Kev Miner's Daughter

Harley has questions. Kevin visits another podcast. Plus: Harley's band gets closer to a name. 

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:23):
Welcome back to Beard. The stickles was me, Yes, I'm
Kevin Smith Smith. Look.

Speaker 2 (00:32):
The only reason I even remembered it.

Speaker 1 (00:36):
Is because we recorded yesterday. In order to make this
show work.

Speaker 2 (00:40):
I'm still on the road the touring with Jay on the.

Speaker 1 (00:47):
Oral Sex Tour. A U R A L S U S.
I have to spell it. They wouldn't let me say
it on TV.

Speaker 2 (00:54):
They like, you can't have you say it. I was like,
you can put it on the screen. Everyone can see
that it's spelled.

Speaker 1 (00:57):
Funny.

Speaker 2 (00:59):
You said, well, not to us, yes, but to the audience,
like he said that a week ago.

Speaker 1 (01:06):
That's the only reason I remember, right, welcome back now.

Speaker 2 (01:10):
This is the last show will record for two weeks,
but they'll have shows.

Speaker 1 (01:16):
They'll never the dicklets. Oh and you know what, fucking
now I'm looking at the held on. I got to
turn this down.

Speaker 3 (01:22):
A little bit, are you because you're screaming.

Speaker 1 (01:26):
Yeah? Homeboys told me I was coming up hot. Well, hey,
hey man, this is Kevin Smith.

Speaker 2 (01:32):
Welcome by give me your hike, give me welcome.

Speaker 1 (01:39):
So this this we won't talk for a minute.

Speaker 2 (01:44):
So when we come back in two weeks, I wonder
if I'll remember.

Speaker 3 (01:49):
Oh yeah, we'll see. Let's a little game.

Speaker 1 (01:53):
You know what I'm saying.

Speaker 2 (01:54):
As it stands, it is February thirteenth, Thursday, February thirteen.

Speaker 3 (01:58):
Oh, happy Valentine states.

Speaker 1 (02:01):
But absolutely will you be doing something special for all
times day with your bow? I think, what are you
guys doing?

Speaker 3 (02:10):
I think if if it's still.

Speaker 1 (02:12):
Stuff up, like if you can't shut up, what are
you doing if it.

Speaker 3 (02:22):
Still stands at the Tyler the Creator concert.

Speaker 1 (02:25):
Oh that's right, why wouldn't it still?

Speaker 3 (02:27):
I don't know, it's been a minute.

Speaker 1 (02:30):
I bought these tickets a while ago. I know, when
is that? Thank you?

Speaker 3 (02:41):
By the way, I did think they were they were
free until.

Speaker 1 (02:48):
You were like, oh they were free to you.

Speaker 3 (02:51):
I didn't. I didn't know.

Speaker 1 (02:52):
But I think I've got that kind of sway with
Tyler the Creator. Yo, Tie, it's be no but lucky enough,
luckily enough.

Speaker 2 (03:06):
I used to be repped by a big agency, used
to be Endeavor, then it became William Morris Endeavor, and
I think the biggest right now in the business. But
then I took off when my guy boy Jordan left,
and he left before the like during that purging a

(03:26):
couple of years ago. I think it was during the
writer's strike where Eason before that, it was here before
that where people got shitty about agents writers particularly and stuff,
and so WM like had to let go of a
bunch of agents. But before they could even make a
decision to let go of him, Boy Jordan was like,
forck it, I'm going over to Mosaic. And he became

(03:48):
a manager just like that. And managers make five percent
more than agents generally speaking. Oh yeah, does your manager
make him ten percent or fifteen percent?

Speaker 3 (04:03):
Ten ten? And my agent makes ten.

Speaker 2 (04:06):
Back in the day, I never had a manager forever
because it was fifteen percent.

Speaker 1 (04:12):
I'm like, well, they fucking do. And somebody explained it
having a manager.

Speaker 2 (04:16):
I needed an agent. Can't be in this business of that,
And well, you know what I mean.

Speaker 1 (04:20):
I learned you can.

Speaker 2 (04:22):
But in the beginning you needed and you wanted an
agent too because it made you feel like a professional.
But I never had a manager historically.

Speaker 1 (04:31):
And then Boy Jordan when he became.

Speaker 2 (04:35):
A manager, when he left w ME, I was like, well,
I guess I don't need I mean, technically I don't
have an agent for motion pictures and television. All of
my TV and movie stuff goes through boy Jordan, who
is a manager.

Speaker 3 (04:48):
Yeah.

Speaker 2 (04:50):
I wanted to be like, this is fucking boring, but
you know what it's yeah, for a lot of people
will be like, how does it work? Yeah, I'm sure
a lot of people are hung up on like, wait
a second, ten and another ten, twenty percent off the
top of your salary before fucking.

Speaker 1 (05:06):
And this ain't me judging. This is the audience. I'm
playing the part of.

Speaker 3 (05:08):
The audio, of course.

Speaker 2 (05:09):
But I saw it in your eyes. I saw in
your eyes that you were like, why is he judging me?
Right here on there? And then I also saw you
go like I forgot how good of an actor my
father is?

Speaker 1 (05:21):
He tricked me. I was blown away. But I'm not
going to tell.

Speaker 3 (05:25):
Him that's exactly why would I give.

Speaker 1 (05:27):
Him the satisfaction?

Speaker 3 (05:28):
How do you know you read my I saw.

Speaker 1 (05:30):
It play out across your eyes.

Speaker 2 (05:34):
So, uh, twenty percent right off the top of what
you do.

Speaker 4 (05:42):
Whatever you make, and then five percent for a lawyer, brah, twenty.

Speaker 3 (05:48):
I'm getting it wrong, but I don't think I know
you're right. I think I'm right.

Speaker 1 (05:52):
I've been telling her for years.

Speaker 2 (05:53):
I was like, you need a fucking manager, I said,
you know you need an agent at this point in
your career and stuff, but your fucking manager and stuff.

Speaker 5 (05:59):
And she's like yeah, and you please, all hands on deck.

Speaker 1 (06:05):
Help.

Speaker 2 (06:08):
We are on February thirteenth, the day before Valentine's Day.
Has Hardy pointed out.

Speaker 1 (06:13):
Where I'm about to get on stage in Indianapolis. Oh wow,
that's right.

Speaker 2 (06:17):
I'm on stage time with Jay in Indianapolis tomorrow night
Valentine's Day, on stage with my first husband.

Speaker 1 (06:24):
In Saint Louis at the pageant. Thank you. But meanwhile,
in real time, it is a Thursday night where two
weeks in the past, Oh yeah, where I.

Speaker 2 (06:38):
Am going to go to love it or leave it?

Speaker 1 (06:46):
Now, there's some people who are like, why wasn't she
what happened? And they're waiting two weeks to find out,
fucking scoop, here's what happened. They somebody reached through our
good friends at.

Speaker 2 (06:59):
iHeart Daniel, who by the way, oh shit, oh yeah,
I gotta I gotta reread the things that are shure.

Speaker 1 (07:09):
I might have to do that before we go. Yeah.

Speaker 2 (07:11):
The whole time we've been on our hearts are home.
Whole time we've been there.

Speaker 1 (07:14):
We went early. We asked Daniel hey Man, can.

