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December 19, 2025 37 mins

Extra extra! Steve and Brandon launch the Beverly Beat, Carly dates a guy but he’s a creep!

Kelly’s memory is coming around while David wants to sign a new band in town. 

Donna discovers the dark side of fashion, Valerie meets a rich guy but there’s no attraction. 

Noah reveals his tragic past, and Brandon swears the next time he puts a ring on it, it will be his last! 

See omnystudio.com/listener for privacy information.

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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's with Jenny Garth and Tory Spelling.

Speaker 2 (00:09):
So we're back again. Oh my goodness, sounds so excited.

Speaker 1 (00:15):
Wait wait wait what I said? You sound so excited?
Oh wait guys, and hold on.

Speaker 2 (00:24):
I forgot.

Speaker 1 (00:25):
Oh man, that's embarrassing.

Speaker 3 (00:29):
Can't believe how that affects you like that?

Speaker 1 (00:33):
That is that's my retainer, you guys, what do you need?
Retainers are gross? I keep it sitting by the kitchen. Think,
so I don't have one I have. I'm trying to
correct my team j that Jason Priestley gave me.

Speaker 2 (00:50):
Oh tell me if that works.

Speaker 1 (00:52):
Yes, I'm it's like spreading my palette. It really hurts.

Speaker 2 (00:56):
It's moving your palette. Don't ever say that again.

Speaker 1 (00:59):
Spread your palette or else. Oh my god. Okay, yes,
so now I'm normal, best of mood. It's an exciting episode,
is it you guys? Okay, well, you're right, it's not
exciting a going on here.

Speaker 3 (01:19):
I was trying to think about it, like, how do
I feel about this episode?

Speaker 1 (01:25):
It's just a whole lot of stuff.

Speaker 3 (01:28):
Sorry, I I sounded like I had a retainer.

Speaker 2 (01:32):
Now you talk and I'm just me.

Speaker 1 (01:36):
Okay, Well, there's so much to talk about. Because the
only thing that I was really happy that happened was
that Kelly remembers Brandon a little bit more now, or
it's she's reading her journals. At least.

Speaker 2 (01:52):
I was fully in you guys, And I apologize because
now it's like full shark mode now, like, oh my.

Speaker 3 (02:00):
God, I can get sharky, guys.

Speaker 2 (02:02):
It's like it's like a kitchen sink. Let's throw every
issue in and every problem.

Speaker 1 (02:09):
Doesn't day that big have to happen for it to
like actually jump the shark, like something was it? Was
it Kelly getting shot? Was that just that the point?
Oh that's a great question. I don't think so.

Speaker 3 (02:20):
I think it's just sharky because it's like, what's happening.

Speaker 1 (02:25):
Well, let's tell the people. Yes, you guys, we're talking
about Season eight, episode five, Coming Home, aired October first,
nineteen ninety seven.

Speaker 2 (02:34):
Synopsis, extra extra Stephen Brandon launched the Beverly beat. Carly
dates a guy, but he's a creep. Kelly's memory is
coming around, while David wants to sign a new band
in town. Donna's discovering the dark side of fashion. Valerie
meets a rich guy, but there's no attraction, no reveal

(02:55):
this is like the groups, this is great, but No
reveals his tragic path, and Brandon swears the next time
you put the ring on it, it will be his last.

Speaker 1 (03:05):
Directed by George Fennaday and written by Laurie McCarthy. Okay,
Florenes A plus for are rhyming? Are rhymingasnas? What did
I say? Are rhyming?

Speaker 3 (03:21):
You don't even have your retainer?

Speaker 1 (03:22):
I took it out.

Speaker 3 (03:23):
I am finding I don't know her character's name, Hilary
Swank likable in this episode.

Speaker 1 (03:31):
The character, Oh my, how I like her? You're so
wishy washy?

Speaker 2 (03:36):
I do.

Speaker 1 (03:37):
I think they did well. They did better with her.
They sort of made her.

Speaker 2 (03:41):
I disagree. Oh really, and I think it's her. I'm
sorry you guys. When the actress I think she wasn't
then I in this episode. I do not find it
the dialogue. I find it the way.

Speaker 1 (03:57):
She Oh wow, I liked.

Speaker 3 (04:03):
You, Jenny.

Speaker 1 (04:04):
I liked her more too.

Speaker 3 (04:05):
I thought she was more pop. Me too, she was flirty.
She's not being so caustic and sort of negative.

Speaker 1 (04:14):
Whoa Tori? I am shocked?

Speaker 2 (04:17):
I know, are you shook? I know me not being
a people pleaser.

Speaker 3 (04:21):
I'm like, well, and will we get the big story
You've been like kind of holding for us about what happened.

Speaker 2 (04:28):
The episode she gets released?

