Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:05):
Our next guest is the host of the nationally syndicated
Elvis Duran in the Morning Show. My list of phases. Okay, Gay,
Elvis in the Morning Show.
Speaker 2 (00:16):
Every morning, I listen to you and and Ghani and Gnielle.
Speaker 3 (00:21):
Don't worry.
Speaker 4 (00:22):
You're not gonna feel anything.
Speaker 3 (00:23):
It's fine.
Speaker 1 (00:24):
I don't know if I would listen to that show.
Welcome to.
Speaker 3 (00:31):
In the Morning Show.
Speaker 1 (00:34):
But I know we do a lot of questionable things
on the show from time to time. We're never really stupid,
are we reckless? Okay? Just wondering. Speaking of stupid and reckless.
You go out into the world, you just try to survive.
You want to go get in line in the store
and pay for your whatever you bought. You want to
get and there's always someone who rolls through and we
call them Karen's and to one of our friends named Karen,
(00:56):
I apologize. So you had to. I have a couple
of calls on holday, they had Karen weekends, but you
started it right. Maybe what happened to you?
Speaker 2 (01:04):
I'll kick off the Karen Weekend. I was in coals
and I had a return I bought something. They sent
me the wrong thing. I'm like, Okay, you gotta go
return it.
Speaker 1 (01:13):
No big deal. Now I go to Cole's.
Speaker 2 (01:15):
I'm in the line and there's only one person working,
and great, okay, one person working the coal's return line. Great,
I'll wait my time, my turn. This woman behind me
she like.
Speaker 1 (01:27):
I just hear her huffing, you know. But before I
even turn around my I just really what'd she say?
Speaker 2 (01:34):
So then she taps me on the shoulder. She goes, really,
are you waiting in life for returns? I'm like yeah,
she goes, there's only one person. I go, that's kind
of how it works here. I'm like, I don't know
what to tell you. So I turned back around. I
wait patiently for my turn. The person in front of
me finishes. I walk up there and I have the
box and I'm pulling up my phone with the receipt
(01:55):
and the woman that is.
Speaker 1 (01:56):
Handling the returns goes, okay, do you have your receipt?
And I'm about to show her.
Speaker 2 (02:00):
The phone and this this Karen behind me comes up,
pushes me aside and goes.
Speaker 4 (02:06):
He's hair on the box, your septs on the box.
Speaker 1 (02:10):
And I'm like, oh my god, I have my phone.
Speaker 2 (02:13):
Chill out, relax, and I put my hand up and
I go relax, and she goes, I'm just trying to help.
Speaker 1 (02:20):
Oh god, god, you know what. And in trying and
trying to help, they make everything a million times worse.
Speaker 2 (02:29):
God like, chill out, I said, chill f out.
Speaker 1 (02:34):
You should have you know what people need to I
don't know, you know me, I just try to be
quiet in back, walk out backwards, would couldn't there. I'm like,
I had a I have to say something, all right.
So a lot of people were texting in and including
Niche online nineteen let's go talk to me? Hello me.
Speaker 5 (02:52):
Hi.
Speaker 1 (02:53):
So so Karen unloaded on you in the Starbucks parking
lot over the weekend. What happened?
Speaker 6 (03:00):
Oh my god. I went to a Starbucks on my
break and I got in the line and the line
was out like from out of the parking lot, and
there was another parking lot to the right. So there
were these two cars parks there. I thought they were
going to go into the parking lot on the right,
but it turns out they were waiting for the Starbucks,
so it accidentally cut them off. I didn't realize this,
(03:21):
but as I'm waiting there, this woman with I swear
to you to a blonde hair and all comes up
and shouting at me through my window and just going
off about the stuff.
Speaker 7 (03:32):
I rolled my window down. I don't know why, but
I know I rolled my window down.
Speaker 6 (03:37):
And I was just like, there are kinder waves to
go about telling somebody this information. I didn't realize that.
I'm sorry, but like I would have paid for her
drink and everything if I had realized, because I wouldn't have.
I would never like accidentally, you.
Speaker 1 (03:51):
Know, accidents happened, may did she So she was just
in your face, by the way, never ever roll your
window down.
Speaker 4 (03:59):
No, never, Oh my god.
Speaker 6 (04:04):
Yeah, well so so yeah, so I told her, you know,
there are nicer ways to go about telling people that.
She's like, I always wait for ten minutes, which there's
no way because I was waiting for like three.
Speaker 8 (04:14):
So that was it.
Speaker 1 (04:18):
Yeah, I know, And you know, you just wish it
didn't happen, and then you part of it feels kind
of okay, maybe I did cut them off, but accidents happened,
like she has, She's never done that to someone by accident,
you know. Please Anyway, she left, but at least it
wasn't like those videos you see now where people throw
throw like iced coffee out to drive through window. All right, well,
(04:40):
thank you. One more we have Chandra online twenty Hello Chandra,
So you had to connect with the Karen and what
oh wow, what happened? Tell your story?
Speaker 9 (04:49):
Oh this is a good one. Okay, this is a
good one. So I walk up to the chat the
checkout line, and I hear this elder. She was an elder,
Karen by the way, and I hear her. I hear
her say, I told you, I told you to do this,
And I was like, what he's and he looked at me.
We made eye contact. He looked at me, and I
just felt so bad for this young gentleman. She wanted
(05:11):
all her because she was old, she could only carry
so many things. So he was putting all her candy together,
which you're supposed to, and she was like, no, I'm
want to do it myself. So she reached back behind
her and was doing herself. And the whole time she's
just being just rude to him, and I said, don't.
I said, I just like kind of got my courage,
(05:31):
and I'm like, I cannot have that for your being.
And she looked at me and she's like yeah, And
I said, no. I said to you, I said, young man, and.
Speaker 1 (05:44):
Hold on, hold on, hold on, repeat. What did you
say to her about the young man? Say that we
broke up?
Speaker 9 (05:49):
Go ahead, you, I said, you are being disrespectful. And
she looked at me and she's like, yeah, because she
thought I was talking about him, and I said, I
am talking. I said, I am talking about you. You
and then she like like, oh.
Speaker 3 (06:03):
You know, and I'm like, oh my god.
Speaker 9 (06:05):
So I'm just like finished, I'm just like waiting, waiting, waiting,
and she just she wanted her ice cream and two
separate bags, and she's just being just.
Speaker 3 (06:12):
A tone of Karen.
Speaker 9 (06:13):
And I felt so bad. This guy. He wasn't even
saying anything. He just he just looked like beating me,
you know. And I'm like, oh my gosh. She left.
Speaker 10 (06:21):
She did was.
Speaker 1 (06:24):
It was all did someone call someone else a bitch?
Speaker 11 (06:26):
Though I did.
Speaker 9 (06:27):
I called her bitch at the end of the At
the end of the she wanted everything in separate bags.
She wanted to send us fall from a separate bag
because it was.
Speaker 1 (06:34):
For her horses, okay, And I said, okay, this is.
Speaker 9 (06:38):
Just so I said, oh, this is weird. So she
left and she's like, have a good day, and I
said you too, bitch.
Speaker 1 (06:47):
There daniel loves that one. Danielle, all right, well look
thank you, Jondre. Sorry that happened to you. You know what,
that's the thing. The people who were behind the counter,
they get crapped on all the time time.
Speaker 7 (07:00):
Believe me, I remember working in McDonald's.
Speaker 8 (07:02):
Oh my gosh, and the nastiness that I would have
to deal with over like uh, you know.
Speaker 7 (07:08):
A fish sandwich, something stupid, so stupid. I'm like, really, guys,
come on, it's not that serious.
Speaker 1 (07:13):
I don't know. But do you find yourselves online and
just going deep, deep, deep down the hole watching these videos? Yeah,
sometimes awful people. I don't know, but I feel like
I turn it off and I can feel my pulse racing.
So I'm just like so mad.
Speaker 8 (07:26):
And you would think that people would watch themselves back
and go, oh my gosh, I acted like that, but no,
A lot of them think.
Speaker 12 (07:32):
Like, yeah, I was justified, and then they double down
talking about invasion of privacy. Ma'am you are outside acting
like a water buffalo.
Speaker 4 (07:39):
Get out of here.
Speaker 1 (07:41):
True check it out.
Speaker 13 (07:43):
You're so appreciated and I love you.
Speaker 3 (07:46):
Elvis Duran in the Morning Show. Don't answer the phone,
Elvis Duran. The Elvis Duran phone tappened?
Speaker 1 (07:59):
All right, GARYT. What's your phone tap? All about? Set
it up?
Speaker 14 (08:01):
So Sarah wants to play a phone tap on her
husband Seth. Now, Sarah knows how much Seth loves this
tree in their front yard. It's been there forever and
Seth just loves the tree. So she thought it'd be funny.
Let's call up Seth and I'll be the bad landscaper
doing something to do.
Speaker 1 (08:17):
Something to his favorite tree. All right, let's see what
happens in Garrett's phone tap.
Speaker 15 (08:21):
Hey, how are you?
Speaker 1 (08:23):
Hey?
Speaker 11 (08:24):
Did you sell to the landscapers today? No?
Speaker 16 (08:29):
What, I've got some guy here.
Speaker 17 (08:31):
He came over to do the regular landscaping and he's
cutting down the oak.
Speaker 5 (08:35):
Tree, cutting it down?
Speaker 18 (08:39):
Yeah?
Speaker 13 (08:39):
Did you you didn't tell him to do that?
Speaker 19 (08:41):
No? No, pop him?
Speaker 20 (08:43):
Okay, I mean he's in the middle of it.
Speaker 9 (08:44):
Now, I'll just go over there, go in there and
go out and stop him right now, okay, than.
Speaker 18 (08:51):
Hear me hearly, Yes, yeah, no, I have I have
my husband on the phone, and we don't want you
to cut down the tree.
Speaker 1 (08:59):
What we don't want you to cut down the tree.
Speaker 15 (09:03):
Cut down the tree.
Speaker 12 (09:04):
It don't don't stop stop cutting, stop cutting.
Speaker 21 (09:08):
Put him on the phone.
Speaker 9 (09:09):
When people put down the phone, my husband here, don't
don't cut down the tree.
Speaker 3 (09:12):
Stop cutting it down.
Speaker 5 (09:13):
Hello, Yeah, what are you doing, Bud?
Speaker 1 (09:17):
Who is this?
Speaker 21 (09:18):
This is a homeowner?
Speaker 1 (09:19):
Oh Seth?
Speaker 22 (09:20):
Hello?
Speaker 6 (09:20):
Hi?
Speaker 1 (09:21):
Yeah, No, I send over by Steve.
Speaker 14 (09:23):
He said to come to the lawn, and I'm pretty
sure he had a feeling you were going to ask
him to cut down the tree.
Speaker 1 (09:28):
So I just went ahead and started to cut it down.
Speaker 23 (09:31):
My grandfather planted that tree after his first date with
my grandmother.
Speaker 24 (09:35):
All right, that tree has been in the backyard of
this family home for generation.
Speaker 14 (09:40):
Okay, so yeah, no, it looks pretty old. So I
just figured to take it down now before you asked
us to do it. So that's no big problem wrong.
Speaker 1 (09:47):
With the tree. There's no reason to take the tree down.
Speaker 14 (09:49):
Well, I just had a feeling that, you know, maybe
eventually soon you might say, hey, why di'n't you take
down the tree?
Speaker 1 (09:56):
I had nothing going on today.
Speaker 25 (09:57):
No, no, but.
Speaker 15 (10:00):
Could you put back what you've done?
Speaker 22 (10:02):
Or No?
Speaker 14 (10:04):
What I could do is I mean, if you really
want a tree, I can I can put a new
tree there, and if you want.
Speaker 1 (10:10):
I don't want a new tree. I want this my
family tree. You can't replace the tree, well I could.
Speaker 14 (10:16):
I could get my grandfather to come over and help
plant the tree if it just if you need a
little backstory for that.
Speaker 26 (10:22):
I don't know if you're trying to be a smart
after what.
Speaker 1 (10:23):
But get the off my lawn.
Speaker 15 (10:24):
I'm calling the cop.
Speaker 1 (10:25):
No need to do that.
Speaker 14 (10:26):
This is only my first day on the job here,
all right, I don't need any trouble like that. I'm
gonna go finish the job, okay and get out.
Speaker 25 (10:34):
No, you don't.
Speaker 18 (10:34):
Don't finish the job.
Speaker 1 (10:36):
Hey, he's all good. I'm gonna get finishing up on
the tree.
Speaker 16 (10:40):
Hello.
Speaker 2 (10:41):
I thought you didn't want the tree chopped down.
Speaker 24 (10:43):
I don't want the tree chopped down.
Speaker 19 (10:44):
I don't know what's wrong with this guy.
Speaker 9 (10:46):
You won't listen to me.
Speaker 15 (10:47):
You do whatever it takes to keep us from cutting
down the tree.
Speaker 10 (10:50):
You know, the dangerous the hands.
Speaker 5 (10:53):
Well, you want to what you want all.
Speaker 27 (10:55):
The It looks like he's getting in the truck.
Speaker 1 (10:57):
It looks like he's done.
Speaker 23 (10:57):
Don't let it get it.
Speaker 2 (10:58):
Don't let him get in the truck.
Speaker 15 (10:59):
Don't let him leave.
Speaker 1 (11:00):
Now what you want, Block, I want the truck, really, Phee,
tell me you know what, the truck if you have to.
Speaker 25 (11:06):
We don't want you to go yet.
Speaker 28 (11:07):
We need I gotta get out of here.
Speaker 1 (11:08):
I got I got things to do. Okay, I'll be
back to make sure to visit Jo. This is not
what you were ast to do.
Speaker 21 (11:16):
I need to up the ninety four.
Speaker 9 (11:19):
For me.
Speaker 1 (11:20):
Had to cutting down a family tree in my back door.
Speaker 21 (11:23):
That is not authorized.
Speaker 2 (11:24):
Gary, Gary, he's has to be calling the I.
Speaker 21 (11:28):
Phone with the crop. Seth, Seth, you're still there, buddy,
the top on the way.
Speaker 25 (11:33):
I mean, I'm getting I'm getting them on the phone
right now.
Speaker 1 (11:35):
Seth.
Speaker 14 (11:36):
My name is actually Garret from Elvis Duran in the
Morning Show. And you just got phone taps.
Speaker 3 (11:40):
I was talking to the police right now, Elvis Duran's
phone tip.
Speaker 29 (11:47):
This phone tap was pre recorded permission granted by all parts.
Speaker 30 (11:51):
See Elvis Oran phone tap only on Elvis Duran in
the Morning Show.
Speaker 3 (11:59):
Elvis ran in the Morning Show.
Speaker 1 (12:03):
Talking to Straight in eight and Scary and Scottie b.
You're saying parking is difficult today downtown Manhattan. Why is that?
Speaker 2 (12:10):
Well, for the last I'd say week because they're filming
an order of Law and Order SI SVU. I don't
know which one down here. So they've shut down half
of the streets so they can park crooks and you know,
put out tents with you know, film equipment and them.
Speaker 24 (12:26):
It's like six blocks with all the orange cones everywhere.
You just can't park.
Speaker 1 (12:30):
Anywhere, all right, So Harry, you have it. You know,
here's the thing about about dead about Law and Order. Uh,
they're they're always shooting down around our studios. And you know,
it's a great place to shoot. There's big old buildings
and whatever. You know, it's New York and it's a
great place to do a movie or a TV series.
Years ago I put the call out there and they
(12:52):
never call me. All I want to do on Law
and Order and it's right downstairs, it's right there. It's
so convenient. I want to play the dead body at
the beginning of the show.
Speaker 28 (13:02):
Nice, right, I know.
Speaker 1 (13:04):
I put this plea out there dozens of times over
our twenty five years of doing the show. All you
got to do is make me up. You put me
in a dumpster or you know, on the roof of
a building. You know where they can't figure out how
I die. It doesn't matter if I die. That's up
to them to figure out a preference of death. No
sidewalk with the outline around you, Okay, whatever, whatever it's up.
(13:28):
I'm so versatile when it comes to this this role.
Speaker 12 (13:32):
I would want to see you be one of the
people who's alive in the beginning and then you see
the crime happen and then they're the dead box.
Speaker 1 (13:37):
Yeah.
Speaker 4 (13:38):
I want you to have that versatility.
Speaker 1 (13:39):
Oh no, if I have to be if I have
to be alive, then that means they're like act or
do something. I don't want to do anything. It's like
it's like this show. I just show up and don't
do anything.
Speaker 31 (13:49):
I mean some days you probably wait, you wake up
looking like you wouldn't win, and you even have to
do makeup. You just like show up to the scene,
lay there and you're done.
Speaker 1 (13:56):
You just go to work. You know, you're a jerk.
Sorry anyway, So I'm going to put the call out
there again. If you're doing Law and Order or any
of those suv uh, a ARP whatever, these these law
and order shows, and you need the dead body, I'm open.
(14:17):
Just think of all the publicity we got ten million
people listening every morning. Yeah, make sure you watch Law
and Order, SUV whatever. I'm the I'm the dead body.
You know, has anyone been a dead body in a movie?
I love to hear from you. I did a lot
of extra work. I never got a chance to be
(14:37):
a body though. You saw bodies, you killed them. Now
call Nate and let him know. I want to know
what it's like playing the dead body. Yeah, Gandhi, I.
Speaker 12 (14:47):
Think I've told you this before, but you and I
were in a movie together. I was an extra. You
were in Sharknado three. Oh hell no, right, and then
I was one of the people in the scene at
Universal where the big ball comes off of whatever and
goes chasing the people through the crowd.
Speaker 28 (15:02):
That was me running away. You see the back of
my head. It's amazing in the same movie.
Speaker 1 (15:06):
You didn't even know it.
Speaker 28 (15:07):
Yeah, I spent the whole day running.
Speaker 4 (15:08):
It was great.
Speaker 1 (15:09):
Well, I'm gonna let them know. I have on my IMDb.
You can check it right there. I was in h Sharknado.
Speaker 7 (15:16):
Yeah, and Diehard. You have Diard under your Meltony.
Speaker 1 (15:20):
I know I still get paid for that, nothing but
not a lot. Yes, Gary A.
Speaker 24 (15:24):
Long time ago, the chef Rocco di Spirito had a
TV show and I was hired to be an extra
to sit down and eat, which is what I do best.
Speaker 1 (15:32):
So they said, just come and have dinner. That's your pay.
So I was having dinner with somebody and I was
in the background in the You know, I have two
characters I want to play, either one that eats or
one that's dead. Oh look, we have a winner, Leona
online one. Oh perfect, Leona, welcome to the show. I'm
obsessed with you. You actually played a dead body on
Law and Order. Yes, talk about it. How'd you get
(15:57):
that and what was it like?
