The Resurrection of Dogma

Kevin talks about the surprise sudden re-release of Dogma! Harley records a voice track for a cartoon! Plus: The Devil Went Down to Georgia.

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Episode Transcript

Speaker 1 (00:24):
Back to bearlesstickless me. I'm Kevin Smith Smith. Okay, big news,
Dogma so true.

Speaker 2 (00:33):
Congratulations, everything old is new again.

Speaker 1 (00:36):
Last time I released Dogma, you were like you were
fucking a baby.

Speaker 2 (00:42):
You were baby exactly precise.

Speaker 1 (00:47):
You couldn't even concentrate on releasing the movies. We had
to watch you because you're like hands up in the air,
used helpless. Some would say useless. I said helpless. My apologies,
but we're oddly enough we're doing it again twenty five
technically twenty six years later.

Speaker 2 (01:03):
That's so exciting.

Speaker 1 (01:04):
Uh, Dogma movie dot com is the address we dropped,
as the kids say, the trailer this morning. The trailer
was made by the folks that bond. They have made
the trailers for our last few movies. They did Reboot,
which was an excellent trailer, Clerk's Three, which was an
excellent trailer, four point thirty Movie which was an excellent trailer,

(01:25):
and now Dogma and kill It. They found a way
to fucking sell Dogma where I was like, I go
see that, Like they give it a modern fucking sello.

Speaker 2 (01:33):
It's pretty awesome, everybody. I feel like a big comment
that I get all the time is that Dogma is
everyone's favorite movie of yours.

Speaker 1 (01:45):
People seem to like that used to be chasing.

Speaker 2 (01:47):
Amy and chasing Chasing Amy ques.

Speaker 1 (01:51):
Oddly for some people and for some people though like
this movie is not what it's you know, he shouldn't
be making this movie. I can see it. But Dogma
has weathered the storm, even people that used to be like,
I'm against this movie. I'm not gonna say all of them,
but like most of them came around a lot worse
ship came out between dogs. I did see somebody in

(02:13):
my Socialist today who was just like, you're gonna burn?

Speaker 2 (02:17):
Are you serious?

Speaker 1 (02:18):
They don't know, they don't know that I sold my
soul to Jesus when I was nine years old because
I was scared, because I was like, what if, like
fucking somebody tricks me into selling my soul to the devil.
So I made a deal with Christ first, and I
sold my soul of Jesus so I can never sell
my soul to the devil.

Speaker 2 (02:35):
True story, sad but true.

Speaker 1 (02:40):
I'm not saying I sold it to him for love
of Jesus, more for fear of the devil. Somebody tricking
me into fucking giving my soul up and shit like
you know it was, you know, like devil went down
Georgia looking for a soul to steel. You know that
of course you want?

Speaker 3 (02:56):
You don't know?

Speaker 1 (02:57):
That's all? Is that it is?

Speaker 4 (02:59):
Uh?

Speaker 1 (03:00):
I was again the devil went down to Georgia looking
for a soul to steal. What was it?

Speaker 2 (03:06):
Cinnamon's song?

Speaker 1 (03:08):
It's called what is it? It's fucking the Charlie Daniels Band.
But the song is it's a fuck? Is it?

Speaker 2 (03:20):
The Devil went down to Georgia.

Speaker 5 (03:23):
I guess I could assume it's let me quick, but
I guess that would track devil.

Speaker 2 (03:34):
Whatever it is, it.

Speaker 1 (03:37):
Down to Georgia is a song written and recorded by
the Charlie Daniels Band, Although uncredited. Vasser Clements originally wrote
the basic melody an octave lower in a tune called
Lonesome Fiddle Blues, released on Clement's self titled nineteen seventy
five album, on which Charlie Daniels played guitar. Charlie Daniels

(03:57):
Band moved it up in octave and put words to it.
Songs versus are closer to being spoken rather than some
so that's why I wasn't singing. I was like the
devil went down Georgia looking for a soul to stay you.
It's about that, like a motherfucker, and he the devil
comes down to Georgia.

Speaker 3 (04:15):
Literally, I mean, I don't know why I'm fucking literally.

Speaker 1 (04:20):
It's right there on Fronstreet. They don't bury the lead.
He meets a fiddle player, Johnny. This guy fiddle plays
the fiddle man. The song tells the story is from
the Wikipedia bas about the Devil's I mean spoilers. They
shouldn't fucking they should bury this part deep in the
but they say the song tells a story about the
devil's failure to gain a young man's soul through a

(04:41):
fiddle playing contest.

Speaker 3 (04:43):
Don't wait to give it away in the first second.
My kid didn't know.

Speaker 2 (04:48):
There's a whole story to be said.

Speaker 1 (04:50):
Wikipedia, Well, yeah, that's the thing. The devil shows up
and he challenges a motherfucker. It's like the story of
the you know crossroads. You ever hear that story? Yeah,
where motherfucker went at a crossroads, met the devil Daniel
whatever his name was, Johnson or something, and he taught
him to play. I don't fucking or he played better
than the devil and the devil got a soul. Whatever

(05:11):
this is that story, Charlott, Where fucking what's his name? Johnny? Yes,
Johnny is the fiddle player. The devil shows up and
he's like the song begins Johnny Johnny turns out to
be the devil. The song begins as a disappointed devil
arrives in Georgia, apparently way behind on stealing souls, when

(05:33):
it comes upon a young man named Johnny who is
playing a fiddle, and he's playing it quite well. At
a desperation, The devil claims to also be a fiddle
player because in old pictures of old scratch there was
you could see pictures of them in the fiddle wages,
uh wagers a fiddle made of gold, which in those days,

(05:54):
old timey days. Look it's still be worth something today too, but.

Speaker 2 (06:00):
All made of gold, Yeah, I think so, yes.

Speaker 1 (06:03):
But not enough big versus your soul? Oh you know
what I'm saying.

Speaker 2 (06:08):
No, you got a point.

Speaker 1 (06:09):
Unless you're like before, no one will ever outfiddle me,
so I can wager my soul and that's kind of okay.

