#270: Leave a Fart, Take a Fart ( $1.06)

#270: Brody tried to tip a server after using a gift card and it backfired. Skeery's friend British Warren joins a discussion the boys were having about "poshing it up" which is what some British men do to charm the pants off wanting American women who are attracted to their accents; Brody is disgusted by Skeery going to the bathroom while he is talking with him on the phone; Skeery can't find the entertainment value in watching violent UFC matches

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Episode Transcript

Speaker 1 (00:00):
Start up, dot up, start Up Brooklyn buy Boy, start
Up Brooklyn buys.

Speaker 2 (00:09):
Start up, dot up, dot Up. They making noise dot
up start up, do uddau dot up.

Speaker 1 (00:15):
Episode two seventy It's the Brooklyn Boys Podcast. Hello, David Brody,
lo Scary Jones. How about it? Huh, we're making it.
We're closing in thirty episodes away from our big three
hundredth episode where we do nothing but hand out cash.

(00:36):
I feel like we should double what we did for
episode two hundred and triple what we did for episode
one hundred.

Speaker 2 (00:42):
And triple of giving out zero is still zero? Correct? Man?

Speaker 1 (00:47):
I wish, I wish I had money to just hand
out to all the loyalists, all the slices.

Speaker 2 (00:53):
Wouldn't that be great? It would be great. Give cards.
Let's get that done.

Speaker 1 (00:59):
Nah, dude, we need we need somebody to come in here,
and not even a sponsor, just to say, look, I'm
a third party company and I just want to just
dispense cash to your listeners or gift cards or some
kind of free dessert.

Speaker 2 (01:15):
I mean that would be well, you know, okay, there, Brody,
what's going on? You know? Me with free dessert? I'm
in scary you count me in. That would be that
would be wonderful.

Speaker 1 (01:22):
Listen, it's I know here it is on Wednesday evening,
and I know we're recording on time for a change,
but mostly Yeah, it takes a weekend village trip get
away from me to go to Vegas and the Giants
playing tonight for me to rush through this to get
to the point where we can record now because I

(01:43):
got to see the second half of this bloodbath between
the Giants and the forty nine ers tonight. Well, my
favorite is that you canceled yesterday because you forgot you
had a friend coming in from Europe.

Speaker 2 (01:56):
British Warren.

Speaker 1 (01:57):
Yeah, no, I knew he was coming in, but he
can kind of did the old switch to date on me.
We were supposed to go to dinner tonight. Let's say's
Thursday already, Jesus Christ. Wow, Yeah, we was supposed to
go to it. We were supposed to that's right. That's
why we were recording late. We were supposed to record yesterday.
But here it is Thursday recording. Yeah, well yesterday, scary

(02:18):
you called me out of nowhere and you're like, hey, man,
I got to cancel. I got British. By the way,
British Warren. Is there an American Warren? You know at
this point it's cratuitous. No, I only know one Warren. Yeah,
I think he's just Warren. He's like Butters, and he's
not British Butters. He's just buttered.

Speaker 2 (02:35):
No, but yeah, but at least British Warren.

Speaker 1 (02:38):
You know, the guy's a brit and so i'm you
could picture him talking when when I tell a story,
it's painting the picture.

Speaker 2 (02:45):
Now, how do you know British Warren?

Speaker 1 (02:48):
I might ask dude this, You want to talk about
a guy that could bankroll us for episode three hundred
and dispense cash to the listen, all the more reason
I need to know more about him. Well, he's like
a fun guy. He's a He's this guy. My buddy
Will met him years and years ago when he was
Will was running the trading desk and Warren was like

(03:11):
a tycoon back then London from London moved to Hoboken.
I don't know why you go from Hoboken to London
or London to Hoboken. I didn't know that was a thing.
I didn't think so either. Now he's in Miami, but
he's never around and we used to hang out with
him all the time.

Speaker 2 (03:29):
I'm not gonna lie.

Speaker 1 (03:31):
There were times back in the day where you know,
we go out, we'd party at these crazy clubs, and
then all of a sudden, Warren would like just randomly
get drunk and foot the bill for everybody. We all
need in front like that in their life. I'm like, what,
I didn't order this freaking nineteen forty two liquor?

Speaker 2 (03:48):
This tequila? What is Ace of Spades? What's what's going on?
They had, you know, you know the bottles and models
parade that they do. Yeah, of course, yeah.

Speaker 1 (03:55):
Now we're girls all over him because of the accent.
First of all, he looks like Steve Aoki, and uh,
he's got like a Steve Ioki type look to him,
even though he's not in the least bit Asian, but
he's he Also he has like a Fu Manchu mustache
and long hair and there he looked no short hair.
But he's got these eyes like a Steve Ioki. But

(04:16):
he also has a how do I explain it? He's
got eyes like us Steve Aoki, Like how many Stevekis
are there? And he's also got like like how do
I even paint the picture. Oh, he's like, do you
know the most interesting man in the world or university?
The guy from the dose Eki's commercial, right exactly, he
might as well be that guy without the mustache. So

(04:37):
but he's very interesting, you know, and and women love
love his accent. And I'll say this, he likes to
posh it up, as he says around American girls. He
did this on purpose. Now these days, he's happily married,
found his you know wife, uh half his age, God

(05:01):
bless him. And uh he's you know, he's he's living
in Miami and he's living high on the hog. He's like,
wait a minute, his wife is half his age, isn't
he like thirty two years old British Warren. Yeah, he's
like he's fifty. He was the one who I went
to the birthday party last year in Miami. Remember there
was like a Gatsby theme and I dressed in that
white suit. She had to dress up like, uh yeah, yes,

(05:21):
I had to rent the tuxedo from from men's warehouse
because they didn't have one.

Speaker 2 (05:26):
Yeah. That was his party, and you know he had
a very you know.

Speaker 1 (05:30):
So so anyway, so anyway, he's got a beautiful wife
now and you know they live a lover to death
and uh but when he was single, he used to
what he calls poush it up around American women. And
I need ladies to know that guys are doing this
out there. They know you love a British accent. They

(05:53):
know you love a French or like an Italian or
Spanish Brooklyn or Brooklyn. Yeah, girls love the Brooklyn acts.

Speaker 2 (06:01):
Dude, I have not met a chick that loves the
Brooklyn accent. This is not sexy to anybody.

Speaker 1 (06:06):
What what about Robin, Well maybe the Robin because she's
from there, But right, I don't see us going to
other countries. And then you know, like British or French
women falling lot of over us for our Brooklyn knees.

Speaker 2 (06:17):
I'm sorry.

Speaker 1 (06:18):
Oh say motherfucker again, say three motherfuckers the way you
guys do or so, but the opposite, the opposite works.
So what Warren would be in the company of American girls,
especially when they're into the ones that are into Brits

(06:39):
like the double O seven kind. You know, he would
get extra britty or posh it up for the girls.

Speaker 2 (06:47):
So he would talk proper London speak like that.

Speaker 1 (06:51):
You know, he would he would all, so, dud, why
do you sound brain damaged when you do a British accent?
I can't This is my interpretation. But he speaks. He
speaks more English than and more sounds more American and
English than he does British.

Speaker 2 (07:11):
He's has the.

Speaker 1 (07:12):
British English than he does British. No American, American English.
That British English. Okay, he definitely has a thing. He
definitely has a British accent. But when he was around
women he wanted to impress, he would get he would
go full brit So he called women governor, governor, can

(07:32):
I buy you a drink?

Speaker 2 (07:33):
So? You know so?

Speaker 1 (07:34):
But but Italian guys do that. French French dudes. I
knew a guy. He was.

Speaker 2 (07:41):
Italian guys, yeah, and French a French.

Speaker 1 (07:43):
I knew a French guy who would have French Pierre
speak English American English, but have a French tinge to it.
He would also quote posh it up and get extra French,
get to France, you know, to women when he wanted
to impress them. And I'll tell you it works, hook

(08:05):
line and sinker.

Speaker 2 (08:06):
You just sounded like the ill character that Jimmy fallon
does oh, so all of an h oh, how about
a second? I kind of want to get Warren.

Speaker 1 (08:14):
On the phone, Okay, I can I just talk about
poshing it up before you get him on the phone. Yes,
I would like to thank you, Scary Jones for never
poshing it up with me, your longtime friend. Yesterday on
the phone, Scary and I were talking and he's saying,
I don't know if I should go out with Warren
and the gang. We're gonna do the podcast. And he's like,
all right, I said, Scary.

Speaker 2 (08:34):
Go out.

Speaker 1 (08:34):
We'll figure out a time to do the podcast tomorrow night.
Not a problem, will work it out, and Scary goes, all,
I gotta get dressed.

Speaker 2 (08:39):
I got I gotta change my shirt. I gotta take
a leak.

Speaker 1 (08:43):
So I think that's my cue for Scary to get
off the phone as one does. So he says, I
gotta take a leak. I said, well, all right, well
go have fun, and then I hear yeah into the toilet,
Scary starts peeing while I'm on the phone with him.
What's wrong with that?

Speaker 2 (09:02):
That's terrible?

Speaker 3 (09:04):
Why terrible?

Speaker 2 (09:05):
Look it's one thing.

Speaker 1 (09:05):
I stand next to you at a urinal, then you
just splash in the porcelain. But you were going like
four feet high into the water, and it's going.

Speaker 2 (09:15):
I wasn't sitting next to you, looking at you in
the directly in the eye.

Speaker 1 (09:19):
I'm on the phone with you, and you have your
dick in your hand, and you and toes in the sand,
and you piss it into your toilet, which listen.

Speaker 2 (09:27):
I had no time to kill.

Speaker 1 (09:29):
I was in a rush. Yes, I feel like you
could have hit the mute button. I've gone to the
bathroom with you on the phone. I hit the mute button.
You and I talk, then I mute. Then I talked,
and I mute all right. Then I then I flushed,
and I unmute. Dude, if I was going to take
a dump, I would absolutely hit the mute button.

