Deardless, Bickless Me

Harley and Bill have their first Easter and Kevin’s in the Jay Ward. PLUS: Kevin’s still touring, dogmamovie.com!

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Episode Transcript

Speaker 1 (00:23):
Welcome by to deardless, deardless, bickless me.

Speaker 2 (00:32):
You have one job.

Speaker 1 (00:33):
I know I sucked it up. I'm Kevin Smith and
I'm Harley Quinn Smith three four. Wherever we go, whatever
we do, we're gonna go through it to gether what's happening.
I don't know that song. No, the generation skip that. No,
it's like a TV staple when I was kids. I'm

(00:53):
not gonna say the Brady sang it, but a lot
of a lot of like family shows. Eventually they would
do that in some sort of pageant or something like that,
or not just or a couple because like it's a
two hander. Ok, wherever I go, I know she goes.

(01:14):
Wherever I go, I know he goes. Or you can
you know, throw on any product they go, she goes,
Lucky goes. My proposition to you is when you go
out on tour with Cinnamon, midway through the show, you
bring me out. We do that two hander, a little

(01:35):
soft shoe routine. No, no, really complex dance, but just
something that people would be like, oh, well, something a
little I'm not trying to win TikTok per se.

Speaker 2 (01:47):
But but something impressive.

Speaker 1 (01:49):
Yeah, and we'll keep it basic because you're not coordinated
and I'm not either, so yeah, but like they're like, look,
they're trying to they're trying. It'll be like you know,
you know, did you ever see Stop Making Sense to
Talking Heads movie? So you know, how okay, it's doing
it again. I'm not seeing any Hello, Hello, Hello, Hey,

(02:13):
you're talking to yours? What the Why can I see
any volume? There? You go? All right? Yeah? I think
Will Wilkins is coming in here and turning turn it down,
turn down a bit. Maybe I wasn't close enough to
the mic, but Wilkins, like I'm looking at the video,

(02:33):
You're not close enough to the mic. We need those
fucking microphones that they got they got See I see
yours is pointed at the bottom of your mouth. Talk
Hi there?

Speaker 2 (02:46):
Hello?

Speaker 1 (02:47):
Why hello? Still here? Fuck? Man? Why can't I just
comes chat on one? I gotta do everything. I went
to do an interview on the Woody Show. What what
what's the do you listen to the radio? I don't alternative?

(03:07):
What's all ninety eight? So that's what they're uh, but
it's the all yeah and uh. While he's interviewing, it's
cutting and uploading like at the same time, and I
was like, are things that bad in radio that you

(03:28):
got to do everything and ship? But his thing is
like he's like, you know how you do like multiple
jobs on the movie. He's like, why do you do that?
Because I, you know, I just I like to I like,
those are the things I like doing exact same. It's
like I could have somebody else do this, but.

Speaker 2 (03:44):
That's nice he does it.

Speaker 1 (03:46):
Yes, he's multitasking. That's my point because I'm multitasking as well. Impressive, right,
you impressed me? Thank you? We are You know, the
past is the present and the president is the past.
In the future, in the future is the present. Presiant.

(04:06):
We are on Easter Sunday in real time, but you
guys are listening to this the first Easter with your
new bunny. What did you get up and wake him up?

Speaker 2 (04:22):
And I was like, it's Easter?

Speaker 1 (04:25):
What's Easter? What does one do for a bunny on Easter?
Normally the bunny does for us.

Speaker 2 (04:30):
It's so true, but I believe you flips should be
about celebrating rabbits and catering to them.

Speaker 1 (04:38):
So the one day that the bunny is supposed to work,
you're like, take a load of take a load off.

Speaker 2 (04:47):
What so hyper over built today. I've been hyper all
day because it's Buele's day.

Speaker 1 (04:53):
Has he seemed to have noticed a difference? Is he like,
I'm feeling it is my day finally I'm being treated
the Did you get him a basket?

Speaker 2 (05:01):
I got them some carrots, chocolate carrots. That was a
long pause.

Speaker 1 (05:09):
I'm judging it. I'm like, well, how well they know
it's Easter for him? It might just be like, oh,
it's a day with a wire in it because I'm
getting carrots. That is.

Speaker 2 (05:17):
You remember when Nana made cinnamon a whole bunny cake
made out.

Speaker 1 (05:22):
Of still in my Instagram if you scroll away the
fuck down? Yes that was Sinnmon came over and was
like eating the the bunny cake made of vegetables.

Speaker 2 (05:31):
That is the sweetest thing in the world.

Speaker 1 (05:33):
I'm super sweet.

Speaker 2 (05:34):
Hey, where's where's bules vegetable cake?

Speaker 1 (05:37):
Yes, Nana, where's Nana taking care Pole? Yeah? Pa had
a bad back week, man, like a tremendously bad back week.
Because PA's a pretty strong individual, but man, it took
him down. So him and Nana were supposed to be
coming to since it is Easter Sunday in our real time,

(05:58):
but the past for you, because the past is the president,
and the president the past. We uh, they were going
to be coming to the Dogma premiere premiere tonight. Dogmataur
is happening right now as you're listening to the show.
Tickets at dogmamovie dot com. Uh, and Dogma is coming

(06:19):
out on screens everywhere June six. But where I am
on four twenty, the Dogmator is just about to begin.
How exciting it is, like less than an two less
than two hours until my departure time.

Speaker 2 (06:34):
We're really cutting it close with.

Speaker 1 (06:35):
Recording, we really are. I think that was the point
I was trying to make, because the kid was like,
do you I record today? I was like, well, I
mean I don't want to say no, but okay, yeah,
come over. But yeah, it's a it's going to be
a race against time. But honestly, I prefer that to
having a lot of time to sit around and overthink

(06:56):
or something like that, or you and wind up getting
in a fight with your mom and then like no
thing to avoid that night's ruined. No, just the idea
of like well why not this, you know, like this
is fun for me and also takes my mind off
of what I gotta do. I got to keep it

(07:18):
in perspective tonight. Once again, I never just do one thing,
so I should have just been like, Hey, I'm having
these screenings and then we're doing the Q and A's,
just like I am at every other stop, but this
is the one. We're all agreed, Oh, we'll shoot this
and then include it on the June fifth release. So
we're shooting the Q and as tonight and I'm like,

(07:41):
oh man, and it's too late to do anything about it,
and of course we need it anyway for June fifth,
But you know, in retrospect, it's like, we are going
to be in Burbank at the end of the tour,
and you know it means I'll get another bite at
the Apple. Who knows what Tonight's two Q and a's
are going to be like, right, me doing it for
the first fucking time time we got to those Burbank

(08:01):
shows at the end of the tour, I'd had a
you know, fucking patter down and shit like that. So
you know, I'll put that in the back I'll put
that in my back pocket, the idea that I can
get a second bite at the Apple at the Burbank
last stop of the Dogma the Resurrection tour isn't Burbank
like May thirtieth or something like that. So all right, yeah,

(08:24):
there's that.

