Episode Transcript
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Speaker 1 (00:00):
Mackett was pointed out to me after watching one of
the movies that were about to talk about that I
might be an old.
Speaker 2 (00:09):
Yeah, or you have face blindness. I don't know. I
was very confused.
Speaker 3 (00:13):
You saw a movie, immediately texted me at the end
of the movie how much you enjoyed it. And then
your tweet was the emoji that I consider the eke
emoji e klee ooh not great. So then I texted you.
It was up for about an hour. I texted you,
I say, why the fuck did you post that? But
you really liked it, and you said, that's how I smile.
Speaker 1 (00:34):
Like I thought that I was giving off, like I
had a great time. That's how I smile. But apparently
the emoji that I tweeted out was known as the
grimacing face. Where grimacing grimacing. You keep on correcting my
pronunciation of the word grimace. But it typically represents a tense, nervous,
or awkward feeling. But that's kind of how I feel
(00:57):
when I smile, so that makes sense. It can convey
a range of negative or uncomfortable emotions, such as nervousment, embarrassment,
or awkwardness. Sometimes it's used to express a forced smile
or a feeling of discomfort in a situation. Here's the
issue is beyond just that tweet. I've been using that
(01:22):
emoji for years for what I thought meant happy.
Speaker 3 (01:27):
I actually had considered that after our brief discussion about
you using it. I'm like, man, I wonder if he
has been using it in this way forever. So you
have had a lot of awkward reactions to texts you've
sent unknowingly for a long time, because you're sending like
like when I see that, I think like h And
(01:48):
you thought it was like joy, so you were I mean,
thank god you're married already, because I don't know, like
if you send that to a girl meaning happy face
and they took it the other way, the relationship would
be over to things.
Speaker 1 (02:02):
I like, that's how I respond. And then the other
one that I always use. I don't know what this
one is, but.
Speaker 3 (02:06):
This, yeah, that's like you're over it or you're exhausted
or like ugh ugh sort of feeling.
Speaker 1 (02:14):
I thought it meant like all right, cool, you might
need to take a class one. Go three, yeah, just three.
(02:36):
King of Queen Marl Street and I'm Mac and we
are the Mac and Goo Program. I swear we're not
that old, but sometimes I think about it. We are.
Speaker 2 (02:52):
I mean, we're in our mid thirties. One more year.
Speaker 3 (02:54):
I think we're in our late thirties. I don't know
how that works. Don't ask me questions.
Speaker 1 (02:58):
Are we aging out of things?
Speaker 2 (03:00):
I hope not? Agent Pokemon cards. So that's all. Oh
I really care about.
Speaker 1 (03:05):
Mac just puts a hat on backwards and says, hey,
fellow children, Hey, fellow youths, I'm right here with you.
Speaker 2 (03:13):
Today, we have our latest. What have you been watching? Lately?
Speaker 3 (03:17):
It's been a real mismatch Morgasboard type of summer for
Goo and I between schedules and what he's seen and
what I've seen, and there's not a lot of matching
up lately. But today there is a movie we've both seen,
a movie I have seen, and then two movies Goo
has seen. So we'll we'll talk about those. One still
in theaters, one somehow just hit theaters after it was
(03:38):
already in streaming, and then the other couple are streaming.
Speaker 1 (03:41):
One is the most watched movie in Netflix's history, beating
The Rock and Ryan Reynolds.
Speaker 2 (03:51):
Wow. One accomplishment.
Speaker 1 (03:53):
I'm not I can't think of what is it? Red?
Notice sure that sounds right?
Speaker 3 (03:57):
That sounds right, lot lamely, keep it short till you
run now.
Speaker 2 (04:06):
Starting off with nobody too. This is currently in theater.
Speaker 3 (04:10):
As it hit theaters August thirteenth, it's up to sixteen
point nine million domestic at the box office twenty eight
point five million worldwide on a twenty five million dollar budget.
Speaker 2 (04:20):
The first hit.
Speaker 3 (04:22):
Goal totals of twenty seven and a half million domestically
and fifty seven point five million worldwide, So this is
tracking to maybe be under that.
Speaker 1 (04:30):
It's gonna be under because also in the news dump
that we just did, we talked about how in its
third week it dropped sixty percent, So I'm not sure
if it's gonna hold what it needs to have a
good theatrical run.
Speaker 3 (04:42):
I think it might surpass the domestic number, but I
don't think it's gonna get to the worldwide number. But whatever,
it's already it's gonna be approach breaking even territory, so
that's that's okay good. This is a rated R action
crime comedy and thriller comedy, action comedy, crime thrill yep,
yeah yeah. The subgenres here go dark comedy, which It
(05:03):
does have an element too that like kind of all
these tongue in cheek action movies do.
Speaker 2 (05:09):
This is a new one for me. I love something.
Speaker 1 (05:10):
I saw it on IMDb. I'm like, you know what,
I'm in.
Speaker 3 (05:14):
One person army action. We have a new sub genre
we've come across here, and you know what, you know
exactly what it is. It's John Wick, It's Rambo, it's
these types of movie. Yeah, yeah, it's John Claude Van Dam.
Speaker 2 (05:29):
It's a whole subgenre that it absolutely makes sense. Dude.
Speaker 3 (05:34):
This has a very crisp run time of eighty nine
minutes on Roddy, t's seventy eight percent from the critics,
eighty nine percent from the audience on Metacritic of fifty nine,
So those scores aren't great, but they're pretty good. The
first movie had eighty four percent, ninety four percent and
a sixty four, so in general, the audience of the
critics are telling you this is a little worse than
(05:56):
the fame.
Speaker 1 (05:56):
Also, you mentioned the eighty nine that's with end credits
and there's no post credit. When we got to the
end credits, I was like, what time is it?
Speaker 3 (06:06):
And they looked at him like that was eighty four minutes, impressive,
insane eighty.
Speaker 1 (06:11):
Four minutes, very crisp, very breezy.
Speaker 3 (06:14):
The only thing I'll say about that is I liked
the bare bones of this story and I liked what
it went for. But somehow Someway, the villain in this
story played by Sharon Stone, turned sir, I don't know
four or five minutes into an eternity on screen.
Speaker 1 (06:32):
I already told you this. This is I feel like
she went to the writers, the directors, and she's like, so,
how do you want me to play this villain? Like
what is the backstory? Like what is the essence of
this character? And they just slumped in a chair and
they looked around because they hadn't thought about it, and
they're like, have you seen the Joker? You know, you
(06:56):
know who the Joker is? Can can you do? Can
you do a Joker?
Speaker 2 (07:01):
Yeah? And you know the outfits he wears? Can you
wear those outfits? You know?
Speaker 1 (07:05):
His knives? He's like like, you don't know what he's
gonna do. He's like he's crazy, and he'll oh, his
voice calls up and down, his martians do a twirl,
oh arms, you know, always twirling, twirling, twirling.
Speaker 2 (07:23):
Speaking of those writers and creators of this movie.
Speaker 3 (07:25):
This movie is written by Derek Colstad and Aaron Raybin
Robin Uh. You know Derek Colstad from the first three
John Wicks and the first Nobody. He also wrote episodes
of The Falcon and The Winter Soldier and the Continental
TV mini series upcoming. He is the writer on the
next Odenkirk movie called Normal, that comes out September seventh,
(07:47):
and he's also the writer on the Netflix splinter Cell
series debuting in Netflix Our debuting in October. And he's
working on five other projects. So very very busy right now,
and he has earned it from what he's done over
the last decade. Rayven Rabin, you wouldn't really know much.
He's a writer on the the Amazon Prime Jack Ryan series.
(08:07):
He's got a few upcoming things as well. This movie
is directed by Timo Jiganto Johanto Tahanto. I don't know
how ill to pronounce that, tj A, h j A
and t O. That's an interesting name.
Speaker 2 (08:21):
Good.
Speaker 3 (08:21):
He is a horror director. His whole career has been
all horror stuff, starting in the mid to late two
thousands all the way up until prior to this movie.
So it's very interesting that he dove into this, but
there always is a little crossed over between like hyper
violence and horror, so it does sort of fit the
bill here. Upcoming for him, he's got the last train
(08:44):
to New York and the Beekeeper too, so he's getting
some pretty some pretty good work, some more notable work.
The synopsis of Nobody Too Suburban Dad hutch Mansell, a
former lethal assassin, is pulled back into his violent past
after thwarting a home and setting off a chain of
events that unravels secrets about his wife, Beca's past and
(09:05):
his own.
Speaker 1 (09:05):
His wife Beca's passed. Where is that? Did I miss something?
Speaker 2 (09:08):
She just is a marksman.
Speaker 1 (09:11):
Oh that's a good point yep.
Speaker 3 (09:12):
Okay, Yeah, that's a confusing synopsis, but good enough. This
movie stars Bob Odenkirk as hutch mansell Mansell, Connie Nielsen
as his wife Becca, Christopher Lurid as his father, David
Rizza as his brother Harry. Those all coming back from
the first movie. We have John Ortiz's Wyatt Martin. He's
like the mayor of the town they visit on vacation.
(09:34):
You wouldn't know his name, but you've seen him in
stuff Colin Hanks as Sheriff Abel like the secondary villain
in this movie, and then Sharon Stone is the main
villain Lindina and dude, it the more time I'm removed
from this movie, the more I hate her performance in
this one.
Speaker 1 (09:51):
That's my only note, that would be my only note
is like, just nix the character.
Speaker 2 (09:58):
It like, so this.
Speaker 3 (10:00):
Movie has major like walking tall vibes. If you've seen
the original or the Duwayne Johnson remake where you have
a crooked small town, crooked cops in the small town.
You get a little bit of that rambo vibe too
from First Blood. It's it has some cool elements in here,
some elements that we've seen before but we like watching.
(10:20):
But Sharon Stone as the villain is like so it
almost takes this there's no realism in this movie. But
she's so absurd it takes you out of the movie
a little bit, and it and it bothers the shit,
Like I legit think like a better performance, a better character,
or moving that character altogether. We're talking like three four
five more dogs on this movie.
Speaker 1 (10:40):
I think, just get rid of the character and you
don't need that like head crime person. You can have
a faceless person that maybe shows up in the third movie.
I don't know, but just the simple premise of a
small town where drugs are being run through and that's
where Hutch just so happens to be on vacation. He's
with his family and some people fuck with his family.
(11:02):
That's really all I needed. And for the most part,
we got a lot of that, because Sharon Stone isn't
even in this movie the first what half fifty minutes.
Speaker 2 (11:11):
And yeah, she went she shows up, Yeah, exactly.
Speaker 1 (11:14):
Really it takes you out of it of like I
was enjoying this sitcom dad who's just trying to de
escalate situations.
Speaker 3 (11:22):
Right there, there was there's there's a lot of good
elements here in the in you just need a bare
bones story when you're going above and beyond with the
action pieces and the ridiculousness there, and it has those elements,
Like it has a lot of fun kills in here.
Speaker 1 (11:39):
A lot of fun kills. They home alone a theme park.
Speaker 2 (11:43):
So that was really fun. And that's pretty much the
last twenty thirty minutes of this movie. It just didn't it.
Speaker 3 (11:48):
Didn't quite get as fun as I was rooting for,
but it was still pretty fun. And I also think
because the first movie sort of had that element of
surprise where we didn't expect anything from it, this kind
of gets hurt by that where the expectation is much higher.
I also think the bust scene from the first movie
is still by far the best scene in either of
(12:09):
these two.
Speaker 1 (12:09):
So the bus scene is great. I would put the
amusement park scene over the bus scene if you're making
me pick one or the other. I also like the
callback to the bus scene with the duck boat. I
love the simplicity of the arcade scene where the only
reason why he turns around and he's like, wait a second,
let me get back in there. The guy that works
(12:30):
at the arcade, he just did the most dickheadish thing possible.
Yeah of like, yes he did put his hands on
Hutch's daughter, but just in the simplest of like tapping
her in the back of the head, like get out
of here. Yeah right, And you're like that fucking guy
And I was in a theater. I was in a
theater filled with people, and when that guy touched the
(12:52):
back of his daughter's head, everyone went, we knew it
was coming.
Speaker 3 (12:58):
I think my favorite scene was the duck boat fight scene,
and I also liked the whole disappointment. He was teeing
it up as like the duck boats as you're seeing Boston,
that it was just a pontoon boat with a duck
on it. I like that, and then I liked the
ensuing stuff there. So like, this movie is enjoyable. I
think it's gonna have pretty good success when it hits
streaming because it's very easy to watch. Like Goo said,
(13:20):
eighty four minutes for the run.
Speaker 1 (13:22):
If you just take Sharon Stone out of it, if
you take that character out of it, it just becomes
more of a brain dead fun watch, a fun factor
movie that is just a breeze. It's just that when
you add her in there, and she just brings everything
to a grinding halt. I did not like that character.