Speaker 2 (09:47):
But it is fine. Peeing is fine. I draw the
line around peeing, Yeah, right after peeing. You know that's it.
You don't need to hear anything. What else is after peeing? Shitting?

Speaker 3 (09:56):
Oh?

Speaker 1 (09:56):
So you draw the line right after ping? So you'd vomit, right,
you'd more? What else would you do?

Speaker 2 (10:02):
Burp? Fart? Listen, We burp and sneeze all the time.
I would probably if I.

Speaker 1 (10:08):
Yes, if you're in a If you're in the middle
of a wedding ceremony, you could burp a sneeze if
I needed to start peeing. If I needed to take
a fart, I probably got the wedding you were at
last weekend.

Speaker 2 (10:17):
You could take off your shirt and start being If
I needed to take a fart, I would probably to
hit the need button. I take a fart. I don't know.
I think you just fart. You don't take you take
a ship, you take a piss. I don't think you
take a fart. Wow, I feel like you do. I
feel like you could.

Speaker 1 (10:34):
No, I think you just fart. I don't think he's
All'm gonna take a fart right now?

Speaker 2 (10:37):
Hey, what are you doing? I gotta take a fart
and go in the other room. Nobody says if.

Speaker 1 (10:41):
You go in the other room and you leave, you
leave a fart. No, you could go to take a fart. No,
you go to leave a fart, You go to leave it,
then come back in the room you're in. You're taking
a fart.

Speaker 2 (10:50):
Nobody, don't use me. I'll be right back. I gotta
take a fart. Nobody says that you don't take you
leave a fart. I do us.

Speaker 1 (10:57):
I'm starting to make I'm trying to see that that
train on TikTok or something. We take a fart, yeah,
like they take a penny, leave a penny, take a fart,
leave a fart. I mean if you take the other things,
and why wouldn't you take a fart. I just don't
think that you don't take a burth. I take a shower, yes,
but you know you don't take a burp. You don't
take a sneeze, you don't take a cough. But technically

(11:18):
you're not taking a ship. I'm taking you're leaving a ship.
This is getting very gross. By taking We're gonna get
censored on this. I would like I would like when
we come back from break, I would like British Warring
on the phone to talk about whether he takes a
fault or leaves a fault.

Speaker 2 (11:31):
He may pauls it up for you. You never know, yes,
and what do they call it? There? Did they fought
on the other side of the street in England? I
don't even know podcast we will be right back. I
don't know he's gonna be.

Speaker 1 (11:43):
He may be all international when he's in America. No,
he's no he lives in Miami, dude by way of Hoboken.
He's all but then he's not British Warn anymore. He's
transplant Warn. He used to live in London. He's from there.
You'll hear his accent come through. But that's like people
wh used to live in Brooklyn still say, Oh wait
a minute, die fair enough. You know what I'm saying.

(12:07):
We're still always from Brooklyn. We're always from Brooklyn. That's
very true, Nicole. Oh, speaking of of our of our
accent and girls not liking our accents or Brooklyn accents
not being sexy. There's somebody you need to check out Scary.
If you're in New York and you're you're a Mets fan,
you might know who she is. I'm gonna shout her
out now because I'm a fan. But on s n Y,

(12:28):
the Mets Network, there's a new host of Sports Night
at Night. I don't know if you've seen her, Scary.
She's from North Jersey, but she sounds like she's from Brooklyn.

Speaker 2 (12:38):
What's her name? Her name is Nikki Latarulo.

Speaker 1 (12:41):
She couldn't be more Italian if she had tomatoes sauce
coming out of her veins.

Speaker 2 (12:45):
When you cut a finger. Op, I love it. I
gotta go. I gotta watch her now.

Speaker 1 (12:48):
To Mets Lost tonight, I'm Nicky Latarulo. Oh hey with
the highlights in a minute, you fucking idiots. I love
Oh my god, she's tremendous.

Speaker 2 (12:54):
She's local. We want we like that.

Speaker 1 (12:56):
She couldn't be more local. So if anyone knows her,
tell her. I said, Hi, let's see if works. We
should have her on just so people can hear. The
accident is fantastic. And she's really good at the job too. Yeah,
we'll see if Warren answers.

Speaker 2 (13:08):
But she has a Yankee tattoo, I think, and I'm
not a fan of that. You're not a fan of
the Yankee tattoo. I'm a Mets fan.

Speaker 1 (13:14):
You know she's not perfectly both. Yeah, but you'd love her.
She's Italian, dark haired, dog skin.

Speaker 2 (13:19):
That's awesome. I mean, you know you're not single. I'm
just saying in general, she's you know, I knew where
you were coming from. It comes from a good place,
right Like if you.

Speaker 1 (13:28):
British Warren Scary Scary Jones, Yeah you are alive. On
the Brooklyn Boys Podcast with Scary Jones and David Brody,
Brody and scary.

Speaker 2 (13:39):
How are you, sir? How are you mate?

Speaker 3 (13:41):
I'm very well, very well.

Speaker 2 (13:43):
You did you just mate him?

Speaker 3 (13:45):
Yes?

Speaker 2 (13:45):
He my mate, I'm his mate.

Speaker 1 (13:48):
See, Brody gets upset when I when I'm when I'm
a man, his some of his black friends.

Speaker 2 (13:55):
So I'm like, hey, what's going on, my man? You
know how I would do that with less? I would
like my man?

Speaker 3 (14:00):
I do, Indeed, I do, indeed, So he knows.

Speaker 2 (14:03):
So there's nothing likes to get my mate, man English English.

Speaker 1 (14:09):
So we got to come to talking about you because
that's why we're recording our podcast tonight, because I went
out to dinner with you guys yesterday during the time
when I was supposed to be recording.

Speaker 2 (14:20):
But have questions, Yeah, I have questions.

Speaker 3 (14:23):
Please go ahead.

Speaker 2 (14:25):
First of all, I understand you have Steve i Oki eyes.

Speaker 1 (14:27):
Is that correct? Which is weird because you don't have
Asian shaped eyes. I think he means the color. I
don't know what he means.

Speaker 2 (14:34):
Do you know that scary?

Speaker 3 (14:37):
They are Asian? I get it a lot. Yeah, I am.
I have very Asian looking eyes bizarrely, so it's a
very weird quirk of my because I do not know
one in my family has, so it's pretty weird.

Speaker 2 (14:47):
Yeah, all right, so.

Speaker 1 (14:48):
Does the milk does the milkman have Asian eyes? The
matter in hand, the matter in hand, one of them.
I told everyone, We told we're talking about how your
how you know where your your roots are from, from
London Dent to Hoboken in Miami. And then now you're
the world traveler and all and that, and now you're
about poshing you well, well, well let me get to that.
So we we also talked about that you're you're you're

(15:10):
happily married and you found your your your other half.
And now but back in the day, way back in
the day, whenever you know that, we were talking about
how American women are into Brits and that sometimes you
would entertain them because and and kind of play into.

Speaker 2 (15:31):
Their their their love, what they love and like about Brits.

Speaker 1 (15:35):
By quote, poshing it up when you speak, can you
explain what pushing it up? And it could be a
very innocent thing. It's not necessarily meaning you're going in
for the kill here. But I say that a lot
of people that cross over and come to America from
France and Spain and all these they may speak the name,

(15:56):
they speak English, and then but sometimes when they're in
company that wants to hear that accent, they quote posh
it up. So if you could explain to Brody what
that is and and how how that's worked or is
it is it a fallacy?

Speaker 2 (16:11):
Does it not work?

Speaker 3 (16:12):
Of course? Well, and it's not just one way actually,
because I would go I would go either way because
I was often confused also with being Australian, because I've
been in America for so long. So if I if I,
if I was, if I was being particularly English, I
would absolutely be a little bit more English, so I,
you know, very a bit more proper, little a little
bit as you call it posh. We don't have to

(16:33):
say posh in England, but a little bit more proper,
a little bit more you know southern I guess, you know,
London and whatever. But then sometimes I'd get confused also
being Australian, in which case I would switch to pretending
to be Australian. So it wouldn't just be I'd either
proper up in the English side as you call it,
poshing up, or go Australian. So give it.

Speaker 1 (16:53):
So if you could say a sentence the way you
normally would and then give us a version of you
quote poshing it up already, can understand.

Speaker 2 (17:01):
I want to hear the difference.

Speaker 3 (17:03):
Okay, okay, So all right, all right, right, Hey, hey,
how are you doing? What's going on tonight? Are you
you out here with your friends?

Speaker 1 (17:11):
You?

Speaker 3 (17:11):
You guys going to have dinner and stuff?

Speaker 2 (17:12):
Now that's regular, right, that's regular.

Speaker 3 (17:14):
British be normal.

Speaker 2 (17:16):
Yeah, that would be normal for me say the same thing.

Speaker 3 (17:20):
Hey, Hello, how are you guys? What are you you guys?
You guys out this evening? Are you guys having dinner?
Or are you what? What do you have planned for
later on? So I.

Speaker 1 (17:31):
I think I'm not hearing it there either, I'm not
hearing Harry Potter. I'm not hearing He'll.

Speaker 2 (17:38):
Use word, he'll use British words, and he'll get a
little bit more luckily like.

Speaker 1 (17:47):
Subtle Warren, When when Scary does a British accent for
some reason, he sounded horror, damaged, horrible.

Speaker 3 (17:56):
It's horrible. It does sound like Harry Potter has had
an accident. It's it's miserable.

Speaker 1 (18:01):
When when when Scary does prank phone calls on our
show on the Morning Show and he does accents. You know, Elvis,
his boss always like makes fun of him because he
goes from Italian to Indian to he can't keep he
can't keep an accent straight.

Speaker 2 (18:15):
But that means the British as someone who's not British.

Speaker 1 (18:20):
To me, that sounds like the worst British accent ever
as a as a as a brit That must offend
you that that's what it sounds like.

