Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It is in a minna standing ovation for Lizzo.
Speaker 2 (00:11):
I love this outfit.
Speaker 3 (00:14):
You look so good.
Speaker 4 (00:15):
Oh honey, this is a miracle.
Speaker 1 (00:20):
You're not going to blame it on the juice, now,
are you?
Speaker 4 (00:23):
Which juice?
Speaker 1 (00:26):
J Okay, So you're really just kind of mowing it
up in New York City. That's what you're supposed to
do here. That's good.
Speaker 4 (00:32):
I haven't slept system Yella.
Speaker 1 (00:34):
You know what Mom always says, it's time to sleep
when you're dead.
Speaker 4 (00:38):
Oh, and I feel so alive, I heard, Liz.
Speaker 1 (00:43):
As soon as we're done, you're going to hope head
back to the hotel.
Speaker 4 (00:46):
I'm going to sleep.
Speaker 1 (00:47):
What the good news is, you're going to sleep after
the interview. The bad news is this is like a
five hour interview.
Speaker 2 (00:54):
No, we're going to work out.
Speaker 4 (00:56):
Well, you know what, I wouldn't want to be anywhere
else in the world.
Speaker 1 (00:59):
Well, thank you be in here. You know, Lizzo, every
time we're with you, we always have the best time.
You always bring us the good vibes, and we needed it.
This isn't about you, Today's about us and what we need.
Speaker 4 (01:09):
Harry. It's always about a new.
Speaker 1 (01:12):
Album coming out this summer. We've heard a couple of
cuts already, Yes, and I'm gonna play one in a
few minutes.
Speaker 4 (01:18):
Which one a minute?
Speaker 1 (01:23):
Okay, Well i'll play what, I'll play whatever you're telling
me to play.
Speaker 4 (01:26):
Okay, Because I have a new version of Still Bad,
the demo version, Animal Style dropping, I'm about to just
drop it today.
Speaker 1 (01:32):
Actually, well, you gotta drop it in my computer in the
next five minutes.
Speaker 4 (01:35):
How do we do that. Well, we'll figure it out.
Speaker 1 (01:38):
We'll figure it out, and you know, keep in mind,
we'll play this version and when we get the new one,
we'll play that one.
Speaker 4 (01:43):
Thank you.
Speaker 1 (01:44):
This is no race.
Speaker 4 (01:44):
Have you seen Lizo's phone case? Look at this moonlight
it's the Sailor Moon Crescent ones.
Speaker 1 (01:53):
Yeah, that's a very complicated phone case. I like it.
Speaker 4 (01:56):
If I could do this and and cure my hangover
before it happens. Water, just water, honey, not anymore.
Speaker 1 (02:05):
I need a lecture light. Well, here here's the thing.
You came to New York to party. You can't have fun.
I did, so you need to accomplish that and you're
doing it.
Speaker 4 (02:13):
Oh, thank you.
Speaker 1 (02:14):
Look, you're not the only drinker in this room.
Speaker 4 (02:16):
I know that. I heard that we're supposed to do a.
Speaker 1 (02:18):
Shot together if you want.
Speaker 4 (02:19):
There of the dog, they say.
Speaker 1 (02:21):
Your people just looked at.
Speaker 4 (02:22):
Me like your people are looking at you like yeah,
my people.
Speaker 1 (02:27):
Look at me like no, you don't need it either.
Speaker 3 (02:30):
How many times Michael Buba has been in here getting
us strong? Shaggy's come in and gotten us drunk?
Speaker 4 (02:35):
Who else in the morning?
Speaker 1 (02:37):
Yes, a stroke diddy? Oh he did though. No, there's
not a joke he did.
Speaker 4 (02:44):
I know you weren't joking. It's like, is it too soon?
Speaker 1 (02:49):
No? No, no, no, no. I don't know what else
he did, but I keep slipping off my chair. What
you don't say? It you didn't say, Oh my god,
you're gonna.