And you mentioned the theme park. There is a point
(13:45):
in it. We're not gonna spoil anything, but one thing
that happens in the theme park that you kind of
forget they do and then they do it. And I
was cackling at the theater. I could not stop laughing
as blood was just raining everywhere.
Speaker 3 (13:59):
Yeah, yeah, there's some fun kills in there. Hu I
have this at thirty one hot Dogs. I think I
gave the first one like thirty five or thirty six.
It just I probably was at thirty two or thirty
three when I left the theater, and it's just come
down a couple the more I've thought about Sharon Stone,
I do think a lot of people are gonna watch
this and like us when it hits streaming. But that
puts it fourteenth on the year for me, like it's
(14:22):
it's not remotely near near the top.
Speaker 1 (14:24):
So I have it at number seven on the year,
and I have it above other action like ultra violent action.
Speaker 2 (14:31):
I have it behind those same set of movies. So
you like this movie a little more than me?
Speaker 1 (14:35):
Yeah, I like it more than Novacane.
Speaker 3 (14:36):
No, I liked it. I liked f One more, like
Novacane more. I like Mission Impossible more. I liked Companion more.
I like Companion a little above.
Speaker 1 (14:43):
I like Companion more. Don't tell me I don't like
Companion more. I love Companion, but I would have it
ahead of the next movie that we're going to talk
about too. But what I appreciate this though, is just
that it's short, it's pretty much to the point, and
it's just a common man it's a common sit ca
dad that's pushed a little bit too far, and I
really do enjoy that. I recommend it.
Speaker 3 (15:04):
I'll tell you right now what I gave nobody one.
I had a number three and twenty twenty one. Goo,
what do you think about that?
Speaker 1 (15:09):
Twenty twenty one was a bad year. I gave it
thirty six, thirty six. I gave this one thirty two.
Speaker 2 (15:14):
Okay, so you maybe me. Yeah.
Speaker 3 (15:16):
So all those action movies we just talked about, I
have at like thirty two, and this just below it
at thirty one.
Speaker 1 (15:22):
And a reason why I would have it above this
next movie we'll get into this next movie right now,
is I am sick of the John Wick lore and
with the high table. This movie has a little bit
of that with who Hutch is working for, but it's
not all that like, oh, you got to get through
all these channels and you can't get out this next movie. Ballerina,
(15:43):
starring Anata Armis, has a seventy six ninety two on
Rotten Tomatoes a fifty nine metacritic rated. Ar released on
June sixth, two hours and five minutes action mystery thriller
directed by Len Weisman writers Jay Hatton and Derek Kolstead
starring on a de armis, Keanu Reeves and Ian McShane.
(16:08):
I wish that it was in the John Wick world,
but without those characters.
Speaker 2 (16:14):
I really don't like Ian McShane. Dude. I think it
all stems from hell Boy.
Speaker 1 (16:19):
You are like, ah, I hate his Veneers. I can't stand.
Speaker 2 (16:23):
The Wick movies. And then hell Boy was just a cherry.
Speaker 1 (16:26):
On top of that, I should have quit while you
were ahead.
Speaker 3 (16:30):
Was there any outfits of this movie where you thought
Anna Damers was gonna pop out of them? No?
Speaker 1 (16:34):
I mean she is wearing dresses and but she has
like big fur coats. The action I do enjoy. So
this is an assassin trained in the traditions of the
Uruska rama organization, sets out to seek revenge after her
father's death. The movie starts with her father's death, and
then I would say there's like a half an hour
to forty minutes of build, not a ton of action.
(16:56):
John Wick does show up at the beginning. We also
know that John Wick's show up in the third act
as well. We saw that in the trailers. And I
think my biggest issue with this movie, and you're gonna
say goo get over yourself. The sound mixing is just
distractingly bad. I had to ride my remote while watching this.
Speaker 3 (17:18):
There's nothing more, nothing more frustrating than watching a television
show or a movie and the sound is all over
the place and you're constantly going that way.
Speaker 1 (17:28):
I had to rewind it so many times to hear
what they were saying, because there's gunshots, there's explosions, there's
so much going on, and I'm like, turn it down
a little bit, like it just it doesn't even itself out.
I have said this a million times, and this is
your favorite movie, and this is one of the reasons
why I love it. Inception. The sound mixing and Inception
(17:49):
is unbelievable, so good. There's so much loud noise happening
in that movie, but you have one volume in your fine.
Speaker 2 (17:57):
Yeah, you're right right this movie.
Speaker 1 (18:00):
I'm going from twenty five for the people talking down
to fourteen for the explosions.
Speaker 2 (18:05):
Oh man, that's tough. That's a big range.
Speaker 1 (18:07):
It's a huge range. Yeah, but with John Wicks, with
nobody's with movies like this. I rate these on Hell yeaz,
how many times am I sitting there putting my fists
in the air going hell yeah.
Speaker 2 (18:19):
Yeah.
Speaker 1 (18:20):
It took a little too long to get to too
many hell yeahs, and we do get eventually a couple
hell yeazz, but not enough hell yeaz to satisfy my
John Wick craving. Okay, sure, I do enjoy this. So
John Wick, he's kind of clumsy in his stuff. He
gets thrown through glass walls, he gets beaten the shit
out of the armist, takes an even bigger beating in this.
(18:40):
And she's slipping over stuff like banana peels, she's getting
hit by red shells. No, she's like she is taking
an absolute beating in this movie. And I love that
because she's new at this and at no point do
they make it seem that she is better, equal to,
or even close to being as good as John Wick.
Speaker 2 (19:03):
That's good, that's a good thing.
Speaker 1 (19:04):
I love that about this because I was I was petrified.
I was so afraid I couldn't sleep at night. I
was having nightmares about John Wicks showing up in this
movie and her either neutralizing them or tying him, beating him,
moving him out of the way. Not an issue at all,
John Wick.
Speaker 2 (19:24):
Opeas her do you don't know how to use that term?
Speaker 1 (19:28):
Overpowers?
Speaker 2 (19:28):
Right.
Speaker 3 (19:29):
No, you could like, but you wouldn't use it like that.
You would just say John Wick is op.
Speaker 1 (19:33):
Well, I just used it correctly because op means overpowers.
I said that he opeas.
Speaker 2 (19:37):
Her, I'd like to opeer.
Speaker 1 (19:39):
Oh, come on you son, I'm a bitch.
Speaker 3 (19:42):
This performance from Anna to armis also further prove that
that Bond movie needed way more of her.
Speaker 1 (19:49):
I mean that's obvious. She is. No, she is good
in this. Did you hear what I'm uh? Frank Grillo?
Speaker 2 (19:56):
Right?
Speaker 1 (19:56):
Is that the guy who's in Peacemaker? He said that
James Gun's wife would have been better in this movie
than her. I don't know why he had to take
a little slap back of this.
Speaker 2 (20:04):
Yeah, shut your fucking mouth, Frank, really talk about Anna Dharma.
Speaker 1 (20:07):
Don't get me wrong. What's her name? It's Jennifer something.
Speaker 2 (20:10):
Right, Jennifer well Gun.
Speaker 1 (20:12):
But for Jennifer Gunn I forget what he Oh my god,
that would have made so much sense because her last
name is Gun and they use guns in these movies.
Why haven't they thought about this? But her stage there,
Jennifer Hudson, if it was Jennifer Hunt. No, and I
do agree that she is good well that first.
Speaker 2 (20:31):
That first episode of Peacemaker, that bar scene is.
Speaker 1 (20:33):
She's great in action scenes. Don't get me wrong. He
didn't need to swipe better though. That's all I'm saying.
Speaker 2 (20:37):
It's hitting on James Gunn's wife. What's going on there?
Speaker 1 (20:40):
I don't know. I don't know what Gun's into, but
there's still a little too much high table stuff in here.
There's a little too much with Ian McShane. I understand
that he's kind of like a mentor to a younger
girl and stuff like that. There was an amazing scene
and it did feel like they they just they broke
out all the stops. They said, Holland I was close
(21:02):
with Hudson and they also look alike. But I was like,
they said to themselves, there's a chance that we're not
going to get a sequel to this, Let's use as
many crazy, over the top action scenes as possible. Because
there's one scene where she is just going through a
building taking people out with grenades and she would like
(21:24):
strategically place it in their mouth and then put a
metal door between them. Like it was a really nice
action scene. If you don't watch the movie, I recommend
that one scene go to you.
Speaker 2 (21:32):
Tube, all right, I am going to get to this
at some point.
Speaker 1 (21:35):
I do like a lot of the scenes. I think
this is a bit too long and it takes a
little too long to get going on into armis is
good and that I do like the action. I do
prefer the mindless ultra violence of Nobody over this, because
this is a little more premeditative, and it's so much
with the high table and with like the whole ballerina thing,
(21:55):
the ballet stuff. And while I do like that she
doesn't beat john Wick, what I hate about it is
that John Wick is in this movie.
Speaker 3 (22:06):
And they went out of their way in the last
like four months to really make.
Speaker 1 (22:10):
A guy that he's in the movie, I swear, and
he's in scenes beyond it too, which I just I
don't I don't need it. I don't need it. You
could have set this after john Wick four, when John
Wick is already spoilers dead or is he? I don't know.
We'll say I have this a little bit below Nobody
to I have this eighth on the year, let's say
(22:31):
thirty hot dogs.
Speaker 2 (22:32):
Okay, that does I'm not sure you believe your own
self there.
Speaker 1 (22:35):
I don't believe myself I have it above F one.
I have it above Lee Low and Stitch.
Speaker 2 (22:39):
You gave F one. I feel like you gave F
one more than thirty, but maybe maybe that's wrong. Good.
Next up on tap the movie I Watched You Did Not.
Speaker 3 (22:46):
Eddington Eddington Is Eddington Bear is the latest, a twenty
four release, written directed by Ari Astor. This hit theaters
July eighteenth. It is already on video on demand streaming.
You have to pay for it the moment. I'm sure
it'll hit one of these services for free at some point.
This only made eleven point eight million dollars in the
theater on a twenty five million dollar budget. Some are
(23:10):
reporting the budget might be thirty five million or more,
so that's an issue there. It's an R rated comedy
drama in Western subgenres of contemporary Western dark comedy, and satire.
This movie totally is weird. It's bizarre. It's hard because
it's like somewhat of a dark comedy and satirical. It's
(23:32):
hard to take the really serious moment serious because you're like, oh, this,
like we're all over the map here. It also is
a run time of one hundred and forty eight minutes,
so almost two and a half hours on roddy T's
we have a middling sixty nine percent and sixty five
percent from the audience, a sixty six on Metacritics.
Speaker 1 (23:52):
So in general deviceive movie though, So it should have
a score like that.
Speaker 3 (23:56):
Yeah, it's an ari astro movie, right, So all he
does is divisive shit twenty eighteen's Hereditary, twenty nineteen's Midsomar,
and twenty twenty threes bo Is Afraid.
Speaker 2 (24:04):
I still have seen Bo's Afraid.
Speaker 3 (24:06):
In that movie, he worked with Joaquin Phoenix, who then
also stars in this movie.
Speaker 1 (24:10):
Joaquin Phoenix, you just said it's so Joaquin Phoenix. So
you said, like Joaquin, No, you definitely did. Go check
the tape.
Speaker 2 (24:18):
You check the tape, motherfucker.
Speaker 3 (24:19):
Synopsis in May of twenty twenty A standoff between a
small town sheriff and mayor sparks at powder Kegs as
neighbors are pitted against neighbor in Eddington, New Mexico. So
it's set during the height of COVID. It has political commentary.
So people go into this movie probably already feel in
some type of way, and some of the characters and
(24:42):
depictions of this movie or a little cartoonish based on
Everything That's Happened?
Speaker 1 (24:46):
Was Sharon Stone's bad guy in this.
Speaker 2 (24:49):
She would have fit better in this movie.
Speaker 1 (24:50):
What the hell was her name? Lendina? Was Lindina in this.
Speaker 2 (24:57):
Goo?
Speaker 3 (24:57):
Joaquin Phoenix stars as Sheriff Joe Cross, and he is
pitted against Pedro Pascal's mayor ted Garcia.
Speaker 2 (25:04):
They're both phenomenal. Let me get let me get that
out of the way.
Speaker 3 (25:08):
Those two do an incredible job in this movie, but
everything around outside of them is.
Speaker 2 (25:14):
A little confusing.
Speaker 3 (25:15):
You have Luke Crimes, this guy Tully. Everyone knows who
he is at this point. D'andre O'Connell is Don Bodkin.
