FULL SHOW: The Day We Use Unnecessary Phrases

Episode Transcript
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Speaker 1 (00:00):
Portions of this program we're prerecorded.

Speaker 2 (00:05):
Meet the man who tells.

Speaker 3 (00:06):
The same joke over, shut the hell up, and I
make love to that cruel cheese sandwich.

Speaker 4 (00:18):
Wait, hold on, do you say.

Speaker 5 (00:22):
Penis Elvis Duran in the Morning Show. I don't know
how I got into it with a friend of mine.
We're having a conversation and I was and I was told, hey, Elvis,
the other day you said something and it was sort
of upsetting.

Speaker 6 (00:39):
I just wanted to bring it up to you and
let you know I was a friend.

Speaker 5 (00:42):
Oh god, okay, And I've said, God, I'm I'm so
sorry you feel that way.

Speaker 6 (00:47):
I don't want you to feel that way.

Speaker 5 (00:49):
And then I got the i'm so sorry you feel
that way is not an apology.

Speaker 7 (00:56):
I get torn on that because, to be fair, I
do say that when I'm not trying to apologize about something,
and I'm more putting like the onus on them, like
I'm sorry you feel that way, as opposed to me
saying I'm sorry I did that. But I believe in
this case you probably meant what you said.

Speaker 6 (01:11):
I think I did. Yeah, yeah, Frog, I do.

Speaker 2 (01:16):
Exactly this one. I have an argument with Lisa. I'll
say if I was you, I'd feel exactly the same way.

Speaker 6 (01:22):
That's not an apology.

Speaker 8 (01:24):
Yeah it does.

Speaker 2 (01:25):
It's true because if I was you, I would feel
that way. But I'm not you, so I don't feel
that way.

Speaker 5 (01:30):
See if you say, if you just say flat out
i'm sorry, that that says you regret, you truthfully regret
what you said or what you did.

Speaker 9 (01:39):
Right.

Speaker 5 (01:39):
Yeah, and you know me not really living in a
life with any regrets.

Speaker 10 (01:46):
But I feel like sometimes when you say i'm sorry
you feel that way, you're kind of saying I didn't
mean it to come out that way in a way,
do you know what I mean?

Speaker 5 (01:54):
Well, it depends on how they interpret it. I mean, yes,
I could say one thing to you, Danielle and say
the same thing to Gandhi.

Speaker 6 (02:01):
She may not be offended, you may be offended.

Speaker 5 (02:03):
So I'm sorry that you feel that way, not sorry
that Gandhi feels that way because she doesn't feel anything wrong.

Speaker 6 (02:08):
So I don't know.

Speaker 5 (02:10):
So this is someone posted this online. Uh, this is
not an apology. I am sorry, but yeah, you see,
I'm sorry. But you know what I've meant to do
is this and this and this. That's not an apology.
I'm sorry you think I did something wrong.

Speaker 4 (02:32):
Exactly.

Speaker 6 (02:33):
You're not apologizing for what you say. You're sorry that they.

Speaker 4 (02:36):
Didn't like her.

Speaker 7 (02:38):
Give me more, give me more of these.

Speaker 5 (02:40):
I'm sorry you feel that way. I'm sorry you got upset.
I'm sorry. Not an apology. Yeah, also not an apology.
You're being too sensitive. I was just kidding, overwhelm uh yeah, fine,
I'm sorry. Just okay, we'll move on.

Speaker 6 (03:02):
See, that's not an apology.

Speaker 5 (03:03):
Oh okay, I'm sorry just for the sake of putting
it on the record.

Speaker 6 (03:08):
You know we're done, right, Yeah?

Speaker 8 (03:09):
No, no, no.

Speaker 7 (03:10):
And I was having a conversation sort of similar to
this the other day that repeated sorries, even if it
is a genuine I'm sorry over the same thing, is
also not a sorry because the first time you say sorry, okay,
you you didn't mean to do something. But if you
keep doing that same behavior, repeating the same behavior, you're
really not that sorry. The best apology is changed behavior

(03:31):
to not do that thing again, right, can't just keep
saying sorry and hope that it fixes everything.

Speaker 11 (03:37):
Well?

Speaker 5 (03:37):
Plus, you know, sometimes if you say I'm sorry, the
person you're saying you're sorry to wants to continue the conversation.
Oh they do, and you're like, well, okay, I said
I'm sorry. I really am, I'm truly I'm I now
understand why you're upset at what I said, because what
I said hurt you.

Speaker 6 (03:58):
I get that, But why but why.

Speaker 2 (04:01):
In any different ways do you want me to say?

Speaker 7 (04:05):
In every language lociento, we.

Speaker 6 (04:07):
Are exactly, we are circling the drain here.

Speaker 5 (04:12):
You know, after a while, like, okay, is there some
underlying something else you're not telling me that you're upset at?
But we basically handled that. We moved that off the desk.
As they say, I've gotten.

Speaker 7 (04:23):
To the point sometimes where I've said sorry so many
times and then I'm like, you know what, I'm not
sorry anymore.

Speaker 2 (04:27):
Yes, I've done that too anymore.

Speaker 5 (04:31):
Okay, how about this? I never was sorry. I was
never sorry. But you know you wouldn't accept the fact
that I said.

Speaker 6 (04:40):
I was sorry.

Speaker 5 (04:41):
You didn't believe me in the very first time. Anyway, Yes, Gary,
what if you are sorry?

Speaker 12 (04:48):
You have regret, but you're also trying to justify your
actions and behavior and why you felt.

Speaker 4 (04:54):
That way to begin with. And you you know what
I'm saying, Like it depends.

Speaker 6 (04:58):
On who you're talking to.

Speaker 4 (04:58):
Yeah, because he that is that a sorry?

Speaker 12 (05:01):
Then it's like, look, I was just trying to do
this because I because this is how I feel about that.

Speaker 5 (05:06):
Well, you know, if you're gonna get so granular and say, okay,
I totally get it what I said. I should not
have said it. It wasn't nice. But here's why I
said it. At the time. Right at the time, we
were going through this and this and this, and I
felt I needed to say it.

Speaker 4 (05:24):
Well, I do that at that point.

Speaker 5 (05:26):
Well, but at that point you could have just moved on, right, Yeah, yeah, yeah, yeah,
I don't know.

Speaker 7 (05:31):
I had a soccer coach tell me when you use
the word butt, everything before the butt gets negated by
what comes after the butt. So I really like Danielle,
but she's kind of a bitch. Really you just left it,
but she's kind of bitch. Maybe you didn't mean the
I really like Danielle, but part.

Speaker 6 (05:45):
Did Gandy just call you a bitch?

Speaker 10 (05:47):
I think that took away from that.

Speaker 6 (05:49):
I don't know that that was our soccer coach example.

Speaker 7 (05:52):
I love you, Danielle, She's not bitch, you know.

Speaker 5 (05:55):
But but there are moments, all right, So you know,
people are texting in and catching up with us.

Speaker 6 (06:04):
I guess I'm sorry, and I love you.

Speaker 5 (06:08):
These are phrases that we just kind of throw about
without really the targeting where they're going, without really understanding
what's behind them. So I guess we should be more
careful about that. Who's the who's on the line there.

Speaker 4 (06:20):
It's Jessica, and she's a therapist and she can lend
her professional apart.

Speaker 6 (06:24):
I would love to hear her take on this.

Speaker 5 (06:27):
Hello Jessica, is it Jessica, Jessica, Hello Jessica.

Speaker 6 (06:31):
Well, welcome to so welcome to the show.

Speaker 5 (06:33):
Sorry it took so long to get to you.

Speaker 13 (06:36):
No, it's okay.

Speaker 14 (06:37):
Excited to be talking to.

Speaker 15 (06:39):
You, guys, listen every day. Love you all.

Speaker 5 (06:42):
Well, thank you, and thank you for what you do,
because we all agree that mental health is a very
important thing and having a therapist on the journey with
you is a wonderful, wonderful way to do it. Okay,
So I'm sorry, go ahead.

Speaker 15 (06:55):
So I am a little bit of two minds about
this because I'm the one and if you're being intentionally
a jerk and rude, obviously if an apology is warranted.
But on the other hand, you are only responsible for
your own behavior. You can't necessarily be responsible for other

(07:15):
people's reactions or thoughts or emotions because you don't know
what somebody's going through at the time. They're looking at
the world through their lens and you're living your life
through your lens.

Speaker 9 (07:27):
So I don't know.

Speaker 15 (07:28):
I just have a kind of mixed.

Speaker 16 (07:30):
Feeling about that. So I don't know that you always need.

Speaker 15 (07:33):
To be sorry for something that you've not done intentionally
that's cruel or hurtful or harmful.

Speaker 5 (07:38):
I'm so glad you brought that up, because this is
another thing that makes me kind of crazy. For instance,
if I'm going down an aisle in the grocery store
and someone's looking at the paper towels, and I walk
between them and the paper towels, you know, in their
line of sight, I tend to be the guy who says, ooh,
sorry I did do But we shouldn't have no sorry,
excuse me. You could say pardon or whatever, but yeah,

(08:01):
sometimes we say I'm sorry just to move on.

Speaker 4 (08:05):
You know.

Speaker 5 (08:05):
It's just okay, Oh I offended you, I'm sorry, But
am I really well.

Speaker 10 (08:12):
No, But I'm a little confused because if you didn't
mean to offend them on purpose. I understand that. You know,
maybe you wouldn't want to say sorry, but maybe you
just didn't realize the words you chose were offensive, so
maybe you should. So I don't understand why you wouldn't
say you're sorry.

Speaker 5 (08:27):
I don't know, Jessica, when should we or which should
we not say we're sorry?

Speaker 15 (08:32):
I'm certainly no expert on that, but I think if
you're feeling, if you're expressing an opinion about something, and
you really believe what you're talking about, and again, like
if you're not doing it to be intentionally hurtful or spiteful,
people are going to have different opinions and you can't
always account for how other people interpret what you've said,

(08:53):
or how other people's opinions are different than you. And
that's kind of what makes life interesting and interacting with
other people and learning and growing.

Speaker 5 (09:01):
I know, you know, why can I not be my
authentic self with you? And look, the last thing we
want to do is offend anyone. Yeah, Gandhi, what are
you thinking?

Speaker 7 (09:09):
So, doctor Jessica, in your professional opinion, what.

Speaker 15 (09:13):
Is the best way Jessica?

Speaker 7 (09:15):
Okay, social worker Jessica and your professional opinion, what is
the best way to say sorry without meaning that you're sorry,
just to move past what's going on.

Speaker 6 (09:25):
That's a valid question in.

Speaker 7 (09:26):
The words, So.

Speaker 15 (09:30):
Part of what how I think I would approach a
situation like that is saying I understand where you're coming from.
I see how you could think and feel how you're
thinking and feeling, and at the same time, this is
how I think and feel about it. And we may
not ever come to terms, we may not ever see

(09:52):
it from the same point of view, but this is
where I'm at. That's where you are, and it's okay
that we're not seeing I I about it.

Speaker 2 (10:01):
Oh my god, I need you on call around the clock.
You're very close to mine. I can see if I
were you, I would feel like that.

Speaker 5 (10:08):
Exactly which which is And you may actually if they
actually say to you, well, that's not an apology. That's
when you have to pull out the big guns and go, well,
I'm not apologizing. I'm telling you I love you, I
respect you, I don't want to hurt you.

Speaker 6 (10:22):
But that's how I feel.

Speaker 5 (10:23):
And you know, if I sit here and say, well,
that's not how I feel, I was lying the whole time,
Well then what does that make me that that makes
that makes that means I'm chopping down my tree. Come
on anyway, Jessica, you know you're fabulous at what you do,
and uh and I love that you're a social worker
and you're out there helping people who really truly need it.

Speaker 6 (10:41):
And to know that you're listening to our show is
pretty incredible.

Speaker 4 (10:44):
Thank you very much, Thank.

Speaker 15 (10:46):
You guys, Love you guys.

Speaker 6 (10:50):
Thanks, have a great day, have a great drive. There
you go.

Speaker 5 (10:53):
I love that soone just send a text in it,
And I love it because I'm guilty of this. We
say sorry too much. We actually say too much. Sometimes
it's good to go. Okay, if you would have a
long drawn out conversation about why you're offended and why
I don't think you should be offended, we can have
that conversation.

Speaker 6 (11:10):
Where's it going to get us? What's the end goal?

Speaker 5 (11:15):
I mean, if you just need to like chop me
down because you need to make someone feel like they've
done something wrong because it makes you feel better about yourself.

Speaker 6 (11:23):
Okay, Well, let's acknowledge it. That's what it is.

Speaker 2 (11:26):
There. You what about I'm sorry you're so sensitive?

Speaker 8 (11:33):
And then you.

Speaker 7 (11:33):
Should follow it up with a calm down.

Speaker 6 (11:37):
Or pull yourself together.

Speaker 4 (11:41):
I'm sorry, was that funny?

Speaker 17 (11:42):
Elvis Duran in the Morning Show. This is Elvis Duran
in the Morning Show.

Speaker 5 (11:59):
Do you ever find yourself in a situation where in life,
maybe at a disagreement with someone, or someone said something
that really rubbed you the wrong way or whatever, whatever,
And then no, okay, that happens at let's say four
o'clock on a Monday afternoon. Then Tuesday morning, it's time
to get up and take a shower, go to work,
and you're still thinking about it, and you're actually having
a conversation in your head about it, like how I
would have how I would have said to me differently,

(12:22):
I would have handled the situation different time, or what
I should what I should have said because they really
deserved it and I went easy on them.

Speaker 6 (12:30):
Yeah, and I guess that's ruminating?

Speaker 18 (12:33):
Is that?

Speaker 4 (12:33):
What that is? Where you're going over and over and
over something.

Speaker 7 (12:36):
Sort of analysis?

Speaker 5 (12:38):
Yeah, you're just kind of deep diving in your head,
actually ruminating, thinking deeply about something.

Speaker 6 (12:45):
But but to go on and on about it.

Speaker 7 (12:48):
I do that in the shower all the time. And
let me tell you, in the shower, I win the
argument every time.

Speaker 6 (12:52):
And get so I lose that argument.

Speaker 7 (12:55):
Sometimes you lose in the shower.

Speaker 5 (12:57):
There are well, not only in the shower, but just
getting right, getting ready for work is when I'm ruminating
the most. Is that about the same for you guys?
When do you have these conversations in your head the most?

Speaker 7 (13:08):
When I'm trying to fall asleep at night, yep, and
my mind needs to calm down, and it's like, oh,
but remember in nineteen ninety two when somebody says something
horrible to you on.

Speaker 6 (13:15):
The playground and it keeps you up.

Speaker 4 (13:17):
Same with you, Danielle.

Speaker 10 (13:18):
Yeah, always at night. It's like it's like the anxiety
sits in at night and then you start like reliving
all these things.

Speaker 7 (13:23):
You should have done, should have said.

Speaker 10 (13:25):
Why didn't I do this?

Speaker 5 (13:26):
Thank God, I'm not the same. I start my day
with it. Oh great, and it sets the pace for
when I come in here. Now you can actually talk
yourself into a bad mood. You can talk yourself into
just the worst cranky whatever. Yeah, because something in your
head keeps playing over and over and over and you're
allowed to do it to happen.

Speaker 6 (13:44):
So I was reading over the weekend.

Speaker 5 (13:45):
Like how to stop the ruminating or whatever you want
to call it, and you have to fight it. You
have to start thinking about something else. You have to
quickly go watch a TV show. You have to take
your mind off of it. Maybe singing the words to
a song, you know how a lot of the song,
the videos they have, the lyric videos.

Speaker 6 (14:06):
They say, that's the best way to get out of
your head.

Speaker 5 (14:08):
Really, yeah, because I don't know all the worst all
the songs we plays, but if i can watch them
flash by on the screen while I'm listening to the
artist sing the song, it takes me out of that
stupid circle in my head.

Speaker 10 (14:20):
I'll tell you the best way to do it. Have
a conversation with my husband, because when I do it
and I go, well I should have said and I
should have done, he goes, it's too late, it doesn't matter.

Speaker 7 (14:29):
Move on.

Speaker 10 (14:29):
I'm like, oh, yeah, you're right, okay.

Speaker 6 (14:32):
But moving on isn't always that easy.

Speaker 10 (14:33):
It isn't, but in his head it is, and so
he helps you get over it. So anytime you guys,
just reach out, he'll help you out.

Speaker 6 (14:39):
Okay, Oh, look at this.

Speaker 5 (14:41):
Tips on addressing ruminating thoughts, distract yourself, calling a friend,
doing chories around the house, watch a movie, draw a picture,
read a book, whatever, plan to take action, Take action,
question your thoughts, why am I thinking this?

Speaker 6 (14:57):
Readjust your goals. Work on enhancing your self esteem.

Speaker 5 (15:01):
They're saying that the triggers, some of these figgers, are
dealing with your mental health.

Speaker 1 (15:06):
Yeah.

Speaker 6 (15:06):
Sure, like repeating things over and over in your head.

Speaker 9 (15:09):
Yeah.

Speaker 10 (15:10):
Here's the problem though, if you like just distract yourself,
like with a song or with whatever, as soon as
it's over, you go back to it, so like it's
like a temporary thing. It's not like, you know, doesn't
totally get it away from you.

Speaker 7 (15:22):
I read that smelling something new and fresh can divert
your brain also, so like a lavender or eucalyptus or
something like that. If you're just really stuck in your head,
sniff some stuff.

Speaker 10 (15:33):
Okay, I just.

