Episode Transcript
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Speaker 1 (00:00):
It's nine Ogen one Olegine with Jenny Garth and Tory Spelling.
Speaker 2 (00:09):
Well, well, welly, well, what a dramatic episode that was.
Speaker 3 (00:17):
But you got us so worked up, Amy Sugarman that amnesia,
and I was waiting and waiting and I was like,
didn't happen.
Speaker 2 (00:24):
I was so excited when it did. Insane, But it
took forever, forever, the whole episode. Yes, oh my god,
we have so much to talk about. This is episode
three of season eight Forgive and Forget, aired September seventeenth,
nineteen ninety seven.
Speaker 3 (00:41):
Synopsis. Everyone thinks Kelly is in the clear until a
complication sends her back to the OAR while Brandon identifies
the shooter in the car, police finds out Donna is
in a virgin and runs away mad, and Steve gets
Curly a job at the Peapad.
Speaker 2 (00:55):
Directed by David Semmel, written by John Eisendrath. Okay, Kelly
takes a turn for the worst. Like, first of.
Speaker 3 (01:02):
All, well, she's answer.
Speaker 2 (01:06):
In the stomach. Wait, she's been shot in the stomach,
and everybody's first of all, I am upset with you
because you're standing in the you. I just got like
driven by you on a cart and I'm bleeding everywhere
and moaning and groaning, and you have to stand there
with your arms crossed.
Speaker 3 (01:26):
You're like, oh, no, I did my absolutely good in
that scene.
Speaker 2 (01:29):
Yes, And I knew what was happening. I knew because
that boy and the new boy was in the scene.
That's why she's so self conscious. I was like, somebody,
I show some emotion for Kelly Taylor, please.
Speaker 3 (01:41):
I'm trying to be like sto, Like, no, I.
Speaker 2 (01:44):
Was very upset. You didn't shed a tear. You weren't
stammering later, okay, and.
Speaker 3 (01:50):
You don't even remember who I am.
Speaker 4 (01:52):
So it's fine, guys, I was at the hospital that.
Speaker 2 (01:58):
Now he has to be in all the sea's moving
forward for worth.
Speaker 4 (02:02):
We just met this guy. He's now gonna just live
on your parents' boat, no problem. And he's at the hospital.
Speaker 2 (02:11):
He's her blood donor blood I got no, no whatever.
His last name's blood in me Hunter, Hunter, that's I
had to be blood. Yeah.
Speaker 4 (02:23):
And then you were fine. And then it took a turn,
a dark turn to the amnesian.
Speaker 2 (02:29):
But first of all, she wouldn't be that fine for
the whole entire episode. She's like cracking jokes and in
no pain. She had a severed her legs And is
this true?
Speaker 3 (02:40):
But like when you were going into the hospital they
would taking you in, there was so much blood.
Speaker 2 (02:46):
You didn't it was a lot of blood.
Speaker 3 (02:48):
It was nothing.
Speaker 2 (02:50):
It felt very real when in the very beginning I
was like, oh, this kind of feels like a real
like er show or something.
Speaker 4 (02:56):
For a second, yeah, it made me think. Okay, so
the dark turn in Grays when Eric Dane was in
the plane crash mc steamy, I feel like he was
okay sort of he was hurt, but he was okay,
and then then he was gone. He died. What mixed
it was? Yeah, it could have happened. I feel like
that it can happen.
Speaker 3 (03:17):
McSteamy died on that show.
Speaker 2 (03:20):
Make Steamy or McDreamy.
Speaker 3 (03:21):
Yeah, no, not make dreamy. Eric Dane was Mike Steamy?
Am my wrong? Am I wrong? Yeah?
Speaker 4 (03:25):
But they both died. Patrick Dempsey and Eric Dane were
both dead.
Speaker 2 (03:28):
But the show goes on.
Speaker 4 (03:30):
Jen, do you watched it twenty years ago? No need
to start.
Speaker 3 (03:33):
I don't have to watch it now.
Speaker 2 (03:34):
They're both dead spoiler alert. And that was like ten
years ago, isn't mcdy doing a whole show. Alert. I
think he's doing a whole new show. He's he's like
a time traveler or he's like a dream Is something
about dream yes Dempsey, Yes, Dream Connection.
Speaker 4 (03:50):
I think Patrick Dempsey has a new show coming to Fox.
Is it about year old stopping ground? Mm hmm.
Speaker 3 (03:56):
Do you guys ever like audition for stuff from Totally
Geeked to Totally Shake? That guy really handsome duck.
Speaker 4 (04:02):
Yes, but he was in camp by Me Love. He
was still super cute. Do you guys have like audition
for stuff like? How does that work these days?
Speaker 3 (04:10):
Well?