Speaker 9 (16:00):
So?
Speaker 26 (16:01):
I actually started through a telling age agency when I
was a kid, and yeah, I ended up. I ended
up as a corpse. The episode was Born Again and
it was my name. My character's name was Paula Weston,
And yeah, it was definitely the weirdest experience.
Speaker 7 (16:20):
Did how did they kill you off?
Speaker 1 (16:23):
Did Paula die?
Speaker 11 (16:24):
So?
Speaker 25 (16:25):
The mom and.
Speaker 26 (16:26):
Like the child had a therapist, and the mom and
the therapist actually like conspired to kill the child because
she had a latex allergy. And so the therapist and
the mom like literally killed the baby and then I
was like literally the dead body in the beginning of
the episode in Central Park, just like laying their cold
Oh hold on, now I'm getting sad.
Speaker 1 (16:48):
I mean, I mean how old? How old was Paula?
Speaker 26 (16:51):
Paula was like eleven, Like I was, oh.
Speaker 1 (16:54):
See, okay, I'm I'm gonna have to draw the line there.
I cannot play a dead little girl.
Speaker 4 (16:58):
Now, don't worry, would you do it?
Speaker 24 (17:03):
No?
Speaker 1 (17:03):
I will not have a dead child a dead old guy.
Speaker 22 (17:08):
No.
Speaker 26 (17:08):
It was so fun and like everybody was so nice there.
They were like the greatest smoovel to work with.
Speaker 1 (17:14):
So what kind of direction did they give you, Leanna?
I mean it was what did they tell you to do?
Speaker 26 (17:21):
Nothing? We really just lay there and I remember like
the outside take in Central Parts, like I went up
in in winter is around this time, you.
Speaker 32 (17:28):
Know, I believe, and it was so cold.
Speaker 26 (17:31):
They put like a heating pad behind my back.
Speaker 33 (17:34):
And then I laid back down because I was like shaking, right,
And then I laid back down and the heating pad
started to burn my back. Old, yes, And it was
like it was like over twenty takes because these poor
ladies who found my body, they came up jogging and
like the one would touch my cheek and be like
nice cold, and I just like lost it.
Speaker 26 (17:56):
I just started laughing because.
Speaker 1 (17:57):
I was like, Okay, So I tell you, every time
I watch a show and there's a dead body, I
always try to see if they're the actor's breathing. Did
they tell you to hold your breath or anything?
Speaker 26 (18:11):
They don't, And I was kind of surprised, but like
I like, I really really tried to hold my breath
as long as I could, because like, you're supposed to
be dead.
Speaker 1 (18:20):
So you don't get like my mom.
Speaker 26 (18:23):
Like they had me on an autopsy table and a
different scene later on in the show, and my was
like sitting there.
Speaker 1 (18:28):
Flying wait you did so wait you did a you
did an autopsy table seat?
Speaker 7 (18:34):
I hate you like lying on the table.
Speaker 1 (18:38):
Yeah.
Speaker 34 (18:38):
Yeah.
Speaker 26 (18:38):
Like they had like everything I had to wear. It
was the weirdest thing. I had to wear, like this
body suit because I was a kid, so like they
wanted to cover my stuff up.
Speaker 13 (18:47):
And then they literally.
Speaker 26 (18:48):
Had this like like bra like bando bra and like
short like booty short things. And I was like laying
on this table and it was ice freaking cold, and
then it had me covered with like a she just
up to my chest. Wow, that was a hard scene.
And they have like blue lipstick on my lips to
make me look like super dead.
Speaker 16 (19:07):
Yeah.
Speaker 1 (19:07):
Oh wow, of shade. I can't wait to. I can't
wait to. I can't wait to wear blue lipstick and
booty shorts. Hey, Leanna, people are texting in. They love
that episode, they remember that episode. You sound very much
alive to me, Leona, we got to run. I love
(19:28):
that you. You called in. It's such a great pleasure
speaking with you. Thank you for being a part of
the show. And I am hoping I one day will
join you on the Hall of Fame Wall of the
corpses on Law and Order. Thank you very much. Thank you.
Have a great day. We got all sorts of people.
Little dead people are calling in. We've got Chrissy online.
(19:50):
Three Chrissy, welcome to the show. So you you played
a corpse in two docuseries, right, tell tell us about
what you played.
Speaker 10 (20:02):
I played a victim of Jack the Ripper in one
of the Netflix series that came out in the end
of twenty twenty.
Speaker 4 (20:09):
That's hot, so cool?
Speaker 27 (20:10):
Yeah, what's that?
Speaker 1 (20:12):
That's hot? Okay, keep going.
Speaker 10 (20:15):
Yeah, So I played I had like a. It was
kind of like a Victorian dress. It almost looked like
a really old wedding dress that was all torn up
and we were in the woods.
Speaker 1 (20:24):
I would do that. I would play an old dead lady. Okay,
go ahead, yes, with.
Speaker 27 (20:29):
The wedding dress with the lace.
Speaker 35 (20:30):
It was like very old Victorian.
Speaker 10 (20:34):
And then I also played one of the victims of
I did many of the series. There's a lot of
different documentaries and movies and shows on the Long Island
Serial Killer. Oh yeah, I played one of the dead
prostitutes that he murdered.
Speaker 1 (20:48):
Right, yeah, wow, So okay, what was it like on set?
How did they direct you? Just play with Noah, I mean,
we know.
Speaker 10 (20:59):
We're laying dead. You know, you kind of look and
you try to stop breathing or don't will your eyes
because sometimes you can see like the eyes fluttering like
that they're not dead, so they'll kind of like zoom
in a little and then maybe turn the camera away
like you get a quick breath and then go back
to kind of you know, can be taken in several takes.
Speaker 1 (21:20):
Any when you're murdering your women, do you see their
eyes flutter?
Speaker 15 (21:24):
No, I'm not a murderer.
Speaker 8 (21:26):
Okay, this is a great job to open up. Like
you could be the agency that has all the people
who are really great at playing dead, right, and you
just come to them.
Speaker 7 (21:35):
I need a female in her.
Speaker 3 (21:36):
Twenties, why not?
Speaker 1 (21:37):
But you don't want the same one over and over.
Speaker 8 (21:39):
No, but they could have like a catalog of people
that are great dead.
Speaker 27 (21:43):
That's what we need to send Elvis in.
Speaker 10 (21:45):
Now he's got to play the part.
Speaker 1 (21:46):
Yeah, I gotta. I gotta play a dead body a guy.
I have to. It's so emparisive.
Speaker 25 (21:50):
Well one order.
Speaker 10 (21:52):
He's waiting, willing and waving.
Speaker 1 (21:54):
Yeah, thank you. I appreciate. Chrissy, congratulations. If you were here,
I'd ask for your autograph. Thank you for listening to us.
Have a very day. Okay, so interesting call from Nicole
on line twenty. Nicole Uh is a fan of Leanna
who called first, who played the dead little girl who's
who's uh? Whose mother and and therapist killed her because
(22:14):
she was allergic to latex?
Speaker 28 (22:16):
Sorry, so dramatics.
Speaker 1 (22:21):
Do you remember that episode? Right?
Speaker 35 (22:23):
I do?
Speaker 36 (22:23):
I do?
Speaker 1 (22:25):
And even though she played, even though she played a
dead girl, she's still she's a celebrity to us, right right?
Speaker 37 (22:32):
You know what?
Speaker 10 (22:33):
Not too many episodes like I don't really remember, but
that one. It's just one of those episodes, you know.
Speaker 26 (22:39):
You just you think back to that.
Speaker 10 (22:41):
When someone mentions Law and Order, that's what I what
I think?
Speaker 7 (22:44):
Autograph we know her.
Speaker 10 (22:47):
Yeah, I'm just gonna ask.
Speaker 35 (22:49):
I don't. I didn't want to be.
Speaker 19 (22:51):
Too forward, but.
Speaker 1 (22:54):
Hey, so, uh have you ever now that you've heard
this conversation and you're a fan of Law and Order?
Do you have this like if they called you, would
you play a corpse in an episode?
Speaker 35 (23:05):
Absolutely?
Speaker 13 (23:06):
Whose dream isn't to be dead on TV?
Speaker 1 (23:08):
Tell you what, Nicole, I tell you what, Nicole. If
ever they contact me to play a dead guy next
to a dead woman, I'm calling you and we'll do
it together. We'll have a lot of fun.
Speaker 35 (23:17):
Yes, absolutely, I'm there.
Speaker 1 (23:20):
I'm so excited about the future. All right, look, thank
you so much, Nicole, and I have a great day.
I'll get you in as if I can. Well, I'll
figure it out for us.
Speaker 35 (23:29):
Okay, thank you, all right, there you go.
Speaker 8 (23:32):
I came close to playing an undead person. I was
on this on the set of The Walking Dead, and
they let me dress up and their makeup artists and everything.
Speaker 7 (23:41):
Did need to look like a zombie.
Speaker 1 (23:43):
It was so awesome. Was fun?
Speaker 7 (23:46):
That was so much fun. Yeah, so much fun.
Speaker 1 (23:49):
So jealous. I'm rarely jealous of anyone else's life, but
these cadavers in corps, in law and order perfectly still.
I don't know, Oh, I don't know. Ask Alex all right, the.
Speaker 3 (24:07):
Brooklyn Boys podcast.
Speaker 1 (24:10):
I want to read his next one because she gave
us two straws out of five. How's your corn beef?
If go take another bite? Okay? What is his review
of our podcast? Abe seventy seven?
Speaker 24 (24:19):
Yeah, Ab says stop eating during the podcast dummies.
Speaker 30 (24:25):
Listen to the Brooklyn Boys podcast on the iHeartRadio app,
Apple Podcasts or wherever.
Speaker 3 (24:30):
You get your podcasts. Elvis Duran in the Morning Show
Elvis durand Elvis Duran and the Morning Show.
Speaker 1 (24:44):
Oh question, what did you believe as a kid that
you're embarrassed to admit? Mine was if you started digging,
you would find your way in China. It's true. Well,
they say, if you keep digging, you will end up
in China. And that's how my dad got me to
stop digging holes in the backyard. He said, you're gonna
end up in China and We're not gonna be able
to get you back, and I believe it. Anyone else
(25:06):
have any stupid things? I used to think.
Speaker 7 (25:11):
Yeah, the gum tree. Remember the gum tree.
Speaker 8 (25:13):
My mom used to say, if you swallow gum, you're
gonna grow a gum tree in your stomach.
Speaker 7 (25:17):
I'm like, but no, that is.
Speaker 17 (25:20):
No.
Speaker 1 (25:22):
So was it that our parents were liars and had
to tell us these crazy stories to keep us from
irritating them, or like this this person is my dad
told me if I ever kissed a boy, my lips
would fall off.
Speaker 8 (25:39):
That that was just your dad and you're his daughter,
and he doesn't want you kissing boys.
Speaker 7 (25:43):
That's what that's about. I mean, come on.
Speaker 1 (25:47):
My brother and sister used to tell me I was
adopted by a family from Kansas. Then I got my
mom so upset at me. She told me she's gonna
send me back to my actual family. So like as Sissy,
I started crying, that's not that doesn't mean you're assisty.
That means you're set. Your mom's gonna send you back
to your old family. Yeah, that's fine. I thought if
(26:08):
you broke the glass on a TV screen, the people
on the TV would fall out. Of the TV into
whatever room in the house you were in.
Speaker 4 (26:14):
That'd be awesome.
Speaker 7 (26:16):
That's awesome.
Speaker 1 (26:17):
I love it best, all right, who's online?
Speaker 15 (26:20):
Twelve?
Speaker 1 (26:21):
I'm sorry, Let's go to Gandhi? Yes, Gandhi? What did
you believe as a kid?
Speaker 12 (26:24):
So when I was younger, I believed all kinds of nonsense.
But my dad told me that there was a thing
that lived under my bed called the butt Biteosaurus, and
if I had ever slept with my back to anything
but a wall, this thing would come out and bite
my butt. Also, if I ever got out of my
bed for even a second in the middle of the night,
it would bite off my feet.
Speaker 1 (26:42):
Well, see that sounds kind of scary. I mean, that's
a fighting thing.
Speaker 4 (26:46):
It is.
Speaker 12 (26:47):
I think you got joy Yeah, out of knowing that
I was terrified all the time in the middle of
the night.
Speaker 1 (26:52):
Yeah, what's scary.
Speaker 24 (26:53):
My grandmother told me that if I ate too much
raw spaghetti that worms would grow in my stomach. Eh,
And I believed her, so I stopped. That was her
way of stopping me from eating raw spaghetti.
Speaker 1 (27:05):
Do we know this isn't true? I did. Line twelve
is susan Uh. This is a popular one. Susan. A
lot of people thought this tell everyone what you thought
was a kid Susan.
Speaker 38 (27:17):
So we used to go on these boats marches in Germany.
My dad was military. We would drive in these country
towns and my parents used to tell me that, look,
the brown cows make your chocolate milk and the white
cows make your white milk.
Speaker 1 (27:30):
Ye yeah, yeah, yeah, that's right. But Gandhi used to
tell would you tell kids other kids when you were
a kid, Gandhi, I.
Speaker 12 (27:39):
Always used to tell people I had to drink chocolate
milk to keep my skin brown.
Speaker 22 (27:42):
I think I.
Speaker 4 (27:43):
Believe that.
Speaker 38 (27:47):
Parents are evil.
Speaker 13 (27:48):
I guess I know that's not as bad.
Speaker 1 (27:50):
That's not as bad as telling your kids that's a
monster in your bed is gonna eat your feet off
if you try to get out of bed to go
pee in the middle of the night.
Speaker 8 (27:56):
It's like they sad to me because as a kid,
I remember I never stayed in bed, and my mom
would yell at me and be like, you're always out
of bed. You never stay in bed, So in order
to keep you in bed, maybe that's what he had
to do.
Speaker 1 (28:11):
It's a master that's gonna eat your feet off. Dan,
you know, that is not a good thing. I'm sorry,
I'm not a parent, Who am I? I'm all right, yeah,
I'm not a fan of that, Susan. All right, Susan,
thank you, have a beautiful day. Thanks for listening to us.
Shannon Line twenty four. Oh yeah, how's it going? What
did you believe as a kid?
Speaker 39 (28:32):
All right, So when I was in kindergarten, my favorite
thing was pepperoni pizza. Okay, So you know, one day
I was inquisitive and that you know, I asked, well,
where does pepperoni come from? Uh So my father decided
to tell me, you know, it comes from the pepperoni trees.
So they you know, that's bad enough, but they decided
to take it one step further and actually allowed me
(28:54):
to bury a stick of pepperoni in our backyard and
I diligently water that thing every day for like a
solid month before they let.
Speaker 5 (29:03):
Me on the joke.
Speaker 1 (29:07):
That's awesome, tell you. Okay, here's my question. Was it
out of fun or did he just didn't want to
tell you? The process in which pepperoni is truly made?
I mean it is. It's kind of a gross process
if you think about it.
Speaker 5 (29:20):
So it certainly is, but no, I think it's just
for the fun of it.
Speaker 39 (29:24):
I mean we laugh about it now, and I mean
he's really good to find it funny that I was
on Elvistrat talking about it to find a recording of
the later and play it for him.
Speaker 1 (29:32):
I love that, Shannon, thank you. You tell your dad
we said, thank you for the story. Okay, I love it.
Speaker 5 (29:37):
Yeah?
Speaker 21 (29:37):
Great?
Speaker 25 (29:38):
Can I get a T shirt?
Speaker 1 (29:40):
I think we're out of shirt? What do we have?
Speaker 24 (29:42):
We have any morning show scrubs in stock right now
from Hackensack Meridian.
Speaker 1 (29:46):
Yeah, I don't know. If you let me, I'll tell you.
Let me throw you over to Nate because he he's
a keeper of the scrubs. Hold on one second, okay,
uh yes, Froggy.
Speaker 31 (29:55):
I always thought when I was a kid that when
you turned on the radio station, that the and with
the music playing, they were at the radio station playing tunes.
Speaker 15 (30:04):
I always did too.
Speaker 1 (30:05):
They used to drive by k l i F in
downtown Dallas and they were a huge building and I
would be we'd be listening as we were driving Bay.
This is like my first memory and fascination with radio.
I knew that they were all in there, like okay,
that band's done all right, the Beatles just saying okay,
the Beatles have to get out. Bring in Chicago. You
know some old group. Here comes Elton John. If you
(30:26):
get the Beatles out of here, Elton John has to
do the next song. I used to believe it too.
What's up, Danielle.
Speaker 8 (30:33):
I always saw when you called a radio station and
requested a song, they actually played it.
Speaker 31 (30:42):
Well, they had to call him and get him to
come back to the station to sing the song.
Speaker 15 (30:45):
That's why I took time.
Speaker 1 (30:46):
Was request Elton John. He's on a break. Ye.
Speaker 12 (30:51):
My mom told me that they actually found me in
a dumpster and that I was adopted from monkeys. That
monkeys threw me in a dumpster, and I moved in
with my family. So when we went to the zoo
one time, my mom and I were looking at the
monkeys and one of them started slamming on the glass
and she said, oh no, your monkey, Mommy wants you back,
and I had a heart attack. She said, I started
screaming and crying body.
Speaker 1 (31:10):
And let me ask you a question, how did you
not grow up to be a mass murderer because your
mother and dad fed your head with the most awful
awful scenarios.
Speaker 22 (31:20):
I don't.
Speaker 4 (31:21):
I think it explains a lot about me.
Speaker 12 (31:23):
But she did say she never felt like a worse
mother ever in her life than when she said that.
And all the people around her were like, oh my god,
you're horrible.
Speaker 1 (31:31):
The monkey mommy is coming back to get you a
little twisted, but in a good way. Maybe we should
thank your parents for making you so twisted. And Marie,
oh what is this? And Marie, what did what did? What? Lies?
Speaker 22 (31:49):
Do?
Speaker 1 (31:49):
They feed your head as a kid, Hey, how are you?
We're doing well?
Speaker 27 (31:53):
When we were when we were younger, my dad would
told us that if we touched a baby birds, we
would get this disease called chickenosis, And so we touching
the birds. And just recently, my brother, who is an
owner of his own architectural firm, is sitting with his
board members and they're talking about birds, and he starts
telling them that you can't touch the baby birds or
(32:16):
you'll get chickenosis. And they all had a great laugh
and he realized halfway through that there was no such
thing as chickenosis.
