November 27, 2024 • 35 mins
On today's podcast, Azura's dad is back on the dating scene, and she doesn't know what to think of it. The stars of Moana 2 & Moana 2 Reo Māori are in the studio. Plus, Charlie is not at work but has been spotted on the TV!
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
The Flavor Podcast Network, the Flavor Breakfast Podcast with Stace,
Azorah and Charlie.
Speaker 2 (00:07):
On today's podcast, I share my dad is dating and
what he's doing about it.
Speaker 3 (00:12):
And the stars of one O two and Onana Maudi
two and they sing and it's beautiful.
Speaker 4 (00:19):
And Charlie is not at work. But somehow on TV
you'll find out what is going on right here on
the podcast, Lord your Stace and Zarah.
Speaker 3 (00:29):
This morning, just the girls here, So don't worry. We
are going to look after you so well that I
just have this feeling when the Flavor Fugitive gives us
his first club at halp Ou seven, someone's going to
be right there and we're going to have one of
the quickest, you know, discoveries of the Flavor Fugitive in
order to go in the drawer to win a trip
to Las Vegas for fifteen grand Ever.
Speaker 2 (00:49):
Do you think it'll be faster than what it was
like in bookco though.
Speaker 3 (00:54):
So if you're in the zone, you're in the zone.
Be ready, be on the lockout. Remember that the word
is Flavor fugitive because someone says to me saying, ah,
I was saying the wrong word, that I was in.
Speaker 4 (01:07):
The area, but I couldn't remember what the word was.
Speaker 3 (01:10):
So Regina, I'm just going to call you out here
because she was there in the area Manudewa, but she
was saying I kept on saying. I wanted to call
him the ultimate warrior, lay the future everything.
Speaker 2 (01:21):
Okay, okay, well you know it is a trip to
the Rugby League opener. I see a five point fifty
seven text on eight to two double O from stew He.
Speaker 4 (01:30):
Said, more than a funner.
Speaker 2 (01:31):
Can you please make sure the fugitive doesn't come to
Vegas this morning? I'm working and talkador your boys, Jews.
Speaker 4 (01:37):
Joe, it's Vegas.
Speaker 3 (01:38):
Okay, okay, I think we can be sure of that today.
Speaker 2 (01:41):
Yes, I don't know how to feel steady. I got
a message from my father. It's fifty five to fifty six,
can't quite remember, but born in nineteen sixty nine now
wait or seventy nine?
Speaker 3 (02:01):
No, no, it can't be si nine Yeah no, no,
that would make him fifty five this year.
Speaker 2 (02:06):
Okay, then that that sounds about right. It's nineteen sixty nine.
So I get a message from him on Facebook. We
talk pretty much every day, to be fair, but this
I was not expecting it. Reads Bob, I know you're
biz because you know who's cool like that? Can you
send that nice pick of me and you and christ
Church space down? Gonna send it to a maybe? Send
(02:32):
it to a maybe?
Speaker 4 (02:33):
Yeah? Yeah, who's a maybe? What do you want to
know who it is?
Speaker 3 (02:39):
But but is that what fifty five year olds do?
Like they just like, how would I know? I'm not
in the game?
Speaker 4 (02:45):
No, but but you must know people?
Speaker 3 (02:48):
Oh yeah, I do. Don't worry that. Yes, you know
what I mean. I would never I would never like
to promote myself. It's going to like sitting in the CV,
just like sending in them a photo of yourself. But
then it makes sense because like he's I don't think
he's on dating apps. He's probably connected with someone who
has a mutual friend or a friend with a friend.
Speaker 4 (03:06):
Is trying to sit back. None of your dad's on
a dating app for sure, But he wants to send
it to someone. I'm like, you do realize you can
have the photo on the app? Yeah?
Speaker 3 (03:16):
Well, I don't think it's so different. You don't probably
need to be age just about it because I'm not being.
Speaker 4 (03:23):
People. You know, maybe is pretty, you know across the board,
doesn't it. Oh, I don't send photos.
Speaker 2 (03:30):
I wouldn't seend like a self fie of myself, like
after we've already connected on a dating app, or.
Speaker 3 (03:35):
Did you ask him the detail? How do you know
this maybe?
Speaker 5 (03:38):
No?
Speaker 2 (03:39):
I just said, ha ha, you go dad, because I
do want him to find love. This is the thing,
obviously lovely man, a couple of weird things. Is just
randomly sending a photo of yourself to this maybe and
calling them a maybe is really funny.
Speaker 3 (03:53):
Necessarily random. Your dad's not telling you the whole story. Obviously,
I've got to that stage. There is this maybe. Now
I've asked, yeah, that's the real daughter response. I'm pretty
disappointed in you.
Speaker 4 (04:04):
You didn't ask for the real time.
Speaker 5 (04:06):
I don't know.
Speaker 4 (04:07):
I just I just do I want to know.
Speaker 3 (04:12):
About my dad's dating when I did not.
Speaker 2 (04:14):
See You're used to it, you're desensitized. Whereas for me,
I'm like, oh what, I'm not me giving him photos
of and also like, don't use me in the photo
if she's a maybe. No, I think he shows a
bunch of photos. I see a bunch of photos, so
I'm like, do what you want with them. I think
it's fair because it shows. These my cads.
Speaker 4 (04:31):
I love them and I'm proud of them in it.
Speaker 2 (04:34):
Yeah, yeah, okay, okay, it's just like it isn't it
funny with your parents, especially just any of them dating.
Speaker 4 (04:45):
And again, I've been through since I was eight years old,
I know. But you've you know, because you're you know,
you're with You're Scottie. He's your husband. To get the
fit of a soulmates type thing. It's quite weird. Like
my dad dating game. I'm like, anyone can end up
back in the game. No, I've just realized something. I'm
turning into you.
Speaker 2 (05:06):
My dad's now in the dating scene the way your
dad's always in the dating scene.
Speaker 3 (05:09):
No, my dad's married. I finally get disorted now number three.
But around my age, what was your dad doing he
was on the dating scene. Wasn't he listening?
Speaker 4 (05:17):
Ye, he's not.
Speaker 5 (05:19):
Don't worry.
Speaker 4 (05:20):
Your dad's not going to be as mad as my dad.
Speaker 3 (05:22):
It's fine, but do tell them that your head.
Speaker 4 (05:26):
Let me tell you that my dad is a boring dude.
He likes gardens.
Speaker 3 (05:30):
Your dad is not going to do what my dad
did to me and go, oh they go. You went
to school with no Teacher's pretty hot, and today we
celebrate a song that you may have forgotten about from
nineteen ninety six, Horace Brown One for the Money. So
(05:56):
Horace Brown, he played quite a few different instrument in
a school's marching band and got a break because DeVante
Swing from Jodaese heard one of his demos and then
he got to do some background vocals and he actually.
Speaker 4 (06:08):
Started as a writer.
Speaker 3 (06:10):
He started writing, and he originally wrote this song one
for the Money, for someone else.
Speaker 1 (06:16):
I wrote songs for Silk, and One for the Money
was one of the songs I written for them, and
they didn't take it. It was one of the songs
they didn't take, and so I was like, I was
kind of hurt Cloud, you know, because you know, I
was like, oh man, I wrote a song for Silk
and they didn't take, you know, but they took another
song I wrote for them, Now that I Lost You.
Speaker 4 (06:33):
That's right.
Speaker 3 (06:34):
So Silk didn't take this song One for the Money,
but they did take another song he wrote, now that
I've Lost You, sound like.
Speaker 5 (06:40):
That would I've been making.
Speaker 3 (06:47):
So that was written by Horace Brown, and then he
got his first album in nineteen ninety four. His first song,
Taste Your Love I basically can't really play on the
radio right now. It was that controversial Taste Your Love
about what it was about. Yeah, But at the time,
Horace was working with new artists like a guy called
(07:07):
jay Z on Things You Do for Love?
Speaker 4 (07:10):
What about Things We Do for Love?
Speaker 3 (07:11):
Did you never hear this record with jay Z on there?
Speaker 6 (07:14):
I mean that was before even a lot of people
even knew about jay Z.
Speaker 4 (07:18):
So that sounded in the remix Things you Do for
Love like this how.
Speaker 3 (07:23):
We Know.
Speaker 4 (07:30):
Nice.
Speaker 3 (07:30):
So that's when Horace Brown moved to Motown and he
got a couple of more singles, One for the Money
being one of them, and Things We Do for Love.
He had Foxy Brown, jay Z and Faith Evans in
there as well. Two thousand he had a single called
shake It Up. Didn't go great though, and he also
was on a reality series called Comeback Kings. But the
comeback was a bit patchy, I guess you have to say.
(07:53):
But otherwise we go back and we remember this great
song that was written originally for Silk, but then he
made it his own, and that's a great one. One
for the Money. That is your hip hop mystery because
if you don't know, no.
Speaker 6 (08:04):
You know.
Speaker 4 (08:09):
Stays a Zarah and Charlie.
Speaker 3 (08:11):
It's a case of no my hockey manor welcome back
everybody from Wana Real Marti too and Wana two.