Speaker 4 (15:35):
Spin on myself, all right.

Speaker 7 (15:38):
Always helps, Always.

Speaker 5 (15:39):
Distract being distracted with stuff I sniffed. Yes, thank you, Godi.

Speaker 12 (15:45):
As silly as this sounds, I call one of my
three positive friends in my life who I know are
always going to be positive and ask him to go
to lunch and then we hang out.

Speaker 6 (15:52):
And nothing silly about that at all.

Speaker 10 (15:55):
Now I'm getting nourishment.

Speaker 12 (15:57):
I'm happy about food, and I could discuss it and
then he'll reflected to something else.

Speaker 7 (16:01):
That's nice.

Speaker 10 (16:01):
Don't you guys have that one friend that you know
when you call them, they're like the ones who tell
it how it is and they're like, shut up, get
back up, keep on moving, like you got that person.

Speaker 5 (16:12):
Hey, speaking of Danielle, do you guys follow this guy
who the video always starts out on Instagram with the
camera is on the ground and he'll he'll look down
at you and go, He'll pick you up and go, hey, friend,
He'll look you in the eye.

Speaker 6 (16:28):
You gotta get out of this funk.

Speaker 5 (16:30):
Let me help pick you up, and he talks you
out of whatever funk you're in.

Speaker 4 (16:33):
Oh no, Oh, he's awesome. I just started following him.

Speaker 6 (16:37):
And of course I'm not gonna find him now.

Speaker 10 (16:39):
Not when you need him. He's not gonna find it.

Speaker 8 (16:41):
Not there.

Speaker 6 (16:41):
When I need him, I'm gonna find here he is.

Speaker 7 (16:45):
Oh my god, that's weird.

Speaker 5 (16:46):
Okay, hold on, I'm gonna try to play him here
in case you've been having.

Speaker 4 (16:50):
One of those days.

Speaker 2 (16:51):
I just wanted to drop.

Speaker 19 (16:52):
By and I wanted to remind you that you are amazing.
I wanted to remind you that you are enough.

Speaker 6 (16:57):
I wanted to remind you that anything you want to
achieve in.

Speaker 19 (17:00):
Life, man, your wildest dreams, it's all out there waiting
for you. So don't let anyone talk you out of
that life man that you know you deserve to be living.
Get yourself out there, man, and chase it every single
day with everything you've.

Speaker 4 (17:12):
Got, right, because we're all waiting to cheer you at God.

Speaker 6 (17:15):
I love this guy.

Speaker 10 (17:17):
The name.

Speaker 4 (17:18):
His name is Marek Marrek m.

Speaker 6 (17:21):
A r e K guy Dosh I don't know.

Speaker 10 (17:25):
Oh yes, he's just so nice.

Speaker 5 (17:27):
He's like, hey, man, you're okay. We're all here to
catch you. And I never thought, well, he doesn't know me.
I don't know him.

Speaker 6 (17:35):
How can I sit here and let a total stranger
say these things to me? But exactly? But how how
is it a.

Speaker 5 (17:42):
Total stranger who I don't know, doesn't know me, can
say these things that make me feel really good?

Speaker 6 (17:46):
Because he does.

Speaker 4 (17:47):
Yeah, he's following you and the entire show.

Speaker 20 (17:50):
He is.

Speaker 4 (17:51):
Oh my god, we're best friends.

Speaker 10 (17:52):
You know what he looks like. He looks a little
bit like Sam's husband, like Will Yeah, but it's.

Speaker 4 (18:00):
Me well, I'll send it to time.

Speaker 7 (18:01):
Don't worry about it, I'll figure it out.

Speaker 6 (18:02):
What's that scary?

Speaker 12 (18:03):
We just got a text that said I listened to
your show to get out of rumination.

Speaker 10 (18:08):
Oh that's nice.

Speaker 7 (18:09):
Where are the reset?

Speaker 5 (18:10):
But we are a show that ruminates. We go on
and on and on about something like we're doing now,
for instance, where the stuff is sniff Hey, can we
try to get him on and find it?

Speaker 4 (18:22):
Like what?

Speaker 5 (18:23):
But every day he has another video where he picks
you up, he lifts you up, he puts you on
a pedestal, makes.

Speaker 4 (18:27):
You feel good.

Speaker 7 (18:28):
Nice.

Speaker 10 (18:29):
It's a savior of the broken, the beaten, and the damned.

Speaker 5 (18:32):
God, that's all. That's like four of my ten. Yeah,
broken and beaten and damned.

Speaker 10 (18:38):
It says he's an actor though also in the thing.

Speaker 4 (18:40):
Okay, that's yeah, it's.

Speaker 5 (18:43):
Real matter if long is as long as you feel
what he's saying, that's it. I want to hear all
about the weird, wild stories you didn't learn in school.

Speaker 6 (18:52):
Let my best friend.

Speaker 5 (18:53):
Patty Steele and her podcast The Backstory with Patty Steele
be your guide.

Speaker 6 (18:57):
What are you working on, Patty?

Speaker 7 (18:58):
We know all about Paul re in his Midnight ride,
but a sixteen year old girl also.

Speaker 1 (19:03):
Made a forty mile ride to rally the Colonial troops.

Speaker 10 (19:06):
Of course, the guy gets all the credit.

Speaker 1 (19:09):
Listen and subscribe to The Backstory with Patty Steele.

Speaker 5 (19:12):
Please The Backstory with Patty Steele new episodes every Tuesday
and Friday. Listen on the iHeartRadio app or wherever you
get your podcasts.

Speaker 1 (19:23):
This is Alista in the Morning Show.

Speaker 5 (19:29):
Okay, So a friend of mine was out on a
date and it was going well, and.

Speaker 6 (19:35):
She actually said to him in the middle of the date, Hey,
I want to see you again.

Speaker 5 (19:39):
This is great, And then all of a sudden she
looked at the time and realized she had to run.
Didn't say why. He was under the assumption that she
had another date to go to.

Speaker 11 (19:47):
Oh.

Speaker 6 (19:48):
Come to find out she did.

Speaker 5 (19:50):
She she's juggling multiple dates, not only that day but
other days. And I thought this was intriguing because in
my dating day I barely had time to date one person.
But so we had this conversation and I want to
I want to just bring it out on the table,
if you guys don't mind, how many dates have you
gone on with different people in the same day? Danielle
two oh yeah, hey, did you hook up?

Speaker 10 (20:12):
I made out with them, but I didn't sleep with them, okay,
And what was in the morning? And actually it was
me and my girlfriend. It was the two of us,
my girlfriend and I whatever, the two of us were together,
and she's like, oh my gosh, we got to get
rid of these guys soon because we got the next
set coming over tonight and it was at her house
and we just waited. The next that came over and
we made out with them too. I did brush.

Speaker 21 (20:34):
Okay.

Speaker 12 (20:36):
What about two match dot com dates back to back?
The first one was a no go. Uh, we didn't click.
The second one I ended up dating for a few weeks,
but I was, you know, I'm like, what if?

Speaker 8 (20:48):
What if?

Speaker 4 (20:49):
The first one is great? I was ready to cancel.

Speaker 12 (20:51):
On the second one had a spare ready together?

Speaker 6 (20:55):
Yeah, what about you, brody? Uh yeah?

Speaker 12 (20:58):
Once made out with a girl and the morning, and
then may out another girl at night that I knew
I was going to break up with, but made out
with her first, then broke up with her.

Speaker 4 (21:06):
Okay, all right, I'm seeing twos.

Speaker 6 (21:08):
I've seen I'm seeing groups of twos, and what about you? Straightening?

Speaker 22 (21:11):
It was I want to say, there was a three
in there, but I can't remember the three, but there
was definitely two. And the problem with the two was
I went day drinking with date number one and got trashed.
So that date number two, I don't remember what I did,
what I said, No.

Speaker 6 (21:26):
Then it happened, right, pretty much, know it happened.

Speaker 22 (21:29):
But yeah, it was definitely pressure because date number one
wanted to hang out longer, and I knew I had
to go to date number two because I think, well,
date number two might be more interesting than date number one,
so I really have to give her a shot.

Speaker 6 (21:42):
So it was it was just a mess.

Speaker 5 (21:45):
Seems to be a thin line between seriously dating multiple
people during the day, as in that they could be
my future kind of date or just hooking up, you know. Yeah,
so I don't know me. I had three hookups in
the same day, but I didn't want to I didn't
want to date any of them.

Speaker 6 (22:00):
They were just fun hookups.

Speaker 10 (22:02):
What do you mean by hookups?

Speaker 2 (22:04):
Oh?

Speaker 4 (22:04):
No, full throttle you know between them?

Speaker 23 (22:09):
Oh?

Speaker 5 (22:09):
Absolutely, But but I don't know which is whatever I
was in college times.

Speaker 4 (22:15):
Did these happen. It was like one pm.

Speaker 5 (22:17):
There was like there was like lunchtime and then we
hooked up, and then there was someone in the afternoon
for a happy hour, and then we hooked up, and
then there was someone that went out with that night
and we went out dancing and it having fun.

Speaker 6 (22:26):
And then we hooked up.

Speaker 5 (22:28):
But wait, but wait, but wait, they're not They weren't dates.
They were definitely hookups. For instance, when Scary Scary Uh
dated identical twins. Yeah, yeah, see the argument there is, well,
it then only counts as one person.

Speaker 2 (22:45):
They were identical.

Speaker 12 (22:46):
Well no, actually these were fraternal twins.

Speaker 6 (22:50):
So someone mistold the story.

Speaker 4 (22:51):
Well what people are telling me that it doesn't count that.

Speaker 12 (22:54):
I did because I said, yeah, I dated twins and
we're talking about this the other day.

Speaker 4 (22:58):
And then they were like, well, well they're for eternal twins,
so that doesn't count.

Speaker 5 (23:01):
Doesn't count pretty much, I know, but I must argue
that even if they're identical twins, it's still two separate
women and it is not fair to make them.

Speaker 4 (23:09):
Nobody doesn't get the identical twin credit.

Speaker 12 (23:12):
But I was just saying that it counts as two
people if they were identical twins.

Speaker 6 (23:16):
Yes not.

Speaker 7 (23:18):
I've never felt like a bigger dweve in my life
than right, now multiple dates with anyone in a day,
and I haven't made out with multiple people in a day,
and I'm bummed out about that. Now, I feel like
I haven't lived my life.

Speaker 5 (23:28):
Don't be you're living your life time you have, you
have diamonds on your teeth, you're doing, You're right, don't
worry about it. I know, but I just you know,
if you're out there seriously dating, for instance, I mean,
you're you're only seeing people who you believe you have
a you could have a future with because they you
naturally well. But how many can you roll through per

(23:49):
day of those you know, not hook up, not even
hooking up with them?

Speaker 7 (23:52):
That just sounds exhausting. So I put that much of
yourself an effort into it.

Speaker 4 (23:57):
It's sort of a slow speed dating.

Speaker 5 (23:58):
Yeah, I don't know, but there are people out there
who were just really really looking for the special person.

Speaker 4 (24:05):
So Okay, this date, I'm gonna put you in the yes.

Speaker 5 (24:08):
Column, but I gotta go. Yeah, all right, I'm done.
Who else wants to talk about something?

Speaker 22 (24:16):
I agree with you, though, I think dating that many
people is exhausting. When you're going on that many dates
in one day, it's exhausting. You can't really vet anybody
if you want to date them seriously.

Speaker 24 (24:27):
Yeah.

Speaker 5 (24:27):
Well, the other thing to remember, Nate, is maybe you're
starting to become serious with one of them, but you
still want to date other people. When do you decide
either to a be committed to them or be tell them, Hey,
I'm dating other people, you know, but.

Speaker 6 (24:40):
I like you.

Speaker 4 (24:41):
I don't want I don't want you to go away because.

Speaker 6 (24:43):
You know you could be in the future, but.

Speaker 4 (24:46):
Don't A lot of people do that.

Speaker 12 (24:47):
Isn't that called trapeezing where you hold on to one
branch before you grab the next one.

Speaker 10 (24:52):
You got to make sure you have something in waiting
in the park.

Speaker 5 (24:55):
No, No, trapeezing is leaving someone to go to another person.

Speaker 4 (24:59):
I'm saying.

Speaker 10 (25:00):
It's the same, isn't it. You're not going to take
of somebody else.

Speaker 22 (25:06):
Bread Crumbing is when you leave those little tidbits for
people that think you're interested in them, but you're not
really interested in them, but you're just keeping them on
the line because you don't want to have anything.

Speaker 6 (25:16):
Well, that's sort of what I'm saying.

Speaker 5 (25:17):
What I'm saying is this, Let's say you are getting
serious about several people at the same time, and that's possible.

Speaker 6 (25:24):
I mean, that's going to be exhausting. I mean, you
were out there in the dating scene, you're going at it.

Speaker 4 (25:31):
It can be very exhausting.

Speaker 5 (25:33):
But also, isn't there something about the quality of people
you date online or you meet online you don't know
them as well as you do in the beginning with
the traditional dating, not digital dating.

Speaker 6 (25:44):
Does that makes sense?

Speaker 7 (25:46):
I actually think it might be the opposite. I can't
be for sure about that, but I think a lot
of times people meet online and then they talk a
lot more before they actually go out and meet versus,
Like you meet somebody at a bar and then go out,
then you have to do all the talking there.

Speaker 4 (25:58):
Okay, all right, all right, that's that's fair.

Speaker 7 (26:00):
But I don't know when I was when I didn't
have this particular person who I'm very into, I was
not a good time dating people. It was fun.

Speaker 4 (26:07):
But if you ask me right now, do I want
to go out and date again, the answer.

Speaker 2 (26:09):
Is no, it's me neither.

Speaker 17 (26:13):
Oh no, we gotta go to Elvis Duran in the
Morning Show. Yeah, this is Elvis Duran in the Morning Show.

Speaker 5 (26:31):
Okay, just a little something to think about as we
get into this conversation.

Speaker 6 (26:36):
Sometimes people are in a bad mood. You know, celebrities
are people too, you know what I'm saying.

Speaker 5 (26:44):
I mean, can you imagine, you know, if everyone's always
in your way and wanting your autograph and a picture.

Speaker 6 (26:50):
And I know, I know, I know.

Speaker 5 (26:51):
Well, if you're a celebrity, that's part of the Okay,
I get that. Yeah, but sometimes it may be a
bit much for some of these people.

Speaker 6 (26:57):
I don't know.

Speaker 5 (26:57):
So as we talk about these celebrities who have are
allegedly a holes, for instance, let's let's let's start with
a scary Jerry Seinfeld story.

Speaker 18 (27:09):
Yes, I was at a charity event and I was
lucky enough to be in the same room with Jerry
Seinfeld and Steve Martin, I mean, comedy icons right there
talking to each other having a conversation.

Speaker 12 (27:21):
So I went up to them and I said, hey, guys,
can I get a picture? And I was talking to
them for five minutes before I did, And then finally
Jerry they would about to give me the picture.

Speaker 4 (27:30):
Steve was into it. Jerry's like no, j was like, listen,
isn't it isn't it?

Speaker 6 (27:35):
Just like do the Jerry Seinfeld voice.

Speaker 4 (27:36):
Elvis isn't it good?

Speaker 6 (27:39):
I don't know what you want. Don't include me in
your story. Isn't it just royalty?

Speaker 12 (27:46):
You're a monk royalty right now having a conversation with
us enough for you.

Speaker 4 (27:49):
Forget about that. Put the camera away. We're having a
conversation here, and he kind of tricked me into not
wanting a picture with him.

Speaker 6 (27:56):
When you originally told this story, you didn't tell it
like that.

Speaker 5 (27:59):
You said that you wanted a picture with Jerry Seinfeld
and Steve Martin and they were in the middle of
a private conversation and you interrupted them and past them.

Speaker 6 (28:06):
Yeah, well that's what you said. You interrupted, You interrupted
their conversation.

Speaker 4 (28:10):
I did, yeah, because I'm like, this is good.

Speaker 10 (28:12):
But now you said that you were having the conversation
with them.

Speaker 6 (28:15):
You changed your story.

Speaker 12 (28:16):
I weaved slowly in and then we've talked. I was
talking to them for a couple of minutes before I finally.

Speaker 7 (28:23):
Traded their conversation too.

Speaker 2 (28:26):
It's as bad as when you when you made Elton
John take a picture of you, and he looked like
he would rather be getting.

Speaker 5 (28:34):
Look, you know, look, if you're a celebrity, you're I'm
assuming that you're accustomed to people coming up and wanting pictures,
and you know, thank god they want your picture.

Speaker 6 (28:42):
One day they won't. That's my motto. Right.

Speaker 10 (28:44):
But we had Barry Manilow. I took my mom some
place and very manel She loves him, and he looked
like you wanted to kill himself like this picture. My
poor mom walked away. She's like, he's not very nice.

Speaker 5 (28:57):
Well, no, you know, after what I said about him
in my book, his people called and they yelled at
they yelled at black people.

Speaker 6 (29:03):
Yeah, because he was a total jerk. He was an
a hole and I said that in my book.

Speaker 5 (29:08):
Told mister Badelow says, he's never been interviewed by your client,
Elvis Durratten. Well, there wasn't that an interview. It was
at a charity concert anywhere. So you know, you got
to take into account where they are as well. And
you know, if they're like having dinner, yeah, you don't
want to go to their table and interrupt them stuff
like that. Anyway, with that said, uh, let's go talk

(29:28):
to uh Christy line four.

Speaker 6 (29:31):
Hey Christy, Hey.

