August 19, 2021 • 25 mins
Kurt and Scotty tell listener stories about waking up and finding a drunk man in your hotel room and a clown traumatizing a kid at a birthday party
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Speaker 1 (00:04):
Us, would you it's your mysillion pieces, guys, gals and
(00:28):
non binary pals. Welcome to a minniesote of bananas. That's
Scottie Landis.
Speaker 2 (00:32):
That's Kurt brown Oller, just the funniest guy you could
ever meet. And these are your stories. Our minisodes on
Stitcher are your stories. We had our stories, but these
are all real and they're all funny. And thank you
to everybody's been sending them in. We got a an
avalanche of them after one of our last podcasts, so
thanks so much.
Speaker 1 (00:52):
Yeah, it was really great. It's also just fun to
read everybody's stories, you know, it's just like you just
get a little bit sometimes it's just like, this is
the weirdest little corner of the world that this person
is from. And I love that very cool.
Speaker 3 (01:07):
I do too.
Speaker 2 (01:08):
And unlike the main podcast, where normally stories just kind
of pop up because you know, Kurt and I don't
plan ahead, we don't tell each other each other's stories,
these are fun because we have a little time to think,
and it's fun to go what do I have in
common with this absolutely insane story? And it's kind of
nice to lay there for ten minutes and go down
memory lane.
Speaker 3 (01:26):
And be like, oh, yeah, that did happen to me? Yeah, wonderful.
Speaker 1 (01:31):
Well do you want to start Scottie?
Speaker 3 (01:33):
Sure I could start one off.
Speaker 2 (01:34):
We have one DM to the Bananas Podcast at Instagram
from Caitlin G.
Speaker 3 (01:41):
Phillips. Thank you very much.
Speaker 2 (01:43):
She is a she her and she has a gluten
free restaurant apparently, so that's a very good pro.
Speaker 1 (01:48):
Wheat my son would love to eat there, absolutely.
Speaker 2 (01:52):
Okay, what's up. My name's Caitlin. I'm twenty one, and
I have a story for you. My family and I
were on vacation in Mexico, and my sixteen year old
brother and I were sharing a pair of conjoining rooms
and my nineteen year old brother and my parents were
in the other set of rooms.
Speaker 1 (02:07):
So it swore was just like I thought they'd be
sharing a adjoining set of pants for some pair anyway,
all right.
Speaker 2 (02:15):
When in Mexico, anything goes, anything goes. So nineteen year
old brother and parents were in the other set of rooms.
We went to bed around ten, but because I have insomnia,
I was still up around one am when I heard
a noise and got up to investigate. I followed the
noise into my little brother's room, and see a shirtless
man standing beside my brother's bed staring out the window.
(02:39):
Creepy right, not good? No, you don't like people where
they're not supposed to be.
Speaker 1 (02:43):
It's terrifying.
Speaker 2 (02:45):
It took me a moment to realize it was definitely
not either my brothers, but just some random kid in
his twenties. I stared at him for probably a full
minute in silence, literally just thinking what the fuck?
Speaker 3 (02:57):
He was about three feet away from my sleeping brother.
Speaker 2 (03:00):
And I start talking to him, and I discovered that
this kid is clearly shitfaced. I should mention that I
was already president for a year, so have way too
much experience dealing with drunk people.
Speaker 3 (03:10):
I mean that is on the job training.
Speaker 1 (03:11):
And also but I mean, like, way to keep your
shit together? This is amazing.
Speaker 2 (03:17):
Yeah, very Caitlin is calm. A lot of people would
have screamed and run out of the room.
Speaker 1 (03:21):
Oh yeah, or just thrown a knife at him.
Speaker 2 (03:24):
Just pick up the closest knife and throw it at him.
Leave a knife on every hard surface and flat surface
in every hotel room.
Speaker 3 (03:30):
Is dead.
Speaker 1 (03:31):
It's my plan. That's why I travel with twelve dives.
Speaker 2 (03:35):
TSA be damned. I told him you were in the
wrong room, to which he replied, quote, what's with it?
That is such a good drunk thing to say.
Speaker 3 (03:49):
What's with it?
Speaker 1 (03:50):
I mean, like the like the sentence doesn't make sense.
It's not a response to the statement I love all
of it.
Speaker 3 (03:56):
What's with it?
Speaker 2 (03:57):
I asked his name, which he said was Kevin. Okay,
so we're getting somewhere. And then I asked his room number,
which he said eight two nine three six zero five.
You know those those hotels that have eight million, two
hundred and ninety three thousand rooms. Clearly not a room number,
Caitlin says. Eventually I got my brother to wake up
(04:20):
as Kevin was wandering around our room, going through my
brother's suitcase and grabbing my driver's license, and then he
made himself very comfortable on our couch in his wet swimsuit.
Speaker 3 (04:31):
I should add, oh man, oh no.
Speaker 2 (04:33):
At one point he turns to us and says, listen, guys,
I'm really fucking drunk, which to which we both reply, yes,
we know. We finally get him out of our room
and into the hall, but it's this open air hotel
with not so sturdy railings, and we did not want
to be tangentially responsible for mysterious death. Good sentence, cow Wow, Yeah,
(04:56):
that's good writing. Wherever your Sararti was has a good
English department. So we follow Kevin round until hotel security arrived.
During that time, Kevin stuck his hand in the closing
elevator doors and tried to run away from us by
pointing in the opposite direction he was walking, and then
called us quote, so fucking fake.
Speaker 3 (05:19):
I think that's my favorite line of the whole thing.
Just these guys are so fake.
Speaker 1 (05:24):
It's just he's just having blind reactions, like not understanding
a damn thing. It's amazing what alcohol does to the brain.
It's so crazy, it is.
Speaker 3 (05:33):
He's like a goldfish.
Speaker 2 (05:34):
He's just like turning and the world is new, and
they turn to other way and the world is new.
But I love pointing in the other direction and then running.
It just doesn't work. So I managed to snap a
few pictures of him in the hallway. We won't be
posting these, Caitlin, just because it's some guy and we're
not gonna do that. But she sent the pictures and
he's a shirtless guy in swimsuit, very drunk, kind of
(05:54):
posing for some of them.
Speaker 3 (05:56):
But also summer him just murrying away, just herring down
the hall.
Speaker 2 (06:00):
So eventually security arrived and we didn't know what happened
to Kevin.
Speaker 3 (06:06):
After that, we all go back to our rooms. A
few days later.