Speaker 3 (04:31):
Okay, yeah, okay, Wow, we've got a ways wait for
it and.

Speaker 1 (04:36):
Stick with us. Okay. So I found her more likable.

Speaker 3 (04:40):
I'm seeing the I'm seeing the sort of chemistry a
little bit with Steve, the flirt a little bit. I
think I like that kid. I did not like the
stomach talking though.

Speaker 1 (04:52):
Okay, I have so much to say about that. First though, Wait,
VAL's working with Donna? Now? Did I miss something? Are
you partners in business?

Speaker 2 (05:02):
Yes?

Speaker 3 (05:03):
When we dipped our toe into that last week?

Speaker 1 (05:05):
Yeah, okay, and missed that. Why would you go into
business with Val? I don't get it. Why would Donna
go into business without?

Speaker 2 (05:14):
Because I'm a self sabotage I don't know.

Speaker 1 (05:17):
It's very dangerous, I mean, very nervous.

Speaker 3 (05:20):
I think the reason Donna gave was she's so very
organized and good at running a business.

Speaker 2 (05:26):
Yeah, she is, so she is.

Speaker 1 (05:28):
There's that ran that peapad for quite a while.

Speaker 2 (05:32):
But like it's a fresh business, Donna. I guess she
was overwhelmed so many client referrals. She needs somebody to.

Speaker 3 (05:39):
I like how overnight Donna has like the biggest styling
business in LA.

Speaker 1 (05:45):
You actually have paychecks, Like, uh, what's a paycheck for val?
Like a payroll?

Speaker 3 (05:53):
Ye, suddenly you're Mindy Weiss. It's like absolutely crazy.

Speaker 2 (05:57):
I mean, I don't know. I couldn't get past the
sweater around then.

Speaker 1 (06:00):
But maybe it might have been cool where you.

Speaker 3 (06:03):
Put business attire, Like in what world is that super
rich guy just being like, you know what I'm gonna do.
I'm gonna have these two rampos who don't throw parties
throw my part.

Speaker 1 (06:12):
And then they didn't even come.

Speaker 3 (06:14):
They aren't at the party, like the party planner did
not show up for the party.

Speaker 2 (06:18):
Do you know who that super rich guy is?

Speaker 1 (06:21):
Hoo hoo hoo.

Speaker 2 (06:23):
Oh well, okay, I'm going to tell you right now.
So Gordon Thompson was well, he wasn't the OG because
there was he was on the on the on the Dynasty.
Imagine he was on Dynasty. He was Adam Carrington, I know,
but he wasn't the O g Adam carn Carrington. They
replaced him, but replaced him. Yeah, he's stayed on the

(06:47):
runt of it.

Speaker 3 (06:48):
He was. He's not Parish, he's not the rich guy.
He's the sweatshop owner.

Speaker 2 (06:53):
Well, who's Christopher Orr play? He plays the cute guy.

Speaker 1 (06:59):
Your rearing them. The young guy is the party thrower.

Speaker 3 (07:02):
You're kind of attracted to Valerie Thompson, who I'm assuming
we'll be back because we are getting the dropa of
his Sorry, you know he's gonna gonna take the job
or is she gonna do the right thing?

Speaker 1 (07:14):
Is what we're dealing with.

Speaker 2 (07:16):
Christopher or who looks familiar?

Speaker 1 (07:19):
He looks like every other male interest on our show
has that's ever been there? Like they all start to
look alike. Now he looks just like Dick.

Speaker 2 (07:34):
And again, say Dick, please, it won't sound different. Let
me hear. I'm gonna close my eyes. He looks like Dick.
Well it sounds like you're Dick. Okay, So anyhow, this.

Speaker 1 (07:50):
Is a family show, is now? Wait? Okay, so let's
just talk about okay, so let's talk about valid Donna.
Now I feel like Donna discovering a sweatshop.

Speaker 4 (08:05):
Next, like just right there on the street, and I's
taking a long turn by saying I jumping this might
be jumping shirt?

Speaker 2 (08:16):
Thank you? That see that is where.

Speaker 1 (08:21):
Yeah, And then you're like what you have. This is
not how it works in this country. Minimum wages five
dollars and fifteen cents an hour.

Speaker 2 (08:29):
Would she say fifteen dollars and five cents? No, it
was so five dollars. She's five dollars.

Speaker 1 (08:36):
That's minimum wage in nineteen ninety eighth.

Speaker 3 (08:39):
No, because in nineteen ninety two or three, when I
started working, it was four dollars and twenty five cents.

Speaker 1 (08:44):
What nineteen ninety seven?

Speaker 2 (08:46):
Sorry, I'm looking at Christopher or I swear he was
in something.