Speaker 2 (06:16):
Yeah, you got a spoilers, You've got a good point.

Speaker 1 (06:18):
Although Johnny believes taking the devil's bet might be a sin.
He fearlessly accepts, confidently boasting, I'm best that's ever beenned.

Speaker 2 (06:29):
Damn.

Speaker 1 (06:30):
So I'm trying to remember, like there's a curse because
when we were kids, we loved singing it. Ship I think,
he says.

Speaker 3 (06:36):
Step on back, you a bitch, I'm the best that's ever.

Speaker 1 (06:38):
Been, and we were all like wow, he said, And
it's a very catholic song because he beats the devil
and with his skill, his presumably God given the skill,
and the devil fucking loses.

Speaker 2 (06:56):
Of course, well who.

Speaker 1 (06:59):
Else gave it to? The devil plays first, backed by
a band of demon musicians.

Speaker 3 (07:06):
Love right, I Love.

Speaker 1 (07:09):
You're waking up at age twenty five, almost twenty six,
realizing you've wasted your whole life because you've never heard
this fucking song.

Speaker 4 (07:16):
This.

Speaker 2 (07:16):
I feel like this is going on you.

Speaker 1 (07:18):
It's going to redefine cinnamon.

Speaker 2 (07:20):
Dude, I think so, I think this could be some heavy.

Speaker 1 (07:24):
Cover it bro. You know, anybody could play a mean fiddle.

Speaker 2 (07:29):
Let me do some research.

Speaker 1 (07:30):
You can also also the lyrics, so it's not a fiddle.
It could be like a piccolo, so somebody can be
like or recorder whatever, that's not a pickle.

Speaker 2 (07:40):
I don't even know what a piccolo is.

Speaker 1 (07:42):
But it's not that the devil. The devil first place first.
He's backed by a band of musicians. When he's finished,
Johnny compliments him. He goes, uh, well, you're pretty good,
old son. Let me just pull the wait.

Speaker 2 (07:57):
Johnny says that to the devil. That's bold.

Speaker 1 (08:01):
But he said, but then, if I remember correctly, he's like, uh,
let me show your house.

Speaker 4 (08:05):
Done.

Speaker 1 (08:07):
Devil went down to Georgia. Lyrics and you, honestly, well,
the devil went down to Georgia. He was looking for
a soul to steal. He was in a bind because
he was way behind. He was willing to make a
deal when he came across this young man song on
a fiddle, playing it hot, and the devil jumped on
a hickory stump and said, boy, let me tell you

(08:29):
what you probably didn't even know. But I'm a fiddle
player too, and if you'd care to take a dare,
I'll make a.

Speaker 3 (08:35):
Bet with you. Now you're playing pretty good fiddle. But
the what is it?

Speaker 1 (08:39):
But boy, but give the devil his due. The boy said, no,
I'm a fiddle. Now you're playing pretty good fiddle, boy,
but give the devil his due. I'll bet a fiddle
of gold against I bet a fiddle goal against your soul.
I think I'm better than you. The boy said, my
name's Johnny, and it might be a sin. I'm gonna

(09:00):
take your bet, and you're gonna regret. I'm the best
there's ever been. Johnny, rising up your bow and play
your fiddle hard, because hell's.

Speaker 3 (09:07):
Broke loose in Georgia.

Speaker 1 (09:08):
And the devil deals the cards and if you win, you.

Speaker 3 (09:11):
Get the shiny fiddle made of gold, but if you lose,
the devil gets your soul.

Speaker 1 (09:17):
And then they fucking fiddle.

Speaker 2 (09:22):
Now, now maybe it's ringing a bell, but also fantastic
reminder that this song is out there. Because of this
song slows, it does slap.

Speaker 1 (09:31):
Let me find where he curses. Man devil opening up
his case, so I'll start the show. And fire flew
from his fingertips as he rosing up his bow, and
then he pulled his bow across the strings and that
it made an evil hiss, and the banded demons joined
in and it sounded something like this, and then they
go into instrumental.

Speaker 2 (09:48):
This is a this is gorgeously told.

Speaker 1 (09:51):
When the right to Charlie Daniel's.

Speaker 2 (09:55):
Band fingertip, what was that.

Speaker 1 (09:58):
Rosing up the bow? Fingered fire flew from his fingertips
as he rosing up his bow, and he pulled his
bow across the strings. That made Nevil hiss, and the
band of Deems joined in. This sounds something like this.
When the Devil finished, Johnny said, you know you're pretty good,
old son, but you just flopped down there in that

(10:20):
chair right there.

Speaker 3 (10:21):
I'm gonna show you how it's done.

Speaker 4 (10:24):
Oh my god, Fire.

Speaker 3 (10:25):
On the mountain, Run boys, run.

Speaker 1 (10:28):
Devil's in the House of the Rising Sun, checking in
the bread pan, picking out no.

Speaker 4 (10:35):
Granting?

Speaker 3 (10:36):
Does your dog bite no child?

Speaker 1 (10:37):
No, I had no idea. Those are the.

Speaker 2 (10:39):
Lyrics this song is. I do know this song well.

Speaker 1 (10:44):
That old devil bowed his head because he knew that
he'd been beat, and he laid that golden fiddle down
at the ground at Johnny's feet, and Johnny said, Devil,
come on back, if you ever want to try again.
I told you, once you some up.

Speaker 3 (10:55):
A bit, I'm the best there's ever been.

Speaker 1 (10:58):
But they I think the radio version was the son
of a gun. But every once in a while you
would hear the Son of a Bitch version on the album.
I remember, first of all, you know what I'm saying,
Daniels nineteen seventy nine.

Speaker 2 (11:11):
But you just fucking spit that out. I mean, you know,
thank you, but it was impressive.

Speaker 1 (11:17):
I did have help. I amn't familiar with the song
going way back.

Speaker 2 (11:20):
But that's a good that's a good story.

Speaker 1 (11:23):
It's good ass sort. How fuck did we get there?
Oh yeah, Dogmas coming on? Dogmas happened?