Speaker 35 (32:23):
It, well, here's this embarrass as you can imagine.
Speaker 1 (32:29):
I can imagine, But baby birds do have sometimes they
have little diseases you don't want your kids like touching
birds and licking their fingers. And it's okay in a way.
I see how that lie made some sense a little bit.
All right, a Marie, thank you, thank you so much.
Megan online fifteen, Oh this is a good one, cause
you know, the big, the big question that I would
(32:50):
never want to answer from my child, if I ever
ever had one, is where do babies come from? I
would never want to go down this road. So, Megan,
what happened to you when you were a kid.
Speaker 35 (33:00):
Well, I think I was just a little too logical,
but I thought babies came from the Babies are Us store.
Speaker 28 (33:06):
Oh it makes sense.
Speaker 35 (33:10):
It's toys. R us is where you got the toys,
So therefore babies came from Babies are us.
Speaker 1 (33:17):
It makes all the sense in the world. You would
think they got a little factory going in there. Yeah,
all right, exactly. See you did. You started your life
out being very sensible. I get it. So apparently you're
still as sensible as you were then, I'm sure right.
Speaker 35 (33:31):
Oh absolutely, My mom will tell you stories for days.
I also didn't know how an ATM worked, so I
would always want something as a child, and she would say,
we don't have the money, and I said, go to
the machine. The machine gives you money. I don't know
the finer points that you need money in the account.
Speaker 1 (33:47):
No, it's just a machine. It's a money machine. It's all.
It is, all right, thank you mean? I want to
run down to the ATM today, grab me some free money.
Hillary Online twenty one. Oh see, now, Hillary, is is
this something you thought of in your mind? Or your
parents told you this?
Speaker 9 (34:04):
So?
Speaker 13 (34:05):
I think it started off as a joke, But then
my mind, I was probably five or six, and my
mind literally just went running for it. And it lasted
for years.
Speaker 1 (34:16):
What did you believe?
Speaker 13 (34:18):
So my dad told me he had two bug bites
on his neck one summer, and I was like, Dad,
what happened? And he said, I got bit by a vampire.
And I thought for sure that he had been bit
by a vampire, and that then that vampire lived in
my closet. Every night before I went to bed, I
(34:41):
had this big piggy bank full of coins that was heavy,
and I would push it in front of my closet
door and then run and jump in my bed and
sleep with the covers over my head. Because I thought
the vampire couldn't get out of my closet with a
piggy bank and with my head under the covers, that
couldn't show me.
Speaker 1 (34:58):
Let me ask you this, and you can be honest,
do still to this day, Hillary, have a little bit
of a fright of closets knowing that there's a vampire
in there a little bit.
Speaker 13 (35:06):
Oh, I'm a terrible sleeper. I don't think I ever
became a good sleeper for my whole life because of
this like side joke that my dad thought was funny.
Speaker 1 (35:17):
Yeah. See, scarred for life. Count draculas living in your
freaking closet. This is serious tough, all right, Hillary, thank you,
thanks for listening to us, see and have a great day.
That's the thing. You know what, they think they're being
funny with these little stories, and they don't know that
they're messing us up and scarring us for the rest
of our lives forever. Oh my god, I thought when
(35:39):
my dad's new job said they gave paid vacation, they
would pay for our vacation to Disney World. No, no, no.
I told my niece that if I touched her belly button,
her butt would fall off. Didn't she believed me. Uh
My mom said fig Newton's were made with fly eggs.
They do know they taste like ants were. My friend's son,
(36:01):
Danny would misbehave. He would threaten to take him back
to the Danny store and get a new Danny. Look
at this. This is gotta be psychologically damaging. What's up
for scary?
Speaker 24 (36:10):
Someone said that they believe that if you stuck your
tongue out at people, the tongue grabber would come and
grab your tongue and stretch it out like they do
in the cartoons.
Speaker 4 (36:18):
Oh, why not, I'd be scary.
Speaker 1 (36:22):
Yes, Miss Gandhi, our.
Speaker 12 (36:25):
Lovely producer in Philadelphia smile and Stevens said he thought
you had to respond to Dora through the TV. So
one time he decided not to respond and the evil
Fox stole her bag. So he was convinced it was
his fault and he would never not respond to Dora again.
Speaker 1 (36:38):
And there you have it. We believe it. You know
what it's like, You have a nightmare and you wake
up in you know it's not real, but part of
you does sort of think it could be a little real.
Speaker 3 (36:47):
Wake up to Elvis Duran in the Morning Show.
Speaker 1 (36:53):
Come on, wake up, wake up, Elvis terran in the
morning soon. Well, let me read you a short little story.
This dispute on a plane caused the flight to miss
its takeoff time, according to a passenger. The headline of
the story is monster passengers allegedly bully a woman who
wouldn't trade her comfort seat for coach so they could
(37:13):
sit together. You kind of know how this is going
to turn out, right, So this was on Reddit under
them and a hole section, which we love. This happened
a few years ago in an international flight for a vacation.
I had been planning for over a year, and I
was so excited to get comfy in my comfort plus
(37:33):
seat and knock off before landing. Unfortunately, the person across
from me had other plans. As you know, comfort plus
seats are usually an economy, but you pay a little
more for a little more leg room and stuff like that.
But you pay for it, right, Yes, you plan ahead.
While I'm getting all settled, I hear the standard Oh
I think you're in my seat conversation begin. The poster
(37:55):
then explained that a woman with a standard economy seat
assignment had approached their section, and then asked another woman
who had booked a comfort plus seat if she could
switch seats with her so she could sit next to
her friend. Well, the woman in the comfort plus seat
politely refused, saying, look, I specifically paid extra for this
seat because it's a long flight. It's a long haul
to Europe. Whatever. Well, according to the redditor, the woman
(38:18):
with the economy seat assignment and her friend proceeded to
start bullying the other passenger, claiming she was ruining their trip.
Speaker 4 (38:26):
Wow, the audacity.
Speaker 1 (38:28):
Yeah, the situation became even more heated more heated, so
much so that both a flight attendant and then the
pilot had to get involved. Keep the mind, they're still
on the ground. So while the pilot insisted that the
woman from Economy returned to her correct seat, the woman's
friend continued to bully the passenger who declined to trade,
insisting she had ruined their entire flight. Even insinuated that
(38:49):
she refused to give up her Comfort plus seat because
she was fat.
Speaker 7 (38:53):
What people were kicked off that plane? Oh my gosh.
Speaker 1 (38:59):
The article goes on to say there was some validation
for the passenger who was in their correct seat all along.
According to the poster, when the flight attendant was forced
to get involved yet again. She simply moved that passenger
up to first class away from all the harassment. Okay, yeah,
but more unfortunately for the original poster, they said, by
that point, the plane had already missed its initial takeoff
(39:20):
time and was ultimately delayed by two hours because of
these idiots.
Speaker 28 (39:24):
Why wouldn't you kick them off the flight?
Speaker 3 (39:26):
Right?
Speaker 1 (39:26):
Well, the story goes on, and this is to your point.
The friends got their way though the monster from Economy
snuck up back into that seat next to her monster
friend at some point, and everyone else in the section
said they should have been kicked off, both of them.
Speaker 4 (39:41):
Yeah.
Speaker 1 (39:41):
Sure, They unanimously agreed on Reddit that they're outraged by
this passengers and the passenger's behavior. They should have both
been kicked off the flight on the spot. And then
someone else went so far as to say, if you're
involved in causing a scuffle and the plane is delayed,
that costs money for the airline. Those people should have
to pay whatever it costs to be or yeah whatever
(40:04):
that there's like ten thousand dollars whatever. Amen you. So
the point is this, as you get all crazy and look,
I know, going through TSA, going through the airport, getting
to your gate. You know everything. I know. I know
it's it's stressful. We all agree, but if you're going
to start stuff like this on board, you are basically satan.
Speaker 12 (40:25):
You really, absolutely and be patient with old people and
people who have babies when they're getting off the plane.
You know, everybody tries to run off and just truck
whomever is in front of them.
Speaker 28 (40:35):
Well, people need a little time. Be patient with them.
Speaker 1 (40:38):
It's so rude.
Speaker 4 (40:39):
People are just Nate's the aisle police.
Speaker 2 (40:41):
Oh my god, he'll elbow them in the facts NFL
linebacker man, nobody's getting past me.
Speaker 4 (40:48):
It's my fat I.
Speaker 12 (40:49):
Love traveling with him because he hops out and he's like,
take your time, hold up this line as long as
I need to get.
Speaker 4 (40:56):
Off the plane.
Speaker 1 (40:57):
Yeah that's right baby. Well there you go, and we
appreciate it. Look, there have been times where I have
I'll be situated in my seat and someone will go, hey,
you know, I'm with my wife and would you mind
moving to my seat? And I'll say, well, where are
you sitting? Let me check it out. So I'll look
at it. And even if I have to give up
a window to sit on an aisle, but it's still
the same comfort seat. I'll sometimes I'll do it, you know.
I was like, I don't care, I'm sorry.
Speaker 2 (41:17):
Call is whoever has the worst seat they have to
trade with a person that gets a better seat.
Speaker 1 (41:23):
Does that make it?
Speaker 28 (41:24):
You can't expect someone to trade down.
Speaker 1 (41:27):
Actually sit together.
Speaker 2 (41:28):
You could sit together and the bulkhead in the back
of the plane go for it.
Speaker 8 (41:33):
Yeah, they should have like figured that out beforehand. Like
you go, you know, when you book it or four
you go up to the air you know, and you
ask them.
Speaker 1 (41:41):
You know, you got to keep your eye on the
end zone. The end zone is you land as close
to on time as possible at your destination, because once
you get to your destination, that's when you need to Okay,
well let's have a great time. Just get there, okay
without being cheated by a holes that think that they
deserve your seat. And uh, not only is the airline
losing money, but people are missing connections and don't start
(42:05):
up on on board. You're so selfish, And there's a
place in hell for you. There I set a special place.
Who am I to judge? I'm me and I'm sure
many people agree anyway, So there you go.
Speaker 3 (42:17):
Don't answer the phone, Elvis Duran, the Elvis durand phone tab.
Speaker 1 (42:21):
All right, we Drew Straws backstage. It looks like Danielle
gets today's phone tap.
Speaker 4 (42:25):
All right.
Speaker 8 (42:26):
I got an email from Jen who said her friend
Michelle always shops and then.
Speaker 7 (42:29):
Returns all the stuff that she buys.
Speaker 8 (42:31):
So she wanted me to call her and tell her
that she can no longer shop it because she's always
returning things.
Speaker 1 (42:36):
Don't you hate people to do that? All right? Who
is it? You're calling here?
Speaker 7 (42:39):
Calling Michelle?
Speaker 1 (42:40):
Okay?
Speaker 23 (42:40):
Here?
Speaker 3 (42:40):
We you hello?
Speaker 7 (42:42):
IHI me, I speak to Michelle.
Speaker 40 (42:44):
Please?
Speaker 6 (42:45):
Who is this?
Speaker 4 (42:46):
Hi Michelle? This is Trishaorr.
Speaker 7 (42:47):
I'm calling from studio to hear him.
Speaker 13 (42:49):
Hi.
Speaker 8 (42:50):
How are you good?
Speaker 7 (42:50):
How are you good?
Speaker 8 (42:52):
I have a couple of questions for you. Sure, we've
been looking at your.
Speaker 7 (42:58):
Charge card.
Speaker 8 (42:59):
Yes, and you've also been noting that you've been buying
things from us but also returning a lot of things
at the same time.
Speaker 16 (43:07):
No, it's because I buy most of the things online,
so you know, sometimes they don't fit and I have
to return them. But I also change most of them too.
Speaker 7 (43:16):
That's really not an excuse.
Speaker 11 (43:18):
Okay, I mean, do you.
Speaker 7 (43:19):
Wear the clothes and then return them, because that's a problem.
Speaker 30 (43:22):
With you at all.
Speaker 11 (43:23):
I wear your clothes all the time.
Speaker 8 (43:24):
Because we also have on record here that you may
have returned one or two items that we're a little stinky.
Speaker 16 (43:29):
Oh I'm sorry, No, not at all.
Speaker 8 (43:31):
Never, like maybe you wore them to a party and
then you forgot to wear your deodorant that night and
you were dancing.
Speaker 7 (43:37):
And then it came back to us.
Speaker 3 (43:38):
No. Never, never.
Speaker 4 (43:40):
All right, here's what I'm gonna.
Speaker 7 (43:41):
Need you to do. Okay, I need you to repeat after.
Speaker 8 (43:44):
Me, and I'm going to type in that you said
that you you'll never.
Speaker 7 (43:47):
Do this again.
Speaker 8 (43:47):
Okay, that's fine, all right, here we go, repeat after me.
I'm Michelle Plieh. I promise proment to never never buy
closed from here, remember bile from stink them up?
Speaker 7 (44:05):
I'm sorry, stink them up.
Speaker 38 (44:08):
Oh, I don't not say that.
Speaker 7 (44:10):
I really need to get this on record.
Speaker 11 (44:12):
I'm sorry. I never did that.
Speaker 7 (44:14):
I mean you must have because it smells horrible.
Speaker 8 (44:17):
Which one word it was actually the tankini and the bottom.
Speaker 7 (44:21):
I mean, do you take a shower?
Speaker 11 (44:23):
Yes?
Speaker 8 (44:23):
I do, because it's disgusting. It's like you haven't showered
in like I don't know how long.
Speaker 16 (44:27):
I mean, is there any possibility that someone you know,
after that I've turned them.
Speaker 6 (44:31):
Did that.
Speaker 7 (44:32):
No, it definitely came straight from your house. I'm telling you,
as a consumer, I would never do that. Well I
I you know, I appreciate you saying that.
Speaker 16 (44:40):
But I worked for me also, and you know, like
the I know what goes on and pokors, and I
would never do that. I've never heard of companies calling
up their consumers and complaining about it, turning clothes and
stinking them up, because I never I tried on those
clothes once. But for you to excuse me of having
or problems, that's just you know, you're saying that I
(45:02):
need the order lid of that.
Speaker 8 (45:03):
Hang on one minute, We'll try and rewrite the terms
for you, Okay, I'll see if I can change it up.
Speaker 7 (45:07):
Hold on one second, headquarters.
Speaker 16 (45:10):
They're saying that I have taken old that I will
not shop and stink up their clothes again.
Speaker 22 (45:14):
Michelle.
Speaker 8 (45:15):
Yes, okay, we've rewritten it. So here's what I want
you to say. You ready repeat after me. I'm Michelle, Danilie.
I missa promise to not shop at your m You
gotta say.
Speaker 16 (45:27):
That I promise not to stop aggy.
Speaker 7 (45:29):
And return the clothes.
Speaker 16 (45:30):
And return the clothes.
Speaker 7 (45:32):
And I'm Michelle Danilie.
Speaker 16 (45:34):
And I Michelle am a liar.
Speaker 11 (45:37):
Okay, first of all.
Speaker 16 (45:38):
I'm not a liar.
Speaker 11 (45:39):
How would that be?
Speaker 16 (45:40):
How would I be lying when I have not done
anything wrong other than we turned the clothes and that's it.
Speaker 8 (45:46):
One more time, I've rewritten it a little bit. Okay, Okay,
I'm Michelle Vanilie. I Michelle promise to go home. Promise
to go home and watch se same Street and.
Speaker 11 (45:56):
Watch sub Street. I can't believe it.
Speaker 8 (45:58):
And learn how to take a show. Oh no, big
bird teaches that sometimes. Oh no, you watched Sesame Street.
They teach you how to take a shower. It's very simple.
Speaker 16 (46:08):
I know how to take a shower, Thank you very much.
Speaker 7 (46:10):
Well, I don't think so.
Speaker 11 (46:11):
I returned those clothes in perfect condition.
Speaker 16 (46:14):
If anything, If no, I'm sorry. Something must have happened
from the time that I returned it and the time
that you got it.
Speaker 8 (46:21):
Here's what I want you to say. You ready repeat
after me. I'm Michelle Danilie.
Speaker 13 (46:26):
I misult have.
Speaker 4 (46:28):
Been phone tapped.
Speaker 22 (46:29):
Oh we got you.
Speaker 3 (46:32):
The Elvis Duran phone tap.
Speaker 29 (46:35):
This phone tab was pre recorded. We've permission granted by
all participation.
Speaker 30 (46:39):
The Elvis Duran phone tap only on Elvis Duran in
the Morning Show, Alice.
Speaker 3 (46:53):
Durande in the Morning Show.
Speaker 1 (46:55):
Is there a food that you're just not crazy about?
But if you ever admit it to the world, people
give you crap? Yes? Yeah, Like, for instance, Danielle doesn't
like mayo. Yeah, of course we give her a crap.
I can see how you'd be a little iffy on mayo.
I'm I'm gonna give you that.
Speaker 8 (47:11):
A lot of people have come forward and said to me,
I don't like it either, So that's okay.
Speaker 1 (47:16):
What about you, Gandhi cinnamon?
Speaker 12 (47:17):
Oh yeah, anytime I say I don't like cinnamon, people
act like it's the end of the world.
Speaker 15 (47:20):
Oh, how could you not?
Speaker 1 (47:22):
Well, I tell you, my friend Pete doesn't like cheese.
So when so when? Okay, So, hey, I have a
friend who doesn't like cheese. What's your natural response? What's
your natural response? He's crazy, exactly, But he's he's been
this way his entire life. And so when they go
out to dinner and he'll say, please, I just don't
eat cheese. Everyone, I mean, not only do they go, oh, okay,
(47:43):
that's interesting. They basically put him on a cross and
crucify him.
Speaker 4 (47:47):
Yep.
Speaker 12 (47:48):
I dated a guy who didn't like French fries and
would make it a point to talk about how much
he hated French fries.
Speaker 28 (47:53):
And I think that's why we ended up not dating anymore.
Speaker 7 (47:55):
Yeah, that's crazy, I know.
Speaker 1 (47:56):
But you're throwing you're throwing out the baby with the water.
I mean, just because it doesn't like French fries, it
doesn't like cheese. I mean to me, cheese is you
know I love cheese. But if you don't like cheese,
I'm not gonna make you feel like crap that.
Speaker 4 (48:09):
He didn't like any cheese.
Speaker 7 (48:10):
I mean, there's so many different cheese here.
Speaker 1 (48:12):
We go cheese.
Speaker 4 (48:15):
He likes something he can't eat.
Speaker 1 (48:19):
He can't eat a little milzarella on pizza, but just
a little, that's all. And it's not a stomach thing.
What about you, frog, there's something you don't like that
people give you hell about you?