Speaker 1 (08:50):
So I don't know how Donna's going to get through
this storyline. She doesn't even know what minimum wage is.

Speaker 2 (08:57):
I remember filming that and filming filming and feeling really uncomfortable.

Speaker 1 (09:04):
Like it was just kind of too much.

Speaker 2 (09:07):
Yeah, it was didn't feel like our show, and just
so that's it just felt felt uncomfortable, like, oh, like,
let's expose.

Speaker 1 (09:18):
The this guy's sweatshop, and I don't know, it just
feels weird.

Speaker 3 (09:24):
You know what sharky jumpy is to me? Hashtag just
trying too hard, like in every way, and that's sort
of what I'm feeling. It's like, Oh, we're just trying
too hard. We're trying to make Noah happen.

Speaker 1 (09:37):
So hard? Oh sorry, she said Noah, and I got
all fired up. I needed to talk about it. I
can't wait. I can wait.

Speaker 2 (09:44):
I mean, we love the show addresses issues like current
issues going on, but now it's just getting too much.
This is the point where it's like, let's go down
line of like, oh, what can we talk about this
controversial She's like someone looked.

Speaker 3 (10:00):
At the newspaper and thought, let's work this in.

Speaker 1 (10:03):
Oh boy, yeah, yeah, I'm not talking about the Beverly Beat. No.
I like the Beverly Beat so far. I'm pretty excited
about it. Uh, let me just like you said, I
that's true. I have so many questions. Why why are
we going so deep on such a new character as

(10:26):
Noah to have this all this backstory and all this
drama and crying and what's happening?

Speaker 2 (10:36):
I had a memory so that big like monologue scene
where like, no, she won't live again.

Speaker 1 (10:44):
She can't take another her mouth that was his.

Speaker 2 (10:48):
He did do a chemistry read which takes me different actors,
and that was the scene they read them with with her.

Speaker 1 (10:55):
How do you know this?

Speaker 2 (10:56):
I don't know. I don't remember it.

Speaker 1 (10:58):
Did you run life with them because you hadn't met
him yet.

Speaker 2 (11:02):
No, how do you know, I don't know.

Speaker 1 (11:06):
Maybe you saw a tape of it or something, or
she totally I don't know.

Speaker 3 (11:11):
Can I say something so crazy that I'm probably gonna.

Speaker 2 (11:14):
Get like, so crazy he'll never come on our show?

Speaker 3 (11:18):
No, no, no, no, that I may get a lot
of Instagram messages about I think they're trying to make
him Dylan, when you.

Speaker 1 (11:29):
Stop saying that, I'm one of the people that's going
to write in hold on, I've got to write.

Speaker 3 (11:35):
I just feel it then because I keep saying it,
because that's what they're doing. The guy first of all,
up on the hill and the car and the whole, Like,
let me be dramatic.

Speaker 1 (11:46):
We have we all happening. But can you just stop
pointing it out so I'm right? At least at least
I'm right.

Speaker 3 (11:53):
You're not like saying I'm not right?

Speaker 1 (11:54):
No, Why is he so oddly comfortable with everybody and
everywhere he is? Like? Why is he he's so schlumpy
in every chair and so up in everyone's business? Can't
with him?

Speaker 2 (12:05):
I don't know.

Speaker 3 (12:07):
It's just here's the thing again, not his fault. I
think that.

Speaker 1 (12:13):
Are just like I feel like it's his fault, right.

Speaker 3 (12:17):
I know that's the same way you guys feel about
Hillary's spike. It's not their faults.

Speaker 1 (12:22):
Well, I don't also understand why VAL's so into him
and following him like a psychopath. That was so weird,
just keeps showing up on his boat like uninvited girl.
She does get like that though with guys. Yeah, I

(12:50):
have a question about Noah and Val. Did you enjoy
the close ups of their kissing? I fast forward?

Speaker 2 (12:58):
Was it juicy now?

Speaker 1 (13:00):
It looked pretty not juicy, It looked rather dry. Actually
probably m hm hm. I didn't get any feelings from
it personally, but maybe that's just me. Maybe people liked it.
Did you guys like vow and know it together? Please
let us know, because yeah, that's a great question.

Speaker 2 (13:21):
I kind of want to like them, but I don't.

Speaker 1 (13:25):
What do you want to do too?

Speaker 2 (13:27):
Because it's like dramatic and moody and like that couple
and like it kind of what like Brendan Dylan had,
But it's totally not that.

Speaker 1 (13:38):
How dare you? How dare you?

Speaker 3 (13:41):
But there again, Wow, that was worse than what I said.

Speaker 2 (13:45):
It's like what they're trying to create though recreate you
know what I mean? Like those yeah, like smashing stuff,
runny no, come on.