Speaker 1 (06:09):
Oh god, I can't believe there's an epilogue. I cannot.
Speaker 2 (06:13):
A few days later, my family was heading out to dinner,
and on the way to the elevator, I spotted a
familiar face.
Speaker 3 (06:19):
Wow.
Speaker 2 (06:21):
Not super concerned for Kevin's dignity at this point, I
grabbed my brother's arm and pointed at him and yelled,
oh my god, that's him. Kevin briefly turned, looked at
us and said, yeah, I'm sorry about that, and then
just walked away. Here he is lovely, in shitfaced the
Kevin himself so happy.
Speaker 3 (06:40):
Liked it. Huge fan of the podcast, Caitlin.
Speaker 1 (06:42):
Oh Kevin, Kevin. Kevin, Kevin.
Speaker 3 (06:46):
Kevin was on vacation.
Speaker 1 (06:47):
He really was. In many ways. He was on vacation
from his mind.
Speaker 2 (06:52):
Yeah, I know, And it's fun, Like it's fun to
test those boundaries and stuff when you're young. And then
there's also a part where you're like, I wonder how
much stuff that got missed out on either being blackout
or so violently hungover over the next couple of days.
Speaker 3 (07:04):
That's just a lay by the pool type of vacation.
M hm oh man, pretty good.
Speaker 2 (07:10):
I was in Brooklyn one night and there were two
guys there who were in their late twenties early thirties
who had never consumed alcohol before.
Speaker 1 (07:18):
What how did like how did?
Speaker 3 (07:20):
They were straight edge?
Speaker 2 (07:21):
They were friends of friends, right, and they were like
this guy just started drinking beer last week.
Speaker 4 (07:26):
Wow, And we were like, no, cool, never gonna go well, oh,
I know, and in like late twenties thirties, it's just
that thing where the floodgates open and everybody gets to
witness a hurricane.
Speaker 1 (07:37):
And also, yeah, because also in Brooklyn at the time,
if you're like, if you're thirty, everyone's been drinking heavily
for ten years. Yeah, at least, you know, maybe twelve years.
So if you're trying to keep up with just people
you see around you, it's not going to go.
Speaker 3 (07:53):
Well.
Speaker 2 (07:54):
That is the perfect segue to this story, because that's
exactly what happened. So I brought our my friend Rusty,
who we waited tables together in Pensacola. Our restaurant sold
more Rumpelman's, which for those who don't know, it's one
hundred proof peppermint liqueur. I think it used to be
made in Germany. I think now it's made somewhere in
the States. But it's it's one hundred proof. You can
(08:16):
fifty percent alcohol.
Speaker 1 (08:17):
You can blow fire with it.
Speaker 2 (08:19):
Yes, it is a true butt kicker. It tastes great,
makes your breastmel good, but it is not for the
feint of liver. So I this guy sits down next
to me and all my friends are sitting in a
circle and like very uncomfortable old Brooklyn outdoor chairs in
this little backyard area, and there's about eight of us,
and he's like, yeah, it's true. Like just started drinking.
(08:41):
It's pretty fun so far. Like I threw up the
other night and like okay, and I was like, well,
you really want to try something? You got a dog
bowl rumpel And he's like, what's that. I was like, oh, watch.
So we go in the house and we get a
metal bowl and fill it with ice and then pour
the entire bottle of Rumpleman's in it, so like a
big salad bowl. And then I come out and I'm like,
this is dog bowling rumple, and so I sip it
(09:02):
and then I pass it. And then all my friends,
thank god, was Bryce and Doyle and Rusty, all these
friends that I old buddies. They just jump on board
instantly and they're like, are you dog bawling that rump
you complete?
Speaker 1 (09:13):
You made up dog bowling rumple.
Speaker 3 (09:15):
Yeah, I just made it up on the fly.
Speaker 1 (09:20):
Because there are because there are like fish bowls you
can get fish balls, and like, I love dog bowling rumbull.
Speaker 2 (09:26):
Okay, well it wasn't cold when we got the bottle,
so I knew, and it's not good warm, so it's
like I gotta put it on ice. And then so
I was like, well, let's just jump two steps. So
there were a couple ladies with us that were just
like wine drinkers, and they were like, no thanks, smoking cigarette,
being tragically hipped, didn't want in. And then the whole
party starts gathering around as these eight chairs of people,
including the Sky who's never had drinks before. And then
(09:47):
two of my friends who are sort of lightweights, are
We're just going, hey, Kurt, dog bowl that rumpele. And
then you take a big sip of it and you
pass it on almost like in church or something.
Speaker 1 (09:57):
Oh my god, the pre quarantine days were amazing. You
could doug bowls and rumple at a party not worry
at all.
Speaker 2 (10:03):
So we passed this bowl and then all the tragically
hip kids get in because we're having more fun. And
that's the real takeaway is if you're having the most fun,
even the kids that are too.
Speaker 3 (10:13):
Cool for school, we'll get on board. And at some
point this kid is he takes over.
Speaker 2 (10:19):
He becomes like the master of ceremonies, where he's pointing
at people and yelling.
Speaker 3 (10:23):
You dog bowl that rumble.
Speaker 1 (10:28):
See.
Speaker 2 (10:29):
And then as the ball keeps going around, everybody's doing
half a shot or you know SHOT's worth or whatever.
My girlfriend at the time wasn't a huge drinker. She's
annihilated next to me. The girls that were smoking drinking
wine are now like wearing each other's clothes and sunglasses
like crooked.
Speaker 3 (10:43):
It was an absolute like freak show.
Speaker 2 (10:46):
And so we finally finish it, and I noticed that
in the circle, one person that was there was our
friend Kirby, who doesn't drink at all. To completely Soaperhead
witnessed the entire thing of us dog bowling two of
the guys. We carried him and put them in bed
and made them spoon each other, fully clothed and everything.
But they were so drunk on Rumpelman's we were like,
let's put these two to bed on their sides, and
(11:08):
then they look so cute. We just laid them together.
And then I moved to la and as a housewarming gift,
I get a box in the mail, like two months
after I move here, probably a year after we were
all dog bowling. Rumple and Kirby had sent me a
custom metal dog bowl that's just dog ball that Rumple
on us.
Speaker 1 (11:26):
Are you kidding me?
Speaker 3 (11:28):
Yeah? Oh my god.
Speaker 2 (11:30):
I keep it on my deck and like every once
in a while when I throw like big Halloween parties
and stuff, I'll fill it up and we'll start dog
bowling Rumple. But guys, if you're vaccinating and you're with
your friends, dog bowl that Rumple. But be careful, don't drive,
don't drive whatever you do so so much.
