
I was really going for that bread at that time.
And they said, hold up, we ain't approve it all
the way. Yeah, I said why. He said, well, your
publisher's action for three hundreds. I said, what, I ain't

(12:56):
see this man in fourteen years. That's when it was
all no, we got, we got, we got the final
this is this. You gotta find her, this, gotta find
this way out of here. Because I didn't know this
guy was raping me on that level. He wasn't giving
them the permission for me to be on the soundtrack,

(13:17):
and he wanted double the money and I've never seen him.

Speaker 1 (13:20):
Man never gave me. He got out of one thousand
dollars check man just before laying back. So I got
ax song that that was laid back.

Speaker 2 (13:29):
Yeah, I think how that shit happened to be. And
so with you, how did they get you for the publisher?
That was like raping you records?

Speaker 1 (13:38):
I mean shit, I was the one year out of
high school. I SAI, why you got to use my label?
This man? Yesterday I came up with some old labels. Yeah, Ship.

Speaker 4 (13:47):
I signed the deal one year out of high school
at nineteen. I mean, fifty racks sounded like everything at
that time with me. Get this man, man, same.

Speaker 1 (13:55):
Thing with me.

Speaker 2 (13:56):
I bought the Lexus for forty nine and fifty. They
stole ship. The first day I went to full Master
Flex birthday party. Niggas robbed the whole garage. I'm all
over Brooklyn, Mop. Everybody was with me looking for the Lexus.
Let me tell you something. You talking about it all
the way fucked up there. The fifty they gave me,
they stole the car. The first fucking day.

Speaker 1 (14:20):
Mop was looking for the Lexus to with me. The
whole Brooklyn.

Speaker 2 (14:23):
Took one of the guys. One of the guys got caught,
so they robbed the whole garage. It was a palladium
for Master of flex birth cars. The whole garage took
the Mexican man robbed them, which which my palladium around
the corner. They robbed the whole garage. Any fly off.

(14:46):
One of them got caught. He happened to be from Brooklyn,
So we studied. We was all over Brooklyn, all over
Brooklyn looking for this fucking lexus. In every garage. Every
MP was with us, Frank Billy, everybody running through. What's
the little guy down with them too? What's my little man?
Damn man Fox all of them? But anyway, we're a

(15:08):
thousand deep, drepped the whole Brooklyn, New Fat Joe's looking
for this Lexus.

Speaker 1 (15:12):
We all over.

Speaker 2 (15:14):
Come on, man, let me tell you something. Let me
tell you the story. Three months later, I'm like, one
day to get in my fifty thousand dollars check back,
they find the fucking Lexuis I wanted my fifty thousand Backbee,
I might have had a g in a bank account.
B I was like, Yo, I'm gonna get fifty back, yo.

(15:34):
Chill I made a mistake with the lectures. One day,
your Lexus has been found him like fuck, like, I
ain't want that shit found. I wasn't fifty thousand they found. No,
this guy was driving it like it was his car.
When they found that, he had car seat in the back,
kids books. This guy was driving his kids to school.

(15:54):
He owned the Lexus for three months. You can't tell
nobody to this day. He probably get Brooklyn. Y'all remember
you at the LS four. Yeah, you know that's how
that ship go. You know what I'm saying, bus crazy.

Speaker 1 (16:06):
We got it back. But I know about that ship.

Speaker 3 (16:08):
Man.

Speaker 1 (16:10):
How's it working with your pops? Man did a lot
of time.

Speaker 3 (16:13):
I just came from the prisons talking to the dudes
up Norfolk, shut Out to Marshy and mid State.

Speaker 1 (16:19):
He was working with him. He backed down right now, man,
free him. You know what I mean.

Speaker 4 (16:23):
It's some thirty years, you know what I mean, Saga
dealing with the ship my home like, but you know,
you know that sh it is some fucking roller coaster.
He really, he really is who you say is you
know what I mean? Like, he really about that ship.
So it's kind of hard to tame that. But you know,
I'll be doing the best I can, just trying to
keep that nigga busy, keeping working. He was on stage

(16:43):
with Kendrick got to pop out, Yeah, your songs with Snoop,
whole album.

Speaker 1 (16:47):
With Game, And what's the problem that he keeps going back? Like?
What is it is like substance abuse?

Speaker 6 (16:53):
Is it like?

Speaker 1 (16:54):
It's just a real nigg standing here. I want to
be a real nigga at home. Yeah for sure.

Speaker 4 (17:00):
You know damn shame Oh god too. I couldn't imagine
Bro being being around niggas all day.

Speaker 1 (17:06):
Bro, hell, no, fucked up. But you know he just
he's just a wild dude. He don't really follow don't
follow rules.

Speaker 2 (17:13):
Man, Yeah, Alchemy you ready for the Alchemists, So you
got like I mean you know your alchemists say something.

Speaker 1 (17:20):
We prepared for him.

Speaker 2 (17:22):
You we know you like the back of the head,
Bro were like, my favorite beat I ever rapped you
in my whole career of thirty some years is definition
of a dom. Wow, it's my favorite, I said all
the time. I don't know if you see it on
interviews or whatever the.

Speaker 1 (17:36):
Case, that's crazy. It's because it's it's such.

Speaker 2 (17:40):
A real song. Real The beat is just when I
hear that that. You know, if you ever want to
know the real Fat Joe, you listen to that song.
That's Fat Joe telling you that's the real Fat Joe,
like they like I made a song for this and
that that that's like me. Definition just groping auto biography

(18:01):
of my life, definition of a dawn that you can
thrown U.

Speaker 1 (18:04):
I'm like, yo, my god man, but I remember that.
You don't even know how much. I bet it's some
shit you forgot. You realize you realized you were the
first big artists to ever wrap on a be to
mar Oh, man, I'm a cap for you today. I'm
capping for you today. Hold on, let me yo. I
bet you don't even remember. You remember the Cypress Hill

(18:26):
remix Tequila Sunrise. I was just underneath Mugs at the time.
I was still living in LA You weren't even flying
yet you had to do the bus. I don't forget
none of this shit because this was a big you know,
Mugs was giving me a shot like, Yo, you're gonna
do the remix and we're gonna get Fat Joe on it.
And that was a big break for me. Like Yo's

(18:46):
Tequila Sunrise remix man. Not only you said that.

Speaker 2 (18:49):
I get goosebumps right now because Cypress Hills is only
you know, us being Latino, Me and Punt. They were
pretty much the only guys we looked up to, you
know what I'm saying. They set the are to where
it was like, yo, we want to be like Cyprus Hell's,
you know, like they was like on another level of
you know what I mean. They were the only guys
we could look up to. And what's crazy is we

(19:12):
still look up to them, you know what I'm saying.
So those guys, but damn, I ain't know that. You
know it around a long time. You know, you guys
are producers.