Speaker 25 (29:34):
How you doing.

Speaker 24 (29:34):
I'm so excited?

Speaker 6 (29:35):
Okay, So who is rude to you?

Speaker 24 (29:39):
Well, my nephew actually and who can be mean to
a little kid. I mean it's in kindergarten. But we
were at a celebrity golf tournament and tom Brady no, no.

Speaker 6 (29:51):
Letter, tell her story. Come on, now, okay, what happened?

Speaker 2 (29:53):
What did tom Brady do that in Sandom?

Speaker 24 (29:56):
Well, you know, he wanted an autograph. Everybody gave autographs
and tom Brady was going to his car and all
the kid wanted was an autographed and he was like, no,
I'm not giving autographs. And my nephew just started crying.
I mean he was like six years old, and it
was it was so sad. I mean I teach kindergarten.

(30:18):
I mean, these poor kids, all they want is an autograph.
And he was his favorite. I mean there was justin
Timberlake and all these people and everybody was so nice,
and tom Brady was such an a hole. I can't
stand him. I hope this falls into a hole.

Speaker 5 (30:33):
No no, no, no, no no, no, all right, well thank
you and I so, but what about your nephew.

Speaker 6 (30:41):
Does Eve still idolize tom Brady?

Speaker 24 (30:44):
Oh oh no, no, no, no, no no. And he's
like twenty one now and he has never rooted for
them ever.

Speaker 2 (30:52):
Yeah.

Speaker 4 (30:53):
See what happened? All right, there you go. I love
you guys, love you more, love you more.

Speaker 6 (30:57):
Take it easy, yeah, gandhi what?

Speaker 26 (30:59):
Well?

Speaker 7 (30:59):
I don't even like Tom Brady Okay, but I'm gonna
say I know for a fact that he gets approached
all the time for autographs and sometimes parents and really
creepy fans will send a child to get the autograph
and then they try to turn around and sell it
and do really weird things for it or with it.
So maybe that's why he was a jerk. But again,
don't like Tom Brady, so I want to believe he was.

Speaker 6 (31:17):
Actually Yeah, see Christy, Christy wasn't doing it.

Speaker 5 (31:19):
She was doing it for her nephew. Robert online nine, Hey, Robert, Hey,
good morning Robert. Now which celebrity was a jerk to you?

Speaker 27 (31:28):
Well, it was really to my wife. My wife was
a huge Bear Naked Ladies fan, and we actually follow
them on tour with the vehicles just wherever they went,
we went. Well, when they come out after the show,
they do the little walk through meet and greet with
people out back, my wife took a picture with every member.
When it came to Stephen Page and I asked if

(31:49):
I could take his picture. He says, what difference does
it make? You're gonna do it anyway? I'm like, okay,
camera away, didn't do it.

Speaker 5 (31:56):
Wow.

Speaker 27 (31:58):
I hate how wonderful Canada is that I had to
dump that, so I will sandwich that with the good ones.
The best celebrity I ever met was Russell Peters.

Speaker 9 (32:09):
Oh.

Speaker 7 (32:09):
I love him. He is a He's an Indian comedian.
If people don't know who he is, he's hilarous.

Speaker 27 (32:16):
He was nice, and he is one of the nicest
guys you will ever meet. The things he did, the
things he did when he found out I wanted an autograph,
We're unbelievable, pulled me back into the green room, kept
me back to kept offering me something to eat or drink.
Sweetest man you ever met.

Speaker 5 (32:30):
But you know, it's good to hear. It's good to
hear the positive ones to me. Yeah, very good to
hear that.

Speaker 4 (32:35):
All right.

Speaker 6 (32:35):
Listen, you and your wife.

Speaker 5 (32:37):
You know, I know you hate bar naked ladies now,
but just not all of them, just one of them.

Speaker 2 (32:41):
So it's good.

Speaker 6 (32:42):
All right, Robert, thank you very much. Let's see a
line fifteen is Jace. Let's go talk to him. Hey, Jays, Hey,
good morning.

Speaker 25 (32:50):
Let's how you guys doing.

Speaker 4 (32:51):
We're doing okay? So which celebrity was rude to you?

Speaker 25 (32:55):
There's this lady who's on the radio. Her name is
miss daniel Monaro.

Speaker 4 (32:58):
Oh, Danielle, I don't believe that.

Speaker 7 (33:01):
Come on, what I do?

Speaker 4 (33:02):
Were cooking?

Speaker 2 (33:02):
All right?

Speaker 10 (33:04):
Tell me what I did?

Speaker 2 (33:05):
Yeah?

Speaker 6 (33:05):
What did she do to you?

Speaker 25 (33:07):
So this had to have been about ten or fifteen
years ago. I was living in New York and I
was hearing you guys on multiple stations because you guys
are syndicated. I didn't know how it worked. I called
up there and I was like, oh my goodness, hey,
wait a minute, what radio station is this? And I
Daniell said to you one hundred, and I went, well,
wait a minute. You're on Q one O two, and
you're on this one and you're on that one. She goes, yeah, syndication.

(33:28):
I'm like, so wait a minute, you guys work for
all of them. And her favorite line, she says, what
are you stupid?

Speaker 7 (33:38):
Oh god?

Speaker 5 (33:39):
What?

Speaker 10 (33:40):
I later recall the conversation.

Speaker 6 (33:42):
Wait, he recalls it, what what are you stupid?

Speaker 7 (33:47):
Stupid answer?

Speaker 10 (33:48):
I must have been answering the phones back then.

Speaker 25 (33:50):
I guess it was about ten or fifteen years ago,
and I was like, wait a minute, that was rude.
But I love you today. That's the damn sure.

Speaker 16 (33:57):
I love you guy.

Speaker 10 (33:58):
Thank you.

Speaker 25 (34:00):
I know it was you, because I don't think anybody
else has ever asked me if I was stupid.

Speaker 6 (34:04):
Before, you know, you weren't entering phones then you were
on the air, and you know.

Speaker 5 (34:09):
What he said, Even as you were so so mean
and evil to him, he still likes listening to the
show and still likes you there, very.

Speaker 10 (34:16):
Sweet of you. Don't be stupid, that's all Jason.

Speaker 6 (34:20):
Because I know how she says it. She says it
to me.

Speaker 8 (34:22):
All the time.

Speaker 10 (34:22):
So if I say that to me, I love you.

Speaker 6 (34:26):
So yeah, all right, thank you, Jason. She loves you.
She loves you.

Speaker 2 (34:30):
I'll call you.

Speaker 5 (34:31):
Stupid Steve on LIKEE three, Hello Steve, Steve, are you
still there?

Speaker 6 (34:38):
Alright? We lost Steve. He was calling to say that
Michael Winslow was mean to him.

Speaker 21 (34:43):
I'm here, I'm here.

Speaker 4 (34:44):
Well where'd you go? Oh my god, we thought we
lost you, Steve. Steve.

Speaker 5 (34:48):
So Michael Winslow, he's the comedian guy that does the
sound effects and he was in a movie like fifteen
twenty years ago or more.

Speaker 21 (34:55):
Yea the Police Academy movies, remember exactly.

Speaker 6 (34:58):
Yes, yes, he the guy that make it makes all
the like the sound effects.

Speaker 10 (35:02):
Yeah.

Speaker 21 (35:03):
Yeah. So intern. I was an intern at a radio station, right,
and he was like my first celebrity I was in
because he was doing a comedy show. So I went
up to him. I'm like, hey, mister Winslow, I have
an on air radio show on my college radio station.
Can you just do like as id for me? And
He's like, no, my voices trademarked, I cannot do that.

(35:27):
So I'm like, all right, cool. I walk out. Then
he said to the host of the show, keep that
psychopath away from me. So I'm like, I'm like, I
found I found this out after the fact. I'm like, bitch,
you ain't seen cycle Path.

Speaker 6 (35:42):
Yet, Winslow. What's he? What's he doing now?

Speaker 4 (35:52):
Do you know?

Speaker 21 (35:53):
Is he you know? He does a sound effect of
chainsaw cutting off his freaking arm.

Speaker 6 (36:00):
That's okay, you know, Steve's anger there.

Speaker 4 (36:06):
Steve. You know, even though it's even.

Speaker 6 (36:08):
Though it's years later, you are now officially an intern
for our show and you can come up here anytime
you want.

Speaker 21 (36:14):
I would love to that would be my dream. Come
to you, guys, Thank you.

Speaker 6 (36:17):
Thank you Psycho. You're fabulous by Steve.

Speaker 2 (36:22):
This text here says chevy Chase was an a hole.
I've heard double.

Speaker 7 (36:26):
Everybody says that difference.

Speaker 10 (36:27):
We had the same thing with him, nobody.

Speaker 4 (36:30):
But his wife is the sweetest lady in the world.

Speaker 10 (36:32):
His wife is so nice. I don't get it.

Speaker 4 (36:35):
I don't know.

Speaker 6 (36:35):
You know what, I don't know?

Speaker 5 (36:38):
Fun Hey, Connie, Hi, and so who was roade to you?

Speaker 11 (36:46):
The old thing twins?

Speaker 6 (36:48):
Both of them rooms at the same time. That's double.

Speaker 4 (36:53):
What happened.

Speaker 11 (36:54):
Well, we were at a kmart in Greegehampton, so already
off to a bad start.

Speaker 5 (37:00):
I love that kmar by the way, love it.

Speaker 11 (37:04):
But I got so excited as a kid of the nineties,
I was like, oh my god, the Olsen twins. So
I went up to them to ask for a photo.
They both looked at each other, rolled their eyes and said,
this is not the appropriate place in time. Go scurry along.

Speaker 7 (37:19):
The worst scurry o grouse.

Speaker 25 (37:23):
Yep, yep.

Speaker 4 (37:24):
Oh.

Speaker 11 (37:25):
I wish I was making it up, but it truly happened.
And then I was very sad. But later that same
night I met Jennifer Lopez, so I'd made it.

Speaker 16 (37:32):
All the better.

Speaker 4 (37:33):
So did Jennifer Lopez tell you to scurry along?

Speaker 6 (37:36):
Or was she polite?

Speaker 11 (37:38):
She was the nicest woman in the world.

Speaker 14 (37:40):
She was gorgeous.

Speaker 11 (37:41):
She waved to us and wished just a happy you
know Saturday.

Speaker 5 (37:44):
She was lovely, lovely, good to hear it, a happy
ending for your day. All right, listen, thank you for
listening to us. And if I see the Olsen Twins,
I'm gonna let them know how I feel about them.

Speaker 7 (37:53):
Now good if I ever see them.

Speaker 1 (37:59):
The Mercedes ben This Interview.

Speaker 4 (38:00):
Lounge cool j about to walk through the door.

Speaker 10 (38:03):
Boy smells good too, Daniel said, he's been up all night.
That's why he smells good.

Speaker 6 (38:10):
That you smell like last night.

Speaker 28 (38:11):
Yeah.

Speaker 5 (38:13):
Mercedes Benz s u V Stylish, Powerful and Sophisticated.

Speaker 6 (38:17):
Visit m b u s a dot com for special offers.

Speaker 17 (38:20):
Elvista ran in the Morning Show. Elvis Ter ran in
the Morning Show.

Speaker 6 (38:25):
We wanted Scottie be Innate to do it like Shriff.

Speaker 5 (38:28):
Banana on only Fans every day. We could make some
money with it. No, they didn't do it. So how
about tickling a tickling about all right. This comes from
this documentary that Gandhi was talking about.

Speaker 6 (38:40):
It's eight years old, called Tickled. There's actually a sport
called endurance tickling.

Speaker 2 (38:47):
What's it called.

Speaker 7 (38:48):
It's competitive tickling, but part of it is endurance tickling.

Speaker 8 (38:51):
Yeah, okay, shouldn't we take a little bit of clothes off?

Speaker 4 (38:55):
This is getting me naked?

Speaker 6 (38:58):
Okay, you're wearing a sweatcher I'll take Yeah, that's not fair.

Speaker 5 (39:01):
Yeah, you have patting on that sweatshirt. Here's the thing,
and I just want to make it very clear. You
two are totally fine doing this. It's something you actually
want to do.

Speaker 6 (39:11):
Yes or no?

Speaker 4 (39:12):
Sure?

Speaker 28 (39:14):
Ye?

Speaker 8 (39:14):
Look, yes, I enjoyed tickling and being tickled.

Speaker 5 (39:17):
Okay, Nate, you're totally open for this. And you you
come into this tickling match willingly? Yes, willingly?

Speaker 4 (39:24):
Okay, you too?

Speaker 6 (39:25):
Willingly? Is the wordy here?

Speaker 4 (39:26):
Scotty?

Speaker 8 (39:27):
Do we have to be facing each other?

Speaker 4 (39:28):
I don't know.

Speaker 6 (39:29):
We're gonna We're gonna work.

Speaker 4 (39:30):
Out the we need to work out the kinks.

Speaker 12 (39:33):
Ha.

Speaker 6 (39:33):
Yes, is someone getting video of this?

Speaker 4 (39:35):
I think it's yes. Deanna's on the switcher in the back.

Speaker 5 (39:39):
Well, I know, but that camera can't get angles down
to the floor because you're gonna end up there.

Speaker 4 (39:43):
I'm sure. No, no, no, no, no, she needs the handheld. Okay,
well can somebody I've never been in a tickle match?
Does this one person go first?

Speaker 6 (39:52):
Or I don't know. We're rewriting the rules and will
God he's good at rules, yea.

Speaker 2 (39:56):
Are you gonna tickle each other at the same time
or is it going to be like thirty seven against
Scotty tickles Nate and then thirty seconds Nate tickles.

Speaker 7 (40:02):
Scotty And I think it needs to be separated. I
think Nate needs thirty seconds to go at Scotty and
see how long Scotty can go without laughing, and then
vice versa, because if not, it's going to turn into
a cage match and they're going to scratch each other
and do weird things.

Speaker 8 (40:15):
But if I just stand here and be tickled.

Speaker 6 (40:17):
Okay, wait, okay, maybe this is strange. Okay, what if
you did? What if you did?

Speaker 5 (40:22):
Like just like both of them, just go for it,
and one of them eventually has to say I give,
I give, okay, right, but it has to be tickling.
You were not here to cause pain, Okay.

Speaker 7 (40:32):
No scratching, no poking, no pinching.

Speaker 8 (40:34):
Is there any place that's off limits?

Speaker 2 (40:36):
No, like the grundle.

Speaker 10 (40:38):
The grundle.

Speaker 7 (40:39):
If you can get to your grundle, that impressed.

Speaker 6 (40:42):
Oh no, the the taint is right there.

Speaker 8 (40:44):
It's easy to get to the paraneum if you.

Speaker 5 (40:47):
If you guys want to eliminate the taint, do you
want to?

Speaker 2 (40:51):
I don't want Yeah.

Speaker 4 (40:52):
I think the bais yeah. I think there's a region
that we shouldn't come on.

Speaker 2 (40:57):
Man.

Speaker 7 (40:58):
So no dinger, no taint. Extremely ticklish areas, yes, oh yeah, okay, okay, no, No,
here's the rule.

Speaker 5 (41:07):
What if you go from the belly button all the
way down and up the back to the top of
the crack, that that area cannot be touched?

Speaker 6 (41:14):
Okay, okay, no cracking.

Speaker 7 (41:15):
All right, Okay, Diamond is in there recording.

Speaker 5 (41:18):
Also, Okay. I just want to make for damn sure
that everyone agrees to.

Speaker 8 (41:25):
Let's get over now.

Speaker 6 (41:26):
Don't brush me aside.

Speaker 5 (41:28):
We're talking about a billion dollar company here, we have
a tickle song ready to go.

Speaker 10 (41:33):
I just have a feeling these two were going to
enjoy this a little too much.

Speaker 8 (41:36):
I just don't think we should face each other. I
think it's weird.

Speaker 2 (41:41):
So you're going to turn around and have him tickle
you from behind?

Speaker 22 (41:48):
Nor wait, okay, can we since that is a good
point you just brought up hands only, right, we can't
tickle with any other appendage?

Speaker 6 (41:55):
What else do you have to tickle with?

Speaker 2 (41:56):
I don't know. Scotty wanted me to turn around a
second ago.

Speaker 10 (42:01):
This is strange.

Speaker 5 (42:02):
Oh you're weird, you know. First of all, don't flatter yourself, Nate,
All right, I think we have enough rules. We figure
this out. Stop punching each other. Do we have a
bell and a song to play here?

Speaker 4 (42:15):
Here's the intro song.

Speaker 1 (42:17):
I'm gonna tick gotic go tick.

Speaker 7 (42:21):
Tick tick.

Speaker 5 (42:24):
Tickle endurance competition gig. We've got Scottie Bee and Nate
all locked up in Scotti Bee's little studio, and whoever,
whoever it gives it first cut?

Speaker 8 (42:39):
Or is it soiling ourselves? Yeah?

Speaker 2 (42:41):
What's a safe word? We need a safe word? I'm
done being tickled.

Speaker 6 (42:45):
My safe word is always deeper.

Speaker 11 (42:48):
More.

Speaker 10 (42:51):
By the way, looking at that studio on the camera,
you guys need like some decorations or something. It's like ugly.

Speaker 5 (42:59):
And you know you got a good point, you know,
Danielle For all future, Tickle Tickle competitions. We need to
spruce it up in there. You're right, what happened? What
happened Scotty? What did you do to Nate?

Speaker 11 (43:13):
A check?

Speaker 7 (43:15):
We just said that was off limits.

Speaker 8 (43:17):
I didn't tickle it. I didn't tickle it. Here we go.