Speaker 2 (08:24):
It takes some pressure off.

Speaker 1 (08:26):
It takes a little bit of pressure off and stuff.
Not that it's pressure to stand up there and be
me and talk about the movie. But I'll be honest
with you, I'm feeling a little pudgy and the idea
of going on camera feeling like a little pudgies like,
oh man, fuck fantastic, You're very sweet. But I saw
some footage of me last night from the event we had,

(08:46):
which again, the past is the present present in this
past on April nineteenth, last night, So I don't know
when this is happening. Three weeks, four weeks from now,
four weeks from now would be who even those May
ish May fifteenthish, maybe we did this. Vannington Galleries had

(09:11):
this jay Ward Tribute to Jay Ward event at the
Vannington Galleries in Studio City, and uh, I was on
the panel with a bunch of other cats and it
was fucking dope. The room was packed. I had no idea.
Man Like, normally I'm dialed into ticket sales on things

(09:32):
I'm involved with, but like this, I kept feeding into
my socials, and I knew there was a streaming component,
Like you didn't have to be there to watch it,
you could watch it online as well. So it's like, oh, yeah,
fucking twenty people show up, that's enough of an audience
or something. Place fucking packed, like one hundred and fifty
fucking people all sitting around and we watched cartoons together.
Do you know how many people?

Speaker 2 (09:51):
That's pretty fire fire.

Speaker 1 (09:54):
I've never watched Rocky and Bullwingle with like more than
maybe one other person. Most of the I'm by myself
watching it with like that many people and hearing what
people thought was funny. Because we watched the first episode
of jet Fuel, it's called the first Chapter. It was
just fucking great, Like it was so validated. I was

(10:14):
that shit is funny, isn't it? Fuck yeah, fuck yeah,
that's very cute. So the event went very well. Jay Ward,
the guy who made all the cartoons that I love,
His daughter, Tiffany Ward, was there, and I thought about
you at one point because I was like, she here,
she is like getting up one more time to like

(10:35):
tell stories about her dad, like, and I was like,
there's a high bar Yeah, Tiffany Ward Man, she's out
there fucking he's been gone. Jay Ward's been gone since
what was it, nineteen ninety five. I think they said

(10:56):
yeah because he didn't get to see the Rocking and
ball in com movie so many many thirty years. She's
still out there going like, let me tell you a
fucking funny story about my own man. So I gotta four,
this is all done. I gotta give you like ten
Zingers Kevin's fist stories that you can tell in my absence.

Speaker 2 (11:14):
I hate to think about that.

Speaker 1 (11:19):
One day. Jay Ward's last, long, long time. Jay Ward
made some of the funniest, happiest cartoons in the world.

Speaker 2 (11:25):
But yes, I mean in fifty five years from now,
when you'll be sitting on a panel around going like, you.

Speaker 3 (11:35):
Know, like him and Jay well they were like their
characters in real life.

Speaker 1 (11:40):
I don't know, like ye better than that you can see.
I give you my permission to steal all my material.
I have to watch. She will, yeah, totally be like, well,
my father used to tell the story, and then you
just tell it like she told stories that her dad
told in the audience went nuts, really, and that's just
like telling a third party story, right.

Speaker 2 (11:59):
It's cool. That's like passing down stories.

Speaker 1 (12:02):
Just know that across your eras you will have one,
you will be expected to be like, what was he like?
And you'll be like, every time in my life, what
was he like?

Speaker 4 (12:14):
No?

Speaker 1 (12:14):
I think once I'm gone, you'll be like, oh, I'm
happy to talk about it. While he was here, it
was like.

Speaker 2 (12:19):
Yeah, well he's here, talk about me. But when you're.

Speaker 1 (12:23):
Gone, what do you like? That's weirder. I'd much rather
have somebody come up to me and be like, but
your dad like, rather than be.

Speaker 2 (12:30):
Like, what do you like?

Speaker 1 (12:35):
So scary?

Speaker 2 (12:37):
Oh my gosh remember last week?

Speaker 1 (12:41):
Yes, the look up all Ship. I saw it when
I was uploading it and I saw the back of
my teeth and I was like, my god, a fucking
full view in the camera. It's the back rid When? Uh? When?
When it was all done? Mike Vannitt knows Vanny and Gallers.

(13:02):
He opened up like place was packed. He opened up
right next to a pop up shop.

Speaker 2 (13:08):
Like in the buildings your dream come true.

Speaker 1 (13:10):
It was, I mean, honestly, bro like, I was trying
to get out of there because it was already like
a two hour event and stuff, and I wasn't trying
to get trapped, you know, into long conversations and signed
and stuff like I've done my bit for King and
Country or moose and squirrel in this instance. So it
was time to go. But there were people outside like
looking to get signatures who didn't even go to the event,

(13:30):
just like the autograph folks and stuff. And then they
were like, I sit here, take my key, you can
move the car to the front. I'll go out the
front door. And in the travel to the front door
like shook hands, hey man took pictures and shit, which

(13:51):
really allows the folks from back to make it all
the way to the front. So like the plan is
fucking ruined. But as I'm just about to get out
the door, Mike's like, you gotta come back to the store,
like after this is all done. And I looked to
my right and it's like literally a Dudley do Rte symporium,

(14:12):
you know, reincarnate it is you're talking about, like merchandise untouched.

Speaker 2 (14:18):
I'm jealous. I want this for my fandoms.

Speaker 1 (14:22):
It would be like you know, an MCR pop up,
Oh my god. And Gerard, you know the ways Jordan
Lindsay were like whenever they make a thing, we always
get a box of it. So here it is. So
it's all from twenty years of MCR ephemera mint condition
T shirts. From every fucking stop of the door. They

(14:44):
had so many fucking T shirts, so many pieces of clothing,
the tags on them and shit like that. It was
like the greatest fucking yard sale of all time.

Speaker 2 (14:51):
But it sounds like a dream.

Speaker 1 (14:52):
I had to go. I had to keep moving, so
I got I went outside. I wound up running into
all the autographic folks, took pictures, signed everything, gotten a
are and then left. So I'm driving up Laurel and
I'm like, what are you doing if you don't go?
Like how many chances you get to go shop? Like Brandon?

(15:12):
Like these these are things that I'd be buying on
eBay and overpaying for because it's like I don't see
this anywhere and shit. So I was like, I'm gonna
turn around.

Speaker 2 (15:20):
And go curated store for your obsession.

Speaker 1 (15:23):
Oh my, it would have been a fucking criminal for
me to not at least go in. Oh yeah, I wouldn't.
I spent a lot of money. Oh my god. I
was just like, give me one of the ease and
three of these and four e's and faves and movestans
quirely square.

Speaker 2 (15:38):
Oh it looks like a once in a lifetime opportunity, truly.