Speaker 4 (03:01):
Get me canceled.
Speaker 3 (03:02):
By the way, Michael bo Blaze alcohol is still here
that we drank and see on the top shelf.
Speaker 1 (03:06):
It is top shelf liquor.
Speaker 4 (03:08):
Okay, did you have a question.
Speaker 5 (03:09):
Yes, you've been partying for a couple of days and
you look good. Is this hair and makeup from last
night's party? And you just rolled right in.
Speaker 4 (03:15):
Here, literally, ma'am, No, literally, I got a little touch up.
No shot, by the way, shout out my makeup artist,
Alex Mayo. He just dropped this well he's dropping this
thing called eternal water, and it's this thing that he
puts on my face and so my makeup doesn't move.
This is this is my makeup from yesterday.
Speaker 1 (03:33):
We need to get Sally.
Speaker 4 (03:35):
I did a magazine shoot like at noon yesterday and
he put it on my face and I have not
taken it.
Speaker 1 (03:41):
Off since then. You look good, right, No water.
Speaker 4 (03:47):
Literally eternal water, dream loud water.
Speaker 1 (03:50):
So you're still young, and you know when you're my
age you look for things like that.
Speaker 4 (03:54):
You did all the You can put a little eternal
on you, baby, but I just called it nineteen forty two.
That's my water for you, so warm, honey.
Speaker 1 (04:03):
You can't call you up? Is it what they say
when you get a shiver all of a sudden, someone's
stepping on your grave. Whoa, I've had that three times today.
Speaker 4 (04:13):
This is not an interview people who are in their
cars listening to the radio. I'm so sorry, and I
love you.
Speaker 1 (04:23):
There are things to talk about, the new albums coming
out this summer. Okay, what else you want to talk.
Speaker 4 (04:29):
About right now? You know what really press? Can you
about the met Gala? Okay?
Speaker 1 (04:40):
Yeah, we want to talk about it, can't we do?
Speaker 4 (04:42):
It. We can talk about anything you want. Babies.
Speaker 3 (04:43):
So the rumor is is that the red carpet is
the most important, and that a lot of people change
once they get inside, and that once you get inside
is kind of boring.
Speaker 4 (04:52):
WHOA who said that, We've heard that you do you
can change. I have never well, except for the time
I performed. I perform the car Lager Fell year, so
I had to change some my performance out there. Every
other time, I'm stuck in a corset and I can't sit,
So every year it's about finding out how to sit down.
I had to do like side saddle this time because
my corset was so tight. Wow. I literally like had
(05:14):
to straddle a chair on the side, and I had
like a team of people move like just people inside,
like moving my skirts, and I was just like kind
of leaning on the side of my chair. I don't
think it's boring. I actually have so much fun. You know.
Social anxiety is afraid of me. So when I'm in there,
I'm just like looking for people that I don't get
the opportunity to speak to, and I speak to them.
Speaker 1 (05:35):
Like Nicki Minaj the other day, Nicki Minaj, you saw
her and you you did get a little nervous, like
should I go say hi to her?
Speaker 4 (05:41):
Yeah? I always get starstruck when I see Nicki Minaj
every single time, so you know, I was just like,
there she is, you know. And then I was like,
I'm gonna go speak to her. And I got the
gumpsh and go speak to her. But she was leaving
and I was like, you look beautiful. She said you
look beautiful, and she got in her car and she left.
I said, yeah, home safe. Jeff Goldbloom, Oh my god,
(06:03):
me and Jeff we just hailed hands and we just
stared into each other's eyes. He's such a passionate human.
It's like he's like eating everything that you're saying. He's like, yes,
flute Jack, that was really fun.
Speaker 1 (06:17):
That's actually Jeff off the cuff.
Speaker 4 (06:20):
Guys.
Speaker 1 (06:21):
You know, he is a fascinating guy.
Speaker 4 (06:23):
Fascinating.