Speaker 3 (11:30):
That song is not in it, although now I wish
it was.

Speaker 2 (11:32):
You made a mistake with your one.

Speaker 1 (11:34):
Perhaps I can fucking redo the sound mix and get
this in there.

Speaker 2 (11:37):
Oh my gosh, yes, but why why not bring it up?
Something about who the hell the fuck knows? Yeah, was
happy to have that song back in my life.

Speaker 1 (11:48):
Bro, I'm telling you you and your band Cinnamon should
cover it. Nobody's touched that song in a while, and
now like people are in country can cover country, Beyonce,
I want a whole ass Grammy.

Speaker 2 (11:58):
She's that's true.

Speaker 1 (11:59):
It's a fire song. People love that song that.

Speaker 2 (12:02):
I'm gonna think about that one. But anyways, congratulations on Dogma.

Speaker 1 (12:07):
Why thank you?

Speaker 2 (12:08):
It's very exciting.

Speaker 1 (12:10):
Dogmovie dot com. Kids, you could come see the Dogma's
gonna be everywhere June fifth. Go out to your local
movie theater. You're gonna be able to watch it. Yes,
in advance of June fifth, I'm taking it on tour
for right now, it's like twenty dates, but I think
we'll probably keep adding more across the country, and tickets
are on sale dogmamovie dot com. Harley has been paying

(12:33):
a close attention to the site all day, more so
than me. Yeah, she's been texting me like.

Speaker 3 (12:38):
This, so doubt is so doubt, just so dout, just
close to selling out.

Speaker 2 (12:42):
I like it. It's exciting, It is cool.

Speaker 1 (12:45):
These are small venues. Normally when we go out we
do like one thousand, fifteen hundred theaters, but this tour
is through AMC theaters, so you're only as you know,
big as whatever their biggest houns is. So we're trying
to do multiple shows while we're at each stop. So
if you don't see your city, it may be added.
Don't worry about it.

Speaker 2 (13:05):
I saw some people.

Speaker 1 (13:07):
Folks in Pittsburgh I thought were right rightfully, like, hey man,
you shot the fucking thing here.

Speaker 2 (13:15):
Gonna make that work?

Speaker 1 (13:16):
Oh, yeah, I would say if some podcasts Small Guys
has sold out, we had another show, it looks like
that's gon sell out, so we might add a second day.
That was the case, then Pittsburgh would probably be May seventeenth.
So if you're Pittsburgh kids, hold on, hold on coming.

Speaker 3 (13:36):
Oh no, I'm the fucking best it's ever been. Some
a bitch, I'm the best of every band.

Speaker 1 (13:42):
Gotta have that Johnny confidence.

Speaker 2 (13:44):
Man, I know, honestly, only I told.

Speaker 1 (13:46):
You once, you se bitch, I'm the best of every band.
I don't know, man, Johnny, you know Judy's Johnny cousin. Johnny.
We would love singing that part because you can sing it.
Nobody can say anything. Can be like, hey man, it's
on a radio.

Speaker 2 (14:02):
But it also just goes real hard.

Speaker 6 (14:04):
It does.

Speaker 1 (14:05):
He sends you home in a real big book. You're
you're absolutely right to point out the story structure of
that song. The story like wonderful.

Speaker 2 (14:13):
The imagery is truly just breathtaking.

Speaker 1 (14:17):
And it's weird that it is more spoken than some
I think, so anybody could do it.

Speaker 2 (14:22):
That's pretty cool.

Speaker 1 (14:23):
Honestly, maybe the first.

Speaker 2 (14:24):
Rap, Honestly, that was kind of some bar.

Speaker 1 (14:28):
Oh the whole hip hop community is like, no, absolutely
not it. That's not the origins of Wrap my Front.
But it is a fire.

Speaker 2 (14:36):
Song, pretty fire lyrics.

Speaker 1 (14:39):
Dogma coming to a town near you, kids. How delightful
to get it back after all this time. And Bertie
just leant on a sigh of contempt. I'm happy. I'm happy. Okay,
go by tickets, dog my kids. Now, this is what

(15:02):
we're doing this week, me and Ralph during Well, I
guess let me set it up first. As you know,
anyone who listens to the show for the last month
or whatever knows, I've been dealing with a bit of
a Bullwinkle fixation obsession, bit of a Bullwinkle obsession. Man,
I am Almoose crazy.

Speaker 2 (15:29):
He's gone off the deben. He's really going off the debu.

Speaker 1 (15:33):
It is uh and and I'm trying to find a
way to channel it. Oftentimes I get to be involved
with things that I like and then that tempers, you know,
the fucking fever for it. Because I was a case
in point that.

Speaker 2 (15:49):
How we built America.

Speaker 1 (15:51):
Yeah, when I got to do the fucking it's two
weeks ago. I did the mega brands that built America,
there was an itch that was, although it hasn't made
me be like I don't care about the show nor
because it's the fucking fire show. We last night we
watched episodes about Milton. His name was Kilton Bradley. Their
names were the Parker brothers. I say that these fuckers

(16:14):
hated each other.

Speaker 2 (16:15):
Sometimes I'm like, his name was Moo.

Speaker 1 (16:18):
His name is who's what in the last name would
has Ager or Smith Smith?

Speaker 6 (16:24):
His name is Moo Smith. His name is MoU Moose Smith,
and one day he will create a billion dollar cat
litter industry. But today MoU is trying to figure out
how to get to the top of the couch without
encountering the bitchy little cat.

Speaker 2 (16:42):
Hey, Carl, Carl, you.

Speaker 1 (16:46):
Every and the stories they always have like some enemy
and ship, some motherfucker working against them. That makes them
be better at the end of the day. At least
that's how they painted through the lens of history. I'm
sure in the moment they're like, I didn't want to
make it better. I hate it. I hate it those
Parker brothers. All right, I can't interact with Bullwinkle like

(17:09):
I can't. Like they're done a long time ago. They
were done before I was born.

Speaker 2 (17:15):
Really yeah, oh shit, yeah.