Speaker 1 (11:48):
Oh, I can't wait until you have a party again.
We've talked about we've talked about the pants party right then.
Speaker 2 (11:54):
We talked about the pants cutting party we did. Yeah,
I think other people are going to start taking that
up and maybe as I'll do a pants cutter.
Speaker 1 (12:01):
Oh, that would be amazing. All right, you ready for one.
Speaker 3 (12:05):
I love when you tell me banana stories.
Speaker 1 (12:08):
Here we go. This is emailed to the Bananas Podcast
at gmail dot com.
Speaker 3 (12:14):
I love that. I love that Gmail.
Speaker 1 (12:16):
Oh it's a great one here. Sentence by Terry Stone.
Terry says this, Hey guys, this is one of my
favorite personal stories and I thought it'd be perfect for
a minisode. In high school, it was part of a
clown troop. I'm already, I'm already, yeah, yeah, okay, good start.
My clown name was Daisy May and her character was
a total country bumpkin. Sounds perfect.
Speaker 3 (12:38):
Love that.
Speaker 1 (12:38):
We would perform shows for area elementary schools pre K
and even nursing homes. My friend April clown name Goldie.
I am excited that we're getting clown names.
Speaker 3 (12:48):
Yeah. I could just hear clown names.
Speaker 1 (12:50):
Yeah. And I would also do kids' birthday parties on
the side for a bit of extra cash. So we
got hired to do a birthday party for a little
girl about four or five years old. Party was in
the first floor of a church and he entered at
ground level through a side door. We drove up to
the church, two sixteen year olds already in full clown gear,
and make our way inside for the party of ten
(13:11):
or so kids with their parents.
Speaker 3 (13:13):
Okay, what could go wrong?
Speaker 1 (13:15):
I love a party for a four year old in
a church.
Speaker 3 (13:19):
Oh boy.
Speaker 1 (13:20):
As soon as we stepped inside, the birthday girl took
one look at us and began hysterically crying, the type
of understandable crying where she couldn't even cretch her breath.
She cried so hard that she threw up onto her
father's lap as he held his hands out in a
feeble attempt to catch the vomit. Meanwhile, April and I
(13:41):
are standing there, trying not to look as freaked out
as we are, as I whispered to her, what the
fuck do we do now? Nowhere was this covered in
our clown training. The birthday girl had to be removed
from the party while we performed our skits. As we
were winding things down, she had recovered enough to be
brought back into the room, but still would not come
with you fifteen feet of us. So somewhere out there,
(14:06):
as an adult woman with a crippling fear of clowns,
and I get to take credit for that. Hot tip
for parents, before you hire a clown for your child's birthday,
make sure the kid is not deathly afraid of them.
Hope you enjoy the story. I love the podcast. Wish
you continue success.
Speaker 3 (14:21):
Ps.
Speaker 1 (14:21):
I've included a pick of our Little Crown clown troop.
I love that and it is they are They're like,
they're fifteen years old and they're dressed as clowns. They
are adorable. The idea that these adorable children would be
making other children vomit is very funny.
Speaker 2 (14:36):
Yeah, yes, And the only scary thing about clowns the
older you get, like a fifteen year old clown. Great
college as clowns, Oh exactly. Young clowns were all for
young clowns. It's a great Halloween costume. It's very fun,
it's festive. The scary thing about clowns are the people
over twenty five that are clowns. That's when you start
(14:57):
going if you're non cerctsole or a paid performer regularly,
what are you so into?
Speaker 3 (15:04):
But also.
Speaker 2 (15:07):
Do what you got to do in this world if
that's what makes you happy. We're not We're not saying
don't do it. We're just saying, that's why it's scared.
Speaker 1 (15:13):
We're not clown shaming. We're not clown shame.
Speaker 3 (15:16):
You want to be were never We're down with that.
Life is silly be a clown.
Speaker 1 (15:21):
But realize that some children might be.
Speaker 3 (15:24):
Scared, and many adults even.
Speaker 2 (15:28):
But we love Natalie Palomides, We we love Courtney Perozzo, we.
Speaker 1 (15:32):
Love the modern clowns.
Speaker 3 (15:33):
We love modern clowns. We love red bastards.
Speaker 1 (15:36):
Oh yeah, now, but.
Speaker 2 (15:37):
But younger clowns are better, is what we're saying. We
like younger clowns more.
Speaker 3 (15:47):
So.
Speaker 1 (15:48):
I remember, what I'm fascinated by this story is that,
like it's the it's it's fascinating as a performer, how
much work the theater or the performance space does for
you as a performer. Because what I'm amazed at is
these these fifteen year old girls being able to like
(16:10):
still have still perform after like walking into a ten
person child birthday party and the birthday girl vomits, and
they still got to do their fifteen minutes of sketches
or whatever.
Speaker 3 (16:23):
That's so true.
Speaker 1 (16:24):
And it's so because I've done a lot of private gigs,
you know, as a stand up and especially even during
the Great Choir. Like starting doing stand up where you're
just staring at a computer was just like it just
it like broke your soul. Yeah, it was emotionally draining.
It was not fun, and you realize like how much
(16:46):
work the theater or the or the club does in
like just establishing like this is I'm a performer and
you are an audience, and that's our roles for this
next hour, and let's like do that right now. But
when it's just in a random space, the uncomfortability and
the strangeness of the artifice of performance is like put
(17:08):
on display, you know. It's just like all of the
weird stuff that is not existent when you're in the
right environment is like like why are you yelling at us?
Like we're just like we're just right here.
Speaker 3 (17:23):
Is it weird for you?
Speaker 2 (17:25):
You've done millions of stand up shows and this is
something I think about a lot, especially when I see
people do it. Is it weird for you when you
have to do stand up without a microphone?
Speaker 1 (17:34):
Yeah? It used to be it really. I still do
like a mic. I do enjoy a mic. Yeah, And
it might just be honestly, a a clutch, not a clutch.
Speaker 2 (17:47):
A crutch, Yes, a crutch. Well, oh you're clutching it
pretty hard, but I know what you mean. Yeah, yeah,
but that's yeah, it might just be right, asked Nikki
Glazer one time. I was like, how do you know
if a comic's a good comic? Like, how do you
know if somebody is going to be good?
Speaker 3 (18:00):
Huh?
Speaker 2 (18:00):
She goes, if when they come on stage and take
the mic out the stand, if they put the mic
stand behind them instead of just standing directly next to it.
