August 13, 2024 • 38 mins
In today's podcast, Charlie has hit a nerve when it comes to parents charging their kids board. Producer Anna got stuck in a situation of aggressive tooting. Plus, Stace's little sister goes against Charlie at In the Ring to see if she can qualifier to take on the Queen herself, Stace!
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's the Flavor Podcast Network, the Flavor Breakfast Podcast with
stace A, Zorah and Charlie coming up on the podcast Whoa, whoa, whoa.
I think I started something here with parents charging because.
Speaker 2 (00:13):
Board yes, and also how do you toot without being aggressive?
Speaker 3 (00:18):
We've got people's feedback on that.
Speaker 2 (00:19):
And my little sister. Oh, she's talking a big game
about in the regulars. See how she goes with Charlie
as a contender. This is your Flavor Breakfast, brought you
by one Roof. How are you, Charlie bome Ah.
Speaker 1 (00:31):
We are alive and kicking.
Speaker 2 (00:33):
Apart from Missouri. She's not very well today. She's actually
unwell used today. There are a few scenes here. Yesterday
she did a COVID test that was the most dramatic
COVID recent times.
Speaker 3 (00:45):
She was saying.
Speaker 2 (00:46):
No, I can't, I can't do it, it won't go my nose.
I think we have proven over the world that there's
probably no way that that doesn't work for you. And
then we bring in some drama today. Charlie, what was
the first thing you saw when you walked in this morning?
Speaker 4 (01:00):
Oh my goodness, bro I thought I was dreaming I
walk and it was two degrees in my car. I
come into the studio, the first thing I see is
producer Anna's legs.
Speaker 1 (01:09):
She's wearing shorts. Oh my goodness.
Speaker 5 (01:12):
I was meant to pick up the jeans, but it
was dark this morning and I didn't organize my ant for.
Speaker 3 (01:16):
The night before.
Speaker 1 (01:17):
Should be legal wearing shorts in this type of weather.
Speaker 2 (01:19):
Who else is wearing shorts in the freezing cold? You
just built different? How are your legs? How are your pins?
Speaker 5 (01:25):
My legs are actually all good, but I did have
to put my puffa jacket on to keep my upper
body more warm.
Speaker 3 (01:30):
It's funny how that works.
Speaker 2 (01:31):
You like grew from Despicable me, you know, like all
the heat is on the top and then the bottom. Yesterday,
of course, Oh god, how are you getting into the goodness?
Remember we got air flavor now boughting a mystery holiday
every Friday. It's Wednesday. Get yourself in the mix. Text
flight to eight to double O. Where would you love
to go?
Speaker 3 (01:49):
As a jet? Scat?
Speaker 2 (01:50):
And a text from one of you guys has got
Charlie thinking, I can't.
Speaker 4 (01:56):
Believe this, and only because I've never experienced this. Parents
charging their children rent okay, and maybe this is a
cultural thing. And you know, it baffles me knowing that
you know, kids left leaving the nest at the age
of eighteen nineteen. When I was married, twenty five years old, Okay,
(02:17):
I was still living with mom and dad, and you
know I talk about this like it's nothing. I talk
about this like it's normal. Then you know, you got
producer and I look at me, like, bro, you're old.
When you left mom and Dad's use by going back,
you never paid rent. I've never paid rent, but you know,
we sort of gave money to mom and dad to
help out, but it wasn't every week, and then they
never they never asked for anything or expected anything. But
(02:40):
it was just hey, here's to here's some money to
buy some shopping or whatever it is, or at the
phone ball.
Speaker 3 (02:47):
But not all the time, right, it wasn't.
Speaker 4 (02:49):
All the time, but you know, I mean, like going
back to to the text message that I got last week,
it was just you know, I had a lot of
questions that are living rent for in my head?
Speaker 3 (02:57):
Like what not rent free?
Speaker 4 (02:59):
Yeah, not written for literally, but like what does it cover?
Like you know, what does it do? Or like does
it mean that if you're paying rent you don't have
to put like in a buy any shopping or paid
for power or anything like that.
Speaker 3 (03:13):
I guess it's different for everybody.
Speaker 2 (03:15):
And I left home when I was seventeen, but when
I went back, I would, you know, and my mum,
you know women I love with my mum and her husband.
I paid rent just sort of cover one thing was
putting in for food and everything you use in the
house when you're there.
Speaker 3 (03:34):
So I was like early twenties.
Speaker 2 (03:36):
Yeah, yeah, but I think people the tecks you're talking about,
they were charging them from when they were eighteen because
they were working and how much do you charge?
Speaker 4 (03:44):
But that's that's what I mean, Like what does it now?
How does this whole thing work?
Speaker 3 (03:49):
Yeah, you're like, what is this world?
Speaker 4 (03:51):
But I guess it's a good thing too because it
teaches your children, you know, how what life is going
to be like it nothing's for free, right, And you know,
I seem to learn that really quick.
Speaker 1 (04:00):
Later on after I left him, I was like, right,
I just want to go back to my days.
Speaker 3 (04:03):
So how many of you were living there? Were there
a few of the kids still there.
Speaker 1 (04:08):
I was the last one.
Speaker 3 (04:08):
All right, there, you're the baby.
Speaker 1 (04:10):
And I'm the baby.
Speaker 4 (04:11):
So my mom didn't want me to move out, and
you know I didn't want to move out either, but
you know, thinking of my wife, we needed to go
and find something, you know that we wish you could
have a bit of freedom in it.
Speaker 6 (04:20):
Yeah.
Speaker 2 (04:21):
Yeah, yeah, So producer Anna, when you were living at home,
did you pay rent at any time?
Speaker 7 (04:27):
No?
Speaker 5 (04:27):
I didn't, but I moved out at eighteen, right, So
I went UNI and then moved into a flat.
Speaker 3 (04:32):
And then did your parents help you with UNI?
Speaker 5 (04:34):
Well, my brother went to UNI for ages as well,
and then he came back home as like a twenty
four year old for a couple of years. So once
I moved to Auckland and was still studying, they helped
me with a bit of my rent to like balance it.
Speaker 2 (04:46):
Out right, because he had been at home so he
was you know, and he was living free.
Speaker 5 (04:50):
Yeah, he wasn't having to pay rent as a mid
twenty year old at home.
Speaker 2 (04:54):
And we got people who are like, no, as soon
as they're working, they should contribute because that's real life.
Speaker 1 (04:59):
True.
Speaker 2 (04:59):
So what has happened to you? Have you charged rent?
Have you been charged rent by your parents? What do
you reckon tax? Through to eight two? Double gives called
a eight hundred for flavor. It's a whole new world
for Charlie Wool. Charlie, you really set the text machine
on fire saying is it a thing to charge your
kid's rent or board? And yes it is. We'll go
goack to the phone lines with more than a Bronwin.
Speaker 3 (05:24):
Kilder. They're not out there, my dear. So what did
you do?
Speaker 1 (05:29):
Okay?
Speaker 8 (05:30):
So when I was eighteen, when I first got my
job at eighteen, yep, that was it. That's what my
parents said, You're going to be paying one hundred dollars
every week, and that's what it was, so, which is
fair enough. I mean, they pay for everything else. And
then when I had my daughter, she grew up and
she got her first shop, that's exactly what I did.
(05:50):
She started paying board, but it was a lot more
than that.
Speaker 3 (05:53):
How much if you don't mind us asking? So it
was like one hundred and ninety Yeah.
Speaker 9 (05:58):
See that's in Fleehing too, three years ago.
Speaker 2 (06:01):
Yeah, and that's good to note because people are saying
on the text my son pays two hundred dollars a
week he worked. That covers everything he knows. It's a
good deal, better than being at a home. Reality is
if I could afford to not charge in my wood,
what about you, Shelley, Hi, Hi.
Speaker 10 (06:19):
My two daughters lived at home until their twenties. They
were both very hard workers, and they both sayd really hard.
We didn't charge them board because simply because they did
their own grocery shopping, bought their own groceries, but their
own washing, but their own cooking, and we just sort
of thought, you know, they're saving really hard for themselves,
(06:41):
so we didn't charge them, and we even helped them
out a little bit when they needed them. But you know,
if your kids are I think, you know, if your
kids are really working hard and you can see that,
then you know, we didn't see a point of charge.
I looked at home until I got married. I forgot
charged my mind, mum either, I don't know if it's
(07:03):
a you know, an era thing. My kids are both
me sirties now and got kids of their own, So
I thought because they.
Speaker 11 (07:13):
Were working hard, and I we yeah, you could see that.
Speaker 10 (07:15):
Proud of them.
Speaker 3 (07:16):
It's like, yeah, come by God by dinner.
Speaker 2 (07:18):
And actually, when you're speaking about an era thing, this
is an era thing.
Speaker 3 (07:21):
Have you heard this?
Speaker 2 (07:22):
Charlie and they've said on the text, we charge rent
from eighteen but secretly saved it for them for the
first time or important future purchase.
Speaker 1 (07:29):
I love that, and that good parents should be doing anything.
Speaker 2 (07:34):
You can't say it, okay, I can't say that's what
good parents do. This it's just what people, you know,
the options that people have. Some are saying here, if
I didn't have to charge them, I wouldn't, but I
have to.
Speaker 3 (07:46):
I can't all live like you.
Speaker 2 (07:47):
Charlie twenty five years old, just going, oh yeah, do
that for me.
Speaker 3 (07:50):
Thank you very much.
Speaker 1 (07:52):
Just a quick recap. We talked about things.
Speaker 4 (07:54):
That's living free in my head, and this is parents
charging their children board And honestly, this is so amazing.
I'm learning, honestly, thank you for teaching me. A fan
and I truly appreciate this.
Speaker 1 (08:06):
Man. Like, here's one text that's just come through.
Speaker 4 (08:09):
My son left school at sixteen to start a painting apprenticeship.
Speaker 1 (08:12):
He worked full time.
Speaker 4 (08:13):
And was an adult and had an aerult wage. He
paid two hundred dollars a week board from the start.
Speaker 3 (08:19):
All right, hundred there's kind of the amount that's coming
in a lot. Right, that's like.
Speaker 4 (08:23):
The standarday one hundred was pretty good. But now hey,
inflation and play two hundred.
Speaker 3 (08:29):
Standards, So give your kids notice. Now that's what I reckon.
Speaker 4 (08:32):
This is the funny thing. Man, I never got charge
now saying my wife is like you.
Speaker 1 (08:36):
Guys, man eighteen, he got the paint board.
Speaker 2 (08:39):
So they don't end up like you, stays Azora and Charlie.
Speaker 4 (08:45):
Let me tell you guys this, before there were any
social media platforms and dating apps and what have you.
Speaker 1 (08:53):
Right, the only way you.
Speaker 4 (08:54):
Could impress anybody or you know, find a date for
us back in the day was at any church event.