Speaker 1 (17:17):
They went from nineteen fifteen hard, from nineteen fifty nine
nineteen sixty four, five fucking hard careers. First the Rocky
Show than the bowl Winkle Show. Now jay Ward had
other productions like Georgia the Jungle and stuff like that,
but that was it for Rocky Bogo. Five seasons technically,
but a lot of episodes. But point being, they stopped

(17:44):
in nineteen sixty four, six years before I was even
born that I'm aware of. There is no time travel
technology yet for now, we're waiting on Tony Start to
figure it out. Yeah, so what to do? So what
I did was I wrote a Rocky and bowl Ankle

(18:05):
episode to see if I could do it. And I
knew I could because I've watched so many episodes. But
what I did was, rather than write Rocky and Bullwinkle,
I wrote them for my characters. Substitute the Rocky bowl
Ankle characters for my characters. So instead of Bullwinkle, it's
Movie the Golden Calf. Instead of Rocky, it's Little Eddie,

(18:29):
the cat who lives in your mouth, clean your teeth.
Instead of Bores Bad Nove, I'll be using Surley Duck
and instead of Natasha, I'm using Enoch the Bible, quoting
hard Park so instantly gets a laugh. So I constructed
it very much like an episode of Rocky and Bullwinkle,

(18:52):
including the narrator and stuff like that, and I was
very pleased with the results. So on Saturday night we
had a Hollywood Babylon that I knew wasn't sold that
we were like half capacity and ship. So on a
show like that, I'm like, let's get experimental, let's let's
let's feel the room's blue sky. So I brought the

(19:13):
script with me because Ralph will be the voice of
the narrator. He's very good at doing the William Conrad
type of like when we last left our Heros. He's
a perfect voice for that, and he'll also be Surly Duck.
I had him do it as al Pacino, but we're
going to have him do it instead as John Love.
It's which makes more sense for the character and stuff.
So I busted it out and we read the entire

(19:38):
script in front of the audience and it fucking killed,
like it absolutely killed. Ralph did the voice of Little
Eddie because he had a he had a I was like,
do you have a hip, do you have a Rocky?
So he went for it, and I was doing the
movie voice as Bowwinkled, so I didn't want to talk
to myself, so I let him go. But it is

(20:00):
it was written for you to play the part of
little Eddie. So what we're going to do is put
together a scratch track. So we're going to record all
the dialogue and then I'll edit it together and then
I send it to Steve Stark once I get Ralph's
side of it and stuff. So it plays like an
audio episode, which the way that they produced Bullwinkle was

(20:26):
they often called it a radio show with drawings because
since it was limited animation back in those days, so
much of the story was told through dialogue. And in
the case of Rocky and Bogul, a narrator. They didn't
have to draw so many things because the narrator be
like and they did this, and that covers a lot

(20:47):
of ground. So the thing that I've noticed about rock
and Bogos, I'll put it on go sleep. It is
like a podcast. It's like a radio show. It's just
constant dialogue. There's no like it's quiet, what's happening even
when they're not talking. Somebody else is telling the story.
So I will put together that entire scratch track it's

(21:07):
called and then send it to Steve Stark, who's already
been designing the characters his Little Eddie, Like you know,
I was like broke, just.

Speaker 2 (21:20):
Sorry, Wuckie preaching orgasm.

Speaker 1 (21:26):
He's already started drawing him, so he like, like, you know,
it's definitely movie, but he's more in the proportions of Bowwinkle,
And it's definitely a little Eddie, but he is very
much in the proportions of Rocky.

Speaker 2 (21:39):
It's so cute, very very cool.

Speaker 1 (21:42):
So we're gonna record and then I'll cut this. Aside
from it being an episode for everyone here, I'm gonna
then take the audio cut it up to create the
scratch track.

Speaker 2 (21:54):
Oh my god, this is so cute.

Speaker 1 (21:58):
I honestly like, I think it'll work because the it
killed at the fucking live show.

Speaker 7 (22:04):
He's cute.

Speaker 1 (22:08):
So I will read everything. Mm hmmm, you're just responsible
for Little.

Speaker 2 (22:17):
Eddie and you're looking for a Linus adjacent Let's.

Speaker 1 (22:22):
Yeah, let's audition voices. Okay, first, you know what Rocky
the Flying Squirrel.

Speaker 2 (22:28):
Sounds like, Yeah, but maybe you could put him.

Speaker 1 (22:32):
All right, fucking you never have to ask me twice.

Speaker 2 (22:35):
Maybe them up.

Speaker 1 (22:38):
I was just watching.

Speaker 2 (22:40):
Yeah, I'm sure it's not on that part, all right,
So yours me me you.

Speaker 7 (23:00):
We can't do that, we.

Speaker 2 (23:05):
Can we can't do that.

Speaker 7 (23:09):
We can't do that. We gotta see the country.

Speaker 1 (23:13):
It's so strange, right because she's doing.

Speaker 7 (23:21):
We can't do that. We can't do that.

Speaker 1 (23:29):
But you already have a like a like a girl voice.
So I don't know why you're trying to be a
girl because.

Speaker 2 (23:37):
I got a little ass boy.

Speaker 1 (23:40):
Uh, well, you don't have to do that because that
was June four ray and she was, you know, the
best and stuff. But I'm flat out doing Bullwinkle because
I'm not creative. And so my Moby Saunds like this,
that's so cute, but it ain't pitch perfect like you
know it's but it's close. People will be like, that's
he's doing bull Winkle. You might get away with people

(24:03):
not going like she's doing Rocky because you could do
your own cat boys. So let me hear your Linus
voice as Linus as you're doing.

Speaker 7 (24:12):
Hi, Hi, Grandpa, it's me Linus.

Speaker 8 (24:16):
Now.

Speaker 1 (24:16):
I like the pitch and the register, but why is
he so fucking scared.

Speaker 2 (24:21):
That's just the personality.

Speaker 1 (24:24):
So I'll take that pitch and register, but with more confidence,
not confidence. It was like game, not like that other
fucking mean cat.

Speaker 3 (24:34):
We don't want that.

Speaker 1 (24:35):
Don't come nowhere near the show. He's too he's too
close to me.