Speaker 1 (19:20):
Well here was a ninety six man.

Speaker 3 (19:29):
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Speaker 2 (21:20):
Scott's starts, you know, changed his life. What I'm saying
he was raped about it. That was that was the
reverse rapism. They had that boy doing all them fucking
hits and they wouldn't give him credit. And so rob
Reef Tulau by the only A and R that I ever,
one of the greater, it is from one of the greatest,

(21:43):
changed my life, made me millionaire, This guy, rob Reef
twolo because the other dah on A and R's but
I don't like, here's a different breed here.

Speaker 7 (21:52):
He's from that Arab rug there was the best maybe
ever and even back in those days, he made sure
I got my bread, even if it was a little
little bit, because they didn't have to do that shit.
He was one of those guys like, I don't know,
hats off to, you know, to Reef man. Straight up,
let me explain.

Speaker 2 (22:08):
I don't even want to go there because I don't
want to turn this interview into a cap interview, right.

Speaker 1 (22:12):
But what I can say. Go. Let me tell you so,
Rob Reef too Lott changed my life. You know what
I'm saying. He heard, you know what I'm saying.

Speaker 2 (22:26):
I was working with Biggie on a project and he
came and Divide and Conquer. He said, Yo, you're doing
this work with Biggie. I said, yeah, I only had
two albums before that.

Speaker 1 (22:36):
I had no money.

Speaker 2 (22:37):
No, nothing flowed Joe. None of that ship made money,
sold records, this, this, and that. He was like, y'all
want to give you your own label. He took me
to Atlantic and because I was going to put out
a project with Biggie. It's the only reason I never
saw I didn't deserve my own record. Like, wait a minute,
Wait a minute, you had records with Biggie?

Speaker 1 (22:56):
Yes, where you are under a rock. I'm trying to
tell you this, that's what you got out. They never care.

Speaker 2 (23:01):
That's the inception. That's the exception of Cap Joe. Because
I told people I was doing the man, where are
these records? Listen, I don't have it.

Speaker 1 (23:13):
No, No, how come to know? I'm too will you know?
I ain't gonna lie?

Speaker 2 (23:18):
Never me and Biggie was cutting records. He want to
be the Black Dawn. I'm the Spanish Dawn. Some people
call it cap whatever. This is Rob Toolo, as the
A and R of Atlantic, heard that I was doing
this project and stepped to me and was like, yo,
you're doing it and I'm like yeah. He was like, yo, yo,
I want to give you your own record label. I
didn't even deserve the recording sound on a million dollars.

(23:40):
I might have had two brand in my fucking back.
Can't you have pun already?

Speaker 1 (23:44):
Right? No, not yet? This was this is ter Scud Records. Yeah,
but this is the beginning.

Speaker 2 (23:49):
This is keep it fun or nothing like that. It
was just me only had two albums. Are hustling is
the key to successful flow Joe? So Rob came and
gave me a million. It is my own record label.
And that's why they gave me my record label. Because
he was like a biggie fucking with this guy. Fat
Joe's on our shot you with l O and.

Speaker 1 (24:09):
All of them. That was out already, let's grab him
right here. That was out.

Speaker 2 (24:13):
So he was like, you know, the momentum, the projection
was there, it just wasn't there. You know how we
all say Big l wouldn't have died, he would have
been the biggest. So I was like projected to win,
but I wasn't there yet. And Rob took the chance
with me and did that same thing with Scott Storch
when he when he introduced me to Scott Storch, and

(24:33):
he was just so talented, and I was just like, yo,
and I'm the.

Speaker 1 (24:37):
First to go yo. Scott Storch on a hit record.
I just use that tag on the song.

Speaker 4 (24:41):
Tom just he just plays some keys on the song.
I just drive with a chike and baby charing and yeah,
you heard the yo.

Speaker 2 (24:48):
Scott Storch was up after that. He had cheese lines
outside the state. But let me tell you what's crazy
about you producers? Man, Yo, Jada, it's the truth.

Speaker 1 (24:59):
Scott's too good. After I shout it out, Scott Storch,
I'm going to the studio.

Speaker 2 (25:04):
It's met the man Redman. This one that was cheese
lines of rappers? Whoever is your number one rapper?

Speaker 1 (25:10):
Is Jada? Was you on the line? Yes?

Speaker 2 (25:13):
He what he was gonna sit with over Scott. He's
a y'all, what up, nephew, ain't see you on man, y'all.
Let me tell you something you've fed your credit. But
I said, I said, a lot of trends in this game.
I've seen Scott's story.

Speaker 8 (25:26):
You know, we have it boy, and now miss Scott Storches.
Oh nothing, Scott Storch down, you don't care.

Speaker 1 (25:37):
But let me tell you something. No, it's a lot
of Scott Storge stories. Listen. So I got Scott Storch
you know yo. That man is Leonardo DiCaprio of the
Music Game.

Speaker 2 (25:52):
When he tells his story, he got stories. Oh my god, life,
he lived a life. You guys have no super like
do you guys ever? Like make a pack so you
come see Jada and it's like, all right, I hear
this for Jada, but you keep the other pack for
jay Z.

Speaker 1 (26:12):
I used to hate these produces. They come in the
studio to bring.

Speaker 2 (26:16):
Us feet and pass some ship and they be like, oh,
this is for Holey, It's all I'm over there trying
to make a fucking hit my mind. I got a
fucking wrench around my brain trying to crack open us something.

Speaker 1 (26:32):
We went to a boy with big to be just
say no, that's for big for me.

Speaker 2 (26:41):
If you were running wild, all them they were coming
to the ship, would they'd be like all can't really
give you that, that's the red man, and me like, yo,
my man, like what the fuck were you giving me
chopped liver?

Speaker 7 (26:55):
We used to come to the studio, you remember those days,
like in Battery when y'all would have like album mode
and we used to come and line up. It would
be buck wild Rock Wilder, whoever come with the dats
and have to play beats.

Speaker 1 (27:05):
But y'all used to have the fucking shenanigans. Like I
remember one time it was.

Speaker 7 (27:09):
You and punted at the studio and I came in
in the studio to play beats, and it was it
was it was a hammer on the table allegedly saying
all right. So I walked in and Plumb was sitting
all the way on the back on the couch against
the wall.

Speaker 1 (27:21):
Right, that's what he used to say.

Speaker 7 (27:23):
And he put a he he went and grabbed the apple.
He put an apple on his head. That let's see
for lying. He put an apple on.

Speaker 1 (27:32):
Take the he put out. Listen. I spoke to Joe.
In a minute.

Speaker 7 (27:36):
He put an apple on his head. He said, yo, Joe, Joe.
Joe said right now, right here, he said, Joe, go go,
go ahead, go ahead. Joe said, now we can't do that, right,
he said, go go go.

Speaker 1 (27:46):
Joe took the hammer and playing with like this, it
made the made the fucking it was a it was
an airgun like he made it. He made the apple.