Speaker 3 (18:27):
It does, but but it offends me to this. But
but also it does if you slip into Lockstock and
who's making barrels? You know, there's a yeah, there's an
argument for saying that that that's actually you can but
that's not definitely not pushing it up. But I don't
know that, yeah exactly. But you know you can go

(18:48):
Dick van Dyke and go cool BlimE me Mary Poppins.

Speaker 2 (18:54):
But he can't do any of that like I can do.
Harry Potter, Harry Potter, Warren, where are you right now?
By the way? Are you are you? Are you at
the bar or are you the golf club?

Speaker 3 (19:05):
We we just got back from our day of golf
and I am at Will's apartment before we're heading into Hoboken.

Speaker 1 (19:11):
Very nice, all right, Well, yeah, we wanted to catch
you real quick. Let's ask him the question that we have, Warren.
We have a couple of questions for you. When what's
the British slang when when America we say I'm taking
a poop, taking a ship, taking a dump?

Speaker 2 (19:25):
What what do you say?

Speaker 3 (19:28):
Well, we don't like to say it because we are
very weird about our ablutions, so we often say just
say going to the bathroom. I would say if I
was talking to my mother, I would say, yeah, go
into the bathroom, going to the where's the loo? We
maybe number two's. We don't say any of the poops
or dumps.

Speaker 2 (19:43):
Or right, I know that British.

Speaker 1 (19:45):
British never say that, but they say like they have
cute nicknames like I'm going to take a chub choop
like they always have like all.

Speaker 2 (19:52):
Right, number.

Speaker 1 (19:56):
But you got number two is as dirty as a
guess you have always like funny, don'pe be like fun
Whereas Americans tend to be crass, we crass it up.
The British always have like a fun, polite way of
saying everything. You know, like I'm gonna keep the share
of that guy. You're like, oh, I'm gonna run him
up with some buttons and cheers. You know, you always
have something.

Speaker 3 (20:14):
I even heard I was listening. I was listening to that.
So I listened to the Chris Evans show on Virgin
Radio in the UK in the morning. He does a
very big British British Captain America, and they were talking
about pooh pooh versus poop, and it's put like English
like to say pooh, but poop is very different. So
poop sounds a bit more crass. English like to call
it pooh.

Speaker 1 (20:34):
Well, poop is the pooh and poop are the nicest
things an American can refer to shit as.

Speaker 3 (20:41):
I like that.

Speaker 1 (20:42):
You're crossing the line with you, guys. But then again,
we can say fanny and you can't, so.

Speaker 3 (20:47):
We definitely can't exactly.

Speaker 1 (20:48):
Okay, So in America we say taking a piss, taking
a crap, but you don't take a fart. Scary a
little while ago said I would take a fart with
you on the phone.

Speaker 2 (20:58):
You guys don't take a fart? Right you leave fart?
Or do you like? You take you leave a poof? Poof?
What do you guys do? Leave a little?

Speaker 3 (21:04):
Think any I take it? And take a fart. I
don't think I don't think anybody's ever said that.

Speaker 1 (21:11):
He was thank you, So Warren, as an American living
in America, if you had a fart, would you just
take it for you?

Speaker 2 (21:18):
You just fart, right, You don't take a leave a fart,
take a part. You just okay. Now, as a brit
as a brit.

Speaker 3 (21:25):
If you had to like another rule pass passed win,
we say past wins pass.

Speaker 2 (21:29):
That's very polite. That is very polite.

Speaker 3 (21:32):
Yeah, this is by the way, I like past win.
I would say past win to my mother.

Speaker 1 (21:36):
How didod cast take this turn? I don't understand when
you go back to that, when you go back to
the motherland, h do you accidentally slip in like americanisms?
Do you like a mom, I've got to take a ship.
Oh sorry, that's my American accident coming out.

Speaker 3 (21:53):
I do bring in americanisms, which she does not appreciate
it at all, because she still thinks I she hates
the fact I've been in America for twenty five years.
But I do. I do slip them in. Not nothing
as crass as that, but let the subtle ones.

Speaker 2 (22:05):
Yeah.

Speaker 1 (22:06):
Now, if you say elevator, will your mom smack you
instead of lifting.

Speaker 3 (22:10):
Yeah, she will give me Claire will she will give
me a glare.

Speaker 1 (22:13):
Yeah, listen, I could definitely tell that some of our slices,
listeners of ours, they're very turned on by just hearing
you on the phone like this.

Speaker 2 (22:20):
I got more questions.

Speaker 1 (22:22):
I got one more question, okay, because we got to
let him go because he just wanted to watch the
Giants game.

Speaker 2 (22:25):
They gotta get out of here. Yeah, forty nine Ers game.
They're going to kill the Giants. Oh god. Okay, okay,
so I have two questions. Warn't be honest. Okay. Which
country drives on the correct side of the road?

Speaker 3 (22:37):
Oh boy, Having now I split half my time in Italy,
I will have to say, because episodes on my two
favorite countries, America and Italy, we drive on that side
of the road. So I'm very happy that America does
drive on the rights of the road, now.

Speaker 2 (22:51):
Thank you very much.

Speaker 1 (22:52):
The right side is also the correct side, thank you
very much. Now settle this one last thing, Warren, and
I'll let you go scaring me a whole big thing
out of how you know American women like an Italian accent,
a French accent, a British accent, Australian accent, you know. Yeah,
tell us how the women in in anywhere in Britain
could be, could be any of any of the many
countries in Great Britain, any of the countries there, how

(23:15):
they they the women there would react to a sexy
Brooklyn Italian Brooklyn accent.

Speaker 3 (23:22):
So I've often talked about this with friends, and the
English women I would say a little bit more that
they're less less impressed. I do like an Italian accent.
I would, I would guess, in my humble opinion, the
American accent. It's a certain type of women I think
in England would appreciate the American Brooklyn accent.

Speaker 1 (23:41):
Really, Let's say I'm at Wimbledon and I'm like, can
I get some Can I get some fucking strawberries and cream?

Speaker 2 (23:48):
Honey?

Speaker 3 (23:48):
There's that going to go on the world now, let
me But it might, but it might go well in
other parts of London. So it's very very it's very
geographically specific.

Speaker 2 (23:57):
All right. Then I'm gonna need you to map that
out for me some But yeah, I know it's true.
I see. I don't think the overall as a nation,
they're not very impressed with us, but it's okay, all right, well,
war if we've wasted enough of your time, we've wasted enough,
how do you politely dismiss us?

Speaker 1 (24:15):
I want I want, Warren, I want you to tell
Scary what he should say with a British accent.

Speaker 2 (24:20):
And then let's listen to how awful it.

Speaker 3 (24:22):
Is to say, Okay, yes, I I well, I think
I think we've I think we've taken up enough of
your time. We're gonna let you go now, all right.

Speaker 1 (24:31):
That means he's gonna goat. I think we've taken up
enough enough of your time. We're going to have to
let you go now, all right. Now, he's an effeminate.
We'll catch up with you soon.

Speaker 2 (24:42):
Thank you so much. Po bye to speak likewise.

Speaker 1 (24:48):
See look even he even gave you the uh you know,
he acknowledged you there at the end too. He patched
up for me. He was like, nice to speak to you, David, David, David,
nice to meet you. See it's the top of the morning.
Jolly good time. He he's wonderful. Oh pshaw, Yeah that's
British Warren. Now you mean to tell me if you
had that guy in your circle of friends, you wouldn't

(25:08):
call him British Warren.

Speaker 2 (25:13):
I don't know, I might come up with something more clever,
you know, like.

Speaker 1 (25:20):
What you know he's I mean, he is that, that
is what he is. I mean it describes him to
a t you don't even know. See, you didn't even
have to know who he was ahead of time to
know he was. Yeah, the fact that I called him
British Warren, people are already picturing that's the guy. That

(25:40):
the guy on the phone. That's exactly what I thought
he would sound like. See a British guy with Steve
my okey eyes exactly. Uh, it's scary. You're proud of
your work sometimes, right, Sometimes I'm always proud of time.

Speaker 2 (25:59):
Yeah. And if you did something creative, you would want
people to know it, right you post about it? Yeah? Yeah,
they say that, They say, do something great and then
let everybody know you did something great right now. It's
like a post promotion of it, because otherwise no one
will ever know. I mean, I know, no, I've done that,
We've done that.

Speaker 1 (26:19):
But sometimes I keep thinks to myself, I do it
random acts of kindness a lot that I'd never mentioned. Yeah,
But in terms of like if you did a phone tap,
and let's say you were in the Brooklyn Boys Slight
the Slices page, fan page, or on the Elvis Durand
Morning Show page or what people were. It was somewhere
talking about your phone tap this morning on Twitter. You
might go, hey, glad you like my phone tap?

Speaker 3 (26:38):
Right?

Speaker 2 (26:38):
Yeah?

Speaker 1 (26:38):
Yeah, yeah, okay, But but you wouldn't necessarily jump in
twenty years from now and do that, would you. I'll
tell you why.

Speaker 2 (26:45):
Yeh yeah, I don't understand where you're going.

Speaker 1 (26:46):
You tell me if this guy, if you'd call this
guy out, because I, I, uh, I feel like I
should call I should call him out. So I was
watching a video and I forget what the video was,
but it was it was maybe a sign felt video.

Speaker 2 (27:01):
And in the video on Instagram.

Speaker 1 (27:05):
It was it used the bound bound Bound Bound down.

Speaker 2 (27:14):
Right, the Seinfeld theme. Yeah.

Speaker 1 (27:16):
So there's a guy on Instagram. I'm sure he's legit.
He's a Seinfeld music guy. That's his name on on Instagram,
Seinfeld music guy. Yeah, and allegedly he he wrote that theme. Yep,
thirty one years ago, thirty two years ago, whatever, it was,
nineteen ninety Yeah, I had to be thirty nine eighty nine,

(27:38):
longer than that thirty four years ago, thirty three years
eighty nine, right, right, So he he comments on this video,
which is a random video that happens to have that
music in it, it's a Seinfeld video, and he says,
I think it's hilarious that folks still know this theme
music that I created thirty years ago.