And I tell you guys this, like you know, if
you were a male and you grew up in the
truth scene, you know, your CRUSH's parents would think that
you are the You are the greatest because you are
in the youth group. You are the lead singer of
(09:15):
the youth band.
Speaker 3 (09:16):
What do you mean did you not do those things
just for the love and praise?
Speaker 1 (09:20):
There was you know, they could be wrong, there was,
it was there. The heart was there for Jesus.
Speaker 4 (09:24):
But then again, your heart was also attracted to somebody
else that was in the congregation.
Speaker 3 (09:28):
I think Jesus intracted anyway exactly.
Speaker 1 (09:32):
But this is the part that really gets me.
Speaker 4 (09:34):
Okay, So how you really hinted to people or to
you know, in particular somebody that you liked him, was
how you stack the cheers?
Speaker 3 (09:43):
Stack the cheers honestly, guys, Oh you know what I mean?
Speaker 4 (09:47):
Like you could have somebody that played rugby league, but
you know, these are different type of technique in strength
when it comes to stacking cheers.
Speaker 1 (09:54):
You know, little old Terrier there, he plays rugby league
for all tahou leopards.
Speaker 4 (09:59):
He can only stack cheers away, you know, and how
he does it's pretty missy. But then you've got Theodore
over here, doesn't play in his sports, doesn't go to
the gym, but he can stack up to twenty plus chairs,
and how he does it neatly, you know, And then
the appearance of your crush is looking like you see that, Tiffany,
that's how.
Speaker 1 (10:17):
You do it.
Speaker 3 (10:17):
He's a good boy.
Speaker 1 (10:18):
Theodore is a good boy.
Speaker 4 (10:19):
If he can stack those twenty chairs, he can stack
all the blessings in your household when he does a marriage.
Speaker 2 (10:24):
So I think the key thing there is Theodore is
careful to do it right in front of the appearance
of his crash.
Speaker 3 (10:29):
You guys, are.
Speaker 2 (10:30):
Sneaky, sneaky, sneaky, and you kick a leidoscope of Christians.
Speaker 4 (10:36):
But that's how it was done back in the days.
And come on, now, you know, don't shoot the messenger.
Speaker 1 (10:40):
I seen it all. I know this. I know this
for a fact. Man. So when you're up there doing
your things, stacking the.
Speaker 4 (10:46):
Chairs and singing your little heart out, I know I
know what you're doing.
Speaker 1 (10:50):
I can see you. I see I see you.
Speaker 2 (10:52):
Confessions can be made at a two double o on
the tics.
Speaker 1 (10:56):
Am I right? Or am I right?
Speaker 3 (10:58):
You gotta sing that, right, Charlie.
Speaker 1 (11:00):
Easy stuff, man, Sing for your money, that's right.
Speaker 3 (11:03):
Tell us what you're so sick of. First on the line,
we have Jack more in a.
Speaker 6 (11:07):
Jack are well.
Speaker 2 (11:10):
We want to hear what you're so sick of, So
sing it to us. Jack.
Speaker 9 (11:14):
Okay, I'm so sticking tired of my warriors losing. He's
drinking nine years fifteen nine.
Speaker 12 (11:27):
I wish I would win the NL phone Premier issues
before I die, Oh.
Speaker 2 (11:41):
My goodness, before it's okay, this is of number one
and no more in a Dan what.
Speaker 13 (11:48):
You got more?
Speaker 3 (11:52):
Yeah, let's go.
Speaker 13 (11:54):
I'm so stick up wasting for my money buying in
after putting groceries, all these extra calories, wife, and I
just win the lotteries.
Speaker 3 (12:12):
Oh my gosh.
Speaker 2 (12:13):
People have listened and come by Wednesday and they're like, okay,
I got some lyrics here, and what about.
Speaker 3 (12:19):
You, Jess Morney morning, Let us go. Let us hear
what you're so sick of? Sing it for us? Jess.
Speaker 13 (12:28):
All right, here we go, said, I'm so sick of traffic.
Make me lay forward, said.
Speaker 10 (12:35):
I'm sitting here right now.
Speaker 3 (12:37):
Tick to my boss and like for work. Are you
in Northland?
Speaker 1 (12:43):
Yes?
Speaker 3 (12:44):
I am, So that's the thing, even in Northland.
Speaker 1 (12:47):
Wow, I get away from the tropics excuses.
Speaker 2 (12:49):
Okay, So we turned to the judge. The judge today
is Charlie Pome. Who is your winner.
Speaker 1 (12:57):
We're gonna have to go.
Speaker 3 (12:58):
Worth Jack, Hey, jacky Jack.
Speaker 4 (13:03):
The only reason why I'm giving you these tickets, mate,
is because we don't want you to die.
Speaker 12 (13:07):
Just thank you God, appreciate it.
Speaker 3 (13:14):
Awesome.
Speaker 2 (13:14):
So you've won the So six sing off. So you're
seen your daughter along to Neo.
Speaker 12 (13:20):
Oh yeah, she's gonna go with one of theirs.
Speaker 3 (13:26):
But those feelings about the warriors, they are truly yours.
They're all yours, aren't they mine.
Speaker 12 (13:33):
I mean, you'll do it. We're still going to chance.
We'll do it.
Speaker 2 (13:37):
He's just asking for one premiership before he dies.
Speaker 3 (13:41):
It's not too much.
Speaker 2 (13:42):
And you other went out of the Neo so six singer,
So Charlie, this game I've had for a little while.
Speaker 3 (13:48):
In the ring. You are a contender. You're not yet
a champion, right.
Speaker 4 (13:53):
I was at champion once upon a time. But yes,
you are right. I'm a contender, number one contender by
the way. You know, I'm that guy that when everybody
else is sick, like you know, Softy Zura, I step
into the ring and just fight anybody.
Speaker 2 (14:08):
Right, just just anybody. You've also taken on your brother
easy dubs. Yeah, and you you did take away the wind.
And and this is like sister sister brother brother, siblings
go up against each other. We have on the line
someone who has called us out, and it.
Speaker 3 (14:22):
Is my sister, Tush guttenbille.
Speaker 5 (14:27):
Y.
Speaker 2 (14:28):
Yeah, so I saw you. I saw you on Instagram.
So we put up the in the ring version between
me and Scottie. And what did you have to say
for yourself?
Speaker 3 (14:36):
Tush?
Speaker 6 (14:38):
I can't quite remember.
Speaker 4 (14:39):
I remember I remember you saying that you'll smoke, both
of both Scottie and staceh.
Speaker 11 (14:46):
Well, you know that's Instagram comments. Take seriously that, I'm
quietly confident.
Speaker 3 (14:52):
To be fair, Why is that? What are your credentials?
Listened them right now? Tush?
Speaker 6 (14:56):
Well, I mean you know not to flex.
Speaker 11 (14:58):
But I did to original playlist for Flavor broom covered
with an actual.
Speaker 2 (15:05):
Pen and paper and a highlight the day highlight, and
you choose the first song to be played on Flavor
in two thousand and four, which was.
Speaker 6 (15:14):
It's the biggest sense that was stand up by scribe.
I had to campaign for that and it was entirely
the correct choice. Might pat it if you're listening, but okay, cool,
So this.
Speaker 2 (15:25):
Is the call that you've made. But I'm sorry, I'm
very little sister. It doesn't work where you can just
step into the ring. You have to go through the
qualifying round.
Speaker 3 (15:33):
So the qualifying round happens right now.
Speaker 1 (15:35):
Let's listen to it.
Speaker 2 (15:36):
In the ring.
Speaker 1 (15:43):
Let's get it on RaaS.
Speaker 3 (15:51):
Okay, so it is Tas versus Charlie. You know how
it works.
Speaker 2 (15:55):
You hear a track, you have to identify the instrumental
by the artist and also the name of it. You
will use your name as a buzza. Please test your buzzer, Charlie,
teest your that was fast. Listen to your buzzy.
Speaker 3 (16:06):
Please tush my sister. She thinks she saw that. So
let's see. In the qualifying round.
Speaker 2 (16:13):
We have a total of four songs, best of best
of three actually, so let's see what you got.
Speaker 3 (16:19):
Here is an easy one to start.
Speaker 2 (16:22):
Track number one, Charlie, Yes, Charlie.
Speaker 1 (16:28):
Disney child, what the hell?
Speaker 3 (16:33):
Always give you this name of the song, Charlie.
Speaker 6 (16:41):
One.
Speaker 2 (16:43):
You can have half a point throw it open to
you the name of the song, please, independent woman. And
so I know that you said destiny child, but there's
the thing in tongans, you know, we say you're married.
Speaker 1 (17:03):
Listen, child, what is it?
Speaker 4 (17:07):
Yeah?
Speaker 3 (17:07):
It's so good? Half a pointed?
Speaker 2 (17:09):
Okay, So track number two, Charlie, it's Charlie.
Speaker 7 (17:17):
Fifty ship fifty one questions?
Speaker 1 (17:30):
Come on? Come on?
Speaker 3 (17:35):
Is one point five? Two point five?
Speaker 2 (17:38):
I don't know you're going to call a phone delay?
I know you are, but let's see.
Speaker 13 (17:43):
I am I want to have to give.
Speaker 4 (17:47):
Because I want you to know before you get to
our champion Stace, you got to go through me.
Speaker 2 (17:52):
Yeah, And the thing is this track is it's actually harder.
Speaker 3 (17:55):
I don't know.
Speaker 2 (17:56):
I don't know about this and this listening in both
of you is track number three.
Speaker 1 (18:16):
Bruh the song did you highlight the song? Yes?
Speaker 3 (18:34):
And then.
Speaker 11 (18:38):
Five or three?
Speaker 5 (18:40):
No?
Speaker 2 (18:40):
Right with the right that yes, do it?
Speaker 5 (18:45):
Do it?
Speaker 6 (18:49):
A weird mix, so come on do it to it.
Speaker 2 (18:53):
The instrumental didn't sound amazing, I'll give you that, but
it's still one point five two point five.
Speaker 3 (18:58):
You've got to come through.
Speaker 11 (19:00):
Okay's my brother, he's my brother.
Speaker 3 (19:03):
Buzz plase, Yeah, get it was great. That's great.
Speaker 14 (19:07):
Okay, and track the final track issh, yes, yes.
Speaker 10 (19:19):
Oh no.
Speaker 2 (19:23):
It's much harder when you're on the radio. It's easier
when you're on Instagram.
Speaker 1 (19:27):
Well that.
Speaker 11 (19:34):
I have stupid name, like all the songs through.
Speaker 3 (19:40):
Anymore else is bat had it? No, No, you can't.
Don't worry.
Speaker 2 (19:45):
Doesn't think of that zero point five.
Speaker 3 (19:48):
That is eminem.