So for all our little aspiring but animal comics out there,
move that mic stand behind you. But yeah, whenever I
see comics without MIC's, they're the materials the same, but
they're like, you know, sometimes like a backyard show or something.
Speaker 1 (18:19):
It always feels weird for me. M yeah, look at that.
You're hearing my dog bark because I'm never inside. I'm
inside for this one. There's Zelda, Zelda, stop stop barking?
All right?
Speaker 3 (18:30):
Here we go, here go.
Speaker 1 (18:33):
Kristin, Sean and I early early in our career, yes,
we had you know, we had a double act, Kristin
and Kurt or Kurt and Christen. I can't remember which
it was called Kurt and Kristen and Zelda please honey.
Speaker 3 (18:47):
Zelda, please not now, foof Fee. You're all right, You're okay.
Speaker 2 (18:51):
It's like literally a serial killer's outside and you're like
stop it please.
Speaker 1 (18:56):
So we get hired to do a corporate gig, and
this is our first like corporate private gig set up
by like a person who was like a producer in
the alt comedy scene. Knew what we did and who
we were and didn't give us any like guidelines or like,
you know, keep it clean or whatever like that. Yeah,
(19:17):
and we're like, okay, cool. We show up and and
it was like money. It was like the first like
it was good money for like what a feeling thirty
minutes show. We arrive and it's in an office building
and we're like, oh, is there a theater in this
office building? And we're like, take the elevator up and
we get up to like the twelfth or thirteenth floor
(19:37):
and walk in and then it's just in a conference
room and I and and but the conference room on
one side has oh it just has like a step up,
do you know.
Speaker 3 (19:47):
What I mean?
Speaker 1 (19:50):
So technically they're like, well, this is our theater room.
And so then it's a long, oblong table in the middle,
and then in comes the audience. It is just twelve
like like vice presidents of this company.
Speaker 3 (20:07):
Why why do they do this? Why do people plan
this in corporation?
Speaker 1 (20:13):
It's help, It's hell, it's hell for everyone involved. Yes,
it's never gonna be like if you're planning a private
comedy gig, you have to create a theater, but you
have to have a stage and lights and microphone and
seats so that we just signify what's happening here, because
(20:33):
otherwise it's just one human being being crazy in front
of other human beings.
Speaker 3 (20:36):
Yes.
Speaker 1 (20:37):
God, So then we're like all right, here we go,
and we launch into our first sketch, you know. And
the way we was like presentational where we would like
talk to the audience and then like kind of go
into a world and then come back out and talk
to the audience again. We start doing our first sketch
(20:57):
and about midway through, yes, our first catch, our first
catch is pretty dirty. It definitely like there's like phone
sex involved with historical characters.
Speaker 3 (21:08):
Yes, I remember this where Kristen's.
Speaker 1 (21:10):
Character starts to like pretend to eat I guess the
other characters dick anyway, we we were young and classic comedy.
It's a good it was a good bit though. It
was a good fit. It was very funny. But and
then halfway through, five minutes into a thirty minute show,
the woman who is like I think the president, like
the head person who's closest to where we're performing, oh
(21:34):
god at normal volume, just goes, oh no, this is horrible,
like she was. She was just expressing the things she
realized in that moment.
Speaker 3 (21:48):
Yep.
Speaker 1 (21:49):
And then we just had to then continue to perform
for twenty five more minutes after that moment, and it
was the whole like once the president said this is horrible,
then it's like, no one's gonna laugh.
Speaker 3 (22:02):
Do you know what?
Speaker 2 (22:02):
I also, were they drinking? Were they like it? Or
were they just standing? Were they seated? It's six pm?
They just came from fucking work. Whoever plans these things?
And it's like performers take it because the month, like
you said, much a paid gig and you have a
story later. But that I'm sweating you when you were
building up to this, I just started cause it's like,
oh my gosh, that tension.
Speaker 3 (22:23):
Yeah, oh this is horrible. She was.
Speaker 1 (22:28):
So it was so earnest. Do you know what I mean? Like,
she didn't mean to like insult us. She was just
like having a realization that it happened to be out loud.
Speaker 3 (22:39):
Yeah, there's club comedy.
Speaker 2 (22:40):
And then when you really the crew that we came
up with in New York was alt comedy, like alternative comedy.
A lot of people would always be like, what is that?
What does that mean? And what you just describe is
the difference. If one night they did at Caroline's in
Times Square, they did like an alt comedy night, kind
of like the Old Hot Tub or any of those shows,
and I watch the entire place empty out. I watched
(23:02):
everybody would watch act after act of Reggie Watts, Kristen,
all these people Leo Allen and family by family or
group by group, table by table did not understand what
they were looking at and left. And the only person
that killed that night was Chelsea Peretti because Chelsea could
play both types of rooms.
Speaker 3 (23:21):
So she just did stand up.
Speaker 2 (23:22):
Yeah, but it was like that is the definition of
if the average person does not only not understand.
Speaker 3 (23:29):
What you're doing and why it's funny, but.
Speaker 2 (23:31):
Hates it, but hates it, that's alternative comedy.
Speaker 1 (23:37):
Yeah, I love it.
Speaker 3 (23:39):
God, that's so funny. Man, Well we.
Speaker 1 (23:42):
Did it, Scott. It's another Minnesot in the books. Folks. Uh.
If you like the show, go rate and review it
on Apple Podcasts. It means a lot to us, And
thank you everybody who's sending your stories and we we
really appreciate it.
Speaker 3 (23:56):
We love it.
Speaker 2 (23:57):
Thank you Katylevin, our producer, think, thank you Lisa Maggot,
our intern and thank you to our benevolent overlords Karen
in Georgia. This has been a Bananas minnesode with Kurt
Brown or on Scottie Landis, but none na huz.
Speaker 3 (24:22):
This has been an exactly right production.
Speaker 1 (24:24):
Produced and engineered by Katie Levine.
Speaker 3 (24:26):
Theme music by Kahan.
Speaker 1 (24:28):
And all of our artwork is done by Travis Millard.
Speaker 2 (24:30):
You can follow us on Instagram at the Bananas Podcast,
where we post stories every day and things that we
don't cover on the podcast.
Speaker 1 (24:37):
Listen, subscribe, and please leave us a review on Apple podcast,
Stitcher or wherever you get your podcast.