Speaker 5 (43:20):
Okay, Ia, Froggy, Froggy, you're the judge here.

Speaker 2 (43:25):
Okay, okay, did you was that illegal.

Speaker 6 (43:30):
What he just did?

Speaker 7 (43:30):
Because that was not a part of this is illegal,
but it was before we started.

Speaker 8 (43:35):
So I don't know.

Speaker 6 (43:36):
Guys, let's not get into this, but this.

Speaker 5 (43:38):
Is all tom foolery as far as I'm concerned. A
focus stop.

Speaker 10 (43:42):
It should wait, shouldn't shirts off for this?

Speaker 6 (43:46):
Wait a minute, Hold on, Nate? What did you do
to Scott where he disappeared?

Speaker 4 (43:51):
What you're you know? That was articulation?

Speaker 6 (43:54):
Guys?

Speaker 5 (43:55):
Guys, where are you slapping each other in the nuts?
What are you doing in there? All right, felt's gonna
tickle now. By the way, do we all agree they're
enjoying this moment?

Speaker 6 (44:07):
Okay? Do you have the bell ready to go?

Speaker 5 (44:09):
And so whoever whoever screams out first, whatever, then okay,
here we go.

Speaker 6 (44:13):
Let's give it. Stop stop beating each other in the balls,
would you. God, yeah, come on here on your mark,
get set tickle.

Speaker 8 (44:28):
Under.

Speaker 5 (44:32):
Wait he said stop, he said stop. Wait, hold on, Scotty,
he said stop.

Speaker 4 (44:36):
All right, that was round one.

Speaker 6 (44:37):
I'm not using it.

Speaker 4 (44:42):
He was going into cardiac arrest.

Speaker 5 (44:44):
Okay, listen, that was a practice friend, Hey, Scott, Scotty
immediately went under the arm pits, and so it did. Nate,
you guys are going for the same target, the arm
pittle area.

Speaker 6 (44:55):
Round two, round two, go hit the back there you go?

Speaker 4 (44:58):
All right.

Speaker 29 (44:59):
Scotty is going and down down to the knees. And
so Nate's got him on the belly. He's tickling his belly.
He got him on the floor, his whole someone touched off.

Speaker 6 (45:09):
Oh, how are we doing?

Speaker 2 (45:13):
Nate said stop again. Nate said stop again, net stop,
said Scotty.

Speaker 4 (45:17):
Scott.

Speaker 6 (45:18):
Here, Scotty, you got to pull yourself together. When he
says stop, stop means stop.

Speaker 8 (45:23):
I didn't hear.

Speaker 6 (45:25):
No means no, Scotty. So, judge, Froggy, how are we
doing so far?

Speaker 2 (45:29):
Right now? Scotty has two Nate has zero. Stops you lose.

Speaker 5 (45:36):
Okay, Well, let's look at their strategy here at halftime.
We're at halftime By the way, this is four rounds.
What is going on, Nate that's making Scotty get the
best of you?

Speaker 4 (45:45):
What is he doing? Very dexterous fingers.

Speaker 6 (45:49):
Very Scotty, what what is your secret? Do you care
to share? As we get into the second half.

Speaker 8 (45:53):
Well, I do a light little like with my nails. Yeah,
you know, we're not scratching, but I do like a
light like that, you know.

Speaker 6 (46:00):
Okay, stop touching.

Speaker 12 (46:01):
I have an observation. Please, Scotty Bee is entering Nate's
no go zone. I think you're not playing fairly.

Speaker 8 (46:08):
I went up his shorts, but not that high.

Speaker 6 (46:11):
But someone did scream out the word hole. I heard
someone scream out.

Speaker 2 (46:14):
To day I did. I did reach around.

Speaker 6 (46:18):
Do not do not, do not touch holes. Ready now
the second half, hang on.

Speaker 8 (46:23):
This is exhausting.

Speaker 10 (46:26):
Oh my gosh, you're exhausting.

Speaker 7 (46:29):
He hasn't even gotten it.

Speaker 4 (46:30):
All right, we gotta go, We gotta go. Come on.

Speaker 8 (46:32):
We have feet.

Speaker 6 (46:32):
That's right, that's right, we have feet. Okay, hit the.

Speaker 5 (46:36):
Bell, Scottie and Nate going for the ticicle.

Speaker 6 (46:40):
Nate's going for it, man, he's getting in there.

Speaker 5 (46:42):
He's got scott He's going alone. So that we can't
see him. You're screaming, Oh my god, where's he touching?
Hit the mail, hit the mall. You see, Nate, you
told the world that your feet are very ticklish.

Speaker 6 (47:04):
You actually yourself on that one. How did you get
how did you get in his shoe?

Speaker 8 (47:08):
All right, no, we took them off.

Speaker 2 (47:10):
The judges have a question, Nate, where was he tickling you?

Speaker 13 (47:13):
There?

Speaker 4 (47:13):
My bottom of feet?

Speaker 2 (47:14):
Okay, Scotty wins another round. I thought he.

Speaker 10 (47:22):
Ate is just more ticklish than Scotty.

Speaker 8 (47:25):
No, I am pretty take better at this.

Speaker 2 (47:28):
I'll be honest.

Speaker 4 (47:28):
I thought I was gonna wipe the floor with him.

Speaker 6 (47:31):
He's pretty damn good ticking.

Speaker 7 (47:32):
Is this for the lyrics?

Speaker 6 (47:34):
Is this where the lyrics came from? In my neck,
my back?

Speaker 4 (47:37):
My favorite song? Yeah, I'm more.

Speaker 5 (47:39):
I'm more ticklish when I'm light tickled, like like, Okay,
here we go round four, last round. Knock getting out,
knocketting out, Nate go all round.

Speaker 2 (47:49):
Scotty instantly goes down. He does he wants.

Speaker 6 (47:52):
To win man.

Speaker 5 (47:56):
Nate sounds like an Okay, they're taking each other. This
is the last round. It all rides on this.

Speaker 6 (48:03):
One stop stop, last round.

Speaker 5 (48:14):
I think we know the answer here is so judge,
he is undefeated. Scotty got it in four rounds. Yeah,
four clean, sweet man is defeated my achilles. Heel right,
but you know what, truth be told. Look at all
the cardio they're getting.

Speaker 8 (48:35):
I mean they're both I'm out of breath.

Speaker 4 (48:37):
You're like, you're like a machine man.

Speaker 8 (48:39):
What are you saying? We could have made money doing that?

Speaker 9 (48:42):
Yeah?

Speaker 7 (48:42):
I think so, really, I think so.

Speaker 6 (48:44):
I know you have to take some clothes off for that.

Speaker 12 (48:46):
Okay, be honest, not now, not now, Scotty He's like, uh,
you know, you should really think about anything's like serious competition.

Speaker 4 (48:54):
You're pretty damn good.

Speaker 5 (48:55):
Oh now, this is like this is like locker room talk.
Now you guys are hey, yeah, you're good.

Speaker 21 (49:01):
Yeah.

Speaker 8 (49:01):
Look he's excited.

Speaker 7 (49:03):
Oh his nipples are poking straight through that shirt.

Speaker 5 (49:05):
And now everyone kissing makeup, kiss it, kissy.

Speaker 10 (49:12):
That's nice.

Speaker 6 (49:13):
Please Lord, I hope HR isn't listening to this.

Speaker 7 (49:17):
Good job?

Speaker 4 (49:17):
All right, all right, you.

Speaker 6 (49:18):
Guys, rested up, turn your MinC off.

Speaker 5 (49:20):
You get a fresh, fresh breath of air and get
some water in you.

Speaker 10 (49:25):
Who chooses to get up at this time early morning?

Speaker 17 (49:29):
Elvis Duran in the Morning Show, don't answer the phone,
Elvis Duran, The Elvis Duran phone tap?

Speaker 6 (49:44):
What's today's phone?

Speaker 2 (49:45):
Tap? All over?

Speaker 21 (49:45):
Well?

Speaker 10 (49:45):
Stay, the emailed and says, I'd like to call my
mom tell her that I'm not allowed back in school
because I have excessive absence. My mom's gonna flip out
because I've only one more semester until I graduate. And
she asked me every day, sometime fifteen times a day
if I went to school.

Speaker 7 (49:59):
So we're calling her mind, We're gonna.

Speaker 10 (50:00):
Make her upset. Hi, Stacy, Please.

Speaker 30 (50:05):
This is not Stacey.

Speaker 10 (50:06):
Oh, this isn't Who is this?

Speaker 2 (50:07):
Says her mother.

Speaker 21 (50:08):
How can I help you?

Speaker 2 (50:09):
Yeah?

Speaker 31 (50:09):
Hi, on, my name is Linda Vassar. I'm calling from
spaghing her THI is she around?

Speaker 9 (50:16):
No, she is not.

Speaker 32 (50:17):
I can help you.

Speaker 10 (50:17):
She's not gonna help you with Okay.

Speaker 31 (50:19):
We're just going through our records and calling people who
haven't been showing up for school and just trying to
figure out why they have been there.

Speaker 21 (50:25):
She goes at night.

Speaker 30 (50:25):
Now, she give her whole program tonight.

Speaker 10 (50:27):
Yeah, I know that, but she hasn't been here since
last semester.

Speaker 30 (50:30):
Well, then I said, you pick up with her, cause
when she leaves my house and said, she's going to school.

Speaker 26 (50:34):
That's why I think she's going to I don't know, but.

Speaker 2 (50:37):
You have her cell phone.

Speaker 10 (50:38):
Do you want me to three weigh her in so
you can talk to her as well? Sure, if you
can do that, okay, yeah, can you hold a second? Yeah, okay,
hold on, very nice.

Speaker 30 (50:46):
She gets dressed up to the friends, she comes home
with her and tell me what she did in school
and everything. Other hers say she wasn't.

Speaker 1 (50:52):
There, stays here?

Speaker 7 (50:52):
Are you there?

Speaker 4 (50:53):
Yeah?

Speaker 30 (50:54):
Yeah, we have to make from your faster than the
phone with us, and said, you have not been to
school a little this week?

Speaker 26 (51:00):
Oh okay, why isn't it something to you? What the
past three nights me and Christina have been going out,
we haven't been going to school.

Speaker 6 (51:09):
Okay, you know what?

Speaker 14 (51:11):
Now I am done with this, okay.

Speaker 30 (51:12):
Because you've made a school crazy with this nighttime saying
it's better there mommy.

Speaker 26 (51:15):
If they throw me at the school whatever, I'll just
I'll get a bar at night or something like that.

Speaker 7 (51:20):
I'll get my watch tat.

Speaker 30 (51:21):
You have been lying to me, number one, that's the
first place.

Speaker 2 (51:24):
All right, what do you think you're doing?

Speaker 15 (51:26):
You want to all this trouble me?

Speaker 2 (51:27):
I don't want to agree.

Speaker 26 (51:28):
I don't need a degree. I don't need a certificate anything.

Speaker 2 (51:31):
Okay, what why are you lying to me?

Speaker 26 (51:34):
What did you would not going to.

Speaker 8 (51:36):
School with her?

Speaker 16 (51:37):
Okay?

Speaker 30 (51:38):
That girl is no longer lay at my house. That's
what's gonna.

Speaker 26 (51:40):
Be at No, listen, listen, I swear how they get
a job at like a bar. They make really good
money bartenders. And I'm pretty too, so I don't care.

Speaker 30 (51:49):
More about Excuse me, I am not paying thirty seven
dollars for a bartending job.

Speaker 26 (51:54):
Come on here today, Excuse why do I Why do
I need a degree?

Speaker 10 (51:58):
Come on?

Speaker 26 (51:59):
Excuse me? You're gonna go for a certificate into mommy.
I'll depend on my husband, my boy the rest of
my life.

Speaker 14 (52:07):
Are you not come on bugs? No, Why would I
depend on your husband's rest of your life?

Speaker 30 (52:13):
This is a misindependent.

Speaker 26 (52:15):
Girl doesn't matter, It doesn't matter.

Speaker 33 (52:17):
Excuse me.

Speaker 10 (52:18):
Shut up right now.

Speaker 30 (52:19):
I'm gonna work. I cannot scream listen for one month,
severe severe trouble. Can you lie to the follow me
for the last two nights? Okay, make a fool out
of me me ask you questions about school. You're carrying
all everything else and you haven't been there. Okay, who
are you hurting here?

Speaker 10 (52:34):
You and don't need a degree?

Speaker 26 (52:37):
Tell me my degree?

Speaker 30 (52:38):
Have him?

Speaker 26 (52:39):
You have set up for myself.

Speaker 23 (52:41):
I'll play the bar.

Speaker 26 (52:43):
Full time jobs there me. I just won't put education
on my resume.

Speaker 30 (52:48):
And I'm not having a thirty thousand dollars long and
my shoulders and you.

Speaker 26 (52:51):
But you're broakend mommy. You make a lot of money bartending.
Have you ever done it?

Speaker 5 (52:56):
No scare of me?

Speaker 27 (52:57):
Forget it.

Speaker 30 (52:58):
The idea is forget it. Okay, I'm not.

Speaker 9 (53:01):
I'm anna know it flags all.

Speaker 26 (53:02):
I can do what I want. I don't know why
you're overreacting.

Speaker 30 (53:05):
I'm overreacting.

Speaker 2 (53:06):
You're lied to me.

Speaker 30 (53:07):
I can't trust you because you're this is a huge
mass of law.

Speaker 26 (53:10):
You told me I'm not going to school anymore.

Speaker 32 (53:13):
I don't.

Speaker 26 (53:13):
I'm I know that could just three you all ever again?
Nowhere else either.

Speaker 30 (53:17):
You're not pre anywhere. What I'm trying to say is
I have thirty thousand dollars.

Speaker 10 (53:21):
You didn't seem to.

Speaker 1 (53:21):
Care about, Mommy.

Speaker 7 (53:22):
It's okay, just pay it off.

Speaker 14 (53:24):
How will I pay you off?

Speaker 30 (53:25):
Spacey?

Speaker 26 (53:25):
How it's not that much money?

Speaker 30 (53:27):
Are you crazy? You're the girl who's always level headache.

Speaker 26 (53:30):
It's not seeing here.

Speaker 1 (53:32):
You have hurt me.

Speaker 30 (53:32):
It doesn't matter the mean thing to you.

Speaker 26 (53:34):
I can't talk to you about anything because you're crazy.
So things.

Speaker 12 (53:37):
You're a lie to me?

Speaker 21 (53:38):
Yeah, lie to me.

Speaker 12 (53:39):
Tell me every night.

Speaker 26 (53:40):
It's much easier to lie to you. It's much easier.

Speaker 31 (53:43):
Just not my daughter.

Speaker 26 (53:44):
You're really overreacting about this.

Speaker 30 (53:46):
It's I'm unreacting when you're right. When you have the
thirty thousand dollars road under your name, let's see how
you overreact.

Speaker 10 (53:52):
I'm not paying it, mommy, it's just not I told
you school is not for me.

Speaker 26 (53:56):
It's really online or you're to do with help me?

Speaker 10 (53:58):
That a month ago, but it's that every night.

Speaker 30 (54:00):
So, honey, how was school today?

Speaker 34 (54:01):
Oh?

Speaker 2 (54:01):
It was good. I have to dressed up.

Speaker 10 (54:03):
When I got you lied and you kept the light going.

Speaker 4 (54:05):
That's hurting more than anything.

Speaker 5 (54:08):
Come.

Speaker 26 (54:08):
Why don't you want me to like bartends or something?

Speaker 30 (54:11):
But I'm not talking.

Speaker 26 (54:12):
If you're working a club, I can dance in a
club or something like that.

Speaker 9 (54:16):
I'll be home, I'll be safe.

Speaker 14 (54:18):
I can't to me.

Speaker 30 (54:19):
You're talking my good okay, I can be a stipper.

Speaker 26 (54:22):
You're talking stupid that's always an option.

Speaker 11 (54:27):
Daughter.

Speaker 10 (54:28):
Hey, ma, what you've just been phone tapped? Right? This
is Danielle Minaws, you've just been phone tapped.

Speaker 1 (54:35):
Good, I'm gonna be Elvis Duran's phone tap.

Speaker 5 (54:42):
This phone tab was pre recorded with permission granted by
all participants the.

Speaker 17 (54:46):
Elvis Oran phone tab only on Elvis Duran in the.

Speaker 1 (54:50):
Morning Show.

Speaker 5 (54:52):
Talking to Straight Night and Scary and Scottie B. You're
saying parking is difficult today downtown Manhattan.

Speaker 6 (54:59):
Why is that?

Speaker 22 (55:00):
Well for the last i'd say week, because they're filming
an order of Law and Order es I SVU.

Speaker 8 (55:06):
I don't know which.

Speaker 6 (55:06):
One down here.

Speaker 22 (55:09):
So they've shut down half of the streets so they
can park crouks and you know, put out tents with
you know, film equipment and them.

Speaker 12 (55:16):
It's like six blocks with all the orange cones everywhere,
you just can't park anywhere, all.

Speaker 5 (55:20):
Right, So here you have it. You know, here's the
thing about about dead about Law and Order. They're they're
always shooting down around our studios, and you know, it's
a great place to shoot. There's big old buildings and whatever.
You know, it's New York and it's a great place
to do a movie. Or a TV series years ago.
I put the call out there and they never call me.

Speaker 6 (55:43):
All I want to do on Law and Order and
it's right downstairs, it's right there. It's so convenient. I
want to play the dead body at the beginning of
the show.