Speaker 4 (08:18):
We have doctor.
Speaker 3 (08:23):
Yes my Phrase who plays Martagie in both version, and
Tim Woda Morrison plays Chief Twoe in both versions. This
is a good idea, you guys, you got two for
one deal with your movies here no Manica.
Speaker 7 (08:37):
So it was some such a beautiful night, celebration of
our people, our culture, our realest beautiful movie both in
English and Tarel Marti.
Speaker 8 (08:45):
Just for me, it was a man night besides Moana
and the movie. But you know, people like Tweety and
Chelsea and Martha Ware Productions, you know, working for Love,
working for Adaha bringing tel version out monumentally at the
same time as the big main movie.
Speaker 4 (09:05):
So it's great to be yes, Well, what the kids
think of it? Oh, they loved it.
Speaker 3 (09:10):
I mean, yeah, it's a little bit about the kids,
but until the generation.
Speaker 4 (09:14):
But I loved it.
Speaker 3 (09:14):
And it's a huge emotion, like I know you've just
been on this big whilwind, but if we just listened
to you know, this soundtrack is absolutely incredible and the feelings.
Speaker 4 (09:28):
Beautiful sounds.
Speaker 3 (09:32):
And daughter and beautiful, and it's not giving anything away
to say, you know, this is about unification of people
across them one. How did you feel seeing the waka
coming across the horizon, Tim, Well.
Speaker 8 (09:45):
That's what That's a big part of this film to
me is the an Opataia pushed that fact right back
in the early times when they were making a movie
about Mowana. But it was they said, hang on, doesn't
he This is about the way you find us, jez.
This is about our ancestors that could traverse the oceans
guided by the stars, the currents, and these people could
(10:06):
read the signs. So it's it's awakened ourselves to to
those elements again and those special qualities our tupuna had.
When Mauana puts her hand in the ocean, it takes
me back to who taught our nine one Thompson's and
all our new navigators of this modern era, and it
goes back to that Tahuna Mao from Indonesia. He was
(10:27):
one of the ones that passed on that knowledge. So
so it encumbasses this of course, the drama and the
star colors, the humor, even the rocks performance and he's
speaking a little bit of someone.
Speaker 2 (10:37):
Yeah.
Speaker 8 (10:38):
Yeah, the language we had to talk of our language
in there from Optai and them. So yeah, that's very
much a highlight. Just the music of Tobacca, the rhythms
and uh, it's just proud to be Polynesian.
Speaker 3 (10:52):
Yeah, and Michaels even so, your incritible character, Martini. I
just want to I'll just quite reader for you. Last
night he said you were like Beyonce, like that song
that your song depore and what is it in English?
Speaker 4 (11:07):
I don't know, get lost?
Speaker 3 (11:08):
Get lost really because you know there's a different ways
you can interpret it. But that was that's an anthem.
How did you come at that song? Ran a straight
with our whole team. You know, it was a whole process,
you know.
Speaker 7 (11:24):
I think the first time we did it was last year,
so maybe over the course of a year. I think
it was about three studio sessions. Each of those sessions
were about four five hours long. A couple of tweaks
here and there, but but I had a beautiful vocal
coach here in a Shari who really just keep me
believing that we could we could hit it and stay
healthy over that.
Speaker 4 (11:44):
Give us a loane or two. Get loss of loose
and lose.
Speaker 1 (11:54):
Enjoy.
Speaker 2 (11:59):
I think we need some more was singing. Actually, I
think team's up nixt right, Yeah, I'd say so, I'd
say so. So we'll be back here is Ali. If
you go on with Fleet the Breakfast, we're with the
cast of one or two one O you may.
Speaker 4 (12:13):
We are here with the stars of one or two
and one two. They're on Maori, how do they compare?
Speaker 2 (12:19):
We're saying that it's better then number one, or it's
on part and you know, sometimes we're prequels and sea calls,
and sometimes you're like, dam nothing can beat.
Speaker 4 (12:30):
The original, and fans always get like that.
Speaker 3 (12:34):
You've never had experience of that team a sequel that's
not so good.
Speaker 4 (12:38):
But would you agree, all three of you, it is
the first. It goes beyond the reef.
Speaker 9 (12:45):
Yeah, beyond reef, beyond belief, beyond believe. It's just so forward,
just like keep moving forward. And it's funny when you
get people on I don't know, I like the first one,
but that's because you've stayed put. You've stayed still realized
(13:05):
the world's going further and further beyond the reef.
Speaker 4 (13:08):
So just unpluckier. Yeah, reached down there and and come
for Come.
Speaker 3 (13:17):
I just wanted to say, I woke up thinking about
the fun name family and singing your kids the last night.
Speaker 4 (13:21):
What did it mean to you as a fan?
Speaker 2 (13:23):
Though?
Speaker 9 (13:23):
I was a bit teary eyed, to be honest, because
I looked over and they're all sitting there, and they're
all older, and I saw the little children that me
and bron made.
Speaker 4 (13:34):
I saw those those images and I cried.
Speaker 9 (13:39):
I tried to look on them, and I was so
proud that they get this and and they get to
see your Yeah, it's pretty cool. They were quite impressed
with my my two words from singing.
Speaker 4 (13:52):
Get it, get it.
Speaker 9 (14:00):
The sound tricks.
Speaker 3 (14:01):
Actually, we just want to play something to you, because
are you inspired Charlie who's not here? You inspired him
because one of your favorite songs. He went, maybe I
could do it to have a listen to this.
Speaker 1 (14:15):
Song?
Speaker 4 (14:22):
And is working me into a watching slipping way beyond
the ring, beyond the reef. You guys so much for
coming in. It's been an absolute honor. We're so proud
of all.
Speaker 3 (14:41):
Of you, and you.
Speaker 4 (14:50):
More time for you teams and.
Speaker 10 (14:55):
Slipping away from me, away from me, and it's breaking
me into.
Speaker 4 (15:10):
Watching you slipping away and you're listening to flavor.
Speaker 8 (15:21):
Very good money.
Speaker 3 (15:30):
What about when things are inanimate but men are demanding.
So I've got these here tongs. I don't know why
they don't turn on immediately, but if I go, switch
it on, switch it back, then switch it on again.
Speaker 4 (15:44):
Oh thanks, Now you go, I.
Speaker 2 (15:46):
Know what you mean name, Because there's certain things in
my life where there's like a method to make it work.
Speaker 4 (15:53):
And it's funny because you.
Speaker 2 (15:54):
Don't realize how high maintenance this object is until someone
else needs to use it and you go, ah, no, no,
you just got to be in the cord, wrap it
around and hold it on the left side and then
it'll go yeah.
Speaker 4 (16:07):
And if you're like, why am I used to that?
Speaker 5 (16:09):
Why am I putting up with this crap?
Speaker 3 (16:11):
Well, because to make it work, because you don't want
to have to get a new one, Like saying your car.
People will go oh your car doors locked, and they go, oh, no,
you don't do it. You have to jiggle it like this,
giggle it like that, and it'll work. So you've got
something in your life and you know how to make
it work, but you have to explain it.
Speaker 8 (16:26):
What is it?
Speaker 3 (16:27):
What's the thing that sitting there in your life. It
might be a cupboard or a door, you know. I
find that with doors unlocking our front door, people go,
you can lock it. Oh, you just have to pull
it a little bit. So, oh my god, my nana's
my Nana's doors like that And it's been like that.
Speaker 2 (16:44):
I'm not kidding. I'm talking fifteen years. Yeah, Like, why
don't we just get it fixed? I don't know, I'm unsure.
Same without sliding to pull and push and jiggle and
pull back just to get the door open.
Speaker 3 (16:56):
Yeah, our sliding doors, you can open them unless you
squeeze them together. Squeeze them together and then unlock it.
Speaker 5 (17:01):
I'm sick of this.
Speaker 4 (17:01):
Say, what's up with all this? Because we can't buy
new stuff?
Speaker 3 (17:06):
Okay, just go with that. What about your glasses to
it though?
Speaker 2 (17:08):
Because I had a charge in cord for literally three
years until it broke, where the only way my phone
would charge was if it was bent on a completely
crazy angle and my phone sat on top of the
vent charging cord.
Speaker 4 (17:24):
Yeah, or hold it down.
Speaker 3 (17:25):
You can have like a makeup compact and there's no
mirror in it, so you're using another mirror to make
you know, to use the makeup.
Speaker 5 (17:33):
It's like, what am I doing?
Speaker 3 (17:35):
I'm just like patching things together. Hang him buy thread here.
Speaker 2 (17:41):
It's important to remember this time in nineteen eighty three
when Billy Jean on Motown twenty five Yees Today Today
Forever was broadcasted and Michael Jackson was before minute song
and something incredible happened. His feet started to move backward.
(18:07):
That was the crowd's reaction to Michael Jackson moonwalking first moonwalk.
While so we thought, it turns out that Michael Jackson
made the moon work moonwalk popular because the more digging
I've done into the moonwalk dance, which undoubtedly you know
(18:27):
it became Michael Jackson's.
Speaker 3 (18:29):
It was his.