Speaker 1 (13:55):
Yeah, asty Jenny good.

Speaker 3 (13:57):
That's what they're trying. They're trying to have angstinas.

Speaker 2 (14:00):
And it's not.

Speaker 1 (14:02):
Yeah, I don't think so, I know, Yeah, I'm not
for me. I'm wondering about who's the band? Does anybody
know who the band was? Nobody?

Speaker 2 (14:13):
Because boy familiar?

Speaker 1 (14:15):
Right? Why why do we know him?

Speaker 2 (14:17):
We were friends with him?

Speaker 1 (14:19):
I don't. I saw that and I was like, I know.

Speaker 2 (14:22):
We know him, like would hang out with him?

Speaker 3 (14:25):
Like?

Speaker 1 (14:25):
Then I was like, wait, does that Anthony Keili Peppers
are at the peapass Phil Buckman? Yeah, Phil Buckman. How
do we know? He's always on set always Bryan friends
with Brian, right, and then he's basically moved into the
beach apartment. This guy can't get rid of him.

Speaker 3 (14:49):
Oh yeah, that he's really lurking at the beach apartment.

Speaker 1 (14:53):
That was just uncomfortable.

Speaker 3 (14:56):
You had such a lovely dinner, Tory Donna the bag,
that's right, Sea Bass, My gosh, gonna get I cost
you a pretty penny and now you're not even gonna
get to eat it.

Speaker 2 (15:11):
You know what?

Speaker 1 (15:11):
She probably went to missus Gucci's and bought that.

Speaker 2 (15:15):
I'm such a good call back's missus Guccis.

Speaker 1 (15:20):
It's fun to say, first of all, and second of all,
it was whole foods before there was a.

Speaker 2 (15:24):
Whole food like airwan before Airwan? How do you say it?

Speaker 1 (15:29):
What do you mean?

Speaker 2 (15:30):
Amy saying it?

Speaker 1 (15:31):
Airwon? Am I saying it wrong? Airwan? Airwan? Airwan? Am
I saying it wrong? You enunciate it quite air Wan?
Are you supposed to say it? Can you say it?

Speaker 2 (15:42):
Air one?

Speaker 1 (15:44):
Air one? Oh? Air one?

Speaker 2 (15:46):
Is it wan?

Speaker 1 (15:48):
I'm saying more wan like wan time.

Speaker 2 (15:50):
I like it.

Speaker 1 (15:50):
You're saying one. But you guys know this? Are you
ready for it? Airwan spelled backwards? Is nowhere? Love that land?
Go nowhere and pay give them all your money for
someone juice.

Speaker 2 (16:10):
Oh that's great.

Speaker 1 (16:12):
That crazy. I think it was intentional by the guy
who started it. I can't remember the story right now,
but yeah, that's cool.

Speaker 2 (16:18):
It had to have been, right mm hmm. Like jokes
on you guys.

Speaker 1 (16:22):
Yeah, I'm taking all of your money and I'm going
to name my place nowhere because maybe it's it's like
nowhere else. Oh it's air mhm. You guys were talking,

(16:43):
so there's I don't know, maybe you know if you're
I don't know if they have air ones in.

Speaker 2 (16:47):
Like that's how everyone knows it.

Speaker 1 (16:51):
Air one is like the most ridiculously overpriced grocery store
larted so.

Speaker 2 (16:58):
Well though, Yeah, I want two hand.

Speaker 3 (17:01):
Sandwich paycheck valeries, paycheck over. Yeah, it's when I need
like a sandwich or something pre made.

Speaker 1 (17:10):
Let's just say you can't. Let's just say you can't
buy anything in Air one for minimum wage in nineteen
ninety seven. No, probably not one thing. No, and the
Chili a Chilean.

Speaker 3 (17:21):
They'll land you for samples. The Sea Bass would be
like one hundred and forty two dollars Sea.

Speaker 1 (17:28):
Bass if an Air one or Sure or Air one nowhere,
I want to go to nowhere? Oh my gosh, okay okay, okay,
one way ticket?

Speaker 2 (17:38):
Wait? What is that song to nowhere?

Speaker 1 (17:40):
Oh? I don't know. I thought you were thinking of
LeAnn Rimes.

Speaker 3 (17:43):
I got a one way ticket on a left bound train,
west bound train, not the left boundary anyway. I don't
care about this band. I don't know why they live
at your house.

Speaker 1 (17:56):
You don't know, you don't know who the band is though,
Like that sounds like it'd be up your alley to
be like, I don't know, and I just because it's fictional.

Speaker 2 (18:04):
What are you talking about.

Speaker 1 (18:05):
Maybe they're a real band.

Speaker 2 (18:06):
No they're not, because Phil Buckman is an actor.