Speaker 15 (48:29):
Ready for me to set Danielle off? I don't like lasagna.
Speaker 7 (48:33):
I can't believe that. Wow, could you?
Speaker 1 (48:37):
Okay, okay, listen to what you're doing. People calm down.
If someone doesn't like something, why do you want to
make them feel awful because of it?
Speaker 22 (48:44):
People make me.
Speaker 1 (48:45):
Feel awful about hating watermelon. I hate watermelon, but people,
how could You're not scary? Scary? I stand in solidarity.
Speaker 33 (48:53):
I'm not.
Speaker 1 (48:53):
I'm not a massive watermelon fan myself. I mean, I'll
eat it if I have to, but if someone offers
it to me, I usually say no, thank you, but
don't don't throw me out and cast me aside as
a friend.
Speaker 4 (49:04):
I think with me? Why I get shocked about it?
Speaker 12 (49:07):
I'm not trying to make someone feel bad, But if
I like something so much, I feel like they are
missing out on joy that I have, and I just
want them to have that same joy. All Right, you
hate it, fine, you don't like cheese, you don't like friends, fries, whatever.
Speaker 1 (49:18):
They get a joy out of not eating it. Okay,
here's let's go to Scotti b. This is gonna set
the world off. Really, yes, Scotty go.
Speaker 41 (49:26):
I don't like avocado, and I don't understand why it's
on everything. You go to a sushi place or even
a supermarket that pre makes the sushi avocado on everything,
they just assume everyone loves avocado.
Speaker 1 (49:36):
So no, no, I don't like the desistency that would
qualify absolutely, it's very avocado. You're not human. See see
stop it. Stop saying that to people. I mean, I
really think, I mean, you could take it beyond food.
There are so many things that people that people like
or dislike in life, and we find we have to
(49:59):
like ca as our crap on them. Like really, mine
is popcorn. I just don't like popcorn.
Speaker 15 (50:06):
I don't like it.
Speaker 4 (50:07):
I see that, not even kettle corn.
Speaker 1 (50:10):
You know what, if you coat it in candy, I'll
eat it, But no, you can you have more for
you because I'm not eating it. I'm good. Line nineteen,
it's Hannah, Hannah. You have no desire for pizza whatsoever?
You do not like it? Right?
Speaker 4 (50:28):
I hate pizza?
Speaker 1 (50:29):
Okay, okay, stop stop everything, Nate. Don't they say things
like that. I don't know what it is about.
Speaker 2 (50:38):
Maybe there's one thing on the pizza that you don't like,
but you don't like the entire day pizza.
Speaker 1 (50:42):
Okay, hold on, Danielle, you had a point. What was
your part?
Speaker 7 (50:44):
I just want to know what it is about pizza
that you don't like it.
Speaker 3 (50:50):
I don't like either.
Speaker 1 (50:52):
Okay, God stop it. Stop it so terrible? Have more Tolerancedhi.
Speaker 12 (51:00):
Is it maybe like an Italian food in general thing?
Anything anything with red sauce?
Speaker 35 (51:05):
Is it?
Speaker 16 (51:05):
No?
Speaker 28 (51:06):
Yes, chicken palm?
Speaker 8 (51:07):
Okay, okay, So you may have pizza without red sauce.
You could have like pesto on your pizza, white pizza.
Speaker 28 (51:14):
We still pizza.
Speaker 17 (51:16):
What I used to do is take the cheese off
the pizza and then take a napkin and just wipe
the sauce off and put the cheese back on.
Speaker 1 (51:27):
Nate, stop it, stop it that she doesn't like You
know what, I can give you, guys, a list of
things you probably don't like it. Oh god, no, oh
of course, all right, you're good. You're good, Hannah. Don't
let them give you hell. But we have more questions,
just Gandhi.
Speaker 12 (51:43):
No, I mind's more of I think it could be
a genetic thing with some people, because my dad hates cinnamon,
and I hate cinnamon, and I hated it before I
ever even really knew that he hated it. So I
wonder if there's something in your DNA that changes a
taste for you, so something everyone else enjoys you hate,
like Elvis, you hate cilantro I love cilantro, and there
are a whole bunch of people like you who what
you said it tastes like soap, it does.
Speaker 1 (52:06):
It's all apart. It's a it's a genetic makeup thing.
Speaker 7 (52:08):
I'm allergic to. You know, fish, I'm very allergic to it.
Speaker 1 (52:12):
You're alert, you're not allergic to fish. You you don't
like fish, so you don't like fish. There's a difference.
You shouldn't say you're allergic because I mean that they
could turn an entire kitchen and a restaurant upside down,
because I know.
Speaker 8 (52:24):
But if someone asks me, I'm so tired of having
to explain why I don't eat fish.
Speaker 7 (52:29):
Why so I just say I'm allergic to it.
Speaker 4 (52:31):
It's easy.
Speaker 1 (52:31):
This is my point. This is my point. You should
not have to explain to anyone why you dislike anything,
like for instance, for uh, Hannah, you don't owe anyone
an explanation why you don't like tomato sauce.
Speaker 15 (52:44):
You don't.
Speaker 1 (52:45):
You just don't. I just don't like it, and we
leave it at that. You're okay, You're good.
Speaker 17 (52:51):
I mean, who knows, Maybe maybe I'll do ancestry dot
com and find out I have some weird genetic disorder
that makes me hate tomatoes. Maybe Gandhi is right.
Speaker 1 (53:00):
Maybe maybe you've had your family has had way too
many tomatoes in the past. Maybe you're a part of
the del Monte family. We don't know. I will thank you, Hannah,
enjoy your weekend without pizza. You're okay by me. These
other people have low tolerance for people who are different.
People are different, Priscilla line eighteen. She's like, daniel Danielle,
(53:21):
you and Priscilla, Priscilla, you don't like food at all.
You hate seafood, don't you.
Speaker 21 (53:28):
Absolutely?
Speaker 7 (53:29):
Now I have a reason. Do you have a reason.
Speaker 13 (53:33):
I do not.
Speaker 1 (53:34):
I just don't think its mouths good.
Speaker 3 (53:36):
I don't think it tastes good. There's nothing a pille
about it whatsoever. When I get back, well, when I
get that, I'm like, oh my.
Speaker 1 (53:47):
God, you don't like seafood.
Speaker 11 (53:49):
I tight to say so that I.
Speaker 1 (53:51):
Don't get that guilt trip.
Speaker 21 (53:52):
I just say I'm.
Speaker 1 (53:53):
Allergic, say I'm not alone. But you don't have to
do that. You don't owe anyone and explanation. You're fine, Danielle.
I respect the fact that you don't like seafood. A
friend of mine says, I don't like fish because it
smells fishy. Well, okay, that makes sense because it's fish. Well,
and that's because because that's rotten. That's not right. That's
not rotten. Fish smells like the ocean, as they say,
(54:14):
but it has it has an ocean smell. People don't
like it.
Speaker 8 (54:17):
I don't understand when people say, well, this piece of
fish doesn't taste as fishy.
Speaker 4 (54:21):
It's fish. Doesn't it all taste like nosh?
Speaker 15 (54:24):
No, No, because some fish does taste way more fishy than.
Speaker 1 (54:26):
Exactly what doesn't make it bad? Scary?
Speaker 13 (54:30):
Uh?
Speaker 1 (54:30):
And you're fine for selda. Do you go on through
life without eating seafood? You're totally fine. Thank you so much,
have a great day, you too too. I'm sorry that
I get mad. I just people get so crazy about
people who do or do not like things that they
don't like, and I just that's not fair for them.
I don't know. Now that I've yelled at everyone, I've
(54:51):
heard the term don't yuck somebody's yum.
Speaker 15 (54:53):
This is more don't yum somebody's yuck is what this is?
Speaker 1 (54:56):
Yes, sort of, it's all good.
Speaker 7 (55:00):
It's all good.
Speaker 1 (55:01):
It is all good.
Speaker 3 (55:03):
The Mercedes Benz Interview lounge.
Speaker 1 (55:05):
Alex Warren is here. We're gonna play ordinary for you
in a minute.
Speaker 28 (55:08):
For people who don't know your life. Sorry, you were
sort of talking. You mentioned it.
Speaker 2 (55:11):
One day I posted a singing video on the toilet
and it blew up, and with.
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Speaker 30 (55:35):
Slash Dream Elvis dan in The Morning Show, Elvis Duran
in the Morning Show.
Speaker 1 (55:45):
Hey, you know, life is good. Life is great. Sometimes
it's challenging, but we learn from the challenges, right, I mean,
it's all part of it. If it was all happy,
go lucky all the time, it would be just kind
of boring. I think you can't love the highs until
you experience and the lows. All these stupid phrases. But
if you could rewrite your identity, a whole new identity.
(56:08):
This is all fantasy, But you know what, just because
it's fantasy, it also means it's also maybe dreams and
sometimes sometimes even though you are solidly who you are,
you have set this identity up for yourself and your future.
You know, it's good to identify the things you wish
you could add to who you are now, the incredible
person you are. So if you could write a new
(56:29):
identity or add to your current identity, what would it be?
What would that look like? Have you thought about something
like this totally? This is what happens when you live
alone some two or three nights a week. Yeah, so Danielle.
Speaker 7 (56:42):
Would be a Disney villain.
Speaker 1 (56:44):
Okay, talk about that.
Speaker 13 (56:46):
So.
Speaker 4 (56:46):
I don't know.
Speaker 8 (56:46):
Why, but for some reason, I never identify with the
Disney princesses other than Tank, but she's really not a princess,
and I just have always loved the power behind them.
I've never thought of them as villains in the you know,
normal mole sense of the word villain where.
Speaker 4 (57:01):
They're that bad.
Speaker 8 (57:02):
It's just I don't know, It's just I feel like
I try to go through my life being a very positive,
nice person, but there's.
Speaker 4 (57:10):
That little villain aside.
Speaker 8 (57:13):
That would come out if I was a Disney Villainy
I'll address.
Speaker 1 (57:16):
That, you know, Danielle would be in the parking lot.
It's a grocery story, and she'll see she'll see a cart,
you know, a grocery cart whisking down the hill, heading
toward an old lady, and she'll start laughing. Yeah, that's
that villain in you.
Speaker 7 (57:31):
That is that's the Mallipicent in me, exactly.
Speaker 1 (57:34):
All right. So you're not talking about being a Disney
villain in a film or on Stane that would be
nice too, or on Ice, you're saying you would want
to be like, you want to live the life of
a Disney villain, just a little bit ursula ursulinet. One
of the great things about Disney villains is they, I mean,
there's no bloodshed, really, you know what I'm saying. That's
what I mean.
Speaker 7 (57:52):
They're just a little bit bad. They're not all bad.
Speaker 1 (57:55):
Okay. So if you could add a new identity to
your identity Gandhi, what would it be?
Speaker 4 (58:01):
Okay?
Speaker 12 (58:01):
Originally I was thinking Ninja, but then Nate made me
think about, like, what's the practical use of that, and
I guess there is none. So I would totally go
with lion whisperer or animal whisperer like Kevin Richardson he's.
Speaker 4 (58:13):
This guy from South Africa.
Speaker 12 (58:15):
He lives with these things. Basically, they all accept him.
He deals with hyenas, all kinds of stuff.
Speaker 28 (58:20):
I would love that.
Speaker 1 (58:21):
Why are you laughing? Nate? That's great?
Speaker 12 (58:23):
He hates that more than my ninja.
Speaker 1 (58:26):
What Nate, really, be careful here, What are you gonna say?
I don't know, Lion Whisperer, I just I don't know.
Speaker 4 (58:32):
I don't know.
Speaker 28 (58:33):
You hate animals that.
Speaker 1 (58:36):
Animals. I just don't know. How practical this is what
happy practical?
Speaker 4 (58:40):
Daniel's at Disney Villain right exactly when.
Speaker 2 (58:42):
I talking about practically, it seems way more practical than it.
Speaker 15 (58:46):
I don't know.
Speaker 1 (58:46):
It so awesome, Nate, Come on, open your mind, man,
I mean it's okay to think outside the Okay, Okay,
I'm expanding my mind, right, please for once, expand your mind.
Speaker 28 (58:56):
That would be my dream. I would love it.
Speaker 1 (58:57):
It would be awesome, you know, and Ghandi, you'd be
great at that. That's why, that's why I want you
to go on Safari. Sometimes you need, you know, you
need to hang out with these animals, all right, Nate,
go ahead, Okay, I will love to be a spy stupid, Okay,
it is so stupid. It's dumb, It's so stupid, dum
No listen.
Speaker 2 (59:14):
I mean it's kind of based on James Bond, right,
And I know that's like obviously the extreme fictional version
of a spy because spies probably just translate radio chatter
between North Korean guards.
Speaker 1 (59:26):
But I mean, at the same time, wouldn't that be
so cool?
Speaker 2 (59:29):
You get to like stop stuff before it even happens,
and it's I don't know, it's just really cool.
Speaker 1 (59:35):
How do we know that you aren't already a spot?
Maybe maybe I'm spying for another foreign government. You don't
know that. I'm sometimes convinced you're hired by another company
to come in and ruin our show. We're number we're
number one, so I'm not doing my job there, So
you're failing miserably. Yes, Gary, what what identity would you
add to your perfectly stellar identity that's currently before us?
Speaker 24 (59:57):
I want to be America's tour guide because hear me out,
I get great joy out of people, you know, people
experiencing things that I'm experiencing through my lens. Every day
I go through my day, I'm like, oh my god,
I wish I could tell the world about this.
Speaker 1 (01:00:12):
This food, this place, this experience.
Speaker 4 (01:00:15):
You do that too.
Speaker 12 (01:00:16):
If we're driving somewhere, he will point out every building,
the history behind it, who owns it.
Speaker 28 (01:00:20):
Yeah, you would been great this weekend with you do
very well.
Speaker 3 (01:00:22):
Yeah.
Speaker 24 (01:00:23):
Shortcoming is I haven't seen enough of America because I
tend to have my specialties in certain cities.
Speaker 1 (01:00:30):
And that's okay. But but that is you, that is
you on a cracker. You love to share experiences. This
is why you're the type of personality that cannot go
on vacation alone because you would You would be miserable
not having someone next you to share it with. Right, Hey, Froggy,
what would your what would your identity be if you
added to who you are now?
Speaker 31 (01:00:48):
I would want to be the fifth member of a
boy band. You know how much I love and thank
you know how much I love the Backstreet Boys. I
liked New Kids on the Block when I was in school.
I mean, I have always I'm a boy band fan.
I want to come back and be in a boy band.
I can't sing for crap, but it does not matter because.
Speaker 1 (01:01:07):
I what is what is the allure of being a
member of a boy band? A team? So this is
not a solo artist. This is a member of a
functioning team.
Speaker 31 (01:01:17):
Of I like to be a member of a team.
I like to because I can't do it all by myself.
I would just like to do my own little part
and help other people. However, it's just what I want
to do. I want to be in a boy band.
Speaker 1 (01:01:27):
There you go. I would love to be a gentleman farmer.
Speaker 4 (01:01:38):
What would you farm?
Speaker 1 (01:01:40):
Yes, yes, got it? No anything that requires no. I
would like to produce and manage if I knew how
a farm where I have people that know what they're doing,
who would be here to run the farm. But no,
the thought of growing things and then giving them to
people who need to eat and livestock and and flowers
(01:02:04):
and cotton for clothing, and I just think it would
be great to be able to utilize nature, bend it
the way we need to bend it, in a safe way,
of course, for the planet, and then you help people
with it, and you know it's you say, hey, yeah,
we grew that, or grapes for wine, you.
Speaker 7 (01:02:22):
Know, oh yeah in the little thing.
Speaker 1 (01:02:25):
Yeah, I would love to know. I'm not gonna put
my feet in the little thing, but that's what I've
always kind of been. I find that sexy. I find
farming sexy. I like that. I love farmers. So there
you go.
Speaker 4 (01:02:37):
You'd be very valuable in an apocalyptic situation.
Speaker 1 (01:02:40):
There is that, yes, But I love how Nate Nate
laughed at all of our dreams.
Speaker 4 (01:02:46):
You'd.
Speaker 1 (01:02:47):
I think mine's the most realistic.
Speaker 4 (01:02:49):
That mustache.
Speaker 1 (01:02:51):
I'm undercover right now.
Speaker 15 (01:02:54):
I'm just saying I couldn't be in a boy band.
Speaker 12 (01:02:55):
And you're saying I can't have a farm, I can't
be a lion whisper, and I can't be moleticent.
Speaker 1 (01:03:00):
I mean, Froggy is the most off key person I've
ever heard sing, even more than me.
Speaker 8 (01:03:04):
So what he's saying, if he could, if he could sing,
that's what he would like to do.
Speaker 7 (01:03:08):
Kirk Patrick, Nathaniel.
Speaker 15 (01:03:11):
Kirkpatrick did the best tones.
Speaker 7 (01:03:13):
Hey, Hey, he was my favorite.
Speaker 1 (01:03:16):
Royal family. Okay, well that's you can't just make that happen.
The other things you can make happen unless you marry
into the royal family. All right, Look, so the point
of bringing this up up is, Okay, you heard what
we're blah blah blah and bling and going on and
on about what about you? You know, talk to your
friends and family, whoever you're having lunch with a today
or whatever. Just bring it up. Sometimes when the same
old conversations get boring, talk about your dreams and talk
(01:03:38):
about talk about the possibility of a new identity. Even
though it may never happen. It sure is interesting to
find out more about other people and not laughing in
their faces. Nate, Nate, I want to be a doctor
and help cure cantra. Stupid dreamer.
Speaker 4 (01:03:56):
I still love that he said his is the most attainable.
He's gonna be a spy.
Speaker 28 (01:04:00):
He's the closest to his dream.
Speaker 1 (01:04:02):
I hate to listen.
Speaker 2 (01:04:03):
I could go report on things that I see overseas.
Speaker 1 (01:04:06):
You could see. We're not going to take that away
from you, Johnnie, don't take that away from it.
Speaker 22 (01:04:09):
I won't.
Speaker 28 (01:04:10):
I'm just laughing that he thinks he's almost James Bond.
Speaker 1 (01:04:15):
Well, that's the best cover.
Speaker 2 (01:04:16):
When they think they you know, they think they know you,
they don't they.
Speaker 1 (01:04:22):
Even though we've heard reports of many many spies throughout
history who were famous people, people have note. I bet
there are a lot of them will never know about.
Maybe someone on this show, Mary.
Speaker 7 (01:04:34):
Jason Bourne, would you like to be Jason Bourne?