Speaker 7 (55:52):
Nice, right, I know.

Speaker 5 (55:54):
I put this play out there dozens of times over
our twenty five years of doing the show. All you
gotta do is make me up. You put me in
a dumpster or you know, on the roof of a building,
you know where they can't figure out how I die.
It doesn't matter if I die, that's up to them
to figure out of death. No sidewalk with the outline

(56:14):
around you, Okay, whatever, whatever it's up.

Speaker 6 (56:18):
I'm so versatile when it comes to this this role.

Speaker 7 (56:21):
I would want to see you be one of the
people who's alive in the beginning and then you see
the crime happen and then they're the dead box. Yeah
that versatility.

Speaker 5 (56:29):
Oh no, if I have to be if I have
to be alive, then then means they're like act or
do something.

Speaker 6 (56:34):
I don't want to do anything.

Speaker 5 (56:34):
It's like it's like this show, I just show up
and don't do anything.

Speaker 2 (56:39):
I mean, some days you probably wake you wake up
looking like you wouldn't win, and you even have to
do makeup. You just like show up to the scene,
lay there and you're done. You just go to work.

Speaker 4 (56:47):
You're a jerk. Sorry anyway, So.

Speaker 6 (56:52):
I'm going to put the call out there again.

Speaker 5 (56:55):
If you're doing Law and Order or any of those
s u V uh, a ARP whatever, these these lawn
order shows and you need the dead body, I'm open.
Just think of all the publicity. We got ten million
people listening every morning. Yeah, make sure you watch Law
and Order, SUV.

Speaker 2 (57:16):
Whatever.

Speaker 5 (57:17):
I'm the I'm the dead body. You know, has anyone
been a dead body in a movie? I love to
hear from you. Well, I did a lot of extra work.
I never got a chance to be a body. Though
you saw bodies, you killed them. No, call Nate and
let him know.

Speaker 6 (57:34):
I want to know what it's like playing the dead body.

Speaker 7 (57:36):
Yeah, Gandhi, I think I've told you this before, but
you and I were in a movie together. I was
an extra. You were in Sharknado three. Oh hell no, right,
and then I was one of the people in the
scene at Universal where the big ball comes off of
whatever and goes chasing the people through the crowd. That
was me running away. You see the back of my head.
It was amazing in the same movie.

Speaker 6 (57:55):
Didn't even know it.

Speaker 7 (57:56):
Yeah, I sent the whole day running.

Speaker 9 (57:58):
It was great.

Speaker 5 (57:59):
Well I have on my IMDb you can check it
right there. I was in h Shark Nado.

Speaker 10 (58:05):
Yeah, and Diehard. You have Diard under your Meltony.

Speaker 4 (58:10):
I know I still get paid for that. Nothing but
not a lot.

Speaker 6 (58:12):
Yes, Gary.

Speaker 12 (58:13):
A long time ago, the chef Rocco di Spirito had
a TV show and I was hired to be an
extra to sit down and eat, which is what I
do best.

Speaker 4 (58:22):
So they said, come and have dinner.

Speaker 12 (58:23):
That's your pay. So I was having dinner with somebody
and I was in the background in the you know, you.

Speaker 5 (58:28):
Know, I have two characters I want to play, either
one that eats or one that's dead. Oh look, we
have a winner, Leona online one all perfect. Leona, welcome
to the show. I'm obsessed with you. You actually played
a dead body on Law and Order.

Speaker 34 (58:43):
Yes, talk about it.

Speaker 6 (58:45):
How'd you get that and what was it like?

Speaker 10 (58:50):
So?

Speaker 35 (58:50):
I actually started through a tiny agency when I was
a kid, and yeah I ended up. I ended up
as a corpse the episodisode was Born Again and it
was my name. My character's name was Paula Weston, And yeah,
it was definitely the weirdest experience.

Speaker 10 (59:09):
Did how they kill you off?

Speaker 6 (59:12):
How did Paula die?

Speaker 13 (59:14):
So the mom.

Speaker 35 (59:15):
And like the child had a therapist, and the mom
and the therapist actually like conspired to kill the child
because she had a latex allergy, and so the therapist
and the mom like literally killed the baby. And then
I was like literally the dead body in the beginning
of the episode in Central Park, just like laying their.

Speaker 5 (59:34):
Cold Oh no, way, hold on, now I'm getting sad.
I mean, I mean how old of how old was Paula?
Paula was like eleven, Like Okay, I'm I'm gonna have
to draw the line there.

Speaker 6 (59:45):
I cannot play a dead.

Speaker 7 (59:47):
Little girl, would you do it?

Speaker 13 (59:52):
No?

Speaker 5 (59:53):
I will not a dead child, a dead old guy.

Speaker 35 (59:57):
It was so fun and like everybody was so nice there.
They were like the greatest smoovel to work with.

Speaker 5 (01:00:04):
So what kind of direction did they give you, Leana?
I mean it was what did they tell you to do?

Speaker 35 (01:00:10):
Nothing? Like really just lay there and I remember like
the outside take in Central Parts, like I went up
in in winter it is around this time, you, I believe,
And it was so cold.

Speaker 34 (01:00:20):
They put like a heating pad behind my back and
then I laid back down because I was like shaking, right,
and then I laid back down and the heating pad
started to burn my back.

Speaker 6 (01:00:31):
Oh my god.

Speaker 35 (01:00:34):
Yes, And it was like it was like over twenty
takes because these poor ladies who found my body, they
came up jogging and like the one would touch my
cheek and be like she's nice cold, and I just
like lost it. I just started laughing.

Speaker 5 (01:00:46):
Because I was like, Okay, so I tell you, every
time I watch a show and there's a dead body,
I always try to see if they're the actor's breathing.

Speaker 6 (01:00:57):
Did they tell you to hold your breath or anything?

Speaker 35 (01:01:00):
They don't, And I was kind of surprised, but like
I like, I really really tried to hold my breath
as long as I could, because like, you're supposed to.

Speaker 25 (01:01:09):
Be dead, so you don't get like my mom.

Speaker 35 (01:01:13):
Like they had me on an autopsy table and a
different scene later on in the show and was like
sitting there.

Speaker 6 (01:01:17):
Flying, Wait you did it? You did an autopsy table?
I hate you?

Speaker 10 (01:01:25):
Like lying on the table.

Speaker 35 (01:01:27):
Yeah, yeah, like they had like everything I had to wear.
It was the weirdest thing. I had to wear, like
this body suits because I was a kid, so like
they wanted to cover my stuff up. And then they
literally had this like like bra like bando bra and
like short like booty short things. And I was like
laying on this table and it was ice freaking cold,

(01:01:47):
and then it had me covered with like a sheet
just up to my chest.

Speaker 6 (01:01:51):
Wow.

Speaker 35 (01:01:51):
That was a hard scene.

Speaker 13 (01:01:52):
And they had like blue lipstick.

Speaker 35 (01:01:54):
On my lips to make me look like super dead.

Speaker 27 (01:01:56):
Yeah, it was crazy.

Speaker 6 (01:01:58):
I can't wait.

Speaker 5 (01:01:59):
I can't wait to wear I can't wait to wear
blue lipstick and booty shorts. Hey, Leanna, people are texting in.
They love that episode, they remember that episode.

Speaker 4 (01:02:14):
You sound very much alive to me, Leona, we got
to run.

Speaker 5 (01:02:17):
I love that you called in. It's such a great
pleasure speaking with you. Thank you for being a part
of the show. And I am hoping I one day
will join you on the Hall of Fame Wall of
the corpses on Law and Arder.

Speaker 4 (01:02:31):
Thank you very much.

Speaker 6 (01:02:33):
Thank you. Have a great day.

Speaker 5 (01:02:34):
We got all sorts of people love Little Dead. People
are calling in. We've got Chrissy Online three Chrissy, Welcome
to the show. So you played a corpse in two docuseries, right,
tell us about what you played.

Speaker 13 (01:02:51):
I played a victim of Jack the Ripper in one
of the Netflix series that came out in the end
of twenty twenty.

Speaker 10 (01:02:58):
That's so cool.

Speaker 16 (01:03:00):
Yeah, what's that?

Speaker 6 (01:03:02):
That's hot? Okay, keep going.

Speaker 13 (01:03:04):
Yeah, So I played I had like a it was
kind of like a Victorian dress. It almost looked like
a really old wedding dress that was all torn up
and we were.

Speaker 25 (01:03:12):
In the woods.

Speaker 8 (01:03:14):
I would do that.

Speaker 6 (01:03:15):
I would play an old dead lady. Okay, go ahead with.

Speaker 13 (01:03:18):
Yes, with the wedding dress with the lace.

Speaker 24 (01:03:20):
It was like very old Victorian.

Speaker 13 (01:03:23):
And then I also played one of the victims of
I did many of the series. There's a lot of
different documentaries and movies and shows on the Long Island
Serial Killer. Oh yeah, I played one of the dead
prostitutes that he murdered.

Speaker 5 (01:03:37):
Right, yeah, wow, So okay, what was it like on set?
How did they direct you?

Speaker 4 (01:03:44):
Just?

Speaker 13 (01:03:47):
Yeah, I mean, we know we're playing dead. You know,
you kind of look and you try to stop breathing
or don't will your eyes because sometimes you can see
like the eyes fluttering like that, they're not dead, so
they kind of like zoom in a little and then
maybe turn the camera away. You get a quick breath
and then go back to kind of you know, can
be taken in several takes.

Speaker 5 (01:04:09):
Any when you're murdering your women, do you see their
eyes flutter?

Speaker 2 (01:04:14):
No, I'm not a murderer.

Speaker 10 (01:04:15):
Okay, this is a great job to open up. Like
you could be the agency that has all the people
who are really great at playing dead, right, and you
just come to them. I need a female in her twenties.

Speaker 2 (01:04:26):
Why not?

Speaker 6 (01:04:27):
But you don't want the same one over and over.

Speaker 10 (01:04:28):
No, but they could have like a catalog of people
that are great playing dead.

Speaker 13 (01:04:33):
That's what we need to send Elvis in. Now he's
got to play the part.

Speaker 6 (01:04:36):
Yeah, I got I gotta play a dead body a guy.
I have to. It's so imperative.

Speaker 13 (01:04:40):
Well, one order. He's waiting, William waiting.

Speaker 5 (01:04:43):
Yes, thank you, I appreciate Chrissy, congratulations. If you were here,
I'd ask for your autograph. Thank you for listening to us.
Have a great day. Okay, So interesting call from Nicole
online twenty. Nicole is a fan of Leanna, who called
first who played the dead little girl who whose mother
and and therapist killed her because she was allergic to latex.

Speaker 7 (01:05:05):
So sorry, so dramatic.

Speaker 6 (01:05:10):
You remember that episode?

Speaker 4 (01:05:11):
Right?

Speaker 23 (01:05:12):
I do?

Speaker 10 (01:05:13):
I do?

Speaker 6 (01:05:14):
And even though she played.

Speaker 5 (01:05:16):
Even though she played a dead girl, she's still she's
a celebrity to us, right right?

Speaker 9 (01:05:22):
You know what?

Speaker 23 (01:05:23):
Not too many episodes like I don't really remember, but
that one. It's just one of those episodes.

Speaker 5 (01:05:28):
You know.

Speaker 23 (01:05:28):
You just you think back to that when someone mentions
Law and Order, that's what I what I think autograph
we know her? Yeah, I'm just gonna ask. I don't.
I didn't want to be too forward, but.

Speaker 5 (01:05:44):
So, uh, have you ever now that you've heard this
conversation and you're a fan of Law and Order, do
you have this like if they called you, would you
play a corpse in an episode?

Speaker 23 (01:05:54):
Absolutely? Whose dream isn't to be dead on TV?

Speaker 6 (01:05:57):
Tell you what, Nicole, I'll tell you what, Nicole.

Speaker 5 (01:06:00):
If ever they contact me to play a dead guy
next to a dead woman, I'm calling you and we'll
do it together.

Speaker 6 (01:06:05):
We'll have a lot of fun.

Speaker 23 (01:06:06):
Yes, absolutely, I'm there.

Speaker 6 (01:06:09):
I'm so excited about the future.

Speaker 5 (01:06:13):
All right, Look, thank you so much, Nicole and I
have a great day.

Speaker 6 (01:06:16):
I'll get you in as if I can. Well, I'll
figure it out for us.

Speaker 23 (01:06:18):
Okay, thank you, all.

Speaker 6 (01:06:21):
Right, there you go.

Speaker 10 (01:06:21):
I came close to playing an undead person. I was
on this on the set of The Walking Dead and
they let me dress up, and their makeup artists and
everything did me to look like a zombie. It was
so awesome.

Speaker 4 (01:06:35):
That was fun.

Speaker 10 (01:06:35):
That was so much fun. Yeah, so much fun.

Speaker 6 (01:06:39):
So jealous.

Speaker 5 (01:06:40):
I'm rarely jealous of anyone else's life, but these cadavers in.

Speaker 6 (01:06:46):
Law and order perfectly still.

Speaker 2 (01:06:49):
I don't know.

Speaker 6 (01:06:49):
I don't know. Ask Alex.

Speaker 7 (01:06:51):
All right, Hey, it's Gandhi and you might have heard
of my podcast, Sauce on the Side. If not, come
explore the parts of my brain that we don't talk
about on the big show, everything from science to love
to the not so safe for work topics that make
us laugh. Join me every Wednesday for a new episode
of Sauce on the Side on America's number one podcast network,

(01:07:13):
iHeart or wherever you get your podcasts, And while you're there,
make sure you like, follow, and subscribe.

Speaker 17 (01:07:18):
Elvis ter Ran and The Morning Show. Elvis ter Ran
and The Morning Show.

Speaker 6 (01:07:26):
I'm going to talk about this house. You can get
it a great deal.

Speaker 5 (01:07:30):
But you find out there's a ghost there, you find
out there's a murder that happened there.

Speaker 6 (01:07:33):
Would you do it?

Speaker 5 (01:07:35):
Let's kick this off with Beth on line twenty four.
Hello Beth, good morning, Good morning. So are you wanting
to sell the house that you discovered this incredibly cool
thing behind or is it just something you found and
you're kind of dealing with it.

Speaker 16 (01:07:52):
Well, we're currently trying to sell our house. It's not
something we've really disclosed when we're trying.

Speaker 11 (01:07:56):
To sell it.

Speaker 16 (01:07:58):
But we had previously found a.

Speaker 6 (01:07:59):
Grieve in our backyard, a gravestone. Now, is it from
a pet?

Speaker 8 (01:08:03):
Like?

Speaker 6 (01:08:03):
Does it say Fluffy rest in peace?

Speaker 16 (01:08:07):
No, it's we actually took down when we bought the
house that had a deck that wrapped around the back,
and my husband took it down so that we could
build a nice garden there. And he dug down and
there was a gravestone that had broken like right outside
our back door, and it was from the eighteen hundreds
and they had like somebody's name on it.

Speaker 5 (01:08:26):
Wow, so could you put it together and well enough
to determine what the name was?

Speaker 16 (01:08:32):
We did we don't say that name in our house.
It was from the eighteen hundreds, and we actually looked
him up online and he was like an inventor and
he predated our house.

Speaker 10 (01:08:43):
Well, is he haunting your house or have you not
noticed anything unusual?

Speaker 16 (01:08:48):
So he had a family, I know. And the only
thing that's happened since we lived there is my sister
spent the night and she slept in our downstairs and
two long up in the mellow nite and there was
a woman there wearing like a Victorian look like colonial outfit.
They never told me that for months because I'm terrified
of that stuff. But yeah, that's the only thing that

(01:09:09):
we've really had happened.

Speaker 6 (01:09:10):
Well that was me I broke in. I was playing
the drag show down down the street.

Speaker 5 (01:09:16):
Well look, so so you're saying that the gentleman's gravestone
you found predated the building of the home that you're
currently in, but it was on that same site, right.

Speaker 16 (01:09:26):
Yeah, it was right outside our back door, so you
kind of reburied it.

Speaker 5 (01:09:31):
So you need to you need to sell the house.
And you're wondering, I mean, are you disclosing it or
does it matter? I don't Different states have different laws.
I don't know what you're going through.

Speaker 16 (01:09:41):
You know, we just kind of we just sat there
for a men and said what do we do? It
was you know, this is like a year ago, and
I just said, well, I think we should not disturb it,
just bury it. And then we put our We actually
did put a garden over it.

Speaker 36 (01:09:51):
So we haven't disclosed that.

Speaker 7 (01:09:52):
Really, Okay, you have Gondia thought so it was the gravestone, right.
You guys didn't keep digging in fine bones or any
remnants of a body, did you.

Speaker 16 (01:10:02):
No, we just left it. Our garden was beautiful, really nice.

Speaker 5 (01:10:07):
You know, it's fertilized, all right. So so the question remains,
like what do you do? Do you just leave it,
leave your garden there and not disclose it. And like
I said, I don't know what the laws are because
in some states you have to disclose if someone was
murdered there, if someone die there. I know, I don't

(01:10:27):
know about burials, burial ground. I don't know, you know, but.

Speaker 10 (01:10:30):
But I wouldn't disturb anyether. I would have been like,
you stay right there and relax, thank you.

Speaker 5 (01:10:34):
I would move bid you would move because you're like
body in the background in the backyard.

Speaker 7 (01:10:40):
Why without a debt? Because I am one a giant chicken,
and I totally believe in all of these things. And
I've been told repeatedly that I have a lot of
strange spirits following me around already. I don't need more,
so I would just leave.

Speaker 10 (01:10:53):
I don't need more.