Speaker 1 (15:42):
Absolutely, Oh my god, I was just like a gobsmack.
So I did spend all of your inheritance. No, I
did spend. And this is before the auction, like the
auction is come up. Let me tell you something. The
panel was so lovely because not only was it a
good time, there were people like, there's a David Silverman

(16:04):
who directed the Simpsons was up there. Who else was
up there? The guy Darryl Van Sitters who wrote the
Rocking Bownkle book that I have in my office and stuff.
He also directed Box Office, Bunny amber Ward, Tiffany Ward,
whom the guy who was a moderate. And Mike was

(16:25):
up there as well. So there was a bunch of
people and they had a nice stage and shit packed audience.
But Mike had displayed all the artwork that's going to
be up for the auction up so you could look
at like you could just stare at it. Few and
most stare at any of us on the panel. You
could just look at the ship on the walls. So
I got to see the giant statue I want on display.

Speaker 2 (16:48):
You did?

Speaker 1 (16:48):
It was right, It's taller than everybody in the room.
And shit, Malcolm was like, send me a picture. I
forgot to take a picture with it, but I sent
him a picture I found somebody's like fucking Twitter and
he was like. Malcome's first reaction was like, oh my god,
Leonard Malton was there, What the fuck? Oh my god,
let's see.

Speaker 2 (17:10):
I'm honestly a little jealous of your experience. It was
was a curated store.

Speaker 1 (17:16):
Oh we're not done, dude. Now it's not my picture.

Speaker 2 (17:20):
But oh she's big.

Speaker 1 (17:22):
Yeah, well she's a hey, but yeah, look at that
kid's look at that.

Speaker 2 (17:25):
Giant but she the statue not.

Speaker 1 (17:27):
From when I thought it was. Though I thought it
was from like that Jay Ward made it in the
sixties or whatever. It was made in two thousand for
the Rocky and Bullwinkle movie. Doesn't matter. Still a fire
rendition of them. And how many fucking gigantic Bullwinkle idols
are they ever going to be selling in this world? True,
there's only one other, one better, bigger than that, and
is the one that you know belongs to the city

(17:48):
of Los Angeles now so I went back and back
and shot. But the whole event was such a good
time that when I went back, like I was talking
to Mike and like we hit on the same time.
Like I was like, man, we should do this fucking again.
And then when I saw Mike, he was like, would

(18:10):
you ever want to do this? I said, dude, I
was fucking way ahead of you. I was like, it
was great, we would. So we're building it, and it's
gonna be a thing that I'm gonna add like once
a month because there's pure joy to sit there and
watch cartoons with people. So what we're gonna do is
same thing. We'll bring up people like guests, because you know,
the dude runs an animation house, right, like a gallery

(18:31):
for animation. All the animators come. I met so many
fucking people last night. Like there's a dude who came
up to Miss Dude Eric and he was like, hey, man,
I'm the guy that designed you for the Simpsons. I
was like, you fucking want and he's like yeah, he's
gonna had to pick which error went with, and I
combined a bunch and.

Speaker 2 (18:46):
Oh my god, that's so cool.

Speaker 1 (18:47):
And so I was like, oh my god, and he's
this morning, he sent me a fucking text of a
picture he drew of because I sent him a picture
of the Matt Graning that's up in the in the
living room. Matt Craning did a Maggie sim that he
didn't even do for me, but he just did for
the San Diego Comic Con. Was ripping him out of
this giant pad and give them the people that ask
questions of the Q and A as the moderator. So

(19:08):
I was like, bro, can I get one of them?
Can I get that Maggie Because he's just after the
Q and A he still had him left over. So
I had a frame and it's fucking fantastic. You see
the pencils, you see, and they went over it with
the big sharpionship. So I sent a picture to my man,
and my man this morning sent me a fucking drawing
of me and the Simpsons family with your mother. Really, yes,

(19:30):
can I see you? Yes, that's true. I could show
it to you and I was like, no, Bug, that's.

Speaker 5 (19:39):
Amazing, Oh my god, wait this is everything right? Wait
that looks like man, that's crazy, that's so sick.

Speaker 1 (19:55):
The only way I could have been more mom like
is if she was wearing pajamas literally, but.

Speaker 2 (20:00):
She's wearing a turtlenecks. Oh my god.

Speaker 1 (20:04):
So like he was, he was dope and he had
his kid with him and stuff, and that always reminds
me of like when I met Peter Marshall with my dad.
Let me tell you that story. I'm not kidding. I
know the story every episode. So his kid was there
for it was his kid was like, you know, his

(20:25):
kid was laid back, very cool, but he was like
his dad was like, he didn't find anything he wanted
because there was no super Chicken. I was getting a
super Chicken. He's like super Chicken. Steep cuts for the
jay Ward characters showed a lot of taste.

Speaker 2 (20:41):
Are you close with the van Eaton people?

Speaker 1 (20:43):
Yeah, Mike van Eaton is my boy.

Speaker 2 (20:45):
Could you make a suggestion?

Speaker 1 (20:47):
Yeah?

Speaker 4 (20:47):
Could you ask for a Scooby Doo curated selection? Yeah,
because that would be my dream come.

Speaker 1 (20:56):
True and done. I feel like they're asking be like, well,
I mean, we need somebody to be like, here's a
garage full of shit. Yeah, but they do shows. There
are a hand of Barbarer pieces in this coming show.

Speaker 2 (21:10):
Really.

Speaker 1 (21:11):
Yeah, I don't remember Scooby, but there's an in this show.
It's a bunch of pieces and it's like May fourth
and fifth, the Bullwinkle stuff, the jay Ward stuff is
on the second day. First day has a very very
hodgepodge of collectibles, including pee Wee's bike from pee Wee's
Big Adventures. God yeah, they made thirteen for the movie,

(21:33):
so this is one of the thirteen, crazy fucking nuts.
It was there on the floor. We were all like
gobstocks staring at it.

Speaker 2 (21:39):
Ship that's crazy.

Speaker 1 (21:41):
There's like original movie posters one sheets and stuff like that,
like can get a nice Jaws one sheet and stuff.
There was one a one sheet that I was like, Oh,
it was a race for your life, Charlie Brown. I
was thinking of that. But I'm like, you know what,
stay in your lane, stay in your lane. So many
things that you want. And I did wind up spending
a bunch of money at that pop up shop, more
than I imagined I would have. But it was honestly

(22:04):
a bunch of shit. I would have bought on eBay
anyway at a premium and shit. If I was smart,
I would have bought triples, took that shit to eBay
and then sold it. But I'll be honest with you,
I think I'm the only one who's buying the shit
on eBay. However, I saw a cell go up today
which I was like, oh, that's nice. Is Rocky and
his hat? I mean, bolinkle his hat and Rocky as

(22:24):
if he pulled him out of the hat. As a
two layer cell frame set up and it must have
been from a serial cell or something like that, but
I've never seen it before, and it was like fucking
fifty bucks. I was like, my god, of course I'm
gonna been on it. So I bid sixty and seventy
and look like this one and ten. I was what
the fuck? Two hundred? So I was like, oh, all right,

(22:48):
so that's where we're and then I moved on with
my day. The next time I was at my laptop,
I was like, oh, it was going on. I've been
out bid. Oh shit, sounds like, well, you know, I'm
not a gun slinger, but I know how to shoot.
Oh my god. So I said three oh five, and

(23:09):
with nine days to go, oh my god, enter, I
was like, right, man, refresh the page. My fucker instantly
one overman stuff, So I'm gonna let that one go.