Speaker 1 (19:50):
But I do know one thing.
Speaker 9 (19:52):
No Saturday, Sunday, Monday.
Speaker 3 (19:56):
It's called Superman Superman Close. So I'm going to give
you a wild card entry for Friday.
Speaker 11 (20:03):
Tash Guys' disappointed here good the way.
Speaker 6 (20:13):
I want to you good warm up.
Speaker 11 (20:15):
I love how status position is that she's.
Speaker 6 (20:17):
The final boss because she knows in person say.
Speaker 11 (20:21):
That point in person, it's going to be just for you.
Speaker 1 (20:24):
Might have to come into the studio and do this live.
Speaker 3 (20:26):
I don't know you've been listening for a few months.
I've actually earned a position.
Speaker 2 (20:34):
Okay, sister says the brother brother siblings come up.
Speaker 3 (20:36):
Against each other Friday. It's all And we have a
question for you, Flavor listeners. Help us out.
Speaker 2 (20:43):
So you are trying to start your Wednesday right with
a good attitude and not create road rags right exactly,
So how do you toot in a non aggressive way?
Speaker 12 (20:58):
Now?
Speaker 2 (20:58):
This is actually inspired by producer Anna, who's here in
the studio with Azera away at the moment, and she's
a very sweet person. She's not like Charlie who tries
to start a fight on the road. So this happened
for you this morning.
Speaker 5 (21:12):
Wasn't inna No, this was yesterday afternoon. I was stuck
behind a cart at the lights and the light had
turned green, and it was green for about ten seconds,
so I aw even.
Speaker 3 (21:22):
A little bit of time.
Speaker 5 (21:23):
But I didn't want to like rush them, but I
knew I wouldn't get through the lights otherwise, so I
tried to give them a nice little too, and it
just didn't go well.
Speaker 1 (21:31):
I had to go. I tried.
Speaker 5 (21:33):
I tried to do the double week but it was like.
Speaker 3 (21:38):
So they just go okay, chill out. Yeah, and did
it create a scene?
Speaker 7 (21:42):
Yeah?
Speaker 5 (21:42):
And then I had to drive past them and I
had to make no eye contact.
Speaker 3 (21:46):
I got scared.
Speaker 1 (21:46):
That's ooks you know. You got to remember, you don't
know what that person is going through.
Speaker 4 (21:51):
Yeah, they could have had like a really bad day Anna,
and then you know you you're aggressive.
Speaker 1 (21:57):
Beep, But that was ages just ten seconds light. It's
just gone green.
Speaker 2 (22:03):
What you didn't have a chance to do is explain no, no, no,
it is trying to do. But you've got a new
car as well, so you don't even know your horn strength.
Speaker 5 (22:11):
Yeah, I'm still getting used to it because my old
horn was a lot lighter, but this one is.
Speaker 3 (22:16):
A lot right, Yeah. Because some have a naturally aggressive beep.
Speaker 2 (22:22):
Yeah, and so there's no way to really do it
or the thing the beep button is too big and
it gets stuck.
Speaker 1 (22:29):
Yeah, that's the.
Speaker 2 (22:33):
Do you reckon That's the only way to do it
is to have a non aggressive toat by just going
yea twice, drum it.
Speaker 3 (22:41):
Have you never made a mistake like I have?
Speaker 1 (22:43):
I have?
Speaker 4 (22:43):
I have, And it's usually I'm the one that's getting
beeped at. Yeah, you know that's me. And do you
know what makes things worse is that when they when
they present at the back, the light just goes green
and then they're beeping at you, and then you're you're
driving off too that you can make up for the
lost time, you know, one second, and then they're just
taking their sweet little time at the back and then
(23:04):
they just slowly disappear, you know what I mean? Like, bro,
if you don't beep, at least drive past me and
like act like there's some type of urgency here.
Speaker 1 (23:12):
Uhh nothing.
Speaker 2 (23:14):
So let's set the rules. How do you toot non aggressively?
Text through to eight to two double oh? Non aggressively?
Speaker 3 (23:21):
Oh, give us a call for free.
Speaker 2 (23:23):
That's non aggressive eight hundred or four flavor producer Annason,
And she's going, oh, I didn't mean to do an
aggressive toot. I meant to go beep, beep, Just so
you know, if you don't mind me saying, you've been
sitting at a green light for ten seconds and I'm.
Speaker 3 (23:38):
Behind you and I'd like to get through the light.
That was your intention, that was.
Speaker 5 (23:41):
My intention, and then it just all went wrong because
I did the week beep beep and it ended up
being a beep.
Speaker 2 (23:47):
So on the text sounds fear to me, and a small,
quick beep is appropriate. They should just react and say
sorry with the hand up. But sadly, times of change
and road rage is a thing, and that's true, So text.
Speaker 4 (24:00):
I don't beep anymore after I was chased by a
road reader who ran a red light and.
Speaker 1 (24:05):
Nearly hit me. So that's a shocker, mate, It's really
happening out there.
Speaker 2 (24:10):
Yeah, that is on the text as well. And the
other one says a quick as a thank you if
the cars pulled over to allow you to pass on
a gorge or a rural road. Also when you're trying
to lane change, like I was on the Northwestern Is
today going out to Netville and I put my hazard
lights on to say thank you, and I'm like.
Speaker 3 (24:27):
That is that universal?
Speaker 1 (24:28):
That's your language?
Speaker 2 (24:29):
Now?
Speaker 3 (24:29):
Is that okay?
Speaker 1 (24:30):
Yeah? That's one hundred percent okay.
Speaker 4 (24:31):
You know, if you don't have time to put your
hand out and wave or just wave out the hazard
light as an indication, I'll saying.
Speaker 3 (24:38):
Turble an indication I said what you did.
Speaker 5 (24:41):
I always do it because I'm worried they're not going
to see my hand.
Speaker 6 (24:44):
Yeah.
Speaker 5 (24:44):
True, So then it'd be rude if you don't do
something else.
Speaker 3 (24:46):
Yeah, all in the way the light is, you know,
falling all of that.
Speaker 2 (24:50):
Dave, what's your story of how do you toot non aggressively?
Speaker 15 (24:55):
The one that that grow ons more years are the
ones that tat when the log's go green for like
zero zero, and I'm just like, calm down, Captain King.
So where's this? Follow Norris conections of a mongoose sort
of thing. And the other one that gives me is
if you're four or five cars deep and the car
(25:17):
in front of the three cars in front of you
is not moving and the dudes behind you start turning
and sitting there going.
Speaker 14 (25:23):
By, What am I mean to do?
Speaker 12 (25:25):
Okay?
Speaker 15 (25:26):
Yeah, relx, relax relx.
Speaker 2 (25:29):
Funny hop like do a frogger kind of thing, you
know what I mean? Come on, no very good points,
said Dave. Hey, Dave, you sound like a spontaneous person
hoping that you might be someone who's up for ear
flavor now boarding, have you heard about this our mystery holidays.
Speaker 3 (25:42):
We give away on a Friday.
Speaker 15 (25:44):
Yeah, man, definitely, I'll be lucky enough to have a
couple of trips here and there, so yeah, oh yeah,
there's the sort of Ratama and Queenstown and stuff.
Speaker 2 (25:53):
There a great place, okay, so recommend definitely, definitely.
Speaker 15 (25:58):
Definitely Queen's Down this time year probably one of the
most beautiful places.
Speaker 10 (26:01):
In the world.
Speaker 3 (26:02):
Okay. So that's the thing. Look how we changed it out.
Speaker 2 (26:04):
We went from things to it that annoy us to
things that we got to look forward to.
Speaker 3 (26:08):
So thank you very much. You're the man, Dave Baby.
Speaker 1 (26:14):
Stace, Azora and Charlie.
Speaker 2 (26:16):
It's something exciting Charlie that's coming back to the NRL.
This is a really cool idea that's going to happen
at the Grand Final.
Speaker 4 (26:22):
One hundred percent and a lot of people's been crying
up for this. And I know they've done this in
the past where they mixed up both coach rugby and
rugby league to find out who was the fastest right
out of.
Speaker 1 (26:34):
Both coach yeap.
Speaker 2 (26:35):
So there's going to be one hundred meter sprint at
the Grand Final this year only between rugby league players.
Speaker 3 (26:42):
But back in twenty ten.
Speaker 2 (26:43):
They called it the Gatorade Bolt and that was actually
related to Usain Bolt.
Speaker 3 (26:49):
Who was there.
Speaker 2 (26:50):
And they had rugby league, rugby union and even soccer
players and so they had this lineup to find out
who is the fastest. Also there was a twenty third
dollars prize up for grand so.
Speaker 3 (27:03):
That's pretty epic.
Speaker 2 (27:04):
And so up there at that time was John Grant,
Jared Hayn, Greg Anglis, Lucky Turner from the Waratahs so
he was from Raby Union, Josh Morris from the Bulldogs,
Ben Barber from the Bulldogs, Nathan Gardner from the Kernela
Sharks and Matthew Lewis from the Central Coast Mariners.
Speaker 3 (27:22):
So then the race one hundred meters went like this.
Speaker 1 (27:27):
Why they go, Hey, not a bad start.
Speaker 13 (27:29):
Lockland Turner in the middles flying well.
Speaker 1 (27:31):
Haines going well in Turner, but it looks like Hainen product.
Speaker 5 (27:34):
Look at John Grant on the outside.
Speaker 3 (27:35):
It's Turner.
Speaker 1 (27:36):
Look Barney got that turner, hey, Grant lunch.
Speaker 2 (27:38):
Haines was definitely third Turner or right.
Speaker 13 (27:41):
I don't know the two favorites.
Speaker 1 (27:43):
Johnny, who do you think Morley got the not? I
definitely think it's Lucky Turner, he really held his form.
Speaker 2 (27:47):
He can deputize the Union players a brilliant race. So yeah,
Lotland Turner one with a time of eleven point one zero,
whoa pretty fast, and then Grant eleven point one five,
and then Jared Hayne the League came third with eleven
point two and so at that point they said, oh,
I was hoping to go under eleven. But see listen
(28:09):
to how it was actually later in the hundred that
Turner one.
Speaker 5 (28:13):
I know.
Speaker 4 (28:14):
So in terms of the takeoff, the Hain plane was
there all day long and then like you, Turner got
it at the end. But this is bringing her back
to twenty twenty four, right, So they're trying to make
it like a many little Olympics were the biggest boot
the longest goal forward sprinting, but because of time, they're
going to definitely bring back the one hundred meter sprints.
(28:34):
And you know a lot of the Rugby League players
have been training with a sprint coach, Roger Fabry, and
he's dubbed in the fastest players that he reckons like
Jarum Buller from the Tigers. You got Alo Pereira from
the Titans, you got Dold Gola and dolud Gola. You said,
just the FYI, he's still got the record secretary school,
(28:56):
you know, so still standing.