She plays the penguin's mother in that mini series. Uh,
Mikail Ward, it's e A L plays Michael Cook. I
don't know if his name is still pronounced Michael or
Mikail Michelle.
Speaker 2 (25:32):
Who knows?
Speaker 1 (25:33):
That's way too confusing. It's spelled Michael, but he spells
the e a L.
Speaker 3 (25:36):
Michael's ae L, so I don't know how to pronounce that.
Emma Stone's in this as Luis Cross, Joaquin's wife, who
she's like, what's the director?
Speaker 1 (25:48):
Who's she's been in like four movies of now Oos.
Speaker 3 (25:53):
She's playing like a Yorgos Lanthemos character in this movie.
So that's why, like totally things are fucking weird. Amelia
Hopefully as Sarah Clifton Collins ja as Lodge, William Below
as Officer Butterfly, him Andez. You also have some like
Native American territory situation going on in here, and then.
Speaker 2 (26:11):
Austin Butler like oddly pops.
Speaker 3 (26:13):
Up in here for a minute as Vernon Jefferson peak.
Divisive is the word for it, because it's Alrea Astor.
This movie is also like pretty depressing and cynical, although
I think accurate in that respect too, because COVID made
people crazy and people do some crazy shit in this movie.
I don't know if anyone's gonna love this movie because
it's a little all over the map totally, but I
(26:34):
do think you're gonna come away loving those two performances
from Joaquin in Pedro Pascal.
Speaker 2 (26:40):
Pedro Pascal has been in so many things this year.
I think it's like.
Speaker 3 (26:44):
By the end it gets rid of oh the silliness
and it's just serious and I just feel like it
didn't land the plane all that well.
Speaker 2 (26:52):
So I have this at twenty nine hot Dogs.
Speaker 3 (26:54):
Goot, I think if you like so, it does have
a little bit of like a Sacario element to it.
Speaker 2 (27:00):
So there are some like really good parts of this movie.
Speaker 3 (27:02):
But I don't know, it's just it didn't It wasn't
as good as I had hoped for. It's not bad though,
it's definitely not bad. It's just gonna be a weird
watch for most people. So twenty nine hot Dogs. I
have this as the eighteenth movie of the year. I
don't know if anyone's gonna love it. I'll just say that.
So the ceiling for it is not very high.
Speaker 1 (27:24):
I can tell you right now, I'm not gonna watch it.
And yeah, it's long. I might need well, no, I
think I'm gonna need like a decade maybe even more
to dive into anything COVID. I don't want to go
back to code.
Speaker 3 (27:34):
Yeah, so that's part of it too, right, Like, it's
just it's gonna have a sour taste for some people.
Speaker 1 (27:39):
All right, let's get to the number one movie of
all time now. And when I'm talking all the time,
I mean on Netflix, it is at two hundred and
thirty six million views on the streaming site it is
the most watched beating red notice and that stars the
three biggest stars in the world. So that means that
the three girls in this K pop band, they're the
(28:00):
three biggest stars in the world. Now they are now
our president, they are now our rock, our Ryan Reynolds,
and our Galagado. I don't know their names in the
movie though, so I think they're called the Huntress, the Huntresses,
the hunter Tricks. Okay, this is on roddy t's ninety
seven percent from the critics, ninety one from the audience,
(28:21):
seventy four on Metacritic, but only seven reviews. It's high,
but how many reviews are They usually on Metacritic.
Speaker 2 (28:27):
So it's usually a lot less than roddy T's because there.
Speaker 1 (28:31):
But it's like twenty to twenty five though they're not.
It's usually like in the forties and forties. Okay, I
know nothing about metal.
Speaker 3 (28:38):
They're not accepting reviews from fucking bimbos like us.
Speaker 1 (28:41):
I mean, Rotten Tomatoes is an expecting shit from us either,
So we're applying and March Fingers Crossed rated PG. What
hour and thirty five minutes a pop musical action adventure animated.
Speaker 2 (28:55):
I don't know if you mentioned that.
Speaker 1 (28:55):
Yet it's animated, and I do like the animation style
in it, and it takes some that I think a
company like Disney wouldn't do. And I do think I
think that companies outside of Disney have caught up and
they've made some stuff that is better than what Disney
has given you, especially for original programming. And I have
seen people argue that this has the same beats and
(29:18):
the same storyline as a Frozen, but I would argue
that it doesn't.
Speaker 3 (29:25):
So this is also really weird. And if you tuned
in the news dumb this week, you already knew this.
But this is number one of the box office this
past weekend after spending like two months on Netflix.
Speaker 2 (29:35):
It was already on.
Speaker 1 (29:36):
It's been viewed two and thirty six million times on Netflix,
and people just spent eighteen million dollars over the weekend
on it.
Speaker 3 (29:44):
And friend of the program doc his seven or eight
year old daughter loves this. So I when I hit
Netflix like three months ago and loved it. So that's
what I knew about it, and that's probably the target
audience here, right mac.
Speaker 1 (29:56):
There are six songs right now in the Billboard Hot
one hundred from this movie. At number one, are you
playing it?
Speaker 2 (30:04):
I'm playing Golden.
Speaker 1 (30:05):
Have you heard it before?
Speaker 2 (30:07):
No? I just looked it up because of your list.
Speaker 1 (30:09):
Well, we don't want to get black ball, don't you
tumber one one? Yeaph turn it off. I'm so golden
watch me at Touch the Sky. I think those are
the words. I don't know though. That is at number
one on the Hot one hundred. At number four is
your idol. At number five is soda Pop number ten.
Speaker 2 (30:27):
Soda pop o, Soda Soda Pop.
Speaker 1 (30:29):
Soda Pop number ten is how It's done. At number
twenty is what it sounds like. And then at number
twenty five, and I think also at forty a remix
of it is takedown like this album has taken over,
This movie has taken over. It has two directors. It
is Chris Apple, Han's and Maggie Kang. It's writers are
(30:49):
Daniel Himenz, Hannah mckeckin that's correct, sure, and then Maggie Kang.
And it stars not Stephanie Beatriz but instead an entire
Asian cast our den Cho Mayhong, and then Gie Young Yo.
Also Ken Jong is in there, okay, he's their manager.
Speaker 2 (31:10):
So the premise of this movie, Gou is what.
Speaker 1 (31:13):
A world renowned K pop girl group balanced their lives
in the spotlight with their secret identities as demon hunters.
Speaker 2 (31:21):
So as demon hunters, do they have powers?
Speaker 1 (31:24):
Yeah, they got like like mystical swords and daggers of
our stuff girls. It's kind of like so yes, it's
been compared to Powerpuff Girls. I compared it to a
Josie and the Pussycats meets Buffy the Vampire Slayer that's
also animated. It does. It has that silly cartoon violence
that also plays with like the girls, you know, doing
(31:45):
girly things or doing kiddish stuff. One of the scenes
is them on their private jet on their way to
a concert, trying to have a snack, but it turns
out that the airline workers are all demons. They get
pissed because they want to eat, but they have to
step into action. Hey, plane gets cut in half. They
have to do a dive bomb out of the plane
and just into their concert.
Speaker 2 (32:05):
Okay, then they still perform.
Speaker 1 (32:08):
They have to. The fans need it, the fans demand it.
Speaker 2 (32:12):
Sure, yeah, no, I understand.
Speaker 1 (32:14):
And then you have the leader who's a bit overbearing,
and then she has a secret and everyone's like, hey,
you got to hide your powers? Does that sound like
Elsa a little bit? But her powers aren't. It's not
apples to apples. There's apples to oranges. Those still fruits.
Speaker 2 (32:29):
What has better music?
Speaker 1 (32:31):
One's a soft hand fruit, one's a hard hand fruit.
Speaker 2 (32:34):
This are frozen music.
Speaker 1 (32:35):
I mean this music is pretty catchy. I'm not sure.
I mean let it go as a global phenomenon. Golden
is really touching people, though I don't know. This might
have more. You have six songs in the hot one
hundred that's crazy or four it did?
Speaker 2 (32:50):
Would I like this movie?
Speaker 1 (32:52):
I think you would like I said, so listen to
the music after. It's not super K poppy.
Speaker 2 (32:57):
I like to listen to the music contextually, so I'll
listen to it during the movie.
Speaker 1 (33:01):
Soda pop is like a straight K pop song pop. Yes,
that one, soda pop. Boom boom boom. They all wear
like like big oversized coats and they sing.
Speaker 3 (33:13):
If someone's out there listening right now, thinking that we
don't know it's a lollipop. By the way, come on,
give us some fucking credit.
Speaker 1 (33:19):
I thought it was soda pop. I do like this.
My son loves it. Everyone all the kids that hang
out with him, they've all told me that they love it.
My wife really enjoys it. I know that one of
our friends brought her daughters to the theaters to see
it with a bunch of people over the weekend. So
it's catching on. I get it. I think it's really fun.
I love when they cross, you know, something as ridiculous
(33:43):
as K pop with demon hunting, so that catches my eye.
I like the animation. I got this around like thirty
one thirty two, and I think that if I was
more in the age range of the kids that are.
Speaker 2 (33:56):
Watching it, old girl, this would be a forty doctor.
Speaker 1 (33:58):
But I'm a forty year old man, so this is
an eight dog. No, I would say thirty. I like
thirty thirty one. There's enough good about this.
Speaker 2 (34:08):
Yeah.
Speaker 1 (34:08):
The resolution at the end of the movie does come
out you hard and quick, and you're kind of wondering, wait,
how did they come to this? But at that point
they're singing, what are you gonna do? You're gonna sing along?
You know, go like this?
Speaker 2 (34:20):
Does it end like Greece?
Speaker 1 (34:21):
I wish they do. They fly in the sky in
a car. I don't think so. I will say this
is that on the on the day when Mac and
Goo ends, we're gonna figure out a way to fly
a car into the sky.
Speaker 3 (34:33):
By the time this podcast ends, they'll be flying cars,
don't you worry.
Speaker 1 (34:37):
Or even once a flying car is discovered in the wilds,
that's when we're gonna end the show and we're flying
to heaven. Do you think Danny and Sandy are dead?
Speaker 2 (34:47):
If Sandy's dead, I hope she is wearing that leather outfit.
Speaker 1 (34:50):
One can assume that the entire school year they were
in purgatory after drowning in the ocean for their summer
love and and at the end of the movie when
they finally realize who each other are, and then finally
the pearly gates open and they fly their car into heaven.
(35:11):
Grease is a very upsetting movie.
Speaker 3 (35:13):
Dressing up as the leather clad Sandy for Halloween is
always gonna hit. Just the advice for females out there
that's always gonna work.
Speaker 2 (35:20):
Always.
Speaker 1 (35:20):
Oh did you see that John Travolta. I'm not sure
if he's bald right now. He was bald for a
hot second, Yeah, he was for a second. Now I
think he's wearing a wig.
Speaker 2 (35:28):
I would believe that.
Speaker 1 (35:29):
Have you ever thought about wearing a wig? Please don't
wear a wig.
Speaker 2 (35:34):
I promise you.
Speaker 1 (35:34):
No one would be like, well, Mac, your hair looks
really good. Let's get into Maxack and Max Sac could
be anything. It could be a boat and Mac. After
being bullied online, a lah ugly sonic Cracker Barrel has
(35:57):
brought back there. I don't know what the fuck it is.
An old guy on a on a stool. Their their logo,
that's an old guy on a stool. I've never had
Cracker Barrel. Reading the menu, it looks like complete slop.
It looks like garbage. But I had a co worker
who is from the Midwest, and when heard that Cracker
like the whole Cracker Barrel conversation, they were like this,
(36:19):
I love Cracker Barrel. It's my childhood. It's so good.
And that made me think, what is a local or
national chain restaurant that you know is bad, Like you
understand it's terrible, but you'll die for if anyone wants
to say anything bad about it, you'll you'll go to
the floor.
Speaker 3 (36:38):
To me, the easy answer is Taco Bell. Here, right,
we all recognize Taco Bell is fucking terrible, but it's
also amazing, and it has a menu item for anyone
and everyone, and they also they lean into it.
Speaker 2 (36:49):
They're very they're very aware. There's always new items.
Speaker 3 (36:53):
They're they're fucking around with I like I would crush
Taco Bell at every opportunity, and they're Dorrino's logo are
fucking phenomenal.
Speaker 2 (37:01):
But I don't know what I'm meaning for me. I
know it's not good.
Speaker 1 (37:05):
It's not horse anymore. We know that.
Speaker 3 (37:07):
I'm trying to think of a more local type chain.
The ninety nine is just legit good.
Speaker 2 (37:11):
Not great.
Speaker 1 (37:13):
Gold Fever Wings Papa Ginos so that was mine solid
minus Papa Gino's, and I've I've heard people that hate
Pappaginos and whatever. I understand it. We don't have as
many Papa Gino's around here as we used to. There's
one out in Walterom, there's they're all over the highway now.