Speaker 2 (23:24):
Yeah, I think I was. I was gonna say.

Speaker 1 (23:26):
It went from fifteen dollars to three or five time,
it's time to dip.

Speaker 2 (23:32):
Time has come down.

Speaker 1 (23:33):
I will be watching though, you know, for the next
nine days.

Speaker 2 (23:37):
I'll keep an eye visual onlooker.

Speaker 1 (23:39):
But it honestly, like, and I'm sure some people be like,
what that's too much for you, but like, yeah, it's weird,
like the lines one draws for oneself. Like if there
was no jay Ward auction coming up, I would pursue
that piece diligently. But it's like, you know, for ten

(24:00):
times that amount, there's a three thousand dollars piece up
for auction at the Jayward at the Venning Galleries Jayward Auction,
but it came directly from an episode. Like and since
yes screen used and since all that shit was done
down in Mexico, there are none. It's not like, you know,

(24:20):
there was a wealth of Warner Brothers cells because they
kept them in shit like that, so when they come along,
it's fucking rare. So there's in the auction, there's a
few cells. Now I'm not saying I'm gonna get this piece,
but there's one that they're listing it. They think it's
going to go for two to three grand, and it's
a literal cell setup, which with Rocky and Bullwinkle and
a fucking chicken on it, it's pretty awesome. But and

(24:42):
it shows age, like the cell itself is like crinkling
a little bit. So I, you know, since that is
a possibility, I ha a fuck around. Nope, anybay fucking
chump chain shit. You know what I'm saying. It's just
like I ain't got a fucking fuck with the pigeons
when I could fly with the fucking falcons and fuck

(25:04):
a hawk. So true there is I saw the pieces
that I definitely want. Of course, the giant bow Uncle statue,
which your mom is like, over my dead body, and
you're like, well, whatever it takes. What you're saying is
that you were the moose. She didn't say over my
dead body, but she was like, what if I don't
like it to my what if I don't want that

(25:25):
in my house? You were like, so you never have
to go in the room where it is, girl. But
there's this Captain Crunch map of the known world, which
is pretty fucking fire because it's nothing but jokes. It's
mostly text, but it was really fucking good, Like there
was one it was like eighteen fifty two Captain Horatio
Crunch discovers women.

Speaker 2 (25:50):
Oh, yes, it's that's important.

Speaker 1 (25:52):
I kind of dig it, So I will be paying
attention to that from the road. I'm not gonna be
here in town. But it was nice to see it
all fucking set up and ship and see some of
the pieces in the real world. That's very exciting, very exciting.
There is a piece that I thought about getting for you,
and then I was like, you know what she got.
She it would be out of place in your world
because it's not Disney and stuff, and jay Ward was

(26:13):
decidedly like the anti Disney. One of the cartoons we
watched was a Sleeping Beauty. It was a fractured fairy
tale that was based around for Sleeping Beauty, and the
prince looked like Walt Disney. So he gets into Sleeping
Beauty and he goes because he was like, well, wait
a second, this, you know, awake, she's just another princess,
but asleep she's a gold mine. He's like, I could

(26:34):
see it now, Sleeping beauty dolls, sleeping Beauty t shirts,
and of course Sleeping Beauty Land.

Speaker 2 (26:41):
Oh my god.

Speaker 1 (26:42):
So and then he's like uh, sets up stanchion and ship.
He's like, they sold tickets to this and he was
like X. He was using the old terminology. He's like,
A tickets only please, A tickets only? Why tickets only? Please?
Why tickets ticket was a big one, and he was like,
eat tickets. So he was getting his digs in.

Speaker 2 (27:02):
Oh my god, is that why it's called.

Speaker 1 (27:04):
That e ticket attraction? Yeah, was born. It's Disneyland terminology.
You would think that the top tier ticket would be
a right, but for whatever reason, when they opened Disneyland,
e ticket was the ticket that got you on to
the Space Mountain onto Haunted Mansion. So the term e

(27:25):
ticket attraction comes originated in disney World Disneyland.

Speaker 2 (27:29):
Sorry, that's wild. Oh my god. Here I thought I
knew everything.

Speaker 1 (27:35):
Every day is disney every Day's school.

Speaker 2 (27:37):
Oh my god.

Speaker 1 (27:39):
There is when they don't dedicated the Bowwinkle statue on
Sunset Boulevard nineteen fifty ninety sixty four whichever, you have
the Bowlinkle show on the air, so that was maybe
sixty one. Instead of doing hands and footprints in the cement,
the jay Ward folks did elbows and some because you

(28:00):
were too busy holding your glass and there's one for
Walt Disney. There's an elbow in his signature, and nobody's
sure whether it was a joke or whether they eventually
got him to show up and do it. WHOA, Yeah,
there's a bunch of cool things like at the at
the event last night. But I look forward to doing

(28:23):
the monthly Let's sit around and watch cartoons. Dude, it
was fucking fire like that that fractured verrto fucking destroyed
in that room, like like in a Chappelle kind of way,
like a modern comedian would do as well. And these
were the old jokes that were made in the fucking

(28:45):
sixties and shit like that. So it was it was cool.
It was a really cool thing. So I look, I
really look forward to that.

Speaker 2 (28:54):
Wow, that's I love that for you.

Speaker 1 (28:56):
Free event. Can't sell tickets for it because if you
put if you're showing somebody else's work, and it's like yeah,
so it'll just be a free thing and we'll stream
it so if you're not here, you can watch it
and ship, but you just can't show the cartoon parts.
But we're figuring it out now. Man, it's gonna be
fucking dope. But the thing is if you get it
going on a monthly basis. I think about this, that

(29:18):
place Anny and Galleries fucking swarming with artists from the
animated arts. So every event poster is going to be fire.

Speaker 2 (29:31):
That's so true.

Speaker 1 (29:33):
Fucking frameable, suitable for framing fire. And if I work
myself or my name into the event, well that means
that twelve times a year I'm gonna see a poster
with twelve of the greatest fucking current working animated artists
drawing me. That's and that's how you set yourself up. Yeah,
you gotta set yourself up for cascading joy.

Speaker 2 (29:55):
You really, you really look out for your future self.