Speaker 2 (27:56):
I tell you I started recently if I eat did
that with Tody sun Shot to the You know, they
never put us in battery studios again. Tom Sunshaw put
the apple on some young this little white engineer, and
they pluned it the same ship shot it. They never
let me rant bad studio again in my life. It
was my favorite fucking studios. Them sessions were crazy. Sessions

(28:18):
were crazy.

Speaker 3 (28:19):
Cap He gets one taken back, he guess from the
story checks out, He gets his time out, then he
gets another challenge.

Speaker 1 (28:28):
Those were crazy days, man, But yeah, I mean, you know,
but they were the fun days for sure. See I
thought you was a member of marv D. I mean shitty.
You can say that well the way I looked at it, right,
because you got havoc.

Speaker 2 (28:41):
You know, Nigga's calling that the number one album of
all time produced straight up. I see I see less
all the time with infamous yes influences. And so you
come afterwards and team up with Prodigy music. You're putting
in and work with came in Murder Murdered music is
when I got there, Who come in when he already

(29:01):
has a doctor drake, So I thought you was the
third member of Malty.

Speaker 7 (29:06):
I swear to God me listen, I tell half all
the time. I thank him, And that's a real testament
to confidence he's having. He made a whole sound. So
when I got to New York, I was around soaking
up all that shit, figuring out how to make the
drums a certain way like hab as a mastermind genius.

Speaker 1 (29:25):
We know this, you know what I'm saying. But you
know the connection was through Cyprus. So it's funny how
it work.

Speaker 7 (29:31):
You know, Mugs was working with them all but I
came to New York and he linked me with them,
and they just saw me in New York like just
out here Dolo still reping sol Assassins. But they were like,
come fuck with us, you know, and I just I
was out here kind of by myself. So them putting
me into the mix, you know how that made me feel?
Like think of that Marvedie Murder music is they already

(29:51):
did Hell on Earth infamous, So what I'm trying.

Speaker 1 (29:55):
I was a fan when I met him, you know
what I'm saying.

Speaker 7 (29:57):
So the fact they left me, and you know how
it is is it was gradual too, because they't not
the type to just be like, come on and you
with us.

Speaker 2 (30:04):
It took a while until I was like red Quorn's
wedding and I went, you know how you go to
a wedding, they give you them shuttle bus, sit next
to Riz and his wife. The wizard turns around. It's like, no,
I used to let you, you know, work with Gray.

Speaker 1 (30:22):
Yo, Like you know some cruise they wouldn't even let
you work with each other. They be like yo.

Speaker 2 (30:27):
He was like, yo, you know, I'm glad we got
the wedding because I don't feel about that. I mean,
that's you know Rizzard as it was a boss. That's
like you called my outfit a little elf. He kind
of like a little out of way.

Speaker 1 (30:42):
I used to let you wear vinky.

Speaker 2 (30:43):
In the brain that shit looking fly right there. But
you know your brother compliments your outfits. Manuld say something
about my outfit. Man, it's outfit to motherfucker boy. He
won't give me a compliment for nothing, Like you're covering
men all the time, yo, listen. But where we was
at with the crews like even me right, and I please,

(31:06):
I don't want to start no type of beef. I
worship you guys. I love you guys to death. But
I'm a member of Digging in the Crates from the beginning.
And I remember when they asked me to do I
shot you l's I shot you with keeping. Of course,
some of the members was like they don't rock with it. No,
they was the underground. They they was underground. They didn't

(31:28):
believe that forbidden for you to do a shingle that
was about to blow.

Speaker 1 (31:33):
They didn't want Yeah with my idol, well on cool ja.
I was like, yo, this is my idol.

Speaker 2 (31:38):
This guy's full time planer. I was like David James.
There was like strictly underground. It's seven members and Digging
in the cruise was it.

Speaker 1 (31:47):
No, I can't.

Speaker 9 (31:48):
I'm what I'm saying. Two of the three members, No,
I think I know who it was two to three.
I know who it was like, Yo, No, it was
a show.

Speaker 1 (31:59):
It was a show. It was like it's two or
three members. That was like, yo, we rock with us.

Speaker 2 (32:04):
When I was just like I said, Look, that was
the one time I say, man, I wasn't it wasn't
giant leave it alone.

Speaker 1 (32:11):
So it wasn't week and there were down but that
record was hard.

Speaker 2 (32:15):
I was born yesterday. No, it was a stepping stone,
you know what I'm saying. It was almost like a
pop that French Montana like it was a time like
I shot to put me on another Was that a
Chris Lighty is Chris light and Chris Lighty and.

Speaker 1 (32:32):
Track masters?

Speaker 6 (32:33):
Yeah?

Speaker 2 (32:34):
Yeah, but Chris talked through me. They fucked through me hard,
so they came. They hurt my second album. I was
working that battery. It was like, Yo, want to jump
on this l But I know about you know you
working with Prodigy. You know, I know they must have
had some internal talks like yo, ah.

Speaker 1 (32:51):
Man, we ain't talking about that. He made it in
he made this ship. It was always love. Have always
showed me love. But we kind of you know, still
sharp and still yo.

Speaker 3 (33:00):
We we gotta shout out my man keg ak rock
Star ak time Rollie because he put us together, that's right.
And Yo, you know what's crazy. He's doing this thing
now shouting God. You might go eive him the best
wreck it ever.

Speaker 1 (33:16):
You know what's crazy? Do you remember? No? No, that's
a phone. No, it's definitely timeless. He had a fan.
I don't know what he like. One he gave me
still feeling and feel me. This is another connection. That's
crazy kidding me. Remember the beat for bringing on? Remember
to be for bringing on, Remember to bring it on?
Beat right, bring it on? So there was a stretch.

(33:38):
It was a stretch that beat in the cobra clutch
you're talking about.

Speaker 7 (33:44):
And then and then Stretch came and told me. Y'all
was asking who did the beat? Because I didn't know
y'all yet, Stretch on.

Speaker 1 (33:52):
Stretching, but went up on stretch. We bowed there.

Speaker 3 (33:57):
Now, what's the real story? Just the last time we
ever going to talk about this? Could shout out to
my brother, last cat shout hold on's gonna say Shoutow's
Joe Rost cast the lesson. Let me say your moses,
chill out. I'm talking a moment for me. Can I
have my mom? You want to take my moment?

Speaker 6 (34:17):
No?

Speaker 1 (34:18):
No, let me get my it's cafe. You can truck.
You know what I'm saying.

Speaker 3 (34:22):
So whatever happened because all I know you came in
played me some pets.

Speaker 1 (34:29):
I picked that in that and then I got a
you know what I mean, so with because.

Speaker 3 (34:33):
It's really you he took. I took the heat for it,
but it was really our He didn't tell me what
was going on with it. This is the last time we.