Speaker 2 (37:28):
The only one I know of now is Waltham.
Speaker 1 (37:30):
Yeah, so they're all over the highway and you're never
getting the best food when you're buying food from the highway.
Speaker 2 (37:35):
But put that on a billboard somewhere.
Speaker 1 (37:40):
That's something that I grew up eating, and that was
even a pizza that my Italian grandmother would let us
order out.
Speaker 2 (37:47):
That says something right there. They're pizzas solid. It's solid.
They're cheese, breadsticks are dynamite.
Speaker 3 (37:53):
And a good a good hot dog too toasted bun
good hot dogs.
Speaker 2 (37:57):
Oh.
Speaker 1 (37:57):
I used to love their their buffalo chickens. There are
meatball subs I love. I love all Popagino's food. If
Papa Gino's is listening right now, if the father is listening,
we'll take all the endorsements. We'll eat all your food.
I love Papa Gino's. I'll die for you. That's the
point of this segment. That's what I was talking about earlier.
I will step in front of a bullet for you, Papa.
Speaker 3 (38:18):
As a young lads high school slash college age, I
worked at the CVS on Watertown Street, right on the
Watertown Newton line, and next door was Papa Gina's. So
I was eating Papaginos all the fucking time. And if
I wasn't eating Papaginos, I was getting snack rashed from McDonald's.
Speaker 1 (38:33):
So it was it was it was you go into Papagino's.
Speaker 2 (38:36):
You got the best time in my life.
Speaker 1 (38:37):
Two slices for like three bucks. Yeah, that was an
amazing deal.
Speaker 2 (38:40):
The only the.
Speaker 3 (38:41):
Biggest issue I had with Papa Gino's is if you
went in there for pepperoni slices. Oftentimes they're just tossing
pepperoni on an already cooked cheese slice and throwing it
in the oven.
Speaker 1 (38:50):
I hate what places to do that. But they had
those great checkered tablecloths though. Yeah they're kind of waxy, Yeah,
little water resistant.
Speaker 2 (38:59):
Yeah.
Speaker 1 (39:00):
Yeah, because I was, especially as a kid, never a
fan of Pizza Hut, Dominoes, any of those.
Speaker 3 (39:05):
Pizza Hut is some of the worst food I've ever had,
so that point as well. I had CCS when I
was in Virginia fifteen years ago. CC's was fucking terrible.
Papa Gino's way better than that.
Speaker 1 (39:16):
Yeah, I mean Papa Gino's. I would I would love
the I think it's called the Big Kicker Meal. Adam
Viniteri was the spokesperson of it, but you can put
Mac and Goo as the spokesperson of the Big Kicker
Meal now or whatever. Teddy Bruski's meal was, what was
his called? I don't know Teddy Bruski. Papa Gino's Papa Gino's.
Speaker 3 (39:37):
Do they do the mozzarella like moons? I think there
were sticks instead of sticks. Okay, I don't know if
they do sticks.
Speaker 1 (39:43):
What was his called? Just the Papa Gino's ad the standy?
What was your thing called? I don't know, Ted, I
don't know.
Speaker 2 (39:52):
Kind of hate Teddy Bruski.
Speaker 1 (39:53):
I'm not a huge fan of Teddy Bruski. I met
him once. I did not I would say I'm bigger
than him.
Speaker 2 (39:58):
I'd agree he.
Speaker 1 (39:59):
Lost a lot of wait post football.
Speaker 2 (40:01):
Yeah, most of those guys.
Speaker 1 (40:02):
Do ask me about someone else, Ted Johnson. I met Ted.
Ted's fucking He's a monster. Ted's a monster. I'm glad
that you didn't say Adam Vinatari. Adam Vinatari is a monster.
Now have you seen his legs?
Speaker 2 (40:14):
Really?
Speaker 1 (40:14):
Where have you been?
Speaker 2 (40:16):
I'm not keeping tabs on Venetaria, that's for sure.
Speaker 1 (40:18):
Yeah. Well he's passed. He didn't get into the Hall
of Fame, so he's a squatting all day.
Speaker 3 (40:21):
Is he gonna go in as a cult? He should
spent way more years there.
Speaker 1 (40:25):
He got paid more too, But he's.
Speaker 2 (40:27):
Got three iconic moments as a patriot and none as
a cult.
Speaker 1 (40:31):
As an adult now, I am willing to say, is
that whoever pays you the most money, they get to
go to the Hall of Fame with you.
Speaker 3 (40:37):
I think teams should vie for it. Pay me more,
pay me again, Patriot, pay me five mil.
Speaker 1 (40:43):
I'll I tell you right now, Patriots would not pay
for that.
Speaker 2 (40:46):
No, Craft ain't paying for you.
Speaker 1 (40:47):
No he's not being like, uh oh no, thank you.
That was a really bad Craft impression. If he gave
me some more time, and.
Speaker 3 (40:52):
I mean Gil without vanitaria, we don't have a fucking
fifteen foot Tom Brady statue.
Speaker 1 (40:57):
We should have a vanitary statue like a ten footer.
Speaker 3 (41:00):
Yeah not as big, but yeah, or like a statue
of goalposts.
Speaker 1 (41:06):
I want Lonnie Paxton doing a snow angel. Yes. Yeah,
we're getting too sportsy right now. Yeah, we're getting too
deep into the weeds. Mac and the folks find.
Speaker 2 (41:15):
Last night I had a fantasy football draft list.
Speaker 1 (41:18):
I don't care. I don't care. Okay, all right, I
don't care.
Speaker 3 (41:20):
Folks can find us on Twitter, on Instagram, at Mac
and gooo podcast every other platform where you are Mac
ampersand good. It's Max Shift seven Good That includes Facebook,
tric Tune and cas Speaker, Google Play, I Art Radioiheart Radio.
We're on Spotify, but more importantly Apple Podcasts.
Speaker 1 (41:34):
The crowd pleaser.
Speaker 3 (41:36):
Okay, get on their rate review, subscribe five stars. If
you do that, maybe one day we'll get you a
free T shirt. Fro the folks over at Watertown Sports
where Watertown Sportswear is on thirty four Mont Auburn Street
in Watertown. Watertown Sportswar dot com expert screenprinting and embroidery.
Speaker 1 (41:50):
The meal deal offered two one not large and one
small cheese pizza. That's bullshit, right there, Papa Gino's, we're
not doing that. We want two cheese pizzas large actually
one cheese, one pepperoni.
Speaker 2 (42:02):
Yeah, diversify.
Speaker 1 (42:03):
Okay, we're good right there. We agree entree, salad, cinnamon
sticks or toasted ravioli's.
Speaker 2 (42:10):
You can't.
Speaker 1 (42:11):
That's not a good option. One's a dessert, one's a meal.
Speaker 3 (42:15):
What depends what you're in the mood for. I didn't
know they had cinnamon sticks. I'd like to try them.
Speaker 2 (42:19):
Do they still exist?
Speaker 1 (42:20):
So the option is either that with the one large
one small with those little things, or just two large
cheese pizzas with the same choice of sides. This is
fucking stupid. What is happening sizing differences?
Speaker 2 (42:34):
Yes, that's the difference between the small and large.
Speaker 1 (42:36):
Now I know why Papa Ginos went out of business.
They fucked up the Brucekey meal.
Speaker 2 (42:39):
They had to consolidate.
Speaker 1 (42:40):
They fucked up the brucekey meal. If they want to
come back with mac and goo, we can figure it out.
We need to hammer it down. What's in the mac
and goo meal?
Speaker 2 (42:48):
Hey? How many slice of pizza do you think you
could to eat this?
Speaker 1 (42:50):
Sitting two pizzas? Sixteen?
Speaker 2 (42:55):
I think I could get around there myself too.
Speaker 1 (42:57):
And like, I'm not excited to say that.
Speaker 3 (42:59):
No, I know, I know after twelve slices pizza and
a half, I'm I'm gonna be in trouble. I'm for
sure because I eat I could eat one pizza so
quickly that I know I can get another half pizza
then I don't know from there.
Speaker 1 (43:12):
I also know that when I make pizza for my household,
and I make my pizza, no, but I make my
pizza way doughier, So I'm eating a thicker, doughier pizza.
But I'm eating like three pizzas to myself.
Speaker 2 (43:23):
Yeah, I would like to see.
Speaker 3 (43:25):
I wish I could do it without having the feeling
after and having the ramification to it.
Speaker 1 (43:29):
I wish I could do it with no consequences.
Speaker 3 (43:33):
I would say, for sure twelve slices, probably fourteen, and
maybe a full sixteen.
Speaker 1 (43:38):
I think I could do sixteen. I'm not proud of it,
but I think I could do it. But the Mac
and do Mac, and do the mac and do Papa
Gino's deal. It's gonna be one pepperoni, one cheesee breadsticks,
gotta be in there, spread six getting to it. The
hot honey's on the side by the way. I don't
want them applying the hot honey. They put too much
on it.
Speaker 2 (43:57):
Oh, I find most places don't put enough.
Speaker 1 (43:59):
Oh, Papa Gina's, it's too much.
Speaker 2 (44:00):
I haven't had papaginos with hot honey.
Speaker 1 (44:02):
Go to the highway.
Speaker 2 (44:06):
Life is a.
Speaker 1 (44:08):
Okay. I want to ride the Mac and Goo. Papa
Gino's meal is called life is a highway. Mac and
Goo's Life is a highway. It is a cheese pizza,
pepperoni pizza, Yeah, Buffalo chicken.
Speaker 2 (44:22):
Fingers, yeah, cheese breadsticks.
Speaker 1 (44:24):
Cheese breadsticks, cinnamon sticks.
Speaker 2 (44:27):
No, not desert We don't row for dessert, fuck around
desert and.
Speaker 1 (44:30):
Then also a free d Angelo sandwich of your choice.
Those are always attached.
Speaker 2 (44:35):
And you get a lot of free large Mountain dew,
but if you want any other type of drink, you
have to pay for it.
Speaker 1 (44:40):
As a joke, as a gag, I sent my buddy
for his birthday a five dollars gift card to quiz
No's and I'm like, hey, you can get yourself a
Sami with this. He hasn't responded yet, and I don't
want to ruin the joke by texting and being like, hey,
you get that gift card.
Speaker 3 (44:56):
It's a great gift because you now feel obligated to
eat at Quiznos.
Speaker 2 (44:59):
But it's actually gonna cost you like fifteen.
Speaker 1 (45:01):
Bucks to drive to Connecticut.
Speaker 2 (45:03):
Well, you gonna have.
Speaker 3 (45:03):
To drive, and then what do you You cant get
a quizto stuff probably less than twelve bucks on top
of it, and you're gonna get a drink in Chips.
Speaker 1 (45:09):
You can get a sandy for five. It's a little
wrap with some cold cuts in it.
Speaker 2 (45:12):
That's that can't be true.
Speaker 1 (45:13):
So right now I was hoping that he'd be like, oh,
good gag gifts and I'm like, I want to drive
to Quiznos. I want to want to go to Quiznos.
Want to get a large traditional roast beef dam I
did here for Quiznos ranch dressing.
Speaker 2 (45:27):
The subs were too slender for my liking.
Speaker 1 (45:29):
Yeah, but they have a station where you can add
as much shredus as you want.
Speaker 2 (45:36):
I haven't heard you call it shreddis before, so I
liked that.
Speaker 1 (45:39):
Your imagination is your limit.
Speaker 2 (45:43):
Yes. Yeah.
Speaker 1 (45:44):
The Mac and Goom meal deal at Quiznos is four
traditional sandwiches and a big bowl of shreddis.
Speaker 2 (45:51):
And a slap in the head. It's my contribution.
Speaker 1 (45:55):
It's toasty, and you get to get to make out
with a sponge monkey. All right, this episode is over.
Mac Yeah, Tuesdays or Goose Days. I abuse kangaroos, Dam Burton.
Please flip the cassette over to side B to continue
the adventure.
Speaker 2 (46:15):
I thought we were trending for like a BB minus
with that last one.
Speaker 1 (46:18):
Oh shit, I forgot to greade.
Speaker 2 (46:20):
That last five minutes really brought us down to like
a C minus.
Speaker 1 (46:23):
That was the Lendini of the episode, Thelendina. That the
hell's her name, Lendina. We just Lendina. The episode, we
just ruined it. We had a breezy nobody to episode,
and then I had to add to it. We had
a nice bee, a solid bee, and then I had
to get too deep into the Teddy Bruski meal deal.
But guys go to any pappaginos on a highway and
(46:45):
order the Mac and goose. See what they say. Now
it's time for girls jumping on trampapallines.