Speaker 1 (01:04:38):
He can't run. If you're Jason Bourne, you have to
have physical.
Speaker 30 (01:04:48):
Elvis Dan in the Morning Show. Elvis Dan in the
Morning Show.
Speaker 1 (01:05:02):
So Danielle is about to say something. I think it's
just absurd.
Speaker 4 (01:05:06):
I can't wait.
Speaker 1 (01:05:07):
Go ahead.
Speaker 8 (01:05:08):
I was down the shore this week, you guys know,
for the day, spent the day down there. So a
lot of the teenagers that we are all friends with
with their families were there.
Speaker 7 (01:05:15):
So they were nineteen twenty and I.
Speaker 8 (01:05:17):
Said, okay, guys, I have a question. So I said,
if somebody was to cheat on you, now they have
to cheat on you, you have no choice. Would you
rather than cheat on you with somebody hotter than you,
or somebody uglier than you, or somebody from the same
sex that they are Everyone different answers same sex, same sex.
Speaker 1 (01:05:38):
Yeah.
Speaker 24 (01:05:39):
See, the guys are going to say same No, no,
same sex is acceptable because I'm not offended because I
can't supply what that same sex is doing.
Speaker 1 (01:05:45):
So it's like, okay, good, you're all and that's not
cheating as far as i'm wae. Yeah, now what about
me in same sex?
Speaker 21 (01:05:52):
Wait?
Speaker 24 (01:05:54):
Because you see, for Elvis, if Alex cheated with the option.
Speaker 7 (01:05:58):
El If Alex cheated with a girl. Would you add
that was it's.
Speaker 24 (01:06:01):
Less offensive to you Elvis, No, it's not the fact.
Speaker 1 (01:06:05):
This is why I said, this is absurd. How do
you sit there and justify Okay, it's okay, it's better
if they're uglier than me.
Speaker 8 (01:06:12):
Ahead because some people were saying, Okay, if they're uglier
than me, then I feel good about myself.
Speaker 7 (01:06:17):
I'm like, well, you got uglier. I'm better looking.
Speaker 28 (01:06:20):
Absolutely not.
Speaker 8 (01:06:20):
What if they're better looking than you, then you can say, well.
Speaker 4 (01:06:24):
I kind of get it.
Speaker 7 (01:06:25):
I kind of understand what.
Speaker 4 (01:06:29):
Okay, these are the different answers, different answers.
Speaker 12 (01:06:34):
I was getting what I would rather be cheated on
with somebody who's a lot hotter than me.
Speaker 4 (01:06:39):
Yes, okay, yeah for sure, Because if they.
Speaker 12 (01:06:41):
Weren't hotter than me, then I would be like, oh
my god, their personality is that much better.
Speaker 4 (01:06:45):
Well that's more devastating.
Speaker 7 (01:06:47):
Or they cheated on someone uglier than me, I'm.
Speaker 4 (01:06:49):
Like, the hell, what the hell did they think of?
Speaker 1 (01:06:51):
What I'm thinking on that? See, I'm thinking of a
step further. It's like, well, if they cheat on me
with someone that's hotter than me, then I will do
I have a chance to get them back at this
point because that they found someone hotter and now and
now I'm like yesterday's news. I'm like the ugly old guy.
Speaker 7 (01:07:05):
Oh man, Well, why would you want him back if
they cheated on you? Anyway?
Speaker 1 (01:07:08):
Why are we having this conversation saying I don't have
a pig. If you cheat on me, I don't care
what they look like. You're you're you're out, You're gone,
my last That ruins the conversation.
Speaker 12 (01:07:19):
If I say that, Yeah, well, the absolute last thing
I would want is for someone i'm dating to cheat
on me with a man.
Speaker 4 (01:07:25):
I would not be happy with you.
Speaker 12 (01:07:27):
Because it would just take me off because I'd be like,
you did not disclose this ahead of time, They didn't
figure it out.
Speaker 28 (01:07:33):
Well, now you figured it out.
Speaker 24 (01:07:34):
Now, I'm just not that should be more acceptable to you,
not to me, because you because.
Speaker 1 (01:07:39):
It's a guy.
Speaker 24 (01:07:40):
And then he can get what he wants out of
a guy. You can't give him what he wants.
Speaker 1 (01:07:45):
Oh yes you can, but if he wants the feeling
of another man, it's like, I'm out.
Speaker 4 (01:07:50):
I'm not a man I had.
Speaker 1 (01:07:53):
You can peg this guy and you can keep him
right him.
Speaker 12 (01:07:56):
But I think I would be more upset with the
dishonesty through the entire relationship. I could have been pegging
him from the beginning and kept him from cheating.
Speaker 1 (01:08:03):
But wait, okay, let me give you another level to
think about it. In that Okay, okay, let's say you're
saying you're upset because you find out he's gay. Yes,
but what if he's bisexual. Still, Yes, it's a little different.
Speaker 12 (01:08:17):
No, I mean, I'm yeah, I would be like what
we could have just you could have just told me.
I mean, I don't think. I just don't think i'd
be into it. No shade to anybody who's bisexual and
is into that, but like.
Speaker 28 (01:08:27):
I would not be.
Speaker 8 (01:08:28):
My favorite was one of the kids said, I would
feel like I turned them that way, and I had
to say to them, guys, it's not how it works.
Speaker 1 (01:08:35):
Like Robin told, cheat on me with women day long,
I wouldn't care.
Speaker 22 (01:08:39):
It's not cheating.
Speaker 7 (01:08:40):
So if she hooked up with me or Gandhi and
be fine with.
Speaker 1 (01:08:43):
That, yeah, it's still cheating.
Speaker 4 (01:08:49):
Is Sheldon hooked up with Nate, I'd be pissed off.
Speaker 1 (01:08:51):
I'm sure straight guys. Straight guys have this whole different view.
It is different. Woman and a woman.
Speaker 4 (01:08:58):
It's so cheating.
Speaker 1 (01:08:59):
Guys think it's hot, and.
Speaker 12 (01:09:00):
I think they think about inserting themselves into that whatever.
Speaker 1 (01:09:03):
I mean, and they totally sexualized it. They forget there
could be emotion in there too that would make them upset. Right,
I can't believe we're talking about this.
Speaker 12 (01:09:13):
I still want to know everybody's answers, because everybody did
not answer.
Speaker 8 (01:09:16):
Yeah, you guys didn't all answer different sex.
Speaker 1 (01:09:20):
No, you cheat on me, You're out. It does matter.
I can't answer that because it's just it doesn't compute
with me. I can't answer that for you.
Speaker 2 (01:09:31):
I kind of agree with Elvis because like the hotter person, Okay,
I'm gonna get an inferior you are to your complex
over not being that attractive, an uglier person, I'd be like, well,
what do they have that I don't have? And then
somebody of the same sex, I'd be kind of like Gandhi,
like you've been.
Speaker 24 (01:09:44):
Lying this whole time, and hotter guy I'm okay with.
Speaker 7 (01:09:49):
Yeah, yeah, you understand the hotter guys.
Speaker 1 (01:09:51):
I understand it because you described the person.
Speaker 7 (01:09:55):
You look at it like, well, I kind of.
Speaker 1 (01:09:58):
Understand cheated with the ten women. You're cool with it?
Speaker 7 (01:10:02):
What are you trying to say, I'm only like a sexy.
Speaker 24 (01:10:05):
Wow, whatever, I would be pissed, of course i'd be pissed.
Speaker 1 (01:10:12):
But also back to something Nate was saying, if you're
cheating on me with someone who I feel as uglier
than me, and then we'll wait a minute, maybe they're
not uglier than me. Maybe I'm really ugly.
Speaker 8 (01:10:22):
That's an issue, right, That is the total issue.
Speaker 4 (01:10:28):
There really isn't.
Speaker 28 (01:10:28):
But I had to pick which one say, Dan yell.
Speaker 4 (01:10:31):
They all said different things.
Speaker 8 (01:10:33):
One of them said the uglier, one of them said hotter,
one of them said that they'd rather be the you know,
with the same sex.
Speaker 7 (01:10:38):
That they all had different, different fakes.
Speaker 4 (01:10:40):
So was it.
Speaker 7 (01:10:40):
I thought it was very interesting. So I was like, okay,
maybe look at things I don't know.
Speaker 8 (01:10:46):
Don't ask why I bring up these conversations down the
shore with the kids.
Speaker 1 (01:10:49):
Why not at dinner, which sounds like you had fun
with it.
Speaker 4 (01:10:54):
So I'm around the cheeseboard.
Speaker 1 (01:10:56):
Yeah, you know, they were awesome round the cheeseboard.
Speaker 4 (01:11:00):
Yeah, she was cheessing cracker.
Speaker 7 (01:11:02):
There was cheesing crackers.
Speaker 8 (01:11:03):
Other time we were we were just having a good
time in laughing and they were talking about their relationships.
One just found out that their ex had moved on,
and it was the first time they were dealing with that,
and so we were talking about that.
Speaker 7 (01:11:15):
So I don't know, I kind of just brought it
up and was like, so let's say, you know, wow.
Speaker 1 (01:11:22):
I'm gonna go down the shore with.
Speaker 22 (01:11:23):
You next time.
Speaker 7 (01:11:24):
For sure, they were older, they were nineteen twenty. They
weren't little kids.
Speaker 3 (01:11:27):
Come on, don't answer the phone. Elvis durand the Elvis
durand phone.
Speaker 1 (01:11:32):
Tap, The Return of Michael Oppenheimer. Oh, my mother hates
telemarketing phone calls. My mom's your typical Italian lady who
goes nuts when she's annoyed by anything. Therefore, wouldn't it
be hilarious if she got a call from mister Michael
Oppenheimer played by her own Scary Jones. Well, Kristin, thank you, Kristin.
(01:11:52):
We are now going to phone tap your mom. Scary
Jones as mister Michael Oppenheimer, It's gonna call your mom
at home. As Kristin listens in the background, Let's listen
into today's phone tap.
Speaker 18 (01:12:03):
Hello.
Speaker 42 (01:12:04):
Oh yes, this is mister with swivel sweper. The best,
most convenient cordless sweeper. Ever, how are you doing today.
Speaker 18 (01:12:09):
Miss, I'm doing fine.
Speaker 42 (01:12:12):
We would like to send you one of our cordless
swivel sweepers.
Speaker 18 (01:12:15):
I'm really not interested, but thank you very much.
Speaker 42 (01:12:18):
The swivel sweeper is for use in the kitchen, the
family room, the dining room, the bathroom.
Speaker 18 (01:12:23):
I'm really not interested.
Speaker 11 (01:12:24):
Thank you.
Speaker 42 (01:12:24):
It swivels three hundred and sixty degrees for easy movement
around furniture.
Speaker 11 (01:12:28):
I'm not interested.
Speaker 1 (01:12:30):
Hello hello, oh, yes, this is mister sir.
Speaker 18 (01:12:36):
Please don't call back again. I do not want to
swivel sleeper.
Speaker 11 (01:12:39):
Thank you.
Speaker 42 (01:12:40):
Even the cleanest of houses can use a visit from
the cordless swivel sweeper.
Speaker 18 (01:12:45):
I don't want the sleeper. Please do not call here again.
I'm not going to answer the phone.
Speaker 1 (01:12:54):
Hello, Oh, yes, good, have tonon. This is mister Michael.
Speaker 11 (01:12:57):
I told you I don't want it.
Speaker 1 (01:12:58):
Okay, what if I took off?
Speaker 18 (01:13:00):
But if it took nothing, okay, I don't want the sweeper.
Speaker 11 (01:13:04):
Do not call again. What if I do not call again?
Thank you?
Speaker 1 (01:13:07):
Complimentary shipping and handling. Hello, Hello, Hi, the quote.
Speaker 11 (01:13:14):
Ye look, my husband's a crap.
Speaker 1 (01:13:17):
Okay, I understand.
Speaker 11 (01:13:18):
I don't want to be bothered.
Speaker 18 (01:13:19):
I said, I don't want the swivel sleeper.
Speaker 11 (01:13:21):
Leave me alone.
Speaker 42 (01:13:23):
You do understand that the cordless swivel sweeper has Yes, Look, I'm.
Speaker 11 (01:13:26):
Gonna say this is the last time.
Speaker 18 (01:13:28):
I don't want your swivel sweeper, and I don't want
to be annoyed.
Speaker 1 (01:13:31):
Is there a chance you might change your mind in this?
Speaker 11 (01:13:33):
There's absolutely no chance. Okay, because you're pissing me off.
Speaker 18 (01:13:36):
You don't call me every five minutes after I tell
you no.
Speaker 11 (01:13:40):
What's the problem?
Speaker 1 (01:13:40):
Can I send you some literature?
Speaker 11 (01:13:41):
Man, I don't send me anything. Okay.
Speaker 18 (01:13:44):
Look, I wouldn't buy it now if you gave it
to me for nothing.
Speaker 11 (01:13:47):
Do you understand me?
Speaker 18 (01:13:48):
You piss me off because you keep calling back.
Speaker 11 (01:13:50):
Now stop it. But ma'am, I don't care. There is
no button.
Speaker 1 (01:13:54):
You rate with me for no reason.
Speaker 22 (01:13:56):
Man, for no reason.
Speaker 11 (01:13:57):
I told you no, I don't want it. You call
back six pone. I think that's the reason.
Speaker 1 (01:14:01):
I want you to enjoy it.
Speaker 18 (01:14:02):
No, and no means no, do not this house again.
Speaker 1 (01:14:05):
But we want you.
Speaker 11 (01:14:06):
I don't want anything.
Speaker 1 (01:14:08):
We want you to enjoy this technology. I don't care
it's revolutionary.
Speaker 18 (01:14:11):
I don't give a damn what it is. I wouldn't
bite it now if it gave it to me.
Speaker 42 (01:14:15):
But nothing, Okay, man, if you act now, we'll send
you these removable dust trays absolutely free.
Speaker 11 (01:14:20):
I don't care. Leave the alone, Do not call me back.
Speaker 1 (01:14:24):
Not call me back, tile floors. It's lightweight, man, I
don't give it what it is?
Speaker 11 (01:14:28):
Okay, I don't care.
Speaker 42 (01:14:30):
It runs, don't care for five minutes, call me back.
Speaker 1 (01:14:36):
Me back, do not call me back forty five minutes on.
Speaker 18 (01:14:40):
I don't care. I wouldn't bite it now because it
picks me off.
Speaker 24 (01:14:46):
It has four weight action brushes. It reaches those hard
to reach places, ma'am. It picks up dirt and pet hair, and.
Speaker 11 (01:14:53):
I don't care what it picks up. Okay.
Speaker 1 (01:14:56):
Well do you have tile floors, ma'am? Well? Do you
have cards?
Speaker 11 (01:14:59):
I'm not going to answer you anymore. Do not call
my house.
Speaker 1 (01:15:02):
Do you have wood?
Speaker 18 (01:15:03):
Did you just hear me?
Speaker 11 (01:15:05):
Did you just hand me?
Speaker 18 (01:15:06):
Look, I'm hanging up. Do not call my house again.
But the next time I'm gonna get a trace on.
Speaker 42 (01:15:11):
You, I will throw I'll throw these removable Hello. Hello,
this is mister Michael Oppenheimer.
Speaker 11 (01:15:21):
Again. You don't understand English.
Speaker 18 (01:15:23):
Look, I'm tracing this block holl Okay, I'm telling you now,
and I'm going to either sue you or report it
to your supervisors.
Speaker 11 (01:15:29):
Now, don't call me again.
Speaker 1 (01:15:30):
It comes with a built in seven point what part
of no?
Speaker 11 (01:15:33):
I don't want to don't you want to stay rechargable?
It goes on. But that's amazing.
Speaker 1 (01:15:39):
It's my job to sell these today.
Speaker 11 (01:15:41):
I don't give a damn. I said no. Take no
for an answer.
Speaker 1 (01:15:45):
If you have, I'm.
Speaker 11 (01:15:46):
Getting your number.
Speaker 18 (01:15:46):
I'm trapping the call right now. I'm going to report
it to your supervisor.
Speaker 1 (01:15:51):
Okay, if you have carpet this is.
Speaker 11 (01:15:52):
Still goes on. Do not call here again.
Speaker 1 (01:15:55):
It's a product for you, ma'am.
Speaker 18 (01:15:57):
What's your supervisor's name and the phone number?
Speaker 1 (01:16:00):
My supervisor is mister Duran, Mister Duran.
Speaker 11 (01:16:04):
And does he have a number, mister Duran.
Speaker 1 (01:16:06):
Yeah, it's a one eight hundred two four to two
zero one hundred.
Speaker 11 (01:16:11):
Okay, mister Duran.
Speaker 18 (01:16:12):
How much you want to bet if I call this number,
I won't get mister Duran.
Speaker 42 (01:16:16):
I believe it's a very good chance you'll get mister
Duran if you call that phone number.
Speaker 1 (01:16:20):
Yeah, and you know what else? What you've been phone tapped.
Speaker 11 (01:16:23):
No, you've been phone taped.
Speaker 24 (01:16:25):
This is scary Jones from Elvis Durant in the Morning Show.
And your daughter's playing a joke on you.
Speaker 11 (01:16:30):
That's great, Thank you.
Speaker 6 (01:16:31):
I'm gonna get my ast kick.
Speaker 11 (01:16:36):
I think she's gonna get her rest kick.
Speaker 3 (01:16:38):
Elvis Duran's phone tap.
Speaker 29 (01:16:41):
This phone table was pre recorded with permission granted by
all participates.
Speaker 30 (01:16:45):
The Elvis Duran phone tap only on Elvis Duran in
the Morning Show.
Speaker 3 (01:16:54):
Are on Elvis Duran in the Morning Show.
Speaker 1 (01:16:58):
Let's do a segment called this this is stupid. I
can get stupid view right, stupid. That's good. We were
talking about three ways a little while ago. You want
to get into this.
Speaker 4 (01:17:11):
I think this is a great topic. I don't even
think this one's stupid.
Speaker 1 (01:17:13):
I don't think it's stupid at all. Yeah, I'm sure
we'll have some stupid responses to that. If you and
your partner, someone you're dating or married to, decide to
have a three way with someone and your partner falls
asleep in the middle, do you have the right to
keep on going with a total stranger right now, right
next to them?
Speaker 31 (01:17:32):
And if you're watching a movie and somebody falls asleep.
Don't you keep watching the movie.
Speaker 1 (01:17:35):
It's a little different, facts, a little different.
Speaker 12 (01:17:37):
I think you do have the right to keep going
because the two of you decided on this together. Then
that person did something kind of irresponsible and fell asleep
or passed out, and then everyone's supposed to suffer because
that person made the mistake.