Speaker 2 (24:43):
And if you're interested in advertising on Bananas, please email
us at thee Bananas Podcast at gmail dot com. That's
the Bananas Podcast at gmail dot com. But there as heads,
and put there
Us, would you it's your mysillion pieces, guys, gals and
(00:28):
non binary pals. Welcome to a minniesote of bananas. That's
Scottie Landis.
Speaker 2 (00:32):
That's Kurt brown Oller, just the funniest guy you could
ever meet. And these are your stories. Our minisodes on
Stitcher are your stories. We had our stories, but these
are all real and they're all funny. And thank you
to everybody's been sending them in. We got a an
avalanche of them after one of our last podcasts, so
thanks so much.
Speaker 1 (00:52):
Yeah, it was really great. It's also just fun to
read everybody's stories, you know, it's just like you just
get a little bit sometimes it's just like, this is
the weirdest little corner of the world that this person
is from. And I love that very cool.
Speaker 3 (01:07):
I do too.
Speaker 2 (01:08):
And unlike the main podcast, where normally stories just kind
of pop up because you know, Kurt and I don't
plan ahead, we don't tell each other each other's stories,
these are fun because we have a little time to think,
and it's fun to go what do I have in
common with this absolutely insane story? And it's kind of
nice to lay there for ten minutes and go down
memory lane.
Speaker 3 (01:26):
And be like, oh, yeah, that did happen to me? Yeah, wonderful.
Speaker 1 (01:31):
Well do you want to start Scottie?
Speaker 3 (01:33):
Sure I could start one off.
Speaker 2 (01:34):
We have one DM to the Bananas Podcast at Instagram
from Caitlin G.
Speaker 3 (01:41):
Phillips. Thank you very much.
Speaker 2 (01:43):
She is a she her and she has a gluten
free restaurant apparently, so that's a very good pro.
Speaker 1 (01:48):
Wheat my son would love to eat there, absolutely.
Speaker 2 (01:52):
Okay, what's up. My name's Caitlin. I'm twenty one, and
I have a story for you. My family and I
were on vacation in Mexico, and my sixteen year old
brother and I were sharing a pair of conjoining rooms
and my nineteen year old brother and my parents were
in the other set of rooms.
Speaker 1 (02:07):
So it swore was just like I thought they'd be
sharing a adjoining set of pants for some pair anyway,
all right.
Speaker 2 (02:15):
When in Mexico, anything goes, anything goes. So nineteen year
old brother and parents were in the other set of rooms.
We went to bed around ten, but because I have insomnia,
I was still up around one am when I heard
a noise and got up to investigate. I followed the
noise into my little brother's room, and see a shirtless
man standing beside my brother's bed staring out the window.
(02:39):
Creepy right, not good? No, you don't like people where
they're not supposed to be.
Speaker 1 (02:43):
It's terrifying.
Speaker 2 (02:45):
It took me a moment to realize it was definitely
not either my brothers, but just some random kid in
his twenties. I stared at him for probably a full
minute in silence, literally just thinking what the fuck?
Speaker 3 (02:57):
He was about three feet away from my sleeping brother.
Speaker 2 (03:00):
And I start talking to him, and I discovered that
this kid is clearly shitfaced. I should mention that I
was already president for a year, so have way too
much experience dealing with drunk people.
Speaker 3 (03:10):
I mean that is on the job training.
Speaker 1 (03:11):
And also but I mean, like, way to keep your
shit together? This is amazing.
Speaker 2 (03:17):
Yeah, very Caitlin is calm. A lot of people would
have screamed and run out of the room.
Speaker 1 (03:21):
Oh yeah, or just thrown a knife at him.
Speaker 2 (03:24):
Just pick up the closest knife and throw it at him.
Leave a knife on every hard surface and flat surface
in every hotel room.
Speaker 3 (03:30):
Is dead.
Speaker 1 (03:31):
It's my plan. That's why I travel with twelve dives.
Speaker 2 (03:35):
TSA be damned. I told him you were in the
wrong room, to which he replied, quote, what's with it?
That is such a good drunk thing to say.
Speaker 3 (03:49):
What's with it?
Speaker 1 (03:50):
I mean, like the like the sentence doesn't make sense.
It's not a response to the statement I love all
of it.
Speaker 3 (03:56):
What's with it?
Speaker 2 (03:57):
I asked his name, which he said was Kevin. Okay,
so we're getting somewhere. And then I asked his room number,
which he said eight two nine three six zero five.
You know those those hotels that have eight million, two
hundred and ninety three thousand rooms. Clearly not a room number,
Caitlin says. Eventually I got my brother to wake up
(04:20):
as Kevin was wandering around our room, going through my
brother's suitcase and grabbing my driver's license, and then he
made himself very comfortable on our couch in his wet swimsuit.
Speaker 3 (04:31):
I should add, oh man, oh no.
Speaker 2 (04:33):
At one point he turns to us and says, listen, guys,
I'm really fucking drunk, which to which we both reply, yes,
we know. We finally get him out of our room
and into the hall, but it's this open air hotel
with not so sturdy railings, and we did not want
to be tangentially responsible for mysterious death. Good sentence, cow Wow, Yeah,
(04:56):
that's good writing. Wherever your Sararti was has a good
English department. So we follow Kevin round until hotel security arrived.
During that time, Kevin stuck his hand in the closing
elevator doors and tried to run away from us by
pointing in the opposite direction he was walking, and then
called us quote, so fucking fake.
Speaker 3 (05:19):
I think that's my favorite line of the whole thing.
Just these guys are so fake.
Speaker 1 (05:24):
It's just he's just having blind reactions, like not understanding
a damn thing. It's amazing what alcohol does to the brain.
It's so crazy, it is.
Speaker 3 (05:33):
He's like a goldfish.
Speaker 2 (05:34):
He's just like turning and the world is new, and
they turn to other way and the world is new.
But I love pointing in the other direction and then running.
It just doesn't work. So I managed to snap a
few pictures of him in the hallway. We won't be
posting these, Caitlin, just because it's some guy and we're
not gonna do that. But she sent the pictures and
he's a shirtless guy in swimsuit, very drunk, kind of
(05:54):
posing for some of them.
Speaker 3 (05:56):
But also summer him just murrying away, just herring down
the hall.
Speaker 2 (06:00):
So eventually security arrived and we didn't know what happened
to Kevin.
Speaker 3 (06:06):
After that, we all go back to our rooms. A
few days later.
Speaker 1 (06:09):
Oh god, I can't believe there's an epilogue. I cannot.
Speaker 2 (06:13):
A few days later, my family was heading out to dinner,
and on the way to the elevator, I spotted a
familiar face.