Speaker 1 (28:58):
Still standing still.
Speaker 4 (29:00):
I'm not too sure what secondary school it is, but
you know it's he's got that record.
Speaker 1 (29:04):
I'll find out more details on that.
Speaker 4 (29:06):
So to watch all these favorite guys, all your fastest
players in in our round and in rur dub as well,
it's been a crack.
Speaker 2 (29:13):
Do you agree that the one hundred meters is the
right distance that like, should it be sixty because really
and rugby league, you're not gonna run one hundred meters
very often.
Speaker 9 (29:20):
Nah?
Speaker 4 (29:20):
Yeah, I reckon it should be like seventy five at
least because you've got props that have a faster thirty
meter yeah yeah, and in.
Speaker 2 (29:28):
Some of these backs, yeah, you can make that your
one of your events is the.
Speaker 4 (29:32):
Takeoff takeoffa maybe the fastest props.
Speaker 1 (29:35):
I know what I'm saying.
Speaker 3 (29:37):
It's going to be exciting.
Speaker 2 (29:38):
It's going to be part of the Grand Final. Yea,
let's look forward to that. Gonna be hard for the
Warriors to be there, but come on, give the faith.
No A Zorra would stays to Zora and Charlie because
she's so sick.
Speaker 3 (29:50):
She is sick.
Speaker 2 (29:52):
My question to you now is when you're seck, are
you staunch or are you sucky?
Speaker 1 (29:57):
Ooh okay.
Speaker 4 (29:58):
You know, for me, when I'm sick, and this may
sound a little bit greedy or selfish as well, I'm staunch,
I'll still stick it out.
Speaker 5 (30:07):
You know.
Speaker 1 (30:08):
I will turn up.
Speaker 3 (30:09):
Yeah, I've seen you do that. Yeah, I've seen you
do that. Why why would it be selfish?
Speaker 4 (30:15):
Because you know I might make other people sick, you
know what I'm saying. But I still turn up regardless.
You know, only some'm in my death bed then yet. Okay, cool, sweet,
but regardless, Dace producer Anna, I will turn up whether
I am sick, the noses running, you name it, I'm there.
Speaker 2 (30:33):
Not sucky, and produce any You look like you have
something to say about that. You're way too staunch, by
the way, we keep on trying to come to it.
We're like, go home, lady, look at you state of you?
Speaker 5 (30:45):
Oh no, I mean I agree with Charlie. But sometimes
brother like when you come just go home.
Speaker 3 (30:49):
Yeah.
Speaker 2 (30:50):
So if we're looking at Suki, that's she's sucky, isn't she.
Speaker 4 (30:56):
I'm not gonna lie. I've never seeing anyone so soft
like that. You know, with all due respect, I love
the girl, but she had me well this whole nail thing, you.
Speaker 3 (31:06):
Know, ah, when she heard herself at nail, and.
Speaker 1 (31:10):
Then every time she said, she's like, oh right, she starts.
Speaker 4 (31:13):
Googling little things as she starts giving her own, you know, diagnosis.
Speaker 3 (31:18):
I think I'm gonna throw our pay. I'm gonna throw out.
Speaker 2 (31:20):
When she went to take some some PELI I'm going
to throw up. She didn't throw our pain. She tried
to take to them at once. It's fine, And I'm
just going to shout out to the men and my
family that I was born off terrible.
Speaker 3 (31:34):
They are my dad and my brother, they are like.
Speaker 2 (31:36):
Nah nah, it's like I'm just it's like sand paper,
my boy, my throat is like sand paper.
Speaker 3 (31:42):
I'm pretty staunch only.
Speaker 2 (31:44):
Because uh well I just I mean, like I said
with COVID, I just got left behind like my family,
just like you're right, like you left me for an
entire day and went to another city. I got no food.
You're right, and you sticking r staunch or who is sucky?
Your staunch and your life Text through to eight two
double low. I'm playing the breakfast with Stace. Should be
(32:07):
a Zorah and Charlie. But she's away sick, poor thing.
She's spatling.
Speaker 1 (32:12):
She's sicky.
Speaker 3 (32:13):
She's sicky. Sicky said sicky.
Speaker 2 (32:16):
So we were asking you if you SUCKI when you're sicky,
or if you are staunch. People always claim that they're staunch,
and then they dubbing other people who are sucky. One
like Steven's been dubbed in My lovely wife just yelled out,
you're a cry baby.
Speaker 4 (32:33):
See this is it, you know, it's the wives that
are calling out the husbands. As soon as my husband
gets a cough. This on the Texas, he rings and sick.
He's got the flu. It's the man flu, man flu,
the man flew.
Speaker 2 (32:48):
It's worse and we don't understand although Zia is a woman,
but anyway, she's having.
Speaker 3 (32:54):
A day off.
Speaker 2 (32:55):
That's what you should do. Get better soon so that
you're not so so sick.
Speaker 1 (33:00):
The latest celebrity gods from around the world wave Breakfast
Oh Am God.
Speaker 2 (33:07):
Dre has done an interview about the upcoming album from
Snoop Dogg Missionary and he says, I'm not playing at
some of my best stuff yet, and he says, also
he drops one of the people who's featuring on it,
and he says, I probably shouldn't have said this, but Sting, Sting,
Sting is going to be honest, right.
Speaker 1 (33:24):
This is what I love about Dre.
Speaker 4 (33:25):
He's not afraid to sort of uh, you know, get
out there amongst other genres.
Speaker 2 (33:30):
Yeah, change it up, change it up. So that's good
interesting news. But Charlie's got better.
Speaker 1 (33:35):
Oh man, you guys want to listen to this.
Speaker 4 (33:36):
This is Janet Jackson talking about her fucker papa, talking
about her family tree Stevie.
Speaker 1 (33:42):
Wonder now if someone told me this earlier, are you
related to Stevie?
Speaker 3 (33:46):
She's our cousin?
Speaker 1 (33:47):
How have I gone that long in life?
Speaker 3 (33:49):
A lot of people know that he's our cousin on
my mother's side.
Speaker 5 (33:54):
So is.
Speaker 1 (33:57):
So we get through the family tree?
Speaker 3 (33:59):
Is Samuel?
Speaker 4 (34:01):
This is just you know that one cousins just loves
to say, Oh yeah, you know David Tour, Yeah, that's
my cousin.
Speaker 2 (34:07):
No, I think it's a bit different because this is
Janet Jackson we're talking about, So, I mean Samuel L.
Speaker 3 (34:12):
Jackson.
Speaker 2 (34:12):
Yeah, probably we should have figured that out because he's
got the same surname. But then Tracy Chapman and Stevie
Wonder cousins of the Jacksons. And I don't know if
that means like cousins, cousins or cousins. How we're talkers
black and brown people like that's my cousin, my cousin.
But it's all news to us, and it is oh
(34:34):
exciting news. In oem gos. You know that we'ther one
is of the Olympics. Yes, yeah, New Zealand out there
or in New Zealand has won the Olympics. Well, this
is according to British media, so they have I've seen
all the tellies, They've seen all of the news and
they say, okay, capita and in terms of performance, I mean,
they were our best Olympics. But they're saying, no, New
(34:58):
Zealand is actually the overachievers of Paris, who really won
the Olympics. They said, Well, athletes from New Zealand logged
an impressive hall of twenty medals despite having a population
of just over five million. Their rate of one medal
per two one hundred and fifty eight thousand people is
the best among nations to win, at least for this
summer so we got eleventh on the medal table against
(35:21):
all the giants, got heaps on people. But this makes
us basically the best that over achievers.
Speaker 1 (35:29):
That's us. I love that about New Zealand's small in
numbers but big in heart.
Speaker 2 (35:34):
And also, haven't you been feeling since the Olympics When
you're at in gym You're like, I don't know, maybe.
Speaker 1 (35:38):
Haven't peaked yet.
Speaker 3 (35:42):
My time is to come something. This is for Noua
as well.
Speaker 2 (35:45):
There's a new toy story coming out, Toy Story five,
and we've just heard today that a New Zealander will
be one of the producers.
Speaker 1 (35:53):
Oh massive.
Speaker 2 (35:54):
Jess Troy Smith has actually been involved in other movie
like Inside Out too, and so she is actually producing
Toy Story five. She says, heart is full. Thanks for
the joyful welcome. This from Jess Troy Smith. Actually sorry.
And so she works at Pixar and she's in the
(36:15):
senior creative team. And then you know, we're looking forward
to this movie.
Speaker 3 (36:19):
ONEA two. This is a call.
Speaker 1 (36:21):
From the ancestors hidden in a terrible storm. It's an
ancient island sitting foot on its sands. Would break the curse,
bring our people together again.
Speaker 3 (36:31):
I know what I have to do, Mollie. He could
really use your help.
Speaker 2 (36:35):
It's all on well featuring in this is also well
a couple of New Zealanders. We have Tim Murder Morrison
is tech Twoe. We have Rachel House in there as well.
And now Uffi my Fraser is going to join ONEA two.
Speaker 3 (36:47):
So you're just.
Speaker 2 (36:47):
Absolutely smashing it, loving it for Altadas smash it. We
have our first winner of air Flavor now boarding a
mystery holiday.
Speaker 3 (36:55):
So every Friday this month someone will.
Speaker 2 (36:58):
Come in and will identify someone to and they choose
one of four suitcases and that tells them their destination. Yollo,
just like that man just so good. So ticks flight
to eight to doublow. You really only need Friday off
and a you know, a spirit to fly and a
spirit to have a good time with Jetster and then
(37:18):
you could be when I so ticks flight to eight
to double ow, Charlie, what you got on today?
Speaker 4 (37:22):
I'm doing a bit of recording, so we're doing some
work on a Killiana compilation, so some New Zealan music,
you know, and we're doing a switch up with a
bit of reggae.
Speaker 1 (37:32):
Not just dust these a few other artists.
Speaker 3 (37:34):
As well, oh, and is this coming out?
Speaker 1 (37:36):
I should be coming out soon.
Speaker 4 (37:38):
I've been talking about the song for some time now,
and I'm quite nervous and excited at the same time,
because you know that the thing when you're covering a classic,
you know it's either going to go two ways. You've
done a great job or you've butchered the song, you
know what I mean.
Speaker 2 (37:54):
I mean, we can tell people once it comes out,
but I don't think there's no way you'll butcher it.
For one thing, and I think you'll put a nice
touch on it, but you think it kind of garage party.
Speaker 1 (38:05):
Okay, that's it. Yeah, and that's a great thing. Along
to you. So that's why I chose this song.
Speaker 3 (38:10):
Okay, so you are slipping away to do that, just
a little little clue, little clue there. We'll catch you
back Apple tomorrow.
Speaker 1 (38:17):
See Yua. Thanks for listening to the Flavor Breakfast podcast.