Speaker 2 (18:31):
It turns out that people recorded instances of the moonwalk
all the way back in the nineteen thirties, including you know,
through similar moves by Charlie Chaplin, and also it was
called like the buzz where it wasn't exactly the way
Michael Jackson did it, but it definitely is where the
inspiration comes from, these instances of it being seen in
(18:52):
the nineteen forties, fifties, sixties, seveny Brown I.
Speaker 4 (18:55):
Know exactly exactly. James Brown is one.
Speaker 2 (18:58):
Of the many names on this, even like cartoons and
stuff like that. You know they're saying, oh, you know
that something happened in a card.
Speaker 3 (19:05):
I think it's a little bit easier for a cartoon
character to do it. And weakly, I didn't think that
I would read this when looking into it.
Speaker 2 (19:12):
In nineteen eighty, the music video for the single one
Step Ahead by KEYWEK.
Speaker 4 (19:19):
Rock band.
Speaker 2 (19:22):
End, the key boardist Eddie Rayner is then performing a
predecessor of the moonwalk, which is apparently taught to him
by a fellow bandmate.
Speaker 4 (19:32):
So you know, again, it's still not the same as
m MJ. It didn't look as smooth as no. And
then what the heck?
Speaker 11 (19:43):
Then I hear this the Bobby Brown teach Michael Jackson
the morewok. We all know that when Michael Jackson first
performed the mowall, it revolutionized the game forever and it
became associated with the King of part.
Speaker 2 (19:57):
But then during a twenty twenty live stream with Fat Joe,
Bobby Brown was talking about how he taught Michael Jackson
the moonwalk.
Speaker 1 (20:10):
I had just came from from Alabama learning how to
do the moonwalk, the real moonwalk when you put the
sand on the ground and hey, yeah, you do it
from the sand on the ground.
Speaker 5 (20:21):
It was like soft shoot.
Speaker 1 (20:22):
And Michael asked me show him how to moonwalk. He
perfected it, but I taught him how.
Speaker 6 (20:29):
To do it.
Speaker 3 (20:30):
Yeah, well Michael's not here to verify that. So okay,
Bobby Brown, I mean, you know that's the thing.
Speaker 2 (20:37):
There's no doubt Michael Jackson took inspiration from probably multiple
people that have been shuffling backwards, moving backwards.
Speaker 4 (20:45):
You know, it's very.
Speaker 2 (20:46):
Funky, you know, to move sort of backwards or on
the spot. And I'm pretty sure Michael Jackson said that
in the documentary that he just sort of came over
him that exact motion, you know.
Speaker 4 (20:57):
With the foot up to down.
Speaker 2 (20:58):
So wouldn't you want to claim that you created the
moonwalk or talk Michael Jackson how to moonwalk?
Speaker 3 (21:04):
It's a lo I'm thinking, yeah, Bobby Brown, okay, but
we all know that I kind of moment and we
remember the time Michael Jackson first of the moonwalk.
Speaker 4 (21:12):
On stage ninety eighty three, we have Stays Azora and Charlie.
Speaker 3 (21:20):
Actually speaking of looking for a fugitive. It's kind of
what we're doing with Charlie today because you know, he
went okay, he's having a day off, and we're like, oh,
hope he's okay. He was, well, I hope everything's okay.
Then we turn on TV. Breakfast is on there in
the background without us listening to the sound, and what
do we see.
Speaker 2 (21:39):
We see Charlie Pulmetre at a High Rocks event. Yeah,
Biddy didn't realize that the Breakfast channel was going to
be there. Hey, hey, okay, well it's a little bit
of a hypeboy. We're you know, blowing it up a
little bit because we didn't know that he was taken
down to go on High Rocks.
Speaker 3 (21:56):
Though, So high Rocks. I hate it when you speak, Jim,
butarently high Rocks. It's the type of what a workout.
Is it a particular workout? I think it's a cross fit,
come and tell us, look, it's the way not in
our in our range. But he says, I'm doing high Rocks, Like, okay,
what does that mean?
Speaker 2 (22:13):
And then it turns out it's a very special high
Rocks where he's being boted to a location. It's a
floating high Rocks whatever that means.
Speaker 4 (22:22):
It's on a badge.
Speaker 3 (22:23):
Yeah.
Speaker 6 (22:23):
High Rocks is a worldwide competition. So it's a hybrid
training comp so it's kind of some of the crossfits
more like weights, whereas this is a lot of running.
Speaker 4 (22:34):
I've seen these videos.
Speaker 6 (22:35):
Yeah, so you have to do there's eight one k
runs split up and then you have exercises in.
Speaker 2 (22:41):
Between each run. My gosh, that is horrific. It's a
very he's doing that today. Yeah, oh gosh, we're not
going to see him tomorrow. He'll make one k runs.
Speaker 6 (22:50):
Yeah, So you run, you run a k and then
you do an exercise and exercize. For example, you've got
a thousand meters on the ski, a thousand meters on
the rower. I wait for lunges, Oh, what are the
other ones? And then.
Speaker 4 (23:05):
Roaming.
Speaker 2 (23:05):
There's like running like in terms of its cardio. So
you'd finish a one k run and then it's okay,
now do start again. Literally a kilometer on a rhymes intense.
So I wouldn't make it.
Speaker 4 (23:16):
And so who gets to do it? Who does it?
Speaker 6 (23:18):
Anyone can do it. The New Zealand Competition is happening
in February here. It's the first time it's come to
New Zealand, so it's been all around the world.
Speaker 4 (23:25):
Why is this one on the TV and why is
it on the water?
Speaker 6 (23:27):
I guess that just making it a bit different.
Speaker 3 (23:30):
Okay, okay, So did Charlie have to get selected to
do that? And is he there is an instructor or
a No.
Speaker 6 (23:36):
I think he's actually doing it. I think he's been
selected to because he's my performer.
Speaker 5 (23:40):
Oh okay, well, then let's go Charlie, because.
Speaker 4 (23:51):
We need to know. We need to find out. Are
we smarter than an.
Speaker 2 (23:53):
Ncee A today it's a new word decided to add
because we are definitely not smarter and in a students
that are currently sitting their exams, we never get this right.
Speaker 4 (24:04):
But that doesn't matter.
Speaker 2 (24:05):
We're still try and we're still showing up today on
the exam. Exams for exams level too, Education for Sustainability, Well.
Speaker 4 (24:13):
That sounds good.
Speaker 2 (24:14):
Educational sustainability, yes, Level three Earth and Space Science and
Scholarship Chinese. Oh and there's also Musical Studies Level three
and scholarship Spanish.
Speaker 4 (24:23):
Tomorrow's the last to have exams. Guys, it's crazy. Congratulations
as well. I know you made.
Speaker 2 (24:30):
It's the end of the year, so we are going
to be asked to quit. Asked a question by producer
n missus Shine, good morning, Good morning, miss Shine.
Speaker 6 (24:41):
Good morning. This is actually we go on music subjects.
So this might have been something that Charlie might have known,
but I'm going to test you guys instead.
Speaker 4 (24:49):
Okay, sorry Charlie as an abstin shat.
Speaker 6 (24:52):
Do you have any of you read music before? Have
you played? It's true?
Speaker 8 (24:56):
Ye?
Speaker 4 (24:56):
Yeah, yeah, yeah.
Speaker 6 (24:57):
Okay, so we're looking. Let's use a sheet of music
and you see the litter p above. Do you have
any idea what you might do.
Speaker 4 (25:08):
If there's a p you pause? Good thinking, but no,
I have no idea. It's an Italian word, but yeah,
is it staccato or something like that?
Speaker 6 (25:21):
You're on the right track.
Speaker 4 (25:23):
Does it mean you go higher?
Speaker 6 (25:25):
Nah?
Speaker 4 (25:26):
It means.
Speaker 3 (25:29):
Yeah, pap pronounced like papa pa go hard?
Speaker 5 (25:33):
Nah?
Speaker 6 (25:34):
The opposite relax quiet, soft, soft, softly piano.
Speaker 4 (25:42):
I thought I thought soft, chill out was quite good. Relation. Yeah,
just now, but it's like quiet.
Speaker 5 (25:50):
And then.
Speaker 6 (25:52):
No, you don't want to change the volume. You just
want to play it softly. It's very complicated.
Speaker 4 (25:57):
But piano, okay, we'll just piano.
Speaker 5 (26:00):
Piano.
Speaker 6 (26:01):
Yeah, but it's piano.
Speaker 4 (26:03):
But is it the same thing?
Speaker 6 (26:05):
No?
Speaker 3 (26:05):
Oh, okay, well, we're probably related. I mean, what, it's
not just called piano for no reason? Is that ver true?
Speaker 4 (26:13):
Hey, good luck to those sitting the real exams.
Speaker 2 (26:16):
It's all about you guys, and we say good luck
and well done to anyone who said it already.
Speaker 8 (26:21):
The latest celebrity goss from around the world wave breakfast, oh.
Speaker 4 (26:25):
M oh my, oh my gosh, throwing that money and
any on the stage.