Mackett was pointed out to me after watching one of
the movies that were about to talk about that I
might be an old.
Speaker 2 (00:09):
Yeah, or you have face blindness. I don't know. I
was very confused.
Speaker 3 (00:13):
You saw a movie, immediately texted me at the end
of the movie how much you enjoyed it. And then
your tweet was the emoji that I consider the eke
emoji e klee ooh not great. So then I texted you.
It was up for about an hour. I texted you,
I say, why the fuck did you post that? But
you really liked it, and you said, that's how I smile.
Speaker 1 (00:34):
Like I thought that I was giving off, like I
had a great time. That's how I smile. But apparently
the emoji that I tweeted out was known as the
grimacing face. Where grimacing grimacing. You keep on correcting my
pronunciation of the word grimace. But it typically represents a tense, nervous,
or awkward feeling. But that's kind of how I feel
(00:57):
when I smile, so that makes sense. It can convey
a range of negative or uncomfortable emotions, such as nervousment, embarrassment,
or awkwardness. Sometimes it's used to express a forced smile
or a feeling of discomfort in a situation. Here's the
issue is beyond just that tweet. I've been using that
(01:22):
emoji for years for what I thought meant happy.
Speaker 3 (01:27):
I actually had considered that after our brief discussion about
you using it. I'm like, man, I wonder if he
has been using it in this way forever. So you
have had a lot of awkward reactions to texts you've
sent unknowingly for a long time, because you're sending like
like when I see that, I think like h And
(01:48):
you thought it was like joy, so you were I mean,
thank god you're married already, because I don't know, like
if you send that to a girl meaning happy face
and they took it the other way, the relationship would
be over to things.
Speaker 1 (02:02):
I like, that's how I respond. And then the other
one that I always use. I don't know what this
one is, but.
Speaker 3 (02:06):
This, yeah, that's like you're over it or you're exhausted
or like ugh ugh sort of feeling.
Speaker 1 (02:14):
I thought it meant like all right, cool, you might
need to take a class one. Go three, yeah, just three.
(02:36):
King of Queen Marl Street and I'm Mac and we
are the Mac and Goo Program. I swear we're not
that old, but sometimes I think about it. We are.
Speaker 2 (02:52):
I mean, we're in our mid thirties. One more year.
Speaker 3 (02:54):
I think we're in our late thirties. I don't know
how that works. Don't ask me questions.
Speaker 1 (02:58):
Are we aging out of things?
Speaker 2 (03:00):
I hope not? Agent Pokemon cards. So that's all. Oh
I really care about.
Speaker 1 (03:05):
Mac just puts a hat on backwards and says, hey,
fellow children, Hey, fellow youths, I'm right here with you.
Speaker 2 (03:13):
Today, we have our latest. What have you been watching? Lately?
Speaker 3 (03:17):
It's been a real mismatch Morgasboard type of summer for
Goo and I between schedules and what he's seen and
what I've seen, and there's not a lot of matching
up lately. But today there is a movie we've both seen,
a movie I have seen, and then two movies Goo
has seen. So we'll we'll talk about those. One still
in theaters, one somehow just hit theaters after it was
(03:38):
already in streaming, and then the other couple are streaming.
Speaker 1 (03:41):
One is the most watched movie in Netflix's history, beating
The Rock and Ryan Reynolds.
Speaker 2 (03:51):
Wow. One accomplishment.
Speaker 1 (03:53):
I'm not I can't think of what is it? Red?
Notice sure that sounds right?
Speaker 3 (03:57):
That sounds right, lot lamely, keep it short till you
run now.
Speaker 2 (04:06):
Starting off with nobody too. This is currently in theater.
Speaker 3 (04:10):
As it hit theaters August thirteenth, it's up to sixteen
point nine million domestic at the box office twenty eight
point five million worldwide on a twenty five million dollar budget.
Speaker 2 (04:20):
The first hit.
Speaker 3 (04:22):
Goal totals of twenty seven and a half million domestically
and fifty seven point five million worldwide, So this is
tracking to maybe be under that.
Speaker 1 (04:30):
It's gonna be under because also in the news dump
that we just did, we talked about how in its
third week it dropped sixty percent, So I'm not sure
if it's gonna hold what it needs to have a
good theatrical run.
Speaker 3 (04:42):
I think it might surpass the domestic number, but I
don't think it's gonna get to the worldwide number. But whatever,
it's already it's gonna be approach breaking even territory, so
that's that's okay good. This is a rated R action
crime comedy and thriller comedy, action comedy, crime thrill yep,
yeah yeah. The subgenres here go dark comedy, which It
(05:03):
does have an element too that like kind of all
these tongue in cheek action movies do.
Speaker 2 (05:09):
This is a new one for me. I love something.
Speaker 1 (05:10):
I saw it on IMDb. I'm like, you know what,
I'm in.
Speaker 3 (05:14):
One person army action. We have a new sub genre
we've come across here, and you know what, you know
exactly what it is. It's John Wick, It's Rambo, it's
these types of movie. Yeah, yeah, it's John Claude Van Dam.
Speaker 2 (05:29):
It's a whole subgenre that it absolutely makes sense. Dude.
Speaker 3 (05:34):
This has a very crisp run time of eighty nine
minutes on Roddy, t's seventy eight percent from the critics,
eighty nine percent from the audience on Metacritic of fifty nine,
So those scores aren't great, but they're pretty good. The
first movie had eighty four percent, ninety four percent and
a sixty four, so in general, the audience of the
critics are telling you this is a little worse than
(05:56):
the fame.
Speaker 1 (05:56):
Also, you mentioned the eighty nine that's with end credits
and there's no post credit. When we got to the
end credits, I was like, what time is it?
Speaker 3 (06:06):
And they looked at him like that was eighty four minutes, impressive,
insane eighty.
Speaker 1 (06:11):
Four minutes, very crisp, very breezy.
Speaker 3 (06:14):
The only thing I'll say about that is I liked
the bare bones of this story and I liked what
it went for. But somehow Someway, the villain in this
story played by Sharon Stone, turned sir, I don't know
four or five minutes into an eternity on screen.
Speaker 1 (06:32):
I already told you this. This is I feel like
she went to the writers, the directors, and she's like, so,
how do you want me to play this villain? Like
what is the backstory? Like what is the essence of
this character? And they just slumped in a chair and
they looked around because they hadn't thought about it, and
they're like, have you seen the Joker? You know, you
(06:56):
know who the Joker is? Can can you do? Can
you do a Joker?
Speaker 2 (07:01):
Yeah? And you know the outfits he wears? Can you
wear those outfits? You know?
Speaker 1 (07:05):
His knives? He's like like, you don't know what he's
gonna do. He's like he's crazy, and he'll oh, his
voice calls up and down, his martians do a twirl,
oh arms, you know, always twirling, twirling, twirling.
Speaker 2 (07:23):
Speaking of those writers and creators of this movie.
Speaker 3 (07:25):
This movie is written by Derek Colstad and Aaron Raybin
Robin Uh. You know Derek Colstad from the first three
John Wicks and the first Nobody. He also wrote episodes
of The Falcon and The Winter Soldier and the Continental
TV mini series upcoming. He is the writer on the
next Odenkirk movie called Normal, that comes out September seventh,
(07:47):
and he's also the writer on the Netflix splinter Cell
series debuting in Netflix Our debuting in October. And he's
working on five other projects. So very very busy right now,
and he has earned it from what he's done over
the last decade. Rayven Rabin, you wouldn't really know much.
He's a writer on the the Amazon Prime Jack Ryan series.
(08:07):
He's got a few upcoming things as well. This movie
is directed by Timo Jiganto Johanto Tahanto. I don't know
how ill to pronounce that, tj A, h j A
and t O. That's an interesting name.
Speaker 2 (08:21):
Good.
Speaker 3 (08:21):
He is a horror director. His whole career has been
all horror stuff, starting in the mid to late two
thousands all the way up until prior to this movie.
So it's very interesting that he dove into this, but
there always is a little crossed over between like hyper
violence and horror, so it does sort of fit the
bill here. Upcoming for him, he's got the last train
(08:44):
to New York and the Beekeeper too, so he's getting
some pretty some pretty good work, some more notable work.
The synopsis of Nobody Too Suburban Dad hutch Mansell, a
former lethal assassin, is pulled back into his violent past
after thwarting a home and setting off a chain of
events that unravels secrets about his wife, Beca's past and
(09:05):
his own.
Speaker 1 (09:05):
His wife Beca's passed. Where is that? Did I miss something?
Speaker 2 (09:08):
She just is a marksman.
Speaker 1 (09:11):
Oh that's a good point yep.
Speaker 3 (09:12):
Okay, Yeah, that's a confusing synopsis, but good enough. This
movie stars Bob Odenkirk as hutch mansell Mansell, Connie Nielsen
as his wife Becca, Christopher Lurid as his father, David
Rizza as his brother Harry. Those all coming back from
the first movie. We have John Ortiz's Wyatt Martin. He's
like the mayor of the town they visit on vacation.
(09:34):
You wouldn't know his name, but you've seen him in
stuff Colin Hanks as Sheriff Abel like the secondary villain
in this movie, and then Sharon Stone is the main
villain Lindina and dude, it the more time I'm removed
from this movie, the more I hate her performance in
this one.
Speaker 1 (09:51):
That's my only note, that would be my only note
is like, just nix the character.
Speaker 2 (09:58):
It like, so this.
Speaker 3 (10:00):
Movie has major like walking tall vibes. If you've seen
the original or the Duwayne Johnson remake where you have
a crooked small town, crooked cops in the small town.
You get a little bit of that rambo vibe too
from First Blood. It's it has some cool elements in here,
some elements that we've seen before but we like watching.
(10:20):
But Sharon Stone as the villain is like so it
almost takes this there's no realism in this movie. But
she's so absurd it takes you out of the movie
a little bit, and it and it bothers the shit,
Like I legit think like a better performance, a better character,
or moving that character altogether. We're talking like three four
five more dogs on this movie.
Speaker 1 (10:40):
I think, just get rid of the character and you
don't need that like head crime person. You can have
a faceless person that maybe shows up in the third movie.
I don't know, but just the simple premise of a
small town where drugs are being run through and that's
where Hutch just so happens to be on vacation. He's
with his family and some people fuck with his family.
(11:02):
That's really all I needed. And for the most part,
we got a lot of that, because Sharon Stone isn't
even in this movie the first what half fifty minutes.
Speaker 2 (11:11):
And yeah, she went she shows up, Yeah, exactly.
Speaker 1 (11:14):
Really it takes you out of it of like I
was enjoying this sitcom dad who's just trying to de
escalate situations.
Speaker 3 (11:22):
Right there, there was there's there's a lot of good
elements here in the in you just need a bare
bones story when you're going above and beyond with the
action pieces and the ridiculousness there, and it has those elements,
Like it has a lot of fun kills in here.
Speaker 1 (11:39):
A lot of fun kills. They home alone a theme park.
Speaker 2 (11:43):
So that was really fun. And that's pretty much the
last twenty thirty minutes of this movie. It just didn't it.
Speaker 3 (11:48):
Didn't quite get as fun as I was rooting for,
but it was still pretty fun. And I also think
because the first movie sort of had that element of
surprise where we didn't expect anything from it, this kind
of gets hurt by that where the expectation is much higher.
I also think the bust scene from the first movie
is still by far the best scene in either of
(12:09):
these two.
Speaker 1 (12:09):
So the bus scene is great. I would put the
amusement park scene over the bus scene if you're making
me pick one or the other. I also like the
callback to the bus scene with the duck boat. I
love the simplicity of the arcade scene where the only
reason why he turns around and he's like, wait a second,
let me get back in there. The guy that works
(12:30):
at the arcade, he just did the most dickheadish thing possible.
Yeah of like, yes he did put his hands on
Hutch's daughter, but just in the simplest of like tapping
her in the back of the head, like get out
of here. Yeah right, And you're like that fucking guy
And I was in a theater. I was in a
theater filled with people, and when that guy touched the
(12:52):
back of his daughter's head, everyone went, we knew it
was coming.
Speaker 3 (12:58):
I think my favorite scene was the duck boat fight scene,
and I also liked the whole disappointment. He was teeing
it up as like the duck boats as you're seeing Boston,
that it was just a pontoon boat with a duck
on it. I like that, and then I liked the
ensuing stuff there. So like, this movie is enjoyable. I
think it's gonna have pretty good success when it hits
streaming because it's very easy to watch. Like Goo said,
(13:20):
eighty four minutes for the run.
Speaker 1 (13:22):
If you just take Sharon Stone out of it, if
you take that character out of it, it just becomes
more of a brain dead fun watch, a fun factor
movie that is just a breeze. It's just that when
you add her in there, and she just brings everything
to a grinding halt. I did not like that character.