Speaker 3 (18:10):
Okay, Jerry, you make a great point, because is just
like a band. He's like an actor because he's got
like this part, because he's also.

Speaker 1 (18:26):
People. Did you guys not catch the full like slur?
I don't.

Speaker 2 (18:33):
I yes, we haven't gotten there yet.

Speaker 3 (18:35):
Okay, that was crazy they're making him.

Speaker 2 (18:40):
Didn't see that one coming either.

Speaker 1 (18:43):
I was stunned. Explain this to you.

Speaker 2 (18:46):
I'm putting it weight you, guys.

Speaker 3 (18:49):
He's got a part.

Speaker 2 (18:51):
I am telling you right now. If my memory serves,
Phil Buckman, who is Jewish in real life, was related
to someone that my dad was friends with. I feel
like somewheer ABC. He was like his nephew or something.

Speaker 3 (19:10):
So not only do we have the Sweatshop beginnings where
we have an anti Semitic storyline beginning, Oh my god,
what was the exactly When he said, I was like, oh,
I can't even say it.

Speaker 1 (19:21):
No, so bad. I can't even believe they put it
in the episode. It was so bad it just.

Speaker 2 (19:28):
Great, they're addressing that, but it's just like two in
one episode, like yeah, but are they going to address
sweatshop antisemitic?

Speaker 1 (19:37):
Like it's just oh, thank god Donna overheard it. Though.

Speaker 2 (19:43):
Donna is dealing with a lot of like it's like,
what the hell.

Speaker 1 (19:49):
Trying to help Kelly get her memory back, she's trying
to bust a sweatshop. She's got a brand new business
and a brand new business partner.

Speaker 3 (19:58):
Wow, things are things are going to go sideways for
her relationships soon.

Speaker 2 (20:02):
Wait?

Speaker 1 (20:02):
What your your hair and makeup look good though? I
think this ad makeup time for Thomas.

Speaker 2 (20:10):
Yeah.

Speaker 1 (20:11):
Yeah, we got some consistence.

Speaker 2 (20:12):
I can tell it leans on the show. Now, Yes,
who didn't her hair because the hairs hair, yes, and
start looking young and like more current rather than you know,
walld what God bless love.

Speaker 1 (20:28):
To Why do Nat and Carly show up at the
Beverly Beat office in their peach pit costumes?

Speaker 3 (20:38):
They were delivering food and it was such that was
like the writers going, somehow we've got to get them together,
but we don't have an It was so that's when
I was like hashtag trying to hard this crazy have

(21:00):
they ever delivered from the peach pit. And also it
took the owner and the server like.

Speaker 1 (21:06):
We both leave at the same time. Totally bananas. And
also why how does Carly know all of Brandon's business?
That was why is she going to be his like, Oh,
I'm gonna.

Speaker 2 (21:21):
Talk when they were at the peach pit because she's
the new Andrea.

Speaker 1 (21:25):
Yes, yes, but where did she get this information? They've
never talked. It was off camera. It was so crazy.

Speaker 3 (21:35):
They're like best friends now It's just like.

Speaker 1 (21:37):
What yeash people? I don't get it.

Speaker 2 (21:43):
So Philip by Sharky back to Philip Bookman is actually
a musician, okay rate. He was the basis for the
rock band Filter from twenty ten to twenty thirteen. I
want to go on record though that he was somehow
related to Lou and Willie Rlick.

Speaker 4 (22:03):
I don't know.

Speaker 2 (22:04):
I think this what my dad I'm talking about and
Lou Arlick ran U ABC, so I don't know related.

Speaker 3 (22:17):
He later becomes a musician. He later becomes Filter.

Speaker 1 (22:23):
Maybe this being this character really inspired him to correct
find his calling in life and play the bass guitar
for a band for three years. Maybe maybe I think
I might have it right.

Speaker 2 (22:35):
I've cast my brother les. Yes.

Speaker 1 (22:39):
Yeah. Also, let's go back and dress the thing that
you were talking about. The minute Carly leaves, Steve exposes
his belly button to a child and then says, let
me see your belly. Man. Not only she's not off
the front deck, it was on coumps. That's not a

(23:05):
good way to babysit. I just say it.

Speaker 3 (23:09):
It was just like, I get it. It was sort
of trying to be funny cute, but it was just
like something made me cringe.

Speaker 1 (23:16):
Cringe, Yeah, yeah, Well I don't know if it was
seeing his belly button do that or maybe or if
it was just like, wait, you don't say that to
a kid and you don't even know him, and what's
gonna happen with that? And she so, but he is
darn cute with kids every time. Wait, I is playing
with his character with tis.

Speaker 3 (23:36):
He's so fun to Other than the belly part, I
loved the babysitting and that was what sort of made
me start to like them as a couple.