Speaker 2 (26:32):
Yeah, so as soon as celebrity was Khalifa is not
happy about it. A fan is throwing money on the stage.
He had some words for the span and said, I'm
not no stripper, is what he said. So yeah, he
hit the club for an afterpudy to be fe I'm like, dude,
you're in a club.
Speaker 4 (26:50):
You're in a night club. It's not like it's on
stage or a a concert. You're getting paid by this club.
Speaker 2 (26:58):
This was in Thailand, Thailand, even wait, come on, man,
exactly so one of the fans made it rain and
then whiskly if just so talk it the wrong way,
he said, I want to show love to everybody with
this one person in here. I really need to talk
to the guy right here stop throwing money at the stage.
I'm not a strip of dog. Quit throwing money on stage.
(27:19):
Keep your money, it's your money. Give it back to him,
Give all his money back to him. Do not throw
money on the stage. And I'm like, okay, well, if
I was standing in the vicinity, I would not want
to give it back to the guy throwing the money,
because was Caliph is like, give it back to him.
Speaker 4 (27:34):
Everyone giving back to him.
Speaker 3 (27:35):
I'm like, oh, you.
Speaker 4 (27:37):
Can stop farting. Give it back to him. That fifty
dollars will stay where it is, okay.
Speaker 3 (27:42):
Kendrick Lamar has done a form of a tribute to
Isaac Hayes and so this is with his song Squabble
Up and So in it he is basically paying tribute
to Isaac Hayes by being dressed as Black Moses, because
that is what Isaac Hayes did. So Isaac Hayes, his estate,
(28:04):
has said on x Isaac Hayes as Black Moses stands
as a powerful symbol of liberation, leadership, and cultural pride.
Thank you Kendrick Lamar for honoring Isaac and his legacy
reminding the world of the everlasting power of blackness.
Speaker 4 (28:18):
I feel like look came out, heim out.
Speaker 2 (28:21):
I feel like a lot of people are going to
be kissing Kendrick's ass as well, because you think about
how he's going to be the halftime show at the
super Bowl and he's just doing so well at the moment.
I just remember when Drake had his moment when everyone
wanted to be friends with Drake, and now everyone wants
to be friends with Kendrick, even though that's a that's
a legitimate you know, yeah, no story, that's legit, yeah,
(28:43):
from but you know, yeah, Isaac me Kendrick. Kendrick was
quite for a few years, and now I feel like
Kendrick's to go with all the friends, you know.
Speaker 6 (28:51):
What I mean?
Speaker 4 (28:53):
Did I have tickets to the super Bowl?
Speaker 6 (28:55):
Yeah?
Speaker 3 (28:56):
Yeah, you'll find you have more friends all of a sudden.
Speaker 2 (28:58):
When something like that the girls, I need to know
whether there's any truth in this stace. I have no kids,
but when I read something like this on a girl
page and this was posted anonymously, this person will either
be from Australia or New Zealand, that's who's in this group.
Speaker 3 (29:15):
They're not a made up person. No, they're not even American,
which is close to made up. So she has said,
does anyone just not like their child and went on
to explain that she took her seven year old on
a trip with her class and her child screamed, cried,
and break broke down because she was talking to another
(29:38):
one of the kids in the group.
Speaker 2 (29:40):
So like her daughter or son got jealous and decided
to slap the mother in the face.
Speaker 3 (29:49):
Oh, they got some stuff going on. It's not just
that the mother doesn't like her. Obviously their relationships a
bit strained. Yes, well quite The post gained quite a
lot of traction. You know, someone commented saying, I don't
like my son sometimes, and he sure doesn't like me
half the time.
Speaker 2 (30:08):
But you know, went on to explain about how to
be resilient. I guess in those situations.
Speaker 3 (30:15):
Part of it, I think is if a parent is going,
you know, struggling with a personality trade of the kids,
sometimes it's because it's a mirror back to you. You go, oh,
this kid is just like me, and that can be triggering.
So then as a parent we can work on that.
You know, go, Okay, why does this part of me
being reflected back to me drive me crazy?
Speaker 2 (30:36):
That's exactly what someone commented, saying that exact same thing, Like,
you need to actually look into yourself and be like,
why do I feel like I want her to go
in love with her dad? Why do I feel like
I want them? You know why I don't like my
own child? Because there's some something deeper in that.
Speaker 3 (30:53):
Yeah, it's really interesting when your kid has a different
personality to you and you go, wow, it was fascinating,
but oh yeah.
Speaker 5 (31:00):
I never thought about that.
Speaker 3 (31:01):
Yeah, no, it's really interesting. But then, as I say,
a lot of the time, the things that can be
most annoying about your child, if you're really honest, it's
because they're like you, and see you don't appreciate seeing
what it looks like and someone else who is just
like you, do you know what I mean? It's like,
(31:22):
is that what my face looks like? Is that why
people get annoyed when.
Speaker 6 (31:25):
I do this?
Speaker 4 (31:28):
Just like damn, yeah, oh you've got two daughters. Yeah yeah, yeah,
for sure.
Speaker 3 (31:33):
It's it's like, oh, oh, okay, I see now, okay, so.
Speaker 4 (31:38):
Do we react?
Speaker 2 (31:41):
Oh my gosh, we are gobsmacked by this, aren't we?
Speaker 5 (31:44):
Yes?
Speaker 4 (31:44):
We are Adele Okay.
Speaker 3 (31:48):
She has a new album that was recorded during her
residency of a hundred shows at the Colosseum and Caesar's
Palace in Las Vegas. It's two hours of musics, and
she says, to commemorate the ending of my residency in
Las Vegas, I'm making a limited edition vinyl box set
featuring the entire live setlist, of photo book, and even
(32:09):
confetti from the show. It's got a full color, fifty
six page book and three vinyl LPs. And it'll cost
you six hundred dollars. Oh okay, so you get quite
a lot though for that. Yeah, but people are just
saying that's so greedy. Well it's a US dollars. It's
three forty nine six hundred basically for US.
Speaker 2 (32:32):
Yeah, yeah, you do get a lot. And I say, there,
if you're a super fan, Like, think about it. If
you're a superfan adele fan, you went to that show,
how incredible would it be to get you were saying,
it's three vinyls, a live recording of one of the
sets that.
Speaker 4 (32:47):
She's all of. That's what that's on the vinyls and
you got the photo book and the set list.
Speaker 2 (32:51):
A yeah, it's like a hundred hundreds of pages of
photos and confetti the committee for that and also it's like, okay,
well if that confiti is clean, then you're lying. You
just grabbed from the same supplier and put some in
each box, like as if they're grabbing the confiti from
the floor.
Speaker 4 (33:09):
Stace. Yeah, I know, I know. They go.
Speaker 2 (33:12):
Now, let's will be the six hundred right on top exactly,
Well six hundred dollars, I mean, at least he's quite
a bit in there.
Speaker 4 (33:18):
Yeah.
Speaker 3 (33:18):
I can't.
Speaker 4 (33:20):
Think people spend like two grand on an iPhone.
Speaker 3 (33:24):
Yeah, I guess so, okay, so where you look at it,
But so you say six and dollar albums, grow up.
Speaker 4 (33:30):
I don't love an a lot of money. I don't
have other an artist enough, you know, to either have
something like that. But I know people there the swifties
who would be like, oh yeah, six hundred. But just
still it depends how the baby it's looking.
Speaker 2 (33:42):
We should have Charlie back tomorrow, who we discovered was
on Telly this morning.
Speaker 4 (33:48):
Yes, doing the higher Rocks, which I had to find
out what that means in English.
Speaker 2 (33:52):
I still can't remember what that means, though we had
an explanation from producer in her and I'm still unsure
how to explain functional.
Speaker 3 (34:00):
It's like CrossFit or something, but it's a competition and
it's a big deal. When's the first time it's hapened
in New Zealand and they're doing it on a barge
and he got invited and it is real excited, so
he took the day off.
Speaker 4 (34:08):
So that's cold. It is an honor to be invited
to go do that. But it's pretty crazy.
Speaker 2 (34:12):
You got boded out to a barge and I mean
we didn't know really what was happening today and then
we just say, oh, he's on Telly. Hey, that's Charlie
on Telly, who's not at work right now. Well, to
be fear Stacey, he's putting in the work today.
Speaker 8 (34:23):
Yeah.
Speaker 2 (34:24):
You know, when I found out that they've got to
do eight one kilometer runs and in between those runs
there is like one thousand meters on a rowing machine,
a thousand meters on a ski, I'm like, I I
don't like feeling Charlie won't even be here tomorrow, but
we're hoping and we're proud of him and it's nice
to see him on the Telly.
Speaker 5 (34:42):
Ay.
Speaker 4 (34:43):
Yeah, well bloody ever had what if you're doing today?
Speaker 2 (34:47):
Hey, if you missed any thank you shoul check out
our podcast and I have radio.
Speaker 4 (34:50):
It's all for free.
Speaker 2 (34:51):
It's all the best bits and you should go and
listen to it right now. It takes pod p O
D to eight to two double o. Or he's just
suit it up Flavor Breakfast. Okay, see tomorrow, nay for
they want to hear more of Stacy Zeran Charlie.