And you mentioned the theme park. There is a point
(13:45):
in it. We're not gonna spoil anything, but one thing
that happens in the theme park that you kind of
forget they do and then they do it. And I
was cackling at the theater. I could not stop laughing
as blood was just raining everywhere.
Speaker 3 (13:59):
Yeah, yeah, there's some fun kills in there. Hu I
have this at thirty one hot Dogs. I think I
gave the first one like thirty five or thirty six.
It just I probably was at thirty two or thirty
three when I left the theater, and it's just come
down a couple the more I've thought about Sharon Stone,
I do think a lot of people are gonna watch
this and like us when it hits streaming. But that
puts it fourteenth on the year for me, like it's
(14:22):
it's not remotely near near the top.
Speaker 1 (14:24):
So I have it at number seven on the year,
and I have it above other action like ultra violent action.
Speaker 2 (14:31):
I have it behind those same set of movies. So
you like this movie a little more than me?
Speaker 1 (14:35):
Yeah, I like it more than Novacane.
Speaker 3 (14:36):
No, I liked it. I liked f One more, like
Novacane more. I like Mission Impossible more. I liked Companion more.
I like Companion a little above.
Speaker 1 (14:43):
I like Companion more. Don't tell me I don't like
Companion more. I love Companion, but I would have it
ahead of the next movie that we're going to talk
about too. But what I appreciate this though, is just
that it's short, it's pretty much to the point, and
it's just a common man it's a common sit ca
dad that's pushed a little bit too far, and I
really do enjoy that. I recommend it.
Speaker 3 (15:04):
I'll tell you right now what I gave nobody one.
I had a number three and twenty twenty one. Goo,
what do you think about that?
Speaker 1 (15:09):
Twenty twenty one was a bad year. I gave it
thirty six, thirty six. I gave this one thirty two.
Speaker 2 (15:14):
Okay, so you maybe me. Yeah.
Speaker 3 (15:16):
So all those action movies we just talked about, I
have at like thirty two, and this just below it
at thirty one.
Speaker 1 (15:22):
And a reason why I would have it above this
next movie we'll get into this next movie right now,
is I am sick of the John Wick lore and
with the high table. This movie has a little bit
of that with who Hutch is working for, but it's
not all that like, oh, you got to get through
all these channels and you can't get out this next movie. Ballerina,
(15:43):
starring Anata Armis, has a seventy six ninety two on
Rotten Tomatoes a fifty nine metacritic rated. Ar released on
June sixth, two hours and five minutes action mystery thriller
directed by Len Weisman writers Jay Hatton and Derek Kolstead
starring on a de armis, Keanu Reeves and Ian McShane.
(16:08):
I wish that it was in the John Wick world,
but without those characters.
Speaker 2 (16:14):
I really don't like Ian McShane. Dude. I think it
all stems from hell Boy.
Speaker 1 (16:19):
You are like, ah, I hate his Veneers. I can't stand.
Speaker 2 (16:23):
The Wick movies. And then hell Boy was just a cherry.
Speaker 1 (16:26):
On top of that, I should have quit while you
were ahead.
Speaker 3 (16:30):
Was there any outfits of this movie where you thought
Anna Damers was gonna pop out of them? No?
Speaker 1 (16:34):
I mean she is wearing dresses and but she has
like big fur coats. The action I do enjoy. So
this is an assassin trained in the traditions of the
Uruska rama organization, sets out to seek revenge after her
father's death. The movie starts with her father's death, and
then I would say there's like a half an hour
to forty minutes of build, not a ton of action.
(16:56):
John Wick does show up at the beginning. We also
know that John Wick's show up in the third act
as well. We saw that in the trailers. And I
think my biggest issue with this movie, and you're gonna
say goo get over yourself. The sound mixing is just
distractingly bad. I had to ride my remote while watching this.
Speaker 3 (17:18):
There's nothing more, nothing more frustrating than watching a television
show or a movie and the sound is all over
the place and you're constantly going that way.
Speaker 1 (17:28):
I had to rewind it so many times to hear
what they were saying, because there's gunshots, there's explosions, there's
so much going on, and I'm like, turn it down
a little bit, like it just it doesn't even itself out.
I have said this a million times, and this is
your favorite movie, and this is one of the reasons
why I love it. Inception. The sound mixing and Inception
(17:49):
is unbelievable, so good. There's so much loud noise happening
in that movie, but you have one volume in your fine.
Speaker 2 (17:57):
Yeah, you're right right this movie.
Speaker 1 (18:00):
I'm going from twenty five for the people talking down
to fourteen for the explosions.
Speaker 2 (18:05):
Oh man, that's tough. That's a big range.
Speaker 1 (18:07):
It's a huge range. Yeah, but with John Wicks, with
nobody's with movies like this. I rate these on Hell yeaz,
how many times am I sitting there putting my fists
in the air going hell yeah.
Speaker 2 (18:19):
Yeah.
Speaker 1 (18:20):
It took a little too long to get to too
many hell yeahs, and we do get eventually a couple
hell yeazz, but not enough hell yeaz to satisfy my
John Wick craving. Okay, sure, I do enjoy this. So
John Wick, he's kind of clumsy in his stuff. He
gets thrown through glass walls, he gets beaten the shit
out of the armist, takes an even bigger beating in this.
(18:40):
And she's slipping over stuff like banana peels, she's getting
hit by red shells. No, she's like she is taking
an absolute beating in this movie. And I love that
because she's new at this and at no point do
they make it seem that she is better, equal to,
or even close to being as good as John Wick.
Speaker 2 (19:03):
That's good, that's a good thing.
Speaker 1 (19:04):
I love that about this because I was I was petrified.
I was so afraid I couldn't sleep at night. I
was having nightmares about John Wicks showing up in this
movie and her either neutralizing them or tying him, beating him,
moving him out of the way. Not an issue at all,
John Wick.
Speaker 2 (19:24):
Opeas her do you don't know how to use that term?
Speaker 1 (19:28):
Overpowers?
Speaker 2 (19:28):
Right.
Speaker 3 (19:29):
No, you could like, but you wouldn't use it like that.
You would just say John Wick is op.
Speaker 1 (19:33):
Well, I just used it correctly because op means overpowers.
I said that he opeas.
Speaker 2 (19:37):
Her, I'd like to opeer.
Speaker 1 (19:39):
Oh, come on you son, I'm a bitch.
Speaker 3 (19:42):
This performance from Anna to armis also further prove that
that Bond movie needed way more of her.
Speaker 1 (19:49):
I mean that's obvious. She is. No, she is good
in this. Did you hear what I'm uh? Frank Grillo?
Speaker 2 (19:56):
Right?
Speaker 1 (19:56):
Is that the guy who's in Peacemaker? He said that
James Gun's wife would have been better in this movie
than her. I don't know why he had to take
a little slap back of this.
Speaker 2 (20:04):
Yeah, shut your fucking mouth, Frank, really talk about Anna Dharma.
Speaker 1 (20:07):
Don't get me wrong. What's her name? It's Jennifer something.
Speaker 2 (20:10):
Right, Jennifer well Gun.
Speaker 1 (20:12):
But for Jennifer Gunn I forget what he Oh my god,
that would have made so much sense because her last
name is Gun and they use guns in these movies.
Why haven't they thought about this? But her stage there,
Jennifer Hudson, if it was Jennifer Hunt. No, and I
do agree that she is good well that first.
Speaker 2 (20:31):
That first episode of Peacemaker, that bar scene is.
Speaker 1 (20:33):
She's great in action scenes. Don't get me wrong. He
didn't need to swipe better though. That's all I'm saying.
Speaker 2 (20:37):
It's hitting on James Gunn's wife. What's going on there?
Speaker 1 (20:40):
I don't know. I don't know what Gun's into, but
there's still a little too much high table stuff in here.
There's a little too much with Ian McShane. I understand
that he's kind of like a mentor to a younger
girl and stuff like that. There was an amazing scene
and it did feel like they they just they broke
out all the stops. They said, Holland I was close
(21:02):
with Hudson and they also look alike. But I was like,
they said to themselves, there's a chance that we're not
going to get a sequel to this, Let's use as
many crazy, over the top action scenes as possible. Because
there's one scene where she is just going through a
building taking people out with grenades and she would like
(21:24):
strategically place it in their mouth and then put a
metal door between them. Like it was a really nice
action scene. If you don't watch the movie, I recommend
that one scene go to you.
Speaker 2 (21:32):
Tube, all right, I am going to get to this
at some point.
Speaker 1 (21:35):
I do like a lot of the scenes. I think
this is a bit too long and it takes a
little too long to get going on into armis is
good and that I do like the action. I do
prefer the mindless ultra violence of Nobody over this, because
this is a little more premeditative, and it's so much
with the high table and with like the whole ballerina thing,
(21:55):
the ballet stuff. And while I do like that she
doesn't beat john Wick, what I hate about it is
that John Wick is in this movie.
Speaker 3 (22:06):
And they went out of their way in the last
like four months to really make.
Speaker 1 (22:10):
A guy that he's in the movie, I swear, and
he's in scenes beyond it too, which I just I
don't I don't need it. I don't need it. You
could have set this after john Wick four, when John
Wick is already spoilers dead or is he? I don't know.
We'll say I have this a little bit below Nobody
to I have this eighth on the year, let's say
(22:31):
thirty hot dogs.
Speaker 2 (22:32):
Okay, that does I'm not sure you believe your own
self there.
Speaker 1 (22:35):
I don't believe myself I have it above F one.
I have it above Lee Low and Stitch.
Speaker 2 (22:39):
You gave F one. I feel like you gave F
one more than thirty, but maybe maybe that's wrong. Good.
Next up on tap the movie I Watched You Did Not.
Speaker 3 (22:46):
Eddington Eddington Is Eddington Bear is the latest, a twenty
four release, written directed by Ari Astor. This hit theaters
July eighteenth. It is already on video on demand streaming.
You have to pay for it the moment. I'm sure
it'll hit one of these services for free at some point.
This only made eleven point eight million dollars in the
theater on a twenty five million dollar budget. Some are
(23:10):
reporting the budget might be thirty five million or more,
so that's an issue there. It's an R rated comedy
drama in Western subgenres of contemporary Western dark comedy, and satire.
This movie totally is weird. It's bizarre. It's hard because
it's like somewhat of a dark comedy and satirical. It's
(23:32):
hard to take the really serious moment serious because you're like, oh, this,
like we're all over the map here. It also is
a run time of one hundred and forty eight minutes,
so almost two and a half hours on roddy T's
we have a middling sixty nine percent and sixty five
percent from the audience, a sixty six on Metacritics.
Speaker 1 (23:52):
So in general deviceive movie though, So it should have
a score like that.
Speaker 3 (23:56):
Yeah, it's an ari astro movie, right, So all he
does is divisive shit twenty eighteen's Hereditary, twenty nineteen's Midsomar,
and twenty twenty threes bo Is Afraid.
Speaker 2 (24:04):
I still have seen Bo's Afraid.
Speaker 3 (24:06):
In that movie, he worked with Joaquin Phoenix, who then
also stars in this movie.
Speaker 1 (24:10):
Joaquin Phoenix, you just said it's so Joaquin Phoenix. So
you said, like Joaquin, No, you definitely did. Go check
the tape.
Speaker 2 (24:18):
You check the tape, motherfucker.
Speaker 3 (24:19):
Synopsis in May of twenty twenty A standoff between a
small town sheriff and mayor sparks at powder Kegs as
neighbors are pitted against neighbor in Eddington, New Mexico. So
it's set during the height of COVID. It has political commentary.
So people go into this movie probably already feel in
some type of way, and some of the characters and
(24:42):
depictions of this movie or a little cartoonish based on
Everything That's Happened?
Speaker 1 (24:46):
Was Sharon Stone's bad guy in this.
Speaker 2 (24:49):
She would have fit better in this movie.
Speaker 1 (24:50):
What the hell was her name? Lendina? Was Lindina in this.
Speaker 2 (24:57):
Goo?
Speaker 3 (24:57):
Joaquin Phoenix stars as Sheriff Joe Cross, and he is
pitted against Pedro Pascal's mayor ted Garcia.
Speaker 2 (25:04):
They're both phenomenal. Let me get let me get that
out of the way.
Speaker 3 (25:08):
Those two do an incredible job in this movie, but
everything around outside of them is.
Speaker 2 (25:14):
A little confusing.
Speaker 3 (25:15):
You have Luke Crimes, this guy Tully. Everyone knows who
he is at this point. D'andre O'Connell is Don Bodkin.