Speaker 1 (01:17:50):
Suffer. Okay, hear me out. You're not you're not allowing
your partner to uh well, your partner's not allowing you
to have one on one with them. It was supposed
to be a three way, so if a three way
stops to happen, it stops happening. I don't know. I
don't know. It's not a three way anymore. It's you
cheating on me.
Speaker 4 (01:18:08):
As what if I don't notice you were asleep, that's
even weirder.
Speaker 1 (01:18:15):
Take my take my pulse, put a mirror under my nose,
make sure I'm alive. I don't know. So Froggy was
the first to chime in.
Speaker 31 (01:18:23):
Yeah, no, I think that if if you, like Ghani said,
if you irresponsibly fall asleep, it doesn't mean that then
everybody else has to stop what they're doing. We all
entered into disagreement together and you unfortunately tapped out.
Speaker 1 (01:18:35):
The other people will continue on. You entered it together.
That's my point. You're not together anymore. It's two of
you now, right.
Speaker 31 (01:18:42):
But we didn't agree for you to fall asleep. You
did that on your own. So now I get to
make my decision.
Speaker 1 (01:18:46):
Okay. So if I was with Alex and we had
a third in there, and I fell asleep, and give
me and keep going, yeah, keep going. If I woke
up and found you and Alex going at it with
each other there and I wasn't there to watch it
because I was asleep, I would have a problem with that.
Speaker 15 (01:19:04):
No, we'd say, like, yo, why'd you go to sleep?
Come on, let's go now, come on.
Speaker 1 (01:19:07):
Well, you would know I was asleep because I wasn't
you know a part of the action that's snoring asleep? No, no, no,
but but you're but no, no, if you're in this
Not to get too serious here, but if you're in
a sexual situation and someone falls asleep, that it's a
totally different ballgame.
Speaker 15 (01:19:25):
Now why, I think it says a lot about what's
going on too, right.
Speaker 1 (01:19:29):
Well, No, there's usually I'm sure drinking would have something
to do with it.
Speaker 11 (01:19:33):
You think.
Speaker 1 (01:19:34):
Oh's a tough call.
Speaker 4 (01:19:36):
I don't know.
Speaker 12 (01:19:36):
I guess now we've opened a whole new door if
things need to discuss before a threesome. I guess in
the event of someone falling asleep, I fall asleep.
Speaker 1 (01:19:44):
Hey, Nate, can you get Alex on the phone. Let's
go right to the source. I'm sure I wasn't what
she thinks and asking, yeah, scary, can you turn microphones
on and things? People who are like definitely working on
the show, like, okay, uh, yeah, I don't know. I
would I would like to think that if you fell asleep,
if Alex fell asleep, I wouldn't continue with you, Froggy,
(01:20:07):
so everyone just.
Speaker 4 (01:20:07):
Stops and then that's it.
Speaker 1 (01:20:08):
And yes, okay, it's not a three way anymore. Oh geez, Okay,
do you want me to pose the question to her? Okay, Lisa, Yes,
if you and Froggy and I were having a three
way and you fell asleep, but Froggy and I kept going,
wouldn't you feel kind of pissed off about that? Like,
(01:20:29):
it's not a three way anymore, it's a two way.
Speaker 4 (01:20:31):
I would agree, Yeah, I think that's I don't care, doesn't.
Speaker 28 (01:20:35):
You don't continue what.
Speaker 15 (01:20:36):
Would weak you up?
Speaker 1 (01:20:38):
You probably should yeah, on the head with something us
into this mess. Okay, well, hold on, I have Alex Alex. Sorry,
I know you're busy. We have a weird, weird question.
Are you ready for this?
Speaker 43 (01:20:52):
Yeah?
Speaker 1 (01:20:53):
Okay, Let's say you and Froggy and I are having
a three way. Okay, by the way, Hi, we're on
the radio, and then and then you fall asleep, but
Froggy and I keep going at it. Wouldn't you feel
kind of pissed off about that?
Speaker 25 (01:21:10):
Well, first of all, I would never fall asleep.
Speaker 1 (01:21:15):
Okay, let's say I fell asleep, but you and Froggy
kept going. Wouldn't you understand why I would be a
little upset at that.
Speaker 5 (01:21:21):
No, you fell asleep, so you know.
Speaker 1 (01:21:24):
But it's a three It was a three way, now
it's if I'm asleep, it's now a two way because
I'm not a part of it.
Speaker 25 (01:21:31):
And then if both of you fall asleep, then it's
going to be a one way.
Speaker 1 (01:21:35):
So you're you're saying you're gonna keep on going no
matter what happened.
Speaker 25 (01:21:42):
Wow, you know if the three of us are in
the race and you you can't make the race, and
then froggy and I still complete the race.
Speaker 1 (01:21:52):
You know you got no not the same. We're talking
about a three way it is. It's not the same. Different,
it's a lot different. I'm so disappointed in you. I'm
so sorry I called anyway. We'll discuss this later. I
love you. Have a good day.
Speaker 7 (01:22:09):
He's canceling that three way, Alex.
Speaker 1 (01:22:13):
I'm gonna drink a cup of espresso before we stop
into that.
Speaker 7 (01:22:16):
There's an actual rule.
Speaker 1 (01:22:17):
Apparently, there's written rules.
Speaker 24 (01:22:18):
They say the biggest rule in multiple partner play are
threesomes is when one is done, all three of you
were finished.
Speaker 1 (01:22:23):
Well, and look, that's the thing. If you're gonna have
a three way, you need to set those boundaries and
rules early. That may not apply to all three ways though.
Oh wait, I've got Sarah line twenty Sarah. Yes, so
you used to date a couple. They were they were
together romantically, and you would join in as a third person.
Speaker 33 (01:22:40):
Correct, Yeah, I was the third person.
Speaker 1 (01:22:43):
And so if one of you fell asleep, if one
of them fell asleep, you would keep going with the other.
Speaker 13 (01:22:49):
I mean if they fell asleep during then I guess
that's their own deal. So we would keep going because
it was a mutual agreement.
Speaker 1 (01:22:56):
Oh so you agreed to it, okay, all right, well yes,
but in the agreement, did you say, all right, if
one of them falls asleep, the other two are allowed
to keep going. You actually said those words? Yes, listen
to you? What froggy?
Speaker 31 (01:23:13):
No, I agree one hundred percent. Like if we all
enter into this agreement together and and somehow you fall asleep,
then that's on you, that's not on us. The then go, oh,
what do we just sit here and wait or try
to wake you up?
Speaker 1 (01:23:22):
Like right on us? Well I just text her. They said,
if one of you falls asleep, then you're all drunk,
and that's really then just reschedule, reschedule for it.
Speaker 22 (01:23:31):
You can't, well what.
Speaker 4 (01:23:33):
Are you going to do it in the middle of it?
Speaker 7 (01:23:35):
Go excuse me, we need to reschedule.
Speaker 12 (01:23:38):
Wake up more Like I just I feel like you
were already doing something, so it's not like you're doing
anything new. You're just continuing doing what you were already doing.
But one person tapped.
Speaker 1 (01:23:47):
Out, they're not doing what you were doing. What you
were doing were three people and now there are two.
No one's seeing my point And how the hell.
Speaker 8 (01:23:53):
Would you even know if I finished or not when
you're sleep and I could lie to you and say yeah, yeah,
we stopped.
Speaker 1 (01:23:58):
And that's on you. You wouldn't do that, Daniel, because
you you have a guilty conscience.
Speaker 15 (01:24:02):
Yeah we didn't finish. I swear we did not finish.
Speaker 1 (01:24:04):
Right, So Gandhi and Froggy or sleeves. You know, I
don't know what to tell.
Speaker 28 (01:24:11):
You started?
Speaker 1 (01:24:11):
Okay, Sarah, thank you very much. I appreciate your candor.
I appreciate it very much. Sam Is on twenty two
You swing swing I love that term with your wife.
But you have rules, right Sam?
Speaker 5 (01:24:23):
Oh, yes, it's a lot of that community has a
lot of rules, I know.
Speaker 1 (01:24:27):
But I would assume even though the community has a
set of rules, you may have some that are more
specific to you, Like what are your rules with your wife?
Speaker 5 (01:24:34):
Absolutely, it's always been if one person sides to tap out,
you both tap out, You go in together, you leave together.
Speaker 1 (01:24:41):
Okay, Sea, I agree with that.
Speaker 15 (01:24:42):
I'm with you.
Speaker 1 (01:24:43):
I will march into battle with you and we'll fall
right out. Do you have any other rules in there? Sam?
Speaker 5 (01:24:49):
Well, I was going to say, respect is a big
thing in this, you know, even between other couples and
yourself and your spouse or whoever you're with. You don't
have enough respect to finish as you started and came
in and stuff that. You know the next time you're
not getting.
Speaker 1 (01:25:05):
Any There you go, Sam, Thank you, thanks for being
the only one who agrees with me. All right, Sam,
thanks for listening to us.
Speaker 5 (01:25:15):
Thank you those lastairs and honor and a pleasure.
Speaker 1 (01:25:17):
Thank you. So Garrett wants to know if Daniel and
Sheldon had a threesome with Christina Aguilera and Daniel falls asleep,
would you be mad if Sheldon, your husband continue with Christina.
Speaker 8 (01:25:26):
Al No, because that's his past, so he would have
still kept on going. I don't think that's his past anymore,
but back then in her dirty days.
Speaker 1 (01:25:37):
God. All right, well there you go. Once again. We
talk and talk and never really solve much.
Speaker 12 (01:25:43):
I don't know anything about this community or like how
the rules work. It just logically seems like you should
be able to keep.
Speaker 1 (01:25:48):
Going well, And I think the way we agree to
disagree is there. You know, before you get into a
three way you should you should maybe talk about these
things and have these rules set up.
Speaker 31 (01:25:59):
Yeah, I feel like if you have a conversation, Hey,
if one of us falls asleep, like you're setting yourself
up for who's going to be who's gonna want to
fall asleep during.
Speaker 1 (01:26:06):
Okay, if you don't see if the rules, then the
rules aren't there apparently, So what's scary?
Speaker 24 (01:26:12):
I just said I would hope no one would fall asleep.
I would hope things are so exciting that no matter what.
Speaker 1 (01:26:16):
Happens to what I'm scary, that's not even a part
of the conversation. And so what if it's what? It
could have been a long day. Maybe you're bad in
bad and you're boring me, or you know, are too
much drinking, or who cares? But if we all stay awake,
what does keep on going till the sun comes up?
Speaker 30 (01:26:37):
I want to hear something slightly more unhinged in the
Morning show, Mister Rand's After Party, a podcast we record
daily when the Morning Show is finished.
Speaker 3 (01:26:48):
He is literally past Easter rans after Party.
Speaker 30 (01:26:53):
Listen on my iHeart Radio app or wherever you get
your podcasts. In the Morning show, Elvis Terran in the
Morning Show, the one the only Carol g.
Speaker 1 (01:27:10):
Right here.
Speaker 4 (01:27:15):
And she smells amazing.
Speaker 7 (01:27:17):
I know you keep telling me to keep my nose.
Speaker 4 (01:27:18):
Out of people.
Speaker 1 (01:27:21):
Sniffs every guest.
Speaker 20 (01:27:23):
Oh really, So there's people that you don't like or
in your every now and then, but you smell really.
Speaker 1 (01:27:29):
Good, okay, perfect, Yeah, she sniffs everyone it's male female
everything sniff. So first of all, I can't say welcome
to New York because you're basically in New Yorker. Now
you've lived here five months.
Speaker 20 (01:27:42):
The last five months, I've been based in New York,
like moving around, going back and forth. But I was
doing some things here for my album. So I was
here in New York and I get to know the
place from a different perspective, and I'm loving it.
Speaker 1 (01:27:56):
Could you see yourself living here forever? Or is it
wearing you down?
Speaker 20 (01:27:59):
I think I don't think forever because as a Columbia,
we love like farms and big places like big land,
and here is too rush for me a little bit.
Speaker 4 (01:28:10):
But I was in what was Blush, and I was
like I.
Speaker 20 (01:28:12):
Could ride back cicles, I could go out and see
the life style.
Speaker 4 (01:28:16):
People was getting like tan in the pearls part peers.
Speaker 20 (01:28:22):
It's crazy to say when it's a sunny day, people
is getting like suns in the piers as it.
Speaker 4 (01:28:27):
Was a beach. So I love it, like you.
Speaker 1 (01:28:30):
Actually jumped into the Hudson River.
Speaker 4 (01:28:32):
Oh yeah, oh my god.
Speaker 1 (01:28:33):
Oh yeah, Okay.
Speaker 4 (01:28:39):
It's not glowing from doing that.
Speaker 20 (01:28:41):
It's crazy because I have to say that in my
I don't know if you say it by my benefit.
Speaker 4 (01:28:46):
I have to say that I didn't know it.
Speaker 28 (01:28:48):
Was a river.
Speaker 4 (01:28:50):
I was in a place.
Speaker 1 (01:28:51):
What do you think it was?
Speaker 4 (01:28:53):
I don't know, like the Ocean.
Speaker 3 (01:28:56):
Day.
Speaker 20 (01:28:56):
There was people doing that ski at that especial big
moment and I was like, oh my god, we're here.
I was in a studio like getting ready for the VMAs,
and I was like, it was like so hot, and
I was like, what about if we jump to the os.
It's getting to be amazing. And they want to put
the documentary out. Everyone likes, oh my god, survived to
the Hudson.
Speaker 4 (01:29:18):
Why what is that bad about it?
Speaker 1 (01:29:21):
And it has all sorts of things lurking and their
diseases and.
Speaker 4 (01:29:24):
It's like body marinate.
Speaker 8 (01:29:26):
Yeah, that's when they dumped the bodies like I arrived.
Speaker 1 (01:29:33):
Yeah, so if you can survive the Hudson, you can
survive anything.
Speaker 4 (01:29:36):
Yeah. I see, now I am prepared for like hard
and stuff. You can do it.
Speaker 1 (01:29:40):
You can do anything. So I have a party, girl,
voice today. Can you hear that? I was up all
night dancing to your album? It is so much fun.
It's such a fun album. It makes you want to dance,
It makes you want to party, it makes you want
to work bright fruity clothes like I have to say.
Speaker 20 (01:29:56):
I was about to say that when I say that,
but I was like, no, maybe I need to be
like it's lower.
Speaker 4 (01:30:02):
With the things. But I love your shir because it's
really a tropic mood and vibe.
Speaker 1 (01:30:06):
Thank you. This shirt used to be curtains in my house.
Speaker 4 (01:30:10):
But that's all about and that this used to be
like a cartain.
Speaker 1 (01:30:14):
To I wore my couch. I wore my couch yesterday.
It was a great day, great shirt. So let's talk
about it. Let's go back to the documentary. Okay, So
what do it feel like exposing you and your vulnerabilities
in life? And like it was real. It wasn't like
you on stage with lights, it was you backstage with
no lights. Were you a little hesitant to have a
(01:30:37):
ratization to.
Speaker 4 (01:30:38):
Say let's do this this way?
Speaker 20 (01:30:40):
I don't know, but I think I was already like
talking about it like earlier. And the thing about that
documentary is it's like the open door to a normal life,
not my life, I think a normal life. And I
think right now in the spot that we are with
social media, like everything is so perfec we go if
(01:31:00):
you go to social media, like everyone is so happy,
everyone is so successful, everyone is so perfect, bodies are
so amazing, and everything is so amazing.
Speaker 4 (01:31:08):
And I was like, what about to show the realness.
Speaker 20 (01:31:11):
Of a process like being a success person, being a
good having a good body, has a process, has sacrifices,
has like a process at efforts. So let me show
the realness of the thing. And for me it was
hard because I don't know, but I think sometimes people
don't like leaders.
Speaker 4 (01:31:28):
To be.
Speaker 20 (01:31:30):
Weak, to have weakness, or to be you know, the
vulnerable exactly. They just expect us to be really strong
for any situation. But the real thing about all of
us is we have situations and it's hard to go
to all of them. But when you do it and
you have the strength and you're trusting yourself and everything,
(01:31:51):
you canna get the points. So I think that was
the most important thing for me to show the realness
in this documentary.
Speaker 1 (01:31:57):
I'm glad you did, and you know, and people do
say being vulnerable is a weakness. I think it's a strength.
I think it takes guts to expose your true feelings.
So not at all tears. If you cry sometimes I
cry a lot.
Speaker 4 (01:32:13):
Good, I cry a lot. I have to say that
I cry a light. I cried more and done what.
Speaker 1 (01:32:20):
You cry about last? Last time you cry?
Speaker 20 (01:32:22):
You know if I listen to my album, I cried
just because for me to be able to get things done,
I don't know, like to have the opportunity to think
about something and to get it done. It's always a blessing.
Is a privilege, I don't know, it's it's hard sometimes
to get things on. So for me, I cry because
of that. I cried because I laughed so much and
(01:32:43):
I cried. I cried because something touched me in a
really hard way and I cried and I just cried.
Speaker 4 (01:32:49):
I was born in February fourteen. Please I have love.
My blood.
Speaker 1 (01:32:56):
Cries.
Speaker 7 (01:32:58):
I'm going to cry.
Speaker 4 (01:33:01):
I'm going to cry.
Speaker 12 (01:33:02):
I read as part of your bio that you once
a year read the four agreements, which the four is
that right?
Speaker 4 (01:33:11):
Do you have one of them that is your favorite?
Speaker 20 (01:33:13):
Not taking the things personal that I think I need
to read this book every single year because uh, that's
the most important thing for me right now to get
it like in myself. Because to have a public life
is to be able to get noise all the time,
good uplauses and everything, bad comments and hate and everything.
(01:33:35):
So for me try to not get things personal and
just think about it in my intentions.
Speaker 4 (01:33:41):
That's hard, but I think it's something that I tried
to read. Keep reading, keep reading. Oh that's a really
good book.
Speaker 12 (01:33:47):
We talk about all the time, especially specifically the one
that you said, which was don't take anything personally. What
others do or say is a reflection of them, not.
Speaker 4 (01:33:54):
You exactly exactly.
Speaker 8 (01:33:56):
Do you ever take like a break from social media
so you just don't even have to look at it
or with any of it.
Speaker 20 (01:34:00):
Oh yeah, I have to, yeah, because that's even worst
than the Hudson River. People all need to think about,
Like I jump in Hudson River, where you spend the
whole day like reading comments in social media.
Speaker 4 (01:34:15):
That's worse. It's worse to media, for sure. I have
to do it. Like when I I love to travel with.