Speaker 1 (34:43):
Ever gonna talk about this because he's all love, so let's.

Speaker 7 (34:46):
It was just a mix up, man, it was. It
was a misunderstanding. I had love for both of y'all still,
do you know shout the rack. Just saw Rash last week,
you know, living legend, his killing it. It was contrast
shouting chill.

Speaker 5 (34:58):
It was.

Speaker 1 (34:59):
It was a mix up.

Speaker 7 (35:00):
It was early in my career, you know what I'm saying,
And it was like it was a It was a
lot of little moving parts and ship that happened. But
in the end, I you know, I wish it didn't
go that way, you know what I'm saying. But then
in the end, the record we made definitely became something
that lasted forever. And shouts to Rass too, you know
what I mean. It was it was just a mix
up and back in that time, but you know, I

(35:21):
wish the best for everybody going. Everybody's doing great now.
Well you know what happened to me?

Speaker 1 (35:26):
Yeah, well yeah, I told it ahead of top did
he have first?

Speaker 2 (35:36):
The fogie Lot was star spheggeled manner in my face
by salam Remby right after the flow Joring. I'm not
telling you I wouldn't have did a better job than
Fuji Lot, but I was in his house in man.

Speaker 1 (35:49):
He made foujie line in my face for fat Joe.
We used to be nothing but what he said.

Speaker 2 (35:55):
Laurence Hill came like two hours later and was like,
oh no Joe, this is my ship and they snatched
up that Fuji Li.

Speaker 1 (36:03):
It was made for me. If you.

Speaker 2 (36:06):
It's the same type of drums, just flow Joe, same pace,
say and everything. She came in through that ship and
Nicobra Clutch.

Speaker 1 (36:13):
Was like, Yo, I need this, we get that.

Speaker 3 (36:15):
Betch I just heard recently you said when the Lose
was originally for me and Pete.

Speaker 1 (36:20):
I never told you, nap. See this is what happened.
You know, when we were doing all albums, can we
hit it? Could you play when the Lose right out?
Think about imagine that too. Imagine this.

Speaker 7 (36:35):
We were finishing the Mall album and like when we're
doing the album we would go to the studio and work,
but sometimes they would come to my crib and you
record joints, So that was a joint I had in
my crib in the computer. The album was done, and
I was like, I secretly I hadn't told you, but
I was like hoping they would forget as I wanted
to put sp and kiss on it. And then Pete
came to my crib like a week before they were

(36:56):
finishing the album was like, Yo, remember that. It was
that one joint in the computer and I was like, oh, yeah,
but you know, you know what I'm saying. I always
would what would that have been like? Man, because all
they want to say, imagine you know what I'm saying.
You know here, Joe j we don't let nobody finish
their answer. I'm glad, he said, I'm glad. That was

(37:19):
one of the best things you ever said, you brother that, Yeah,
I need to do a clip of like you know
what happens is. I'd just be like, the ideas come up.
While I'm hearing that. I'm like, oh, I got a
better Phil, I gotta work on that.

Speaker 1 (37:38):
Put it up.

Speaker 2 (37:43):
Cranky dropping man, Oh you would have wear crazy, right,
Imagine that you know you would have wear craz I.

Speaker 1 (37:52):
Had the right idea, whoa.

Speaker 6 (38:00):
Yes, yes, another day, another dollar. It's about getting give
me a hout of my nose, running up and out
in the cold. Put sold on my hands number but better.

Speaker 1 (38:11):
I feel that peper hit.

Speaker 6 (38:12):
My bunks like all ship saw it's time to go
shopping for cars not passing.

Speaker 1 (38:17):
I went beat the ball my clothes hard ship that
we had all fuck.

Speaker 6 (38:21):
Look at you say that for the bro it's the
a J video see dump a reload, knock knock, gifted
that a platform through the pin pole black starts paint
loy and so we eat those to get locked in
them slutting the seyo.

Speaker 1 (38:34):
The only niggas you know that fuck the pos. They
push our fast at the top. You're still on parole.
We got money your roll. Look time for pen was different.
If I was you on't one to hear that that's it?

Speaker 2 (38:51):
Well anyway, that's a legendary song, but that that definitely
uh got the locks written off.

Speaker 1 (38:58):
They would have on boom times.

Speaker 3 (39:00):
So they toast when we're talking about we're gonna toasted
the new album, then we're gonna talk about it.

Speaker 1 (39:06):
When we could toast the Light and the Light. They
got the new album Goldfish.

Speaker 3 (39:11):
You know what I mean with these joke albums in
the film album in the film We're Gonna Toast quick.

Speaker 1 (39:18):
What who came up with the title? And why is
it called goldfish? I mean, shit, life be like that.

Speaker 4 (39:24):
We'll be stuck in the ball just going in circles
and ship sometimes, you know what I mean, It's like,
you know, mentally whatever it is, but so it's a
couple of meanings when you see it.

Speaker 1 (39:33):
You know what I mean, you don't really understand what's
going on now, y'all.

Speaker 3 (39:35):
Both spinners turn producers or producers turn spinners.

Speaker 4 (39:41):
I was making I was making my own songs before
I made beats, and man, to be honest, to beat
shit was just on some like fun shit for me,
you know, just still is. It's like I replaced playing
video games with making beats because the fl studio look
like tetras. They was clowning that ship when they drove
like they was like real producers don't use you know,
fruity loose. Now it's like all the Drake hits, a

(40:01):
lot of Kendrick hits, a lot of niggash getting made
on fix you know what I mean, you know what
me uh, I don't.

Speaker 1 (40:08):
Care where the funk the beat came from.

Speaker 3 (40:10):
Long as it's knocking, either with two fruit of pockets
us and ship ship is knocking. I don't really get
they got the woman that have it came up with
the ship from the project.

Speaker 1 (40:19):
The light that from some stove, from the stove in
the project that really came from it. Well that's what
the woman is.

Speaker 3 (40:27):
I don't know if it's confessed hard because everybody stove
did that.

Speaker 1 (40:30):
It's good, you know. I think it was just the
engineer playing the high hats in the BEG game that
maybe it.

Speaker 3 (40:37):
I like it like point men, point gold bottles, goldfish
go the gold fish, like man.

Speaker 1 (40:45):
More than light, God more. Well, don't risk.

Speaker 5 (40:50):
Here.

Speaker 1 (40:51):
Fish that made times you have a shipped a son
of a suspect.

Speaker 3 (40:56):
Yeah, right right now, it's this classic. This her classy
right man back on the dream. It was just the
start his last night hours ago. Man, sh I'm still recovering.

Speaker 1 (41:09):
We don't bring that into these conversations.

Speaker 2 (41:11):
Every time somebody say some ship like that, you start
to hide behind the pillow with ship yo.

Speaker 1 (41:15):
I was started. It was amazing, man, great time.