Speaker 1 (06:24):
Do you find yourself attracted No, not sexually, but in
arid and a conversation. At tried to to be like
quirky people like that, people that they're always that picture
on the wall that's crooked and you straightened up and
it's crooked again. Jeff gold Bloom is one of those,
Oh my, who else fascinates you.
Speaker 4 (06:41):
Oh, who is that?
Speaker 1 (06:43):
The megal or enjoy anywhere in life? I mean, just
I know that's kind of like.
Speaker 4 (06:46):
It's so broad, just a broad question. But I can
also take it back to the megala. Andre three thousand,
super fascinating person, you know, because he's like arguably the
most talented rapper of all time, and he just like
decides to not give us albums. He's like, I'm just
not going to do it for you anymore. As a matter
of fact, I'm going to do a flute album. So
(07:08):
I downloaded the whole thing.
Speaker 1 (07:09):
Did a keyboard like a piano?
Speaker 4 (07:11):
The piano.
Speaker 3 (07:11):
Yeah, that's why he wore a piano.
Speaker 4 (07:14):
Wait, that was to promote his eyes.
Speaker 3 (07:16):
He dropped something that same day.
Speaker 4 (07:17):
A genius. Are these fan questions?
Speaker 1 (07:20):
If you can't can I see what he says?
Speaker 4 (07:26):
You know, literally we can't say that on the radio,
but actually, guys inaccurate.
Speaker 1 (07:32):
If we gotta get to noon.
Speaker 5 (07:34):
Oh my god, you know I have more questions about
the Matt Gatherer One.
Speaker 2 (07:40):
Do people talk business there?
Speaker 5 (07:42):
So you run into Andre three thousand and you love him,
would you ever be like, hey, you know we should
collaborate sometimes?
Speaker 4 (07:46):
Oh, I absolutely did I read that's my only chance
to talk to and most people, if I see them
all the time, I'm like, I'm not gonna bore you
with work. But with him, I was like, when do
you see He's like a unicorn, like when do you
see him? So I rolled up on him and I said,
if you ever want to jam out on flute, I
am available. I know people you work with, So if
I call them and you're jamming on flute, can I come?
(08:08):
And he was like yeah, And I was like that's
all I need to note, and I ran away.
Speaker 2 (08:12):
I will be there yea.
Speaker 5 (08:12):
And then too do people eat at the metcalan?
Speaker 4 (08:15):
I just can't imagine it happened. If you have a
corset on your came occasion. I ate my food, He
ate his food in it. I didn't eat because I
don't know. I don't eat at the met gala because
I'm too busy yapping. So I'm just like drinking and yeah,
the corset, and so I just look over your kids
and I'm like, you're gonna eat that. I was like,
oh my god, baby, you're not here eat my food.
(08:35):
And so he took my he tore my food up.
I said, okay, it's very maternal. You like here here, baby,
You're not toys here baby.
Speaker 1 (08:45):
I'm gonna go back to something you said earlier about
going there. Social anxiety is afraid of me. See, I'm
the opposite. We went to kind of a fancy schmancy
party down in Miami Friday night.
Speaker 4 (08:55):
Wait, you were just in the n I A. And
now you're here for the shoe party. Boy.
Speaker 1 (08:59):
We went to uh car Carbone Beach.
Speaker 4 (09:01):
You took the PJ the Carbone. Yeah, he did big
Daddy Elvis.
Speaker 1 (09:07):
I but see those events with the you know, the
lamb lambou driving people.
Speaker 4 (09:12):
I don't.
Speaker 1 (09:13):
I'm that's so not that person, right, And I get very.
Speaker 4 (09:16):
Sure because I saw your lambou out front.
Speaker 1 (09:21):
I drive a Prius. I don't really, but it's electric car.
So you don't get nervous around the people that are
you know, like the like the type faced leather p
wearing you know what I'm saying, type face leather you
know people people I can't relate with him. Yeah, And
so I get nervous at the met gala. I don't.