Speaker 3 (35:03):
Catch the weekday Mornings from Sex or try there Off
the Record podcast
The Flavor Podcast Network, the Flavor Breakfast Podcast with Stace,
Azorah and Charlie.
Speaker 2 (00:07):
On today's podcast, I share my dad is dating and
what he's doing about it.
Speaker 3 (00:12):
And the stars of one O two and Onana Maudi
two and they sing and it's beautiful.
Speaker 4 (00:19):
And Charlie is not at work. But somehow on TV
you'll find out what is going on right here on
the podcast, Lord your Stace and Zarah.
Speaker 3 (00:29):
This morning, just the girls here, So don't worry. We
are going to look after you so well that I
just have this feeling when the Flavor Fugitive gives us
his first club at halp Ou seven, someone's going to
be right there and we're going to have one of
the quickest, you know, discoveries of the Flavor Fugitive in
order to go in the drawer to win a trip
to Las Vegas for fifteen grand Ever.
Speaker 2 (00:49):
Do you think it'll be faster than what it was
like in bookco though.
Speaker 3 (00:54):
So if you're in the zone, you're in the zone.
Be ready, be on the lockout. Remember that the word
is Flavor fugitive because someone says to me saying, ah,
I was saying the wrong word, that I was in.
Speaker 4 (01:07):
The area, but I couldn't remember what the word was.
Speaker 3 (01:10):
So Regina, I'm just going to call you out here
because she was there in the area Manudewa, but she
was saying I kept on saying. I wanted to call
him the ultimate warrior, lay the future everything.
Speaker 2 (01:21):
Okay, okay, well you know it is a trip to
the Rugby League opener. I see a five point fifty
seven text on eight to two double O from stew He.
Speaker 4 (01:30):
Said, more than a funner.
Speaker 2 (01:31):
Can you please make sure the fugitive doesn't come to
Vegas this morning? I'm working and talkador your boys, Jews.
Speaker 4 (01:37):
Joe, it's Vegas.
Speaker 3 (01:38):
Okay, okay, I think we can be sure of that today.
Speaker 2 (01:41):
Yes, I don't know how to feel steady. I got
a message from my father. It's fifty five to fifty six,
can't quite remember, but born in nineteen sixty nine now
wait or seventy nine?
Speaker 3 (02:01):
No, no, it can't be si nine Yeah no, no,
that would make him fifty five this year.
Speaker 2 (02:06):
Okay, then that that sounds about right. It's nineteen sixty nine.
So I get a message from him on Facebook. We
talk pretty much every day, to be fair, but this
I was not expecting it. Reads Bob, I know you're
biz because you know who's cool like that? Can you
send that nice pick of me and you and christ
Church space down? Gonna send it to a maybe? Send
(02:32):
it to a maybe?
Speaker 4 (02:33):
Yeah? Yeah, who's a maybe? What do you want to
know who it is?
Speaker 3 (02:39):
But but is that what fifty five year olds do?
Like they just like, how would I know? I'm not
in the game?
Speaker 4 (02:45):
No, but but you must know people?
Speaker 3 (02:48):
Oh yeah, I do. Don't worry that. Yes, you know
what I mean. I would never I would never like
to promote myself. It's going to like sitting in the CV,
just like sending in them a photo of yourself. But
then it makes sense because like he's I don't think
he's on dating apps. He's probably connected with someone who
has a mutual friend or a friend with a friend.
Speaker 4 (03:06):
Is trying to sit back. None of your dad's on
a dating app for sure, But he wants to send
it to someone. I'm like, you do realize you can
have the photo on the app? Yeah?
Speaker 3 (03:16):
Well, I don't think it's so different. You don't probably
need to be age just about it because I'm not being.
Speaker 4 (03:23):
People. You know, maybe is pretty, you know across the board,
doesn't it. Oh, I don't send photos.
Speaker 2 (03:30):
I wouldn't seend like a self fie of myself, like
after we've already connected on a dating app, or.
Speaker 3 (03:35):
Did you ask him the detail? How do you know
this maybe?
Speaker 5 (03:38):
No?
Speaker 2 (03:39):
I just said, ha ha, you go dad, because I
do want him to find love. This is the thing,
obviously lovely man, a couple of weird things. Is just
randomly sending a photo of yourself to this maybe and
calling them a maybe is really funny.
Speaker 3 (03:53):
Necessarily random. Your dad's not telling you the whole story. Obviously,
I've got to that stage. There is this maybe. Now
I've asked, yeah, that's the real daughter response. I'm pretty
disappointed in you.
Speaker 4 (04:04):
You didn't ask for the real time.
Speaker 5 (04:06):
I don't know.
Speaker 4 (04:07):
I just I just do I want to know.
Speaker 3 (04:12):
About my dad's dating when I did not.
Speaker 2 (04:14):
See You're used to it, you're desensitized. Whereas for me,
I'm like, oh what, I'm not me giving him photos
of and also like, don't use me in the photo
if she's a maybe. No, I think he shows a
bunch of photos. I see a bunch of photos, so
I'm like, do what you want with them. I think
it's fair because it shows. These my cads.
Speaker 4 (04:31):
I love them and I'm proud of them in it.
Speaker 2 (04:34):
Yeah, yeah, okay, okay, it's just like it isn't it
funny with your parents, especially just any of them dating.
Speaker 4 (04:45):
And again, I've been through since I was eight years old,
I know. But you've you know, because you're you know,
you're with You're Scottie. He's your husband. To get the
fit of a soulmates type thing. It's quite weird. Like
my dad dating game. I'm like, anyone can end up
back in the game. No, I've just realized something. I'm
turning into you.
Speaker 2 (05:06):
My dad's now in the dating scene the way your
dad's always in the dating scene.
Speaker 3 (05:09):
No, my dad's married. I finally get disorted now number three.
But around my age, what was your dad doing he
was on the dating scene. Wasn't he listening?
Speaker 4 (05:17):
Ye, he's not.
Speaker 5 (05:19):
Don't worry.
Speaker 4 (05:20):
Your dad's not going to be as mad as my dad.
Speaker 3 (05:22):
It's fine, but do tell them that your head.
Speaker 4 (05:26):
Let me tell you that my dad is a boring dude.
He likes gardens.
Speaker 3 (05:30):
Your dad is not going to do what my dad
did to me and go, oh they go. You went
to school with no Teacher's pretty hot, and today we
celebrate a song that you may have forgotten about from
nineteen ninety six, Horace Brown One for the Money. So
(05:56):
Horace Brown, he played quite a few different instrument in
a school's marching band and got a break because DeVante
Swing from Jodaese heard one of his demos and then
he got to do some background vocals and he actually.
Speaker 4 (06:08):
Started as a writer.
Speaker 3 (06:10):
He started writing, and he originally wrote this song one
for the Money, for someone else.
Speaker 1 (06:16):
I wrote songs for Silk, and One for the Money
was one of the songs I written for them, and
they didn't take it. It was one of the songs
they didn't take, and so I was like, I was
kind of hurt Cloud, you know, because you know, I
was like, oh man, I wrote a song for Silk
and they didn't take, you know, but they took another
song I wrote for them, Now that I Lost You.
Speaker 4 (06:33):
That's right.
Speaker 3 (06:34):
So Silk didn't take this song One for the Money,
but they did take another song he wrote, now that
I've Lost You, sound like.
Speaker 5 (06:40):
That would I've been making.
Speaker 3 (06:47):
So that was written by Horace Brown, and then he
got his first album in nineteen ninety four. His first song,
Taste Your Love I basically can't really play on the
radio right now. It was that controversial Taste Your Love
about what it was about. Yeah, But at the time,
Horace was working with new artists like a guy called
(07:07):
jay Z on Things You Do for Love?
Speaker 4 (07:10):
What about Things We Do for Love?
Speaker 3 (07:11):
Did you never hear this record with jay Z on there?
Speaker 6 (07:14):
I mean that was before even a lot of people
even knew about jay Z.
Speaker 4 (07:18):
So that sounded in the remix Things you Do for
Love like this how.
Speaker 3 (07:23):
We Know.
Speaker 4 (07:30):
Nice.
Speaker 3 (07:30):
So that's when Horace Brown moved to Motown and he
got a couple of more singles, One for the Money
being one of them, and Things We Do for Love.
He had Foxy Brown, jay Z and Faith Evans in
there as well. Two thousand he had a single called
shake It Up. Didn't go great though, and he also
was on a reality series called Comeback Kings. But the
comeback was a bit patchy, I guess you have to say.
(07:53):
But otherwise we go back and we remember this great
song that was written originally for Silk, but then he
made it his own, and that's a great one. One
for the Money. That is your hip hop mystery because
if you don't know, no.
Speaker 6 (08:04):
You know.
Speaker 4 (08:09):
Stays a Zarah and Charlie.
Speaker 3 (08:11):
It's a case of no my hockey manor welcome back
everybody from Wana Real Marti too and Wana two.
Speaker 4 (08:18):
We have doctor.