Speaker 1 (29:59):
I do. I'm big Kevin Smith fans. I'm gonna go take.

Speaker 2 (30:02):
Care of him.

Speaker 1 (30:05):
And as we know, the path the president of the
future and the future is the president, so true. All right,
enough about the Jay Ward thing. I'm going to play
something for you and I want you to identify this.
You can't use an app like Shazam or something like that.
You just got to straight up listen and then fucking

(30:28):
identify it.

Speaker 2 (30:29):
Okay, Okay, hold on, let's see.

Speaker 1 (30:32):
Here we go. Okay, turn my volume way up.

Speaker 2 (30:37):
I'm scared.

Speaker 1 (30:40):
All right, this is a track from twenty eleven. You
up on your twenty eleven? Were you into let's see
you at twelve twelve? So? What music are you into
when you're twelve?

Speaker 2 (30:56):
My chemical romance?

Speaker 1 (30:57):
What movies are into?

Speaker 2 (31:00):
Super eight?

Speaker 1 (31:01):
Wow? All right, we got a picture of you. See
if you can identify this hot track, name this tune,
Hi Gatty.

Speaker 6 (31:18):
Charlie and as just kinde saking knight, I love you
and cosy a mile bye, Oh.

Speaker 7 (31:24):
Goodd This little Harley quid good that was recorded baby
on eight is sixteen eleven.

Speaker 1 (31:36):
Wait.

Speaker 2 (31:37):
I was twelve there.

Speaker 1 (31:38):
And then you called back, Oh.

Speaker 6 (31:41):
My god, Hi gatty Charlie and as just kinde saking night,
I love you and cosk you a mile.

Speaker 1 (31:50):
B Wait August nineteenth, twenty eleven.

Speaker 5 (31:56):
How was I simultaneously really into my him?

Speaker 1 (32:01):
That doesn't sound like any sort of emo kid? All
I know?

Speaker 2 (32:06):
I was so emo at that time.

Speaker 1 (32:08):
Let's jump ahead in time, shall we?

Speaker 8 (32:10):
Oh?

Speaker 2 (32:10):
No, I'm scared.

Speaker 1 (32:11):
Dial the way back machine to February ninth, twenty twelve.
I'm stressed, unable to transcribe this message.

Speaker 2 (32:21):
I'm stressed.

Speaker 1 (32:22):
Let's see what a young Harley had to say. It's
seventeen seconds of Harley, who's not quite thirteen. I'm a
cusp of thirteen already.

Speaker 6 (32:34):
I'm dying much different your back?

Speaker 1 (32:47):
What as you can see my daughter as the teacher
from the Peanuts?

Speaker 2 (32:55):
How is my voice so high pitched? And it sounds
like this now?

Speaker 1 (33:00):
I don't know, man like it just seems like you're
playing John practor President.

Speaker 2 (33:04):
Oh my god, Dad, did you hear the news that
mom fucking found my performance of the Crucible.

Speaker 1 (33:14):
I mean, I've got that too.

Speaker 8 (33:15):
You have it.

Speaker 1 (33:17):
I chot it on my phone. It's I'm on my laptop.

Speaker 4 (33:19):
There is a full hour and I watch some a
bit and it is so crazy.

Speaker 1 (33:25):
We have to play that at the first live show,
especially if we're doing the first live show a TV
on a movie that's podcast. I'll be able to put
it up. Give me back by name more man.

Speaker 2 (33:39):
That's crazy. I was so dramatic. Yeah, so I took
it so seriously.

Speaker 1 (33:47):
Oh yes, I was charming. It was I'm not saying
that in any sort of like mocking way, but it
was charming. How committed you were. I'm literally you were mad.
Damon committed like to a role that it's like he's
only doing it two nights, but god damn it, I'm
get me back my name, mom, so fucking funny, we're

(34:08):
gonna be able to see it. Man, we have to
nail a date down.

Speaker 2 (34:12):
Yeah, I mean, we can just stab the screening of
this performance.

Speaker 1 (34:16):
That's it. It's like there's no show. It's like, welcome
to beardless, stick with me live. I'm Kevin, I'm John Broker,
and press play and everyone's like, oh my god, are
you gonna give him back his fucking name woman? Or what?

Speaker 2 (34:31):
That's the question?

Speaker 1 (34:33):
All right? Hold on, So here's jumping ahead one month.
Harley in twenty twelve, March of twenty twelve. Wait a second,
isn't Harley? I mean it should be Harley, but it
says my buddy. It's eight fifteen. I just woke up.

(34:55):
Harley is not going to school today because she's claiming
to be sick. I don't know.

Speaker 2 (35:00):
That sounds like fucking mom.

Speaker 6 (35:03):
It's eight fifteen and I just got thank she's coining
be sick.

Speaker 1 (35:13):
I'm just checking in.

Speaker 9 (35:14):
I just got your ims.

Speaker 1 (35:16):
She can don't fucking throw me under the boat with
her bus boat bus with her? Man? All right, hold on?
So that was I was home, I pressed the wrong one.
Do you remember?

Speaker 2 (35:27):
Believe me?

Speaker 1 (35:28):
Unable to translate message. This is you on March twenty first,
twenty twelve at ten or nine am.

Speaker 6 (35:35):
Kyrie, And then I'm calling you say hello and that
I love you and I miss you, and I mister
yet sighing home, I said, day and I'm very excite
to see you and I will. I'm not going to
school today because I'm sick and you have to call
me back.

Speaker 1 (35:55):
I love you. Bye, sick my ass?

Speaker 2 (36:01):
Oh my god?

Speaker 1 (36:02):
Are you sure you're in a mi chemrat? In twenty twelve? Yes,
where's that girl? I don't know this girl, because this
girl can carry on, she'll carry on, and she actually will.
She's she is okay, Oh my god. A week later,

(36:22):
it doesn't make any sense. It's funny the transcriptions, Hi, daddy,
it's Charlie. Okay. Let's oh some intrigues, some action here
man March twenty third, twenty twelve. But five fourteen? What
does Harley? Young Harley, who's not thirteen yet? I'm a
cusp of thirteen right, because March twenty twelve you're born

(36:45):
ninety nine, so yeah, in two more months you'll be
a teenager. But right now, this is what a twelve
year old sounds like when the police are involved.

Speaker 9 (36:57):
Hi, Daddy, Charlie, and.

Speaker 6 (37:00):
I have wanted to say that when you're coming home,
not to go out post away near around your castle
because there's tons of police cars and tons.

Speaker 1 (37:12):
Of fire trucks.

Speaker 3 (37:13):
They found my cocaine, so please avoid at all costs.

Speaker 1 (37:18):
They're going to try to lay it on you.

Speaker 3 (37:20):
I already called the lawyer, sorry and tearing it.

Speaker 6 (37:28):
It's trying to get to our house, but it's walked
off and then not letting anyone there.

Speaker 2 (37:32):
So if you're going to come home, and come the.