Speaker 2 (27:55):
Okay, First of all, do you think he does that
on every video he can find with the Seinfeldt theme?
I think he does that.

Speaker 1 (28:04):
Yes, yeah, So I feel I feel like he's like
digging for compliments, Like he doesn't. He doesn't find it
amazing that people like still know the theme. First of all,
it's not like the old days. If you made a
theme of a TV show in nineteen forty and in
nineteen seventy people are still humming it, You go, well,

(28:24):
it's pretty cool. But Seinfeld is still on like Netflix
or HBO Max, whatever it's on now. People still watch
it currently. It's not that big of a deal that
a pop culture historical piece of television.

Speaker 3 (28:39):
No, he.

Speaker 2 (28:41):
Clearly wanted to impart his like notoriety on everyone. Yeah,
he's like, hey, that's me.

Speaker 1 (28:50):
I can't believe people still know this song that I
wrote third look at me, Everyone.

Speaker 2 (28:56):
Look at me. But I feel like it. Okay.

Speaker 1 (28:59):
So I saw a TikTok clip recently of a guy
who drives Uber for Uber, and he was the America
Online guy and he was doing the voice. Oh yeah,
he was doing the welcome you've got mail for some
of his riders. That's his stick, right. They want to
see it, they want to hear it.

Speaker 2 (29:20):
Welcome, you've got mail. We'll tell you what he wouldn't do.
He wouldn't go looking for.

Speaker 1 (29:30):
AOL videos online and then chime in going, hey, glad,
I can't believe people still know you've got mail. That
was me, by the way, I record enough. But but
the thing is, that's his way of staying relevant. No,
he wants the credit by saying by calling attention to

(29:51):
a different comment, he's trying to offshoot it or kind
of say, look, that's the reason for his comment.

Speaker 2 (29:58):
But yet at the same time he he wants the
credit for it. It's what I mean.

Speaker 1 (30:07):
Would it have been any better if he just went
on every video and said, hey, that's me, by the way,
thanks for liking my Thanks for liking this song that
I wrote thirty five years ago.

Speaker 2 (30:16):
Would that have that better with you? Or would that
have seemed more gratuitous?

Speaker 1 (30:20):
It's the same thing. He's like, I think it's hilarious.
You don't think it's hilarious. You didn't wake up and
go I can't believe people still know that theme. Well, yes,
you can believe it. You get a check every time
it plays, I'm sure. And it's still one of the
biggest shows everywhere, whether slices an whether you watch Seinfeld
or not. I mean that theme song is used in
commercials like it's right. But like he's like, I can't

(30:43):
believe unbelievable. Yeah, well you know, but everyone wants credit
for things that that basically they might have been invisible.
If something becomes wildly popular on your watch that you
created and you don't have a name or a face
or a voice to it that that people know, you
want the credit. Like, I'll give you an example. Yeah,

(31:05):
the very popular Jesse from TikTok. Jesse is the female
voice that you use by default when you want to
take text on TikTok. Yes, I've seen and it speaks
to you. Well, so the girl that talks like this
on TikTok, right, she's pretty much the voice of billions
of fucking tiktoks every day. If I created that voice

(31:26):
and that was me, I would abs fusolutely want some
notoriety for it. So she took measures to go on
TikTok and do videos with her picture. She's a Canadian woman.
You could actually google her. Google do a Canadian accent,
scary Canadian TikTok. No, google Jesse Jesse female voice TikTok

(31:50):
Canadian real person or something like that. You'll see tons
of videos with her saying Hi, I'm Jesse. I'm the
one you see on TikTok or here on TikTok.

Speaker 2 (31:59):
Right, No, I get it.

Speaker 1 (32:01):
I just think like out of nowhere to pop onto
a video as if, as if that video hasn't been
everywhere all the time.

Speaker 2 (32:06):
Still he's amazed. Oh I'm amazed.

Speaker 1 (32:10):
He's just looking for a reason to get into the conversation,
that's all. He not mean what he's saying. If he
would have said, like if people were commenting, oh I
love that song, and he's like, hey, I really appreciate
you still love that song.

Speaker 2 (32:20):
I'm the writer, Thank you so much.

Speaker 1 (32:22):
I'm glading you do that. David Brody with some of
your parodies. Yes, I said, you write all the time.
You you comment on on random pages that have nothing
to do with you know, with with with us. You
know things that you maybe you know some of your
parodies have gone viral around the world, have you, and
you've you've commented on random YouTube threads and things that say, Oh,

(32:43):
I'm glad you like my work. It's no different, it's
the same ship you you want credit.

Speaker 3 (32:49):
You do the same thing.

Speaker 1 (32:50):
David Brody, completely different. Oh I've never heard you so silent.
I've never heard you so I've never heard so silent
in your life.

Speaker 2 (32:58):
Different.

Speaker 1 (32:58):
But how is it completely different? I'll tell you how
it's different. You want the credit too, Hey, that's me.
I wrote that in two thousand for the Yankees and
the Mets World series. If I wrote something and didn't
get credit, I think they should properly credit who did it. Right.
It's like when people post a phone tap and they're like, oh,
British Indian guy and British guy, no Irish guy, an

(33:19):
Indian guy, and they're like, oh, it's a great So
I would write them and go, hey, this is an
Elvis Strand morning show phone tap, and I was the
guy made the call. You should credit the Morning Show.
Now I would just credit myself because I don't play
that phone tap anymore. The same way, the Seinfeld music
guy is going up. Everybody knows that guy, he's no,
they don't. They obviously don't know him. So he wants

(33:40):
to be known by throwing a comment down and being like, hey,
hey remember that. We can't believe thirty years people know
my music. Yeah, Seinfeld music guy. You think maybe he's
telling people who he is is?

Speaker 2 (33:52):
Yeah? He maybe using that to get laid. Who knows?

Speaker 1 (33:56):
You think he poshes it up? You think you think
he walks around like his ring tone. I guarantee has
ringd on his Oh my phone's ringing? How funny I
wrote that I wrote years ago, And you do the
same thing, Brody. You do the same exact goddamn thing anytime.

Speaker 2 (34:14):
All right, Slices, If you've ever been a part of
a text thread anywhere in a group chat, something on
on that's in public that has.

Speaker 1 (34:22):
To do with David Brody's work, if they credited the
street shot David Brody, don't even Brody's comment because I
know damn well that Brody somehow did a search for
his own music, his own ship, and he commented on
it publicly the same way the Seinfeld song guy did.
No I rest in the day, back in the day
when people used to say wed Out wrote all my songs,

(34:43):
I would occasionally point out.

Speaker 2 (34:45):
That it was not wed Out.

Speaker 1 (34:46):
It's the same thing, though. This Seinfeld guy wants credit.
He doesn't want to think that Larry David wrote the music.
He wants to be credited front center. Okay, but here's
the thing. All I know is that Seinfeld music guy
wrote the song. I still know who is you know,
I don't have his name, Like I don't I don't
ask for credit. Is guy in the corner on the
Elvis Show. I say, hey, you should credit me. You

(35:07):
will credit the Morning Show because we work hard to
create content.

Speaker 2 (35:11):
The Morning Show.

Speaker 1 (35:12):
Should get credit. The white people should get this guy.
I just thought it was like, oh it was you
know what skiff. He had just said, Hey, you know what,
I'm glad that that that my song still brings joy
to people. Uh, you know, as the guy who wrote it,
you would have still had a problem with it. No,
it's the way he wrote I think it's hilarious. Is
it really hilarious? That's that people still know the theme music.

(35:33):
It's the theme of one of the most popular shows
of all time. It was the way he wrote it, like,
oh heavens, I think it's believe. Maybe his commentary could
have been better, but what I'm saying, the intense was
the same. It was so look at me, look at me,
look at me.

Speaker 2 (35:50):
That's the podcast. Oh before the commercial.

Speaker 1 (35:55):
By the way, David Brody wrote that Brett James I
did going to commercial.

Speaker 2 (36:00):
Yes, I did. He wrote that that jingle look at me?
What song is that? Get your chuck on cat scale?
Did they even run that commercial anymore? Yeah? Still not
as often.

Speaker 1 (36:13):
It's it. There's other commercials that I'm listening to that
I hate. You know, I have some audio for next week.

Speaker 2 (36:17):
I'll send it to you.

Speaker 1 (36:18):
I want to give a shout out to a couple
of people real quick, let's see where is this one here?

Speaker 2 (36:24):
Hold on?

Speaker 1 (36:25):
I want I said I didn't give somebody credit last week.
That I owe credit to David Q. David Q on
the score thirteen is the one that pointed out episode
two sixty six, an hour and twenty minutes into the
episode or slices.

Speaker 2 (36:36):
You can all go back and take it.

Speaker 1 (36:37):
Listen to that scary says I tried to buy you
steak dinner twice, and then he wrote, well, I tried
to go to Dubai twice, but I didn't he owes
you a steak dinner. Fuck you scary lmao. So thank you,
David q. I. I quoted you last week and I
didn't get a chance. There's a guy I want to
give a shout out to him. He does hilarious videos
on Instagram. His name is Siash s I a v

(36:59):
A s h Dot underscore dot Ebrahemikrami. I'm assuming he's
a Middle Eastern descent of some kind. Anyway, he's brilliant.
What he does is he uh he does like commercial
videos for products, and he has lighting and special effects
and he drops water on things. And I'm not gonna
give away that what makes him great, but but go

(37:21):
look him up. But he did a video Scary and
I guess the video. The theme of the video was
when it's just not your day, right, and then he
then he acted out when when it's just not his day.
But on the screen on the reels, he wrote, when
it's not just your day, which just not your day?
Oh no, what he wrote, when it's not just your day,

(37:42):
well it's not just your day, that means it's everyone else, right,
So I was like, God, okay, Eric de Erico, I
wonder if Eric Deericos is any relation to Donna Dierico,
who was one of the Baywatch girls in the eighties
and I think married to Nikki six or Motley Crue.

Speaker 2 (37:58):
Yes.