Speaker 2 (41:20):
It was your family and that motherfucker hunh Man, that's
the Devil's dame.

Speaker 1 (41:25):
It's a good spot, man, Let me a good spot.

Speaker 2 (41:28):
I'm sitting in Barbie Booby trapped one night in fucking Miami.
I'm my man money and we're throwing so much money,
so much dish. And I turned around I seen the
greatest Caribbean Asian white. The Spanish said, oh no, the devil.
I gotta seek the kingdom. The Devil's in here, the
Devil's layer. We gotta get out of it. Sometimes you

(41:51):
gotta run out of a splace, the place like that.
I'm at the Yankee Get. By the way, they call
me the bad news. What they call me the Jinks,
I'm the mush We won last night. That boy Judge
hit that ship out the park. Maya had to he
told the whole yo. He fucked himself so royally. He

(42:13):
told the whole section. If Judge it's a home run,
I'm buying drinks that nigga hit the home run. Maya
had to buy every don't go messing with cotton a joke.
He's a different kind of fans out there, you know,
like drimple of Titos, doubles. I say, yo, you got yo.
They was ordering doubles and trip they yo.

Speaker 1 (42:34):
Listen.

Speaker 2 (42:35):
Some women came by and she said, I noticed you've
been drinking dia pepsi and she brought me a diapeps
The whole section looked at me.

Speaker 1 (42:42):
I said, seek the Kingdom, what's going.

Speaker 2 (42:49):
On with that?

Speaker 1 (42:49):
Who's on out y'all? To features? We got what's going Get.

Speaker 4 (42:53):
Sneak Conway, Conway, gotta you gotta actually gotta solo song
on there.

Speaker 1 (42:58):
Ship. We got James Bold Shot, he got my pops
being hit on the head. Oh hav it. But we
didn't want to do a compilation album. I think people
probably expect it because we do the beats.

Speaker 7 (43:12):
But once we linked, it's just where it went because
it started from a record that we did together, Like
was it two years ago? He was working on the
project Hit Me Up, and it was like, yo, I
think he saw I just did a verse on.

Speaker 1 (43:23):
The Larry June.

Speaker 7 (43:24):
I don't really wrap a lot, you know what I'm saying.
But when I was working with shouts to my brother
Larry June. He was like, Yo, what did you get
on this joint?

Speaker 1 (43:30):
Right here with me?

Speaker 7 (43:31):
I was say you want me to rap on it?
He said, yeah, yeah, it had to be dope, and
it was like a twelve bar so it was easy.
You know, sometimes when I'm making beats, I just write
just to test drive the beat.

Speaker 1 (43:42):
You know what I'm saying.

Speaker 2 (43:43):
So I come from one of the greatest producer rappers
ever done, Domend He ain't shout the Dimond d and
so he got a classic album and all that, and
so actually he brought me in the game.

Speaker 1 (43:54):
Like I was.

Speaker 2 (43:54):
I was born and raised by a producer that rapped.
So I always had love for producers. That rap is
hip hop that bad? Now that the producers got to say, Yo,
we're gonna rap.

Speaker 1 (44:05):
It's not even about that. It ain't even about that,
you know what I mean.

Speaker 4 (44:08):
It's just like this is a natural, organic leakup when
Nigga like we we just made good songs together, you know,
and it s just, you know, just just became something,
you know what I mean. Trying to you know, this
is our first real album. We dropped the EP with
like three songs like a year and a half, two
years ago something like that. But it's like a full
length joint. Yeah, it's showing the camaraderie, you know what

(44:29):
I'm saying. Producers, I don't think it's as competitive as
the rapper thing. Like I feel like the producers like
we all fuck with each other, you know what I mean.
So once, like I used to hit them up every year,
like he was.

Speaker 7 (44:40):
Saying the end of the year, like, damn, you're kicking
my ass, Like I got it, saying I gotta go crazier,
you know what I'm saying.

Speaker 1 (44:45):
So it was just a natural connect.

Speaker 7 (44:47):
And then after the one record that we did when
he saw me rapping and we did a record and
it went up and he's like got like millions of
views on YouTube, and we were like, damn, I think
people like seeing the camaraderie, you know what I'm saying.

Speaker 2 (45:00):
Yeah, I think that's what's Uh, The biggest attribute to
the Locks, besides them being very, very talented, is their
their unity and their loyalty and the people love that,
you know what I'm saying. So many unfortunately, so many
legendary groups, these artists don't even talk to each other

(45:21):
no more, they don't tall with each other. They do this,
so when we see the unity like that, we really
really appreciate that. You yourself, right, you're having pause what
we call it, like to blow up. Okay, So this guy,

(45:44):
he'd been already. You know, he was making beats in
Paris with them giving him makaoun. You know, he's hand
out with fucking Beyonce and fucking Hamptons, they bringing them
kill trimp and shit.

Speaker 1 (45:58):
This guy his profile.

Speaker 2 (46:00):
I've been really odd, right, Kanye raised from that whole factory, right,
but you you've always been an underground ah. And lately
I've been seeing collaborations that's already, that's babies, fathers, this
top five getto alive, right, So it's like, yo, you

(46:23):
collaborate with us. So I'm seeing this like everybody is
real on a mainstream level appreciation of alchemists. Do you
know you in that moment right now or do you
you know? Does it feel different with all of these collabs?
Do you have any joints left for me?

Speaker 1 (46:43):
Don't make me pull up my text messages? We have
We got here.

Speaker 10 (46:49):
You did a lot of yes, Hold on a minute,
Hold on a minute, definitely I deserve that flat Now,
come on, we got work to do.

Speaker 1 (47:01):
You know that unfinished business. But I mean it too though. Man,
it's the one joint.

Speaker 11 (47:07):
We never got to do it, but I need well, yeah,
I mean I think I think I know what it
was in the valume of my life, you know what
it was.

Speaker 7 (47:18):
It's like it feels like, you know, when you're playing
a video game and you kind of playing the good
and you turn the speed up or put it.

Speaker 1 (47:25):
On the more evanced level.

Speaker 7 (47:26):
We'll be like, I don't know if I could play,
and then you start figuring it out, like damn, I
could go. I'm speeding now. I'm like, this was easier
than I thought. It's starting to feel like that a
little bit, like because we got the rint and repeat formula.
In the last five ten years of you know, just
doing records with different artists like Body James or Rock
Marcy or you know, Action Bron saying I could name
you know what I'm saying, I could go on. The

(47:47):
current one is Freddy Gibbs, you know Alfredo, and it's
like it just feels like a right, we in motion.
Shit is going. I'm not second guessing, I'm pulling the trigger,
you know what I'm saying. I'm thinking about my brother.
You know, this time was limited, you know, especially going
through the stuff we got him, like if we got
it now, we gotta we gotta go, and it's like
I still got it in me. I don't feel like

(48:09):
I still feel like I could get better. I feel
like we got to finished business. I felt like I
hit you every now and then like what's up, crack,
Like we could still make some magic. Like I still
I don't care about none of that. It's not a
young man's sport. They gotta stop talking about.