Speaker 6 (37:35):
Other way, and I love you how much I like
to see you so nice?

Speaker 1 (37:43):
I mean, there's a reason there is easy to say.

Speaker 2 (37:45):
Right, that's crazy.

Speaker 1 (37:48):
But then then you stop calling me and leaving messages.
Then you you know what happens. You move on to texting.
Oh so there are no more, my daddy, But I
have a sea of mamily messages here on my phone
and I save those. There are some I've never listened to. Really,

(38:11):
I like some of that are like two minutes long, bro,
But I always wind up talking to her, so it's
like whatever she I mean you know, with all due respect,
Mama is probably listening. I love you, momily. She will
tend to repeat herself. So but I am saving all
these and preps. You know what. I know my mom
she'll be like, oh, Tiger, I'm saving these because when

(38:31):
I can't speak to my mother anymore, I'm gonna be
getting new shit.

Speaker 2 (38:35):
That's really sweet.

Speaker 1 (38:36):
You know what I'm saying for a while, and then
each one listening to a first time, and when I
was gonna be able to I'll be able to respond
to her and shit like, yeah, Ma, that'll be good,
all that kind of crazy shit, and your mom will
be like, here's are all the money we have urry
in the yard. I love your mom.

Speaker 2 (38:56):
Oh my god, that's a sweet, a sweet thing.

Speaker 1 (39:01):
Super Nick Sorilla said, Captain, I have to catch you
in dog Man Atlanta love a Michiman. He lives in Atlanta. Yeah,
my boy, Nick, I saw him in Black Mirror and shit, oh.

Speaker 2 (39:12):
I haven't watched it yet.

Speaker 1 (39:16):
All right, it is now. Let me just check the tape.

Speaker 5 (39:20):
Takes four four.

Speaker 1 (39:21):
Twenty is it?

Speaker 8 (39:22):
Yeah?

Speaker 1 (39:23):
Happy holidays, Happy holidays everybody. It is four twenty on
four twenty.

Speaker 2 (39:27):
Wow, Oh crazy, that's nuts.

Speaker 1 (39:32):
I was. I was like, how do I capture that
on my phone? I guess I can. Nuts, although in
trying to turn my phone on, I noticed my hair
looks fucking stupid.

Speaker 2 (39:39):
No, it doesn't.

Speaker 1 (39:42):
Four twenty on four twenty kids, the day that we
go show Dog Mush. Your mom's gonna sit there and
watch it. Wow, you're gonna watch you with her?

Speaker 2 (39:54):
I am.

Speaker 1 (39:57):
She thinks i'd be Gary Nikk.

Speaker 8 (40:00):
Suck up.

Speaker 1 (40:04):
The wait. So IF's four twenty, yeah, I should, I
really should.

Speaker 2 (40:12):
Probably.

Speaker 1 (40:12):
How about this? You got some questions from the audience, Yeah,
I do. Let's do three questions from the audience, all right,
and then I gotta go shower and get ready to
resurrect my fourth film. Wow, get to see it in
four K man, It's like fucking it is? It is crazy?
Is gonna be nut? All right?

Speaker 2 (40:35):
How about will there ever be a Yoga Hoser sequel?

Speaker 1 (40:38):
I dream about a Yoga hos Er sequel, and let's
be honest, if it happens, is probably gonna happen on
the back of little Mischonelle herself, if she's ever like,
you know, I think just enough time has passed that
it could betchy fun to do yogos. I think it'll
be amazing to actually have you guys be like in
your fucking twenties or thirties and do yoga hos.

Speaker 2 (41:01):
Would be pretty fucking iconic.

Speaker 1 (41:04):
You could also have kids in the sequel, my god,
but yes I do, because you know, Yoga Hosers was
certainly no mistake. But I would like another bite at
that apple, do it to get it right. So, yes,
I'm quietly biding my time as Lily Rose continues to

(41:27):
ascend the Hollywood ladder. And when she gets to a
certain place, that's when I'm gonna call in my chips
and be like, hello, how'd you get here?

Speaker 2 (41:36):
Remember where it all started?

Speaker 1 (41:38):
Yeah, I'm I'm gonna say that you dick a car
to get here. You know what? That car? Car needs gas,
a little bit of gas. But yes, I do. I
do still think about a Yoga hos Are sequel. If
for no other reason, then you know, fuck everybody there's
like yos, be like, all right, here's more.

Speaker 2 (41:57):
And here's another one. Have you and your father ever
thought about writing a script together or a documentary? We
did write a script together.

Speaker 1 (42:07):
We did, but not like a script of something that
like we could.

Speaker 2 (42:13):
Make or something, but we did write.

Speaker 1 (42:16):
We set GEM script together.

Speaker 2 (42:17):
Yes, for Gem in the Holograms.

Speaker 1 (42:19):
For Netflix got paid to.

Speaker 2 (42:21):
We could have remember those days was crazy.

Speaker 1 (42:23):
Remember money from Netflix days?

Speaker 4 (42:25):
Oh I missed those days that honestly though, it's pretty
crazy that we were. We fully wrote a gem in
the Hologram script for Netflix. We did, and it was
it was fucking fire.

Speaker 1 (42:38):
I'm not going to say, I'm not gonna blame it.
They started spending money very differently, you know, by the
time we handed it in and stuff like that. And
this was a show that like Teddy was like, this
is an eight to ten million dollar show.

Speaker 2 (42:55):
What the show would have been? So good? Is this?

Speaker 1 (42:57):
Somebody gonna do it? And somebody eventually going to it
right And then it was also like when Netflix was like,
we can't do this right now. We could have taken
it out into the world with Hasbro, but then Hasbro
was being bought or sold. They were part of E
one and E one was being bought by Lions Kate
or something like that. There was this big like we

(43:18):
can't do anything for a while until this settles out,
and shit kind of like what's going on in the
Paramount right now somebody was buying somebody, so they're like,
we can't even fucking take it out and stuff. And
then like like a year later, I think we were like, hey,
what's going on and they're like nothing.

Speaker 2 (43:33):
They were like, we're taking it in a family friendly
direction more for like they.

Speaker 1 (43:39):
Like you were taking the dicks out of all their
mouths that you two trashy people put in there. Like
what our man it was it was family friendly. Maybe
they might mean A they might mean they're making a
cartoon again, and B they might mean they're making like
a kid cartoon because ours was like, you know, at

(44:00):
the best of a teddy who is the world's biggest
fucking gem fan and he wanted his own grown up
show version of it, which I think he's right. It
could totally fucking work.

Speaker 2 (44:10):
Would it be illegal to read the script one day
on the PoCA?

Speaker 4 (44:14):
No yeah, no, no no, because we totally should because
it was really good.

Speaker 1 (44:19):
We will we want to read fucking what was her name?
Courtney Love? You want to hear a surefire fucking event
that's podcastles sell the place out would be a script reading.
We should totally do that. How long is it's only

(44:40):
an hour?