Speaker 1 (37:59):
All the updated refer which is coming from David Brody
today he sent the picture of this scary I need
your help. It is a restaurant near him, and he
took a picture of the sign on the table. I'm
gonna hold it up, siare maybe you could see this.
You see that there huddle up yep, huddle up around
I guess wings. Oh you know what, So here's the thing.

(38:23):
I think it says, huddle up around ninety nine cent wings.

Speaker 2 (38:28):
That's what it's like.

Speaker 3 (38:29):
Say.

Speaker 2 (38:29):
It makes it look like the wings are around ninety
nine cents.

Speaker 3 (38:32):
Ah.

Speaker 1 (38:34):
But now that I'm seeing it and you just said
it out loud, I think that they mean is huddle
up around ninety nine cent wings, like you huddle up
in a circle.

Speaker 2 (38:43):
Huddle around them, around these ninety wings. Right.

Speaker 1 (38:46):
But they they put an exclamation point after the huddle up,
which ends the sentence. So then they wrote around ninety
nine cents. Yeah, it makes it look like it could
be read either way. Well, I'm like, so, how much
of the wings are they? Around ninety nine cents? I
couldn't figure it out. Now I figured it out. Also,
I sold some stuff I'm.

Speaker 2 (39:01):
Too smart for. That's what.

Speaker 1 (39:05):
You overlook. Well, yeah, you looked deep into everything. Well,
Eric Diericho thought I should. And by the way, if
your name is de Erico, do you think his parents
tried they went out of their way to name him
Eric Deerico, Eric Dierico maybe yeah, like like they couldn't
name him anything, but Eric is in his last name,
and they named him Eric Diericho.

Speaker 2 (39:26):
Like is his sister Erica Deerico? Oh, I don't know.
That's a great question.

Speaker 1 (39:31):
The middle name is her middle named d? Is she
like Erica d di Erraico? Like I always wonder, like
when like, there's a guy, this newscaster in New York
for many years, his name was John Johnson. Well, like
Philip Phillips on American Idol. Is that like, oh, you
know what would be clever if we named him Phillip Phillips.
Philip Phillips, Well you do that on purpose at that point? Yeah,
I feel like that wasn't an accident anyway. Uh again,

(39:54):
you know me the trials and tribulations of David Brody
selling things on Facebook. So I'm selling something. I'm selling
something for sixty dollars and the title of the the
title of what I'm selling is it's available. And then
the description of what it is. The first thing you
see is it's available. I already know the first stupid question, yep,
is this available?

Speaker 2 (40:15):
Right? Still available? Right?

Speaker 1 (40:17):
So then this other person runs this other person wrote that,
and I knew this was a scam. Is this available?
I want to pick it up? I want to pick
up it. That's what they wrote. I want to pick
up it. Please text my cell area code seven to
two to zero. Well, first of all, air qodes seven
too is nowhere near me, and it's the odds of
the that they live near me. That air coat is bullshit.

(40:38):
So I tried to reply, is this really what you do?
Look for new posts with a Facebook profile? That you
just because I woked at his Facebook profile, everything was
like created within the hour, like just added the profile,
just added the pictures. Yeah, I couldn't send it, so
I was a scam bony right there. Also, I'm trying
to sell something for ninety five dollars, right, and it's
like for ninety five dollars. Yeah, this person, Remy wants

(40:59):
to know off. I'll take thirty five. Remy should already
know no about taking thirty five. I'm selling it for
ninety five. You won't offer me ninety maybe thirty five?
Go fuck yourself. I'm selling something scary for four hundred
and forty dollars. Yep, hundred a piece of furniture. Yeah,
somebody offered you fifty, No, one hundred and fifty, and
I will pick it up today or tomorrow.

Speaker 2 (41:21):
Oh, that's nice of you. That's nice of you.

Speaker 1 (41:24):
It's a nine hundred dollars item that I'm selling for
four hundred and forty and you're offering me one fifty.
You sir, can go fuck myself? Can you posh it
up a little bars? Thank you for picking up on that.

Speaker 2 (41:36):
I pushed it up. I couldn't just say go fuck
youse up, but I was like, go fuck myself. No,
that's more English speak. I would say. You should be like.

Speaker 1 (41:45):
Insert insert a penis into your own your into your jute,
poot into your anus, into your poothole where you break
wind from.

Speaker 2 (41:56):
Yes, do me a favor, kindly, sir.

Speaker 1 (41:58):
If you could please insert your penis into your own
rerection cavity.

Speaker 2 (42:03):
He's like a good day, sir, Good day sir. Yeah.
I was trying to think of the line the butler's
lines from Arthur that film.

Speaker 1 (42:11):
Oh yes, So so Author is Dudley Moore is actually
a very good eighties movie nineteen eighty maybe and Christopher
Cross Sailing takes me away Author's theme anyway.

Speaker 2 (42:23):
So Christopher Cross had a lot of hits. When you
get good between the Moon.

Speaker 1 (42:28):
York, Yeah, okay, yeah, that was listen. That was make
that your ringtone, everybody. That was the finest radio we
can get podcasting brilliance. So Author is like a spoiled child.
He's like sixty years old, played Bydudley Moore. He's a brat.
He doesn't have to be an adult. He's had a
butler since he was born, and so he's like a

(42:51):
drunk buffoon. He fucks up his life, but he's worth billions,
and so the Butler's like, shall I draw you? He goes,
draw me a bath, sir, tell me at bath.

Speaker 2 (43:00):
He goes, It's what I live for, sir.

Speaker 1 (43:02):
And then and then he's he's washing in the tub,
and you know, so the butler says, shall I wash
your dix? And he's being sarcastic because he's like, you know,
the guy's incompetent. He's like, you know, he can't even
like wash his own privates. He's like, shall I wash
your dix? Such a good movie, Such a good movie.
If you want a classic old movie. I watched a

(43:23):
classic movie last night, scary that I know you liked
or you would like. You remember Steve Martin movie from
nineteen eighty two, dead Men Don't Wear Plaid.

Speaker 2 (43:32):
I know the name. I've never seen it before.

Speaker 1 (43:34):
Very good movie. Oh Steve Martin, right now, you guys
know who he is. He's in Only Murders in the Building,
which is a great show. But there is a movie
from nineteen eighty two, and what he does, it's a
murder mystery in black and white, scary. And what he
does is he takes movie clips from the forties, like
the legends of movies, the legends of movie history from
the forties, and he because he's in black and white
and they're in black and white. He makes it look

(43:56):
like he's in the scene with them, so they use
body doubles from the back of their head, walks in
front of them, and so the whole plot of the
movie is based on Humphrey Bogart conversations and Betty Dave.

Speaker 2 (44:06):
It's brilliant. I watched last night. So you're looking for
an old, funny movie that was good. I made own
apology here to take it gues you had on the
Morning show today.

Speaker 1 (44:16):
Oh, comedian Christi Stefano came in love Chris Great through
a podcast. By the way, Yes he does. I spoke
to him. He's actually in town for a couple of
shows in New York. Uh, gonna be at Radio City
on Friday night, that's tomorrow, and then Saturday at the
Theater at Madison Square Garden. There are tickets that are
still available for both of those shows. Didn't get his
tickets because I would love to go. Well we could,

(44:38):
that's a that's a phone call away. So he called
me out for something that I did about a couple
of months ago. Remember I told you I went to
a c to see Matt Rife comedian Matt Right. Yes, yeah, well,
our friend Garrett Garrett from the Morning Show has been
longtime friends with Christis Stefano thing.

Speaker 2 (45:00):
So he told Chris. I'm like, did you do that?
He told Chris that I was going to be in
a c and so Matt Rice.

Speaker 3 (45:11):
He was.

Speaker 1 (45:12):
He was playing the Borgada that night, the same night
that Matt Rife was doing his show. You didn't go
see our friend Chris well the there was a scheduling
conflict there, so so Garrett should have gone to see
Chris told me, told him that I was going to
be there, and he goes, hey, man, and then he
texted me if if you want tickets, and I'm like, dude,

(45:32):
I can't be.

Speaker 2 (45:33):
In two places at once. I'm already coming down specifically
for Matt Rife. I said, this is embarrassing. That's not Rife.
So that happens. And then the next day, remember I
went to that Jonathan Peters crazy party. I told you
about that pool party I went to. Did I talk
about it on the podcast? I don't know if any
think so.

Speaker 1 (45:51):
Well, whatever, I went to some crazy ass throwback party
for you know, this guy who suspend its sound factory
back in the day anyway, Jonathan Peters. Anyway, So, and
I was hanging out and I luckily got in me
and my buddy got into his section, buddy of mine
and I here whatever we got in Jetski Briant, we
got into it.

Speaker 2 (46:11):
Just give you a section. We were partying all day
that afternoon. We were drunk.

Speaker 1 (46:14):
Anyway, fast forward to this morning on the air on
the radio, Christ Stephano calls me out and because Elvis
is like, yeah, you know, you compare yourself. You know,
everyone keeps asking about you, and then in the same
sentence they talk about guys like Matt Rife.

Speaker 2 (46:34):
So what what gives here? You know what? Why did
he mention Matt Rife? It was Elvis setting you up.
El No, Elvis was reading, is you don't know who
Matt Rife is? No, I will now, I'll go look
him up. You must. He is the biggest thing in
comedy right now.

Speaker 1 (46:50):
The I remember when you said, bro, do you want
to go see Matt Rife? Atlantic City? And I said, no,
I'm going to see christ Stephano.

Speaker 2 (46:55):
That I remember.

Speaker 1 (46:58):
So Chris gos Chris go, oh, yeah, you know, you
know modern comedians, what you know, it's the advent of
the comedian, and how a lot of them do comedy
like Matt Rife, a lot of big crowd work and
short clips, whereas some old school people like to tell
the long form story, which is not really fit for
video online. So there's this been this, this move to

(47:21):
do more of the Matt Rife style stuff or the
very short quick clips online whatever that then you have
to try and translate and figure out in a long
form act on stage. Anyway, that being said, in that
same breath, he takes me down, he goes, Yeah, he goes.
Obviously it's good enough for Joe Gatto who came to
see me, But Scary Jones over here, where'd you go

(47:45):
see Matt Rife instead? He goes, And then, to an
insult to injury, Scary was hanging out. I saw him
at the Jonathan Peters show in the next day in
the afternoon, and he's in the VIP section. I see
him from afar and I'm sitting around in.