Speaker 3 (06:19):
Wow.
Speaker 2 (06:21):
Not super concerned for Kevin's dignity at this point, I
grabbed my brother's arm and pointed at him and yelled,
oh my god, that's him. Kevin briefly turned, looked at
us and said, yeah, I'm sorry about that, and then
just walked away. Here he is lovely, in shitfaced the
Kevin himself so happy.
Speaker 3 (06:40):
Liked it. Huge fan of the podcast, Caitlin.
Speaker 1 (06:42):
Oh Kevin, Kevin. Kevin, Kevin.
Speaker 3 (06:46):
Kevin was on vacation.
Speaker 1 (06:47):
He really was. In many ways. He was on vacation
from his mind.
Speaker 2 (06:52):
Yeah, I know, And it's fun, Like it's fun to
test those boundaries and stuff when you're young. And then
there's also a part where you're like, I wonder how
much stuff that got missed out on either being blackout
or so violently hungover over the next couple of days.
Speaker 3 (07:04):
That's just a lay by the pool type of vacation.
M hm oh man, pretty good.
Speaker 2 (07:10):
I was in Brooklyn one night and there were two
guys there who were in their late twenties early thirties
who had never consumed alcohol before.
Speaker 1 (07:18):
What how did like how did?
Speaker 3 (07:20):
They were straight edge?
Speaker 2 (07:21):
They were friends of friends, right, and they were like
this guy just started drinking beer last week.
Speaker 4 (07:26):
Wow, And we were like, no, cool, never gonna go well, oh,
I know, and in like late twenties thirties, it's just
that thing where the floodgates open and everybody gets to
witness a hurricane.
Speaker 1 (07:37):
And also, yeah, because also in Brooklyn at the time,
if you're like, if you're thirty, everyone's been drinking heavily
for ten years. Yeah, at least, you know, maybe twelve years.
So if you're trying to keep up with just people
you see around you, it's not going to go.
Speaker 3 (07:53):
Well.
Speaker 2 (07:54):
That is the perfect segue to this story, because that's
exactly what happened. So I brought our my friend Rusty,
who we waited tables together in Pensacola. Our restaurant sold
more Rumpelman's, which for those who don't know, it's one
hundred proof peppermint liqueur. I think it used to be
made in Germany. I think now it's made somewhere in
the States. But it's it's one hundred proof. You can
(08:16):
fifty percent alcohol.
Speaker 1 (08:17):
You can blow fire with it.
Speaker 2 (08:19):
Yes, it is a true butt kicker. It tastes great,
makes your breastmel good, but it is not for the
feint of liver. So I this guy sits down next
to me and all my friends are sitting in a
circle and like very uncomfortable old Brooklyn outdoor chairs in
this little backyard area, and there's about eight of us,
and he's like, yeah, it's true. Like just started drinking.
(08:41):
It's pretty fun so far. Like I threw up the
other night and like okay, and I was like, well,
you really want to try something? You got a dog
bowl rumpel And he's like, what's that. I was like, oh, watch.
So we go in the house and we get a
metal bowl and fill it with ice and then pour
the entire bottle of Rumpleman's in it, so like a
big salad bowl. And then I come out and I'm like,
this is dog bowling rumple, and so I sip it
(09:02):
and then I pass it. And then all my friends,
thank god, was Bryce and Doyle and Rusty, all these
friends that I old buddies. They just jump on board
instantly and they're like, are you dog bawling that rump
you complete?
Speaker 1 (09:13):
You made up dog bowling rumple.
Speaker 3 (09:15):
Yeah, I just made it up on the fly.
Speaker 1 (09:20):
Because there are because there are like fish bowls you
can get fish balls, and like, I love dog bowling rumbull.
Speaker 2 (09:26):
Okay, well it wasn't cold when we got the bottle,
so I knew, and it's not good warm, so it's
like I gotta put it on ice. And then so
I was like, well, let's just jump two steps. So
there were a couple ladies with us that were just
like wine drinkers, and they were like, no thanks, smoking cigarette,
being tragically hipped, didn't want in. And then the whole
party starts gathering around as these eight chairs of people,
including the Sky who's never had drinks before. And then
(09:47):
two of my friends who are sort of lightweights, are
We're just going, hey, Kurt, dog bowl that rumpele. And
then you take a big sip of it and you
pass it on almost like in church or something.
Speaker 1 (09:57):
Oh my god, the pre quarantine days were amazing. You
could doug bowls and rumple at a party not worry
at all.
Speaker 2 (10:03):
So we passed this bowl and then all the tragically
hip kids get in because we're having more fun. And
that's the real takeaway is if you're having the most fun,
even the kids that are too.
Speaker 3 (10:13):
Cool for school, we'll get on board. And at some
point this kid is he takes over.
Speaker 2 (10:19):
He becomes like the master of ceremonies, where he's pointing
at people and yelling.
Speaker 3 (10:23):
You dog bowl that rumble.
Speaker 1 (10:28):
See.
Speaker 2 (10:29):
And then as the ball keeps going around, everybody's doing
half a shot or you know SHOT's worth or whatever.
My girlfriend at the time wasn't a huge drinker. She's
annihilated next to me. The girls that were smoking drinking
wine are now like wearing each other's clothes and sunglasses
like crooked.
Speaker 3 (10:43):
It was an absolute like freak show.
Speaker 2 (10:46):
And so we finally finish it, and I noticed that
in the circle, one person that was there was our
friend Kirby, who doesn't drink at all. To completely Soaperhead
witnessed the entire thing of us dog bowling two of
the guys. We carried him and put them in bed
and made them spoon each other, fully clothed and everything.
But they were so drunk on Rumpelman's we were like,
let's put these two to bed on their sides, and
(11:08):
then they look so cute. We just laid them together.
And then I moved to la and as a housewarming gift,
I get a box in the mail, like two months
after I move here, probably a year after we were
all dog bowling. Rumple and Kirby had sent me a
custom metal dog bowl that's just dog ball that Rumple
on us.
Speaker 1 (11:26):
Are you kidding me?
Speaker 3 (11:28):
Yeah? Oh my god.
Speaker 2 (11:30):
I keep it on my deck and like every once
in a while when I throw like big Halloween parties
and stuff, I'll fill it up and we'll start dog
bowling Rumple. But guys, if you're vaccinating and you're with
your friends, dog bowl that Rumple. But be careful, don't drive,
don't drive whatever you do so so much.