Speaker 2 (23:45):
Fair Yeah, I.

Speaker 3 (23:47):
Was like, Okay, now they're cute and spying out the
window at the date and the whole thing. Even though
she said she didn't want the kid to know she
was on a date. But whatever, we threw that out
the window, which I respected, I mean I respected that
she did want to know. Throwing it out the window
was a little weird. But this is the thing, there's
something likable about this whole storyline.

Speaker 1 (24:08):
Now I'm feeling it a little bit too.

Speaker 2 (24:12):
Yeah, fine, but we'll see. Fine, you're giving up. I'm
he's just giving a weave flag. No, I get it.
It's getting cuter with the kid it is. I agree.

Speaker 1 (24:27):
Well, we'll see what happens. It's short lived though, because
you said she's only on how many episodes?

Speaker 2 (24:31):
Sixteen though is kind of a lot.

Speaker 1 (24:33):
Though, that's a lot. Okay, let's get let's get settled
in with her. Then she's gonna stick around. She's here
for a bit. I just it's so weird how the
characters know things about each other that they've never really learned.
Like Noah knows everything about everyone and he's so schlumpy
and comfortable, and then Val, I mean, no Carly knows

(24:55):
things about Brandon's personal life. What I haven't.

Speaker 2 (25:00):
Crazy Going back to Noah, amy, is this correct? He
talks about Beth who died. Doesn't Beth come back on?
And they fall Back in Love season.

Speaker 3 (25:13):
That's someone different. That's not her. That's someone different.

Speaker 1 (25:17):
That's what I think.

Speaker 3 (25:17):
That's why you are correct, and that there's he ends
up because.

Speaker 1 (25:21):
They're at your wedding.

Speaker 2 (25:22):
Yeah, someone I.

Speaker 1 (25:24):
Don't it's not the dead girl. Okay. Did you notice
the first appearance of Terry Sparr in this episode? Who's that?

Speaker 2 (25:44):
I did?

Speaker 1 (25:44):
No character into the Beverly Beat office. I oh, yes, yes.
Does she stay around? I do believe she does. Yeah,
that I forgot about till Janet comes.

Speaker 2 (25:56):
No, I don't know how long.

Speaker 1 (25:57):
But she's the production manager of Beverly Beat. Also, did
you guys like the the exterior shot of the Beverly
Beat do you guys recognize that? Like it's a landmark building.
I feel like I seen it a million times. It's
on Hollywood Boulevard according to Lorraine. But it had that

(26:18):
like tower that goes up outside of it. And so
when you see they did an establishing shot kind of
up at the building, you see this whole like tower.
I feel like I've driven by that, Like you know
that kt LA area right.

Speaker 3 (26:31):
There, sunset and gower type of area.

Speaker 2 (26:36):
Okay.

Speaker 3 (26:37):
Terry spar Is in nine episodes Wow, she's pat many,
but enough.

Speaker 1 (26:47):
Enough. I'm gonna ask a stupid question. Are there sweatshops
in downtown Los Angeles like this? When you see sweatshops?
What am I even saying? I'm saying places where the
work is not.

Speaker 3 (27:03):
Young people underaged and not paid appropriately, dangerous conditions.

Speaker 2 (27:12):
Possibly at some point there must have been, right, I mean,
still are just so sad.

Speaker 1 (27:21):
I know so many things you don't know when you
walk down the street. What's going on inside those doors,
especially in downtown LA.

Speaker 2 (27:31):
Oh?

Speaker 1 (27:32):
Yeah, yeah, that's it. I feel like we've covered everything.
Although I do have one other question. When Kelly goes
to visit her bedroom or Brandon's their their bedroom and
she gets upset and wants to go home, do you
think it was the bedspread that set her off?

Speaker 3 (27:48):
I thought it was sort of the horrid decor.

Speaker 1 (27:51):
Yeah. I was like, this room is so bad.

Speaker 3 (27:54):
Don't pick that wallpaper first of all, man, just like
that room does not look inviting.

Speaker 1 (28:01):
It's dark but light. I'm very confused by it.

Speaker 3 (28:04):
I swear there was like a hockey jersey next to
the wallpaper. It's just like, they're young.

Speaker 1 (28:10):
People, so they're trying to cohabitate and mingle their likes together.
It's not great yet, but maybe it'll get better. Maybe
it'll get better. But then I did. Also, it was
odd to me that Brandon says when he's remembering things
that he knows about Kelly, and he says, I remember
the way you hang your stockings in the shower.

Speaker 2 (28:32):
Thank you. I wanted to bring that up.

Speaker 1 (28:34):
My god, I'm glad you did. Who we're stockings? No
one calls them stockings, right or am I wrong?