Speaker 2 (04:10):
That's in theory. Yeah, yep, if you ever, if we
ever get that far?
Speaker 4 (04:15):
And do you just give a tape or do you
guys even have to audition? Do they just go do
you love this? Like so easy?
Speaker 2 (04:21):
Yeah?
Speaker 4 (04:21):
I'm just curious.
Speaker 2 (04:22):
We record ourselves on the VCR tape and we send
it in the mail.
Speaker 3 (04:30):
I put mine on a mixtape. Oh no, is that wrong?
Speaker 2 (04:33):
No, we do. Amy. There's an occasion or two here
and there. Yes, when someone called an agent. I don't
know what they do and who they are, but they
will call and and then say we have an audition
in which we have to put ourselves on tape for.
Speaker 4 (04:50):
So nobody goes in person anymore.
Speaker 2 (04:52):
Sometimes it's here and there. Commercials have started seeing people
in person. Oh I've only had like a in person
not auditions. Oh yeah, all right, but those were fun.
I kind of miss auditions.
Speaker 5 (05:10):
Are you too?
Speaker 3 (05:11):
I thought I hated them, but I actually, in hindsight
missed them.
Speaker 2 (05:16):
Yeah. I don't miss them that much, like I don't
want to do it again.
Speaker 4 (05:19):
Could you walk into a room there's just thirty five blond,
blue eyed people there.
Speaker 3 (05:22):
Yes, and you have to talk to people and be like.
Speaker 2 (05:24):
Hi, yeah, and then there's like twenty brown haired people
and you're like, wait, well they don't even know what
they're looking for.
Speaker 4 (05:31):
Oh, and then you know you're kind of maybe have
a lesser shot at it.
Speaker 3 (05:35):
Yeah, And then you start to see the same people like, oh,
she's going to get it.
Speaker 4 (05:39):
Did anyone do a chemistry read with Noah?
Speaker 6 (05:42):
Who?
Speaker 4 (05:42):
Vincent?
Speaker 2 (05:43):
Did you like it?
Speaker 4 (05:44):
Did any of you have to do a chemistry read
with him? Maybe?
Speaker 3 (05:47):
Tiffany? No? Do you think so?
Speaker 2 (05:49):
M Maybe she did because they have none. I would
think they would have seen that in the in an
audition process, but maybe zero. I'm sorry, you gotta call
it like it is, Like, does anybody out there listening
think that Val and Noah would are a good couple,
should have stayed together. I don't know.
Speaker 3 (06:10):
Oh my god. And I waited to see a reaction.
I was like, anyone, No they did.
Speaker 2 (06:15):
They have to call a write or something. I don't know.
They can't respond.
Speaker 3 (06:17):
They're very short lived. Pigeon carrier message in bottle.
Speaker 2 (06:22):
This is a what do you want to talk? We've
talked about Kelly and that ridiculous.
Speaker 4 (06:25):
I want to talk about Hillary Swank.
Speaker 3 (06:26):
Okay, go ahead, and you always want to talk about
Hillary Swink.
Speaker 4 (06:29):
Talk about Hillary Swank, all right, fine, because I am
stunned at when I rewatch it the different way I
am feeling once again, she's doing a great performance. She
is cute, she is good, but they make her so unlikable.
(06:50):
First of all, Stephen, Hillary Swank, I forget her character's name,
have like this horrible relationship. And then suddenly at the
soccer game again, now it's totally turned where Carley, She's like, hey,
I hated you last week, but I have a job
for you and do you want to go out with me?
(07:11):
Then here's my problem with Hillary Swank. They've never even
been on one date. He got her job. He's talking
to just his like fake potential future client, and she's
so mad. So again, Carly, what are you doing again?
I don't like you.
Speaker 2 (07:29):
She's very reactive. You know what she has it. She's
a single mom. Give her a little break. She needs
a job. She's got her uniform already, thank goodness to
the peach pit, probably already has name on it.
Speaker 4 (07:42):
She'd be so grateful to see her to being mad.
He's talking to a girl like, calm you down, and
also his one eighty.
Speaker 2 (07:50):
She is reading the lines on the paper. This is
not Carly's fault.
Speaker 4 (07:55):
That is my whole point. They just did her dirty.
They didn't do dirt. It's just the character. Also, she
says Steve cost her her job. You know he didn't.
She acted crazy and that's why she lost her job.
Like though, you know, it was just like.
Speaker 2 (08:09):
Honestly, maybe there was some directing that needed to happen.
You know, we were no one ever really directed anybody
on the show.
Speaker 3 (08:15):
Oh this is true at this point.