Speaker 1 (48:23):
That is bullshit. I don't know where that narrative came from.

Speaker 7 (48:27):
I don't know where it's lonely at the top came from,
because why can't we all be at the top together?
Like all of that stuff. I don't it doesn't register
with me. So you know, it's just timing, man, And
I feel blessed that you saying that, y'all. Y'all was like,
you know how I feel about both of the offers.
So to get that from you guys, that means I'm
doing the right thing. And you know what I'm saying,
just tied in when my brother hit you know, he

(48:49):
goes as crazy as I do, and I felt like
that's where we connected, you know what I'm saying, So yeah,
I appreciate it.

Speaker 1 (48:56):
You know what I mean, definitely. I mean I feel
like you are part of the white mafia too. Yo.
That's could be because you could be that's the fact.

Speaker 2 (49:15):
No, because it's like you guys are very talented, but
you all you're all well. I feel like Eminem he
got this crew Rose Rosenberg will snatch up brief alchemist,
he'll go get action, promising, he'll go.

Speaker 1 (49:33):
He he got like this.

Speaker 2 (49:34):
Y'all got a white mafia thing. They gotta know, they gotta.
Y'all got mafia, and I'm I'm happy for it. You know,
y'all got a mob like that.

Speaker 1 (49:46):
I see them's over there on that side, nems over
there on that side too. I feel like who reached
his eye? Is it Eminem or Paul who says, y'all
we got ready to be down with us? Look, you
don't know that sounds fly though, man, When I'm ato

(50:07):
get I'm not delusional that was going on and shot it? Oh,
you know what I mean?

Speaker 2 (50:13):
Eminem, We don't talk about him enough on this platform.
He's my brother, he's my friend. You know, I got
I can't tell you like I get it all the time.
But I remember I did the album? What album was
where I said I retired, and I remember I was
in my mother's house. My phone rang from an unknown
number and I picked it up and it was Marshall

(50:34):
and he talked to me for two hours like your
job been listening, you still got it, you don't need
to be.

Speaker 12 (50:39):
I was like, I wanted to knock on the nigh's
house as if all I'd be like, Yo, this shit
fucking Eminata talking to me for an hour or two
telling me yo, talking me off the retirement list, like Yo,
you got it.

Speaker 2 (50:51):
You know you gotta stay working, you got it. And
that's one of the biggest honest I ever had. And
to have that relationship with him is amazing, because you know,
people they forget like you know how you just said, y'all,
let's go back to Robbery's tool, Let's go back to that.

Speaker 1 (51:11):
A lot of people forget all these different layers of
what's going.

Speaker 2 (51:15):
You know, we'd just be stuck on twenty twenty five, right,
and sometimes you don't think about what And when them
came out of men, Big Pun was online and fucking
La that was just before the Grammy's in the Sunset,
The fucking we waited online for that album and you
ain't waiting on that line for that album if he
wasn't the guy.

Speaker 1 (51:35):
You know what I'm saying. He was phenomenal.

Speaker 2 (51:37):
He was incredible, and sometimes you try to explain it
to kids that wasn't there at that time.

Speaker 1 (51:41):
Change shit.

Speaker 7 (51:42):
And I'm gonna tell you you think we work hard,
I've never seen nobody work like him to this day,
the level that like right now, he's in the studio,
right now, I can put Betty every day, I'm telling you,
on tour headphones in the hotel room writing still. So
you know when I and some dings like that too,
all the way in it all like inside the middle

(52:04):
of a tornado, like they're not coming out of it, you.

Speaker 1 (52:06):
Know what I mean.

Speaker 2 (52:07):
I was crazy, It's crazy. I remember when I got
him on the Lean Back remix. He said the same
verse thirty times. It was this same verse, but he
would say the word a little different or say it
this way and this this, and we like, fuck, we
got the MNEM verse. We let this bitch oh and
he's just like yo yo yo, but hold up sending

(52:29):
you another verse. It's the same verse, but like with
a different tone of cateren to this and it's like
thirty times and I'm like.

Speaker 5 (52:38):
It's just the one lifeectionist Jim Why he's a perfectionist man,
and shout out, m what's so with the film that's
attached to the project?

Speaker 1 (52:49):
Man? It was a little bit.

Speaker 7 (52:50):
It was a good idea that it came up with
when we were working because we were gonna do a
bunch of videos.

Speaker 1 (52:54):
You know. Of course he was like, we should shoot
a movie. You know.

Speaker 7 (52:58):
I'm like about what you know, and it was like
first it was like about us, and we were like, no,
let's just let's give it somebody and get a script,
put some bread up and shoot fucking movie to go
with this.

Speaker 4 (53:09):
Out like characters outside of ourselves, not just at a
conventional music movie where it's like it's a little scene
and the music video pop up. It ain't no ship
like that. It's like a real beginning, middle end type shit.
It's a real story to it. So yeah, got Danny
Trejo in there.

Speaker 7 (53:24):
Got Simon Record, a bunch of good actors, Cochin Conways
in their.

Speaker 4 (53:29):
Level, high level shit shot on film, sixteen millimeters film.
It's like there's some some high level art.

Speaker 6 (53:36):
You know.

Speaker 1 (53:36):
What's crazy is you know, when we're talking movies.

Speaker 2 (53:39):
It made me remember that Taylor Swift just put out
of a movie with her You know, she sold three
million records in one day. Cardi B had a record
for like three days. This ship incredible Carty three million
in a day in the day. So how many streams
is that? We gotta find out? Man, how it's like

(53:59):
two billions.

Speaker 1 (54:00):
It was like merch and strength.

Speaker 2 (54:03):
Yeah, you know, Birdman just said he got he did
a trillion streams with all his artists.

Speaker 1 (54:08):
I believe it. Birdman just said it streams. It's crazy, yo.

Speaker 2 (54:12):
But but Taylor Swift Cardi B broke the grinnest world
of world record.

Speaker 1 (54:19):
Her shit lasted.

Speaker 2 (54:20):
Three day, three work days. It came Taylor Swift. Taylor
Swift came with the three million in one day, like
this ship and a movie. This shit sold like thirty
sixty millions all stream.

Speaker 3 (54:32):
No.

Speaker 2 (54:32):
No, she sold The Brother Man. She sold one million
copies and one day. There's a fact on world goodness,
look it up. Taylor Swift came out less than a
week later and sold two point seven million in one
day with the movie listened out. I love Travis Kelsey's

(54:54):
My Brother. I love everything about do you know who
got me full Taylor Swift. Taylor Swift got me fooled
because we all know you be waiting to meet people.
How many times you waited to meet somebody forever and
you like, you know, man, this guy ain't shit or
they got an attitude that they cocky or they arrogant.