Speaker 2 (07:17):
We go fucking early, so get it up there because
I was gonna be on Steph Meyers. It was a
great time to talk about it and ship like that.
He said, yeah, but we're not a marketing budget until February.
I was like, I don't give a shit.

Speaker 1 (07:28):
So February is here, and now they're going to start.

Speaker 2 (07:31):
Telling people we exist on their other shows on the
network and ship.

Speaker 3 (07:36):
Oh my god.

Speaker 2 (07:37):
So they yeah, so they asked us to get up
there and do some stuff. So Daniel had been talking
to us about like can you do other podcasts, you know,
and fucking like that'll expose people of your podcast.

Speaker 1 (07:51):
I was like, I know, I know the fucking game, Daniel.
I'm a plan of game. Since you were in short
paints Daniel short.

Speaker 2 (07:58):
Pants, Yeah, underwears Mickey mask for short pants.

Speaker 1 (08:04):
So you know, I uh was I talking about.

Speaker 3 (08:11):
Don't even worry about it.

Speaker 2 (08:13):
I was really transfixed by Daniel short Pants. So what
happened was.

Speaker 1 (08:19):
I got Chelsea, you know who works with Jordan, Chelsea
who's worked with us for years. Chelsea shout out, yeah,
she's excellent at her job, and uh, Chelsea was like
a lot of build up for Chelsea, and now I
forget that. What the funk I was gonna say? Oh,
Chelsea was like, hey, love he or leave it once.

Speaker 2 (08:44):
I want to know if you want to do the show,
these are the available dates. And I thought this came
through Daniel, so I thought this was a Beardless stickless
me thing. So I responded with, like, you know, because
I was like, all right, we have to promote the show.
So I was like, all right, me and Harley, will
you know, go do it?

Speaker 1 (09:04):
Blah blah blah.

Speaker 3 (09:05):
Oh so you volunteered me.

Speaker 1 (09:08):
I thought it was for Beardless, stick with me. I
thought it was promotion for beardlesstick with me. But what
I realized.

Speaker 2 (09:16):
Now through like I I made the assumption that this
was through iHeart. The love he to leaving people just
fucking cold emailed to be like, hey, you want to
be on a show. I guess probably because I was
at a thing a Dynasty typewriter like a couple months ago.
So maybe somebody was like, Kevin Smith rolled up for
the thing, maybe you want to get him for a guest.
But I thought it was through iHeart, So I was like, yeah,

(09:38):
me and Harley will be there, and I'm sure the
people that love it or leave.

Speaker 1 (09:40):
It were like, who the fuck's Harley.

Speaker 2 (09:43):
He's bringing his daughter, Like somebody said this is bring
your daughter to work, and they were like, well he's
got a podcast with a daughter.

Speaker 1 (09:52):
And they're like, all right.

Speaker 3 (09:54):
I'm so glad that this is how you think people
think of me.

Speaker 2 (09:57):
No, I'm sure they were like, you know, oh my god,
somebody young, because I'm an old fossil. And anytime they
were talking about this thing and they kept going blah
blah blah.

Speaker 1 (10:04):
Gen X blah blah blah blah gen X blah blah blah,
I'm like.

Speaker 2 (10:07):
You know, yes, yes I am gen X, but I
haven't heard myself referred to as gen X in a
long time. But I think they were just like, well,
nobody here knows you. We just know you from You're
from gen X, right, the planet gen X. I was like, yes,
I come in peace from the planet gen X. And
then they're like, we have total nirvana.

Speaker 1 (10:30):
Thank you.

Speaker 3 (10:32):
They're like, why why is he bringing his daughter?

Speaker 2 (10:35):
Why is he talking like that a B Why is
he bringing his fucking So when I realized this morning
I was putting it together, I was like, oh shit,
this is.

Speaker 1 (10:45):
All my fault.

Speaker 2 (10:48):
I conflated two different things, and now she's trapped on
this pocket and Harley is getting ready to go.

Speaker 3 (10:54):
Not that I wouldn't want to do the podcast, you know,
but like.

Speaker 2 (10:57):
You know, she was just like, she was like, what
is it. I was like, it's a game show podcast, it's.

Speaker 1 (11:02):
Not at all.

Speaker 6 (11:06):
So so I told Harlot at one point today I
was like, you know, honestly, like you can totally go
and I'd be happy to have you there, I said,
but I just figured out that they are that I
kind of foisted you on them because I assumed it.

Speaker 1 (11:22):
Was this other thing. I was like, so you don't
have them. Before I can finished the sentence, she was like, oh, great,
don't have to go back. Click. No, it's not what
I did.

Speaker 3 (11:32):
I would I would be so happy to be on
the show. I just I didn't want to. I don't
want to be there if I was hoisted upon them
and that twisted.

Speaker 1 (11:42):
What foisted something you get on a guitard. Yeah, I
can't be bringing in to her.

Speaker 2 (11:48):
Leave it with you going, well, John, I feel like
I was hoisted upon you.

Speaker 1 (11:53):
It's like, what the fuck are you talking about? Fisted
this dumb ass, your kid.

Speaker 3 (11:59):
That's so.

Speaker 1 (12:00):
Where was she educated? I'm like, sure, it costs so
much money. Let's go back to talking about agents and managers.

Speaker 3 (12:08):
No, I have an agenda.

Speaker 1 (12:12):
I'm sorry. I thought for a second I was having
a stroke.

Speaker 7 (12:17):
Instead, I was just having this reaction where everything in
my brain froze and broke, shattered and fucking reassembled at
the same time because you said me unthinkable.

Speaker 1 (12:28):
I have an agenda.

Speaker 3 (12:30):
I do.

Speaker 1 (12:31):
I can drive, bitch, take the wheels. I'm happy to
pop in the back, put my feet up on the
seat and ship. This is We're number fourteen nationwide. What's
that from coal Miner's Daughter?

Speaker 3 (12:50):
Um? What a what a deep pole?

Speaker 2 (12:54):
At one point in the movie, have you ever seen
fucking fire film? It was directed by Michael Apted, who
did the seven Up series of documentaries. He followed kids
seven up, fourteen up, twenty one up. He followed them
all the way to whatever do it by seven and
they're in their fucking seventies now, those people. So he'd
been doing like that series. But he has also directed

(13:15):
feature films. I think his first feature film is coal
Miner's Daughter, and it's the story of Loretta Lynn is
Sissy spacek plays a young Loretta Lynn. Tomm Lee Jones
plays Doolittle Linn, her husband. It is the seminal American
rags to riches story, and it is a story incredible

(13:37):
story of self empowerment for like a girl who is
never going to leave Butcher Holler to become like internationally
fucking famous for singing songs that she wrote herself about
her personal experience. The movie is spellbindingly good, like it's great,

(13:57):
it's and I was honored when they a clerks in
the what is it called the.

Speaker 1 (14:05):
That was honored. I couldn't remember what the thing was, Library.

Speaker 2 (14:09):
Of Congress when they put a clerk's on the National
Film Registry, which had so much to do.

Speaker 1 (14:14):
With fans out there, thank you.