Speaker 3 (08:23):
Yes my Phrase who plays Martagie in both version, and
Tim Woda Morrison plays Chief Twoe in both versions. This
is a good idea, you guys, you got two for
one deal with your movies here no Manica.
Speaker 7 (08:37):
So it was some such a beautiful night, celebration of
our people, our culture, our realest beautiful movie both in
English and Tarel Marti.
Speaker 8 (08:45):
Just for me, it was a man night besides Moana
and the movie. But you know, people like Tweety and
Chelsea and Martha Ware Productions, you know, working for Love,
working for Adaha bringing tel version out monumentally at the
same time as the big main movie.
Speaker 4 (09:05):
So it's great to be yes, Well, what the kids
think of it? Oh, they loved it.
Speaker 3 (09:10):
I mean, yeah, it's a little bit about the kids,
but until the generation.
Speaker 4 (09:14):
But I loved it.
Speaker 3 (09:14):
And it's a huge emotion, like I know you've just
been on this big whilwind, but if we just listened
to you know, this soundtrack is absolutely incredible and the feelings.
Speaker 4 (09:28):
Beautiful sounds.
Speaker 3 (09:32):
And daughter and beautiful, and it's not giving anything away
to say, you know, this is about unification of people
across them one. How did you feel seeing the waka
coming across the horizon, Tim, Well.
Speaker 8 (09:45):
That's what That's a big part of this film to
me is the an Opataia pushed that fact right back
in the early times when they were making a movie
about Mowana. But it was they said, hang on, doesn't
he This is about the way you find us, jez.
This is about our ancestors that could traverse the oceans
guided by the stars, the currents, and these people could
(10:06):
read the signs. So it's it's awakened ourselves to to
those elements again and those special qualities our tupuna had.
When Mauana puts her hand in the ocean, it takes
me back to who taught our nine one Thompson's and
all our new navigators of this modern era, and it
goes back to that Tahuna Mao from Indonesia. He was
(10:27):
one of the ones that passed on that knowledge. So
so it encumbasses this of course, the drama and the
star colors, the humor, even the rocks performance and he's
speaking a little bit of someone.
Speaker 2 (10:37):
Yeah.
Speaker 8 (10:38):
Yeah, the language we had to talk of our language
in there from Optai and them. So yeah, that's very
much a highlight. Just the music of Tobacca, the rhythms
and uh, it's just proud to be Polynesian.
Speaker 3 (10:52):
Yeah, and Michaels even so, your incritible character, Martini. I
just want to I'll just quite reader for you. Last
night he said you were like Beyonce, like that song
that your song depore and what is it in English?
Speaker 4 (11:07):
I don't know, get lost?
Speaker 3 (11:08):
Get lost really because you know there's a different ways
you can interpret it. But that was that's an anthem.
How did you come at that song? Ran a straight
with our whole team. You know, it was a whole process,
you know.
Speaker 7 (11:24):
I think the first time we did it was last year,
so maybe over the course of a year. I think
it was about three studio sessions. Each of those sessions
were about four five hours long. A couple of tweaks
here and there, but but I had a beautiful vocal
coach here in a Shari who really just keep me
believing that we could we could hit it and stay
healthy over that.
Speaker 4 (11:44):
Give us a loane or two. Get loss of loose
and lose.
Speaker 1 (11:54):
Enjoy.
Speaker 2 (11:59):
I think we need some more was singing. Actually, I
think team's up nixt right, Yeah, I'd say so, I'd
say so. So we'll be back here is Ali. If
you go on with Fleet the Breakfast, we're with the
cast of one or two one O you may.
Speaker 4 (12:13):
We are here with the stars of one or two
and one two. They're on Maori, how do they compare?
Speaker 2 (12:19):
We're saying that it's better then number one, or it's
on part and you know, sometimes we're prequels and sea calls,
and sometimes you're like, dam nothing can beat.
Speaker 4 (12:30):
The original, and fans always get like that.
Speaker 3 (12:34):
You've never had experience of that team a sequel that's
not so good.
Speaker 4 (12:38):
But would you agree, all three of you, it is
the first. It goes beyond the reef.
Speaker 9 (12:45):
Yeah, beyond reef, beyond belief, beyond believe. It's just so forward,
just like keep moving forward. And it's funny when you
get people on I don't know, I like the first one,
but that's because you've stayed put. You've stayed still realized
(13:05):
the world's going further and further beyond the reef.
Speaker 4 (13:08):
So just unpluckier. Yeah, reached down there and and come
for Come.
Speaker 3 (13:17):
I just wanted to say, I woke up thinking about
the fun name family and singing your kids the last night.
Speaker 4 (13:21):
What did it mean to you as a fan?
Speaker 2 (13:23):
Though?
Speaker 9 (13:23):
I was a bit teary eyed, to be honest, because
I looked over and they're all sitting there, and they're
all older, and I saw the little children that me
and bron made.
Speaker 4 (13:34):
I saw those those images and I cried.
Speaker 9 (13:39):
I tried to look on them, and I was so
proud that they get this and and they get to
see your Yeah, it's pretty cool. They were quite impressed
with my my two words from singing.
Speaker 4 (13:52):
Get it, get it.
Speaker 9 (14:00):
The sound tricks.
Speaker 3 (14:01):
Actually, we just want to play something to you, because
are you inspired Charlie who's not here? You inspired him
because one of your favorite songs. He went, maybe I
could do it to have a listen to this.
Speaker 1 (14:15):
Song?
Speaker 4 (14:22):
And is working me into a watching slipping way beyond
the ring, beyond the reef. You guys so much for
coming in. It's been an absolute honor. We're so proud
of all.
Speaker 3 (14:41):
Of you, and you.
Speaker 4 (14:50):
More time for you teams and.
Speaker 10 (14:55):
Slipping away from me, away from me, and it's breaking
me into.
Speaker 4 (15:10):
Watching you slipping away and you're listening to flavor.
Speaker 8 (15:21):
Very good money.
Speaker 3 (15:30):
What about when things are inanimate but men are demanding.
So I've got these here tongs. I don't know why
they don't turn on immediately, but if I go, switch
it on, switch it back, then switch it on again.
Speaker 4 (15:44):
Oh thanks, Now you go, I.
Speaker 2 (15:46):
Know what you mean name, Because there's certain things in
my life where there's like a method to make it work.
Speaker 4 (15:53):
And it's funny because you.
Speaker 2 (15:54):
Don't realize how high maintenance this object is until someone
else needs to use it and you go, ah, no, no,
you just got to be in the cord, wrap it
around and hold it on the left side and then
it'll go yeah.
Speaker 4 (16:07):
And if you're like, why am I used to that?
Speaker 5 (16:09):
Why am I putting up with this crap?
Speaker 3 (16:11):
Well, because to make it work, because you don't want
to have to get a new one, Like saying your car.
People will go oh your car doors locked, and they go, oh, no,
you don't do it. You have to jiggle it like this,
giggle it like that, and it'll work. So you've got
something in your life and you know how to make
it work, but you have to explain it.
Speaker 8 (16:26):
What is it?
Speaker 3 (16:27):
What's the thing that sitting there in your life. It
might be a cupboard or a door, you know. I
find that with doors unlocking our front door, people go,
you can lock it. Oh, you just have to pull
it a little bit. So, oh my god, my nana's
my Nana's doors like that And it's been like that.
Speaker 2 (16:44):
I'm not kidding. I'm talking fifteen years. Yeah, Like, why
don't we just get it fixed? I don't know, I'm unsure.
Same without sliding to pull and push and jiggle and
pull back just to get the door open.
Speaker 3 (16:56):
Yeah, our sliding doors, you can open them unless you
squeeze them together. Squeeze them together and then unlock it.
Speaker 5 (17:01):
I'm sick of this.
Speaker 4 (17:01):
Say, what's up with all this? Because we can't buy
new stuff?
Speaker 3 (17:06):
Okay, just go with that. What about your glasses to
it though?
Speaker 2 (17:08):
Because I had a charge in cord for literally three
years until it broke, where the only way my phone
would charge was if it was bent on a completely
crazy angle and my phone sat on top of the
vent charging cord.
Speaker 4 (17:24):
Yeah, or hold it down.
Speaker 3 (17:25):
You can have like a makeup compact and there's no
mirror in it, so you're using another mirror to make
you know, to use the makeup.
Speaker 5 (17:33):
It's like, what am I doing?
Speaker 3 (17:35):
I'm just like patching things together. Hang him buy thread here.
Speaker 2 (17:41):
It's important to remember this time in nineteen eighty three
when Billy Jean on Motown twenty five Yees Today Today
Forever was broadcasted and Michael Jackson was before minute song
and something incredible happened. His feet started to move backward.
(18:07):
That was the crowd's reaction to Michael Jackson moonwalking first moonwalk.
While so we thought, it turns out that Michael Jackson
made the moon work moonwalk popular because the more digging
I've done into the moonwalk dance, which undoubtedly you know
(18:27):
it became Michael Jackson's.
Speaker 3 (18:29):
It was his.