Speaker 20 (01:34:21):
My friends, that's my thing instead of like going out
and everything. I like to take like vacations with them,
and when I do it, I try to have a
different phone just to take fig pictures with them, with
my friends and being out of everything.
Speaker 4 (01:34:36):
I think it's really good to do it.
Speaker 7 (01:34:38):
It's important.
Speaker 1 (01:34:39):
So our friend Claudia is joining us from one seven
in Miami. We were talking earlier while I was in
traffic rushing to get here to see you, about what
it's like being a woman in the business. Your point was,
what was it, Claudia.
Speaker 40 (01:34:54):
Yeah, it's a male dominated urban reggaeton itto world and
you're a woman that's highlighting and stealing the show in
a lot of cases. How does it feel and what's
the mindset you have to continue to be that role
model in that genre.
Speaker 20 (01:35:09):
I think I used to think about like that all
the time. But with my last album, with the process
was different. I was having a moment in my life
where I was just doing music and I just put
everything together and I just put the album out and
that was the thing that made a clique with my fans,
(01:35:29):
and so that teaches me that people need realness from
leaders and artists and everything.
Speaker 4 (01:35:36):
So that gave me the strength to say, like, oh.
Speaker 20 (01:35:39):
So let's just fight for who I am and let's
show let's be a voice for all of those people.
So I think right now I see it as I
feel really happy.
Speaker 4 (01:35:49):
And blessed that I could get to this point in
my life.
Speaker 20 (01:35:52):
There's had been so much years, so many years, for
so much things that I lost that I have to
get away from.
Speaker 4 (01:35:58):
Me to to hear right now.
Speaker 20 (01:36:01):
But I'm super happy and I feel so responsible and
compromise to be the voice of all of my girls
that they feel the same way that I used to
feel in that I still feel sometimes. So I don't know,
I see it in a with a great attitude. I
think that there's so much work to do for women
in the industry, in different industries, because I'm not gonna
(01:36:21):
say that it's just music. I think in every single position,
girls have to fight aut lot for the respect for
the position.
Speaker 4 (01:36:29):
So let's keep doing.
Speaker 20 (01:36:31):
Like not just me, you right there, you're right here,
and you're right there, and all of us we have
so much work to do to keep like evolving our genre.
Speaker 4 (01:36:40):
I think I love it.
Speaker 8 (01:36:42):
I love that you lift up all the women in
the musical industry, like you even have tattoos of people
like Rihanna, So.
Speaker 4 (01:36:48):
Yeah, I love them so much.
Speaker 20 (01:36:50):
Yes, I think I get the input of all of
the girls that the music that I used to listen
to and everything. I get the energy more from women
that man, not in a bad way, but like.
Speaker 4 (01:37:06):
Oh sorry, I just turned to him and I was like, sorry.
Speaker 20 (01:37:08):
Not about but yeah, I have Rihanna tattoo, I have Selena.
I think for me to see those girls that, even Selena,
because she's still a legend even if she's not here,
she's still on people's hands and hearts. And Brianna, I
don't know, she is there in all the business. The
strange she has to be the more powerful girl in
(01:37:32):
the world, not losing who you are and having the
freety moments and the really hard moments when she has
to say like I'm the boss.
Speaker 4 (01:37:40):
So I really get a lot of from that.
Speaker 1 (01:37:43):
Let's talk about you want to talk about an artist.
Speaker 4 (01:37:45):
She's incredible.
Speaker 1 (01:37:46):
Did you just you just dropped into her d MS
and said, yo, it's I got.
Speaker 4 (01:37:52):
Her personal number? Yeah, I was.
Speaker 20 (01:37:56):
I had a friend, we had a friend together, the
same friend, and I was like, can you please tell
her that I really love to get connected with her.
I don't want to just send her the message.
Speaker 4 (01:38:09):
Please let her.
Speaker 20 (01:38:10):
Know that I really would love to save myself to
show her something. And she sent the name and the number,
so I think she was open to do something. And yeah,
I just called her and I was like, Hey, I'm
in the studio, I have this song. I don't know
if you would love to jump in, and she.
Speaker 7 (01:38:27):
Did and.
Speaker 20 (01:38:29):
Dream even when I was in the video, she was
doing like dancing and everything.
Speaker 4 (01:38:34):
I was like, oh my god. I had all all
of her.
Speaker 20 (01:38:37):
Videos and her career they just passing in my mind,
and I was like, it's incredible to see her and
to uh grow like to grow up like watching her
videos and watching her was like so inspiring that for me,
like being there was so choking, you know. I was like, Okay,
I don't know if this is a.
Speaker 4 (01:38:57):
Yeah exactly, I still myself.
Speaker 20 (01:38:58):
But it was a great gray, I think even for
my Columbian people from our Latina culture. But I think
one of the top years in my career for sure.
Speaker 4 (01:39:08):
She couldn't speak English.
Speaker 7 (01:39:09):
When she first came here to just talk to.
Speaker 1 (01:39:11):
Us, she couldn't speak English. And then next time she
came to see us, she spoke better English than she.
Speaker 20 (01:39:18):
Speaks and she didn't have accent. It's crazy. She No,
I need to like my accent. I have a really
hard accent.
Speaker 4 (01:39:25):
If you if I speak you, you have to say
that I'm Columbia or whatever, because we where I've come from.
Speaker 20 (01:39:30):
In my agen in Colombia, we have a really hard
accent that I think the way we speaking in Spanish,
I speak.
Speaker 1 (01:39:37):
Like that in English.
Speaker 4 (01:39:39):
So yeah, I'm gonna work.
Speaker 7 (01:39:40):
No, I'm gonna come like show.
Speaker 20 (01:39:44):
Wait, this is my first time in this show, so
next time, Like, I don't know what I'm going to
be here.
Speaker 44 (01:39:48):
Just saying I love your shirt, the flowers in May.
Speaker 1 (01:40:00):
I mean, we have the accent to you. So we're
the ones that have the accent.
Speaker 20 (01:40:03):
And when you're speak in Spanish, we love to hear
the accent of you want to speak Spanish.
Speaker 4 (01:40:09):
Yeah, it's cool. I don't know, it's yeah, it shows
where you're from.
Speaker 28 (01:40:12):
Somebody put against some effort.
Speaker 1 (01:40:14):
Let's talk about the album Tropy perfect exactly. It's a
tropical and a little flirty exactly. You got It's just
it's a it's a fun listen. I mean it really,
you really do have a fantastic job on this album,
and you got to collaborate with some good friends.
Speaker 20 (01:40:30):
Yeah, Like I have to say to this album was
the craziest and the more joyful thing in my career
because this album to be able to know, to have
the homework.
Speaker 4 (01:40:43):
For me to show the world our different.
Speaker 20 (01:40:46):
Latina sounds and all the different instruments that we used
to putting the songs was amazing.
Speaker 4 (01:40:52):
I have I spent so much time.
Speaker 20 (01:40:55):
In the studio with different musicians, like creating the arrangements
and everything, and I learned so much. And I love
to see how people they listen to the music and
they dance to the song and they get connected to
the vibration, to the energy. I don't know, it's amazing.
Even I have a song with Arrel and when I
was in the studio with him, and I was like, Oh,
(01:41:15):
this is my way to go right now. So if
we're gonna do something together, is going to be there,
the most Latino version of Arrel And it's one of
the most important songs for me in the album and
one that the people my fans love the Mostita.
Speaker 4 (01:41:31):
It's an amazing song.
Speaker 20 (01:41:33):
And I think for me to be able to in
this in this part of my career where I might
to show the world our culture and our traditions and
how it sound.
Speaker 4 (01:41:42):
It's amazing. I love it.
Speaker 1 (01:41:43):
Well, you're the best representative there is in Claudia Tubes.
Speaker 22 (01:41:47):
Thank you.
Speaker 1 (01:41:47):
I gotta play Papaco.
Speaker 4 (01:41:49):
Oh that's a good one.
Speaker 20 (01:41:52):
Yeah, yeah, that's a good one because that song is
how Karaoji would sound with her accent and with her
sounds and English.
Speaker 4 (01:42:00):
That song is in English.
Speaker 20 (01:42:01):
Is my first original song in English, had my accent
it is.
Speaker 4 (01:42:06):
It's amazing.
Speaker 1 (01:42:07):
You also do a song in Portuguese too, right.
Speaker 12 (01:42:09):
Oh yeah, yeah, yeah, amazing.
Speaker 1 (01:42:15):
Sure, New Yorker. Now, the invitation is always open. You
always have a seat at our table. It's such a
pleasure to meet you.
Speaker 4 (01:42:22):
Can I speak you all and thank you so much
for the amazing.
Speaker 22 (01:42:44):
I saw you say looking so good too. I are
too good on that. Two kings my heart. It's been
in so so fast.
Speaker 3 (01:42:57):
I don't know how much.
Speaker 22 (01:42:58):
That I need you to. You're getting blander now my
list Jack again would be delicious to him this FeelA.
Speaker 45 (01:43:09):
You know, if I could try, it would make my
son Secody or than Alisha.
Speaker 22 (01:43:15):
I won't need area say I canna cok.
Speaker 32 (01:43:20):
To I'll joy not just for building, you know, buddy,
it's my design.
Speaker 37 (01:43:29):
He's don't.
Speaker 32 (01:43:31):
I says, I'll go mask Solam's office, and you say,
probi in moko persona gonna listen with no man loocause.
Speaker 22 (01:43:44):
I was in him and don't think. Well, I'm gonna
right back, Maud, I'm gonna hold you. So Sota is myself,
Na bear to.
Speaker 45 (01:43:58):
My roomuse moll a meek with you, field A looking
maybe to get away, Yea, let's be w is the twogether.
Speaker 22 (01:44:12):
Really flaming along?
Speaker 36 (01:44:14):
Come, let's go and live it with our regrets and
show up for that elision.
Speaker 22 (01:44:21):
I will need area, Paco. I can't recC to.
Speaker 36 (01:44:27):
Jo not just don't relate, you know, But Boddy, he's
my the sign he's don't be simil alone, Pasi, you're.
Speaker 22 (01:44:57):
I can re cock to Hey, this is Taylor Swiss.
Speaker 10 (01:45:15):
Hi, this is Harry.
Speaker 37 (01:45:18):
And you're listening to Elvis Duran in the Morning show.
Speaker 3 (01:45:21):
Don't answer the phone, Elvis Duran. The Elvis Duran phone tapped.
Speaker 1 (01:45:25):
All right, Terry's on the phone, and what you got
going on today?
Speaker 25 (01:45:29):
Okay?
Speaker 27 (01:45:29):
Well, I have a really jealous boyfriend.
Speaker 2 (01:45:32):
He doesn't like it, but he knows that me and
my girls go out and we went to this place
Suba on Saturday, and I want you.
Speaker 27 (01:45:39):
To say that you met me there and the two
of us really hit it off or whatever.
Speaker 10 (01:45:45):
That you're calling him up basically to let him know,
you know that he and I are no longer and.
Speaker 3 (01:45:49):
It's now it's you and me.
Speaker 1 (01:45:50):
Any special reason why you want us to do this?
Speaker 13 (01:45:52):
Because he's ridiculously jealous, and just to kind.
Speaker 16 (01:45:55):
Of throw that in his face, you know, hang out.
Speaker 1 (01:45:57):
We're gonna call him now.
Speaker 19 (01:45:58):
Okay, Hello, Hey is this Jim?
Speaker 21 (01:46:04):
Yeah?
Speaker 6 (01:46:05):
Jim?
Speaker 1 (01:46:05):
Hey, what's up?
Speaker 2 (01:46:06):
Man?
Speaker 21 (01:46:06):
This is Willy Willy?
Speaker 22 (01:46:08):
Who will he do?
Speaker 25 (01:46:09):
Well?
Speaker 1 (01:46:09):
Listen? Who do R D E w A R?
Speaker 21 (01:46:12):
Yeah? What can I do for you?
Speaker 24 (01:46:13):
Your girlfriend didn't have the heart to call you, so
I figured i'd call for her. She met me at
Suba over the weekend and she gave me your cell
phone number and I bought a couple of beers and
things went really well between us.
Speaker 1 (01:46:25):
We have a lot in common.
Speaker 21 (01:46:26):
Yeah, so big deal.
Speaker 19 (01:46:27):
Congratulations.
Speaker 21 (01:46:28):
What do you want from me?
Speaker 1 (01:46:29):
I wanted to see her again, is what I wanted
to do.
Speaker 21 (01:46:31):
You want to you got some case pal?
Speaker 1 (01:46:34):
We hung out for like two hours. We were talking
all about you.
Speaker 35 (01:46:36):
She was talking about me to you?
Speaker 21 (01:46:38):
What's your name? Willie?
Speaker 19 (01:46:39):
Yes, I'm gonna tell you this once. Okay, Willie, You
go near her, you call her, you step anywhere close
to her, and I'll run you in a circle. Do
you understand me? No, I don't listen to you. You
don't call me up and tell me what's going on
with my girlfriend in my life?
Speaker 15 (01:46:54):
Okay, listen.
Speaker 1 (01:46:54):
I'm from Ozone Park. Okay, I know some people too.
Speaker 19 (01:46:57):
Really yeah, really?
Speaker 21 (01:46:58):
All right? What do you want to do? You want
to have our people meet now when I have to.
Speaker 19 (01:47:01):
Sit down lunch?
Speaker 35 (01:47:02):
Well, what do you want?
Speaker 21 (01:47:03):
I don't care who you know or what you think
you know?
Speaker 19 (01:47:05):
You don't know me, you know what you know?
Speaker 21 (01:47:08):
I'll tell you what.
Speaker 19 (01:47:09):
I'm gonna find out who you are. Okay, I'll find
out who you are. You come back, you call me
up and you talk to me about my girlfriend like this.
You have the balls to call me up and tell
me my girlfriend's a piece.
Speaker 1 (01:47:19):
She wants her stuff back.
Speaker 19 (01:47:20):
By the way she wants her stuff back. I'll tell
you what, Willie. Why don't you come pick it up for?
How's that?
Speaker 1 (01:47:25):
That sounds like a plan? Where do you live?
Speaker 21 (01:47:28):
What you find out from her where I live. I
hear her big pal.
Speaker 19 (01:47:31):
Now come here and pick up her stuff. I'll give
you our faseball bat. That's what I'll give you.
Speaker 1 (01:47:35):
I think I'll do that. I need some new action
for the summer. She obviously is not in love with
you anymore.
Speaker 19 (01:47:41):
Man, you want, you're gonna call me up and bust
my balls like this?
Speaker 1 (01:47:45):
Or she wants to see about other people. I don't care.
I don't mind sharing. Who do you think you are
so we can't both see her?
Speaker 21 (01:47:50):
Yeah? Wait, I think I know you. I think I
know you.
Speaker 1 (01:47:54):
Who am I?
Speaker 19 (01:47:55):
He's kind of a bitch, you talking.
Speaker 21 (01:47:57):
About your sad scary cat, aren't you? This is the
one hundred, isn't it?
Speaker 1 (01:48:01):
This is a phone, son of a bitch.
Speaker 21 (01:48:05):
You son of a bitch. We ask you think you're funny.
You're the tazer you did that.
Speaker 19 (01:48:10):
Birthday right right?
Speaker 17 (01:48:13):
I know you.
Speaker 21 (01:48:13):
You think you're really funny, don't.
Speaker 1 (01:48:15):
You terry something?
Speaker 3 (01:48:16):
Jimmy, Hey, Jimmy, Tom down.
Speaker 1 (01:48:20):
Are you here too?
Speaker 21 (01:48:21):
You're part of this?
Speaker 1 (01:48:22):
Jimmy, Let me tell you something.
Speaker 19 (01:48:24):
I know who you work, you son of a bitch.
Speaker 21 (01:48:27):
I know who you work.
Speaker 19 (01:48:28):
I went to that concert with her last week that
Michelle Branston you put on yeah yeah, and you think
it's funny. You called me from giving me a heart
attack like this. I didn't care you and I will
talk about this later. But you know what, you're a scumback, Jimmy.
Speaker 21 (01:48:40):
You call me and you give me a thought attack.
Speaker 19 (01:48:43):
In the middle of the day because you think it's
a joke. You play games with people's lives. Let me
tell you something. I'm gonna come down and I'm gonna
break your neck.
Speaker 1 (01:48:50):
In all honesty, Jimmy. It was her idea. She actually
emailed us. I'll read you the email.
Speaker 21 (01:48:54):
Are you're gonna blame my girlfriend? Now, you big man, Oh,
you big, big funny how radio guy. You're gonna blame
my girl friend.
Speaker 1 (01:49:00):
We're not gonna er it, bro, We're not gonna air it.
Speaker 21 (01:49:02):
You're not gonna air anything because I'm gonna come down
and want.
Speaker 1 (01:49:04):
To mop the floor with you, you low life dude.
Speaker 24 (01:49:06):
I swear to god. She called us like seven times
she wanted us to do this. I was at my
studio and I was actually sitting here.
Speaker 21 (01:49:12):
Oh you're big mister Innison. Now you're big mister Innison.
Oh I played games with lives. But hey, it's not
my fault.
Speaker 19 (01:49:18):
Oh, I got no responsibility.
Speaker 4 (01:49:20):
Jimmy, he's Jimmy.
Speaker 8 (01:49:21):
It was my idea.
Speaker 21 (01:49:22):
You know, maybe maybe I go Fin and I.
Speaker 19 (01:49:24):
We're having real trouble.
Speaker 16 (01:49:25):
You know that.
Speaker 1 (01:49:25):
I don't know that. I can only know the email
that that she sent me, Okay, that we received.
Speaker 5 (01:49:29):
Yeah, I know.
Speaker 21 (01:49:30):
But you know what, maybe should do a little homework.
Speaker 9 (01:49:32):
Maybe you should try and find out Enny y you said, Jenny,
I think you're getting a little of hand over this.
Speaker 24 (01:49:39):
Hey, listen, guys, guys, guys, guys, listen in all honesty,
g and I swear and im and I'm being I'm
talking to you from the heart.
Speaker 22 (01:49:44):
Bro.
Speaker 1 (01:49:45):
We we sit here, we are your heart on your chest.
Speaker 19 (01:49:49):
Bro. Okay, I'm not your bro.
Speaker 1 (01:49:51):
I apologize. We're not gonna airplogy. What we wanted to
send you guys to a concert?
Speaker 19 (01:49:56):
Your concert? What that supposed to make up to me?
Speaker 13 (01:49:58):
Now?
Speaker 1 (01:49:58):
No, but that's part of happy Now, that's part of
the deal. I mean, this is listen. Let me tell
you something. This is Elvis's show.