(09:42):
I don't know if I would do well, I would
I would vomit all over myself and crack my pants.
I just but you're you love that talk about that.
You live for it, you live them for that energy. Well,
I cracked the code. I realized, what's that.
Speaker 4 (09:53):
Everybody's awkward and everybody's anxious. So if everyone's anxious, I
can do whatever, I can say whatever I want. And
they're actually I'm actually a relief to people like that.
They're like, oh thank god, because sometimes when people just
kind of look at you when you're talking, they'll be
like this, and I'm like, oh my god, I'm scaring
them off. I need to stop talking to them. But
I realize, no, they just don't know what to say.
(10:14):
So I just keep running my mouth and it makes
them comfort. It makes them comfortable.
Speaker 1 (10:18):
So that's why you're great at any in any social setting,
because you are the spark plug that makes it room.
Like you threw my notes away and I'm gonna I
want to talk. I want to talk about the.
Speaker 5 (10:28):
Album he's talking about. Is exactly what this album sort
of is about.
Speaker 1 (10:32):
Because we look.
Speaker 5 (10:32):
At celebrities and we think they're so smooth, they're so cool,
they're amazing, no awkwardness because they're famous, which is not reality.
That's just what we're saying, which is just like social media,
it is not reality.
Speaker 4 (10:42):
It's what people see.
Speaker 2 (10:44):
And that's what you.
Speaker 5 (10:44):
Are talking about with this album, Like your real friends
are the important thing. Love is in the real life
online that's not real. That's not gratifying, no at all.
Speaker 4 (10:54):
Like the real love is in the room. This is
like real love, Like you know, this is better than
in the zoom for me or a FaceTime to be
able to see you. I remember once I think we
had to do an interview over zoom and we did
a couple of my heart ached. I was like, I
miss you guys, like I want to be in the studio.
Speaker 1 (11:10):
Nothing hits like we couldn't breathe on each other back then.
So the album is about what's real in your circle.
That and you know it's real. You know, social media
just isn't real, but sometimes we allow it to be
a little too real and it really fs us up.
You know, I.
Speaker 4 (11:27):
Actually don't know that it's not real. I actually made it.
I actually made it very real to me in a
lot of ways. Like you know, if people loved my outfit,
you know, the night before I'm like, oh my god,
people love me, people really love me. I don't think
that the love is fake. And I think when it's
hate everyone hated my outfit, I can't differentiate and be like,
(11:49):
I can't pick and choose and be like, well, if
they love my outfit, then it's real, and if they
hate my outfit, then it's fake. So it's kind of
a strange thing and it kind of messes with your
head a lot. And I think it's like actually just
learning how to curate you know what, I mean, your
experience in the access the Internet has to you and
that you have to it.
Speaker 1 (12:08):
Well, so in love in real life. Now me trying
to sound smart while drunk, But so, why this message
this album right now?
Speaker 2 (12:21):
What?
Speaker 1 (12:22):
Why'd you merge into this lane for this album you?
Because obviously you merged into this lane in your life.
Speaker 4 (12:29):
Yeah. I think that every album I've ever written has
always been very parallel to what I'm actually going through,
you know, so because I love you, hoof baby, I
was going through it. I was, you know, trying to
discover how to love and be loved. And then with
Special I Want, I learned how to love and be
loved and I wanted to help people see the love
(12:49):
in themselves. And then with this album Love. In real life,
I had my whole like perception of self destroyed like
an instant, because I kind of gleaned all of my
like identity from the Internet, you know, and my validation
(13:10):
from the internet, from my social media, from people liking me.
And when one day everyone on the Internet is like
I don't like you, I hate you and you should die,
You're like, oh my god, it must be true, and
I'm so I had to like separate myself from that.
And then I wrote an album during that time, which
was like peaks and Valleys and learning, and then now
(13:30):
I'm coming back to it. I'm coming back to being
able to get on the Internet and also still get
a little bit of validation from it, honey, because my
megal ad dress was cute and everybody loved it, and
I was like, yeah, I'm gonna accept this, you know
what I mean. But also, if I see a hate comment,
I'm not going to like read into it and let
it define my day.