Speaker 3 (24:42):
We can't have two people's.

Speaker 2 (24:44):
Grandpa grand my boys.

Speaker 1 (24:49):
You if anything that's Red Skelton's voice. What happened there?
Oh my god, I did anything unplugged? All right, Okay,
so let's hear that same pitch and register. But the
voice direction that June Fora was given was he's a

(25:10):
little boy scout ernest as hell. Sometimes he's like, hey,
but you don't know what you're talking about, mister, But
that's who he was. He was a little he was
a little kid.

Speaker 2 (25:21):
Is a boy scout.

Speaker 7 (25:23):
Hi, I'm Linus. I'm a little boy scout.

Speaker 1 (25:26):
That's pretty fucking good.

Speaker 7 (25:27):
My name's Linus. I'm a little boy scout.

Speaker 1 (25:30):
That's pretty good. And then sometimes you know he'll be like,
you know, like saucy like you know, not saucy like,
but like you know, you're you don't like, uh, the
raw deal fucking there's a sense of hey, that ain't fair.

(25:52):
M M. You know what I'm saying.

Speaker 2 (25:53):
Yeah, I see what you're saying.

Speaker 1 (25:56):
Like, And whenever she met Boris Bad or whenever Rocky
met Board, he's like, Hey, haven't weird? Hey you sure
sound familiar?

Speaker 7 (26:06):
Cute?

Speaker 1 (26:08):
Hold on, where's the She always tells the same story
in every interview. I mean, she's past. But of course,
why wouldn't she tell us.

Speaker 8 (26:16):
I arrived at the Tale of the Car and there were.

Speaker 1 (26:20):
Just too to give you context. That was the name
of a restaurant slash bar where she met Jay Ward
and Bill Scott.

Speaker 3 (26:29):
She got the job because of her talent, kids, not.

Speaker 1 (26:33):
Because of that piece that you heard.

Speaker 2 (26:34):
Yeah, that was a crazy beginning.

Speaker 8 (26:38):
At the table, the met brought us over, brought me
over to the table, and I saw this very man
with glasses and a handle of our mustache and a
taller man.

Speaker 1 (26:54):
This is the story you'll tell about me when our
cartoon takes off one day and you're an old lady
and she had a mustache.

Speaker 2 (27:02):
That's how I describe you now.

Speaker 3 (27:05):
About talk about your father.

Speaker 2 (27:07):
Yeah, yeah, he's got a mustache and a mustache, and
he had very peculiar You're dead.

Speaker 3 (27:14):
I was just calling me dead.

Speaker 8 (27:17):
And they were Jay Ward and Bill Thoughts, and they
were having martini and they said, have a martine and
I said, no, I really don't drink it.

Speaker 1 (27:28):
It's a good story. Right now, I know who your
generation is, like, hey, what the fuck? But it all
works out rather than not.

Speaker 8 (27:36):
And they started to tell me about the idea of
most from the Squirrel, and I thought the idea was
plind that cock eye.

Speaker 1 (27:43):
They were the only.

Speaker 8 (27:45):
We're talking to real people, and so they said, oh,
come on, have a martini. Well, after the first martini, I.

Speaker 1 (27:52):
Thought that was not such a bad idea.

Speaker 8 (27:54):
After the second one, I thought it was a sensation,
which sturned out was. But we did a demo the
following week and he said, you're rocking the Squirrel And
I what kind of a voice do you want? You said, well,
an all American voice out squirrel. So that's what I

(28:17):
did with a little cup brisk And sometimes he became
a little bit pet with the bow winkle, but always
doing well. He wanted to stay in the world.

Speaker 3 (28:27):
And so then.

Speaker 2 (28:30):
We're gonna.

Speaker 7 (28:33):
Crying.

Speaker 1 (28:34):
God, that's such a beautiful way to put it. It's
so true. So petulant that was, but not petulant all
the time, but like every once in a while.

Speaker 9 (28:45):
You know, I'd be like, oh, who are where's the IM?
Gonna get them going, Hey, you sure sound familiar? Like
they did that for five years. They never recognized for
as Natasha.

Speaker 1 (28:59):
Like you srself familiar? All right, So that's the direction. Okay,
the boy scout always wants to do, right, Bullwinkle? Is
this hero?

Speaker 4 (29:13):
This is?

Speaker 1 (29:14):
I love this. I put this up on that TikTok
a couple of weeks ago.

Speaker 2 (29:22):
Is here.

Speaker 7 (29:25):
I keep a record of your hero.

Speaker 3 (29:28):
Might keep telling you a week lady, but just the.

Speaker 2 (29:32):
Same, you're my hero, Winkle.

Speaker 3 (29:34):
Don't you have a hero?

Speaker 9 (29:36):
Lie?

Speaker 4 (29:37):
Only human? Of course I do.

Speaker 7 (29:39):
Who is it?

Speaker 2 (29:40):
What is you?

Speaker 3 (29:41):
That may seem silly, but it's just said.

Speaker 4 (29:44):
It's only human to have a hero.

Speaker 1 (29:46):
It's you.

Speaker 2 (29:49):
It's literally you. You have a dollar of yourself on
your fucking desk right now. Oh my god, you are Bwinkle.

Speaker 1 (29:56):
I will might try to be rocky, but yeah, unfortunately
I'm probably.

Speaker 3 (30:05):
Okay.

Speaker 1 (30:05):
So let's let's hear let's hear uh one more run?

Speaker 2 (30:14):
Should I read a line or just speak as Linus?

Speaker 1 (30:18):
Speak as Linus?

Speaker 7 (30:19):
Hi am Linus. I'm a little boy scout.

Speaker 1 (30:23):
I'm a little lettie.

Speaker 7 (30:24):
Hi, I'm a little Eddie. I'm a boy scout.

Speaker 1 (30:27):
But don't say boy scout is that I'm a little eddie.
I'm the cat that lives in your mouth.

Speaker 7 (30:32):
Hi, I'm a little eddie, the cat that lives in movies.