Speaker 2 (14:16):
But we also went in the same time as coal
Miner's daughter, and that fucking did it for mix. I've
always loved that movie. It's so well made. Now I
would have never seen that movie if my father wasn't
such a Louretta Lynn fan. So naturally there's a component
to that movie which is very sentimental because watching my
father watch.

Speaker 1 (14:36):
That movie and watched like one of his heroes, you.

Speaker 2 (14:40):
Know what I'm saying, Like the way I would go
see a fucking iron man and be like, he's the
best guy in the world, like, and people like he's
fucking fictional. My dad could watch this person's story and
be like, that's how it happened because he read like
all the material.

Speaker 1 (14:53):
He was a fanboy, wow, and he loved like the songs.

Speaker 2 (14:56):
No man would like lock himself in his room on
the weekends and records and fucking sang Catterwall if you will.

Speaker 1 (15:03):
So Coal Miner's daughter at one point, like you know,
she she meets I mean, it's kind of scandalous when
you think about it. She was like fourteen when she
meets you.

Speaker 2 (15:12):
A little who's like, I believe, in his twenties and
he just come back from overseas he was fighting in
the war. But it is different in Virginia and also
different and back then and some places it's still I mean, no,
I can't be that way anymore.

Speaker 1 (15:28):
Back well, back then, like fucking like fucking mi my
mom got married at what eighteen?

Speaker 2 (15:35):
Yeah, okay, so the Red Aline gets married like only
four years earlier, which is scandalous, I know. But like
you were also talking about a time when not everyone
went to high school, like you would get a primary
school education. Then it just ended, and so most women
didn't go to work. Most women got married. And in
Butcher Holler, which is in Kentucky and note Virginia, Kentucky,

(16:01):
I think it's Virginia, West Virginia or something like in uh,
you know, it was coal mining country. So like her
dad was a coal miner, and shared everybody was a
coal miner and coal mining according to this movie.

Speaker 1 (16:14):
I know nothing about the actual mining of coal.

Speaker 2 (16:16):
However, a lot of coal miners get what it's called
black lung because you're down in the center of the
earth mining coal all that coal dust. A lot of
them didn't live very long lives, like fifty sixty, maxing
out because you know, breathing and your lungs are fucking
being bogged down with this fucking coal dust. So, you know,

(16:39):
she was one of like a hundred kids, which, of course,
you know might insult somebody, but there were a lot. Honestly,
I think they were into double digit kids. I think
she had like nine brothers and sisters, including a young
Crystal Gale, who would also become a famous country Western singer,
completely unrelated to her sister. Like she had a completely

(17:00):
different name than the red Elenn.

Speaker 3 (17:02):
You're really taking me off a full journey of the
coal miner's daughter agenda.

Speaker 2 (17:09):
I know your agenda as we finish our cal Now
we'll jump into what you're gonna say, But let me
get to the point. She meets this guy, do a
little Lynn and shit like that, and they wind up
getting together and they get married, and like, she's incredibly
fucking young, and her father's like, you know, don't you
don't you never hit her boy, and don't you.

Speaker 1 (17:29):
Never take her far away from home? In the first
year of their marriage, she does both of those things.

Speaker 3 (17:34):
Oh damn, it's.

Speaker 1 (17:34):
Pretty horrible, but do little yeah, because it's like it's
you know, it's very easy nowadays to be like, well,
this person's a fucking bastard, you know, anyone who would
lay his hands on a fucking woman, naturally, it's like
not my kind of person or anyone, but particularly fucking woman,
particularly when you see like do the little Linn and

(17:55):
Laura Lynn. She's tiny, so and she was a kid,
like literally a fucking kid, right, but.

Speaker 2 (18:03):
Do a little in like listens to her fucking singing
to her kids and all these songs, you know, that
she sings from the radio, but songs that she just
starts writing and ship and he's like, we should, we
should record you. And he takes her in and makes
her record a song and then fucking like takes a
picture of him, puts the album the single together, and
then spends like all night mailing out copies the single

(18:25):
to every radio station across America and shit like that,
and gets no responses.

Speaker 1 (18:30):
So he's like, you know what, We're gonna go on.

Speaker 2 (18:32):
A road trip, Like you know, we're gonna go to
all these radio stas.

Speaker 1 (18:35):
We leave the babies with.

Speaker 2 (18:36):
Your mama and we're gonna go on a road trip
all these radio stations. And see why I'm thinking of
play our rate ours And Tommy Lee Jones is fucking excellent.

Speaker 1 (18:45):
Spellbonding.

Speaker 2 (18:46):
Look, both Sissy's Facer and Tommy Lee Jones both nominated.

Speaker 1 (18:49):
For Academy Words.

Speaker 3 (18:50):
Tommy Lee Jones.

Speaker 1 (18:51):
He plays her husband. He plays Doolottle.

Speaker 2 (18:53):
That was his like big star making performance and he
is fucking fantastic, like so absolute fire. So they take
this road trip where they go radio station radio station,
and they go to this one radio station where ob
while they're in the road on the road like they're
living cheeps. They got no fucking money, so they stop
it like a little deli convenience store, and you know,

(19:14):
he's like, can we get fifteen cents worth of baloney
or whatever?

Speaker 1 (19:19):
And uh, he's a lady's like.

Speaker 2 (19:20):
Cutting the fucking blooney and Lorette Lynn's I'm tired of
bloneye do? She called him, dude, I was tired of
boloney do. I was always baloney, baloney, we're always eating
and he goes, you know what they say.

Speaker 1 (19:30):
About baloney makes your horny?

Speaker 2 (19:33):
And like the chick behind the fucking counter is like
smiling because she's an older lady and stuff like that,
and Sissy's basics, well, Loretta Lynn, you know is I
wouldn't call her ignorant myself, but she calls herself ignorant
because she's a butcher holler and doesn't in proper education,
so she doesn't know what horny means.

Speaker 1 (19:47):
So she's like, what does it mean? Do?

Speaker 2 (19:50):
And he thinks that's really funny, and so is the
other lady and stuff, and she's like, what tell me?
So then they're at a radio station. She's doing an interview,
and this is nineteen fifty five or whatever, right, And
so she's talking to the DJ about like, you know,
recording her own song and shit, and he's like, so
I understand you're driving across the country with your husband.
She said, yeah, me and dude, we'd be driving around

(20:12):
we beating them baloney sandwiches.

Speaker 1 (20:14):
And the more boloney eats, the horny er he gets.

Speaker 2 (20:17):
And you cannot say horny on the radio in nineteen
fifty five. And the DJ is like fucking faces like
and she's just like and he keeps saying like, Loretta,
make me another one in the baloney sandwiches again, and
he's in the car freaking out because like he's just destroyed.
She's just destroyed any chances at a fucking career because
it's equivalent to going on the radio and being like fuck,

(20:39):
fuck mother mother fuck.

Speaker 1 (20:41):
So then they showed the guy who went the station
like fucking yelling at her and shit like that, just
like you get goddamn, please, lady, cut off. You better
stop that hicck act. And he goes, oh, sir, if
you knew Loretta, you know that's no act. And she's like,
thank you, dude, and uh, he's like, you'll never work
in his business, doesn't share. He walks away. Then the

(21:02):
other guy who's the DJ, is just like, hey, don't
listen to him. He's going, you guys are in cash
Box magazine. Don't you know? You really are a dumb
hill ability that ain't no act.