Speaker 2 (47:59):
The back in the VIP. He was not he's a VIP.
He's a VIP.

Speaker 3 (48:05):
He saw.

Speaker 2 (48:06):
I'm like, dude, I'm like, why didn't you fucking text me?

Speaker 3 (48:10):
You let me know?

Speaker 2 (48:10):
I would have got you in there, I would have
hooked you up. But apparently, oh you would have hooked
up christ Stephans. Of course I would have. I knew
the people wanted that party. Wouldn't you rather hook up
Matt Rife? Oh my god.

Speaker 1 (48:21):
So, by the way, I wanted Chris on our podcast
like two months ago because he was promoting his new
TV show and I texted him and he didn't even
get back to me because he was doing a show
that night. Well, and he texted me like a week later,
He's like, Brody, I'm so sorry. I would have come on.

Speaker 2 (48:34):
I was busy.

Speaker 1 (48:35):
I was warming up for a show. I own o
christ an apology because last time. And so if you
look at the picture I just posted between me and
me and Christa Stefano on my Instagram, I must have
gotten back to Joe Gato that he was spoken about
on the air today. Joe Gatto just writes underneath the
comment and he wrote, he goes and something about Atlantic City.

(48:58):
He wrote, he wrote where is it?

Speaker 3 (49:02):
Uh?

Speaker 1 (49:03):
He wrote didn't come to the Borgata shame like also
like literally like rubbing it in that I went to
go see Matt instead of instead of Chris. That day,
and then Chris writes, let's go to Jonathan Peters next time.

Speaker 2 (49:20):
Oh yeah, yeah, yeah, next time. So anyway, uh yeah,
so I owe you apology, Chris. I'm sorry. I probably
should have come to see you. You know, you know.
I don't know if people know this, but he got.

Speaker 1 (49:32):
One of the things he did back in the day
was do a part of podcast with Garrett and worst
assistant Anthony who's with Carla Marie now and the three
of them used to do three Guys in a podcast.

Speaker 2 (49:43):
They did a few episodes of that. So Chris used
to come to the station all the time back in
the day. But anyway, I just commented on Joe Geido's
Joe Gatto's comment, so oh okay, did you really nice? Yeah?

Speaker 1 (49:52):
And by the way, in my Facebook page, I got
that like, you know, memories thing. Yeah, and yesterday I
think was oh god, not years maybe since you and
I played celebrity softball with the Jokers, the whole practical
Jokers group, uh at at the Brooklyn Cyclones game at
the stadium where the Brooklyn Cyclones play.

Speaker 2 (50:10):
Yeah, we played why we we know the Jokers since
they went a guy Forever.

Speaker 1 (50:17):
Christmas a podcast with sal Volcano. Have you ever seen
the do A podcast together?

Speaker 3 (50:23):
Yes?

Speaker 1 (50:23):
Have you ever seen the clip of Sal from The
Jokers saying something about putting something in tupperware, but he
calls it tubberware with two b's and Chris stops him
and goes, whoa, whoa, dude, what did you just say?
He goes, what I put them? I put my leftovers
in tumbleware. He goes, did you just say tumbleware?

Speaker 3 (50:40):
There's what?

Speaker 2 (50:41):
Are you a two year old?

Speaker 1 (50:42):
He's like, what tupperware? He goes, It's not tuberware. It's tupperware,
and I was like, what I've been saying tuberware in
my whole life? He goes, and you're an idiot your
whole life.

Speaker 2 (50:49):
Oh it's so good.

Speaker 1 (50:51):
I forget what that it's some kind of poker related title.
I forgot what the podcast is called. Don't tweet us,
go look it up. They google it. But it's hilarious.
It's like the p PBR podcast. Maybe yeah, I think
that's like that PBR podcast, I think, but very funny.
You know, let mean, listen to our podcast first, but
then go listen to theirs. It's very funny.

Speaker 2 (51:11):
With scary and Brody we're running early today there, Brody,
I need your.

Speaker 1 (51:17):
Opinion on something happened to me today. So I went
out with my cousin the afternoon. We went to a
Text Mex chain restaurant. It doesn't matter the name of it,
but we went to one that's in a mall. And
I may have mentioned it a year ago when I
called for directions and the girl was like, oh, I
don't know. I go in the mall and make a left.
I'm like, okay, but the mall has eight entrances. I

(51:39):
don't know which one you go in.

Speaker 2 (51:40):
I don't know.

Speaker 1 (51:41):
I just parked my car and I go in. And
so she couldn't tell me, like where they were located
in the mall. That's the place if I mentioned the
last time, you know what it is. Anyway, we went
for lunch today and I had gift cards. Now, if
you remember scary, you won't remember. But this place was
kind enough a couple of years ago to come up
to the Morning show and give everyone gift cards on
the Morning Show and a few of the guys on

(52:01):
the Morning Show. Ladies and gentlemen on the Morning Show
don't often go to this part of New Jersey where
this restaurant is located. So a couple of you were
kind enough, not you, but a couple of you guys
on the show are kind enough to give me the
extra cards. So I went today with my three or
four cards to this really really good tex Mex restaurant
and I ordered food and I think the bill came

(52:23):
out to fifty eight dollars maybe okay. I had a
couple of cards. I didn't know how much was still
on the cards. I couldn't remember. If they were fifty
dollars cards, twenty five dollar cards, I couldn't remember. So
I give the guy a few cards and I say, hey,
pay with it with the cards and let me know
if there's a bounce. If I owe you any money,
I go, here's my credit card. If I owe you
any money, I don't know what's on the cards. So
he comes back and he says, now, a couple of things.

(52:45):
I had ordered my my three enchiladas, and I said,
can I get some kotiha chiese on the side, kotiha
cot i jes coojita cojaa. I think it's aa, I
think it may be right. Hold on, I thank you, Joel.
I am yeah, it's kohita. Sorry, yeah, it's in my
fridge too. Yes, s no, it's cot i j ah

(53:07):
me running. Yeah, yeah you are, and and I like it,
so I know it's kotija anyway, So I said, can
I get a little kotia on the side?

Speaker 2 (53:15):
Absolutely?

Speaker 1 (53:15):
Absolutely, Well, he brings the food my die coke, no ice,
no problem, And he didn't bring the cheese. I forgot
about it. So when the bill came, uh he dropped.
He says, uh, oh, I'll take your credit cards. I said, oh,
by the way, I didn't get the koteaha cheese. You're
going to bring me on the side, you know whatever.
So he says, oh, no problem, you no problem. So
he goes and comes back and he says, first of all,

(53:36):
he brings me my check, you know. After he takes
the cards, he comes back goes, sir, here's a nice
big portion of kotiaha cheese for you to bring home,
like a big side order.

Speaker 2 (53:45):
How nice of him. Yes.

Speaker 1 (53:47):
As the check comes and my food's done, and he
gives me a big bag of chips to take home,
he's you know, and he says, you have six dollars
and change on this card and there's no balance on
the bill, and oh, I said, that's great. I said, well,
here's the problem. I want to give him a nice tip.
I don't have any cash on me. Oh, and I'm
treating my cousin the lunch with my kid cards. And
you can't tip on the card, right because he didn't

(54:09):
ring anything up. So a lot of restaurants, what they'll
do is they'll ring you up for a penny. Yeah,
and then this way you can add.

Speaker 2 (54:16):
A tip to it.

Speaker 1 (54:16):
So I said to him, hey, can you do me
a favor, take back my card if you have to go,
ask a manager whatever, ring me up for a penny,
and this way, I'd like to give you a nice gratuity.
But I don't have any cash. He says, oh, yes, sir, absolutely, yeah.
I don't know how to do that, but I mean,
I'm go take care of that for you. I go, well,
you ask your manager, ring me up for a penny,
whatever you got to do. I'd like to give you
a nice tip up.

Speaker 2 (54:35):
Okay. Great.

Speaker 3 (54:36):
A lot of.

Speaker 2 (54:36):
Places will ring you up for the lowest amount, like
a soda, a small soda or a coffee, because it's
a ringable amount. I don't know if a penny is
exactly a ringable amount. Huh.

Speaker 1 (54:45):
A lot of podcast hosts would shut the fuck up
while I'm telling the story and don't.

Speaker 2 (54:48):
Ruin the ending. Oh, give me a break, Okay, can
set that out. Okay. So he comes back and.

Speaker 1 (54:54):
I'm sorry, I fucked your story up. Go fuck yourself.
You fuck up all my fucking punchlines. Ah, your punchline suck. Anyway,
he comes back all excited like he'suckly skipping, and he
goes here. He goes, sir, I couldn't ring you up
for a penny, but I rang you up for a
dollar and what yeah? He goes, I rang you up
for a dollar, so look at it. It's a dollar
plus tax. Of course it's a dollar six. So I said,

(55:17):
you got a problem.

Speaker 2 (55:18):
You have a problem with this.

Speaker 1 (55:19):
So I said, wait a minute. You charged me a
dollar six that goes to the restaurant so that I
can now tip you, and I'm out the dollar six.

Speaker 2 (55:30):
He goes, what I go? Should I take?

Speaker 3 (55:33):
I go?

Speaker 2 (55:33):
You know I'm gonna take the dollar six out of
your tip? So what do I do?

Speaker 3 (55:36):
I go?

Speaker 2 (55:37):
Shouldn't you have asked me?

Speaker 1 (55:38):
I said, I said, ring me up for a penny
because some places will ring you up for a penny
like you do miscellaneous.

Speaker 2 (55:44):
He goes, no, I I rang it for a dollar.
I go, yeah, you need to avoid that. So he
voided it.