Speaker 1 (30:35):
Now, oh, that's perfect. We're gonna make millions, all right
with a stolen concept. Perfect, all right, So I'll read
everything else just so everyone can you know we are
getting something done. But at the same time people are like,
hey man, we're here too. Yeah, like fucking entertainment.

Speaker 6 (30:56):
And be a little cat lives in a cow's map.

Speaker 1 (31:05):
Those are very specific lyrics. Exterior map of America. Start
wide on a map that has state separations, with multiple
colors distinguishing all the states. The narrator says, when one
thinks of New Jersey, if one ever thinks of New Jersey,
it's usually poorly. Zoom in on a clearly identified New Jersey.
Then zoom in on a clearly identified Asbury Park, where
a Springsteen cricketure belts out a note. Indeed, aren't outsiders

(31:29):
who valiantly ventured beyond the borders of the savage Eastern
seaboard state and lived to tell about it. Make meager
mention of local matt landmarks like Asbury Park, home to
a musical bucolic boss, or Atlantic City, home to catastrophic
casino loss. Pans to clearly identified Atlantic City, A guy
with his pockets turned out jumps from the very high
floor of a casino hotel balcony, then pants with clearly

(31:51):
identified cow Pie County, where a standard cow lifts its
head from the grass, chewing cut after beat. It gives
us a mean look for casually dropping a deuce, the
narrator tells us, But perhaps the best kept secret excuse me,
but perhaps the best kept state secret is the bovine
imbued burrow of cow Pie County, where bulls take no
crap because they can make their own. Exterior movies restaurant

(32:12):
day a jay wardy in white, establishing the lay of
the land. The building looks like the one from the movies.
Out in the parking lot is a rocket ship and
a launch pad, surrounded by a crowd of people and
a marching band beneath a banner that reads the cow
jumps over the moon, and then a narrator says, but
today the entire town can be found in the parking
lot of a fledgling fast food franchise where a pairent

(32:34):
proprietor's plucky publicity stunt is creating curiosity over our pound
of mis entrepreneur. Cut to Movie, hands on his hips mouth,
close about to be interviewed by reporter Minor Burt. That's
a boys, narrator finished movie the Golden Calf, and the
miner Bird says, call minor bird from the Cowpie Chronicle.
Minor readers need to know the rocket ship scoop. Movie

(32:57):
shrugs and points to his mouth. Miner birds, what's the
matter of movie? Cat got your tongue? Suddenly, little Eddie
Dentuers pops out his head and shoulders out of Movie's mouth,
holding movies lips open with his arms and elbows, and
he says, kinda give me three different kindness, kinda not bad.

Speaker 2 (33:17):
Wait, you gotta give me the line before.

Speaker 1 (33:19):
Oh you need a leader. Here we go. Uh, what's
the matter movie? Cat got your tongue? Kinda nice, that's
the one. We don't even need to lead. And I
can see, I can sink I should bring more mind
it next time.

Speaker 3 (33:36):
What the woodwinder Bernstein, who are you.

Speaker 7 (33:39):
I'm his little business buddy. Little Eddie Denter's the cat
that lives in movies mouth.

Speaker 1 (33:44):
Okay, but I would never put little twice in the
same sentence, so don't make me look like a bad rider.
Did I say you added a little where there was none?
You added I'm his little business buddy, which, to be fair,
whenever I read it, I want to add it too,
but I didn't use it there because I need it
to say his name because little is literally right, of course,
But just know that I stumbled the same way, so

(34:09):
genetically you were predisposed to see little where there was none.
It's not your fault, Thank you. You're I blame Mommily.

Speaker 2 (34:20):
This is all on Mommily.

Speaker 1 (34:21):
That's right. Okay, Here we go. Take two on that line,
and what.

Speaker 3 (34:26):
The Woodward in Bernstein? Who are you?

Speaker 7 (34:28):
I'm his business buddy, Little Eddie Dentuer's the cat that
lives in movie's mouth?

Speaker 1 (34:34):
I like that?

Speaker 2 (34:35):
Did I say you did not?

Speaker 1 (34:37):
But we'll take a spare just in Kate, What the
Woodward in Bernstein?

Speaker 3 (34:41):
Who are you?

Speaker 7 (34:42):
I'm his business buddy, Little Eddie Dentuer's the cat that
lives in movie's mouth?

Speaker 1 (34:47):
Like it let me give you sneeze was cute movie?
Sneezes Little Eddie onto the ground with a cat, lands
on his feet, standing side by side. M Oh shit,

(35:07):
bet Deacon went to CinemaCon, so did Ernie, and they
saw footage from Superman. Oh oh, sho asked about it later,
lands on his feet, standing side by side. They're roughly
the size of Rocky and Bullwinkle movie. The Golden Calf says, sorry,
good god, I want to say.

Speaker 7 (35:30):
Oh, that's all right movie. Everyone knows it's cold and
flu season.

Speaker 1 (35:35):
Oh that's good, but speed it up. I'll give you
a leading so reay.

Speaker 7 (35:39):
Oh it's all right movie. Everyone knows it's cold and
flu season.

Speaker 3 (35:43):
It's because of a cold that you flew out my
nose instead of my mouth. Good, thank you.

Speaker 1 (35:52):
Cat and cow do mouth stuff. That's what mina bird
writes in my work here is done. She starts to
fly off.

Speaker 7 (35:59):
We've been lot. Don't you need to even interview us
for your article?

Speaker 1 (36:03):
Nice? Give me separation between litters and dome.

Speaker 2 (36:07):
Weep in litters.

Speaker 7 (36:08):
Don't you need to even interview us for your article?

Speaker 1 (36:11):
And now a little faster, h.

Speaker 2 (36:16):
Give me my leada.

Speaker 1 (36:17):
Oh my work is done, but on your leaping litters?
Like more leap in litters?

Speaker 2 (36:22):
Oh got it?

Speaker 1 (36:25):
Uh, my work here is done?

Speaker 7 (36:26):
Leep in litters. Don't you need to even interview us
for your article?