Speaker 2 (21:12):
He goes and he he shows him like their version
of variety is cash Box and her song is number
fourteen nationwide and they had no fucking idea.

Speaker 3 (21:25):
Oh, this is how we got here, and that's.

Speaker 1 (21:27):
How we got there because you were like how the fuck?

Speaker 3 (21:29):
I was like, what in the fuck is going on?

Speaker 2 (21:32):
And he says like she's like all apologetic because you
know she didn't know about saying horny.

Speaker 1 (21:37):
He goes, it don't matter, baby, He's like, we number fourteen. Oh.
They go to the fucking Grand Old Opry, which is
the rhyme and.

Speaker 2 (21:43):
Auditorium where I played in Tennessee, and uh, you know,
she wakes up at the car and looks out and
sees the Grand Ole Opry, which is where the shot
from James how Bob Reboot comes from when you get
out of the van and you see the Hollywood sign
like we made it stolen from that movie. So she's
in front there in front of the Grand Old operator.
She's like, dude, we can't, we can't use the grand
old opery. They're not gonna let us in. He's like, yeah,

(22:06):
they're going to let us in. He's going they have to.
He's like, I'll spend our last money on this donut
and this coffee. He's like, I ain't worried. And he's
leaning against the car and he's looking at the Grand
Old Opery. He goes, we're number fourteen nation wide, and she.

Speaker 1 (22:19):
Gets to go on the Grand Ole operat and the
journey really begins. That's the first. That's all the first,
Like forty thirty five, I was gonna.

Speaker 3 (22:30):
Say, I guess they don't have to see it because
I just saw it. Write your play out for me.

Speaker 2 (22:34):
So much more happens. It is worth watching for their
two performances alone. And Michael Laptid kind of like Michael Ritchie,
had a very naturalistic directorial style where you don't feel
your watching performances. You feel like you're watching a documentary
like Bad News Bearers. Those kids are not acting like
it's fucking nuts. How their performances are so preternatural. And

(22:56):
Sissy Spazag and Tominley Jones in a coal miner's daughter.
It feels like you're a fly on the wall. Doesn't
necessarily feel like, oh, these are two people pretending to
be other people.

Speaker 1 (23:09):
Wow, not sure.

Speaker 2 (23:10):
Agenda if you add, if you're if you've got if
you're watching the show on that Kevin Smith cub.

Speaker 3 (23:19):
You're watching me just in a daze looking out.

Speaker 1 (23:24):
What happens? Is he having a stroke? Why are we
going this deep into this movie? What we're twenty minutes? Oh,
just to explain that line, Oh it is? I see?
All right, So I'm talked out. And when I sat down,
I was like, I don't think I have anything to say.

Speaker 3 (23:42):
You got something to say?

Speaker 1 (23:44):
So now I turned the show over to my co.

Speaker 3 (23:47):
Host, Oh my lord, my co.

Speaker 1 (23:49):
Hostess with most Harley Quinn Smith.

Speaker 3 (23:53):
It took us a minute to get here, but here
we are. I created an agenda because yesterday's last week.
You there in the future, sorry last week you Oh yeah,
the future?

Speaker 1 (24:10):
There in the president past.

Speaker 3 (24:17):
I've created a few more new categories. The present.

Speaker 1 (24:26):
Okay, shut up, I'm trying to will us there.

Speaker 3 (24:31):
The present. I've added a few more categories.

Speaker 1 (24:36):
You come up with categories.

Speaker 3 (24:38):
I did kids.

Speaker 2 (24:42):
You thought I was proud last week when she figured
out T shirts and ship Uh, you're gonna hear for
the first time ever, some new beardless, dickless categories.

Speaker 3 (24:53):
I am what you got. I have a proposal first.
This is the proposal section, the proposal category.

Speaker 1 (25:03):
Do you have a name this department?

Speaker 3 (25:05):
I think it did.

Speaker 1 (25:05):
Actually it's fair enough.

Speaker 3 (25:08):
Oh no, just proposal time. We I think it's called.

Speaker 1 (25:15):
Pitch season.

Speaker 3 (25:16):
Pitch season. Nice. I think every other episode, like one episode,
I should plan it, next episode you plan, I love it,
and then we'll switch off so you can make me
do whatever you want, and then I can make you
do whatever I want.

Speaker 2 (25:31):
I'm bored of that. I've been doing that for twenty
five twenty six years.

Speaker 1 (25:37):
All right.

Speaker 3 (25:38):
The first new category is my.

Speaker 2 (25:50):
I I I don't know what Marriman's poppet of my.

Speaker 1 (26:00):
Look. These are fire lyrics that I'm just coming up
all the time my head. Dude, I just made that
song up.

Speaker 3 (26:07):
Oh really? Yeah? Sometimes you just sing songs I don't know,
and I just stare at you and I'm like, and.

Speaker 2 (26:12):
Then sometimes I had meant songs that nobody's ever fucking
heard before telling you I missed my calling. I should
have been like Andrew Lloyd.

Speaker 1 (26:19):
Webber or some say, shit, that's so true, or no,
who's the dude of the moment, Stephen fucking.

Speaker 3 (26:23):
Schwartz, right, oh true?

Speaker 1 (26:25):
Where I'm like, so well, fah bye, I like to raise.

Speaker 3 (26:29):
Yeah a, you're already doing that all day?

Speaker 1 (26:33):
All right, So what's the pitch season?

Speaker 3 (26:35):
All right? That was pitch season? Pitch season is over now?

Speaker 1 (26:38):
Oh that every other show we alternate, Yeah, fucking great,
drive go ahead, all right?

Speaker 3 (26:43):
Cool. This is the second newest category. It's a game.

Speaker 1 (26:47):
A game.

Speaker 3 (26:48):
It's called do you know your daughter?

Speaker 1 (26:51):
I love it? I love it? Did you write down
a bunch of questions?

Speaker 7 (26:55):
Yep?

Speaker 1 (26:56):
Really? Is there another category after this? Because this is
all old fucking show bro.

Speaker 3 (27:01):
The first question is wait, wait, wait, meaning.

Speaker 8 (27:09):
Yeah, kids again, Well wonder's never seen motherfucker's finally driving
the bus.

Speaker 1 (27:20):
It's just fun.

Speaker 3 (27:21):
After last week, so I was like, I got her.
I gotta do something about this.

Speaker 1 (27:26):
We just watched her go from like Lori Partridge to
Keith Parker. She's ready to take over the band. She's like,
I think I love you.

Speaker 3 (27:36):
My first question is wait.

Speaker 1 (27:37):
All right, So the category is do you know your daughter.
All right, do you know.

Speaker 2 (27:44):
Your daughter? D why k why d d y k
y d d y k y d nice Dick.

Speaker 1 (27:56):
You're like you ready to get dick dad, And I'm like, yeah,
dick me Harley.

Speaker 3 (28:00):
No, nope, nope.

Speaker 1 (28:05):
Do you know your dad the department? Do you know
your dad?

Speaker 2 (28:07):
No?

Speaker 1 (28:07):
Doing Ralph garment proud? Now do you know your daughter?
My bad, you're doing Ralph proud. Fucking This is radio
thinking right here.

Speaker 3 (28:15):
First question is what color are my eyes?