Speaker 1 (55:49):
And then what how did he get his tip? My
cousin had money in her car. She went to the
cornch game.

Speaker 2 (55:53):
A nice tip. You quibbled over a fucking dollar six?

Speaker 1 (55:57):
A dollar six, bitch slices s use the talkback feature
on your iHeartRadio app.

Speaker 2 (56:04):
What would you have done? Would you have paid a.

Speaker 1 (56:05):
Dollar six for the right to give him a dip
and just throw away a dollar? Oh no, we'll buy
a soda with what? What cost a dollar six? A
small coke, a small diet pass with no ice? What
am I gonna do? We were leaving, What am I
gonna buy a soda?

Speaker 2 (56:17):
To God? I don't eat soda to go?

Speaker 1 (56:18):
Dude, you you very regularly take fucking sodas out of
refrigerators to go when didn't even belong to you. Grape soda,
grape soda. They owed me the grape sod. They will
find what I said. You listen a lot of times,
it's a preclculated thing. I've seen this before. I've been
a victim of it. I said the same thing, you
ring me up for a penny, and they say, I

(56:40):
can't ring you up for a penny because it's not
in the system. That way, it looks like we're doing
something weird. So I can ring you up for the
smallest amount. I'm like, okay, I'll take a small coffee,
sixty nine cents, whatever the fuck it is. But give
me my give me the coffee or give me the soda,
give me a bottle of water, a bottle of water.

Speaker 2 (56:57):
Brody, you could use a bottle of water. Later a
theme rest, you could order a bottle of water. Brody.

Speaker 1 (57:03):
They don't have bottles of water that fuck they put
am I getting Pellegrino at Red Robin.

Speaker 2 (57:07):
They don't have that.

Speaker 1 (57:08):
They have a Poland spring, some random bottle of plastic,
bottle of water GI Fridays, none of those places. They
give me water from the sink. What was it that
costs night a dollar?

Speaker 2 (57:16):
I don't know. It just said miscellaneous a dollar. It
didn't say what it was.

Speaker 1 (57:20):
I said, you should have you should have did Did
they let the guy charge you what he was allowed
to charge you and they give him a dollar lesson tip?

Speaker 3 (57:28):
No?

Speaker 1 (57:29):
No, you you give him the full time before you
say it slices, I'm not charging it paying a dollar
for the koteahtchies because he promised to give me that
earlier for free. Anyway, my point is he should have
come to me and said he should have come to
me and said, hey, mister Brody looking at my card.
You know, is it okay to ring you up for
a dollar? Then I would have said, you know what,

(57:49):
why don't you give me a taco to go? I
would have paid six, eight, ten dollars whatever, But a
miscellaneous dollar, I'm getting nothing.

Speaker 2 (57:56):
I gotta get something.

Speaker 1 (57:57):
You want to tip, right, So so whatever cast that dollar,
whatever it was, I'm telling you that he ran me
up miscellaneous small soda whatever that was. Soda was like
three and a quarter. They don't give you a dollar
soda and theme restaurants, it's like going to a baseball game.
They rip they rip you off on that show Make
it bro Maybe you could bring home a side of
milk or whatever it was. It's not side of milk

(58:17):
what McDonald's. What are you talking about?

Speaker 2 (58:20):
Whatever?

Speaker 1 (58:22):
Whatever it was that, I would take them the merch
whatever was given to me and then suck it up.

Speaker 2 (58:28):
It's a dollar, merch it's a dollar. Nothing. You have
missed the bougie bugie bastard. I'm not bougie. I'm just
not nitpicky like you. You're crazy picky. That's a dollar
out the window. I could buy it. I could buy
a Hershey bar. But your intention was to tip the guy.

Speaker 1 (58:46):
And if it cost you a dollar to tip him
on a credit card and get an extra dollar, a
dollar and a six. Look, the government deserves my six cents.
That's fine, build a road, But as far as the
dollar goes, why should the restaurant get an extra dollar
for me? Look if the dollar went to him, I'd
be fine with it, But why should the big corporation
get a dollar?

Speaker 2 (59:04):
And yes, I know I didn't pay for my lunch.
I know, I know, I know.

Speaker 1 (59:08):
Before you're like bro, I have to say, you're already
playing with house money. From the beginning, from the very beginning,
you played.

Speaker 2 (59:13):
With house money.

Speaker 1 (59:14):
You didn't you didn't pay a penny towards the DA.
You didn't stand scary. I ate fifty eight dollars worth
of food for free. My cousin ate for free. But
that dollar would a bit you son of a bitch.
Think listen to what you just said.

Speaker 3 (59:29):
You just got to.

Speaker 1 (59:30):
Fifty eight dollars of food for free. You didn't have
fifty four three. By the way, those those gift cards
were given.

Speaker 2 (59:38):
To you, you didn't buy. You didn't earn those. You
didn't earn them.

Speaker 1 (59:41):
I earned them by being the only one who was
willing to drive there. You all lazy bastards are living.

Speaker 2 (59:46):
You outs wire them.

Speaker 1 (59:47):
It wasn't a loyalty program where you spent a certain
amount of money and food you were handed those morning shows.
Everyone in the morning show was loyal to me and
gave me the cards. Yeah, you were playing with house money.

Speaker 2 (59:59):
It was all.

Speaker 3 (01:00:00):
It was all.

Speaker 2 (01:00:00):
It was the icing on the cake. You It doesn't matter.
It didn't matter at that point.

Speaker 1 (01:00:06):
Listen, if if I'm losing a dollar, I lost a
dollar because now I've already gotten fifty seven dollars for free.
I wanted my fifty eight. That dollar can go towards
a grape sod at the Chinese restaurant someday.

Speaker 2 (01:00:17):
Oh my god, Oh my god, How does your family
put up with you? They don't? Is that why you're
always alone and with the dogs all the time. They
just know me. They just fuck me.

Speaker 1 (01:00:29):
You know how, we're going out. I go where We're
going to see Barbie again for the seventh time. Gotta
go edything, but but just stay in this fucking house
with you. I gotta get out of here. My family's
like put they want me to put the put on
a waiting list for the Olivia Rodrigo concert.

Speaker 2 (01:00:43):
I go, oh, do I get to go? They're like nope,
Like what you want me to put my name in
for tickets if I get If I get tickets, I'd
like to go, like, you're not coming, Yeah, you're something else,
David Brody, aren't I though? Yeah?

Speaker 1 (01:00:55):
Hey, you know, by the way, if I'm gonna get
a lot of shit for this, because I know it's
wildly popular, but sex, I don't understand English, the excite,
the excitement about UFC.

Speaker 2 (01:01:13):
There I said it.

Speaker 1 (01:01:14):
Oh, heavily tattooed guys with no teeth punching each other
in the face and hitting each other for me, and this.

Speaker 3 (01:01:20):
Is just me.

Speaker 1 (01:01:21):
It's it's extremely it's extremely barbaric. The blood and the
guts everyone, everything's out there in the ring. It's very
much it's a medieval It's almost like we're return to
medieval times.

Speaker 2 (01:01:32):
We're all they're in.

Speaker 1 (01:01:33):
A cage or whatever's horseback riding and jousting that's something else.
And there are people screaming, and the adrenaline's going and
it's testosterone is pumped up.

Speaker 2 (01:01:43):
I don't I don't.

Speaker 1 (01:01:45):
I mean boxing, maybe boxing, because they're they're with their
padded gloves and and that's okay.

Speaker 2 (01:01:53):
I'm not. I'm okay with boxing, but UFC.

Speaker 1 (01:01:56):
I can't sit through these matches. And and I know
it's one of the most popular sports in America right now.
You know, I don't think people should be showing it
at a restaurant.

Speaker 2 (01:02:09):
I think I spoke about this last time, how Robin
and I went to a Brooklyn restaurant, an Italian, a
red sauce restaurant.

Speaker 1 (01:02:15):
That was your first mistake, thinking that you're gonna have
some classy TV show on at a Brooklyn I don't
even want to screen on and we're watching, Oh yeah,
I told you about that. I think I spoke about
it on the podcast. When you're having dinner and all
of a sudden, you know I'm this. You know, the
red sauce comes, the meatball covered in sauce, and the
next thing I'm looking, I'm looking up at some guys
getting some the meatball covered in sauce, some other.

Speaker 2 (01:02:34):
Meatball on the screen.

Speaker 1 (01:02:35):
It is covered in fucking sauce, and I'm like, oh,
am I eating blood right now, I'm seeing blood on
the screen.

Speaker 2 (01:02:40):
This is disgusting. Turn this off. Well, I spoke to
a couple of security guards and then they beat the
fuck out of you.

Speaker 3 (01:02:47):
No.

Speaker 1 (01:02:47):
Recently, they told me that their bars have stopped showing
the UFC fight as profitable as it is because they
claim that anytime there's a fight night a big one,
and they packed the house with people that as soon
as those fight, the UFC fight is over, there's always
a fucking fight or several in the bar after that.

Speaker 2 (01:03:09):
Oh, why don't they put porn on that and see
if the same thing happens. That would be amazing. But
right an orgy breaks out every night.

Speaker 1 (01:03:16):
I mean, I guess you could equate it to bringing
a uh, bring a football to Thanksgiving dinner, because you
know that you're watching, you're watching the pig skin, you're
watching you're watching those games, and people who are out
in the street and they're tossing the football back and
forth because you're.

Speaker 2 (01:03:31):
In the mood. Is that what happens? You get in
the mood to fun fucking clock someone in the head
because I think, I.

Speaker 1 (01:03:36):
Think you're watching violence and it's it's like okay again,
it's like what you watch porn, you get aroused, right,
you get, you get in the mood for what you're watching.
If you watch a cooking show, you get hungry, right,
yes I do. If I watch a detective murder mystery,
I get and I start looking for clues. That's just
the way it is, like dead bodies. So yes, apps,
I don't think you can watch UFC and be like, oh,

(01:03:57):
look at daddy kicked his teeth out. It's like, yeah,
fuck about I.