Speaker 2 (08:17):
I mean yes, someone could have taken her aside and said, hey,
this is great what you're doing. You look great. This
is also good. I feel like maybe just tone it down,
like make it a little more likable because you can
say those lines. You can see those lines and still
be likable.
Speaker 4 (08:33):
Oh that's interesting.
Speaker 3 (08:34):
Like directors were excited to have someone like her and
no way like someone knew because they couldn't directly.
Speaker 2 (08:40):
Knew me, you know, Like, so what you mean, yeah,
like people that would listen. No, I don't think they would, said,
doesn't seem like it. It doesn't seem like anyone really.
He told her that her character might come off as
like a little too intense right now.
Speaker 3 (08:58):
So I had this question for you.
Speaker 4 (08:59):
What this was her choice, her acting choices. Just don't
see how it could be her choice because the lines
are the lines, like it literally says in the script,
go up and be irritated that she was talking to
a girl and storm off.
Speaker 3 (09:13):
Did you read the script.
Speaker 2 (09:16):
And be irritated? But the line was like, oh, okay, okay,
let's try it. Then here's the line when she sees
him with the girl. Right, she just wandered in. She
wanders in from the peach pit. It's been slow, so
she's looking for him. I don't know why. I okay,
(09:37):
So she says to him, what what was the line?
Speaker 3 (09:40):
It was the line. Let's get the line, dude, that's
a problem.
Speaker 4 (09:43):
I don't remember. We need to get the line something.
Speaker 2 (09:45):
Like never mind or yeah.
Speaker 4 (09:48):
It was like it wasn't never mind.
Speaker 2 (09:52):
It was like okay, good, never mind.
Speaker 4 (09:54):
You suck you too.
Speaker 3 (09:55):
It was like, you know the answer about that date,
it's a no.
Speaker 2 (09:58):
Okay, try this line. You lost me my job?
Speaker 4 (10:02):
You do it? You do it?
Speaker 2 (10:03):
No, you do it. You do it like Hillary, like
the character Carly did it. No, Amy do it like
Carly did it. You lost me my job? Okay, y, No,
it wasn't. No, I don't feel like like feelings.
Speaker 4 (10:19):
No, I did it like she did it.
Speaker 2 (10:21):
I'm angry, do it likable you lost me my job?
Speaker 3 (10:26):
Oh yeah, sympathy likable Jen, I have feels for her.
Speaker 2 (10:31):
No, I don't need to do it. You just did
it perfect. You prove my point.
Speaker 3 (10:35):
Okay, can we move on? Yes, there's a point there.
Speaker 4 (10:39):
All right, okay, So all right, we'll see how well
we've got like a seven more episodes with her. We'll
see how it goes.
Speaker 2 (10:46):
You know what, even if it was her acting choice
to be you know, so on the nose with the writing.
That's when this is a group effort. That's when this
is a team filmmaking is not just about the actor
or the director's vision, community effort. So that's when maybe
they should have come together or somebody from the watching
the dailies should have been like, hey, director, guy.
Speaker 4 (11:07):
Or you're coming across.
Speaker 2 (11:10):
Yeah, like pull her back, rein that in, do something
a little different. But nobody did anything that.
Speaker 3 (11:16):
We know, we don't know we know.
Speaker 4 (11:18):
I think they almost encouraged it because she's doing it
every episode.
Speaker 2 (11:23):
Listen.
Speaker 4 (11:23):
I still think.
Speaker 2 (11:26):
Maybe it's only her second episode.
Speaker 4 (11:28):
Maybe she get two or two. I don't think.
Speaker 5 (11:40):
I'm Kristin Davis, host of the podcast Are You a Charlotte?
The most anticipated guest from season three is here the
Tray to My Charlotte. Kyle mcglachlin joins me to relive
all of the magical tray in Charlotte moments. He reveals
what he thinks of Trey giving Charlotte it's a cardboard baby.
Speaker 2 (12:02):
Why would I bring her a cardboard baby? I was
literally I was like, this doesn't track for me at all.
Speaker 5 (12:07):
When he found out Trey's shortcomings, I'm kind.
Speaker 2 (12:10):
Of excited to talk about you know. I think he's
a guy spends time in Central Park.
Speaker 4 (12:13):
You know, he's probably don't need to be some.
Speaker 2 (12:14):
Surgery stuff, you know. And I was like all this
kind of stuff going on, and they were like yeah, yeah, yeah, fine,
and they said, but he's impotent, and I was like.
Speaker 5 (12:22):
He's impotent and why he chose not to return to it?
Just like that, they came and presented an idea and
I was like, I get I see it.
Speaker 2 (12:30):
It's so kind of a one joke idea. You don't
want to miss this.
Speaker 5 (12:33):
Listen to Are You a Charlotte on the iHeartRadio app,
Apple Podcasts or wherever you get your podcasts.