Speaker 1 (28:17):
Brown? Like mine?

Speaker 3 (28:19):
Nice? One time you didn't know that and exposed. And
next question, there are three acceptable answers for this question.
Fair enough, what's my favorite food? Just got to get
one of the three.

Speaker 1 (28:35):
All right, let's see favorite food, favorite food. You're not
like your mother who are like me, but but you
also eat share that I don't mmm mm hmmm. All right,

(28:58):
so hold on.

Speaker 3 (29:06):
Silence.

Speaker 1 (29:08):
I mean, it's so weird. I got three tries, and
I'm like, just here.

Speaker 3 (29:13):
You can you can out. Yeah, you have three tries,
so just go ahead.

Speaker 2 (29:17):
And I know, but I'm like, I'm trying to think
of what you've eat, oh ramen.

Speaker 3 (29:26):
That that isn't one of the three acceptable answers. But
that is an honorary answer.

Speaker 1 (29:31):
You do eat a lot of ramen.

Speaker 3 (29:32):
I do eat a lot of ramen.

Speaker 1 (29:39):
I'm still on the board.

Speaker 3 (29:41):
Yes, you have two more tries.

Speaker 1 (29:44):
No ramen.

Speaker 3 (29:45):
You know roman is an honorary mentioned, but not one
of the three answers.

Speaker 1 (29:48):
Right, so I still get three chances.

Speaker 3 (29:50):
I think, oh, you have two more.

Speaker 2 (29:53):
Well, I think three because I hit closest ramen to
the point where you're like, well it's on the list, Baker.

Speaker 3 (29:58):
Okay, fine, fu.

Speaker 1 (30:01):
Let's see.

Speaker 3 (30:05):
Me boom.

Speaker 1 (30:10):
You got this.

Speaker 3 (30:13):
Is one of them.

Speaker 1 (30:15):
That is one of them?

Speaker 8 (30:16):
He does?

Speaker 2 (30:17):
No, daughter, you want to give me the other two? Oh,
I don't have to guess all three?

Speaker 1 (30:29):
One no, No, you're making the rules, you're changing the rules.
Let's see.

Speaker 4 (30:39):
One of them is one of yours? One of No,
but you do eat by Omberg, But I do.

Speaker 3 (30:50):
That's an honorary answer. Wow, you're just like primary.

Speaker 2 (31:03):
You're not a sweets person, which sometimes makes me think
you're Malcolm's daughter.

Speaker 3 (31:10):
Really, I'm not a sweets person.

Speaker 1 (31:13):
He's more savory. And also, you'd rather eat fucking vegetables.

Speaker 3 (31:18):
Oh my god, which is that's crazy? I wouldn't rather
I wouldn't rather eat vegetables. One of them is yours
is one of yours.

Speaker 1 (31:31):
I don't know what that means. But one of my
favorite foodsshed potato.

Speaker 3 (31:37):
Yeahsh potatoes and vegan gravy.

Speaker 1 (31:41):
But I I've slowed down on mashed since becoming a vegan.

Speaker 2 (31:45):
Well, no that's not true. I've slowed down a mash
since I had the heart attack. Because I had that,
I was on the potato diet and then after that,
mother fucking potato.

Speaker 1 (31:53):
But I do with mash and get them from Doomies. Yeah,
graight out the cafeteria. Good tastes like.

Speaker 2 (32:01):
Rory Rogers Wow wrote you know they used to sell
fucking mashed as well.

Speaker 1 (32:05):
They made a damn fine roast beef sandwich. Back in
the day.

Speaker 2 (32:08):
It was a whole last franchise and ship Arby. It
was like Arby's, but Arby's outlived it and now it
looks like maybe it's just here.

Speaker 1 (32:15):
The Arby's closed here, but they're all over.

Speaker 3 (32:18):
Do you know the Arby's drive through or what was
the Arby now?

Speaker 1 (32:21):
Like fire Pizza?

Speaker 3 (32:22):
Yeah that's vegan.

Speaker 1 (32:24):
Yeah, it's our boy. Man.

Speaker 2 (32:25):
We did fucking all the movies with Derek really, yeah,
he set that up. I don't know if he's still
working it because he sets things up and then goes
sets up and he's always fucking doing interesting ship.

Speaker 1 (32:37):
Good guy. All right?

Speaker 3 (32:40):
Would you like me to tell you the third one?
Or would you.

Speaker 1 (32:43):
I'll guess it because I like the gamifi.

Speaker 4 (32:46):
Aspect of this Italian pizza speak good but honorary pasta
it is specific?

Speaker 1 (32:54):
Be specific? What kind of pasta? I don't know? Angel there,
mm hmmm. What is your favorite post? Is that?

Speaker 2 (33:03):
Really like one of your favorite food? I love like
I like meochi.

Speaker 1 (33:09):
But not I never called.

Speaker 3 (33:11):
I really love it.

Speaker 1 (33:13):
I mean I knew you like just little.

Speaker 3 (33:14):
It's my two favorite things, potatoes and pasta. True, I
love it.

Speaker 1 (33:19):
Good fucking point.

Speaker 3 (33:20):
I love it, all right?

Speaker 1 (33:21):
Hit me up, all right?

Speaker 3 (33:22):
Next one, what is the name of the drink that
I drink every day?

Speaker 1 (33:26):
Macha? It's a Macha drink.

Speaker 3 (33:29):
No, but it's kind of sounds like Herba mate. Yeah doesn't, Yeah,
it isn't. What age did I start therapy?

Speaker 1 (33:46):
Twelve?

Speaker 3 (33:47):
And correct?

Speaker 1 (33:49):
Again?

Speaker 3 (33:50):
What band changed the course of my life?

Speaker 1 (33:58):
Well, it's one of two, but I'm going to go
with Mike Kim Yeah.

Speaker 3 (34:03):
Correct.

Speaker 1 (34:04):
The other one I would have went with changed the
course of made me ohole. But I felt like it
was Mike Kim were anything else.

Speaker 3 (34:15):
Mike m changed the whole has definitely had a huge
impact on my life. But Mike him, Mike Kim is
how I got to mindless self indulgence. Gerardway's wife's band,
which is Lindsay Way. Which do you have.

Speaker 1 (34:30):
The Lindsay Way artwork piece in your house?

Speaker 8 (34:33):
No?

Speaker 3 (34:33):
I think you have it here.

Speaker 1 (34:34):
It's still here in the bathroom. Yeah.

Speaker 3 (34:36):
She's an artist.

Speaker 1 (34:37):
She predicts she's going to be a star. Yeah. I
was just texting with Gerard.

Speaker 3 (34:42):
I know, I know, but she's.

Speaker 1 (34:45):
Figure out which show you want to go to all
anywhere this summer this summer. Yeah, he's a good man.

Speaker 2 (34:55):
He just started blowing like we were going back and forth,
and then he dove back into my mental health and
he was like, I just rewatched your video and like
it was really good man, how are you feeling? He's
fucking good people. But I told him, I was like, dude,
your announcement video was fucking fire.

Speaker 1 (35:12):
He's like, that was fun.

Speaker 3 (35:13):
It was so fun.