She plays the penguin's mother in that mini series. Uh,
Mikail Ward, it's e A L plays Michael Cook. I
don't know if his name is still pronounced Michael or
Mikail Michelle.
Speaker 2 (25:32):
Who knows?
Speaker 1 (25:33):
That's way too confusing. It's spelled Michael, but he spells
the e a L.
Speaker 3 (25:36):
Michael's ae L, so I don't know how to pronounce that.
Emma Stone's in this as Luis Cross, Joaquin's wife, who
she's like, what's the director?
Speaker 1 (25:48):
Who's she's been in like four movies of now Oos.
Speaker 3 (25:53):
She's playing like a Yorgos Lanthemos character in this movie.
So that's why, like totally things are fucking weird. Amelia
Hopefully as Sarah Clifton Collins ja as Lodge, William Below
as Officer Butterfly, him Andez. You also have some like
Native American territory situation going on in here, and then.
Speaker 2 (26:11):
Austin Butler like oddly pops.
Speaker 3 (26:13):
Up in here for a minute as Vernon Jefferson peak.
Divisive is the word for it, because it's Alrea Astor.
This movie is also like pretty depressing and cynical, although
I think accurate in that respect too, because COVID made
people crazy and people do some crazy shit in this movie.
I don't know if anyone's gonna love this movie because
it's a little all over the map totally, but I
(26:34):
do think you're gonna come away loving those two performances
from Joaquin in Pedro Pascal.
Speaker 2 (26:40):
Pedro Pascal has been in so many things this year.
I think it's like.
Speaker 3 (26:44):
By the end it gets rid of oh the silliness
and it's just serious and I just feel like it
didn't land the plane all that well.
Speaker 2 (26:52):
So I have this at twenty nine hot Dogs.
Speaker 3 (26:54):
Goot, I think if you like so, it does have
a little bit of like a Sacario element to it.
Speaker 2 (27:00):
So there are some like really good parts of this movie.
Speaker 3 (27:02):
But I don't know, it's just it didn't It wasn't
as good as I had hoped for. It's not bad though,
it's definitely not bad. It's just gonna be a weird
watch for most people. So twenty nine hot Dogs. I
have this as the eighteenth movie of the year. I
don't know if anyone's gonna love it. I'll just say that.
So the ceiling for it is not very high.
Speaker 1 (27:24):
I can tell you right now, I'm not gonna watch it.
And yeah, it's long. I might need well, no, I
think I'm gonna need like a decade maybe even more
to dive into anything COVID. I don't want to go
back to code.
Speaker 3 (27:34):
Yeah, so that's part of it too, right, Like, it's
just it's gonna have a sour taste for some people.
Speaker 1 (27:39):
All right, let's get to the number one movie of
all time now. And when I'm talking all the time,
I mean on Netflix, it is at two hundred and
thirty six million views on the streaming site it is
the most watched beating red notice and that stars the
three biggest stars in the world. So that means that
the three girls in this K pop band, they're the
(28:00):
three biggest stars in the world. Now they are now
our president, they are now our rock, our Ryan Reynolds,
and our Galagado. I don't know their names in the
movie though, so I think they're called the Huntress, the Huntresses,
the hunter Tricks. Okay, this is on roddy t's ninety
seven percent from the critics, ninety one from the audience,
(28:21):
seventy four on Metacritic, but only seven reviews. It's high,
but how many reviews are They usually on Metacritic.
Speaker 2 (28:27):
So it's usually a lot less than roddy T's because there.
Speaker 1 (28:31):
But it's like twenty to twenty five though they're not.
It's usually like in the forties and forties. Okay, I
know nothing about metal.
Speaker 3 (28:38):
They're not accepting reviews from fucking bimbos like us.
Speaker 1 (28:41):
I mean, Rotten Tomatoes is an expecting shit from us either,
So we're applying and March Fingers Crossed rated PG. What
hour and thirty five minutes a pop musical action adventure animated.
Speaker 2 (28:55):
I don't know if you mentioned that.
Speaker 1 (28:55):
Yet it's animated, and I do like the animation style
in it, and it takes some that I think a
company like Disney wouldn't do. And I do think I
think that companies outside of Disney have caught up and
they've made some stuff that is better than what Disney
has given you, especially for original programming. And I have
seen people argue that this has the same beats and
(29:18):
the same storyline as a Frozen, but I would argue
that it doesn't.
Speaker 3 (29:25):
So this is also really weird. And if you tuned
in the news dumb this week, you already knew this.
But this is number one of the box office this
past weekend after spending like two months on Netflix.
Speaker 2 (29:35):
It was already on.
Speaker 1 (29:36):
It's been viewed two and thirty six million times on Netflix,
and people just spent eighteen million dollars over the weekend
on it.
Speaker 3 (29:44):
And friend of the program doc his seven or eight
year old daughter loves this. So I when I hit
Netflix like three months ago and loved it. So that's
what I knew about it, and that's probably the target
audience here, right mac.
Speaker 1 (29:56):
There are six songs right now in the Billboard Hot
one hundred from this movie. At number one, are you
playing it?
Speaker 2 (30:04):
I'm playing Golden.
Speaker 1 (30:05):
Have you heard it before?
Speaker 2 (30:07):
No? I just looked it up because of your list.
Speaker 1 (30:09):
Well, we don't want to get black ball, don't you
tumber one one? Yeaph turn it off. I'm so golden
watch me at Touch the Sky. I think those are
the words. I don't know though. That is at number
one on the Hot one hundred. At number four is
your idol. At number five is soda Pop number ten.
Speaker 2 (30:27):
Soda pop o, Soda Soda Pop.
Speaker 1 (30:29):
Soda Pop number ten is how It's done. At number
twenty is what it sounds like. And then at number
twenty five, and I think also at forty a remix
of it is takedown like this album has taken over,
This movie has taken over. It has two directors. It
is Chris Apple, Han's and Maggie Kang. It's writers are
(30:49):
Daniel Himenz, Hannah mckeckin that's correct, sure, and then Maggie Kang.
And it stars not Stephanie Beatriz but instead an entire
Asian cast our den Cho Mayhong, and then Gie Young Yo.
Also Ken Jong is in there, okay, he's their manager.
Speaker 2 (31:10):
So the premise of this movie, Gou is what.
Speaker 1 (31:13):
A world renowned K pop girl group balanced their lives
in the spotlight with their secret identities as demon hunters.
Speaker 2 (31:21):
So as demon hunters, do they have powers?
Speaker 1 (31:24):
Yeah, they got like like mystical swords and daggers of
our stuff girls. It's kind of like so yes, it's
been compared to Powerpuff Girls. I compared it to a
Josie and the Pussycats meets Buffy the Vampire Slayer that's
also animated. It does. It has that silly cartoon violence
that also plays with like the girls, you know, doing
(31:45):
girly things or doing kiddish stuff. One of the scenes
is them on their private jet on their way to
a concert, trying to have a snack, but it turns
out that the airline workers are all demons. They get
pissed because they want to eat, but they have to
step into action. Hey, plane gets cut in half. They
have to do a dive bomb out of the plane
and just into their concert.
Speaker 2 (32:05):
Okay, then they still perform.
Speaker 1 (32:08):
They have to. The fans need it, the fans demand it.
Speaker 2 (32:12):
Sure, yeah, no, I understand.
Speaker 1 (32:14):
And then you have the leader who's a bit overbearing,
and then she has a secret and everyone's like, hey,
you got to hide your powers? Does that sound like
Elsa a little bit? But her powers aren't. It's not
apples to apples. There's apples to oranges. Those still fruits.
Speaker 2 (32:29):
What has better music?
Speaker 1 (32:31):
One's a soft hand fruit, one's a hard hand fruit.
Speaker 2 (32:34):
This are frozen music.
Speaker 1 (32:35):
I mean this music is pretty catchy. I'm not sure.
I mean let it go as a global phenomenon. Golden
is really touching people, though I don't know. This might
have more. You have six songs in the hot one
hundred that's crazy or four it did?
Speaker 2 (32:50):
Would I like this movie?
Speaker 1 (32:52):
I think you would like I said, so listen to
the music after. It's not super K poppy.
Speaker 2 (32:57):
I like to listen to the music contextually, so I'll
listen to it during the movie.
Speaker 1 (33:01):
Soda pop is like a straight K pop song pop. Yes,
that one, soda pop. Boom boom boom. They all wear
like like big oversized coats and they sing.
Speaker 3 (33:13):
If someone's out there listening right now, thinking that we
don't know it's a lollipop. By the way, come on,
give us some fucking credit.
Speaker 1 (33:19):
I thought it was soda pop. I do like this.
My son loves it. Everyone all the kids that hang
out with him, they've all told me that they love it.
My wife really enjoys it. I know that one of
our friends brought her daughters to the theaters to see
it with a bunch of people over the weekend. So
it's catching on. I get it. I think it's really fun.
I love when they cross, you know, something as ridiculous
(33:43):
as K pop with demon hunting, so that catches my eye.
I like the animation. I got this around like thirty
one thirty two, and I think that if I was
more in the age range of the kids that are.
Speaker 2 (33:56):
Watching it, old girl, this would be a forty doctor.
Speaker 1 (33:58):
But I'm a forty year old man, so this is
an eight dog. No, I would say thirty. I like
thirty thirty one. There's enough good about this.
Speaker 2 (34:08):
Yeah.
Speaker 1 (34:08):
The resolution at the end of the movie does come
out you hard and quick, and you're kind of wondering, wait,
how did they come to this? But at that point
they're singing, what are you gonna do? You're gonna sing along?
You know, go like this?
Speaker 2 (34:20):
Does it end like Greece?
Speaker 1 (34:21):
I wish they do. They fly in the sky in
a car. I don't think so. I will say this
is that on the on the day when Mac and
Goo ends, we're gonna figure out a way to fly
a car into the sky.
Speaker 3 (34:33):
By the time this podcast ends, they'll be flying cars,
don't you worry.
Speaker 1 (34:37):
Or even once a flying car is discovered in the wilds,
that's when we're gonna end the show and we're flying
to heaven. Do you think Danny and Sandy are dead?
Speaker 2 (34:47):
If Sandy's dead, I hope she is wearing that leather outfit.
Speaker 1 (34:50):
One can assume that the entire school year they were
in purgatory after drowning in the ocean for their summer
love and and at the end of the movie when
they finally realize who each other are, and then finally
the pearly gates open and they fly their car into heaven.
(35:11):
Grease is a very upsetting movie.
Speaker 3 (35:13):
Dressing up as the leather clad Sandy for Halloween is
always gonna hit. Just the advice for females out there
that's always gonna work.
Speaker 2 (35:20):
Always.
Speaker 1 (35:20):
Oh did you see that John Travolta. I'm not sure
if he's bald right now. He was bald for a
hot second, Yeah, he was for a second. Now I
think he's wearing a wig.
Speaker 2 (35:28):
I would believe that.
Speaker 1 (35:29):
Have you ever thought about wearing a wig? Please don't
wear a wig.
Speaker 2 (35:34):
I promise you.
Speaker 1 (35:34):
No one would be like, well, Mac, your hair looks
really good. Let's get into Maxack and Max Sac could
be anything. It could be a boat and Mac. After
being bullied online, a lah ugly sonic Cracker Barrel has
(35:57):
brought back there. I don't know what the fuck it is.
An old guy on a on a stool. Their their logo,
that's an old guy on a stool. I've never had
Cracker Barrel. Reading the menu, it looks like complete slop.
It looks like garbage. But I had a co worker
who is from the Midwest, and when heard that Cracker
like the whole Cracker Barrel conversation, they were like this,
(36:19):
I love Cracker Barrel. It's my childhood. It's so good.
And that made me think, what is a local or
national chain restaurant that you know is bad, Like you
understand it's terrible, but you'll die for if anyone wants
to say anything bad about it, you'll you'll go to
the floor.
Speaker 3 (36:38):
To me, the easy answer is Taco Bell. Here, right,
we all recognize Taco Bell is fucking terrible, but it's
also amazing, and it has a menu item for anyone
and everyone, and they also they lean into it.
Speaker 2 (36:49):
They're very they're very aware. There's always new items.
Speaker 3 (36:53):
They're they're fucking around with I like I would crush
Taco Bell at every opportunity, and they're Dorrino's logo are
fucking phenomenal.
Speaker 2 (37:01):
But I don't know what I'm meaning for me. I
know it's not good.
Speaker 1 (37:05):
It's not horse anymore. We know that.
Speaker 3 (37:07):
I'm trying to think of a more local type chain.
The ninety nine is just legit good.
Speaker 2 (37:11):
Not great.
Speaker 1 (37:13):
Gold Fever Wings Papa Ginos so that was mine solid
minus Papa Gino's, and I've I've heard people that hate
Pappaginos and whatever. I understand it. We don't have as
many Papa Gino's around here as we used to. There's
one out in Walterom, there's they're all over the highway now.