Speaker 2 (12:44):
Steve is back at the soccer field. That's where he
comes across her, and then he takes it with the
air a peachpit. Now he's Aaron's nanny, well obviously because
Kelly's in the hospital and Jackie the only one that's
worried about Kelly at the hospital with her.
Speaker 4 (13:01):
Where's Mel?
Speaker 2 (13:02):
Who's Mel on the show?
Speaker 4 (13:08):
Just Kidd's dad.
Speaker 3 (13:11):
Yeah, but he would be there, right.
Speaker 4 (13:14):
I think he's what's going on with the money problems
at the peach pit?
Speaker 3 (13:18):
I don't yeah, but I don't care.
Speaker 2 (13:20):
Yeah, I don't really want to hear about money problems.
Speaker 4 (13:24):
It's leading us up to I think, what, well, Noah's
got money, so I think Noah becomes like.
Speaker 3 (13:29):
Oh god, now he's going to own the pea pad.
Speaker 4 (13:34):
Does Noah's stay till the end of the series.
Speaker 2 (13:36):
Yes, Donna still can't tell her mom about David.
Speaker 3 (13:40):
No.
Speaker 4 (13:41):
But also I think like somebody made the point like,
why would you tell your.
Speaker 2 (13:47):
Mom that you slept with him or that he's moving in.
Speaker 3 (13:50):
The sleeping Why does she Why does he insist we're
telling her mom? I think it's weird.
Speaker 2 (13:58):
Wait wait wait, wait wait he's not. He doesn't insist
that you tell your mom that you guys know unless
I tell her that you did it.
Speaker 3 (14:06):
Yes, No, am I wrong?
Speaker 2 (14:08):
No? I think he won't. He won't move in until
you tell her that he's moving in. No, no, no.
Speaker 4 (14:17):
Why would he?
Speaker 2 (14:18):
Amy does David insist that Donna tell follies that they.
Speaker 3 (14:22):
Did uncomfortable did it? Yes?
Speaker 2 (14:25):
No, no, he did not say that.
Speaker 4 (14:27):
He doesn't. He wants it to be clear that they're
living together, but not as roommates, they're living together as
a couple. But he's not like, yeah, you need to
go tell your mom we.
Speaker 2 (14:38):
Did it Doggie styles right.
Speaker 3 (14:39):
But he's insinuating that's why she should.
Speaker 2 (14:44):
I just love making a laugh.
Speaker 3 (14:49):
Were you ralling me up? That's what he's insinuating. Correct.
Speaker 4 (14:54):
He just wants to make sure she doesn't think that they're.
Speaker 3 (14:58):
They did it means that they have done it.
Speaker 2 (15:02):
Well, she does it. He's not saying you have to
tell your mom that you did it right exactly. He
just wants you to be honest that you're living together.
Speaker 4 (15:09):
We're living together, Dave and I are living together.
Speaker 3 (15:14):
Period, but not in your roommates as a couple.
Speaker 2 (15:17):
No, just say why just say that? Say less? How
about that?
Speaker 4 (15:22):
Yeah, say less.
Speaker 2 (15:26):
But when she told her mom that they had sex,
I was like, Oh, that's not going to go over.
Speaker 4 (15:30):
Well, well, Lease is such a pain in the ass. Oh,
by the way, Donna Summers, did you guys get my
People magazine wrote about Tori and some you know, I
forget exactly what you were revealing, and they called the
character Donna Summers.
Speaker 2 (15:47):
Oh, this is the best thing that I saw that
in your text. I didn't even read it, but I
if someone mistaken your character for Donna Martin, for Donna Summers,
that's pretty.
Speaker 3 (15:57):
Good, you guys. I wasn't even shocked because I did
mass singer Paris and the judge called said, I loved
you as Donna Summers.
Speaker 2 (16:08):
Oh, because you've heard this before.
Speaker 4 (16:09):
I've heard this before. You see you can see the
writer type type typing away their People magazine article do
do Tory Spelling talks about her sex life whatever? It
was da da da. She played Donna Summers because like
in your mind, when you think Donna, you're gonna be
like Donna Mills, Donna Martin, Donna Summer. And also it
(16:32):
was Donna Summer.
Speaker 3 (16:33):
Her name was not Summers.
Speaker 4 (16:36):
It's Donna Summer, not Donna Summer.
Speaker 2 (16:38):
Summer.
Speaker 4 (16:39):
Like the lady sang on the radio, dim all with
my master, Hello, that's Susan's summer. Donna Summer was like
an iconic singer. I loved her. She sang dim all
the Lights, you know that one.
Speaker 2 (16:59):
No keep going song?