Speaker 1 (13:48):
You know you shouldn't. But but keep in mind, these
these comments from people are coming from who they are.
If I look at you in your met Galla outfit
and go that is hot, well that's from a complimentary
wonderful place in a person who obviously wants to give
a compliment. But if I say something really rude and
(14:09):
just slicing and dicing you, that's coming from a place
where it says a lot about me and nothing about you.
It's hard for us to figure that out.
Speaker 4 (14:16):
Yeah, sometimes it's like why did you want to Why
you had to say that? Like what possessed you to be?
Like you know what I'm gonna say, I don't like this,
Like just look at it and keeps growing.
Speaker 1 (14:26):
You know, why take time to do that?
Speaker 4 (14:28):
Yeah, And it doesn't just happen to famous people. It
doesn't just happen to celebrities or influencers anymore. It happens
to everybody. And so I felt like this album Love
and real Life or the theme isn't just like something
very unrelatable, like kids in high school are dealing with this.
Kids in high school are getting backlash and hate comments
and death threats just for posting their prom outfit. So
(14:50):
it's like we can all relate to this, and I
think we all, especially the younger generation, need to learn
how to get ahead of this before it controls us.
Speaker 5 (15:00):
Say, happy bitches ain't hayten and hayten bitches ain't happy.
Speaker 1 (15:02):
That's just how that goes.
Speaker 4 (15:04):
But for you say that on the radio, you think
we just did Oh my gosh.
Speaker 5 (15:10):
But were there times like I mean something to myself,
you think, and you have such a big presence on
Instagram or wherever where there were times that you just say,
I'm just going to deactivate. I can't do this. And
how important is that as far as your brand goes
and marketing?
Speaker 4 (15:24):
Oh honey, that was tough. I've done it a lot.
Oh me and me and the social media app that
shall not be named it rhymes with litter. I mean,
I've broken up with her so many times and we
officially are, you know, broken up because that is one
(15:47):
of the most toxic apps. And at a certain point
you just have to say, ef it. I don't I
don't even need this a part of my brand or
part of my marketing. If I if what I do
is impactful, it'll reach her, It'll reach the areas that
it needs to reach. Yeah, I always say that I
don't need social media. Social media needs me. I've always
said that.
Speaker 1 (16:09):
Looking at that, and we.
Speaker 5 (16:10):
Talk about all the time, how when people are hating
at you. They're hating from the arena seats, and you're
in the arena, so really they can say whatever they
want you, but they're still watching you.
Speaker 1 (16:18):
That is such a great analogy, And that's that's an old,
old analogy, an old Yeah, you can hate me all
you want, but you're way up in the nosebleed section.
I'm on the field in the arena, playing the game.
So it's so easy.
Speaker 4 (16:32):
You paid to get in, so right. But also it's
like just someone who could relate who's also in the
arena with somebody who's hating. It's like, what's you hating for?
Are we all here trying to have a good time? Smile?
Speaker 2 (16:47):
Do you know that?
Speaker 3 (16:50):
I always I always wonder about like when someone makes
a comment, like if someone said that to your brother
or your mother or your sister.
Speaker 2 (16:57):
Would you be okay with that? Why would you say
that to some else?
Speaker 4 (17:00):
Right? Or give grace to people too. It's like if
your loved one or your friend or your favor bestie
or mother or somebody did what you saw this person
do on the internet, would you condemn them or would
you give them grace and the benefit of the doubt.
Speaker 1 (17:16):
Keep it in mind. Next time you go online and
want to be a hag.
Speaker 4 (17:22):
Shout, don't she at the mess? She did was she
asserted herself and did what she had to do.