Speaker 5 (01:10:54):
Yeah, well, it's easier said than done. I mean, once
you buy a house, you can't just go, okay, really
buy and then drive down the road. You didn't stay
in the hotel like they do in Poltergeist.

Speaker 7 (01:11:02):
I've been watching a lot of forensic files. I have
ways to get rid of the house.

Speaker 5 (01:11:06):
Okay, thank you, Condy, I will tell you what. I
appreciate your your conversation, Beth. It's very interesting. So, had
had you known when you first saw this house bath
and you fell in love with it and you guys
decided to buy it, had you known there was someone
buried in the backyard, would you have continued to go
through closing.

Speaker 6 (01:11:26):
On the house?

Speaker 14 (01:11:29):
I think so.

Speaker 16 (01:11:30):
I mean, I'm somebody I'm really terrified of that stuff.
But you know, it was a convenient thing for us
at the time, so we did go. You know, we
would have ti gone through with it.

Speaker 6 (01:11:39):
There you go.

Speaker 4 (01:11:40):
I don't know.

Speaker 5 (01:11:40):
I find it kind of charming to have a little
burial ground on the premises.

Speaker 8 (01:11:44):
I don't know.

Speaker 4 (01:11:45):
Is it me anyway?

Speaker 14 (01:11:47):
That's interesting?

Speaker 6 (01:11:48):
Yeah, it could be me. I'm probably not alone. There's
other freaks.

Speaker 5 (01:11:51):
I mean, thank you so much, Beth and I have
a great day, and thank you for listening to us.

Speaker 16 (01:11:54):
You too, thank you.

Speaker 10 (01:11:56):
If you're getting a house at a really good price
and you know something doesn't seem right, because this how
should be more, I'd ask a lot of questions.

Speaker 5 (01:12:02):
Right, well, yeah, absolutely, and look, you know, you know me,
I would be willing to get a great house at
a great price because it has a ghost. But the
thing is is one day I might want to sell it.
And it's all about resale with me. It's very important
that if you can't, if you're buying a house you love,
can you sell it?

Speaker 9 (01:12:18):
Right?

Speaker 5 (01:12:19):
If you can't, you don't want to buy that house.
So I don't know the way it works is you
let's say you have one hundred people that would buy
your house unhaunted, but then you say it's haunted. Then
only thirty of those one hundred people said they would
buy it. So you would be able to sell it maybe,
but the pool of possible sales decreases, right, Sorry.

Speaker 6 (01:12:38):
That's the realtory.

Speaker 5 (01:12:39):
Your husband would know that, right, Yes, he would know
those answers, all right, So just real quick in a
few words, Danielle. Yes, no, haunted or murdered ghost.

Speaker 10 (01:12:48):
So murdered No, I would not want that haunted. Yes,
I am absolutely fine with as long as, like you said,
it's a friendly ghost. I feel like they were there first,
and you know, we could live there happily together.

Speaker 5 (01:12:58):
But listen to Gandhi's take on the murder thing. She
has a part two with the murder thing. Okay, first
of all, haunted ghost, yes, no, Gandhi.

Speaker 7 (01:13:04):
Friendly ghost okay, maybe not friendly ghost hell no.

Speaker 5 (01:13:09):
And I know but we know you, Gandhi. That friendly
ghost could get pissed off if you moved in, because
you're very.

Speaker 7 (01:13:13):
Unique, very very much, so we might not get along.

Speaker 4 (01:13:15):
What about the murder thing.

Speaker 7 (01:13:16):
Okay, it would depend on the situation surrounding the murder.
So if it was just a random oh my gosh,
this poor person was just murdered in their house and
it was awful, no, not a chance. But but if
it was a situation where maybe somebody wasn't being treated
well and they stood up for themselves and they killed
a person. I would find that to be good energy,
and I would move in.

Speaker 6 (01:13:37):
Wow.

Speaker 5 (01:13:38):
Yeah, okay, So let's say if Dexter sold his house,
you would move in.

Speaker 7 (01:13:42):
Oh on there, Yeah, for sure.

Speaker 6 (01:13:44):
He's killing people who did bad. Totally leave it to Gandhi.

Speaker 4 (01:13:50):
A lot would agree with you.

Speaker 6 (01:13:51):
I'm sure. What about you, Frog, Well.

Speaker 2 (01:13:53):
I've lived in a place where somebody was murdered, but
I would not live if it was haunted like ghosts. No, no, okay,
and it was.

Speaker 10 (01:14:00):
There's no haunting at the place where the murder took place.

Speaker 14 (01:14:02):
No.

Speaker 2 (01:14:02):
Well, what happened on is it was a doctor and
his wife and he were having issues, and so she
hired a hitman to kill him, and Lisa ended up
actually found out later she showed the hitman, the actual guys.
She showed them an apartment like it because they wanted
to see an apartment just like that to know what
to do. They came back and they and they killed him.

(01:14:24):
So we ended up living in that apartment.

Speaker 5 (01:14:25):
Oh wow, And you said you got a discount a
price because of that. Hey, it's scary.

Speaker 6 (01:14:29):
What about you murdered or ghost haunting.

Speaker 4 (01:14:31):
The movies have ruined it all for me.

Speaker 12 (01:14:33):
If there's any spirit whatsoever, any ghost, not a shot,
I'm going near it.

Speaker 4 (01:14:37):
I don't care how much it's on sale.

Speaker 6 (01:14:38):
Yeah, Nate, what about you?

Speaker 2 (01:14:40):
Eh this?

Speaker 4 (01:14:40):
I lived in a six floor walk up to save money.

Speaker 22 (01:14:42):
Of course I'll live if there's a murderer, a ghost murderer.

Speaker 6 (01:14:47):
Good, yea good good, All right, let's take it outside.
Line twenty two is Kathy, Kathy?

Speaker 4 (01:14:52):
Okay?

Speaker 6 (01:14:53):
Which one are you calling about?

Speaker 5 (01:14:55):
A house with a murder a house with a ghost,
But you saved money either way on the house.

Speaker 36 (01:15:02):
I guess if it's a friendly ghost, I would say
I texted them about I live in the house where
my grandmother passed away years ago, and I was scared
for the longest time to like go back in, And
now that I'm there, I think that it's comforting because
I feel like she's still there with me kind of.
But I also like, years ago, me and my friends

(01:15:24):
played with a Wiji board and a haunt tunnel near
where we live, and like you can feel the presence
if it's friendly or if it's a mean ghost, Like
there's a different feeling.

Speaker 5 (01:15:37):
Okay, talking to well, Kathy, let me ask you a question,
knowing what you know about what it's like living in
a house that has a presence, and you found another
house that you liked, but you found out there was
a presence there and you could get it at a
better deal. Would you now take advantage of that that
cheaper price because there's a ghost there or not?

Speaker 14 (01:15:56):
Yeah?

Speaker 36 (01:15:56):
I think I definitely would. I feel like if you
don't bother them, then they wouldn't bother you, like kind
of with what she was saying about the grave earlier,
as long as they didn't dig down farther, I don't
really think they would do anything to you there.

Speaker 5 (01:16:10):
You go, see, you have the experience now if you
have a good ghost, you're like, Okay, give me another
hunted house. If I can save somebody, I'm all right.
Thank you very much. You have a great day. Thanks
for listening to us. That was Kathy miya Is online twenty.

Speaker 14 (01:16:21):
Four Hello Mia, Hello Elvis.

Speaker 5 (01:16:25):
Would you buy a house where a murder was committed
and you could save money because of that murder?

Speaker 14 (01:16:33):
Of course, yes, if it meant I could buy my
dream house for a good price, I definitely would. One
I could live.

Speaker 13 (01:16:39):
In denial all day about the noises in the house.

Speaker 14 (01:16:41):
It's the wind is whatever. But also if one murder
already occurred there, there's no chance to it's gonna happen.

Speaker 5 (01:16:48):
No, I have not looked up the stats on repeat
murders in dwellings, so I don't know.

Speaker 14 (01:16:59):
It feels like lightning.

Speaker 13 (01:17:00):
It shouldn't strike twice.

Speaker 5 (01:17:01):
Okay, yes, but you could live with chains, you know,
being pulled across the ceiling up in the attic and
stuff like that.

Speaker 6 (01:17:08):
It's just you could explain it that a way.

Speaker 14 (01:17:10):
Okay, we can just ignore that, yeah, completely.

Speaker 5 (01:17:12):
Okay, So there you go. There's got to be some
murder houses out there you can get a great deal on.

Speaker 6 (01:17:17):
Good for you, Mia, We're happy for you.

Speaker 5 (01:17:18):
Yeah.

Speaker 14 (01:17:18):
Now I'm gonna start looking for them.

Speaker 8 (01:17:20):
Do it.

Speaker 6 (01:17:21):
They're out there waiting for you.

Speaker 4 (01:17:22):
Thank you, Mia.

Speaker 6 (01:17:23):
Line twenty is John Yes, John, Yes, Hi.

Speaker 2 (01:17:28):
So I'm done.

Speaker 27 (01:17:33):
Show.

Speaker 28 (01:17:35):
So we're currently in process of buying a house that
actually has grave plots on it, okay, and we're closing
on Friday, right, And it was disclosed to us that
the plots, that the previous owners knew about the plots,
and that the plots are not to be removed by them. Yeah,

(01:18:00):
so I believe that the plots are kind of deep
into the woods. I think they've been there for probably
like one hundred years. It was probably the it's farmland basically,
that what we were buying. And the house was only
built twenty years ago. So to me, buying a house
with plots on it doesn't seem to bother me. You know,
I don't want past relatives to come visit their their

(01:18:23):
dead relatives, right, you know what I'm saying.

Speaker 5 (01:18:25):
Yeah, I get that, But as far as anything you know,
supernatural or whatever, I mean, you're not concerned about that
at all.

Speaker 32 (01:18:32):
I'm high I'm actually not concerned about it because I say,
one like, the house was built only twenty years ago,
so I don't think the homeowners were buried there from
twenty years ago. I kind of doubt that these people
that were buying some of us have been there for
sixteen years and so they love it, and I think
they're just looking for a change. For me, I can't
wait to explore the property and kind of learn a

(01:18:54):
little history of the town.

Speaker 8 (01:18:55):
Wow, that's what I.

Speaker 5 (01:18:57):
Would find nipple hardening intrigues. Let's say, let's say, even
though most of them are protected. Let's say you lived
on a Civil War battlefield, you know what I'm saying,
or something like that, where you know, a lot of
people lost their lives.

Speaker 6 (01:19:13):
That thing is steeping in history, you know.

Speaker 5 (01:19:15):
And or there are people buried there from a family
from the seventeen hundred to whatever. I think that there
is a lot of historical significance there that would that
would make it interesting. And I bet there's a pool
of people out there that would want to pay for that,
you know, they would want to live on that kind
of property.

Speaker 28 (01:19:30):
I would love it, absolutely.

Speaker 32 (01:19:32):
Absolutely.

Speaker 28 (01:19:32):
We're dying to get into the house. I mean, we
can't wait.

Speaker 5 (01:19:35):
Well, there are a lot of people are ying to get
it on that property. Yes, Hi, John, Thank you very much, man,
thanks for listening.

Speaker 8 (01:19:41):
Hey.

Speaker 4 (01:19:42):
You know, we actually got a text from someone a
moment ago.

Speaker 5 (01:19:45):
They run a company that does cleanup murder scene cleanup,
and they said that as they were actually cleaning the
property where the murder had occurred, people were knocking at
the door asking if it was already for sale.

Speaker 6 (01:19:59):
Well, wow, I would assume.

Speaker 5 (01:20:02):
If if a murder happens at a property, everyone in
the neighborhood knows about it. You know, after time, people
are going to forget, you know, so maybe so you
don't have to ask for a reduced price after time.
But if it's the day after, ye you can have
it right, Take it right? Any other thoughts any before
we move on. I think it's fascinating.

Speaker 10 (01:20:22):
Those companies that clean up that stuff. They don't even
ask questions. They just show up and they do that
job and it's it.

Speaker 7 (01:20:28):
Can't how gross that has to be.

Speaker 5 (01:20:30):
Sometimes, Well, talk to the lady who helps me clean
this place the story she could tell.

Speaker 6 (01:20:36):
Yes, Gary, I heard that.

Speaker 12 (01:20:37):
If you touch the bones, then that's when they come
after you.

Speaker 4 (01:20:41):
Okay, where did you hear? Where did you hear this?
If you don't disturb the bones?

Speaker 21 (01:20:46):
No?

Speaker 5 (01:20:46):
No, no, no, no, where did you hear where? What
credible source did you get this from?

Speaker 27 (01:20:51):
From?

Speaker 8 (01:20:51):
People?

Speaker 4 (01:20:52):
Mama? Text? Actually? So someone texted it.

Speaker 12 (01:20:54):
Okay, I heard it from actually someone who tried to
exhume something, a body or whatever. The do not touch
it because they will they will want you forever. Imagine
if your skeletal remains were sitting there, Elvis, and I
just and I disturbed your bones and I started moving
your bones.

Speaker 5 (01:21:08):
Scary you do it every morning. You disturbed my bones
every single morning.

Speaker 4 (01:21:12):
I'm just saying I wouldn't mess with the bone.

Speaker 6 (01:21:14):
Oh wait, no, no, no, no, scary.

Speaker 5 (01:21:15):
I want to go back to this credible source you're
talking about it. Think I'm calling bs on what you're
saying right now?

Speaker 4 (01:21:20):
What do you talk so you don't think it's possible?

Speaker 6 (01:21:22):
Scary? My question to you is what credible source did
you get this from?

Speaker 4 (01:21:26):
I Discovery? It was about super What was the ghost
Hunting show?

Speaker 5 (01:21:32):
Okay, they made a point, they said, ghost hunters, they
need to say it was someone you knew.

Speaker 6 (01:21:36):
Now you're saying it.

Speaker 4 (01:21:37):
Was somebody else. Back that up.

Speaker 2 (01:21:41):
They tried to.

Speaker 7 (01:21:43):
Wait, how do you like zoom a body and not
touch the bone?

Speaker 12 (01:21:46):
You're not supposed to because then after that you're haunted
forever they come after you.

Speaker 6 (01:21:50):
I don't, well, you know what, I guess there is
a theory.

Speaker 5 (01:21:55):
If you watched poulter Geist, Josh, you know they're you know,
they're resting peacefully, they're resting in peace.

Speaker 4 (01:22:02):
They're rip ing down there.

Speaker 12 (01:22:04):
The house Elvis and he said that he's gonna move
the green plots.

Speaker 4 (01:22:07):
You don't want to do that. I know.

Speaker 6 (01:22:08):
I'm just trying to get to your credible source that
you said was so credible.

Speaker 4 (01:22:11):
I got my TV source and a story I heard from.

Speaker 6 (01:22:14):
Someone from Okay, Nick Cousin's friend with a big ball. Yeah, Froggy,
what's up?

Speaker 2 (01:22:21):
Oh no. So when we first got into that apartment
where the person was murdered, that's what Lisa worked for
the community, and she told them you're never going to
be able to rent that. It was in every news story,
it was in town. So they let us live there
for half and they replaced everything because it was a
big mess there. So everything was it was like brand
new inside, and we lived there for half price for

(01:22:41):
a while, and then after that, You're right, it kind
of died down. Nobody talked about it anymore, and then
it went back to being a normal apartment again.

Speaker 4 (01:22:48):
Scary.

Speaker 6 (01:22:48):
I found your credible source this text. I agree with, Scary.

Speaker 5 (01:22:51):
There was a movie with Snoop Dogg called Bones, and
a guy in the movie touched the bones of Snoop
Dogg and it came alive.

Speaker 4 (01:22:57):
Facts.

Speaker 5 (01:22:58):
That's it all right, See, I'm just looking for it's
science and it's factual.

Speaker 10 (01:23:03):
Yes, it's funny.

Speaker 6 (01:23:08):
Hard from a friend, incredible show to something you heard.
I love that. This is why we're in the trouble.
We're in ladies and gentlemen.

Speaker 4 (01:23:17):
Scared.

Speaker 6 (01:23:19):
All right, I tell you what that was great.

Speaker 5 (01:23:22):
Keep in mind in real estate, if you buy it,
make sure you can sell it with no problem.

Speaker 6 (01:23:26):
That's then you're on your own. Figure it out.

Speaker 1 (01:23:36):
Elvister Rand in the Morning Show.

Speaker 6 (01:23:41):
Hey, Froggy, is Lisa in the studio?

Speaker 2 (01:23:44):
Yes, she's here.

Speaker 11 (01:23:46):
Hi.

Speaker 5 (01:23:47):
Okay, So you guys are about to hit the road
for vacation. It's gonna be froggy Lisa and Cayden. You're uh,
and you have a beautiful trip plan. You don't have
to go into the details if you don't want. But
the trip they had planned is a road trip. Great,
great idea. You really thought it through. It sounds like
a lot of fun.

Speaker 2 (01:24:03):
It's three The first drive is three hours, and we're
there for a couple of days, and we drive for
two hours. We're there for a couple of days and
two more hours. So there's no road trip longer. There's
no time longer than.

Speaker 5 (01:24:14):
About three hours, right, perfect, So you put it all together, Lisa,
you must be so excited.

Speaker 20 (01:24:22):
Yeah, and with that three hours, thank god, it's not longer,
because I don't think we could be in the bar
together that long.

Speaker 5 (01:24:29):
Yes, three hours I got up for a road trip.
Three hours is very very short trip in my.

Speaker 6 (01:24:37):
Two day trips.