Speaker 3 (17:00):
But what there's others hot stuff?
Speaker 2 (17:03):
Baby?
Speaker 3 (17:04):
I love that one.
Speaker 2 (17:05):
Yeah, you got we were to all the month. You're
like a dude jukebox baby.
Speaker 4 (17:11):
Right now, her name is Donna Summer. Like this person
called Donna Martin Donna.
Speaker 2 (17:17):
Sometimes we've had this conversation. I thought we were talking
about Donna the summer, Yes, the THI Master lady, and
I was like, Sue kind of look alike.
Speaker 3 (17:28):
That could work, you guys, And this was on our
OMG text chain and crying like laughing faces.
Speaker 2 (17:37):
I know, it was way funnier when it was.
Speaker 4 (17:39):
I just love It's like they don't check, like can
people like I love people magazine. Don't get me wrong,
but like, let's get an editor in there that just
goes like, wait a minute.
Speaker 2 (17:48):
It's the same when they spell your and you've been
in the business for forty years or something and they
spell your name wrong. Just check it maybe before you
wreck it.
Speaker 4 (17:57):
That's what I tell everybody people spelling counts. Spelling counts,
and they don't.
Speaker 3 (18:05):
She doesn't believe me, Okay, okay, so Donna does tell her,
though she does.
Speaker 2 (18:12):
She does, so we shall see what happens. And then
you give David the key. It's official. He's moving in.
So Kelly, well, there might be a problem now because
Kelly was moving into Brand's house, but now she doesn't
know who the hell Brandon is, so how she can live.
Speaker 3 (18:29):
Back in with weeks? I assume you don't know me either.
Speaker 2 (18:31):
I don't know she does. I when she woke up
and said, wait, who are you?
Speaker 3 (18:37):
It was so good, Jen I was like that so much.
Speaker 2 (18:41):
And he was so concerned and sweet and he looked tired.
And then he saw her. She said, who are you? Wait?
Why did Noah get Valis snow Globe?
Speaker 3 (18:54):
I don't know?
Speaker 2 (18:56):
Were they going to go skiing? Did I miss that
he gave her a gift?
Speaker 4 (19:02):
Can we just talk about his like Burger post? It
basically like sex in the city, like they obviously sleep together,
have this night, and then like she comes and says, like,
did you even leave a note? Right? I think he
left a note or something that just said like thanks.
Speaker 2 (19:17):
Yeah, he's odd. He's odd character, Like he said in
the very first first time we met him, I don't
want to just hook up or something to that effect.
He does, don't know, and then he does it. But
if I saw her in that underwear set, I'd probably
do it too, just saying she looked good body, Addie.
That's what I have to say. And I'm in the pool, though,
(19:40):
what the of course you didn't like them in the pool?
Speaker 3 (19:42):
No, not because of that, not because of that, because
that pool in my mind is reserved for Kelly and Dylan,
so it's a different pool. I don't know, but like
the image of a couple in the pool makes me think.
Speaker 4 (19:54):
Of that is it a random's house or is that
his house? And we're just not supposed to know.
Speaker 3 (19:59):
They break into someone's house. I didn't understand that.
Speaker 2 (20:01):
Yeah, it kind of looked like Kelly Taylor's house. Maybe
they were using it as the same location, because it
really looked a lot like Kelly weird.
Speaker 4 (20:08):
Thank you so much.
Speaker 3 (20:11):
And then the snow Globe just gave me memories of
the age nine, two and ten what I can't go
home again? We gave the snow globes member.
Speaker 2 (20:18):
Oh god, our little gift bags. I don't remember. Actually,
I think I blocked in. I just feel like this.
I think season eight is the season when things go cood.
Cooper nanas because David's got a band aid on his face,
Kelly's bullet wound and now she hasn't Its crazy? This
(20:41):
is crazy.
Speaker 4 (20:42):
Can we for one moment talk about everything that has
happened to Kelly Taylor so far? I couldn't meet shot
in a cole drug addicts, almost died in a fire.
It's just like so much has happened to this one.
Speaker 2 (20:55):
He should really be much more of a wreck than
she is.
Speaker 4 (20:59):
I have a question that I've been thinking about for
you guys. Do you think nine O two one zero
could have been as good of a show, as popular
as of a show if they didn't do all this
like crazy antics, Like if it was just really about
this group of friends having real, sort of collegey type experiences,
(21:19):
like do we need the gun shooting, the amnesia, the drugs,
the cult, the kidnapping, the hostage crisis, Like I.
Speaker 2 (21:30):
Feel absolutely we need it all. It's like it kept
what it was because it kept the audience coming, waiting
a whole week to come back and find out what happened.