Speaker 2 (38:21):
Catch a new app here tomorrow, or listen live every
weekday from Sex
It's the Flavor Podcast Network, the Flavor Breakfast Podcast with
stace A, Zorah and Charlie coming up on the podcast Whoa, whoa, whoa.
I think I started something here with parents charging because.
Speaker 2 (00:13):
Board yes, and also how do you toot without being aggressive?
Speaker 3 (00:18):
We've got people's feedback on that.
Speaker 2 (00:19):
And my little sister. Oh, she's talking a big game
about in the regulars. See how she goes with Charlie
as a contender. This is your Flavor Breakfast, brought you
by one Roof. How are you, Charlie bome Ah.
Speaker 1 (00:31):
We are alive and kicking.
Speaker 2 (00:33):
Apart from Missouri. She's not very well today. She's actually
unwell used today. There are a few scenes here. Yesterday
she did a COVID test that was the most dramatic
COVID recent times.
Speaker 3 (00:45):
She was saying.
Speaker 2 (00:46):
No, I can't, I can't do it, it won't go my nose.
I think we have proven over the world that there's
probably no way that that doesn't work for you. And
then we bring in some drama today. Charlie, what was
the first thing you saw when you walked in this morning?
Speaker 4 (01:00):
Oh my goodness, bro I thought I was dreaming I
walk and it was two degrees in my car. I
come into the studio, the first thing I see is
producer Anna's legs.
Speaker 1 (01:09):
She's wearing shorts. Oh my goodness.
Speaker 5 (01:12):
I was meant to pick up the jeans, but it
was dark this morning and I didn't organize my ant for.
Speaker 3 (01:16):
The night before.
Speaker 1 (01:17):
Should be legal wearing shorts in this type of weather.
Speaker 2 (01:19):
Who else is wearing shorts in the freezing cold? You
just built different? How are your legs? How are your pins?
Speaker 5 (01:25):
My legs are actually all good, but I did have
to put my puffa jacket on to keep my upper
body more warm.
Speaker 3 (01:30):
It's funny how that works.
Speaker 2 (01:31):
You like grew from Despicable me, you know, like all
the heat is on the top and then the bottom. Yesterday,
of course, Oh god, how are you getting into the goodness?
Remember we got air flavor now boughting a mystery holiday
every Friday. It's Wednesday. Get yourself in the mix. Text
flight to eight to double O. Where would you love
to go?
Speaker 3 (01:49):
As a jet? Scat?
Speaker 2 (01:50):
And a text from one of you guys has got
Charlie thinking, I can't.
Speaker 4 (01:56):
Believe this, and only because I've never experienced this. Parents
charging their children rent okay, and maybe this is a
cultural thing. And you know, it baffles me knowing that
you know, kids left leaving the nest at the age
of eighteen nineteen. When I was married, twenty five years old, Okay,
(02:17):
I was still living with mom and dad, and you
know I talk about this like it's nothing. I talk
about this like it's normal. Then you know, you got
producer and I look at me, like, bro, you're old.
When you left mom and Dad's use by going back,
you never paid rent. I've never paid rent, but you know,
we sort of gave money to mom and dad to
help out, but it wasn't every week, and then they
never they never asked for anything or expected anything. But
(02:40):
it was just hey, here's to here's some money to
buy some shopping or whatever it is, or at the
phone ball.
Speaker 3 (02:47):
But not all the time, right, it wasn't.
Speaker 4 (02:49):
All the time, but you know, I mean, like going
back to to the text message that I got last week,
it was just you know, I had a lot of
questions that are living rent for in my head?
Speaker 3 (02:57):
Like what not rent free?
Speaker 4 (02:59):
Yeah, not written for literally, but like what does it cover?
Like you know, what does it do? Or like does
it mean that if you're paying rent you don't have
to put like in a buy any shopping or paid
for power or anything like that.
Speaker 3 (03:13):
I guess it's different for everybody.
Speaker 2 (03:15):
And I left home when I was seventeen, but when
I went back, I would, you know, and my mum,
you know women I love with my mum and her husband.
I paid rent just sort of cover one thing was
putting in for food and everything you use in the
house when you're there.
Speaker 3 (03:34):
So I was like early twenties.
Speaker 2 (03:36):
Yeah, yeah, but I think people the tecks you're talking about,
they were charging them from when they were eighteen because
they were working and how much do you charge?
Speaker 4 (03:44):
But that's that's what I mean, Like what does it now?
How does this whole thing work?
Speaker 3 (03:49):
Yeah, you're like, what is this world?
Speaker 4 (03:51):
But I guess it's a good thing too because it
teaches your children, you know, how what life is going
to be like it nothing's for free, right, And you know,
I seem to learn that really quick.
Speaker 1 (04:00):
Later on after I left him, I was like, right,
I just want to go back to my days.
Speaker 3 (04:03):
So how many of you were living there? Were there
a few of the kids still there.
Speaker 1 (04:08):
I was the last one.
Speaker 3 (04:08):
All right, there, you're the baby.
Speaker 1 (04:10):
And I'm the baby.
Speaker 4 (04:11):
So my mom didn't want me to move out, and
you know I didn't want to move out either, but
you know, thinking of my wife, we needed to go
and find something, you know that we wish you could
have a bit of freedom in it.
Speaker 6 (04:20):
Yeah.
Speaker 2 (04:21):
Yeah, yeah, So producer Anna, when you were living at home,
did you pay rent at any time?
Speaker 7 (04:27):
No?
Speaker 5 (04:27):
I didn't, but I moved out at eighteen, right, So
I went UNI and then moved into a flat.
Speaker 3 (04:32):
And then did your parents help you with UNI?
Speaker 5 (04:34):
Well, my brother went to UNI for ages as well,
and then he came back home as like a twenty
four year old for a couple of years. So once
I moved to Auckland and was still studying, they helped
me with a bit of my rent to like balance it.
Speaker 2 (04:46):
Out right, because he had been at home so he
was you know, and he was living free.
Speaker 5 (04:50):
Yeah, he wasn't having to pay rent as a mid
twenty year old at home.
Speaker 2 (04:54):
And we got people who are like, no, as soon
as they're working, they should contribute because that's real life.
Speaker 1 (04:59):
True.
Speaker 2 (04:59):
So what has happened to you? Have you charged rent?
Have you been charged rent by your parents? What do
you reckon tax? Through to eight two? Double gives called
a eight hundred for flavor. It's a whole new world
for Charlie Wool. Charlie, you really set the text machine
on fire saying is it a thing to charge your
kid's rent or board? And yes it is. We'll go
goack to the phone lines with more than a Bronwin.
Speaker 3 (05:24):
Kilder. They're not out there, my dear. So what did
you do?
Speaker 1 (05:29):
Okay?
Speaker 8 (05:30):
So when I was eighteen, when I first got my
job at eighteen, yep, that was it. That's what my
parents said, You're going to be paying one hundred dollars
every week, and that's what it was, so, which is
fair enough. I mean, they pay for everything else. And
then when I had my daughter, she grew up and
she got her first shop, that's exactly what I did.
(05:50):
She started paying board, but it was a lot more
than that.
Speaker 3 (05:53):
How much if you don't mind us asking? So it
was like one hundred and ninety Yeah.
Speaker 9 (05:58):
See that's in Fleehing too, three years ago.
Speaker 2 (06:01):
Yeah, and that's good to note because people are saying
on the text my son pays two hundred dollars a
week he worked. That covers everything he knows. It's a
good deal, better than being at a home. Reality is
if I could afford to not charge in my wood,
what about you, Shelley, Hi, Hi.
Speaker 10 (06:19):
My two daughters lived at home until their twenties. They
were both very hard workers, and they both sayd really hard.
We didn't charge them board because simply because they did
their own grocery shopping, bought their own groceries, but their
own washing, but their own cooking, and we just sort
of thought, you know, they're saving really hard for themselves,
(06:41):
so we didn't charge them, and we even helped them
out a little bit when they needed them. But you know,
if your kids are I think, you know, if your
kids are really working hard and you can see that,
then you know, we didn't see a point of charge.
I looked at home until I got married. I forgot
charged my mind, mum either, I don't know if it's
(07:03):
a you know, an era thing. My kids are both
me sirties now and got kids of their own, So
I thought because they.
Speaker 11 (07:13):
Were working hard, and I we yeah, you could see that.
Speaker 10 (07:15):
Proud of them.
Speaker 3 (07:16):
It's like, yeah, come by God by dinner.
Speaker 2 (07:18):
And actually, when you're speaking about an era thing, this
is an era thing.
Speaker 3 (07:21):
Have you heard this?
Speaker 2 (07:22):
Charlie and they've said on the text, we charge rent
from eighteen but secretly saved it for them for the
first time or important future purchase.
Speaker 1 (07:29):
I love that, and that good parents should be doing anything.
Speaker 2 (07:34):
You can't say it, okay, I can't say that's what
good parents do. This it's just what people, you know,
the options that people have. Some are saying here, if
I didn't have to charge them, I wouldn't, but I
have to.
Speaker 3 (07:46):
I can't all live like you.
Speaker 2 (07:47):
Charlie twenty five years old, just going, oh yeah, do
that for me.
Speaker 3 (07:50):
Thank you very much.
Speaker 1 (07:52):
Just a quick recap. We talked about things.
Speaker 4 (07:54):
That's living free in my head, and this is parents
charging their children board And honestly, this is so amazing.
I'm learning, honestly, thank you for teaching me. A fan
and I truly appreciate this.
Speaker 1 (08:06):
Man. Like, here's one text that's just come through.
Speaker 4 (08:09):
My son left school at sixteen to start a painting apprenticeship.
Speaker 1 (08:12):
He worked full time.
Speaker 4 (08:13):
And was an adult and had an aerult wage. He
paid two hundred dollars a week board from the start.
Speaker 3 (08:19):
All right, hundred there's kind of the amount that's coming
in a lot. Right, that's like.
Speaker 4 (08:23):
The standarday one hundred was pretty good. But now hey,
inflation and play two hundred.
Speaker 3 (08:29):
Standards, So give your kids notice. Now that's what I reckon.
Speaker 4 (08:32):
This is the funny thing. Man, I never got charge
now saying my wife is like you.
Speaker 1 (08:36):
Guys, man eighteen, he got the paint board.
Speaker 2 (08:39):
So they don't end up like you, stays Azora and Charlie.
Speaker 4 (08:45):
Let me tell you guys this, before there were any
social media platforms and dating apps and what have you.
Speaker 1 (08:53):
Right, the only way you.
Speaker 4 (08:54):
Could impress anybody or you know, find a date for
us back in the day was at any church event.
And I tell you guys this, like you know, if
you were a male and you grew up in the
truth scene, you know, your CRUSH's parents would think that
you are the You are the greatest because you are
in the youth group. You are the lead singer of
(09:15):
the youth band.