Speaker 3 (55:16):
Youft, No, I just think I really believe she's a
niceties person.

Speaker 2 (55:21):
Boy, No, you're not listening to what I'm saying. I'm honestly,
I met everybody I've hung out with. I've hung out
with the biggest superstars in the world in the history
a man kid with Swift, I'm talking about the biggest
and we talked to some crazy ship and the fan
come over to go and come back. Yeah, fuck these

(55:44):
motherfucker's this this I'm like, damn like like I've been
with the biggest full of shitters in the world. I'm
trying to tell you, Taylor Swift got me fooled. I'm
believing she's a nice person. Great now, I'm telling you
the truth. My whole since she came around, I said, Man,

(56:04):
it's a nice girl. She's a fucking just tell us Swift,
she's a nice lady. Man, This girl you know, and
everybody's full of shit. And when you get to know
people and you be like, holy, you know what this ship.

Speaker 1 (56:21):
I'll tell your story. Fucking I said, name right.

Speaker 2 (56:24):
I waited maybe ten years, maybe fifteen to me Bruno
Mars Okay.

Speaker 1 (56:34):
Where do you don't want me to do? This is
a true story.

Speaker 2 (56:38):
Guy, you.

Speaker 1 (56:40):
Waited? What do you mean you waited? Because nah, I
gotta let it go. It's all you know.

Speaker 2 (56:46):
It's Puerto Rican at least that's what they say. So
I like, like, we know, we know Affacant. We don't
know that that's my basketball agahead listen, we know bad
Bunny's Puerto Rican.

Speaker 1 (57:02):
Like he got the flag. J Lo does the Super
Bowl with the flag, this and this and that.

Speaker 2 (57:06):
I've been I've been hearing that Bruno Marris Puerto Rican,
but I never got to meet him. So the whole
time I'm excited. You don't want to bring him into
Puerto Rican mafia? Right, No, how y'all got the white mafia.

Speaker 1 (57:19):
Right.

Speaker 2 (57:20):
So I'm at the awards and I'm sitting next to him, James,
I'm telling you a story. James, don't look at the
fucking computer. I'm telling you the truth. I'm sitting next
to him at the awards. I'm gonna keep it all
the way, Honey. I'm sitting right next to somebody in
the wards and I say, oh shit, Bruna, mam to
talk to somebody, say Yo, he's a fuck.

Speaker 1 (57:40):
Nigga, say.

Speaker 2 (57:43):
The guy next to me said, you might not want
to do it. He's a fuck nigger. I said, what yo, Bruno,
what's up?

Speaker 1 (57:50):
Man?

Speaker 11 (57:51):
Yo?

Speaker 1 (57:52):
Say yoo, what's up?

Speaker 3 (57:53):
Joe?

Speaker 1 (57:53):
He's with Anderson Pack. I'm like, yo, you Puerto Rican?
He got up.

Speaker 2 (57:59):
Fuck you mean I'm a real fucking Puerto Rican for
bresh Rick Brookley? Do I have to ask me ship
in your life? And went and sat on the other
side of the man broke my heart. Dude, he tripped
on What did you know? He was real wrinky bro
I wasn't challenging. This wasn't a flag of He's a
real Like tell me something, who's your father pays?

Speaker 1 (58:22):
They're nicest way being no wars. I'm wearing her mask.
I'm not bothering nobody. I'm in there. Do you have
a demeanor, Joe, you have a demean Oh no, Mars,
I've been waiting fifteen years. The action is he was body?
He could have just said, yeah, I'm Boddy, what's up body? Okay,
I don't know what a lot of you artists is
weird now? Like I asked a motherfucker question that starts

(58:46):
a gang war. Like I answer to the question, is
we want peace? Yo, you in the gang. We want peace?
Joe you in a gang. Yeah, I'm in a gang,
but we want Pete. Nah, I'm in the gang. Fuck you.

Speaker 2 (58:58):
Let everybody jelly jumping this. No, the answer is yeah,
Puerto Rican was sub bro, I love big pun something.
I thought that's a normal movie. Man screamed on me
and left, went to the other movements mad like you
know on this side of the fucking awards, looking like.

Speaker 1 (59:15):
And I didn't. That was like, Yo, you beat up
his positive? We did?

Speaker 11 (59:20):
You know?

Speaker 1 (59:20):
We've been around for a minute.

Speaker 2 (59:21):
Like no, I swear to god, I said, Yo, we
need to see if we beat up his bobs and something?

Speaker 1 (59:27):
This ship seemed personal? What's the anders? Pet love me?

Speaker 5 (59:34):
Man?

Speaker 1 (59:34):
Yo, you got some teeth and ship got some teeth?
Are you crazy? Got the head? Dude? That was like, yo, faty,
what's up? Brother?

Speaker 10 (59:43):
Oh?

Speaker 1 (59:44):
Shit?

Speaker 2 (59:44):
Man? Digging in a crazy baby? You know that's my guy.
I responded, like I thought Bruno was gonna respond to me.
I was like, yo, Bruno, if you don't remember it,
I forgive you. But you did that, brother, he did
that to there you forgiving me.

Speaker 1 (01:00:02):
You gotta apologize that. You should.

Speaker 2 (01:00:04):
Okay, say the lady, it's sung that it was over.
Like a fab from Yonkery. You go up to Fonder
Ray then you say hey, hey, Fonder you from Yonkers
and she gets the fuck up, Jadykins, don't ever talk to.

Speaker 1 (01:00:19):
Me like this and your fucking and you're like, yo, that.

Speaker 2 (01:00:22):
All never happened. She's seen me going to the store
for red. Well, it happened to me with Bruno Mars.
So what I'm trying to tell you, sometimes you can't wait.
I waited fifteen years to meet Bruno Mars, like I.

Speaker 1 (01:00:35):
Really, you know a lot of the way I so low.
You should have went to his grind. A lot of
these guys could break your heart. Man. You now, I'm
telling you the truth. You meet him and you just
like you know, I go above and beyond a smile
at everybody when they come up to me. Hey, fat Joe.
Some guys just sew you. Hes Ton sweat the other day,

(01:00:56):
he said, what's up? Yeah, got Jady? You giving.

Speaker 2 (01:01:08):
Come on, he said, I'm not pussy up from Southern Boulevard.
Joey for the Bros. Said I'm not pussy Uprotos. Damn
the motherfucker I heard me. We all found you know, yo, Jady,
you're giving.

Speaker 1 (01:01:21):
Up the sequel? When is the album dropping? Twenty fourth? Yep, yep,
this month, twenty fourth with the film.

Speaker 3 (01:01:29):
Make sure you check it out, man, real hip hop,
authentic ship.