Speaker 2 (18:31):
It turns out that people recorded instances of the moonwalk
all the way back in the nineteen thirties, including you know,
through similar moves by Charlie Chaplin, and also it was
called like the buzz where it wasn't exactly the way
Michael Jackson did it, but it definitely is where the
inspiration comes from, these instances of it being seen in
(18:52):
the nineteen forties, fifties, sixties, seveny Brown I.
Speaker 4 (18:55):
Know exactly exactly. James Brown is one.
Speaker 2 (18:58):
Of the many names on this, even like cartoons and
stuff like that. You know they're saying, oh, you know
that something happened in a card.
Speaker 3 (19:05):
I think it's a little bit easier for a cartoon
character to do it. And weakly, I didn't think that
I would read this when looking into it.
Speaker 2 (19:12):
In nineteen eighty, the music video for the single one
Step Ahead by KEYWEK.
Speaker 4 (19:19):
Rock band.
Speaker 2 (19:22):
End, the key boardist Eddie Rayner is then performing a
predecessor of the moonwalk, which is apparently taught to him
by a fellow bandmate.
Speaker 4 (19:32):
So you know, again, it's still not the same as
m MJ. It didn't look as smooth as no. And
then what the heck?
Speaker 11 (19:43):
Then I hear this the Bobby Brown teach Michael Jackson
the morewok. We all know that when Michael Jackson first
performed the mowall, it revolutionized the game forever and it
became associated with the King of part.
Speaker 2 (19:57):
But then during a twenty twenty live stream with Fat Joe,
Bobby Brown was talking about how he taught Michael Jackson
the moonwalk.
Speaker 1 (20:10):
I had just came from from Alabama learning how to
do the moonwalk, the real moonwalk when you put the
sand on the ground and hey, yeah, you do it
from the sand on the ground.
Speaker 5 (20:21):
It was like soft shoot.
Speaker 1 (20:22):
And Michael asked me show him how to moonwalk. He
perfected it, but I taught him how.
Speaker 6 (20:29):
To do it.
Speaker 3 (20:30):
Yeah, well Michael's not here to verify that. So okay,
Bobby Brown, I mean, you know that's the thing.
Speaker 2 (20:37):
There's no doubt Michael Jackson took inspiration from probably multiple
people that have been shuffling backwards, moving backwards.
Speaker 4 (20:45):
You know, it's very.
Speaker 2 (20:46):
Funky, you know, to move sort of backwards or on
the spot. And I'm pretty sure Michael Jackson said that
in the documentary that he just sort of came over
him that exact motion, you know.
Speaker 4 (20:57):
With the foot up to down.
Speaker 2 (20:58):
So wouldn't you want to claim that you created the
moonwalk or talk Michael Jackson how to moonwalk?
Speaker 3 (21:04):
It's a lo I'm thinking, yeah, Bobby Brown, okay, but
we all know that I kind of moment and we
remember the time Michael Jackson first of the moonwalk.
Speaker 4 (21:12):
On stage ninety eighty three, we have Stays Azora and Charlie.
Speaker 3 (21:20):
Actually speaking of looking for a fugitive. It's kind of
what we're doing with Charlie today because you know, he
went okay, he's having a day off, and we're like, oh,
hope he's okay. He was, well, I hope everything's okay.
Then we turn on TV. Breakfast is on there in
the background without us listening to the sound, and what
do we see.
Speaker 2 (21:39):
We see Charlie Pulmetre at a High Rocks event. Yeah,
Biddy didn't realize that the Breakfast channel was going to
be there. Hey, hey, okay, well it's a little bit
of a hypeboy. We're you know, blowing it up a
little bit because we didn't know that he was taken
down to go on High Rocks.
Speaker 3 (21:56):
Though, So high Rocks. I hate it when you speak, Jim,
butarently high Rocks. It's the type of what a workout.
Is it a particular workout? I think it's a cross fit,
come and tell us, look, it's the way not in
our in our range. But he says, I'm doing high Rocks, Like, okay,
what does that mean?
Speaker 2 (22:13):
And then it turns out it's a very special high
Rocks where he's being boted to a location. It's a
floating high Rocks whatever that means.
Speaker 4 (22:22):
It's on a badge.
Speaker 3 (22:23):
Yeah.
Speaker 6 (22:23):
High Rocks is a worldwide competition. So it's a hybrid
training comp so it's kind of some of the crossfits
more like weights, whereas this is a lot of running.
Speaker 4 (22:34):
I've seen these videos.
Speaker 6 (22:35):
Yeah, so you have to do there's eight one k
runs split up and then you have exercises in.
Speaker 2 (22:41):
Between each run. My gosh, that is horrific. It's a
very he's doing that today. Yeah, oh gosh, we're not
going to see him tomorrow. He'll make one k runs.
Speaker 6 (22:50):
Yeah, So you run, you run a k and then
you do an exercise and exercize. For example, you've got
a thousand meters on the ski, a thousand meters on
the rower. I wait for lunges, Oh, what are the
other ones? And then.
Speaker 4 (23:05):
Roaming.
Speaker 2 (23:05):
There's like running like in terms of its cardio. So
you'd finish a one k run and then it's okay,
now do start again. Literally a kilometer on a rhymes intense.
So I wouldn't make it.
Speaker 4 (23:16):
And so who gets to do it? Who does it?
Speaker 6 (23:18):
Anyone can do it. The New Zealand Competition is happening
in February here. It's the first time it's come to
New Zealand, so it's been all around the world.
Speaker 4 (23:25):
Why is this one on the TV and why is
it on the water?
Speaker 6 (23:27):
I guess that just making it a bit different.
Speaker 3 (23:30):
Okay, okay, So did Charlie have to get selected to
do that? And is he there is an instructor or
a No.
Speaker 6 (23:36):
I think he's actually doing it. I think he's been
selected to because he's my performer.
Speaker 5 (23:40):
Oh okay, well, then let's go Charlie, because.
Speaker 4 (23:51):
We need to know. We need to find out. Are
we smarter than an.
Speaker 2 (23:53):
Ncee A today it's a new word decided to add
because we are definitely not smarter and in a students
that are currently sitting their exams, we never get this right.
Speaker 4 (24:04):
But that doesn't matter.
Speaker 2 (24:05):
We're still try and we're still showing up today on
the exam. Exams for exams level too, Education for Sustainability, Well.
Speaker 4 (24:13):
That sounds good.
Speaker 2 (24:14):
Educational sustainability, yes, Level three Earth and Space Science and
Scholarship Chinese. Oh and there's also Musical Studies Level three
and scholarship Spanish.
Speaker 4 (24:23):
Tomorrow's the last to have exams. Guys, it's crazy. Congratulations
as well. I know you made.
Speaker 2 (24:30):
It's the end of the year, so we are going
to be asked to quit. Asked a question by producer
n missus Shine, good morning, Good morning, miss Shine.
Speaker 6 (24:41):
Good morning. This is actually we go on music subjects.
So this might have been something that Charlie might have known,
but I'm going to test you guys instead.
Speaker 4 (24:49):
Okay, sorry Charlie as an abstin shat.
Speaker 6 (24:52):
Do you have any of you read music before? Have
you played? It's true?
Speaker 8 (24:56):
Ye?
Speaker 4 (24:56):
Yeah, yeah, yeah.
Speaker 6 (24:57):
Okay, so we're looking. Let's use a sheet of music
and you see the litter p above. Do you have
any idea what you might do.
Speaker 4 (25:08):
If there's a p you pause? Good thinking, but no,
I have no idea. It's an Italian word, but yeah,
is it staccato or something like that?
Speaker 6 (25:21):
You're on the right track.
Speaker 4 (25:23):
Does it mean you go higher?
Speaker 6 (25:25):
Nah?
Speaker 4 (25:26):
It means.
Speaker 3 (25:29):
Yeah, pap pronounced like papa pa go hard?
Speaker 5 (25:33):
Nah?
Speaker 6 (25:34):
The opposite relax quiet, soft, soft, softly piano.
Speaker 4 (25:42):
I thought I thought soft, chill out was quite good. Relation. Yeah,
just now, but it's like quiet.
Speaker 5 (25:50):
And then.
Speaker 6 (25:52):
No, you don't want to change the volume. You just
want to play it softly. It's very complicated.
Speaker 4 (25:57):
But piano, okay, we'll just piano.
Speaker 5 (26:00):
Piano.
Speaker 6 (26:01):
Yeah, but it's piano.
Speaker 4 (26:03):
But is it the same thing?
Speaker 6 (26:05):
No?
Speaker 3 (26:05):
Oh, okay, well, we're probably related. I mean, what, it's
not just called piano for no reason? Is that ver true?
Speaker 4 (26:13):
Hey, good luck to those sitting the real exams.
Speaker 2 (26:16):
It's all about you guys, and we say good luck
and well done to anyone who said it already.
Speaker 8 (26:21):
The latest celebrity goss from around the world wave breakfast, oh.
Speaker 4 (26:25):
M oh my, oh my gosh, throwing that money and
any on the stage.
Speaker 2 (26:32):
Yeah, so as soon as celebrity was Khalifa is not
happy about it. A fan is throwing money on the stage.