Speaker 2 (37:28):
The only one I know of now is Waltham.
Speaker 1 (37:30):
Yeah, so they're all over the highway and you're never
getting the best food when you're buying food from the highway.
Speaker 2 (37:35):
But put that on a billboard somewhere.
Speaker 1 (37:40):
That's something that I grew up eating, and that was
even a pizza that my Italian grandmother would let us
order out.
Speaker 2 (37:47):
That says something right there. They're pizzas solid. It's solid.
They're cheese, breadsticks are dynamite.
Speaker 3 (37:53):
And a good a good hot dog too toasted bun
good hot dogs.
Speaker 2 (37:57):
Oh.
Speaker 1 (37:57):
I used to love their their buffalo chickens. There are
meatball subs I love. I love all Popagino's food. If
Papa Gino's is listening right now, if the father is listening,
we'll take all the endorsements. We'll eat all your food.
I love Papa Gino's. I'll die for you. That's the
point of this segment. That's what I was talking about earlier.
I will step in front of a bullet for you, Papa.
Speaker 3 (38:18):
As a young lads high school slash college age, I
worked at the CVS on Watertown Street, right on the
Watertown Newton line, and next door was Papa Gina's. So
I was eating Papaginos all the fucking time. And if
I wasn't eating Papaginos, I was getting snack rashed from McDonald's.
Speaker 1 (38:33):
So it was it was it was you go into Papagino's.
Speaker 2 (38:36):
You got the best time in my life.
Speaker 1 (38:37):
Two slices for like three bucks. Yeah, that was an
amazing deal.
Speaker 2 (38:40):
The only the.
Speaker 3 (38:41):
Biggest issue I had with Papa Gino's is if you
went in there for pepperoni slices. Oftentimes they're just tossing
pepperoni on an already cooked cheese slice and throwing it
in the oven.
Speaker 1 (38:50):
I hate what places to do that. But they had
those great checkered tablecloths though. Yeah they're kind of waxy, Yeah,
little water resistant.
Speaker 2 (38:59):
Yeah.
Speaker 1 (39:00):
Yeah, because I was, especially as a kid, never a
fan of Pizza Hut, Dominoes, any of those.
Speaker 3 (39:05):
Pizza Hut is some of the worst food I've ever had,
so that point as well. I had CCS when I
was in Virginia fifteen years ago. CC's was fucking terrible.
Papa Gino's way better than that.
Speaker 1 (39:16):
Yeah, I mean Papa Gino's. I would I would love
the I think it's called the Big Kicker Meal. Adam
Viniteri was the spokesperson of it, but you can put
Mac and Goo as the spokesperson of the Big Kicker
Meal now or whatever. Teddy Bruski's meal was, what was
his called? I don't know Teddy Bruski. Papa Gino's Papa Gino's.
Speaker 3 (39:37):
Do they do the mozzarella like moons? I think there
were sticks instead of sticks. Okay, I don't know if
they do sticks.
Speaker 1 (39:43):
What was his called? Just the Papa Gino's ad the standy?
What was your thing called? I don't know, Ted, I
don't know.
Speaker 2 (39:52):
Kind of hate Teddy Bruski.
Speaker 1 (39:53):
I'm not a huge fan of Teddy Bruski. I met
him once. I did not I would say I'm bigger
than him.
Speaker 2 (39:58):
I'd agree he.
Speaker 1 (39:59):
Lost a lot of wait post football.
Speaker 2 (40:01):
Yeah, most of those guys.
Speaker 1 (40:02):
Do ask me about someone else, Ted Johnson. I met Ted.
Ted's fucking He's a monster. Ted's a monster. I'm glad
that you didn't say Adam Vinatari. Adam Vinatari is a monster.
Now have you seen his legs?
Speaker 2 (40:14):
Really?
Speaker 1 (40:14):
Where have you been?
Speaker 2 (40:16):
I'm not keeping tabs on Venetaria, that's for sure.
Speaker 1 (40:18):
Yeah. Well he's passed. He didn't get into the Hall
of Fame, so he's a squatting all day.
Speaker 3 (40:21):
Is he gonna go in as a cult? He should
spent way more years there.
Speaker 1 (40:25):
He got paid more too, But he's.
Speaker 2 (40:27):
Got three iconic moments as a patriot and none as
a cult.
Speaker 1 (40:31):
As an adult now, I am willing to say, is
that whoever pays you the most money, they get to
go to the Hall of Fame with you.
Speaker 3 (40:37):
I think teams should vie for it. Pay me more,
pay me again, Patriot, pay me five mil.
Speaker 1 (40:43):
I'll I tell you right now, Patriots would not pay
for that.
Speaker 2 (40:46):
No, Craft ain't paying for you.
Speaker 1 (40:47):
No he's not being like, uh oh no, thank you.
That was a really bad Craft impression. If he gave
me some more time, and.
Speaker 3 (40:52):
I mean Gil without vanitaria, we don't have a fucking
fifteen foot Tom Brady statue.
Speaker 1 (40:57):
We should have a vanitary statue like a ten footer.
Speaker 3 (41:00):
Yeah not as big, but yeah, or like a statue
of goalposts.
Speaker 1 (41:06):
I want Lonnie Paxton doing a snow angel. Yes. Yeah,
we're getting too sportsy right now. Yeah, we're getting too
deep into the weeds. Mac and the folks find.
Speaker 2 (41:15):
Last night I had a fantasy football draft list.
Speaker 1 (41:18):
I don't care. I don't care. Okay, all right, I
don't care.
Speaker 3 (41:20):
Folks can find us on Twitter, on Instagram, at Mac
and gooo podcast every other platform where you are Mac
ampersand good. It's Max Shift seven Good That includes Facebook,
tric Tune and cas Speaker, Google Play, I Art Radioiheart Radio.
We're on Spotify, but more importantly Apple Podcasts.
Speaker 1 (41:34):
The crowd pleaser.
Speaker 3 (41:36):
Okay, get on their rate review, subscribe five stars. If
you do that, maybe one day we'll get you a
free T shirt. Fro the folks over at Watertown Sports
where Watertown Sportswear is on thirty four Mont Auburn Street
in Watertown. Watertown Sportswar dot com expert screenprinting and embroidery.
Speaker 1 (41:50):
The meal deal offered two one not large and one
small cheese pizza. That's bullshit, right there, Papa Gino's, we're
not doing that. We want two cheese pizzas large actually
one cheese, one pepperoni.
Speaker 2 (42:02):
Yeah, diversify.
Speaker 1 (42:03):
Okay, we're good right there. We agree entree, salad, cinnamon
sticks or toasted ravioli's.
Speaker 2 (42:10):
You can't.
Speaker 1 (42:11):
That's not a good option. One's a dessert, one's a meal.
Speaker 3 (42:15):
What depends what you're in the mood for. I didn't
know they had cinnamon sticks. I'd like to try them.
Speaker 2 (42:19):
Do they still exist?
Speaker 1 (42:20):
So the option is either that with the one large
one small with those little things, or just two large
cheese pizzas with the same choice of sides. This is
fucking stupid. What is happening sizing differences?
Speaker 2 (42:34):
Yes, that's the difference between the small and large.
Speaker 1 (42:36):
Now I know why Papa Ginos went out of business.
They fucked up the Brucekey meal.
Speaker 2 (42:39):
They had to consolidate.
Speaker 1 (42:40):
They fucked up the brucekey meal. If they want to
come back with mac and goo, we can figure it out.
We need to hammer it down. What's in the mac
and goo meal?
Speaker 2 (42:48):
Hey? How many slice of pizza do you think you
could to eat this?
Speaker 1 (42:50):
Sitting two pizzas? Sixteen?
Speaker 2 (42:55):
I think I could get around there myself too.
Speaker 1 (42:57):
And like, I'm not excited to say that.
Speaker 3 (42:59):
No, I know, I know after twelve slices pizza and
a half, I'm I'm gonna be in trouble. I'm for
sure because I eat I could eat one pizza so
quickly that I know I can get another half pizza
then I don't know from there.
Speaker 1 (43:12):
I also know that when I make pizza for my household,
and I make my pizza, no, but I make my
pizza way doughier, So I'm eating a thicker, doughier pizza.
But I'm eating like three pizzas to myself.
Speaker 2 (43:23):
Yeah, I would like to see.
Speaker 3 (43:25):
I wish I could do it without having the feeling
after and having the ramification to it.
Speaker 1 (43:29):
I wish I could do it with no consequences.
Speaker 3 (43:33):
I would say, for sure twelve slices, probably fourteen, and
maybe a full sixteen.
Speaker 1 (43:38):
I think I could do sixteen. I'm not proud of it,
but I think I could do it. But the Mac
and do Mac, and do the mac and do Papa
Gino's deal. It's gonna be one pepperoni, one cheesee breadsticks,
gotta be in there, spread six getting to it. The
hot honey's on the side by the way. I don't
want them applying the hot honey. They put too much
on it.
Speaker 2 (43:57):
Oh, I find most places don't put enough.
Speaker 1 (43:59):
Oh, Papa Gina's, it's too much.
Speaker 2 (44:00):
I haven't had papaginos with hot honey.
Speaker 1 (44:02):
Go to the highway.
Speaker 2 (44:06):
Life is a.
Speaker 1 (44:08):
Okay. I want to ride the Mac and Goo. Papa
Gino's meal is called life is a highway. Mac and
Goo's Life is a highway. It is a cheese pizza,
pepperoni pizza, Yeah, Buffalo chicken.
Speaker 2 (44:22):
Fingers, yeah, cheese breadsticks.
Speaker 1 (44:24):
Cheese breadsticks, cinnamon sticks.
Speaker 2 (44:27):
No, not desert We don't row for dessert, fuck around
desert and.
Speaker 1 (44:30):
Then also a free d Angelo sandwich of your choice.
Those are always attached.
Speaker 2 (44:35):
And you get a lot of free large Mountain dew,
but if you want any other type of drink, you
have to pay for it.
Speaker 1 (44:40):
As a joke, as a gag, I sent my buddy
for his birthday a five dollars gift card to quiz
No's and I'm like, hey, you can get yourself a
Sami with this. He hasn't responded yet, and I don't
want to ruin the joke by texting and being like, hey,
you get that gift card.
Speaker 3 (44:56):
It's a great gift because you now feel obligated to
eat at Quiznos.
Speaker 2 (44:59):
But it's actually gonna cost you like fifteen.
Speaker 1 (45:01):
Bucks to drive to Connecticut.
Speaker 2 (45:03):
Well, you gonna have.
Speaker 3 (45:03):
To drive, and then what do you You cant get
a quizto stuff probably less than twelve bucks on top
of it, and you're gonna get a drink in Chips.
Speaker 1 (45:09):
You can get a sandy for five. It's a little
wrap with some cold cuts in it.
Speaker 2 (45:12):
That's that can't be true.
Speaker 1 (45:13):
So right now I was hoping that he'd be like, oh,
good gag gifts and I'm like, I want to drive
to Quiznos. I want to want to go to Quiznos.
Want to get a large traditional roast beef dam I
did here for Quiznos ranch dressing.
Speaker 2 (45:27):
The subs were too slender for my liking.
Speaker 1 (45:29):
Yeah, but they have a station where you can add
as much shredus as you want.
Speaker 2 (45:36):
I haven't heard you call it shreddis before, so I
liked that.
Speaker 1 (45:39):
Your imagination is your limit.
Speaker 2 (45:43):
Yes. Yeah.
Speaker 1 (45:44):
The Mac and Goom meal deal at Quiznos is four
traditional sandwiches and a big bowl of shreddis.
Speaker 2 (45:51):
And a slap in the head. It's my contribution.
Speaker 1 (45:55):
It's toasty, and you get to get to make out
with a sponge monkey. All right, this episode is over.
Mac Yeah, Tuesdays or Goose Days. I abuse kangaroos, Dam Burton.
Please flip the cassette over to side B to continue
the adventure.
Speaker 2 (46:15):
I thought we were trending for like a BB minus
with that last one.
Speaker 1 (46:18):
Oh shit, I forgot to greade.
Speaker 2 (46:20):
That last five minutes really brought us down to like
a C minus.
Speaker 1 (46:23):
That was the Lendini of the episode, Thelendina. That the
hell's her name, Lendina. We just Lendina. The episode, we
just ruined it. We had a breezy nobody to episode,
and then I had to add to it. We had
a nice bee, a solid bee, and then I had
to get too deep into the Teddy Bruski meal deal.
But guys go to any pappaginos on a highway and
(46:45):
order the Mac and goose. See what they say. Now
it's time for girls jumping on trampapallines.
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