Speaker 1 (01:01:34):
You got you gotta try to play one. Yeah, we
got here by that Britain his merger by business merger business,
mergerlay that joint.

Speaker 2 (01:01:41):
Play me the joint that you think Mike could be
the biggest because the file is gonna be the biggest
after the show.

Speaker 1 (01:01:49):
Lay video with the joint. That's the song. Sure you
want to do the video because our ship is listening. No,
but we could hear it in see okay, Yeah here
here let's go. This exclusive is exclusive. You might have
given us nobody. You have to multitask you watching the video.
He never played nobody's video. This is just exclusive. We're getting.

(01:02:10):
We're getting exclusive in first time.

Speaker 2 (01:02:12):
This is exclusive. That's Bradie Anderson. Pack was a great
guy at the same time.

Speaker 1 (01:02:18):
With each other. Yeah, you're sitting right there with him.
He's with him. I got a different yacht. He's probably
a great guy too, mother, You probably own something. Legend.

Speaker 2 (01:02:30):
He was on that Yagos when I see no, no, no,
he was trobly on that bars. Matter of fact, he
must have been on that dead end when I met him.

Speaker 1 (01:02:37):
He was on that dead end. He was on that
dead end. He was on that dead end. Loud please
yeah out West coach.

Speaker 3 (01:03:01):
Yeah.

Speaker 1 (01:03:06):
I closed in my heart.

Speaker 4 (01:03:08):
Open just to get this off my chest and left
my heart broken seeing how goofies are moved for the
Green saying we're on the same team.

Speaker 1 (01:03:14):
But what do that mean?

Speaker 4 (01:03:16):
While build a bridge just to watch the Nigga set
of the Blaze, don't get me heated. Ain't no way
to control the front, Old Philippe hear the Prodigy.

Speaker 1 (01:03:22):
I've been keeping the thor row. I'd rather do it
by my lonely the faith with the Pack and.

Speaker 4 (01:03:27):
If you can't stay down and stay where you wade,
I feel like.

Speaker 1 (01:03:30):
We're the new standard. I'm going over the.

Speaker 4 (01:03:32):
Matters from information I gather that I'm finding the answers.
I've been reading over the chapters. They doctoring up the numbers.
Fortunate all of their dad and my godly value speak
at how value ons without ever having to beat allowed to.

Speaker 1 (01:03:44):
Send the room. I'm moving like a commander in the military.

Speaker 4 (01:03:47):
You ain't even qualified get past the preliminaries separate award
winners from a war presenters. I seen some eagle dune.
I'm still shaking off the jettis. I'm coming with the thunder. Yeah,
I'm going through with the hammer.

Speaker 1 (01:03:58):
Was counting six seven eighths before I lived in Atlanta.

Speaker 4 (01:04:01):
It's my heart that makes me different. This link is
apocalyptic me and out moving period and niggas in our division.
I'm tired of acting like this said. It ain't watered,
damn for real fucking nine to five and you can't
relate to this type of fail.

Speaker 13 (01:04:12):
Nine gay boys are breaking now. I gotta deal with me.
I try to give them the game. They ain't keeping
real with me. Eye honies are supposed to come up
and get rich with me. I'm sure these are supposed
to stay down and have kids.

Speaker 1 (01:04:24):
With long story, it's a lot now.

Speaker 4 (01:04:27):
My circle so small that it's closer to a diet
that thought I was repping Gray Street.

Speaker 3 (01:04:31):
I'm turning up the wise while I'm.

Speaker 1 (01:04:32):
Beating up the post.

Speaker 14 (01:04:33):
Right now, I'm speaking with my chest out smoke to
prevent from getting stretched out through Lamborghini.

Speaker 1 (01:04:38):
Got the pressed out.

Speaker 14 (01:04:40):
I'm working with a different type of text out everything
simple gin it and to protect out.

Speaker 1 (01:04:45):
And you know I'm not a vegan.

Speaker 14 (01:04:46):
I'm a rept out me for my protection. Don't go
if I can't sneak a rifling. Got paper in circulation,
keep a cycling spending.

Speaker 1 (01:04:56):
You don't do collaboration. It's a business merger.

Speaker 14 (01:04:58):
Cut a posts with a burger, making stretch like a
fitness worker. I'm on my shit for certain, on stage,
checking the mic behind the custom doctor Romanelli curtain on you.

Speaker 1 (01:05:07):
I'll give you extra cuts, like a DeLux version, a
couple of stripes when I'm finished.

Speaker 14 (01:05:11):
Your need to cut searching, kids, drumming, got the trucks,
worthing meetings with a truck shirt and you.

Speaker 1 (01:05:16):
Could never put enough work in it.

Speaker 14 (01:05:18):
No I put a couple of hundred k hours and
days without showering, No face.

Speaker 1 (01:05:22):
To put a flower in, no paper to put.

Speaker 14 (01:05:24):
The saddel still, no way I'm gonna throw the towling
me and as be standing five seven is still looking
down on buns and towering Talo.

Speaker 4 (01:05:34):
Never heard it like this, back go back, back back,
beef for beet he bring it back. I gave you
boys a break. Now I gotta deal with me. I
try to give him the game name keeping real with me?
Eye howmies. I supposed to come up and get risk
with me, as I.

Speaker 11 (01:05:49):
Show these, I supposed to stay down and have kids
with me.

Speaker 4 (01:05:53):
Long story is a lot, and now myself so small
that it's supposed to a diet that thought I was
webbing Gray Street. I'm telling enough to wasting beat up.

Speaker 1 (01:06:04):
Yes, yes, good out here, gonna be good.

Speaker 2 (01:06:13):
Make sure you'll get you like two different arm like
it's that one part towards I don't know if it's
the fourth for a ball and.

Speaker 1 (01:06:24):
What the fuck? That was crazy? That was nuts.

Speaker 3 (01:06:29):
Goldfish Man, the album, the movie, the experience. Make sure
you'll get it on all platforms. Make sure y'all that's
gonna go on tour.

Speaker 1 (01:06:39):
Man on right now. Listen, you're getting it in man,
You're gonna do some shows. You gotta do it.

Speaker 7 (01:06:45):
Let's see where it goes. You know, we got a
lot of stuff on the plate. Got man, I got man,
sure going but good. Right now we're in this face
going fish.

Speaker 2 (01:06:53):
Your alchemistment love overing man, I'm out of here. You guys,
you're moving here, boy, you already are? You know you
when you're fucking sneaker is a melting You are so
on fire when your sneakers.

Speaker 1 (01:07:07):
Jada looked to the left. Man, he got some melting
this man, I say that a mirror.

Speaker 11 (01:07:13):
He got.

Speaker 1 (01:07:19):
And you got the melting joints. Check this out. This
ain't that? That ain't this cracking kiss? Motherfucker. I guess
I can missing hit boy one time. Joe and Jada
show appreciate what there you right there