Speaker 2 (35:14):
I was like, you look forward to it because, like
you know, when he came over back in the day
and whatnot. He was kind of, hey, man, I'm done
with my chemical romance. But he goes, Honestly, the last
time we all played together that was the most fun
I've ever had in the band. So he's like, I
feel like it'll be like that here. And he's like,
we're sad because somebody's missing somebody.

Speaker 3 (35:34):
Yeah, their drummer, Bob he passed.

Speaker 1 (35:37):
So he mentioned that he's going, but like, you know,
he's looking forward to having a good time.

Speaker 3 (35:42):
I can't wait.

Speaker 1 (35:44):
I'm like twenty years now.

Speaker 3 (35:46):
I think it was like, wasn't it even more.

Speaker 9 (35:50):
No, because you're twenty Yeah, I guess twenty yeah, yeah, yeah.

Speaker 1 (35:56):
So you discovered that album years after it was out.
Oh yeah, it was already all the movement.

Speaker 3 (36:03):
There are four biggest albums, their first four albums all
came out before I discovered My.

Speaker 1 (36:10):
Count Change Your life changed mine?

Speaker 7 (36:12):
Man.

Speaker 1 (36:12):
Fucking that's how Clerk's Three opens.

Speaker 2 (36:14):
One of my favorite pieces of filmmaking I've ever done
is the opening credits of Clerk's Three, which is essentially
just a fucking music video music video for fucking black Parade. Yeah,
and also, you introduced me to Gerard's music, and Gerard
did the Waters Wide, which I used twice. Yes, it's

(36:36):
good and still one of my favorite podcasts I ever
did is that him and Mikey sat down and went
line by line in Black Parade. We play it and
I'd stopped, like, what does.

Speaker 3 (36:45):
That mean that?

Speaker 1 (36:48):
It's like, well, came from this?

Speaker 2 (36:50):
And so every line I was able to break it down,
you know, because that song, like most songs, is more
poetry and it's not like, you know, you don't know
if you're being told a linear story or not. So
it was a weird like kind of experiment of processing

(37:10):
a song through the mind of somebody who can't process
it the way a musician processes it. So I was like,
what does that mean? Where'd that come from? Why did
you say that this line is dope?

Speaker 1 (37:22):
Why did that happen? Who are you singing about? You know?

Speaker 3 (37:26):
And that's what he's like, my grandma, Oh yeah, Helena, Helena.

Speaker 1 (37:32):
So yeah, that was fascinating. Anyway, back to my cam.

Speaker 3 (37:38):
Mike Cam, Yes, you got it?

Speaker 1 (37:40):
Uh, what's my favorite?

Speaker 3 (37:45):
What's my favorite TV show of all time?

Speaker 1 (37:49):
The Office? Correct? Again?

Speaker 3 (37:52):
I can't believe besides you, mom would get any of
these Yes, really, yes, I think she would.

Speaker 2 (38:04):
After the show, we go up there and do a
rapid the lightning on the ground with her.

Speaker 3 (38:08):
Okay, let's do it.

Speaker 1 (38:11):
People like do that on your fucking show. We'd like
to watch a family fight.

Speaker 3 (38:15):
Maybe we'll do it next time, but but it is
up to you.

Speaker 1 (38:19):
Next week that would be we'd be back in real time.

Speaker 3 (38:22):
Yeah oh wow wow.

Speaker 2 (38:25):
So we wouldn't be able to fucking see if she
agreed or if we if she beat me until two
weeks from now.

Speaker 3 (38:33):
I mean, you're so far you're you've got them all right,
you can't miss Besides you, of course, who is the
filmmaker I'd like to work with the most.

Speaker 2 (38:47):
You would like to work with the most? Or so
Quentin's off that list because you've already worked with him. Yeah,
I mean, I know you liked fucking Super eight, but
not enough to be like, I gotta work with J. J.

Speaker 1 (39:04):
Abrams.

Speaker 3 (39:05):
That is an amazing movie. There are two that come
to mind.

Speaker 1 (39:12):
First, hold on, I kept thinking.

Speaker 3 (39:18):
I think one of them you love, and one of
them I don't think you like.

Speaker 1 (39:26):
I mean, Quentin is the only one that I really knew.
Is Wes Anderson one of.

Speaker 5 (39:34):
No But I mean yes, I mean obviously, yes, career.

Speaker 3 (39:48):
Obviously a huge gs. But not the two of them.
Thinking of.

Speaker 1 (39:54):
Do both filmmakers have large bodies of work? Yes, I
mean one's not Spielberg, is it.

Speaker 3 (40:03):
Yes, but well no, but yes, no, but of.

Speaker 2 (40:07):
Course, and one's not squarse is no, but of course yes,
of course. I certainly hope one is not David Lynch.
You're a little late for that, sadly, rest in power.

Speaker 3 (40:18):
I just watched Mulholland Drive. You've never seen I had
never I'd never finished it.

Speaker 1 (40:24):
When they when they come out from under the door, like,
oh my.

Speaker 2 (40:29):
Gosh, you in the hospital when you're a kid.

Speaker 1 (40:36):
I don't. I'm sny not Judd.

Speaker 3 (40:39):
Apatow, No, I need no, but yes.

Speaker 1 (40:43):
Of course, Look.

Speaker 3 (40:46):
Somebody who wants to work, let's go.

Speaker 2 (40:49):
Any director, the longest part of their direction is not
like the lubs over there, towels are over there.

Speaker 3 (40:58):
Exactly.

Speaker 1 (40:59):
I don't. I don't know who who's one.

Speaker 3 (41:03):
Of them has a huge movie coming out this year, huge,
probably your most anticipated movie of this year that's coming out.
Remembering this is January, Sash, we're in the future, so
it's February.

Speaker 1 (41:24):
I don't know. I'm at a loss give me another.
What movie am I looking forward to this year?

Speaker 3 (41:34):
Cape?

Speaker 1 (41:36):
Oh? James Gunn? Yes, really, I mean, look, I'm down
with that.

Speaker 2 (41:40):
James Gunn makes like all them tucking Guardian pictures or
Fire Superman looks fucking amazing.

Speaker 1 (41:45):
So Fire really? Yeah, that's why that? Yeah, that's the.

Speaker 3 (41:51):
Man behind Scooby Doo.

Speaker 1 (41:52):
Of course that makes sense. I really should have pieced
it together from there. Fuck.

Speaker 3 (41:57):
My my dream is that one day he writes an
other Scooby Doo script.

Speaker 2 (42:03):
All right, so that's one. So is that the one
that I would like? And then there's one that I
wouldn't like?

Speaker 1 (42:09):
Well?

Speaker 3 (42:09):
I think one. You are a fan of this person's films,
but I think.

Speaker 1 (42:13):
Personally, you know what the fuck?

Speaker 3 (42:17):
I don't think you've told me he doesn't like you.
So my chances of working with it. My chances of
working with.

Speaker 1 (42:27):
Him are not huge. Is he old? Young?

Speaker 3 (42:32):
He's older now. I believe he had something to do
with Spider Man. I mean not sorry, not spider Man,
Superman your Superman script?

Speaker 1 (42:52):
Yeah? Oh really no, I would support you. Fucking oh
my god, get me a job. Why the nightmare? What
is your fucking.

Speaker 3 (43:04):
Oh my god? Everything?