Speaker 3 (21:39):
Right, because it wasn't very as grounded as it once was. Right,
so you got to be like, wow, that would right?
Speaker 4 (21:47):
See I run.
Speaker 3 (21:47):
It was less, but I know these people there was still.
Speaker 4 (21:50):
Like Brandon on the cliff, Dylan this dramama.
Speaker 3 (21:55):
Here's my problem. I'm watching season eight and I'm not
happy because I liked watching all the other seasons. It
took me back to that like special memory place, but
now I'm like caught up almost Does that make sense? No,
Like it's feeling like closer to the end to us now.
It's not now, you mean thirty years ago, honestly, no, no, no, no.
(22:19):
Watching the first few seasons, it took me back to
a time where younger time.
Speaker 2 (22:23):
Yeah, this is still, this is still you think about you,
Tory at that time in your life. You were a
very different person.
Speaker 4 (22:33):
True, and you are closer to the end than the
beginning end.
Speaker 3 (22:36):
Yeah, and I guess that's what. It's coming to an
end and that's.
Speaker 2 (22:40):
Yeah, but it's coming to an end. I totally get.
But I don't think like I still watch it and
think like, oh my gosh, we're so young, and yes,
think about like what we were doing in our personal
lives and where we were developmentally and did we have
a relationships to me in and what was happening. I
find that also still so interesting.
Speaker 4 (22:57):
Well you just had a baby, and now all your
babies are out of the house.
Speaker 2 (23:01):
Yeah, a little bit of time this lapsed. I fast
forward it, just like when I was watching the show today.
Right before this podcast, I had to fast forward certain parts,
like I fast forwarded little parts that really didn't have
anything to talk about. And I was watching the band
play and I was like, oh my gosh, this band
(23:22):
is like a what's that called? Like a I go rock,
like a speed rock band, like Faster in the peach Pit. Yeah.
I thought they looked like Green Day or something. Because
he was like talking about it, I was like, oh wait,
I still haven't fast forwarded. I don't know who the band.
Speaker 4 (23:38):
Oh my gosh, wait, wait was that? I did not
get that? Thank you, Lorraine. That's what I was. Next
week they were called Kara's Flowers, right is I feel
like was that this episode? I feel like I would
have noticed Adam Levine.
Speaker 2 (23:53):
Wait, I did see somebody and I was like, that
guy looks familiar.
Speaker 3 (23:56):
So wait, there's some crazy article that Adam Lavine gave
an interview and went through all like who was nice
to him and who wasn't on our note on the
it's somewhere who was I can't remember. It was like
twenty five years ago, but he like went through I
(24:18):
see the scenes. I want to hear what it was
like with the cast, like, because he was like news.
Speaker 2 (24:23):
Well, that's interesting because I don't remember meeting him at all.
Speaker 4 (24:26):
Like he looks so different. I can barely recognize him.
Speaker 2 (24:31):
He looks young, like I'm literally.
Speaker 4 (24:32):
Watching and I cannot recognize him.
Speaker 2 (24:35):
Well, that's what money does too, it changes.
Speaker 3 (24:39):
He grew up in La. His dad owns fred Siegel. No, it's.
Speaker 4 (24:45):
Yeah, one of those, that's correct. I think, yes, Frederick.
I mean he looks so different.
Speaker 3 (24:51):
Yeah, like he went to like Beverly.
Speaker 4 (24:52):
I'm Frederick.
Speaker 2 (24:54):
No, remember, I'm Frederick. I still have that star, but
not as much as I left.
Speaker 4 (25:00):
He's almost unrecognizable. You guys like you link and missed that. Wow.
Speaker 3 (25:04):
Yeah, he grew up in LA. I think he went
to Beverly, Hi, the kind of like West Beverly High.
Speaker 2 (25:11):
Well, I didn't notice, but now that you pointed out, definitely.
Speaker 4 (25:14):
Handily until now.
Speaker 2 (25:16):
Wow, And that was an actual band, like he was
trying that they were you know.
Speaker 4 (25:20):
Yeah, they were called Karas Flowers before they were Marine five,
but I think some or all of them became Maroon five.
Speaker 2 (25:27):
Well good for them, Yeah, they did well, good for them.
Speaker 4 (25:31):
It all worked out for them.
Speaker 2 (25:40):
Hi, it's Jenny Garth, host of the I Choose Me podcast.
This week, I'm so excited to welcome my friend Gabrielle
carteris the Andrea Zuckerman from Beverly Hills nine O two
on Oho to the pod, We're choosing to get real.
Speaker 3 (25:55):
Ipplied to the networks about my ageing contracts. They never
would have hired me if they had on my age.
Speaker 2 (26:00):
We're choosing to be honest.