Speaker 2 (01:04:01):
Think that's the way. And then you get into a
fight at the bar. So it's a liability.

Speaker 1 (01:04:05):
I'm harmless and cowardice. You wrapped in one. But there
are always a few in the crowd that are gonna
so fights. But they told me that an insane amount
of fights breaking out.

Speaker 2 (01:04:15):
In fact, they you know, on a night of a
UFC fight and hobo, can you always hear ambulances? You
always hear police.

Speaker 1 (01:04:23):
Cars and see sirens and hear sirens and see cars
the flashing lights because they have to kick people out.
Any bar that's shown the UFC fight always has an issue.
Okayl why would you invite that to your business? Hold on, slice,
they need you to help me out here again with
the leaving us to talk back. I can see like
a tough, big guy, you know, a big you know,

(01:04:44):
tough woman, like.

Speaker 2 (01:04:45):
Yeah, I just go watch some people. If you are
a nerd like and I love I love nerds. I'm
a nerd.

Speaker 1 (01:04:50):
If you're like, honey, let's go to the bar and
watch some you have seen people gigging each other. And
if you're like some scrawny guy with glasses and you're like,
they want to go on some people, please let us
know because I don't think that.

Speaker 2 (01:05:02):
I don't I could be wrong. I don't think the.

Speaker 1 (01:05:06):
Non violent, non athletic uh uh person is into that.
I think people who are like you know, I picture
like big construction workers, military guys, like you know, real
real man. I'm not a real man. I'm like, uh,
you know, at male parts. But other than that, you know,
I like sports, but I'm not like, yeah, I'm a guy.
I'm not yeah, And that's a bad.

Speaker 2 (01:05:26):
Thing for me simp. No, I'm not a simp as
it means. That's what it means.

Speaker 1 (01:05:31):
Simp means like I have a crush on Taylor Swift.
I simp for her. You don't know what the word
sip means. You are a dumb af No no, no, no, Google,
it means more than that said, you mean a gimp.
Put a ball gag in my mouth.

Speaker 2 (01:05:47):
Continue. I sometimes walk with a limp. Uh. I'm just not.
I'm so I'm not.

Speaker 1 (01:05:53):
I'm not like a I'm not like a big man, right,
I'm not like a biker guy. I'm like not alpha
what not?

Speaker 2 (01:06:00):
No, and I don't. I don't think one of us
is no neither. We're far from it.

Speaker 1 (01:06:05):
So I don't like watching other alpha men beat other
alpha men up because I don't want I don't like
the fighting. I don't want to be in a fight.
I don't want to like watch a fight. If I
see a fight, I don't like run towards it.

Speaker 2 (01:06:15):
I run out.

Speaker 1 (01:06:16):
If I'm a sporting event and there's a fight, I
don't like stand on my chair to watch it. I turn,
I'm like, oh, I don't want to watch that. I
don't want to watch the game I don't like looking
at a car accidents on the side of the road.
I don't want to be in a car. I like you, Yeah, yeah,
that's not who we are. So for us, UFC is
not our thing. But if it was mud wrestling, you know,
a couple of attractive women, I might watch.

Speaker 2 (01:06:37):
That a year alone on that island. Two Now, maybe
mud wrestling. Maybe how about jellow wrestling.

Speaker 1 (01:06:42):
I don't know what I'm saying is I'm not I'm
not opposed to boxing matches because I like the heavyweights
because there's like there's a lot of calculation in each punch,
and there's a lot of strategy and there's a lot
of like waiting and looking for an opening. I like
that part the chess game in a heavyweight boxing match.
You know, But as far as you have se I
know it's an art form. I know you have to

(01:07:03):
be very skilled and athletic and know when to make
your move and when to kick someone's teeth out and
when a gouge his eyes out or women same thing.
It's just not for me because I couldn't do it.
I don't want to be part of it, and I
just I'm not into that kind of violence. And I
certainly don't want to watch it when I'm eating dinner,
but I totally understand why some people would love it.
I do all right, this is not us.

Speaker 2 (01:07:24):
I rest. I gotta go pack for Vegas.

Speaker 1 (01:07:26):
Well with people, are you gonna pee on the podcast
while you're on the should take the microphone with me
and take you all to the bathroom. Bring the mic
into the bathroom, take a piss. I'm very comfortable. I'm
very comfortable around all of you. So you're not the
kind of guy that would punch the other guy, but
you're the kind of guy that would piss while're the
phone hand. Yeah, I've got no problem. I got nothing
to hide there, so not a lot. I gotta go

(01:07:46):
to Vegas. It's the Ihearadium Music Festival weekend. Well, well, wait,
go ahead and play some talkbacks though, right, couple, we
didn't well no, this is the last segment and we
didn't really get too many of them. We're gonna accrue
them for next week.

Speaker 2 (01:07:57):
Kay.

Speaker 1 (01:07:57):
We didn't do our We didn't release our podcast to
like fucking Sunday Afternoon.

Speaker 2 (01:08:01):
Thank you, bro. It was your fault.

Speaker 1 (01:08:02):
It was not my fault, but mister I got away
from my British friend for butters to come in and
take me to dinner with the Steve Byoki Eyes.

Speaker 2 (01:08:09):
But oh scary, yeah, bro? What okay? Okay?

Speaker 1 (01:08:13):
Two things before we leave? Number one, why I have
a shout out before we leave too, Yeah, I have
a shout out. Two things where we leave. I am
going to see and I'll give you my review next
week Tomorrow night a Friday night with today's We're posting
this on what Tonight's Thursday Thursday, but hopefully we'll post
it on Friday night. But I'm going to see The
Shark Is Broken, which is a show, a Broadway show

(01:08:34):
about the shark malfunctioning in the all time classic movie Jaws.

Speaker 2 (01:08:40):
And it's written and acted out by one.

Speaker 1 (01:08:43):
Of the sons of one of the guys from Jaws,
who played quint Robert Shaw. His son directed, Alex Brightman,
is in it. Who's one of the greatest Broadway shows
on Broadway. He did he was in School of Rock
and we got to meet him on the stage of
Beetlejuice the Winter Garden Theater.

Speaker 2 (01:08:57):
Anyway, I'm going tomorrow night.

Speaker 1 (01:08:59):
I'll tell you who I go with when I when
I confirm, But I'm very excited because especially since Brodie's
the main character and as a kid, everyone was like,
oh hey, look at Sure of Brody. So I'm a
big fan of the movie. I'm going to see it
tomorrow night, and I'm excited. Lastly, I wrote a song
parody that I asked Scary to get produced for me
because I don't work for the company anymore officially except
for the podcast, and I said, Scary, get this produced.

(01:09:22):
It was about Scary's family having a plot his father
buying graves for everyone in the family right now already done.
So the next day I wrote a parody which is
like four episodes ago, and I got it produced finally
because Scary forgot and he went down his crew.

Speaker 2 (01:09:34):
Do you want to leave everybody with that song?

Speaker 1 (01:09:36):
No?

Speaker 3 (01:09:36):
I do not.

Speaker 1 (01:09:37):
We'll play it next week, but remember what the conversation was.
I'll reset it, but I want you to know I
wrote it in a timely manner and Scary fuck you
guys like.

Speaker 2 (01:09:46):
Mad Brody is giving getting the credit here.

Speaker 3 (01:09:48):
That was me.

Speaker 2 (01:09:49):
I wrote that.

Speaker 1 (01:09:51):
Of course, because it's our podcast, I can say that.
I'm not calling all the podcasts up and letting people
know I wrote it.

Speaker 2 (01:09:57):
That's however, work right there. David Brodi, Jan.

Speaker 1 (01:10:00):
Sal Volcano Volcano and Christa Stefano play my song on
the PBR podcast. I will call into that show and
remind him its mind and they stole it, but they
wouldn't do that. They're very crati. They don't need to
steal from me.

Speaker 2 (01:10:10):
Hey.

Speaker 1 (01:10:11):
And finally, one of our biggest slices has gone off
to college and we want to say congratulations and lots
of luck. Spencer Neil that is the son of Daniel Man.
Spencer went off to college a couple of weeks ago.
Helesk playing soccer professionally. I think he's going place as that.

Speaker 2 (01:10:30):
Kid he's going. He's going, He's going to London.

Speaker 1 (01:10:33):
He leads is in leads, yes, which is a good
name for a team name if they're always in the
lead to get the leads. But here's the thing that
you see posted as danielle posted his mom, he had
a photo shoot for the school for the team. Like
he's a celebrity now, yes, he's like photo shoot, Spencer.
We're really proud of you. Man, you're a rock star.
You're gonna crush it or Spenny as your mom calls you, Benny.

(01:10:56):
Thanks for Rennie, thanks for always being there with us.

Speaker 2 (01:10:58):
All right.

Speaker 1 (01:10:59):
He packed his Brooklyn Boy's hat, which he bought. Where
did he buy the Brooklyn Boys hat? Scary in the
merch store with the Brooklyn Boys merch store at Brooklyn
Boys dot petebigcartel dot com.

Speaker 2 (01:11:12):
Let me explain what scary, just man?

Speaker 1 (01:11:14):
He meant Brooklyn Boys dot Bigcartel dot com, all of
your Brooklyn Boys merchandise.

Speaker 2 (01:11:20):
We've got a lot of stuff there. Check it out.
If you've never been to the merch store. You might
find some back if you have.

Speaker 1 (01:11:25):
Yeah, repeat customers, and we got a deal coming soon, right, Maddie,
Maddie merch We.

Speaker 2 (01:11:31):
Gotta go now. They can't wait for the deal. We
don't have a deal yet.

Speaker 1 (01:11:35):
We don't have a deal, go now it Just get
your shirts, give us the dollar six. We're sold out
on Brooklyn Boys yamakas by the way, sold out and
limited time only.

Speaker 2 (01:11:46):
No, we still have the mask on COVID Denier. Bye,
You're an idiot.

Speaker 3 (01:11:52):
Boys.

Speaker 2 (01:12:00):
Oh Hea