Speaker 1 (43:05):
What do you mean everything.

Speaker 3 (43:07):
I mean Nightmare, I mean Edward Scissorhands, I mean scissor Hands.

Speaker 1 (43:12):
Yeah, the last semi watched Swen time.

Speaker 3 (43:14):
I literally made Austin watch it earlier.

Speaker 4 (43:19):
Yeah.

Speaker 1 (43:19):
Do you ever fuck with the Angela Lansbury Live Broadway version?

Speaker 3 (43:23):
I have not seen that one.

Speaker 1 (43:28):
Wow, I didn't know that you went hard on his
Sweeney Todd. That sounds so filthy. I didn't know that you.

Speaker 3 (43:36):
I mean, that's just his overall.

Speaker 1 (43:41):
What about what about the best movie he ever made?

Speaker 3 (43:46):
What let me guess, go ahead, like the best movie
he has.

Speaker 1 (43:50):
Tim Burton ever directed? My favorite Tim Burton movie.

Speaker 3 (43:55):
Do you like big Fish?

Speaker 2 (43:57):
I mean, oh, look, not for nothing. Here's my big
Fish story. So we're watching We're watching big Fish, Me
and your fucking mother, and the whole time I am trash.

Speaker 1 (44:10):
Talking it like why didn't fucking like this? Like, oh
my god, this is so fucking what a waste of
Albert Finney. This guy can't ever be trusted with a
good fucking script. Why the fuck would he do in
the last ten minutes of that movie? Destroyed me? Like
you know that movie?

Speaker 3 (44:28):
Yeah, yeah, he's like.

Speaker 1 (44:30):
Oh my god, him like with his.

Speaker 3 (44:34):
You're the asshole.

Speaker 1 (44:35):
The like theater. We were at home watching it. I
was talking. Everybody eyes on me. I don't like Tim
Burdon movies, like what are you doing here?

Speaker 2 (44:48):
Oh, we're watching an oscar screen at home, but that
last ten minutes with his father is like that is cinema,
and like instantly I was like apologizing to the TV
where it's like, I'm sorry, I didn't know where we
were going. I'm sorry, I'm sorry, crazy wonderful, but that's
not it.

Speaker 3 (45:02):
Are you talking about Alice in Wonderland? Because that I
actually that was not my.

Speaker 2 (45:08):
Look, I'm all for him, you know, because they made
like a billion the first one made like a billion
dollars or more. So I get it wasn't necessary for me,
and I loved that, and I think he's imaginative as
fucking you know. Clearly, I've worked with him the Ship,
but like the Alice movies weren't necessarily for me.

Speaker 3 (45:24):
Alice is the animated Ali It's my favorite movie of
all time in my bar. My favorite thing about it
is the color and Tim Burton's esthetic is the opposite
of colors. So I he's perfect for Sweeny Toddy, absolutely perfect.
But it wasn't my favorite adaptation of Alison.

Speaker 1 (45:48):
I'm still waiting for you to figure out what my
fucking Tim Burton movie is.

Speaker 3 (45:53):
I give me a hint.

Speaker 1 (45:56):
Is my hairstick?

Speaker 3 (45:57):
No, you can face it. Wait, give me a hint. No,
no hints.

Speaker 1 (46:05):
No, you just gotta think real hard.

Speaker 2 (46:06):
Where do you Where do you start fucking with Tim Burton?
What's your earliest Tim Burtney memory?

Speaker 3 (46:12):
The Nightmare before Christmas?

Speaker 1 (46:13):
Okay, this happened before that.

Speaker 3 (46:15):
This happened before that.

Speaker 1 (46:17):
It is one of my all time favorite movies.

Speaker 3 (46:20):
Oh my gosh, Oh, Peewe's Big Adventure.

Speaker 1 (46:23):
No, but you're getting warmer. It was the one he
did after that pee Wee's.

Speaker 3 (46:27):
Oh oh, Beetlejuice.

Speaker 1 (46:32):
No, but yeah, but you're I'm sorry, my bad. You're right.

Speaker 2 (46:36):
It wasn't the one he did right after that, but
he didn't do it after Peewe's and it was not Beetlejuice.
But I do absolutely love beetle Juice.

Speaker 3 (46:43):
Oh oh, oh, so close? Oh my gosh, fuck, Wait,
what is it? I feel like I'm so close. Give
me a hint, give me a hint. Mmm, oh my gosh,
I don't know, I don't know.

Speaker 2 (47:05):
Really, it's got one of the greatest scores of all time,
one of the greatest performances of all time. It was
a massive fucking hit cultural phenomena.

Speaker 1 (47:16):
People wore the T shirt, cut.

Speaker 3 (47:20):
It into their head, cut it into their head.

Speaker 1 (47:24):
It gave birth to rebirth to an entire fucking genre.

Speaker 3 (47:29):
Oh my god, I don't want I'm blinking completely.

Speaker 1 (47:35):
It's the story of a little boy who loses everything.
I literally don't know in an alley. Oh, Harley Quinn got.

Speaker 3 (47:59):
It going for a second. All of those also, all
of those awesome Little Boy, that's all you have to say.

Speaker 1 (48:09):
I was like, I don't know. That is my favorite
Tim Burton movie still, and it is far from a
perfect It's so good. Ye, so many.

Speaker 3 (48:20):
He has so many iconic movies. It's crazy.

Speaker 1 (48:23):
He has definitely fucking affected the culture. Change the culture. Yeah, yeah,
i'd support that.

Speaker 3 (48:29):
Is it crazy that he didn't direct The Nightmare before Christmas?
But everybody associates him.

Speaker 1 (48:34):
Yes, we did. Coraline and James and the Giant.

Speaker 3 (48:39):
Peach, Caroline, Coraline Scars. Yes, the other Mother. Oh, the
other Mother's too, gloso.

Speaker 1 (48:54):
I forgot.

Speaker 3 (48:59):
The uh yeah all right, so wait, oh my god,
I can't believe I forgot that. Man, Oh my god,
it took me so long to get there.

Speaker 1 (49:08):
I was thinking. I was like, all right, well she's
gonna remember Michael King.

Speaker 3 (49:12):
I was like, Sleepy Hollow.

Speaker 1 (49:16):
I love, and that's her best work.

Speaker 3 (49:19):
Honestly, I like that movie.

Speaker 1 (49:21):
So I saw once. I like, when I first came out,
it was not my like I thought it was well done,
but not like, let's wash.

Speaker 3 (49:28):
It again, run it back again.

Speaker 1 (49:33):
All right? Is that the end of your fucking quiz?

Speaker 3 (49:39):
What is my biggest fear? There are two acceptable answers.
One of them should be pretty easy for you to needles. Yeah, well,
it's it's more things going into my veins is my
specific fear.

Speaker 1 (49:52):
But how many things go into your veins? Just needs?

Speaker 3 (49:58):
Yeah, but it's the thought like it's like a shot
doesn't really bother me, but because in your veins yeah yeah,
yeah yeah, but like the veins that you can really
see the getting a shot doesn't bother me as much
because the veins not like sticking out and it's really

(50:18):
obvious and stuff. But getting your blood drawn, the veins
gotta stick out and it's right there.

Speaker 1 (50:25):
That's what it does.