Speaker 23 (01:50:04):
And we don't go get Elvis than.
Speaker 19 (01:50:07):
Because I want to talk to someone with some authority,
not a little bleazer like you. You know what, if
I were you, I found a nice little faale job
someplace because you're not safe.
Speaker 21 (01:50:15):
Oh hey, we got an email.
Speaker 12 (01:50:16):
Hey shut up.
Speaker 21 (01:50:18):
I'm just you know, I'm just going she send me
an email. Bro, Hey, bro, you take carry.
Speaker 27 (01:50:22):
I am so sorry about this.
Speaker 19 (01:50:24):
You are god. You're playing games with people in New
York City. There's millions of people here and you never
know who you're dealing with.
Speaker 8 (01:50:29):
It was my idea because I think that you're just
a little bit jealous, and I thought it might be
a way to point it out to you.
Speaker 19 (01:50:35):
This is your way of pointing out to me that
I'm jealous by making me more jealous.
Speaker 27 (01:50:39):
Is wrong with you?
Speaker 21 (01:50:40):
What are you thinking? Hey? Hey, I don't think you
can swim here. Let me throw you the pool to
see if I'm right.
Speaker 19 (01:50:45):
What the hell's the matter with you?
Speaker 1 (01:50:47):
Hello?
Speaker 4 (01:50:47):
Hello?
Speaker 1 (01:50:48):
This is Elvis. Who's this Harry Elvis?
Speaker 3 (01:50:52):
I'm so sorry about this? He just went off.
Speaker 1 (01:50:55):
Well hold on second, no, what happened? Who are you?
Speaker 17 (01:50:57):
Are you?
Speaker 1 (01:50:57):
You guys are doing a phone tap?
Speaker 19 (01:50:59):
Yeah's doing one of your stupid phone calls for me?
Speaker 23 (01:51:02):
And you know this little weagle, but this face into
my life in the middle of the afternoon, one day
out of nowhere and start calling me sleeping with my girlfriend,
telling me my relationship is over, run down.
Speaker 19 (01:51:12):
There and I want to kill him.
Speaker 1 (01:51:13):
Hold on you. What's your name, Jimmy?
Speaker 22 (01:51:15):
He's jim I set this up.
Speaker 8 (01:51:18):
My name is Terry.
Speaker 25 (01:51:19):
I'm the one who set this up.
Speaker 27 (01:51:20):
I set the whole thing up.
Speaker 4 (01:51:21):
Like he's getting off on scary.
Speaker 11 (01:51:23):
It's not scary, you know.
Speaker 3 (01:51:24):
I mean, I'm the one I.
Speaker 21 (01:51:25):
Want to know. It is scary.
Speaker 1 (01:51:28):
It is scary. Can you hold on one second? Yeah,
go ahead, hold on one second. What has he said
to you? He's made some serious threats, Like what did
he say? He's saying that he's gonna wite the floors
of me. He's gonna rip my heart out of my chest.
He's gotta better have security. He was here for the.
Speaker 24 (01:51:40):
Michelle Branch thing last week with his girlfriend, the two
of them. He knows where the studios are everything, he
knows where we are. Yes, he was in here with you,
all right, all right?
Speaker 1 (01:51:48):
Hold on hello hello? Yeah, I'm sorry about that. So
Jimmy Scary says that you made some threats against him.
Speaker 21 (01:51:57):
Brett, Yeah, what are you gonna call your lad? Now
it's gonna be too late.
Speaker 1 (01:52:02):
Did you make some physical threats against scary Oh me?
Speaker 19 (01:52:05):
No, you know what, Elvis, you take your best shot
if you got it on tape. If you don't, I
said nothing.
Speaker 1 (01:52:09):
Terry wanted to play a joke on you, and yes,
my idea. She sent us an email, so I mean
no offense, but I mean she wants She instigated the
whole thing. So if you want to be mad at someone,
maybe you should be mad at Terry.
Speaker 23 (01:52:21):
First of all, don't you start to do Elvis. Don't
tell me who I should be mad at. But I
don't think that this little weasel should be calling people
up and playing games and going, there's my full Hey,
they called.
Speaker 21 (01:52:31):
Me feel me?
Speaker 19 (01:52:32):
You know what, no one takes any responsibility. He's gonna
pay for what he does.
Speaker 1 (01:52:35):
He's gonna pay. Hell.
Speaker 21 (01:52:36):
I'm wanna tell you one thing.
Speaker 19 (01:52:38):
You better triple team him.
Speaker 1 (01:52:39):
Okay, what do you mean by that?
Speaker 21 (01:52:42):
What do you have five hundred pound guys on him?
Speaker 1 (01:52:45):
Let's let's just calm down. Okay. I know that you
don't mean any of this.
Speaker 22 (01:52:49):
He doesn't.
Speaker 13 (01:52:50):
He's just it's all talk.
Speaker 1 (01:52:51):
You don't think, so, Jimmy, do me a favor, repeat
after me. Scary, you've been phone tapped.
Speaker 22 (01:52:57):
You scar, You've been find You've been phone tap, You've
been bontap, You've been fun tap. This is not funny.
Speaker 19 (01:53:14):
This is not funny.
Speaker 1 (01:53:15):
Hold one, get Jimmy, Get Jimmy back on the night. Jimmy,
is there anything you want to say too? Scary?
Speaker 22 (01:53:20):
I love you.
Speaker 21 (01:53:21):
I'm gonna come get it.
Speaker 1 (01:53:26):
That's Terry and Jimmy.
Speaker 15 (01:53:27):
Everyone, Terry and Jimmy.
Speaker 3 (01:53:32):
Elvis Duran's phone tap.
Speaker 29 (01:53:35):
This phone table was pre recorded permission granted by all participate.
Speaker 30 (01:53:39):
The Elvis Duran phone tap only on Elvis Duran in
the Morning Show.
Speaker 3 (01:53:51):
This is Elvis Duran in the Morning Show.
Speaker 4 (01:53:56):
So you were in the.
Speaker 1 (01:53:56):
Bahamas having dinner. Who was at the table?
Speaker 4 (01:54:00):
All of us were there? Who were there?
Speaker 12 (01:54:01):
But the people I supposedly speaking to were Abby and
her sister, Andrew Brandon, myself.
Speaker 4 (01:54:08):
I think that was it right.
Speaker 1 (01:54:09):
It was also, Yeah, we love traveling with Abby by
the way and Glad. So what happened? What conversation came up?
Speaker 12 (01:54:15):
So we started talking about, Hey, what is a weird
pet peeve that you have? What are things that just
take you off? And some of them were very understandable.
Like if we're out and somebody ignores whoever we're with
to talk to us, doesn't even acknowledge, that's kind of annoying.
But then Abby slid in with some ridiculous ones that
then sent us down a weird path.
Speaker 43 (01:54:33):
Abby pet peeves when men have allergies, agreed, it's not
so much.
Speaker 15 (01:54:47):
If you have analogy.
Speaker 34 (01:54:52):
Okay, maybe it's not so much a pet peeve as
much as it is. I'm just like, this is, how
are you like in your thirties with a peanut allergy?
Speaker 4 (01:54:59):
Like, grow up? It's just it feels childish.
Speaker 37 (01:55:02):
We think totally women for women and children?
Speaker 1 (01:55:07):
Wait, hold on, hold on, these are lifelong allergies, are
they not?
Speaker 4 (01:55:11):
Yeah?
Speaker 3 (01:55:12):
No, like it is.
Speaker 37 (01:55:12):
I'm just kind of like, I don't know, okay, I
kind of. I mean two of my best friends are twins.
But I'm like, you're in your late twenties and you
have a twin? How old are you?
Speaker 4 (01:55:21):
That's so that's so childish? Away, No, nor do I
want them to.
Speaker 1 (01:55:28):
I just I okay, give me more. These are great?
Speaker 6 (01:55:30):
Wow?
Speaker 4 (01:55:32):
Oh she said, can I give one of these?
Speaker 20 (01:55:34):
Yeah?
Speaker 28 (01:55:34):
She said, blonde men, you didn't grow out of that?
Speaker 34 (01:55:36):
Please, YEAHO blonde, being blonde, no, nothing, I love, trust me.
There are plenty of blonde men out there that I
love that. It's not that I find them unattractive. I
just again, being blonde is for women and children are
I don't It doesn't make sense to me, like, if
you are.
Speaker 37 (01:55:55):
Past a certain age as a man, you should have
dark hair.
Speaker 1 (01:56:00):
Wait, what if you're gray?
Speaker 37 (01:56:01):
Like, fine, that's totally fine, that's normal.
Speaker 1 (01:56:04):
When I went platin blonde, I should not have done that.
You know, that's fine that you're saying that because because
you don't want to.
Speaker 37 (01:56:10):
You know, you made a fun choice.
Speaker 34 (01:56:11):
That's totally different than like somebody who's just like you're
you're naturally blonde.
Speaker 1 (01:56:19):
Exactly a pet pee for someone who is, they can't
change it.
Speaker 37 (01:56:23):
And I just just it's I don't know. We're not
in kindergarten anymore.
Speaker 34 (01:56:28):
People.
Speaker 4 (01:56:29):
It's girl.
Speaker 30 (01:56:32):
I love her.
Speaker 1 (01:56:33):
Okay, what about guys with blue eyes? So sorry, Froggy,
you go blues? How childish?
Speaker 34 (01:56:42):
Blue eyes are normal? Blue eyes are fine? I don't know,
the blue eyes are not. It's not like an only
children thing.
Speaker 12 (01:56:47):
You know, child you're not doesn't appreciate when people cough
like a toddler, Like, I hate that.
Speaker 37 (01:56:56):
It makes me so angry.
Speaker 1 (01:56:58):
Are you coughing like a toddler.
Speaker 34 (01:57:00):
Where you like don't cover your mouth and you stick
out your tongue like young children do in public. It
makes me really there was a there was a person
on our flight in front of me and Andrew, a
grown man who was doing that, and it was making
me really angry.
Speaker 4 (01:57:11):
It was making me. Yeah, I.
Speaker 1 (01:57:16):
Mean we all have pet peeves. I mean, for instance,
when I'm in the city walking to the sidewalk and
tourists stop and start walking backwards and looking up pet peeve.
But that's a rational pet.
Speaker 7 (01:57:25):
Peeve, right, yeah, totally.
Speaker 37 (01:57:27):
I'm not saying it makes sense.
Speaker 1 (01:57:31):
Shockingly. Do you guys know Abby singles?
Speaker 12 (01:57:37):
I do find it shocking the Abby single because she's
she's awesome, hilarious, hilarious.
Speaker 1 (01:57:44):
I have a pet peeve and it's about Abby.
Speaker 24 (01:57:48):
I hate what people ask for favors and then you
do them the favor and then they back out of
wanting that favor, Like Abby.
Speaker 1 (01:57:57):
Abby's like, hey, can you get me and eight people
into that hot restaurant on Saturday night? Could you make
a phone call for us? So I said, no problem.
Speaker 24 (01:58:06):
This is a place that you's six people on a
Saturday night primetime reservation at a small restaurant.
Speaker 1 (01:58:11):
I did the thing, I got the favor done.
Speaker 24 (01:58:14):
They called me back, tied it up into a bow,
and then I go back to abbey and I said, here,
it is Saturday night, just like you wanted.
Speaker 1 (01:58:20):
And she goes, oh yeah, I just asked my friend
and we don't. We don't really want to go.
Speaker 4 (01:58:29):
I apologize a lot.
Speaker 1 (01:58:30):
We're going to pass, but it wasn't. But I went
to great.
Speaker 37 (01:58:34):
Sorry.
Speaker 24 (01:58:35):
It's like when I get people contract, not just you,
but I get people contract tickets for things, and then
all of a sudden, oh wait, wait, we can't go
that night.
Speaker 1 (01:58:42):
Forget it.
Speaker 4 (01:58:43):
Talking about maybe.
Speaker 7 (01:58:45):
That was a peanut Ali, I felt really bad.
Speaker 28 (01:58:47):
If that helps, maybe.
Speaker 4 (01:58:50):
I'm about scary.
Speaker 12 (01:58:52):
We all do, okay, yours scary yells at me if
I take leftovers, like I'm just supposed to waste the
food and leave it there if it's not a clear
if it's a clear container, I'm not allowed to take.
Speaker 24 (01:59:01):
It clear container leftovers because I don't look par because
it looks weird when people are staring at you in
the elevator, like, oh look, at that food.
Speaker 1 (01:59:08):
You care. Here's my pet peeve, here's my scary pet peeve.
You think people care? Yeah, this goes back to it.
Is it scary? How can you never eat in a
restaurant by yourself and go see a movie by yourself
because people will think I'm a loser. No one's thinking
about you. No one's thinking about you across the room.
They don't know you, they don't care.
Speaker 24 (01:59:25):
I've gotten over it because sometimes I get hungry, so
I actually have to go in by myself. But the
movie thing, I'll never do at nine o'clock at night,
No way on.
Speaker 1 (01:59:33):
So what's everyone of the theater thinking about you? If
you're by yourself in the theater? Why is this person
alone on a Saturday night, prime time in the movie theater.
Is this a little bit of a narcissistic thing?
Speaker 4 (01:59:42):
It's craziness.
Speaker 12 (01:59:43):
He literally listen to me, I had, I had my leftovers,
I had a clear top. He said, can you know please,
you're gonna walk down the street with me in that
and then get into my car with clear leftovers.
Speaker 28 (01:59:52):
You gonna think you're poar.
Speaker 1 (01:59:53):
I was like, oh god, no, that's weird.
Speaker 8 (01:59:56):
You know what though, if I did see scary sitting
in the theater by himself on a Saturday night. I
I would check to se if his hands was down
his pains.
Speaker 1 (02:00:04):
We think that about him all the time right now.
For instance, Hey, the king of pet peeves is Scotty B.
Speaker 15 (02:00:09):
I have so many.
Speaker 46 (02:00:10):
I have so many, but I mean the one that
I think bothers me the most, which is really stupid,
is when people slurp. Like, if you slurp in my presence,
I will probably punch you.
Speaker 28 (02:00:21):
What boring sex life?
Speaker 1 (02:00:23):
What that one? I'll let slide.
Speaker 46 (02:00:28):
But like Nate will come in here and purposely slurp
his coffee in my ear.
Speaker 1 (02:00:32):
It it makes me, it.
Speaker 15 (02:00:33):
Goes, It makes me insane.
Speaker 46 (02:00:35):
The wall you ready, No, no, I'm not listening, Oh god,
listening to it? Like people have hot soup and they
do that slurp thing. I just want to go nuts again.
Speaker 1 (02:00:44):
I guess heroes your sex life.
Speaker 46 (02:00:47):
And the other thing is that gas stations when those
idiots that put the price signs up the three or
the eight is upside down.
Speaker 1 (02:00:53):
I don't know why, but it makes me nuts and
I rip the magnets off and I fix it.
Speaker 4 (02:00:56):
Oh my god, stupid people.
Speaker 28 (02:00:59):
What about when people are drinking something and as it's
nice and refreshing and.
Speaker 4 (02:01:02):
They go at the end.
Speaker 1 (02:01:06):
I like that. I also like people who have hot
burps after drinking beer. It's like it sounds like this.
My dad used to do that on my face. Small liquor.
Let's go all right, so pet peas we all have them?
Do we all have to take a vote?
Speaker 13 (02:01:23):
Now?
Speaker 1 (02:01:24):
Are Abby's pet peeves the most bizarre?
Speaker 28 (02:01:29):
I support them all.
Speaker 46 (02:01:30):
One is ridiculous, out of it, grow up and you
know most of us agree with it, but just won't
say it.
Speaker 37 (02:01:36):
So he's being brave.
Speaker 1 (02:01:38):
You have dark hair, you're old.
Speaker 37 (02:01:41):
No, you're not toosd to have dark hair.
Speaker 1 (02:01:45):
One day of pet peeves because I still have a
lot more.
Speaker 37 (02:01:48):
Oh yes, more, definitely you have more.
Speaker 1 (02:01:51):
Give us one more, I'm sure.
Speaker 37 (02:01:53):
Oh god, okay, I I can't think of them more.
Speaker 4 (02:01:58):
On the spot.
Speaker 1 (02:01:58):
I'll tell you this.
Speaker 28 (02:01:59):
They don't like toes out, but they don't like sneakers
at the beach.
Speaker 4 (02:02:01):
Men that you just can't.
Speaker 37 (02:02:02):
I don't want to see your feet as.
Speaker 1 (02:02:03):
A Wait okay, wait, you can't wear sneakers at the beach,
and you can't have your toes out. You can't have
to keep your feet under the beach.
Speaker 37 (02:02:13):
Is totally different.
Speaker 34 (02:02:14):
But like, if you're just like I think, barefoot in
situations where you shouldn't be barefoot is more what gets me.
Speaker 1 (02:02:19):
Give me an example in the city. See if you're
just like.
Speaker 34 (02:02:25):
Wearing a shoe that's really thin, you're that low to
the ground in the city like this, and you have
no Like, that's crazy and disgusting.
Speaker 37 (02:02:31):
I can't handle it.
Speaker 46 (02:02:32):
Okay, I don't Pet Peeves also red lipstick. If you
have red lipstick on a date, I won't date you.
Speaker 22 (02:02:38):
Why. I don't know why.
Speaker 1 (02:02:40):
It just tried like the tailor swift red. No, I can't.
I won't even see you. I'll probably leave. Yeah, I
don't know why. Okay, well you just don't like that.
Speaker 7 (02:02:49):
Sorry, I don't want to date you either.
Speaker 1 (02:02:52):
So that Scotty can go on and on and on
because he's the captain of pet Peeves, Can.
Speaker 28 (02:02:57):
I just have this one last thing please.
Speaker 12 (02:02:59):
I have a very good friend who broke up with
a girl he was dating because every time they would
go to dinner, she would take a bite, make him
wait to take his bite, hold up her fork and
say cheers, and make them toast the food.
Speaker 22 (02:03:11):
I can't do this.
Speaker 1 (02:03:12):
Yeah, I woulda let that go. Yeah, all right, all right,
enough of those madness.
Speaker 28 (02:03:18):
It's whack a doodle time.
Speaker 37 (02:03:19):
It is whack a doodle time.
Speaker 1 (02:03:22):
My nupples are so hard.
Speaker 3 (02:03:23):
Elvis Terran in the Morning Show.
Speaker 1 (02:03:28):
All right, show's done. We'll come back tomorrow and do
it again. Till next time. Say peace out, everybody, peece
out everybody.