Speaker 1 (17:27):
Where's my umbrella? Exactly? You know, got a couple of things,
memories of Lizzo. When you your career was really going
into way back in the day, way back in the day,
it was, it was really it was hitting in. We
(17:47):
did this kickoff to summer at Jenkinson's at at the
Churchy Shore and you had already signed up to do
it and then I'll see, but from the moment you
signed on the dotted line to the moment you did it,
your career was an outer space. When your sunned on
the dog line, it was almost an out of space.
Did you regret having to go to a Jersey shore
(18:08):
appearance with us? I mean you could have filled it
in at that point, Radio City, you could have filled it.
You were at a on the shore at the beach
and we loved you for it. But were you sitting
there going hmmm.
Speaker 2 (18:23):
I had so.
Speaker 4 (18:24):
Much fun during that time of my life and it
was such a blur. I lack self awareness of what
was actually going on, going, going, going, I didn't even
realize that my career, you know, what's a lot. I
just realized I didn't actually because what that was like
twenty nineteen, right, I don't believe I truly blew up
(18:45):
or became famous until twenty twenty. And then we were
on lockdown. So it was kind of a weird experience
for me being like locked in the house and being like,
wait a minute, experiencing like fame for the first time.
Twenty nineteen, I was just I was trying to survive, Honey.
I was trying to put food on my family table.
Speaker 1 (19:03):
Now you're trying to put food on the guy's plate
that's next to you at the met.
Speaker 4 (19:07):
Hey, I'm trying to Kanada's tape. No, I'm trying to
feed I'm trying to feed everybody. This this music is
is food for the soul. And I'm trying to trying
to feed everybody right now. We all need it.
Speaker 1 (19:17):
And you know you came out on that stage and
you gave it. You're all right there at the Jersey
shore with the Atlantic Ocean lapping at the thing. And
then another memory of Lizzo. I loved you were doing
jingle Ball at the Garden.
Speaker 4 (19:29):
Period and I.
Speaker 1 (19:31):
And we gave you a little sweater for your flute.
Speaker 4 (19:34):
Oh my god.
Speaker 1 (19:36):
And I'm like, you know what if she doesn't. So
I went to your dressing room after you left the garden,
hoping I wouldn't find your flute sweater left behind along
with you know, the catering, and and it wasn't there.
Had you left on that cold winter night, had you
left your flute sweater in the dressing room, I was
going to use it as a penis warmer for my
own I was going to repurpose that. But you didn't leave.
Speaker 3 (20:04):
The same Sasha still wear the sweater.
Speaker 4 (20:09):
What she likes. She likes the Louis Vuitton. She does
Gucci now.
Speaker 1 (20:18):
But ever since then, I've been kind of cold down there.
Speaker 4 (20:22):
Elvis. You I thought I was crazy crazy talked about
wee wee sweater.
Speaker 1 (20:32):
Lizzo, Lizzo, Lizzo, all right, there's just something in and
look a lot of people ask us what's it like
when you meet the artists, and I will usually give
you an answer. When Lizzo walks into the room, you
feel warm, you feel loved, and you feel safe because
I know if anyone walked through the door to trying
to mess with me, Lizzo would kick their ass. I
(20:53):
just feel that to please say you would.
Speaker 4 (20:56):
I yes, purposes would never hurt a fly.
Speaker 1 (21:04):
The flies aren't bothered. The flies won't touch me. So
this album, you must be so so excited. I mean,
it's not since this summer, but this summer is do
we have a date yet? Or is just this summer.
Speaker 4 (21:15):
We don't have a date. I've kind of gone a
little rogue and I'm just doing whatever I want to do.
I'm dropping like the demo version of Still Bad tonight.
I just shot a music video for it after the
met like I was running through the streets in New York,
running and gunning. So I we don't know yet, I
promise I'm not being cryptic and like, hey, mysterious. No,
(21:37):
I really don't know. But as soon as I know,
you will be the first to know.
Speaker 5 (21:41):
Do you have a favorite song of all the babies?