Speaker 1 (36:31):
Nice? A little more sauce on that. Don't you need
a little more suspicion. Yeah, I'll take that, but tight
faster here we go.

Speaker 3 (36:38):
My work here is done.

Speaker 7 (36:39):
Weep in litters. Don't you need to even interview us
for your article?

Speaker 1 (36:44):
Minor readers only have time for a headline and cat
and cow do mouth stuff is click bait crack raw.
As Minor flies off, we zoom in on Movie and Eddie,
who run up three sets of stairs to a platform
at the rockets open door, the narrator tells us, and
after an exchange angel little expository assistance, our fearless food
flingers climbed atop the launch pad, where a mighty rocket

(37:05):
ship towered over the crowd. Movie steps up to the
microphone with Eddie on his shoulder.

Speaker 3 (37:10):
Felicitations, Cowpa cotians, I bet you're wondering why we reconnoiter
her a rocket ship today.

Speaker 1 (37:17):
I'm gonna give you another one. You know you didn't
ask for.

Speaker 3 (37:21):
Felicitations Kaupa Conians. I bet you're wondering why we reconnoitered
this rocket ship today.

Speaker 7 (37:28):
Me and movie planned to prove once and for all
that a cow really can jump over the moon.

Speaker 1 (37:33):
Nice to me, No tell that way for this car, I'll.

Speaker 2 (37:37):
Take a leaden. Oh, thank you very much.

Speaker 3 (37:45):
Felicitations Kaupa Cotians, I bet you're wondering why we reconnoitered
a rocket ship today.

Speaker 7 (37:51):
Me and movie plan to prove once and for all
that a cow really can jump over the moon.

Speaker 3 (37:58):
All are in flight meals in moon munchie's furnished by
our feeling, I mean fabulous fast food franchise movies. Why
don't you represent by slinging our slogan little litty movies?

Speaker 7 (38:10):
Hit it already?

Speaker 1 (38:11):
Nice? I mean, I'll do another one and then you
do good another mm hmm. Wait on a.

Speaker 4 (38:16):
Car rush out.

Speaker 1 (38:27):
It's like seven forty.

Speaker 2 (38:28):
Three got up the street.

Speaker 1 (38:30):
Goddamn truck.

Speaker 3 (38:32):
All are in flight meals and moon munchies furnished by
our failing I mean fabulous fast food franchise movies. Why
don't you represent by slinging? Ur say, why don't you
represent by slinging our slogan Little lady.

Speaker 7 (38:47):
Movies hit it already, Yeah.

Speaker 1 (38:50):
Movie and Little Eddie head into the movie and Little
Eddie heading into the rocket.

Speaker 3 (38:53):
The door closes behind them.

Speaker 1 (38:54):
This crowd joice below. Marrier says, the circumstances properly pomped.
Our heroes heard into the ready rocket. As the crowd
closer to cheer on their intrepid spirit. The interior rockets same,
strapped into their seats. Little Eddie is at the steering wheel.
Movie is the copilot. Let's lick this candle engas movie
presses the launch button. Exterior Movies Restaurant Same. Fire ports

(39:15):
and the rocket's engines go wide and see the flames
and gulf the cheering crowd. When the flames subside, the
cartoon cook crowd stands there for beat before disintegrating to act.

Speaker 2 (39:24):
Oh my god.

Speaker 1 (39:26):
Interior Rockets same. The cabin vibrates violently as the rocket
takes off, rattling our heroes, the narrator says, and breaking
free the surly bounds of earth, the rockets sword into
the sky. Exterior Movies Restaurant Same. The rocket blasts off
into the sky. Interior rockets same movie and Little Eddie
experienced the impact of liftoff, their eyes bulging, their skin flapping.
It was one small step for a cow and one

(39:46):
giant mess for cow Pie County. Exterior Movies, Restaurant countyans
go running from the launch pad, screaming on fire.

Speaker 3 (39:53):
And one goes a kill makew may kill me.

Speaker 1 (39:56):
The narrator says. It was a sobering sentiment shared by
the underpaid narrator. Exterior Out of Space Night, the rocket
reaches the starry Milky Way, and the narrator says, but
after a worldwide pandemic to industry strikes in the California fires,
work in Hollywood was too scarce to voice a content
objection ever again. And so our hero narrate it on
Little Eddie Denture says two interior rocket with gravity gun

(40:21):
movie and Little Eddie float now offering objecting looks to
the camera, the narrator says, And so our hero narrate it.

Speaker 7 (40:28):
On Hero leaping litters.

Speaker 1 (40:31):
No, you gotta come harder, Hero like Hero, Oh yeah,
my bad. I should put in another but that's why
it's in italics.

Speaker 10 (40:37):
And Hero I.

Speaker 2 (40:39):
Thought it was like, oh, he's calling me a hero.

Speaker 1 (40:41):
No, he's saying, so our hero he was calling himself
a hero. We're about to chat.

Speaker 2 (40:45):
Us, Oh I see, and so.

Speaker 3 (40:48):
Our hero narrate it on zero leaping letters. We're the
heroes here, hit a. Unless you want our new narrator
to be an AI voice generator.

Speaker 1 (40:58):
Uh no, I need this gig. Insurance depends on it.

Speaker 7 (41:02):
Then stay on scrap. Then stay on script, cring Colcin.

Speaker 1 (41:08):
Nice, that was good. Give me one more of those,
a little more attitude on that hands on hips for
keering Colcin.

Speaker 3 (41:15):
Then stay on script carring Colcin perfect and so our
two heroes. That's more laky. That's more laked. That's more lake.
It found themselves free from the grip of gravity as
they entered infinity.

Speaker 7 (41:32):
We're about to land on the moon movie, so it's
start to put on our special outfits.

Speaker 3 (41:36):
You mean these special outfits, but it ain't Saturday.

Speaker 7 (41:40):
Not those. I'm talking about our space shoots.

Speaker 1 (41:43):
Shoots and give me more, not those.

Speaker 3 (41:48):
Uh you mean these special outfits, but it ain't Saturday.

Speaker 7 (41:52):
Not those I'm talking about our space suits.