Speaker 2 (44:41):
Right, Yeah, so that needs to be needs to be heard.

Speaker 1 (44:45):
That could be the show. It could be beardless sick
list podcast that hands off to a reading, you know,
because I was like, why don't you perform? We could
do a reading of gem hologram and pull people from
the audience to like read the other parts and ship
like we did the Superman script reading. Remember, yeah, this podcast,
we could totally do that.

Speaker 2 (45:05):
It's not illegal.

Speaker 1 (45:07):
What reading the GEM script?

Speaker 2 (45:09):
Yeah, sharing the GEM script.

Speaker 1 (45:10):
We're not sharing it, we're reading it.

Speaker 2 (45:12):
So true, there's the difference.

Speaker 1 (45:15):
I'm sure there's some sort of murky thing there. It depends.
Like basically, what I would do is you can't use
jem RT, but I would have Nate do our art
as we be Jim. You'd be jem b Pa. All right,
so you'd be Pizazz and I'll be Jim. Yes, and
so it'll be like, you know, yeah, they'll they'll know.

Speaker 2 (45:37):
Just crazy to think that we did that.

Speaker 1 (45:40):
Crazy to think that it's taken us this long to
be like, let's read it in front of people.

Speaker 2 (45:43):
Yeah, what's the fun.

Speaker 1 (45:45):
That's a marketable hook.

Speaker 2 (45:46):
Thank you for this question that just who is that?

Speaker 1 (45:49):
Who asked?

Speaker 2 (45:49):
Oh, that's so true. Adam rorr Ra Robber, I don't.

Speaker 1 (45:55):
Know, Adam, just like the progenitor of mankind, the first atom,
you have given us a gift. You pulled your rib
and gave us an idea, turned it into an idea
that we're going to take and make money off of them.
And Adam don't get. Adam don't get.

Speaker 2 (46:14):
I just want people to be like, wow, this should.

Speaker 1 (46:17):
Have been made.

Speaker 2 (46:18):
I want. I want like when they hear.

Speaker 1 (46:20):
The podcast, Yeah, gets out into.

Speaker 2 (46:22):
The world because it was so cool, Like, don't oversell it.

Speaker 1 (46:26):
Let's see how cool it is. Well, you know the autumn,
I remember.

Speaker 4 (46:29):
It being like I remember when we were coming up
with everything. Just the way that we were tying shit together.

Speaker 1 (46:36):
Was h I mean, that's the thing. You can read
the script, but you could also tell them where it
went because.

Speaker 2 (46:41):
We had a last thing and it was fire true.

Speaker 1 (46:45):
So we could get and you put that up on
the GEM message board and ship like that. You'll get
all nine GEM fans had a lot of fans. You'll
get some of them to come out and be like
I want to hear what that would be like. Yeah,
And you'll get people who are like, oh, it's their
first show him going for that and they're going to
read a script? Fuck it? Why not? Oh? I could
wind up reading the script with him. Fucking fucking do

(47:06):
you know any famous people live on the East Coast?
If you could start pulling in favors, be like, hey,
maybe coming down the theater and read a script with me,
because someone could be like fucked reading the part of
jab Rose I was talking about, like you know, I

(47:29):
wasn't even thinking her, but I was talking about, like,
you know, just fuckers that you did, like indie films
with and ship like that. There was a movie that
like we showed it or you showed it to Rebecca that
I went to, but it wasn't shot in New York.

Speaker 2 (47:40):
Are you asking if Molly Ringwold reads Jim?

Speaker 1 (47:43):
Yeah? What was that young actress? Molly Ringwold? She could
read gent, she got the red hair? What's her fuck?
Cloak and dagger? She?

Speaker 2 (47:51):
Oh, she lives here.

Speaker 1 (47:52):
I thought she was in New York. Din't you see
he in her show in New York?

Speaker 2 (47:55):
Yeah, Olivia, but she was only there.

Speaker 1 (47:57):
For a minute.

Speaker 2 (47:57):
Olivia Holt, Yes, one of my dearest friends.

Speaker 1 (48:02):
Drag her around. Dragging one of your fucking friends. Man,
who's that? Don't you know something broad on? Roseanne? Ask
her what's going on?

Speaker 2 (48:10):
Stop using my friends?

Speaker 1 (48:14):
That's that's your mother talking. No Smith would ever say
that sort of fucking thing. Well, you know, fucking this
is how we on the show. Wow, call Momily for
fucking easter.

Speaker 2 (48:26):
Oh so true?

Speaker 1 (48:27):
You know what I'm saying. Oh my god, dear Momily.
Let's see if she's even on. She would fucking adore
that mamally mobile.

Speaker 8 (48:40):
Mmmm.

Speaker 1 (48:44):
Her voicemail is funny because it's one of those makes
you think that she's answering the phone. No, happy Easter, My,
it's me and Harley easy. Oh good, Bunny, where are

(49:04):
you asking? Yeah, we're doing the show right now.

Speaker 9 (49:07):
You do the show right now?

Speaker 1 (49:09):
How can I see that?

Speaker 9 (49:09):
I gotta go on? How can I see your brother
doing the show right now?

Speaker 1 (49:12):
We're not doing it live. You'll be seeing it in
a couple of weeks. We're pre recording it. Okay, where
are you?

Speaker 9 (49:19):
I can see I can see you and Harley though
if on my phone right.

Speaker 1 (49:26):
We can and let me see. Yeah, let me see. Oh,
I'm pressing the FaceTime button. Let's see. If this works,
you'll be required to answer it.

Speaker 2 (49:37):
Yes, ok, I just see me.

Speaker 4 (49:44):
Okay, Hi, Gandma, Hi, Hi everybody.

Speaker 2 (49:53):
Oh, thank you so much.

Speaker 8 (49:55):
Happy Easter, Oh thank.

Speaker 4 (50:06):
You, happy to happy to do whatever you need. Grandma
have a it's a it's a it's fake for but
it is a coat.

Speaker 1 (50:27):
It was actually a little chili today, last two day
has been a little chili. But she's wearing that to
go to the Dogma premiere. The Dogma Premiere is tonight.
Hello Ma, happy Easter, so good tonight. The tour kicks
off tonight. So we have two screenings, one at six
and one at seven. Oh, you guys are all eating

(50:48):
over don? Where's done? Both my brothers? What up? Kids? What? Uh? Hey? Everybody?
Happy Easter, Happy Easter?

Speaker 10 (51:02):
Yeah yeah, everyone here, m okay over Don And what
else we have?

Speaker 11 (51:11):
Oh, Donna was here and uh the whole gang. Yeah,
and Andrew's here with us alone talking awesome.

Speaker 1 (51:19):
Well you go visit, man, I'm not gonna take you
away from that. No, no, no, no, I gotta go.
I got a shower because we got the Dogma premiere. Yeah, yeah, tonight.
It kicks off tonight.