Speaker 2 (28:41):
You're not currently back then?

Speaker 3 (28:44):
Remember, people call them nylons.

Speaker 2 (28:45):
Nylons or hose, yes, anty hose?

Speaker 1 (28:51):
The what are they called now?

Speaker 2 (28:54):
But but even if I didn't think right, yeah, the
sheer one gets hosiery, hosiery.

Speaker 3 (29:02):
It sounds fancier hosiery. I don't own one pair of
tights or one pair of pantyhose or any of that.
I do not own any of that, do you guys?

Speaker 2 (29:12):
You got a lot of booty shorts. We see them every.

Speaker 3 (29:14):
Tons of short, But I don't know one pair of
anything that would have feet on it that also pull
up to my waist.

Speaker 1 (29:22):
Nothing. Yeah, I think I have some in my kit,
like up in the top of my closet for those
just in case moments or.

Speaker 2 (29:30):
I have those like fish net ones.

Speaker 1 (29:32):
We have the fish net ones that who started those
with it?

Speaker 2 (29:39):
Like yah, they would weary Yeah on camera you can't
see them, but you really can always see them, like
if we wear them, zoom in on a picture of
red carpet, I see them, don't you?

Speaker 3 (29:49):
Then cut them off and make leggings like I don't
want the feet part.

Speaker 1 (29:53):
That's where I'm like, Oh, interesting, they make footless ones,
you know. Yeah, I tell you don't want to bring
later wormers you guys steps Oh does never look good?

Speaker 2 (30:06):
Wait, there was another line. Oh when Kelly said you
were there for me when I was kicking cocaine. That
one riled me up, just like the stockings line kicking cocaine.
Some interesting that's a T shirt kicking cocaine or a band?

Speaker 1 (30:25):
What? Yeah? God, Amy, what did you say you're going
to bring back leg warmers. I want to bring back
leg warmers.

Speaker 2 (30:32):
I always wear them, they've ever left. I have forty two.

Speaker 1 (30:35):
Pairs in twenty twenty six.

Speaker 3 (30:36):
I'm gonna bring back wi fi because literally my WiFi
has cut out no less than four hundred times during
that It's so bad and I have to press like
nine buttons. But that's gonna change next year.

Speaker 2 (30:46):
Oh wait, kudos, your lighting looks better.

Speaker 1 (30:49):
Thank you.

Speaker 3 (30:50):
You know why I switched, It's because it was the camera.
The reason I've looked like a troll for the last
seven months is because I switched to this computer, thinking, oh,
this is gonna be amazing. It was the camera. It
was never even the lighting.

Speaker 1 (31:05):
It was the camera.

Speaker 3 (31:06):
Anyway, It's fine, I'm doing a whole new plan, but
I want to bring back leg warmers and arm warmers.

Speaker 1 (31:11):
Do you guys know what is?

Speaker 2 (31:13):
And those haven't left either.

Speaker 1 (31:15):
They've left me. So I think I only have one
pair of leg warmers, and I don't think I've ever
worn them.

Speaker 3 (31:21):
I don't have any, and I want them. I did
back in the Flashdance.

Speaker 1 (31:24):
You know, you go through your closet and you can
get rid of stuff you haven't worn in the last year.
I wouldn't get rid of my.

Speaker 3 (31:32):
Things, Jenny. I completely agree with you. I go into
my drawer and I go, there's five sweaters in here.
I haven't worn in nine years, but.

Speaker 1 (31:39):
I should keep them.

Speaker 3 (31:40):
You guys are giving me my cant and then I'm like,
if I was ten pounds skinnier.

Speaker 1 (31:44):
This would look so good, but you know what, you
might loose ten pounds. You should keep it.

Speaker 2 (31:49):
You guys are ignoring the fact that I have said
now twice.

Speaker 1 (31:53):
No, we have Tori. We know forty two pairs of
leg warmers. Oh my god, also toy. We worry about
your closet. We want you to clean it out. Mm
hmm No, no, I just won't do it.

Speaker 2 (32:07):
I won't.

Speaker 1 (32:09):
Is it over? Is your closet over like crowded? Like
you can't even get a hanger in? Because that's what
mine is kind.

Speaker 3 (32:14):
Of a mead.

Speaker 1 (32:15):
I have the same hate.

Speaker 2 (32:16):
It the house we live in. It's not even a
walking closet I have. It's like, oh no, that's what
I was terrible. I mean, I guess I can walk
into it, I have to back out of it. It's like,
you know, it's.

Speaker 1 (32:31):
Like mine's just a closet on the wall.

Speaker 2 (32:35):
It's one notch up from that. But there were other
great things, like each kid could have a room. I
chose that over the closet. I'll be fine, not fine.