Speaker 5 (01:24:38):
Okay, well, so, so Froggy, where were you when you
learned that Lisa had penned a list of rules for
the road trip?

Speaker 2 (01:24:46):
I was actually firming up one of our hotels stays.
So we booked a VRBO in one place, and then
the other places we booked a hotel. And so I
was firming up one of the hotels and doing doing
some research on what time we needed to leave to
go to the next place and check in. And she says, oh,
by the way, there are some road trip driving rules
that I want to go over with you.

Speaker 5 (01:25:07):
Okay, Lisa, So what sparked the need to come up
with a posted set of rules. I'm assuming that you
you're going to post them in the car somewhere, like
on the on the door of the window.

Speaker 9 (01:25:19):
What are you doing on his windshield? No?

Speaker 20 (01:25:22):
He just we usually end up fighting long distance, not
surprise there, but we just need to We just need
to agree on things because I don't want to argue.
We haven't done a road trip in a long time,
and I don't want to ruin this vacation ahead of time.
And he's the type that needs a little bit of rules.

Speaker 2 (01:25:36):
And I've driven all over the place and never had
a problem.

Speaker 9 (01:25:40):
Ra Oh my god.

Speaker 4 (01:25:42):
Wait, could when you just discuss them?

Speaker 5 (01:25:43):
And does it have to be in a list form
like bullet points or getting down him?

Speaker 4 (01:25:49):
Sign it?

Speaker 10 (01:25:50):
Yeah?

Speaker 9 (01:25:51):
Have you met him?

Speaker 2 (01:25:53):
Okay, ridiculous. You guys want to do.

Speaker 4 (01:25:55):
We want to hear the rules.

Speaker 6 (01:25:56):
Guys, you want to hear the rules. It's time for
road trip rules. Okay, here we go.

Speaker 30 (01:26:06):
One.

Speaker 4 (01:26:07):
You should read those.

Speaker 20 (01:26:08):
Yeah, rules number rule number one you cannot drive the
max is eight miles over the speed limit and you're
not racing the ways.

Speaker 4 (01:26:16):
App hold on.

Speaker 2 (01:26:20):
That when you kill it says you're gonna get there
at four oh five. No, bitch, we're getting there at
three forty five. Like trust me. It's wow.

Speaker 7 (01:26:30):
Well, you guys are nuts.

Speaker 5 (01:26:33):
Okay, so you're on a road trip. I'm thinking you
it's time to relax. Don't you think speeding kind of
kind of makes makes it a little more tense?

Speaker 2 (01:26:43):
Yes, No, we get there sooner to have more fun.
There's more family time if we get there sooner.

Speaker 9 (01:26:48):
No, not like that.

Speaker 4 (01:26:50):
The journey.

Speaker 6 (01:26:50):
The journey is the fun, isn't it.

Speaker 8 (01:26:52):
Isn't it fun?

Speaker 4 (01:26:53):
Just being on the ride.

Speaker 2 (01:26:55):
We get to it's called a destination.

Speaker 9 (01:26:58):
That's that.

Speaker 7 (01:26:58):
Oh, it's about the journey.

Speaker 9 (01:27:00):
It's the journey, right.

Speaker 6 (01:27:01):
So why eight miles over the speed limit? What's your
philosophy there, Lisa?

Speaker 1 (01:27:04):
Right?

Speaker 20 (01:27:05):
Figured in case he gets caught and at least it's
not ten fifteen miles over. And I don't he doesn't
need to go any faster. He's if you want to
put his life in danger. So be it when you're
in the car alone, honey, not with us.

Speaker 6 (01:27:17):
Oh that's nice, all right, good, So no speeding. I'll
be honest.

Speaker 5 (01:27:22):
If I'm in the car with someone who is speeding,
I get nervous and I can't enjoy the time. So
it's not all about you, Froggy, you know, Lisa, it's
a little intense. And when you're speeding and you know,
being aggressive and you're driving, all right, what's rule number two?

Speaker 9 (01:27:35):
Aggressive? He's correct, no tailgating.

Speaker 2 (01:27:38):
How's the person want to be able to know they
need to move over?

Speaker 7 (01:27:41):
Sess in the lift, He's not really you are.

Speaker 2 (01:27:45):
The world, well know, that they're going too slow. If
I don't kind of, you know, give them a little nut.

Speaker 20 (01:27:50):
Flashing lights, throwing fingers.

Speaker 6 (01:27:52):
You know you do use the flashlights.

Speaker 2 (01:27:55):
Well, you know what, I will ride behind you first
period of time, and then that point I'm like, hey, listen,
sometimes you just need a little subtle nuts.

Speaker 10 (01:28:03):
Oh my gosh, you're that jackass that I hate so
much on the.

Speaker 2 (01:28:07):
Road and you're the jackass riding in the left lane
going slow.

Speaker 6 (01:28:10):
Oh do you know what?

Speaker 4 (01:28:11):
We all ask? Okay, well, okay, thank you.

Speaker 5 (01:28:14):
We all agree that, you know, the left lane is
for passing, and you shouldn't be in that lane. If
people want to go faster than you. We all agree,
don't be that person. Then that's just tacky, all right.
But on the other hand, when if I'm in the
car with Alex and he's tailgating someone, it makes me,
it makes.

Speaker 6 (01:28:31):
My blood boil. I get all tense and crazy.

Speaker 5 (01:28:34):
To keep in mind, you're on a vacation, okay, you're okay, okay,
three phone.

Speaker 6 (01:28:40):
News, Well, hold on, what's that? What's that? What's that?

Speaker 4 (01:28:42):
Gandhi?

Speaker 7 (01:28:43):
So far, all of the things that Froggy has said
and all of the problems Lisa has with him are
typical behaviors of people who drive pickup trucks. And I
know Froggy has a pickup.

Speaker 6 (01:28:54):
Okay, next, actually you know gandhi to that point, this
is just use.

Speaker 5 (01:29:00):
Women who drive minivans drive like this. They're always like,
ride up your body today.

Speaker 9 (01:29:06):
Okay, they're crazy.

Speaker 7 (01:29:08):
Oh my god.

Speaker 20 (01:29:12):
No phone use in the car, especially to change the songs.

Speaker 2 (01:29:17):
How are we going to have I'm the DJ in
the car I'm driving, and the.

Speaker 10 (01:29:20):
DJ passengers the DJJ.

Speaker 5 (01:29:28):
No, we listened to eighties music, Froggy, you really have
You do have control issues in your car. We are
definitely seeing a pattern here.

Speaker 2 (01:29:35):
All right, voice text, I'll be like, hey, s I
R I play whatever like I'll I need to be
able to control the song and in my mind when
I'm listening to one song, I got it the next
song coming up in my mind.

Speaker 20 (01:29:46):
No, it's oh you got to hear this new song
and you got to search for it while you're driving.

Speaker 5 (01:29:51):
Lisa, Why don't you just take it into the car
and meet him there?

Speaker 4 (01:29:57):
All right? Okay, next real, next rule.

Speaker 9 (01:29:59):
Well we'll just go in to the sharing the radio
and the music.

Speaker 2 (01:30:02):
No, when I'm the driver, I'm the DJ.

Speaker 9 (01:30:04):
I think that's ridiculous.

Speaker 6 (01:30:05):
Way all right, I was one.

Speaker 2 (01:30:07):
You agree, if you're driving, you're the DJ.

Speaker 5 (01:30:10):
No, No, I think only a holes have that philosophy.
Oh look, Rody's just said the same thing. The drive,
the driver picks the music. No, it's more than you.
It's more than you in the car. No, it's everyone's experience.
No right, no, Brody, let's go back to your kitchen.

Speaker 9 (01:30:26):
The next one.

Speaker 20 (01:30:27):
Stopping for food and restroom is a must if needed.

Speaker 2 (01:30:32):
Okay, hold on a second, it's a three hour road trip.
Go to the bathroom before we leave. You don't have
to go again in three hours. And grab a snack.
We have plenty of snacks. Bring them in the car,
and we'll be there in three hours. And then we're
telling me to take us three hours because GPS says
three hours. We're gonna make it in two thirty five.

Speaker 32 (01:30:48):
Okay.

Speaker 10 (01:30:49):
Your wife give birth to two children, and so sometimes
you can't hold it for three hours. I'm sorry. Sometimes
the pape down there are a little more stretched out
than other things.

Speaker 2 (01:30:58):
So you can get plumbing fix. Then you get your
old plumbing fix, because we got we got we.

Speaker 5 (01:31:04):
Got pa to be froggy you are You are turning
into a grumpy old man.

Speaker 2 (01:31:09):
I'm having almost as you're almost as bad as Brodie.
All right, go ahead, okay, Next.

Speaker 9 (01:31:16):
No pictures of me with my mouth open if I
fall asleep.

Speaker 7 (01:31:21):
Yeah, that's a good rule.

Speaker 2 (01:31:25):
Don't fall asleep if you fall asleep in the car.
I have the right to take pictures off you sleep
and and like put stuff in your mouth and stuff like.

Speaker 5 (01:31:31):
That when you're taking pictures with your phone while you're
driving ninety.

Speaker 8 (01:31:35):
Miles an hour.

Speaker 30 (01:31:43):
And no.

Speaker 9 (01:31:43):
Next is no yelling at other drivers.

Speaker 2 (01:31:47):
But if you don't tell them that, okay, hold on
a second. If you don't tell somebody that they're doing
something wrong, they won't know. So I'm saving other people
on the road when I give them like that. Come on, man,
you got to move over and get out of the way,
like the next guy behind me won't have to do it.
I'm doing a service.

Speaker 9 (01:32:01):
And you ask questions like why did you get in
this lane? Why would you do that? Why you don't
care what you're saying? Nobody can.

Speaker 5 (01:32:11):
I love this text, this text that just came through
drivers like Foggy, make Karen call the cops on your ass.

Speaker 6 (01:32:17):
And then I have to go look for your Bluesiday and.

Speaker 5 (01:32:19):
Driving aggressively or it'll make He'll make He'll Billy Hank
pull a gun on you.

Speaker 6 (01:32:24):
Now, I have a menacing Casey Hobby.

Speaker 5 (01:32:27):
Drives like a jackass all the time, and I tell
him this is how we're all going to get shot,
because if people drive like you, Froggy, It's true.

Speaker 2 (01:32:33):
There's one final rule, and this is the worst rule
of all, last but not least.

Speaker 9 (01:32:38):
No farting in the car and rolling up the windows, jackass.

Speaker 2 (01:32:42):
Why that's what I do. So I'll wait and kind
of just hold them in and then I'll just blow
out a big one and then hit the window locks
and nobody can roll the windows down.

Speaker 7 (01:32:53):
You like, that's so gassing someone or something.

Speaker 2 (01:32:57):
Like a Dutch oven in the car?

Speaker 4 (01:32:59):
Oh?

Speaker 5 (01:33:01):
Is that the r Is that the list with the rule?
Let's see what people are saying. Line twenty four is Alyssa.

Speaker 6 (01:33:10):
Hey, Alyssa, Hi, Alissa. So you heard the list, the
Lisa's road rules list.

Speaker 4 (01:33:17):
What do you think about that?

Speaker 16 (01:33:19):
I'm sorry, Lisa about Robbie. You are my spirit animal.

Speaker 10 (01:33:23):
I would hate to have that list right?

Speaker 2 (01:33:27):
Why not all of them?

Speaker 8 (01:33:28):
The car?

Speaker 6 (01:33:29):
I mean, are you a car farer alyssa?

Speaker 4 (01:33:30):
Do you like gas everyone else when you're driving.

Speaker 16 (01:33:33):
That's the only one that I'll agree with Lisa with.
But the rest, like, if you're in that left wing,
either speed up or get.

Speaker 7 (01:33:39):
Out of the way.

Speaker 5 (01:33:40):
The music.

Speaker 13 (01:33:41):
If I'm driving, I'm the DJ. If you want to
drive with me, you're going to listen to my music
in the ways.

Speaker 15 (01:33:46):
Absolutely, that is.

Speaker 29 (01:33:48):
That is a challenge.

Speaker 16 (01:33:49):
I want to get there earlier than what the waves
says I'm going to get there.

Speaker 2 (01:33:52):
We would have a great road trip together.

Speaker 13 (01:33:55):
Yeah.

Speaker 6 (01:33:58):
Connection.

Speaker 5 (01:34:00):
Look, I have to agree people who are jackasses and
they're driving too slowly in the in the passing lane,
I get it.

Speaker 6 (01:34:06):
But but but pulling up to their bumper is dangerous.

Speaker 4 (01:34:10):
It's it's not good, you know, you know.

Speaker 6 (01:34:16):
Oh my god, Yeah, look at that.

Speaker 5 (01:34:19):
You're so aggressus. All right, well, thank you so much
for your call. What is this you just posted in
our room here?

Speaker 6 (01:34:24):
Gandhi.

Speaker 7 (01:34:26):
Oh, there's actually a layout of what each person is
supposed to be doing in the car. So the driver
drives folk, the driver focuses on the road, drives and
tries not to kill us shotgun. So that would be
the passenger. You're supposed to stay awake, have the mad
DJ skills, and navigate. The backseat is supposed to be
the snack distributor in chief, Remind people in the front

(01:34:48):
seat that bathrooms exist, and nap like a boss. That
is the official ruling of holies in the car.

Speaker 10 (01:34:54):
So Vaci.

Speaker 2 (01:35:00):
Music. We will be listening to like Stevie b and
like it'll be terrible music. No, I have an accident
just to stop the music.

Speaker 23 (01:35:08):
No.

Speaker 6 (01:35:08):
But but I'm sure she thinks some of your music's awful.

Speaker 2 (01:35:12):
Listen to country tunes the whole time.

Speaker 5 (01:35:14):
Well, I'll tell you what, Lisa. A lot of people
are a lot of people are agreeing with Froggy here,
So you know I'm not I. I happen to fall
on Lisa's side on most of these most now.

Speaker 10 (01:35:26):
Agrees with Froggy.

Speaker 9 (01:35:27):
Hi know, man, that's crazy.

Speaker 6 (01:35:29):
Now A lot of people know, a lot of people.

Speaker 10 (01:35:31):
Wow.

Speaker 6 (01:35:31):
Absolutely Anyway, Thank you, Lisa, God help you you have.
I can't believe you're doing all of this for a
three hour drive.

Speaker 9 (01:35:42):
There and back. Don't forget we have to come home.

Speaker 5 (01:35:47):
This text message says I would throw his ass out
of a moving card at Lisa is a saint.

Speaker 6 (01:35:53):
There you have it, but a lot of people say, yeah,
they love your Froggy.

Speaker 5 (01:35:57):
Our friend Tommy de Dario hosts I've never said this before.
It's a podcast where he interviews our favorite actress and artists.

Speaker 6 (01:36:05):
Tommy who's on the podcast this week?

Speaker 37 (01:36:07):
Hey, Elvis, I have actor Lucas Bravo on the show,
who is currently starring in the fourth season of Emily
in Paris. He is opening up about if his character
should have a happily ever apter with Emily.

Speaker 2 (01:36:17):
You do not want to miss it.

Speaker 5 (01:36:19):
I've never said this before. New episodes every Tuesday. Listen
on the iHeartRadio app or wherever you get your podcasts.

Speaker 1 (01:36:28):
Elvis Dan, Elvis Duran and the Morning Show.

Speaker 6 (01:36:32):
All Right, I'm gonna bring this up, and I know
I can already predict what Gandhi's gonna say.

Speaker 5 (01:36:36):
Oh okay, Americans have turned to comfort food, and of
course nothing's more comforting than a big old vat of
ice cream.

Speaker 6 (01:36:45):
Do we all agree?

Speaker 2 (01:36:46):
Well?

Speaker 7 (01:36:46):
Yeah, absolutely.

Speaker 6 (01:36:48):
According to Hoggendaws, the number one flavor was vanilla.

Speaker 7 (01:36:54):
How is this possible? This has to be flawed?

Speaker 6 (01:36:56):
Data and coffee and strawberry two two and three chocolate
was not in the top three of courding.

Speaker 7 (01:37:02):
What this is nonsensical?

Speaker 5 (01:37:04):
Why is this nonsensical? Why can't you wrap your head
around the fact that vanilla is a flavor.

Speaker 7 (01:37:09):
I know it's a flavor. I just think it's the
worst of the flavors. I think that the reason that
this is popping this way is because everybody buys vanilla
to go with something else, so it probably spikes the sale.
So like you have vanilla ice cream with pumpkin pie.
Even though Nate did say yesterday vanilla's his.

Speaker 5 (01:37:25):
Favorite, it is vanilla is a flavor. And secondly, people
do like vanilla. You know, everyone's as well. I've been
known to stick my spoon in a vat of vanilla,
if you know what I'm saying.

Speaker 10 (01:37:34):
But even vanilla, Like when something's boring, you say, oh,
that's so vanilla.

Speaker 5 (01:37:39):
Yeah, whoever started that is doing such a disservice for vanilla.
Do you even know how they harvest vanilla beans? No,
it's a major, major production in the countries that do it.
I mean it's a huge operation where they have men
and with machine guns standing around to guard the vanilla beans.
It's a huge thing. You know, you think diamonds are

(01:38:02):
dangerous and people are diamonds, you know, blood, blood diamonds.

Speaker 6 (01:38:05):
We're talking about blood vanilla.

Speaker 7 (01:38:09):
All the more reason to cancel a flavor, get rid
of it, same people.

Speaker 2 (01:38:12):
You're right, Elvis.