Speaker 4 (21:43):
Oh my gosh, they're all my babies. They're all my babies.
I don't I don't have a favorite right now. For
the sake of promotion, Still Bad Animal Style coming soon,
come right now. I wish I could play it for
you guys, like right now. But I also don't have
like the clean version.
Speaker 1 (22:02):
But you know what this button is here? Do you
see this button right here? It's called dump or if
you if ever you say a curse word, or you
play a song of the curse word, you just push
that button and it's just erases the last with three
seconds of our lives. Really jot. You wish you had
that in real life, you say, you say something, where's
my dumb button?
Speaker 4 (22:20):
Oh? My god? All the time.
Speaker 5 (22:24):
We could get the song and give it to our
production team and they could replace all the bad words
with the quacks again, Oh I love quack.
Speaker 1 (22:30):
Well give us further. I'll give you an example on
single the Myoh. Listen, here's how we.
Speaker 4 (22:45):
Said, I'll just put on a we Wi sweater. That
what I was gonna say.
Speaker 1 (22:49):
Here's how we edited one Margaritas.
Speaker 2 (22:52):
I'm an open plame, not the affleck.
Speaker 1 (23:08):
If you you should, you know, just you should have
little albums that come out with edited version for the
kids and kids.
Speaker 4 (23:15):
Bop, I'm about to throw my phone away. Can't let
my girls know? Broban whacking with my bedad.
Speaker 2 (23:25):
And that's called animal salad.
Speaker 5 (23:26):
Could be all kinds of animals.
Speaker 4 (23:28):
We could exactly editing animal was that that's what.
Speaker 1 (23:37):
Okay, So you're you got New York City waiting for you,
and you're gonna choose to go to the hotel and
crawl in that most comfortable there.
Speaker 4 (23:42):
Yes, I haven't slept in so long. I'm about to
have bedrot.
Speaker 1 (23:46):
Honey. Are you?
Speaker 4 (23:48):
Are you quacking? Are you? Are you duck? And serious?
Right now?
Speaker 1 (23:52):
I'm gonna send that to your producer they got for
the next album. Well, look, Lizzo, we adore you, We
adore your music. We love that in album's coming out
during the summer on some date, and uh, I just
thank you for being you. You know, never apologize for
being you, because sometimes people make you feel like you
want to. I'm sure how cold I am?
Speaker 4 (24:11):
No warm up, honey, get a little bit of this
warm you can. Oh no, don't touch my hand and
then talk about the weaving sweater father God.
Speaker 1 (24:21):
Listen to early. Here's a text. Please let Lizza and
the rest of the morning show remember lions don't lose
sleep over the opinions of Sheep.
Speaker 4 (24:29):
I love that.
Speaker 1 (24:30):
That's a baby I can't hate from the outside of
the club that you can't even get in.
Speaker 4 (24:34):
Baby.
Speaker 1 (24:36):
We got a lot of We've got a lot of
philosophers listening today.
Speaker 4 (24:39):
Yeah, very wise listeners.
Speaker 1 (24:40):
All right, we're gonna play Still Bad the It's not
the animal version quite yet. Are are you live?
Speaker 4 (24:46):
Should I go live? No? I just you doing live
on my on my irl account, Liz I r l
Oh my god?
Speaker 1 (24:58):
Are we live? Really?
Speaker 4 (24:59):
We're about to be I have a secret account.
Speaker 1 (25:02):
We're on a secret account.
Speaker 4 (25:04):
Yeah.
Speaker 1 (25:04):
Hi, hey money, Oh my god, why would you tell
her you owe me money?
Speaker 4 (25:11):
Infernal wee Wee Sweater? That was like my fifth time
referencing the Wei So I'm never gonna forget we we Sweater?
Hi brain, nobody in live yet?
Speaker 1 (25:21):
Don't you love me to told party? No one shows up?
All right, we gotta get Still Bad on here. Of course.
The album Love in Real Life is out very soon
and we love you whenever you want to come visit
us on