He had some words for the span and said, I'm
not no stripper, is what he said. So yeah, he
hit the club for an afterpudy to be fe I'm like, dude,
you're in a club.
Speaker 4 (26:50):
You're in a night club. It's not like it's on
stage or a a concert. You're getting paid by this club.
Speaker 2 (26:58):
This was in Thailand, Thailand, even wait, come on, man,
exactly so one of the fans made it rain and
then whiskly if just so talk it the wrong way,
he said, I want to show love to everybody with
this one person in here. I really need to talk
to the guy right here stop throwing money at the stage.
I'm not a strip of dog. Quit throwing money on stage.
(27:19):
Keep your money, it's your money. Give it back to him,
Give all his money back to him. Do not throw
money on the stage. And I'm like, okay, well, if
I was standing in the vicinity, I would not want
to give it back to the guy throwing the money,
because was Caliph is like, give it back to him.
Speaker 4 (27:34):
Everyone giving back to him.
Speaker 3 (27:35):
I'm like, oh, you.
Speaker 4 (27:37):
Can stop farting. Give it back to him. That fifty
dollars will stay where it is, okay.
Speaker 3 (27:42):
Kendrick Lamar has done a form of a tribute to
Isaac Hayes and so this is with his song Squabble
Up and So in it he is basically paying tribute
to Isaac Hayes by being dressed as Black Moses, because
that is what Isaac Hayes did. So Isaac Hayes, his estate,
(28:04):
has said on x Isaac Hayes as Black Moses stands
as a powerful symbol of liberation, leadership, and cultural pride.
Thank you Kendrick Lamar for honoring Isaac and his legacy
reminding the world of the everlasting power of blackness.
Speaker 4 (28:18):
I feel like look came out, heim out.
Speaker 2 (28:21):
I feel like a lot of people are going to
be kissing Kendrick's ass as well, because you think about
how he's going to be the halftime show at the
super Bowl and he's just doing so well at the moment.
I just remember when Drake had his moment when everyone
wanted to be friends with Drake, and now everyone wants
to be friends with Kendrick, even though that's a that's
a legitimate you know, yeah, no story, that's legit, yeah,
(28:43):
from but you know, yeah, Isaac me Kendrick. Kendrick was
quite for a few years, and now I feel like
Kendrick's to go with all the friends, you know.
Speaker 6 (28:51):
What I mean?
Speaker 4 (28:53):
Did I have tickets to the super Bowl?
Speaker 6 (28:55):
Yeah?
Speaker 3 (28:56):
Yeah, you'll find you have more friends all of a sudden.
Speaker 2 (28:58):
When something like that the girls, I need to know
whether there's any truth in this stace. I have no kids,
but when I read something like this on a girl
page and this was posted anonymously, this person will either
be from Australia or New Zealand, that's who's in this group.
Speaker 3 (29:15):
They're not a made up person. No, they're not even American,
which is close to made up. So she has said,
does anyone just not like their child and went on
to explain that she took her seven year old on
a trip with her class and her child screamed, cried,
and break broke down because she was talking to another
(29:38):
one of the kids in the group.
Speaker 2 (29:40):
So like her daughter or son got jealous and decided
to slap the mother in the face.
Speaker 3 (29:49):
Oh, they got some stuff going on. It's not just
that the mother doesn't like her. Obviously their relationships a
bit strained. Yes, well quite The post gained quite a
lot of traction. You know, someone commented saying, I don't
like my son sometimes, and he sure doesn't like me
half the time.
Speaker 2 (30:08):
But you know, went on to explain about how to
be resilient. I guess in those situations.
Speaker 3 (30:15):
Part of it, I think is if a parent is going,
you know, struggling with a personality trade of the kids,
sometimes it's because it's a mirror back to you. You go, oh,
this kid is just like me, and that can be triggering.
So then as a parent we can work on that.
You know, go, Okay, why does this part of me
being reflected back to me drive me crazy?
Speaker 2 (30:36):
That's exactly what someone commented, saying that exact same thing, Like,
you need to actually look into yourself and be like,
why do I feel like I want her to go
in love with her dad? Why do I feel like
I want them? You know why I don't like my
own child? Because there's some something deeper in that.
Speaker 3 (30:53):
Yeah, it's really interesting when your kid has a different
personality to you and you go, wow, it was fascinating,
but oh yeah.
Speaker 5 (31:00):
I never thought about that.
Speaker 3 (31:01):
Yeah, no, it's really interesting. But then, as I say,
a lot of the time, the things that can be
most annoying about your child, if you're really honest, it's
because they're like you, and see you don't appreciate seeing
what it looks like and someone else who is just
like you, do you know what I mean? It's like,
(31:22):
is that what my face looks like? Is that why
people get annoyed when.
Speaker 6 (31:25):
I do this?
Speaker 4 (31:28):
Just like damn, yeah, oh you've got two daughters. Yeah yeah, yeah,
for sure.
Speaker 3 (31:33):
It's it's like, oh, oh, okay, I see now, okay, so.
Speaker 4 (31:38):
Do we react?
Speaker 2 (31:41):
Oh my gosh, we are gobsmacked by this, aren't we?
Speaker 5 (31:44):
Yes?
Speaker 4 (31:44):
We are Adele Okay.
Speaker 3 (31:48):
She has a new album that was recorded during her
residency of a hundred shows at the Colosseum and Caesar's
Palace in Las Vegas. It's two hours of musics, and
she says, to commemorate the ending of my residency in
Las Vegas, I'm making a limited edition vinyl box set
featuring the entire live setlist, of photo book, and even
(32:09):
confetti from the show. It's got a full color, fifty
six page book and three vinyl LPs. And it'll cost
you six hundred dollars. Oh okay, so you get quite
a lot though for that. Yeah, but people are just
saying that's so greedy. Well it's a US dollars. It's
three forty nine six hundred basically for US.
Speaker 2 (32:32):
Yeah, yeah, you do get a lot. And I say, there,
if you're a super fan, Like, think about it. If
you're a superfan adele fan, you went to that show,
how incredible would it be to get you were saying,
it's three vinyls, a live recording of one of the
sets that.
Speaker 4 (32:47):
She's all of. That's what that's on the vinyls and
you got the photo book and the set list.
Speaker 2 (32:51):
A yeah, it's like a hundred hundreds of pages of
photos and confetti the committee for that and also it's like, okay,
well if that confiti is clean, then you're lying. You
just grabbed from the same supplier and put some in
each box, like as if they're grabbing the confiti from
the floor.
Speaker 4 (33:09):
Stace. Yeah, I know, I know. They go.
Speaker 2 (33:12):
Now, let's will be the six hundred right on top exactly,
Well six hundred dollars, I mean, at least he's quite
a bit in there.
Speaker 4 (33:18):
Yeah.
Speaker 3 (33:18):
I can't.
Speaker 4 (33:20):
Think people spend like two grand on an iPhone.
Speaker 3 (33:24):
Yeah, I guess so, okay, so where you look at it,
But so you say six and dollar albums, grow up.
Speaker 4 (33:30):
I don't love an a lot of money. I don't
have other an artist enough, you know, to either have
something like that. But I know people there the swifties
who would be like, oh yeah, six hundred. But just
still it depends how the baby it's looking.
Speaker 2 (33:42):
We should have Charlie back tomorrow, who we discovered was
on Telly this morning.
Speaker 4 (33:48):
Yes, doing the higher Rocks, which I had to find
out what that means in English.
Speaker 2 (33:52):
I still can't remember what that means, though we had
an explanation from producer in her and I'm still unsure
how to explain functional.
Speaker 3 (34:00):
It's like CrossFit or something, but it's a competition and
it's a big deal. When's the first time it's hapened
in New Zealand and they're doing it on a barge
and he got invited and it is real excited, so
he took the day off.
Speaker 4 (34:08):
So that's cold. It is an honor to be invited
to go do that. But it's pretty crazy.
Speaker 2 (34:12):
You got boded out to a barge and I mean
we didn't know really what was happening today and then
we just say, oh, he's on Telly. Hey, that's Charlie
on Telly, who's not at work right now. Well, to
be fear Stacey, he's putting in the work today.
Speaker 8 (34:23):
Yeah.
Speaker 2 (34:24):
You know, when I found out that they've got to
do eight one kilometer runs and in between those runs
there is like one thousand meters on a rowing machine,
a thousand meters on a ski, I'm like, I I
don't like feeling Charlie won't even be here tomorrow, but
we're hoping and we're proud of him and it's nice
to see him on the Telly.
Speaker 5 (34:42):
Ay.
Speaker 4 (34:43):
Yeah, well bloody ever had what if you're doing today?
Speaker 2 (34:47):
Hey, if you missed any thank you shoul check out
our podcast and I have radio.
Speaker 4 (34:50):
It's all for free.
Speaker 2 (34:51):
It's all the best bits and you should go and
listen to it right now. It takes pod p O
D to eight to two double o. Or he's just
suit it up Flavor Breakfast. Okay, see tomorrow, nay for
they want to hear more of Stacy Zeran Charlie.
Speaker 3 (35:03):
Catch the weekday Mornings from Sex or try there Off
the Record podcast
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