Speaker 3 (09:16):
What do you mean did you not do those things
just for the love and praise?
Speaker 1 (09:20):
There was you know, they could be wrong, there was,
it was there. The heart was there for Jesus.
Speaker 4 (09:24):
But then again, your heart was also attracted to somebody
else that was in the congregation.
Speaker 3 (09:28):
I think Jesus intracted anyway exactly.
Speaker 1 (09:32):
But this is the part that really gets me.
Speaker 4 (09:34):
Okay, So how you really hinted to people or to
you know, in particular somebody that you liked him, was
how you stack the cheers?
Speaker 3 (09:43):
Stack the cheers honestly, guys, Oh you know what I mean?
Speaker 4 (09:47):
Like you could have somebody that played rugby league, but
you know, these are different type of technique in strength
when it comes to stacking cheers.
Speaker 1 (09:54):
You know, little old Terrier there, he plays rugby league
for all tahou leopards.
Speaker 4 (09:59):
He can only stack cheers away, you know, and how
he does it's pretty missy. But then you've got Theodore
over here, doesn't play in his sports, doesn't go to
the gym, but he can stack up to twenty plus chairs,
and how he does it neatly, you know, And then
the appearance of your crush is looking like you see that, Tiffany,
that's how.
Speaker 1 (10:17):
You do it.
Speaker 3 (10:17):
He's a good boy.
Speaker 1 (10:18):
Theodore is a good boy.
Speaker 4 (10:19):
If he can stack those twenty chairs, he can stack
all the blessings in your household when he does a marriage.
Speaker 2 (10:24):
So I think the key thing there is Theodore is
careful to do it right in front of the appearance
of his crash.
Speaker 3 (10:29):
You guys, are.
Speaker 2 (10:30):
Sneaky, sneaky, sneaky, and you kick a leidoscope of Christians.
Speaker 4 (10:36):
But that's how it was done back in the days.
And come on, now, you know, don't shoot the messenger.
Speaker 1 (10:40):
I seen it all. I know this. I know this
for a fact. Man. So when you're up there doing
your things, stacking the.
Speaker 4 (10:46):
Chairs and singing your little heart out, I know I
know what you're doing.
Speaker 1 (10:50):
I can see you. I see I see you.
Speaker 2 (10:52):
Confessions can be made at a two double o on
the tics.
Speaker 1 (10:56):
Am I right? Or am I right?
Speaker 3 (10:58):
You gotta sing that, right, Charlie.
Speaker 1 (11:00):
Easy stuff, man, Sing for your money, that's right.
Speaker 3 (11:03):
Tell us what you're so sick of. First on the line,
we have Jack more in a.
Speaker 6 (11:07):
Jack are well.
Speaker 2 (11:10):
We want to hear what you're so sick of, So
sing it to us. Jack.
Speaker 9 (11:14):
Okay, I'm so sticking tired of my warriors losing. He's
drinking nine years fifteen nine.
Speaker 12 (11:27):
I wish I would win the NL phone Premier issues
before I die, Oh.
Speaker 2 (11:41):
My goodness, before it's okay, this is of number one
and no more in a Dan what.
Speaker 13 (11:48):
You got more?
Speaker 3 (11:52):
Yeah, let's go.
Speaker 13 (11:54):
I'm so stick up wasting for my money buying in
after putting groceries, all these extra calories, wife, and I
just win the lotteries.
Speaker 3 (12:12):
Oh my gosh.
Speaker 2 (12:13):
People have listened and come by Wednesday and they're like, okay,
I got some lyrics here, and what about.
Speaker 3 (12:19):
You, Jess Morney morning, Let us go. Let us hear
what you're so sick of? Sing it for us? Jess.
Speaker 13 (12:28):
All right, here we go, said, I'm so sick of traffic.
Make me lay forward, said.
Speaker 10 (12:35):
I'm sitting here right now.
Speaker 3 (12:37):
Tick to my boss and like for work. Are you
in Northland?
Speaker 1 (12:43):
Yes?
Speaker 3 (12:44):
I am, So that's the thing, even in Northland.
Speaker 1 (12:47):
Wow, I get away from the tropics excuses.
Speaker 2 (12:49):
Okay, So we turned to the judge. The judge today
is Charlie Pome. Who is your winner.
Speaker 1 (12:57):
We're gonna have to go.
Speaker 3 (12:58):
Worth Jack, Hey, jacky Jack.
Speaker 4 (13:03):
The only reason why I'm giving you these tickets, mate,
is because we don't want you to die.
Speaker 12 (13:07):
Just thank you God, appreciate it.
Speaker 3 (13:14):
Awesome.
Speaker 2 (13:14):
So you've won the So six sing off. So you're
seen your daughter along to Neo.
Speaker 12 (13:20):
Oh yeah, she's gonna go with one of theirs.
Speaker 3 (13:26):
But those feelings about the warriors, they are truly yours.
They're all yours, aren't they mine.
Speaker 12 (13:33):
I mean, you'll do it. We're still going to chance.
We'll do it.
Speaker 2 (13:37):
He's just asking for one premiership before he dies.
Speaker 3 (13:41):
It's not too much.
Speaker 2 (13:42):
And you other went out of the Neo so six singer,
So Charlie, this game I've had for a little while.
Speaker 3 (13:48):
In the ring. You are a contender. You're not yet
a champion, right.
Speaker 4 (13:53):
I was at champion once upon a time. But yes,
you are right. I'm a contender, number one contender by
the way. You know, I'm that guy that when everybody
else is sick, like you know, Softy Zura, I step
into the ring and just fight anybody.
Speaker 2 (14:08):
Right, just just anybody. You've also taken on your brother
easy dubs. Yeah, and you you did take away the wind.
And and this is like sister sister brother brother, siblings
go up against each other. We have on the line
someone who has called us out, and it.
Speaker 3 (14:22):
Is my sister, Tush guttenbille.
Speaker 5 (14:27):
Y.
Speaker 2 (14:28):
Yeah, so I saw you. I saw you on Instagram.
So we put up the in the ring version between
me and Scottie. And what did you have to say
for yourself?
Speaker 3 (14:36):
Tush?
Speaker 6 (14:38):
I can't quite remember.
Speaker 4 (14:39):
I remember I remember you saying that you'll smoke, both
of both Scottie and staceh.
Speaker 11 (14:46):
Well, you know that's Instagram comments. Take seriously that, I'm
quietly confident.
Speaker 3 (14:52):
To be fair, Why is that? What are your credentials?
Listened them right now? Tush?
Speaker 6 (14:56):
Well, I mean you know not to flex.
Speaker 11 (14:58):
But I did to original playlist for Flavor broom covered
with an actual.
Speaker 2 (15:05):
Pen and paper and a highlight the day highlight, and
you choose the first song to be played on Flavor
in two thousand and four, which was.
Speaker 6 (15:14):
It's the biggest sense that was stand up by scribe.
I had to campaign for that and it was entirely
the correct choice. Might pat it if you're listening, but okay, cool,
So this.
Speaker 2 (15:25):
Is the call that you've made. But I'm sorry, I'm
very little sister. It doesn't work where you can just
step into the ring. You have to go through the
qualifying round.
Speaker 3 (15:33):
So the qualifying round happens right now.
Speaker 1 (15:35):
Let's listen to it.
Speaker 2 (15:36):
In the ring.
Speaker 1 (15:43):
Let's get it on RaaS.
Speaker 3 (15:51):
Okay, so it is Tas versus Charlie. You know how
it works.
Speaker 2 (15:55):
You hear a track, you have to identify the instrumental
by the artist and also the name of it. You
will use your name as a buzza. Please test your buzzer, Charlie,
teest your that was fast. Listen to your buzzy.
Speaker 3 (16:06):
Please tush my sister. She thinks she saw that. So
let's see. In the qualifying round.
Speaker 2 (16:13):
We have a total of four songs, best of best
of three actually, so let's see what you got.
Speaker 3 (16:19):
Here is an easy one to start.
Speaker 2 (16:22):
Track number one, Charlie, Yes, Charlie.
Speaker 1 (16:28):
Disney child, what the hell?
Speaker 3 (16:33):
Always give you this name of the song, Charlie.
Speaker 6 (16:41):
One.
Speaker 2 (16:43):
You can have half a point throw it open to
you the name of the song, please, independent woman. And
so I know that you said destiny child, but there's
the thing in tongans, you know, we say you're married.
Speaker 1 (17:03):
Listen, child, what is it?
Speaker 4 (17:07):
Yeah?
Speaker 3 (17:07):
It's so good? Half a pointed?
Speaker 2 (17:09):
Okay, So track number two, Charlie, it's Charlie.
Speaker 7 (17:17):
Fifty ship fifty one questions?
Speaker 1 (17:30):
Come on? Come on?
Speaker 3 (17:35):
Is one point five? Two point five?
Speaker 2 (17:38):
I don't know you're going to call a phone delay?
I know you are, but let's see.
Speaker 13 (17:43):
I am I want to have to give.
Speaker 4 (17:47):
Because I want you to know before you get to
our champion Stace, you got to go through me.
Speaker 2 (17:52):
Yeah, And the thing is this track is it's actually harder.
Speaker 3 (17:55):
I don't know.
Speaker 2 (17:56):
I don't know about this and this listening in both
of you is track number three.
Speaker 1 (18:16):
Bruh the song did you highlight the song? Yes?
Speaker 3 (18:34):
And then.
Speaker 11 (18:38):
Five or three?
Speaker 5 (18:40):
No?
Speaker 2 (18:40):
Right with the right that yes, do it?
Speaker 5 (18:45):
Do it?
Speaker 6 (18:49):
A weird mix, so come on do it to it.
Speaker 2 (18:53):
The instrumental didn't sound amazing, I'll give you that, but
it's still one point five two point five.
Speaker 3 (18:58):
You've got to come through.
Speaker 11 (19:00):
Okay's my brother, he's my brother.
Speaker 3 (19:03):
Buzz plase, Yeah, get it was great. That's great.
Speaker 14 (19:07):
Okay, and track the final track issh, yes, yes.
Speaker 10 (19:19):
Oh no.
Speaker 2 (19:23):
It's much harder when you're on the radio. It's easier
when you're on Instagram.
Speaker 1 (19:27):
Well that.
Speaker 11 (19:34):
I have stupid name, like all the songs through.
Speaker 3 (19:40):
Anymore else is bat had it? No, No, you can't.
Don't worry.
Speaker 2 (19:45):
Doesn't think of that zero point five.
Speaker 3 (19:48):
That is eminem.
Speaker 1 (19:50):
But I do know one thing.
Speaker 9 (19:52):
No Saturday, Sunday, Monday.