Speaker 5 (26:02):
She looked at me and she said, this business is
about than ask, which you have neither of, and.
Speaker 2 (26:06):
We're choosing to get nostalgic. Listen to I Choose Me
on the iHeartRadio app, Apple podcasts, or wherever you get
your podcasts. Hey, it's Wilfred Ell and Sabrina Bryan.
Speaker 6 (26:16):
From the podcast Magical Rewind and we have a very
special guest on this week's episode. He's the mastermind behind
some of your favorite movies like Hocus Pocus, Newsy's, The Descendants,
and of course High School Musical. Yes, it is the
one and only a living legend director Kenny or Tega.
Speaker 1 (26:32):
We sit down with Kenny to talk about his incredible
career and the legacy he's created with his choreography and films.
Speaker 6 (26:38):
You seriously will not want to miss this one.
Speaker 1 (26:40):
Listen to Magical Rewind on the iHeartRadio app, Apple podcasts,
or wherever you get your podcasts.
Speaker 2 (26:50):
Also just flagged that the doctor was played by Daniel
day Kim.
Speaker 4 (26:55):
Oh that was amazing. I did notice a great Lost
and a million other shows. Yeah, yeah, I did notice that.
Speaker 2 (27:02):
You know, he brings somebody onto the show, like in
a small little role like that, and they actually take
the scene and elevate it like he did. Yeah, you know,
that's a good actor.
Speaker 4 (27:14):
I think the detective was also sort of recognizable in
my opinion.
Speaker 3 (27:18):
Yeah, but who is he he was to wait? He
called the guy we caught the chump.
Speaker 2 (27:22):
Oh my gosh, I said my favorite word. He said,
we caught the trump, and I was like, oh, I'm
definitely gonna start using that word again. You are a chump.
That's such a good word. Try it out, you guys.
Speaker 4 (27:33):
What is the title of this episode? One more time?
Speaker 2 (27:36):
Forgiven? Forgiven?
Speaker 4 (27:38):
I forgot even forget Okay, I'm trying to figure out
who that who? That cop was Robert Gossip? Oh, I
feel like he's kind of famous. Yes, is he related
to lou Gossip? I'm just curious anybody know the answer
to that. That'd be a fun bit of trivia. You
should know him, toy, because he's done one hundred and
forty episodes of General Hospital.
Speaker 3 (27:59):
Oh yes, he's their first cousins.
Speaker 4 (28:02):
Oh my god, there you.
Speaker 3 (28:03):
Go about me?
Speaker 2 (28:03):
Get that excuse me from a name, just the last name, right,
I just got felt it.
Speaker 4 (28:09):
Yeah, I just felt it in me.
Speaker 2 (28:11):
Good job, I just felt it's you.
Speaker 4 (28:14):
What else do we not talk about this episode? Noah
is not I'm not I'm not feeling Noah.
Speaker 2 (28:21):
I just feel like he's always posing.
Speaker 4 (28:23):
Weird.
Speaker 2 (28:24):
Yeah, you're weird, always posing. His character's just lurking around
posing and some like I'm the new it guy pose like.
I feel like they really think they have hit the
Loatto the Jannaire there, yeah, that one, and they've got
you know what they probably assumed would be another Dylan
(28:45):
esque character mm hmm because of his burning good looks.
Speaker 3 (28:50):
And who is Carly Hilary Swank supposed to be the
new Andrea?
Speaker 4 (28:55):
I think we're supposed to yet oh Tori. Wow, they're like,
you just nail that.
Speaker 3 (29:02):
Neither.
Speaker 4 (29:03):
I feel like you nail that sort of the girl
who takes no leep and like tough but cool m hmm,
with the soft center, has the baby, et cetera. Mm
hmmm mm hmmm.
Speaker 3 (29:16):
All right, what's next week?
Speaker 2 (29:17):
Oh wait, Donna got a job too, You got another
job you're personal shop.
Speaker 4 (29:21):
Oh yeah, Like it's almost like they make you.
Speaker 2 (29:23):
It's like you're working at che.
Speaker 4 (29:28):
Chicos Cheeko's. Yeah, they're like really like it's like clothes
for the every man. By the way, Cheico's is like
very profitable, or at least it was at one point.
Like it's like the lady is so dismissive of her
own brand. Whatever. I guess you're just doing her clothes.
I don't know, you're not even more were Your job's weird?
Speaker 3 (29:51):
A fun job. That's a good prelude to a fashion
career for sure.
Speaker 2 (29:55):
Personal shopper. Did you wait, did you ever have a
personal shopper, like back the nineties?
Speaker 4 (30:01):
No, do you have a stylist? Isn't that like a stylist?
Speaker 2 (30:06):
Oh yeah, it's kind of the same thing, right, Oh yeah,
I got so they buy they go every Yeah.