Speaker 3 (50:27):
No, Yeah, that's exactly what I say.

Speaker 2 (50:34):
I just went and had framed today. I went on
eBay a bad News Bears poster Amanda specific.

Speaker 3 (50:42):
In Spanish, amazing that.

Speaker 1 (50:47):
I was proud of myself.

Speaker 3 (50:48):
Anyway, what's my other biggest fear? I don't know if
you actually know this or not. Ronald McDonald is pretty easy.

Speaker 1 (50:58):
You did. You did kind of come out against Ronald McDonald.

Speaker 2 (51:00):
I was like, I can, we'll never get that McDonald's
sponsorship ship in the clown's mouth.

Speaker 1 (51:04):
Fuck.

Speaker 2 (51:08):
You know, one of your mother's is being like fucking
locked up against her will, like in a second board
or something.

Speaker 1 (51:13):
Anytime there's a super inconvenience, I know, my god, damn it,
but anytime there's a movie where something like that happened,
she's like, no, no, no, no, no, it's not happening.

Speaker 3 (51:26):
No no, sharks, no no no. Do you have the
biggest fear?

Speaker 2 (51:37):
Yeah, oh yeah, but it's not, oddly enough, it's nothing
to do with like my well being having almost died.

Speaker 1 (51:46):
The kind of fear. Believe me, I want to live,
but like the fear of death thing was kind of
purged from the heart attack where I.

Speaker 2 (51:54):
Was like, oh my god, I thought I was dead,
but I didn't die, So it feels like I'm just
like playing on house money at the point, living on
a borrow time, so to speak. So I don't think
about the thing that I fear probably the most is
like losing it all, not being able to beat Kevin
Smith any wow, because now I've been that longer than

(52:14):
I was. Not that Like, I've been an entertainer for
thirty one years thirty two if you include the making
of clerks and everything happened to me when I was
twenty three, So I had less years as a normal
human being than I've had as.

Speaker 1 (52:32):
A bang, as a a over enthusiastic camp counselor.

Speaker 3 (52:41):
Being that Kevin Smith at that Kevin Smith that Kevin.

Speaker 1 (52:45):
Smith club where you can watch the show. But yeah,
it was yeah wow.

Speaker 3 (52:53):
Mine's a mind's some more casual answer. As for my
fear bears, I love theirs. No, not an actually yes,
dark water. It's dark water because I fear. I fear
for what's under the water, Like what water that I

(53:15):
could see through is all good, But like a lake, No,
you may.

Speaker 1 (53:20):
Don't have to be afraid of that because you don't
have to go. Nobody's going like get in the lake.
But like, I don't know if you don't have to
go in.

Speaker 3 (53:27):
I feel like I don't know if I could do
something like film a movie and water.

Speaker 1 (53:31):
Don't you don't have to I don't think, I mean.

Speaker 3 (53:34):
Not, opportunity hasn't struck yet.

Speaker 1 (53:37):
I don't. I don't think it has to be. Like
That's why I'm not afraid of sharks, because I'm like, well,
I'll never being the Yeah, that's true. Now they start,
you know, fucking.

Speaker 3 (53:48):
You know, for those who are listening and aren't watching,
that was a shark getting out of the water.

Speaker 1 (53:56):
Let's not be ridiculous.

Speaker 2 (53:57):
He was.

Speaker 3 (54:00):
I thought he was like.

Speaker 1 (54:05):
I'm a hungry mostert. He was.

Speaker 2 (54:11):
Like a seal, and seals like, no use their bellies
up in the I saw a fucking video on TikTok
the other day and it said this is how life
should be. And there were people on a boat, like,
you know, a fucking like cruiser, a fishing boat, not
a fishing boat, but like having a good not a
pontoon though, but like a speedboat but not a speedboat,

(54:33):
but like you can.

Speaker 1 (54:34):
Fish off it, but it ain't a yacht, but like, hey,
we got a boat for the weekend. And ship like that. Okay,
like mini party boat but not huge parties, maybe.

Speaker 9 (54:43):
Like eighty let's say sick okay, fucking uh was a
pelican just lands and sits with them on like the
couch in the back of the boat, and he's just chilling.

Speaker 10 (54:59):
Out, and you're like, that's fucking this is how it
should Then all of a sudden, if somebody goes holy
shit and they pan over and a fucking seal bellies
up onto the back of the boat, hits the deck
and just goes to sleep.

Speaker 1 (55:15):
I was like, what.

Speaker 10 (55:18):
Where is this?

Speaker 1 (55:19):
I'm going to do this?

Speaker 2 (55:23):
God?

Speaker 3 (55:23):
Wait, that's amazing.

Speaker 1 (55:24):
But it was like the caption of this is how
life should be. It was awesome, so true. Oh my god?
All right, what else? What's your final question?

Speaker 3 (55:34):
How old am I?

Speaker 1 (55:37):
You're gonna be twenty six? You're twenty five right this second?

Speaker 3 (55:40):
Good job? You scored, you kid.

Speaker 1 (55:45):
I can't wait to see what Jennifer does.

Speaker 3 (55:48):
You're gonna be like, well, I not all of them.

Speaker 1 (55:52):
I don't know that caps. Yeah, I feel pretty good
about that.

Speaker 3 (55:59):
Are you for your next category?

Speaker 1 (56:01):
No, it's the end of the show.

Speaker 3 (56:03):
It's the end of the show.

Speaker 1 (56:04):
You wasted all our time. Just talking about coal miner's
fucking daughter. Hold on to that for next episode. Okay,
it's not like it evaporates and you can never do
it again. There's no expiration date on that.

Speaker 3 (56:18):
I there's a there's a final task though, what's the
final I'm going to.

Speaker 2 (56:22):
Text it to you why to see if I prove it?
Or are we going to bring it up on air
as we speak. It's adorable because you don't seem to
think that you could like just say it. We can
cut it if needs be.

Speaker 3 (56:37):
No, got it? Text it too?

Speaker 4 (56:40):
Okay, you can don't.

Speaker 1 (56:41):
Read it out loud, won't talk while I'm reading.

Speaker 3 (56:44):
It, So that's not buy our shirts?

Speaker 1 (56:46):
Please do that?

Speaker 3 (56:48):
Oh you got what? Please buy our shirts that Kevin
Smith club. Well, kids, this is called the confessional.

Speaker 1 (57:10):
Why is it confessional? Maybe forced confessional? Because you're making
me say this fair enough? Can I do? I get
to address it? Just do it? Hopefully people understand that
this is not my choice. Okay, we will be a

(57:31):
concluding this episode because I made a poop poop in
my pants and I've got to go because it's so mushy.

Speaker 3 (57:44):
And thanks for listening to beardless diggles me I'm Harley
quin Smith and I was the.

Speaker 1 (57:49):
Guy that used to have dignity Kevin Smith. Go have
a beardless Douglas. Bye.

Speaker 2 (58:08):
This has been a podcast production s podcast podcast using
our mouths on you since two thousand and seven. Hey kids,
did you like what you just heard?

Speaker 1 (58:21):
Well, guess what.

Speaker 2 (58:22):
We've got tons more man thousands of hours of podcasts
waiting for you at that kevinsmithclub dot com.

Speaker 1 (58:29):
Go sign up now.