Speaker 1 (32:44):
Fine, not fine at all. Oh no, twenty twenty six.

Speaker 3 (32:51):
I'd love to make a new closet, but that's not
going to happen.

Speaker 1 (32:53):
So I'm going, why don't we just get rid of
things we haven't worn in nine years?

Speaker 2 (32:58):
Yeah, that's up, it's all coming back.

Speaker 1 (33:02):
No, but when I put it on it, I hate it.
It has to go. It's like it has to go.
But wait, but don't you do you have a storage
that you keep stuff in? Me like separate from your house,
tour me not anymore.

Speaker 2 (33:15):
It's all in my garage in boxes filled to the ceiling.
So I couldn't even go through it if I wanted to.

Speaker 1 (33:22):
Yeah, you can't even get in the door.

Speaker 2 (33:24):
And say I'm going to do that one of these
days and then close it promptly.

Speaker 1 (33:29):
I don't even have a garage a closet. Space is
limited around this town.

Speaker 3 (33:35):
It's a lost art and the storage unit is just
where things go to never be found again.

Speaker 1 (33:41):
Yeah, that's what I've learned. That's so true.

Speaker 3 (33:43):
I put my Christmas trees. I have Christmas trees, put
them in the storage. Guess what I didn't put out
this year? Christmas trees because I'm so lazy.

Speaker 2 (33:52):
It's easier to get a new one.

Speaker 1 (33:55):
I can't go in the storage either. I'm always like,
can someone please go in there and get me some
I don't know what. There's certain things that just like, hey,
I have a hang up. I'm like, I can't go
to the storage unit's so bad. I don't know why.
And yet you pay hundreds of dollars and I drive
by it every day because my storage unit.

Speaker 3 (34:14):
Is in my town, so I literally drive by it
and it's like a mental block.

Speaker 1 (34:18):
I'm like, I don't want to go in that gate.
How much is the storage unit for like one month?
These days? Mine's like three hundred dollars and fifty dollars
And that's a small one.

Speaker 3 (34:29):
Yes, mine is so small. The size of toy's closet.

Speaker 1 (34:32):
Oh no, what God.

Speaker 3 (34:35):
Christmas trees chairs a bunch of crap in there that
I don't know.

Speaker 1 (34:39):
So bad, so bad?

Speaker 2 (34:42):
Wha what's next you guys?

Speaker 1 (34:45):
I got to ask, what do you guys rate this episode?

Speaker 3 (34:47):
Oh my god, is saying seven for me?

Speaker 1 (34:53):
Really?

Speaker 2 (34:55):
I'll say a seven.

Speaker 1 (34:58):
And I go six. Guys.

Speaker 2 (35:00):
I'm sorry, but.

Speaker 3 (35:02):
At least your back and the ring is around your
neck and then now it's going to be back on
your finger.

Speaker 1 (35:06):
I kind of wanted him to. I was like, just proposed, dude, Yeah,
I like Kelly and Brandon together totally. I never really knew,
like I never looked at it from the outside end
like that, you know, as a viewer, and there were
just also so many men straight.

Speaker 3 (35:28):
But no, we didn't even talk about your dumb like
walk with Noah where you're kind of like, I think
I like you Noah, and Noah's like, no, you don't.

Speaker 1 (35:35):
We're nothing alike.

Speaker 3 (35:38):
Yeah, at least he did the right thing, thank god,
because otherwise he's gonna get punched in the face, so
that would have been fun. I'm gonna have to lower
this to sick. I don't know that we're going to
head A ten again. But I don't know.

Speaker 1 (35:56):
I don't know the wedding. Maybe I will give the
finale see the series finale a dead predicted. Yeah, no
chance that. I'm not going to I don't even care
what it's on.

Speaker 2 (36:09):
What's in it?

Speaker 1 (36:11):
Okay, what is gonna give it? Three tens?

Speaker 2 (36:15):
Yeah?

Speaker 3 (36:15):
What episode do we watch after Christmas?

Speaker 1 (36:19):
Let me see here, we are going to episode six
the right thing, as opposed to episode seven, which will
be called the wrong Thing. No, I'm just kidding. I mean,
it's I don't know, I don't know what's right honestly,
what is made job? I like it. I like it.

(36:41):
So this was written by Laurie McCarthy, a woman, but
overseen by twenty five men. Pretty much, yeah, I cannot imagine.

Speaker 2 (36:56):
Okay, good times, good time, brand On back back together.
It's going to be about that, right.

Speaker 3 (37:06):
Okay, Oh yeah true. Okay guys, good time, Sanks guys.

Speaker 1 (37:14):
Such a good episode.
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Tori Spelling

Tori Spelling

Jennie Garth

Jennie Garth

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