Speaker 3 (30:12):
I just like people.
Speaker 4 (30:13):
Yeah, I wonder if I had a stylist, if i'd
look better.
Speaker 2 (30:16):
Oh my gosh, Maimie, you could not possibly look better
than you do right now.
Speaker 4 (30:22):
Oh my god. So nice. Second of all, shout out
to the person that said I looked eighty. I tried
to get better lighting.
Speaker 2 (30:29):
I don't know eighty.
Speaker 4 (30:31):
And I never have time to blow drumming hair.
Speaker 2 (30:32):
Where are you seeing these? Where she'd be so mad.
Speaker 3 (30:36):
If they didn't talk about her.
Speaker 4 (30:38):
Yeah, that's fair you have, but eighty, I get it
bad lighting. It's really I've.
Speaker 3 (30:43):
You're younger than both of us.
Speaker 6 (30:45):
What are you?
Speaker 4 (30:45):
This is what I'm gonna tell people by like a month.
But here's when I tell people, it's I barely make
it on time with this.
Speaker 2 (30:51):
Then she's just put her pants on.
Speaker 4 (30:53):
You guys, Jenny did not think I was wearing pants earlier. Like,
my hair is dripping, it's a miracle. I get a shower.
There's basically no makeup.
Speaker 2 (31:01):
And you have a few things on your plate.
Speaker 3 (31:03):
You're dealing with us like this is not like, yeah,
when Danielle gets back from maternity leave, things are gonna
be a lot better.
Speaker 4 (31:12):
But doing your two jobs, it's gnar. Really, Yeah, thank
you toy running a company?
Speaker 3 (31:17):
Yeah?
Speaker 2 (31:18):
Well do you make it look glad your wet hair
in your flannel?
Speaker 3 (31:24):
Yeah? I like it because I feel like it looks effortless.
But we know it's not for you, so it's like.
Speaker 4 (31:29):
Thank you. I just do my best. But can I
say I'm so mad that I missed Jenny on KVC
because literally my mom and I wanted to watch. It
was five o'clock and I didn't get home until I
didn't get home till six o'clock.
Speaker 2 (31:42):
When it's okay, it'll happen.
Speaker 4 (31:44):
Record it. Here's what I have to tell you. The
best thing is the time when you were on at
eleven o'clock at night, because it was like two in
the morning on the East coast are and you're glad
it was chatting. I feel like they let you get
loose at eleven and maybe it was ten and I
was just fold and laundry like you were in the
room with me. I gotta do it again. And people
are just buying all those clothes and buying that stuff.
Speaker 2 (32:08):
They love it, they love it. I love it.
Speaker 4 (32:10):
Coat I think was probably the best, though.
Speaker 3 (32:12):
Did you buy it?
Speaker 2 (32:14):
I might wear that to jingle Balls?
Speaker 4 (32:16):
You should?
Speaker 3 (32:17):
You should?
Speaker 4 (32:17):
Oh yeah, we're all going to see each other. Oh
my god, we're seeing each other later today.
Speaker 2 (32:21):
That doesn't happen.
Speaker 4 (32:22):
What because we're taping this but this airs Friday and
tonight is jingle.
Speaker 2 (32:27):
Ball right, Oh my gosh, I want.
Speaker 4 (32:30):
To be together.
Speaker 3 (32:31):
I kid Hear's hair is dropping wet right now, it'll
be just going to be hosting an entire event and like.
Speaker 4 (32:36):
May be dry and I'll be wearing pants.
Speaker 2 (32:41):
I don't want to miss. Oh my gosh, I think
we wrapped up this episode. I can't wait to see you.
Speaker 4 (32:47):
Are we giving it? I'm giving it like a seven.
I'm sorry, maybe an eight for the amnesia.
Speaker 2 (32:53):
I mean it was I mean, other than the like
surgery and the amnesia, it was kind of boring.
Speaker 3 (33:00):
Yeah, nothing's happening right.
Speaker 2 (33:02):
Except all in our underwear, and I like that part.
Speaker 4 (33:04):
I can that stands out right?
Speaker 3 (33:06):
Yeah, I'll give it a seven to two.
Speaker 2 (33:08):
I'll give it an eight just for the for the
underwear scene.
Speaker 4 (33:11):
Okay, Well, and the use of amnesia. It's like you
got to give props.
Speaker 2 (33:15):
When somebody when a show goes there to the amnesia.
Speaker 3 (33:19):
I'm in next episode, Season eight, episode four, the way
we weren't oh amnesia.
Speaker 2 (33:28):
Mm hmmm, Oh that'll be funny. You guys watch it.
We'll see soon. Watch what the show