A podcast featuring conversations with Caribbean jazz and steelpan jazz musicians based in the islands and the diaspora.
Anthony Pierre represents a pioneering effort of a Caribbean musician to establish a sustained island jazz presence in the city of Toronto, Ontario, Canada. That multi-decade journey has resulted, by the 1990s, in the formation of the Caribbean jazz sextet Kalabash, which focused on "using the steel drum as a lead voice in a jazz ensemble, while experimenting with the layering of rich jazz harmonies over the folk and popul...
Vaughnette Bigford is the Creole Chanteuse, the island songbird who "has made the local [Trinidad and Tobago, and the Caribbean] songbook the new jazz standard in the Caribbean...the premier jazz song stylist in these islands whose palette knows no boundaries. Tone, beauty, presence: the definition of the New World African." An apt description from the pages of Jazz in the Islands magazine that also signals an artist ready...
Garvin Blake, pan jazz musician based in New York has re-discovered his intention to preserve and promote the idea of steelpan and jazz as global music. After a pair of significant albums in 1999, Belle Eau Road Blues, and 2015, Parallel Overtones, Blake is now in a place in his life to continue to record and let the music of the steelpan be the 'new voice' in the conversation that is jazz. Island Jazz Chat catches up with...
Island Jazz Chat host, Nigel Campbell chats with globe-trotting Trinidadian musician and Guggenheim Fellow Etienne Charles about his upcoming performance in Trinidad and Tobago, A Creole Christmas Gift: Concert and Cocktails presented by HADCO Experiences. This event will showcase the extraordinary talents of Caribbean music legend and 7-time Grammy award winning jazz pianist Chucho Valdés within his Royal Quartet, along w...
Etienne Charles is a creole soul. A Caribbean intellectual and sublime musician who positions the "native gaze" to reflect a new perspective on the wider Americas beyond a boundary. From Trinidad, with a trumpet in his hand and a rhythm in his veins, he has, over an 18-year recording career, observed and composed music that "re-charts the ruins," excavates supressed histories, and elevates island ideas over metropolitan id...
Jacques Schwarz-Bart from Guadeloupe can be considered a Caribbean jazz explorer who is mining musical histories and creating new experiences based on tradition, heritage, spirituality, and a full understanding of the Caribbean legacy of being at the centre of many cultural moments in the Americas. His dual Afro-Caribbean and Jewish heritage has allowed him to make bold musical statements, both live and on record, that re-...
Leon 'Foster' Thomas, contemporary steelpan jazz musician and composer from Trinidad, and at present, Caribbean Jazz researcher now based in the UK, chats on his career and the continuing journey to move the steelpan to the front of the jazz bandstand with his recordings and performances. His compositions, what he calls his "book of stories", position the instrument as a transcriber of emotions that allows for a dynamic ra...
Richard Bailey, born in Guyana (then British Guiana), raised in Trinidad, and long resident in England, is the go-to drummer for major recording and touring artists in the UK since the 1970s. Jamming and recording with the likes of Jeff Beck and Bob Marley as a teenager, Bailey was a pivotal member of the new generation of musicians who forged a funky and jazzy new direction for British music from the '70s onwards that ref...
Trinidadian composer and educator Chantal Esdelle, a Berklee College of Music graduate, holds an important place among jazz musicians in the islands, as she is one of, if not the only female band leader who is a renowned pianist there. A multifaceted individual — performer, producer, promoter — who has, since 2000, released two albums as leader with her band Moyenne, and produced another pair of live compilation albums, al...
Andy Narell, globe-trotting and pioneering steelpan jazz musician, composer and arranger chats about his beginnings in the world of steelpan in the 1960s, and the evolution of the sound that he is leading in the 2020s with a new sample library of steelpan instruments created by the legendary master tuner Ellie Mannette. And everything in between. From the West Coast of America to Trinidad to South Africa, to the French Ant...
Victor Provost, from St John, USVI, has been variously described as a "rising steelpan master...whose refreshing melodic approach to soloing on the pan is wholly steeped in the jazz tradition," and "living proof of the nuance and versatility of the [steelpan]." In this chat, Victor discusses his beginnings, his influences and the practicality and privilege of "being in the right place at the right time" to develop both a p...
Panman, steelpan virtuoso, steeldrum musician. Just don't call Annise 'Halfers' Hadeed a "pannist". He is more than that! This important musician and recording artist from Trinidad and Tobago, now resident in the U.K., has been blazing a trail in the jazz scene there, as well as contributing significantly to the Caribbean presence there as an award winning steelband arranger. He made his recording debut in the 1980s with T...
Guitarist Cameron Pierre has come full circle returning to his native Dominica after a multi-decade recording and performing career in the UK. After establishing an important Caribbean jazz presence there, with six albums produced, he reflects on the journey to this point. Beginning in the reggae scene here in the islands and into the UK, his evolution towards jazz through the 1980s and beyond traces a parallel development...
Reticent. Diffident. Two words to describe the personality of guitarist Theron Shaw of Trinidad and Tobago. Another pair of apt adjectives would be determined and inventive. In a revealing conversation, we get into what made Shaw the popular choice for the islands' premier jazz guitarist. Three acclaimed albums, years of touring and working at defining for a new generation what the essence of kaisojazz is and can be for th...
Trinidadian guitarist Clifford Charles describes his music as "smooth soca jazz." Grounded in the sounds and language of Trinidad, his liking for transforming the music of Carnival, the popular sound of Trinidad, into a contemporary jazz idiom sets him apart from other Caribbean jazz guitarists. With 5 albums under his belt, and counting, since 2004, this fan favourite prepares for a new path in life as he will have the ti...
Jazz trombonist, Reginald Cyntje is the ultimate Caribbean jazz musician. Born in Dominica, raised in St Thomas, US Virgin Islands, of Curaçaoan heritage, he is the epitome of a Caribbean musician making it in the United States. With the release of his sixth album, Healing, Reginald chats with us on this album and his previous albums' their development and his growth as an artist and a jazz teacher. Mon, 16 Nov 2020
John Arnold is the pioneering musician, recording artist and jazz festival coordinator on the island of Tobago. As a recording artist, he has helmed half a dozen albums that play with the idea of Caribbean jazz as original music, including his latest, Jazz Standards in the Tambrin Sauce, which incorporates the Tobago-native tambrin drum family. This family of frame drums adds a unique colour and sonic identification to the...
Michael Boothman is the personification of excellence in the arts in Trinidad and Tobago. Pioneering, innovative and consistently successful as a performer, composer, arranger and recording artist, Boothman continues his 50-plus year career that showcases a number of firsts and milestones in the development of modern music in Trinidad and Tobago. He discusses his kysofusion innovation, and chats about his career from his t...
Elan Trotman, Boston-based contemporary jazz saxophonist from Barbados discusses the business of jazz with Jazz in the Islands. In 2019, he released his new album Dear Marvin, a saxophone tribute to the late great Marvin Gaye on the Woodward Avenue label. We get the Caribbean-American perspective from this Berklee College of Music alumnus about the significance and possible advantage of label distribution in enhancing the ...
The father of modern kaisojazz, Trinidadian pianist Clive Zanda recounts a career spanning from his days in England in the 1960s innovating with the fusion of calypso in the language of jazz, to his return to Trinidad and his collaboration with Scofield Pilgrim, Bajan-born kaisojazz theorist and pedagogue and beyond. The explorations of this new fusion exercise was given "proof of concept" in 1976 with the landmark album, ...
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