Speaker 3 (19:56):
It's called Superman Superman Close. So I'm going to give
you a wild card entry for Friday.
Speaker 11 (20:03):
Tash Guys' disappointed here good the way.
Speaker 6 (20:13):
I want to you good warm up.
Speaker 11 (20:15):
I love how status position is that she's.
Speaker 6 (20:17):
The final boss because she knows in person say.
Speaker 11 (20:21):
That point in person, it's going to be just for you.
Speaker 1 (20:24):
Might have to come into the studio and do this live.
Speaker 3 (20:26):
I don't know you've been listening for a few months.
I've actually earned a position.
Speaker 2 (20:34):
Okay, sister says the brother brother siblings come up.
Speaker 3 (20:36):
Against each other Friday. It's all And we have a
question for you, Flavor listeners. Help us out.
Speaker 2 (20:43):
So you are trying to start your Wednesday right with
a good attitude and not create road rags right exactly,
So how do you toot in a non aggressive way?
Speaker 12 (20:58):
Now?
Speaker 2 (20:58):
This is actually inspired by producer Anna, who's here in
the studio with Azera away at the moment, and she's
a very sweet person. She's not like Charlie who tries
to start a fight on the road. So this happened
for you this morning.
Speaker 5 (21:12):
Wasn't inna No, this was yesterday afternoon. I was stuck
behind a cart at the lights and the light had
turned green, and it was green for about ten seconds,
so I aw even.
Speaker 3 (21:22):
A little bit of time.
Speaker 5 (21:23):
But I didn't want to like rush them, but I
knew I wouldn't get through the lights otherwise, so I
tried to give them a nice little too, and it
just didn't go well.
Speaker 1 (21:31):
I had to go. I tried.
Speaker 5 (21:33):
I tried to do the double week but it was like.
Speaker 3 (21:38):
So they just go okay, chill out. Yeah, and did
it create a scene?
Speaker 7 (21:42):
Yeah?
Speaker 5 (21:42):
And then I had to drive past them and I
had to make no eye contact.
Speaker 3 (21:46):
I got scared.
Speaker 1 (21:46):
That's ooks you know. You got to remember, you don't
know what that person is going through.
Speaker 4 (21:51):
Yeah, they could have had like a really bad day Anna,
and then you know you you're aggressive.
Speaker 1 (21:57):
Beep, But that was ages just ten seconds light. It's
just gone green.
Speaker 2 (22:03):
What you didn't have a chance to do is explain no, no, no,
it is trying to do. But you've got a new
car as well, so you don't even know your horn strength.
Speaker 5 (22:11):
Yeah, I'm still getting used to it because my old
horn was a lot lighter, but this one is.
Speaker 3 (22:16):
A lot right, Yeah. Because some have a naturally aggressive beep.
Speaker 2 (22:22):
Yeah, and so there's no way to really do it
or the thing the beep button is too big and
it gets stuck.
Speaker 1 (22:29):
Yeah, that's the.
Speaker 2 (22:33):
Do you reckon That's the only way to do it
is to have a non aggressive toat by just going
yea twice, drum it.
Speaker 3 (22:41):
Have you never made a mistake like I have?
Speaker 1 (22:43):
I have?
Speaker 4 (22:43):
I have, And it's usually I'm the one that's getting
beeped at. Yeah, you know that's me. And do you
know what makes things worse is that when they when
they present at the back, the light just goes green
and then they're beeping at you, and then you're you're
driving off too that you can make up for the
lost time, you know, one second, and then they're just
taking their sweet little time at the back and then
(23:04):
they just slowly disappear, you know what I mean? Like, bro,
if you don't beep, at least drive past me and
like act like there's some type of urgency here.
Speaker 1 (23:12):
Uhh nothing.
Speaker 2 (23:14):
So let's set the rules. How do you toot non aggressively?
Text through to eight to two double oh? Non aggressively?
Speaker 3 (23:21):
Oh, give us a call for free.
Speaker 2 (23:23):
That's non aggressive eight hundred or four flavor producer Annason,
And she's going, oh, I didn't mean to do an
aggressive toot. I meant to go beep, beep, Just so
you know, if you don't mind me saying, you've been
sitting at a green light for ten seconds and I'm.
Speaker 3 (23:38):
Behind you and I'd like to get through the light.
That was your intention, that was.
Speaker 5 (23:41):
My intention, and then it just all went wrong because
I did the week beep beep and it ended up
being a beep.
Speaker 2 (23:47):
So on the text sounds fear to me, and a small,
quick beep is appropriate. They should just react and say
sorry with the hand up. But sadly, times of change
and road rage is a thing, and that's true, So text.
Speaker 4 (24:00):
I don't beep anymore after I was chased by a
road reader who ran a red light and.
Speaker 1 (24:05):
Nearly hit me. So that's a shocker, mate, It's really
happening out there.
Speaker 2 (24:10):
Yeah, that is on the text as well. And the
other one says a quick as a thank you if
the cars pulled over to allow you to pass on
a gorge or a rural road. Also when you're trying
to lane change, like I was on the Northwestern Is
today going out to Netville and I put my hazard
lights on to say thank you, and I'm like.
Speaker 3 (24:27):
That is that universal?
Speaker 1 (24:28):
That's your language?
Speaker 2 (24:29):
Now?
Speaker 3 (24:29):
Is that okay?
Speaker 1 (24:30):
Yeah? That's one hundred percent okay.
Speaker 4 (24:31):
You know, if you don't have time to put your
hand out and wave or just wave out the hazard
light as an indication, I'll saying.
Speaker 3 (24:38):
Turble an indication I said what you did.
Speaker 5 (24:41):
I always do it because I'm worried they're not going
to see my hand.
Speaker 6 (24:44):
Yeah.
Speaker 5 (24:44):
True, So then it'd be rude if you don't do
something else.
Speaker 3 (24:46):
Yeah, all in the way the light is, you know,
falling all of that.
Speaker 2 (24:50):
Dave, what's your story of how do you toot non aggressively?
Speaker 15 (24:55):
The one that that grow ons more years are the
ones that tat when the log's go green for like
zero zero, and I'm just like, calm down, Captain King.
So where's this? Follow Norris conections of a mongoose sort
of thing. And the other one that gives me is
if you're four or five cars deep and the car
(25:17):
in front of the three cars in front of you
is not moving and the dudes behind you start turning
and sitting there going.
Speaker 14 (25:23):
By, What am I mean to do?
Speaker 12 (25:25):
Okay?
Speaker 15 (25:26):
Yeah, relx, relax relx.
Speaker 2 (25:29):
Funny hop like do a frogger kind of thing, you
know what I mean? Come on, no very good points,
said Dave. Hey, Dave, you sound like a spontaneous person
hoping that you might be someone who's up for ear
flavor now boarding, have you heard about this our mystery holidays.
Speaker 3 (25:42):
We give away on a Friday.
Speaker 15 (25:44):
Yeah, man, definitely, I'll be lucky enough to have a
couple of trips here and there, so yeah, oh yeah,
there's the sort of Ratama and Queenstown and stuff.
Speaker 2 (25:53):
There a great place, okay, so recommend definitely, definitely.
Speaker 15 (25:58):
Definitely Queen's Down this time year probably one of the
most beautiful places.
Speaker 10 (26:01):
In the world.
Speaker 3 (26:02):
Okay. So that's the thing. Look how we changed it out.
Speaker 2 (26:04):
We went from things to it that annoy us to
things that we got to look forward to.
Speaker 3 (26:08):
So thank you very much. You're the man, Dave Baby.
Speaker 1 (26:14):
Stace, Azora and Charlie.
Speaker 2 (26:16):
It's something exciting Charlie that's coming back to the NRL.
This is a really cool idea that's going to happen
at the Grand Final.
Speaker 4 (26:22):
One hundred percent and a lot of people's been crying
up for this. And I know they've done this in
the past where they mixed up both coach rugby and
rugby league to find out who was the fastest right
out of.
Speaker 1 (26:34):
Both coach yeap.
Speaker 2 (26:35):
So there's going to be one hundred meter sprint at
the Grand Final this year only between rugby league players.
Speaker 3 (26:42):
But back in twenty ten.
Speaker 2 (26:43):
They called it the Gatorade Bolt and that was actually
related to Usain Bolt.
Speaker 3 (26:49):
Who was there.
Speaker 2 (26:50):
And they had rugby league, rugby union and even soccer
players and so they had this lineup to find out
who is the fastest. Also there was a twenty third
dollars prize up for grand so.
Speaker 3 (27:03):
That's pretty epic.
Speaker 2 (27:04):
And so up there at that time was John Grant,
Jared Hayn, Greg Anglis, Lucky Turner from the Waratahs so
he was from Raby Union, Josh Morris from the Bulldogs,
Ben Barber from the Bulldogs, Nathan Gardner from the Kernela
Sharks and Matthew Lewis from the Central Coast Mariners.
Speaker 3 (27:22):
So then the race one hundred meters went like this.
Speaker 1 (27:27):
Why they go, Hey, not a bad start.
Speaker 13 (27:29):
Lockland Turner in the middles flying well.
Speaker 1 (27:31):
Haines going well in Turner, but it looks like Hainen product.
Speaker 5 (27:34):
Look at John Grant on the outside.
Speaker 3 (27:35):
It's Turner.
Speaker 1 (27:36):
Look Barney got that turner, hey, Grant lunch.
Speaker 2 (27:38):
Haines was definitely third Turner or right.
Speaker 13 (27:41):
I don't know the two favorites.
Speaker 1 (27:43):
Johnny, who do you think Morley got the not? I
definitely think it's Lucky Turner, he really held his form.
Speaker 2 (27:47):
He can deputize the Union players a brilliant race. So yeah,
Lotland Turner one with a time of eleven point one zero,
whoa pretty fast, and then Grant eleven point one five,
and then Jared Hayne the League came third with eleven
point two and so at that point they said, oh,
I was hoping to go under eleven. But see listen
(28:09):
to how it was actually later in the hundred that
Turner one.
Speaker 5 (28:13):
I know.
Speaker 4 (28:14):
So in terms of the takeoff, the Hain plane was
there all day long and then like you, Turner got
it at the end. But this is bringing her back
to twenty twenty four, right, So they're trying to make
it like a many little Olympics were the biggest boot
the longest goal forward sprinting, but because of time, they're
going to definitely bring back the one hundred meter sprints.
(28:34):
And you know a lot of the Rugby League players
have been training with a sprint coach, Roger Fabry, and
he's dubbed in the fastest players that he reckons like
Jarum Buller from the Tigers. You got Alo Pereira from
the Titans, you got Dold Gola and dolud Gola. You said,
just the FYI, he's still got the record secretary school,
(28:56):
you know, so still standing.
Speaker 1 (28:58):
Still standing still.