Speaker 1 (11:48):
Oh, I can't wait until you have a party again.
We've talked about we've talked about the pants party right then.
Speaker 2 (11:54):
We talked about the pants cutting party we did. Yeah,
I think other people are going to start taking that
up and maybe as I'll do a pants cutter.
Speaker 1 (12:01):
Oh, that would be amazing. All right, you ready for one.
Speaker 3 (12:05):
I love when you tell me banana stories.
Speaker 1 (12:08):
Here we go. This is emailed to the Bananas Podcast
at gmail dot com.
Speaker 3 (12:14):
I love that. I love that Gmail.
Speaker 1 (12:16):
Oh it's a great one here. Sentence by Terry Stone.
Terry says this, Hey guys, this is one of my
favorite personal stories and I thought it'd be perfect for
a minisode. In high school, it was part of a
clown troop. I'm already, I'm already, yeah, yeah, okay, good start.
My clown name was Daisy May and her character was
a total country bumpkin. Sounds perfect.
Speaker 3 (12:38):
Love that.
Speaker 1 (12:38):
We would perform shows for area elementary schools pre K
and even nursing homes. My friend April clown name Goldie.
I am excited that we're getting clown names.
Speaker 3 (12:48):
Yeah. I could just hear clown names.
Speaker 1 (12:50):
Yeah. And I would also do kids' birthday parties on
the side for a bit of extra cash. So we
got hired to do a birthday party for a little
girl about four or five years old. Party was in
the first floor of a church and he entered at
ground level through a side door. We drove up to
the church, two sixteen year olds already in full clown gear,
and make our way inside for the party of ten
(13:11):
or so kids with their parents.
Speaker 3 (13:13):
Okay, what could go wrong?
Speaker 1 (13:15):
I love a party for a four year old in
a church.
Speaker 3 (13:19):
Oh boy.
Speaker 1 (13:20):
As soon as we stepped inside, the birthday girl took
one look at us and began hysterically crying, the type
of understandable crying where she couldn't even cretch her breath.
She cried so hard that she threw up onto her
father's lap as he held his hands out in a
feeble attempt to catch the vomit. Meanwhile, April and I
(13:41):
are standing there, trying not to look as freaked out
as we are, as I whispered to her, what the
fuck do we do now? Nowhere was this covered in
our clown training. The birthday girl had to be removed
from the party while we performed our skits. As we
were winding things down, she had recovered enough to be
brought back into the room, but still would not come
with you fifteen feet of us. So somewhere out there,
(14:06):
as an adult woman with a crippling fear of clowns,
and I get to take credit for that. Hot tip
for parents, before you hire a clown for your child's birthday,
make sure the kid is not deathly afraid of them.
Hope you enjoy the story. I love the podcast. Wish
you continue success.
Speaker 3 (14:21):
Ps.
Speaker 1 (14:21):
I've included a pick of our Little Crown clown troop.
I love that and it is they are They're like,
they're fifteen years old and they're dressed as clowns. They
are adorable. The idea that these adorable children would be
making other children vomit is very funny.
Speaker 2 (14:36):
Yeah, yes, And the only scary thing about clowns the
older you get, like a fifteen year old clown. Great
college as clowns, Oh exactly. Young clowns were all for
young clowns. It's a great Halloween costume. It's very fun,
it's festive. The scary thing about clowns are the people
over twenty five that are clowns. That's when you start
(14:57):
going if you're non cerctsole or a paid performer regularly,
what are you so into?
Speaker 3 (15:04):
But also.
Speaker 2 (15:07):
Do what you got to do in this world if
that's what makes you happy. We're not We're not saying
don't do it. We're just saying, that's why it's scared.
Speaker 1 (15:13):
We're not clown shaming. We're not clown shame.
Speaker 3 (15:16):
You want to be were never We're down with that.
Life is silly be a clown.
Speaker 1 (15:21):
But realize that some children might be.
Speaker 3 (15:24):
Scared, and many adults even.
Speaker 2 (15:28):
But we love Natalie Palomides, We we love Courtney Perozzo, we.
Speaker 1 (15:32):
Love the modern clowns.
Speaker 3 (15:33):
We love modern clowns. We love red bastards.
Speaker 1 (15:36):
Oh yeah, now, but.
Speaker 2 (15:37):
But younger clowns are better, is what we're saying. We
like younger clowns more.
Speaker 3 (15:47):
So.
Speaker 1 (15:48):
I remember, what I'm fascinated by this story is that,
like it's the it's it's fascinating as a performer, how
much work the theater or the performance space does for
you as a performer. Because what I'm amazed at is
these these fifteen year old girls being able to like
(16:10):
still have still perform after like walking into a ten
person child birthday party and the birthday girl vomits, and
they still got to do their fifteen minutes of sketches
or whatever.
Speaker 3 (16:23):
That's so true.
Speaker 1 (16:24):
And it's so because I've done a lot of private gigs,
you know, as a stand up and especially even during
the Great Choir. Like starting doing stand up where you're
just staring at a computer was just like it just
it like broke your soul. Yeah, it was emotionally draining.
It was not fun, and you realize like how much
(16:46):
work the theater or the or the club does in
like just establishing like this is I'm a performer and
you are an audience, and that's our roles for this
next hour, and let's like do that right now. But
when it's just in a random space, the uncomfortability and
the strangeness of the artifice of performance is like put
(17:08):
on display, you know. It's just like all of the
weird stuff that is not existent when you're in the
right environment is like like why are you yelling at us?
Like we're just like we're just right here.
Speaker 3 (17:23):
Is it weird for you?
Speaker 2 (17:25):
You've done millions of stand up shows and this is
something I think about a lot, especially when I see
people do it. Is it weird for you when you
have to do stand up without a microphone?
Speaker 1 (17:34):
Yeah? It used to be it really. I still do
like a mic. I do enjoy a mic. Yeah, And
it might just be honestly, a a clutch, not a clutch.
Speaker 2 (17:47):
A crutch, Yes, a crutch. Well, oh you're clutching it
pretty hard, but I know what you mean. Yeah, yeah,
but that's yeah, it might just be right, asked Nikki
Glazer one time. I was like, how do you know
if a comic's a good comic? Like, how do you
know if somebody is going to be good?
Speaker 3 (18:00):
Huh?
Speaker 2 (18:00):
She goes, if when they come on stage and take
the mic out the stand, if they put the mic
stand behind them instead of just standing directly next to it.