Speaker 22 (01:38:14):
There's some very very very good, different little flavors of vanilla.
Heather is a flavors for you know, liquor company, and
she let me smell this Mada gascar.

Speaker 4 (01:38:25):
Oh my god, Like I would just open the gar
and smell it a case. Ye It just smells so good.

Speaker 10 (01:38:30):
And some vanilla ice cream is better than others.

Speaker 7 (01:38:32):
It's just so absolutely creamy.

Speaker 2 (01:38:34):
Yeh.

Speaker 6 (01:38:34):
But then you have the gandhis of the world is vanilla.

Speaker 7 (01:38:38):
Yes, I don't like it. I just want people, if
you have a choice of all of these different flavors,
I just want people to venture out and explore something lovely.
Vanilla is always going to be thereoring.

Speaker 6 (01:38:48):
You don't have to commit to one flavor and that's
the only one you eat.

Speaker 5 (01:38:51):
It's okay to have a variety, a buffet of flavors,
but vanilla needs to be on there for many people.
It's number one selling in the country for many reasons,
and one of the reasons is people like it.

Speaker 7 (01:39:01):
With other things.

Speaker 6 (01:39:02):
I think Gandhi, if I was there, I.

Speaker 12 (01:39:04):
Would I would whack your peepe. What's scary? Come to
think of it, I think you guys are onto something.
Not only is vanilla a flavor, but there are flavors
within flavors, like Tahitian vanilla.

Speaker 4 (01:39:17):
Have you had that? This not a gascar and Tahitian
is vanilla?

Speaker 5 (01:39:21):
They just said, they just said that, even say Tahitian
he said, not a Gascar.

Speaker 6 (01:39:26):
Well, I know, but I mean he actually brought the
point up that there was something better than others. I
know he did. I'm that I'm on that blust.

Speaker 5 (01:39:34):
This is what we call redundancy. Anyway, Dale in line two, Uh,
let's go talk to Dale. Hello, Dale, what's going on?

Speaker 13 (01:39:43):
How's it going, guys?

Speaker 21 (01:39:44):
Dale?

Speaker 6 (01:39:45):
We're okay? Vanilla go okay.

Speaker 27 (01:39:48):
So I used to love vanilla as a kid, but
as an adult, I've realized how boring vanilla is. Chocolate
is the far superior flavor.

Speaker 7 (01:39:57):
Oh yeah, far superior.

Speaker 27 (01:40:00):
I absolutely I had to throw that out there.

Speaker 2 (01:40:03):
I've heard this conversation many times on the radio with
you guys, and I just had to put my opinion out.

Speaker 6 (01:40:07):
There in that a shame that this is our go
to conversation.

Speaker 10 (01:40:11):
I love this, but I mean.

Speaker 27 (01:40:13):
It's ice cream, So who doesn't like talking about ice cream?

Speaker 7 (01:40:16):
Right, I'm right, and I will eat it if there's
nothing else around. For sure that vanilla's gonna get got.
But if I had to pick, it's not gonna be
the vanilla.

Speaker 2 (01:40:24):
Well, no, me neither.

Speaker 27 (01:40:25):
It would be chocolate.

Speaker 4 (01:40:26):
Yeah.

Speaker 6 (01:40:29):
See, chocolate's a whole o the world.

Speaker 5 (01:40:31):
And you know, and you cannot disagree with the fact
that there are so many different flavors and components of
flavor in different chocolates. I agree, but you know what
I'm just saying for those who are poo pooing all
over vanilla, shame, shame, shame.

Speaker 14 (01:40:44):
What about combo?

Speaker 10 (01:40:45):
You know when you go to get the soft serve
and they say do you want both? And they do
the swirl and ye on chocolate mix.

Speaker 27 (01:40:51):
Yeah, I will choose the swirl as well, however you
want to deliver it. I'm with you.

Speaker 4 (01:40:56):
I'm backing you up.

Speaker 5 (01:40:57):
Thank you for calling. I appreciate it and I have
a great dale. Yeah, Froggy, what's up? I don't want
to start a fight, but I also knows that means
we're about to start a fight.

Speaker 2 (01:41:07):
Yes, birthday cake is a flavor or funfetti, It is
a flavor. No, it's my favorite.

Speaker 7 (01:41:12):
Yes, funfetti is a flavor. Birthday cake is not a flavor.

Speaker 6 (01:41:15):
Birthday birthday cake has turned into a flavor.

Speaker 7 (01:41:18):
Yeah right, they made it one. But just the term
birthday cake like that could be any kind of cake.
It could be a chocolate cake, vanilla cake, redch velvet,
all kinds of stuff. But funfetti is specific.

Speaker 4 (01:41:27):
You do have a point.

Speaker 5 (01:41:28):
But if you order birthday cake flavored ice cream, you
pretty much know it's that flavor.

Speaker 2 (01:41:33):
Of right, and it's good.

Speaker 10 (01:41:36):
Sprinkles where.

Speaker 8 (01:41:39):
Right?

Speaker 5 (01:41:39):
So John knows, you know, for those of us who
are criticizing the vanilla bean, and you know, John, I
told them vanilla beans it's a dangerous, dangerous business.

Speaker 6 (01:41:49):
Right, But you grow vanilla beans. Talk about how difficult
it is, Good morning.

Speaker 33 (01:41:54):
I do. I grow them, and they are incredibly testy
to get to do anything other than just be a behe.

Speaker 6 (01:42:01):
Right, it's true.

Speaker 2 (01:42:03):
I mean, so, I mean they're.

Speaker 33 (01:42:05):
Growing an orchid from Madagascar is the one that I have,
and it's taken about four years and I've gotten two beans.

Speaker 2 (01:42:11):
So far there you go.

Speaker 8 (01:42:14):
Wow?

Speaker 5 (01:42:14):
Yeah, do you have to guard your two beans with
a machine gun and machines? And tell me if people
they're gonna steal those, they're gonna pop them out of
your yard.

Speaker 6 (01:42:22):
And you're done. Your vanilla bean production is done.

Speaker 10 (01:42:25):
How can how much can you do with two beans?

Speaker 23 (01:42:27):
Like?

Speaker 10 (01:42:27):
Can you do anything?

Speaker 26 (01:42:28):
Oh?

Speaker 25 (01:42:29):
About?

Speaker 33 (01:42:30):
Two beans will make about two cups of pure vanilla extracts?

Speaker 4 (01:42:34):
Really that much?

Speaker 7 (01:42:35):
Wow? How does that happen?

Speaker 33 (01:42:37):
That's how I make it. I take it and I
cut up my beans and I let them steep and
pure green alcohol for about a year and it makes
the most delicious.

Speaker 6 (01:42:46):
That is beautiful. Oh my god.

Speaker 27 (01:42:49):
All right, John, I love I love you guys so much.

Speaker 33 (01:42:52):
Thank you so much.

Speaker 6 (01:42:53):
No, thank you for calling. And good luck with your beans,
both of them. Yeah, have a great day.

Speaker 4 (01:42:59):
Ja.

Speaker 5 (01:43:00):
Phil in line thirteen has a vanilla conspiracy he wishes
to share. We love a good conspiracy. We have them
swirling around us daily in our lives and now the
vanilla conspiracy.

Speaker 6 (01:43:10):
Hi, Phil, welcome to the show.

Speaker 27 (01:43:11):
What are you doing, good, Walley, How are you guys
doing today?

Speaker 5 (01:43:14):
I'm loving the energy. We got great energy on the
phones today. Okay, Phil tell me about your vanilla conspiracy.

Speaker 13 (01:43:20):
Okay, do you know vanilla is really made of chocolate,
because what they do when vanilla, when they make vanilla
into chocolate and chalk into vanilla.

Speaker 2 (01:43:28):
They use vanilla.

Speaker 21 (01:43:30):
If you look at it and read it, and what
they says to the ingredient, it says vanilla. Well, what
kind of chocolate chocolate?

Speaker 6 (01:43:37):
What kind of chocolate are you talking about though?

Speaker 27 (01:43:40):
Any kind of chocolate, regular chocolate.

Speaker 16 (01:43:42):
When they make chocolate ice cream, they have vanilla and
ay pochorplate syrup and all the chemicals from vanilla to
make chalkolate.

Speaker 6 (01:43:50):
Right, And I think it depends on which chocolate you're
talking they do.

Speaker 5 (01:43:53):
They use a vanilla bass flavor and then they add
the chocolate to it, the cocoa or whatever it is, right,
the cocow correct.

Speaker 8 (01:43:59):
It's so.

Speaker 23 (01:44:02):
Really technically eating vanilla and chocolate.

Speaker 6 (01:44:06):
All right, Well, perfect, I appreciate it.

Speaker 10 (01:44:09):
Everything starts off vanilla exactly that.

Speaker 6 (01:44:12):
We all when we were born, we were vanilla, let's
be honest.

Speaker 4 (01:44:16):
And then we started.

Speaker 2 (01:44:22):
When you were born.

Speaker 7 (01:44:22):
I think that was a nice sha. Chocolate or caramel, yeah,
or caramel either one?

Speaker 5 (01:44:27):
All right, thank you, Phil, have a great day. Okay,
thanks for listening to us. Yeah, scary.

Speaker 4 (01:44:32):
I will say this though.

Speaker 12 (01:44:33):
I don't like when they said, oh, would you like
a vanilla shake or chocolate shake? And all the chocolate
shake is just chocolate syrup and vanilla ice cream.

Speaker 4 (01:44:41):
That's chocolate shake. That's a black and white.

Speaker 10 (01:44:44):
Okay, oh shake shack, black and white.

Speaker 4 (01:44:50):
Chocolate ice cream and your chocolate shakes.

Speaker 10 (01:44:53):
Oh, I want shakeshack for lunch now completely.

Speaker 4 (01:44:56):
I don't know.

Speaker 5 (01:44:56):
You know, my years at Basking Robins, if someone came
in and ordered quit shake made with vanill ice cream,
I would not argue.

Speaker 6 (01:45:02):
I would just do it for them.

Speaker 4 (01:45:03):
No, But if I wanted a chocolate shake, I expect
chocolate ice cream, chocolate syrup. You don't just try and
sneak one to me.

Speaker 28 (01:45:10):
Wait.

Speaker 10 (01:45:10):
Can you imagine working at one of these places and
someone walks in and order something and you go, dude
and I you don't want to that's crap. Let me
give you something else, can make them some milk.

Speaker 7 (01:45:20):
My war picture are scary, like the milkshakes are just
leaning over making sure that you put the right scoop
in there.

Speaker 4 (01:45:26):
Stop.

Speaker 6 (01:45:27):
Oh yeah, all right, Elvis.

Speaker 1 (01:45:30):
Duran who wonpie Web. Maybe you'll calm down a little
and the morning show.

Speaker 5 (01:45:47):
Come on, Wake Up, Wake Up, Elvis Duran in the
morning soon and of course Danielle Gandhi.

Speaker 4 (01:45:52):
We talked for a living.

Speaker 6 (01:45:54):
Yeah, yes, four hours a day were blah blah blah
blah blah.

Speaker 5 (01:45:58):
One day, I would love to one of our shows
back in its entirety and count the number of words
that are just wasted words.

Speaker 7 (01:46:05):
Oh, there's well from us or from other people around us.

Speaker 5 (01:46:08):
From us, well, no, don't even start with the people
around us are even worse. But but for instance, you know,
we can get away with saying things that just don't
need to be said. Yeah, for instance, Alex says this thing.
We'll be walking down the street and he'll stop and
he'll hit me on the arm and go hey, and
I'll stop it what And He'll he'll ask this question,

(01:46:29):
you want to hear something funny. I'm like, yeah, I'm
thinking there's a joke coming, something funny. I don't tell
me a story about something that happened that day. I'm
thinking he couldn't he just tell me, couldn't he just say, oh,
by the way, X y Z happened today.

Speaker 7 (01:46:43):
Yes, It's also like when people announce that they have
a question.

Speaker 6 (01:46:47):
Yeah, he have a question.

Speaker 4 (01:46:48):
Yeah, just ask the question.

Speaker 10 (01:46:52):
That's right.

Speaker 4 (01:46:53):
It's let's economize.

Speaker 10 (01:46:55):
Hey can I say something?

Speaker 4 (01:46:57):
Yeah, just say or to be honest?

Speaker 7 (01:47:00):
I do that, I for sure do that.

Speaker 10 (01:47:01):
You're normally lying.

Speaker 5 (01:47:02):
I know some people say when you say to be honest,
it truly means you're just getting your thoughts together for you,
what about your what you're about to say? And you
kind of slow down the process by saying, let me
be honest. Or there's another one. There's a million of them.

Speaker 6 (01:47:17):
I mean, just think about all the words we use
that really just don't need to be used.

Speaker 7 (01:47:22):
I yell at my sister all the time about we
need to talk.

Speaker 9 (01:47:25):
Oh not that.

Speaker 7 (01:47:27):
If you need to say something to me, just say it.
You're my sister. We don't need to set up a time.

Speaker 2 (01:47:30):
See.

Speaker 6 (01:47:30):
If you say to me we need to talk, it's
a negative.

Speaker 4 (01:47:33):
Well it's it's it's a negative something.

Speaker 6 (01:47:35):
It's like a proceed with caution.

Speaker 5 (01:47:38):
If you say we need to talk, that means you
really truly want my one hundred percent attention.

Speaker 7 (01:47:43):
She's just being annoying.

Speaker 8 (01:47:45):
I know her.

Speaker 7 (01:47:46):
She just wants to drive me nuts.

Speaker 6 (01:47:47):
What's up?

Speaker 2 (01:47:48):
Frog kind of along the same lines as to tell
you the truth. It's like no, no, no, no, tell
me a lie.

Speaker 6 (01:47:55):
Another one here in the here in New York.

Speaker 4 (01:47:57):
It's not for nothing.

Speaker 7 (01:47:58):
You're trying to figure out what that.

Speaker 6 (01:48:00):
It means nothing?

Speaker 2 (01:48:02):
What about bless her heart or bless your heart?

Speaker 6 (01:48:04):
Well, now that says a lot.

Speaker 5 (01:48:07):
But if someone looks at me and says, you know what,
not for nothing, I just I'm like, well what but
not for nothing? We mean not for nothing meaning you
don't want it to be nothing, or you do want
it to be everything. I'm trying to figure it out.
What's scary.

Speaker 12 (01:48:20):
There's a reason for this because you it's an attention
getter to focus your attention, and you need like a
headline or something.

Speaker 4 (01:48:26):
To pull you in. So it's the line that we
don't need it.

Speaker 5 (01:48:29):
It's not a headline. The headline is what you're about
to say, Yes, that's the headline.

Speaker 4 (01:48:34):
You don't want to wind up. Sometimes you have pictures
on the mound.

Speaker 5 (01:48:38):
You know what, those pictures of the mound that wind up,
they're just a bunch of you know what, there are,
just a bunch of attention grabbers.

Speaker 7 (01:48:44):
Fancy dancers is what they are you're a fancy dancer.

Speaker 4 (01:48:48):
You don't crack your knuckles before you want to say something. No,
you get ready for the moment.

Speaker 5 (01:48:54):
For instance, if you're watching news, for instance, you turn
on the news networks. We're seeing that, for instance, it's
like breaking news. Well they play it every time they
come back from a commercial. It's always breaking. Now, after
a while, you're thinking, there's no breaking news here. It's
just the same crap you told me ten minutes ago.

Speaker 8 (01:49:13):
Broke.

Speaker 6 (01:49:13):
We know breaking news.

Speaker 2 (01:49:16):
Like Nancy Grace a bombshell tonight, like everything was a bombshell.

Speaker 6 (01:49:20):
I love Nanty Gray Bombshelle tonight.

Speaker 7 (01:49:23):
That woman is a murderer, someone just wrote.

Speaker 4 (01:49:27):
My father in law always starts off with I hate.

Speaker 2 (01:49:29):
To say it. I hate to say this.

Speaker 10 (01:49:30):
I hate to say this bomb woman.

Speaker 6 (01:49:33):
Don't say it.

Speaker 10 (01:49:34):
You say it anyway, Daniel.

Speaker 6 (01:49:36):
You don't have to do anything that you hate. And
if you don't want to say it, if you hate
that you're saying it, then don't say it.

Speaker 2 (01:49:41):
Don't say it from don't forget. You're never gonna believe what.

Speaker 5 (01:49:44):
Happened exactly, and I'm gonna look at it. Yeah, you're right,
I don't believe.

Speaker 7 (01:49:49):
Also, when people follow up a sentence with I'm just
saying I heard you.

Speaker 36 (01:49:53):
Just say it.

Speaker 5 (01:49:54):
But from now on, if anyone says to me you
want to hear something funny, I'm going to say these words.

Speaker 6 (01:49:57):
It better make me laugh.

Speaker 4 (01:50:01):
It better make me laugh.

Speaker 6 (01:50:02):
All right, Well, just saying that which I didn't, which
I didn't.

Speaker 27 (01:50:07):
Have to say.

Speaker 4 (01:50:08):
Oh, it's the weekend.

Speaker 1 (01:50:09):
Hey, this is Miley Cyrus.

Speaker 4 (01:50:10):
Your what office?

Speaker 6 (01:50:11):
The Black Eyed Peace?

Speaker 1 (01:50:12):
Hey this is Seliny Gomez with Elvis Duran in the
Morning show.

Speaker 5 (01:50:17):
All right, shows done, Let's get out of here until
next time. Say peace out, everybody, Peace out, everybody.

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Skeery Jones

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}FULL SHOW: The Day We Use Unnecessary Phrases