Speaker 4 (29:00):
I'm not too sure what secondary school it is, but
you know it's he's got that record.
Speaker 1 (29:04):
I'll find out more details on that.
Speaker 4 (29:06):
So to watch all these favorite guys, all your fastest
players in in our round and in rur dub as well,
it's been a crack.
Speaker 2 (29:13):
Do you agree that the one hundred meters is the
right distance that like, should it be sixty because really
and rugby league, you're not gonna run one hundred meters
very often.
Speaker 9 (29:20):
Nah?
Speaker 4 (29:20):
Yeah, I reckon it should be like seventy five at
least because you've got props that have a faster thirty
meter yeah yeah, and in.
Speaker 2 (29:28):
Some of these backs, yeah, you can make that your
one of your events is the.
Speaker 4 (29:32):
Takeoff takeoffa maybe the fastest props.
Speaker 1 (29:35):
I know what I'm saying.
Speaker 3 (29:37):
It's going to be exciting.
Speaker 2 (29:38):
It's going to be part of the Grand Final. Yea,
let's look forward to that. Gonna be hard for the
Warriors to be there, but come on, give the faith.
No A Zorra would stays to Zora and Charlie because
she's so sick.
Speaker 3 (29:50):
She is sick.
Speaker 2 (29:52):
My question to you now is when you're seck, are
you staunch or are you sucky?
Speaker 1 (29:57):
Ooh okay.
Speaker 4 (29:58):
You know, for me, when I'm sick, and this may
sound a little bit greedy or selfish as well, I'm staunch,
I'll still stick it out.
Speaker 5 (30:07):
You know.
Speaker 1 (30:08):
I will turn up.
Speaker 3 (30:09):
Yeah, I've seen you do that. Yeah, I've seen you
do that. Why why would it be selfish?
Speaker 4 (30:15):
Because you know I might make other people sick, you
know what I'm saying. But I still turn up regardless.
You know, only some'm in my death bed then yet. Okay, cool, sweet,
but regardless, Dace producer Anna, I will turn up whether
I am sick, the noses running, you name it, I'm there.
Speaker 2 (30:33):
Not sucky, and produce any You look like you have
something to say about that. You're way too staunch, by
the way, we keep on trying to come to it.
We're like, go home, lady, look at you state of you?
Speaker 5 (30:45):
Oh no, I mean I agree with Charlie. But sometimes
brother like when you come just go home.
Speaker 3 (30:49):
Yeah.
Speaker 2 (30:50):
So if we're looking at Suki, that's she's sucky, isn't she.
Speaker 4 (30:56):
I'm not gonna lie. I've never seeing anyone so soft
like that. You know, with all due respect, I love
the girl, but she had me well this whole nail thing, you.
Speaker 3 (31:06):
Know, ah, when she heard herself at nail, and.
Speaker 1 (31:10):
Then every time she said, she's like, oh right, she starts.
Speaker 4 (31:13):
Googling little things as she starts giving her own, you know, diagnosis.
Speaker 3 (31:18):
I think I'm gonna throw our pay. I'm gonna throw out.
Speaker 2 (31:20):
When she went to take some some PELI I'm going
to throw up. She didn't throw our pain. She tried
to take to them at once. It's fine, And I'm
just going to shout out to the men and my
family that I was born off terrible.
Speaker 3 (31:34):
They are my dad and my brother, they are like.
Speaker 2 (31:36):
Nah nah, it's like I'm just it's like sand paper,
my boy, my throat is like sand paper.
Speaker 3 (31:42):
I'm pretty staunch only.
Speaker 2 (31:44):
Because uh well I just I mean, like I said
with COVID, I just got left behind like my family,
just like you're right, like you left me for an
entire day and went to another city. I got no food.
You're right, and you sticking r staunch or who is sucky?
Your staunch and your life Text through to eight two
double low. I'm playing the breakfast with Stace. Should be
(32:07):
a Zorah and Charlie. But she's away sick, poor thing.
She's spatling.
Speaker 1 (32:12):
She's sicky.
Speaker 3 (32:13):
She's sicky. Sicky said sicky.
Speaker 2 (32:16):
So we were asking you if you SUCKI when you're sicky,
or if you are staunch. People always claim that they're staunch,
and then they dubbing other people who are sucky. One
like Steven's been dubbed in My lovely wife just yelled out,
you're a cry baby.
Speaker 4 (32:33):
See this is it, you know, it's the wives that
are calling out the husbands. As soon as my husband
gets a cough. This on the Texas, he rings and sick.
He's got the flu. It's the man flu, man flu,
the man flew.
Speaker 2 (32:48):
It's worse and we don't understand although Zia is a woman,
but anyway, she's having.
Speaker 3 (32:54):
A day off.
Speaker 2 (32:55):
That's what you should do. Get better soon so that
you're not so so sick.
Speaker 1 (33:00):
The latest celebrity gods from around the world wave Breakfast
Oh Am God.
Speaker 2 (33:07):
Dre has done an interview about the upcoming album from
Snoop Dogg Missionary and he says, I'm not playing at
some of my best stuff yet, and he says, also
he drops one of the people who's featuring on it,
and he says, I probably shouldn't have said this, but Sting, Sting,
Sting is going to be honest, right.
Speaker 1 (33:24):
This is what I love about Dre.
Speaker 4 (33:25):
He's not afraid to sort of uh, you know, get
out there amongst other genres.
Speaker 2 (33:30):
Yeah, change it up, change it up. So that's good
interesting news. But Charlie's got better.
Speaker 1 (33:35):
Oh man, you guys want to listen to this.
Speaker 4 (33:36):
This is Janet Jackson talking about her fucker papa, talking
about her family tree Stevie.
Speaker 1 (33:42):
Wonder now if someone told me this earlier, are you
related to Stevie?
Speaker 3 (33:46):
She's our cousin?
Speaker 1 (33:47):
How have I gone that long in life?
Speaker 3 (33:49):
A lot of people know that he's our cousin on
my mother's side.
Speaker 5 (33:54):
So is.
Speaker 1 (33:57):
So we get through the family tree?
Speaker 3 (33:59):
Is Samuel?
Speaker 4 (34:01):
This is just you know that one cousins just loves
to say, Oh yeah, you know David Tour, Yeah, that's
my cousin.
Speaker 2 (34:07):
No, I think it's a bit different because this is
Janet Jackson we're talking about, So, I mean Samuel L.
Speaker 3 (34:12):
Jackson.
Speaker 2 (34:12):
Yeah, probably we should have figured that out because he's
got the same surname. But then Tracy Chapman and Stevie
Wonder cousins of the Jacksons. And I don't know if
that means like cousins, cousins or cousins. How we're talkers
black and brown people like that's my cousin, my cousin.
But it's all news to us, and it is oh
(34:34):
exciting news. In oem gos. You know that we'ther one
is of the Olympics. Yes, yeah, New Zealand out there
or in New Zealand has won the Olympics. Well, this
is according to British media, so they have I've seen
all the tellies, They've seen all of the news and
they say, okay, capita and in terms of performance, I mean,
they were our best Olympics. But they're saying, no, New
(34:58):
Zealand is actually the overachievers of Paris, who really won
the Olympics. They said, Well, athletes from New Zealand logged
an impressive hall of twenty medals despite having a population
of just over five million. Their rate of one medal
per two one hundred and fifty eight thousand people is
the best among nations to win, at least for this
summer so we got eleventh on the medal table against
(35:21):
all the giants, got heaps on people. But this makes
us basically the best that over achievers.
Speaker 1 (35:29):
That's us. I love that about New Zealand's small in
numbers but big in heart.
Speaker 2 (35:34):
And also, haven't you been feeling since the Olympics When
you're at in gym You're like, I don't know, maybe.
Speaker 1 (35:38):
Haven't peaked yet.
Speaker 3 (35:42):
My time is to come something. This is for Noua
as well.
Speaker 2 (35:45):
There's a new toy story coming out, Toy Story five,
and we've just heard today that a New Zealander will
be one of the producers.
Speaker 1 (35:53):
Oh massive.
Speaker 2 (35:54):
Jess Troy Smith has actually been involved in other movie
like Inside Out too, and so she is actually producing
Toy Story five. She says, heart is full. Thanks for
the joyful welcome. This from Jess Troy Smith. Actually sorry.
And so she works at Pixar and she's in the
(36:15):
senior creative team. And then you know, we're looking forward
to this movie.
Speaker 3 (36:19):
ONEA two. This is a call.
Speaker 1 (36:21):
From the ancestors hidden in a terrible storm. It's an
ancient island sitting foot on its sands. Would break the curse,
bring our people together again.
Speaker 3 (36:31):
I know what I have to do, Mollie. He could
really use your help.
Speaker 2 (36:35):
It's all on well featuring in this is also well
a couple of New Zealanders. We have Tim Murder Morrison
is tech Twoe. We have Rachel House in there as well.
And now Uffi my Fraser is going to join ONEA two.
Speaker 3 (36:47):
So you're just.
Speaker 2 (36:47):
Absolutely smashing it, loving it for Altadas smash it. We
have our first winner of air Flavor now boarding a
mystery holiday.
Speaker 3 (36:55):
So every Friday this month someone will.
Speaker 2 (36:58):
Come in and will identify someone to and they choose
one of four suitcases and that tells them their destination. Yollo,
just like that man just so good. So ticks flight
to eight to doublow. You really only need Friday off
and a you know, a spirit to fly and a
spirit to have a good time with Jetster and then
(37:18):
you could be when I so ticks flight to eight
to double ow, Charlie, what you got on today?
Speaker 4 (37:22):
I'm doing a bit of recording, so we're doing some
work on a Killiana compilation, so some New Zealan music,
you know, and we're doing a switch up with a
bit of reggae.
Speaker 1 (37:32):
Not just dust these a few other artists.
Speaker 3 (37:34):
As well, oh, and is this coming out?
Speaker 1 (37:36):
I should be coming out soon.
Speaker 4 (37:38):
I've been talking about the song for some time now,
and I'm quite nervous and excited at the same time,
because you know that the thing when you're covering a classic,
you know it's either going to go two ways. You've
done a great job or you've butchered the song, you
know what I mean.
Speaker 2 (37:54):
I mean, we can tell people once it comes out,
but I don't think there's no way you'll butcher it.
For one thing, and I think you'll put a nice
touch on it, but you think it kind of garage party.
Speaker 1 (38:05):
Okay, that's it. Yeah, and that's a great thing. Along
to you. So that's why I chose this song.
Speaker 3 (38:10):
Okay, so you are slipping away to do that, just
a little little clue, little clue there. We'll catch you
back Apple tomorrow.
Speaker 1 (38:17):
See Yua. Thanks for listening to the Flavor Breakfast podcast.
Speaker 2 (38:21):
Catch a new app here tomorrow, or listen live every
weekday from Sex
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