So for all our little aspiring but animal comics out there,
move that mic stand behind you. But yeah, whenever I
see comics without MIC's, they're the materials the same, but
they're like, you know, sometimes like a backyard show or something.
Speaker 1 (18:19):
It always feels weird for me. M yeah, look at that.
You're hearing my dog bark because I'm never inside. I'm
inside for this one. There's Zelda, Zelda, stop stop barking?
All right?
Speaker 3 (18:30):
Here we go, here go.
Speaker 1 (18:33):
Kristin, Sean and I early early in our career, yes,
we had you know, we had a double act, Kristin
and Kurt or Kurt and Christen. I can't remember which
it was called Kurt and Kristen and Zelda please honey.
Speaker 3 (18:47):
Zelda, please not now, foof Fee. You're all right, You're okay.
Speaker 2 (18:51):
It's like literally a serial killer's outside and you're like
stop it please.
Speaker 1 (18:56):
So we get hired to do a corporate gig, and
this is our first like corporate private gig set up
by like a person who was like a producer in
the alt comedy scene. Knew what we did and who
we were and didn't give us any like guidelines or like,
you know, keep it clean or whatever like that. Yeah,
(19:17):
and we're like, okay, cool. We show up and and
it was like money. It was like the first like
it was good money for like what a feeling thirty
minutes show. We arrive and it's in an office building
and we're like, oh, is there a theater in this
office building? And we're like, take the elevator up and
we get up to like the twelfth or thirteenth floor
(19:37):
and walk in and then it's just in a conference
room and I and and but the conference room on
one side has oh it just has like a step up,
do you know.
Speaker 3 (19:47):
What I mean?
Speaker 1 (19:50):
So technically they're like, well, this is our theater room.
And so then it's a long, oblong table in the middle,
and then in comes the audience. It is just twelve
like like vice presidents of this company.
Speaker 3 (20:07):
Why why do they do this? Why do people plan
this in corporation?
Speaker 1 (20:13):
It's help, It's hell, it's hell for everyone involved. Yes,
it's never gonna be like if you're planning a private
comedy gig, you have to create a theater, but you
have to have a stage and lights and microphone and
seats so that we just signify what's happening here, because
(20:33):
otherwise it's just one human being being crazy in front
of other human beings.
Speaker 3 (20:36):
Yes.
Speaker 1 (20:37):
God, So then we're like all right, here we go,
and we launch into our first sketch, you know. And
the way we was like presentational where we would like
talk to the audience and then like kind of go
into a world and then come back out and talk
to the audience again. We start doing our first sketch
(20:57):
and about midway through, yes, our first catch, our first
catch is pretty dirty. It definitely like there's like phone
sex involved with historical characters.
Speaker 3 (21:08):
Yes, I remember this where Kristen's.
Speaker 1 (21:10):
Character starts to like pretend to eat I guess the
other characters dick anyway, we we were young and classic comedy.
It's a good it was a good bit though. It
was a good fit. It was very funny. But and
then halfway through, five minutes into a thirty minute show,
the woman who is like I think the president, like
the head person who's closest to where we're performing, oh
(21:34):
god at normal volume, just goes, oh no, this is horrible,
like she was. She was just expressing the things she
realized in that moment.
Speaker 3 (21:48):
Yep.
Speaker 1 (21:49):
And then we just had to then continue to perform
for twenty five more minutes after that moment, and it
was the whole like once the president said this is horrible,
then it's like, no one's gonna laugh.
Speaker 3 (22:02):
Do you know what?
Speaker 2 (22:02):
I also, were they drinking? Were they like it? Or
were they just standing? Were they seated? It's six pm?
They just came from fucking work. Whoever plans these things?
And it's like performers take it because the month, like
you said, much a paid gig and you have a
story later. But that I'm sweating you when you were
building up to this, I just started cause it's like,
oh my gosh, that tension.
Speaker 3 (22:23):
Yeah, oh this is horrible. She was.
Speaker 1 (22:28):
So it was so earnest. Do you know what I mean? Like,
she didn't mean to like insult us. She was just
like having a realization that it happened to be out loud.
Speaker 3 (22:39):
Yeah, there's club comedy.
Speaker 2 (22:40):
And then when you really the crew that we came
up with in New York was alt comedy, like alternative comedy.
A lot of people would always be like, what is that?
What does that mean? And what you just describe is
the difference. If one night they did at Caroline's in
Times Square, they did like an alt comedy night, kind
of like the Old Hot Tub or any of those shows,
and I watch the entire place empty out. I watched
(23:02):
everybody would watch act after act of Reggie Watts, Kristen,
all these people Leo Allen and family by family or
group by group, table by table did not understand what
they were looking at and left. And the only person
that killed that night was Chelsea Peretti because Chelsea could
play both types of rooms.
Speaker 3 (23:21):
So she just did stand up.
Speaker 2 (23:22):
Yeah, but it was like that is the definition of
if the average person does not only not understand.
Speaker 3 (23:29):
What you're doing and why it's funny, but.
Speaker 2 (23:31):
Hates it, but hates it, that's alternative comedy.
Speaker 1 (23:37):
Yeah, I love it.
Speaker 3 (23:39):
God, that's so funny. Man, Well we.
Speaker 1 (23:42):
Did it, Scott. It's another Minnesot in the books. Folks. Uh.
If you like the show, go rate and review it
on Apple Podcasts. It means a lot to us, And
thank you everybody who's sending your stories and we we
really appreciate it.
Speaker 3 (23:56):
We love it.
Speaker 2 (23:57):
Thank you Katylevin, our producer, think, thank you Lisa Maggot,
our intern and thank you to our benevolent overlords Karen
in Georgia. This has been a Bananas minnesode with Kurt
Brown or on Scottie Landis, but none na huz.
Speaker 3 (24:22):
This has been an exactly right production.
Speaker 1 (24:24):
Produced and engineered by Katie Levine.
Speaker 3 (24:26):
Theme music by Kahan.
Speaker 1 (24:28):
And all of our artwork is done by Travis Millard.
Speaker 2 (24:30):
You can follow us on Instagram at the Bananas Podcast,
where we post stories every day and things that we
don't cover on the podcast.
Speaker 1 (24:37):
Listen, subscribe, and please leave us a review on Apple podcast,
Stitcher or wherever you get your podcast.
Speaker 2 (24:43):
And if you're interested in advertising on Bananas, please email
us at thee Bananas Podcast at gmail dot com. That's
the Bananas Podcast at gmail dot com. But there as heads,
and put there
Host
Scotty Landes
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