Speaker 9 (51:30):
Oh that's right, he said, yeah, Yeah, how's my girl?
How's my and engaged granddaughter.

Speaker 2 (51:39):
I'm really good, Grandma. I'm so excited to go to Disney.
Thank you so much for your sweet card and gift.

Speaker 9 (51:46):
Oh you're welcome, honey. That was so I'm so glad.
I wish it was that you were out here and
not out there.

Speaker 1 (51:53):
I know.

Speaker 9 (51:53):
I wish you have a good time.

Speaker 2 (51:58):
Thanks Grandma.

Speaker 1 (52:00):
Right.

Speaker 9 (52:01):
Oh, I love you, Harley, I love you. So what
are you gonna do?

Speaker 1 (52:06):
You know? Uh?

Speaker 2 (52:10):
Yeah, Hi.

Speaker 10 (52:15):
So it's supposed to be preferred view, which is like
the fool area and everything.

Speaker 9 (52:21):
I hope you see if you can get.

Speaker 10 (52:23):
The rooms that are like not in the tower but
to the right by the pool. They're like two levels
and they're like little mini apartments, like overlooking the pool.

Speaker 9 (52:34):
That's what I got.

Speaker 1 (52:35):
Cool.

Speaker 2 (52:36):
Oh my gosh, that sounds amazing. I'm so excited. Thank
you so much.

Speaker 1 (52:40):
You're on a podcast, bro.

Speaker 5 (52:42):
When you're gonna go, honey, I'm leaving in a couple
of days.

Speaker 9 (52:47):
Oh cool.

Speaker 11 (52:49):
Yeah, this week I realized it's so close. I hope
you're gonna have a great time and get Boston a
kiss from me and Uncle John and uncle Jerry and uh,
Andrew's here.

Speaker 9 (53:02):
That's your cousin. Your father will exp.

Speaker 10 (53:07):
Not that kind of intimate kiss though, you know, just.

Speaker 1 (53:09):
Like, Okay, I love you.

Speaker 9 (53:16):
I love you too.

Speaker 11 (53:17):
I'm so glad to see you and hear you.

Speaker 9 (53:20):
You put your ring close to the TV, so I mean.

Speaker 2 (53:24):
Yes, it's Tourmaline the Oh my gosh, thank you. It
represents love and compassion.

Speaker 9 (53:45):
Buddy here, So I'm so glad. What are you gonna
do with tonight? Take off?

Speaker 1 (53:52):
Yeah, well Daddy's got to take off cha right now.
So I love you very much. Happy Easter, I know.
But they're gonna smell me when I leave, and I'm
gonna be late. You can make me late. If I'm late,
I'm gonna blame you. I'll be like. This comes from
my mother directly, I do. All the time. I was like,

(54:13):
it ain't me, I was. I was raised this way.
I learned it from you, all right. I love you, all,
talk to you later. I love you all. Talk to
you layer bye bye, okay, honey, Oh my god. Like
I said, I got a bunch of saved messages and stuff. Uh, yes,

(54:35):
I was just reading messages and stuff.

Speaker 2 (54:38):
I'm still doing a podcast.

Speaker 1 (54:42):
What the fuck it's Easter, that's I mean in the past.

Speaker 2 (54:47):
It's Eastern's go crazy.

Speaker 1 (54:50):
This is the Easter Egg Show. It's full Easter. My
brother made his podcast, abut I don't think I've ever
even had him on a podcast before. Wow, for all
anybody knew my brother didn't exist.

Speaker 2 (54:59):
I don't need and think he knew he was on
the podcast.

Speaker 1 (55:02):
I was hoping that he wasn't. Just like, let me
tell you another fucking thing about that. Yeah, that guy kids.
Dogma the Resurrection Tour continues. If you're listening to this,
it was pre recorded weeks ago because I was going
on tour and stuff, which means we're still on tour,
which means tickets are available at Dogma Movie dot com

(55:23):
or June fifth. This fucker opens everywhere. Dogma the Second
Coming Man resurrected on screens everywhere starting in June fifth.
You can get tickets at your local movie theater for
that because it's anywhere, or Iconic Events Now dot com
or Iconic Events dot Com I think, or any AMC theater.

(55:43):
Come see me on the road and be like, oh,
I just listened to the podcast, I'll know it's you.
But if you come up to me and you go
the past is the present and the the past is
the future and the future is the past. That's our
code work. Then I'll be like, you're a dick Lit,
You're a dick I'll say that loud. If I pick
you in the crowd and you're like you know, I'm

(56:06):
like yes, and you're like I just wanted to say
that the past is the future in the future is
the past. I'll be like, and I just want to
say you are a dick Lit be like what, and
then I'll have to explain.

Speaker 12 (56:17):
Oh my god, please, good times on the road, good
time even though we people are listening to this, like
nearly a month later, A happy Easter to you, Oh.

Speaker 2 (56:27):
Happy Bill's Day to you.

Speaker 1 (56:34):
And uh not for nothing. You can take this advice
or not. I would go back to that voice.

Speaker 2 (56:41):
Thank you know what.

Speaker 1 (56:44):
I try to do it, try to do it.

Speaker 2 (56:47):
I think I was doing it on the phone with Grandma.
Let me see, all right, pretend to be your grandma.

Speaker 1 (56:54):
Hi, Hi Grandma? You did you turned it out?

Speaker 2 (56:59):
I fucking turn that bitch off.

Speaker 1 (57:02):
I really did.

Speaker 4 (57:03):
I heard my voice coming out and I was like,
what the Fuck's that's?

Speaker 1 (57:07):
It's the you that you're unfamiliar with because you don't
do it that much.

Speaker 2 (57:13):
As the phone call was happening, I was like, oh my.

Speaker 1 (57:16):
God, she's past the future.

Speaker 2 (57:17):
In the future is the present because this is bad.

Speaker 1 (57:20):
She's back and she's taking over again.

Speaker 2 (57:21):
It was scary.

Speaker 1 (57:22):
It's like your dark Phoenix saga, Oh my god. But
instead of being like this cosmic entity that can destroy
the world, he was just startling hip hi boo, can
we have nucchi now? He's like, all this sucks in
that voice. We'll never have no g again if we
gonna ask like that when you're singing you're a star

(57:43):
now star. Actually that's pretty fire. You know. You give
chappell ronan run for her money with that so close
there it is. Kids, there's your beardless tickless me for
this week. For birdless Tickless Me and Kevin Smith, I'm
Harley Quinn. You have a beer the Stickless Day. This

(58:12):
has been a podcast production, some podcast podcast using our
mouths on you since two thousand and seven. Hey kids,
did you like what you just heard? Well, guess what
We've got tons more man thousands of hours of podcasts
waiting for you at that Kevinsmithclub dot com. Go sign

(58:33):
up now.