Speaker 1 (41:55):
Nice, give me another. We're about to land on the moon.
Start with a help hold on, and so our two
heroes found themselves free from the grip of gravity. As
they entered infinity.

Speaker 7 (42:11):
Well where about to land on the Moon? Movie? So
it's time to put on our special outfits.

Speaker 3 (42:15):
You mean these special outfits, But it ain't Saturday, not those.

Speaker 7 (42:19):
I'm talking about our space suits.

Speaker 1 (42:21):
And once the and once the rolling rocket, and once
the rowing Rocket landed, our space suited heroes emerged and
explored the mysterious Moon in advance of their lunar leap.
Exterior Moonnight. The rocket lands on the Moon door opens,
moving little Eddie pop up in the doorway, wearing sixty
sci fi inspired spacesuits, bubble helmets over their heads. Jet
packed comment.

Speaker 2 (42:42):
Yes, you read scripts really interestingly.

Speaker 7 (42:47):
You're jumping all over the God.

Speaker 1 (42:50):
I'm doing it more for those listening at home, so
the joke doesn't hang there.

Speaker 2 (42:54):
Okay, got shoot.

Speaker 1 (42:55):
So then I'm like, all right, what information.

Speaker 2 (42:57):
Is he's jumping all over the goddamn page?

Speaker 4 (43:00):
I am.

Speaker 1 (43:00):
It's not that I'm like I have a reading dysfunction
or something like that.

Speaker 2 (43:04):
I'm literally like, you're thinking of.

Speaker 1 (43:07):
The audience a little bit, because I'm sure everybody the
fuck like you're trying to get two things done here.

Speaker 3 (43:13):
This isn't a show. You're trying to record a different show.
But this is the process looking out for you.

Speaker 1 (43:18):
This is how one you get to actually see behind
a curtain.

Speaker 2 (43:21):
Be like, oh so true.

Speaker 1 (43:22):
How they do it? Is that how not to do it? Okay,
So they wearing their space bubble helmets and jet pecks.
A ladder lowers and the pair climbed down and then
they bounce across the surface of the moon.

Speaker 3 (43:39):
We're off to skim the milky way.

Speaker 7 (43:42):
That sure was one sour milk pun.

Speaker 1 (43:45):
Give it a more like that sure was one sour
milk pun. Hold on, wait for the car. Waiting for
the car.

Speaker 3 (43:52):
We're off to skim the milky way.

Speaker 7 (43:55):
That sure was one sour milk pun.

Speaker 3 (43:57):
Then I refuse to utter another movie? Darry make one more?

Speaker 1 (44:03):
He did.

Speaker 3 (44:06):
Suddenly movie and Eddie are.

Speaker 1 (44:07):
Enveloped by a cloud of gas that makes them fall
to the ground heavy and the narrator tells us but
before a movie can bring home the bit, the comedic
cow and his feline friend got a blast of gravity
gas from an unseen aggressor.

Speaker 7 (44:18):
Leep in litters movie, we've been a mobilize and.

Speaker 3 (44:21):
We can't move either.

Speaker 7 (44:23):
Who would ever do such a thing?

Speaker 1 (44:25):
Give me another one, because I got a different line, reading.

Speaker 3 (44:29):
Leep in litters movie, we've been a mobilize yeah, and
we can't move either.

Speaker 7 (44:34):
Who would ever do such a thing?

Speaker 1 (44:36):
Like the old saying goes, if it looks like a duck,
swims like a duck, and quacks like a duck, then
it's probably me, Surly Duck. That's the ticket, reveals Surly Duck.
In a bubble helmet and jetpack. Surly moves to reveal
a second branded rocket that was heretofore hidden.

Speaker 3 (44:50):
Narrator says, as it.

Speaker 1 (44:51):
Turned out, our heroes we're not alone on this blue moon,
being beaten beyond the atmosphere by their Cowpie County corporate competition.
The owner and operator of the unfortunately named Asian Fusion
fast food franchise, Duck. You that's scoundrel, Surly Duck, and
don't forget the number two to my number one, reveal
Enoch the ardvark, who's aiming the gas gun at our heroes.
That's mobilizing them. Enoch the Bible. Quoting Ardvark, Enoch says,

(45:14):
if God is for us, then who could be against us?

Speaker 3 (45:17):
The Book of Romans, That's what.

Speaker 1 (45:22):
I think I might have Andy do it. Just all
fucking like if God is for it, who could be
against it? And Shirley Duck says, and Romans something you too?
I got Oh? No, I was right, Roman, Roman, it's
a hominin.

Speaker 3 (45:37):
And Romans and Romans something you two won't be doing
anytime soon thanks to my gravity gas gun.

Speaker 1 (45:43):
Movie and Eddie tried to pull their feet off the
lunar surface to no avow. The gravity gas cloud around
them is making them heavy. Little Eddie says, sir.

Speaker 7 (45:53):
We duck in enoch Artvark, what are you two doing
on the moon?

Speaker 1 (45:57):
More angry?

Speaker 2 (45:59):
I see knock.

Speaker 1 (46:00):
Yeah, you're right, you nailed it.

Speaker 7 (46:04):
Surly Duck and E knock Ardvark. Wait right, Surly Duck
and e knock Ardvark.

Speaker 1 (46:13):
How about how about this lose the question mark and
make it more Surly Duck and e knock Ardvark like,
I knew it?

Speaker 2 (46:20):
Okay, got ith.

Speaker 7 (46:24):
Surly Duck and E knock Ardvark, What are you two
doing on the moon?

Speaker 1 (46:28):
Nice? Perfect? And one more just for safety? But that
was perfect?

Speaker 7 (46:34):
Surly Duck and Nino, Oh wait, that's not question. Surly
Duck and E knock Ard Bark, what are you two
doing on the moon?

Speaker 1 (46:42):
Perfect? You gotta be smoking quack if you think I'm
gonna let your fast foodery thank you outshine mine. Once
I make that giant jump over the moon, the whole
world will know the name of my Asian Fusion fast foodery,
and they will cry out in unison, duck you, Surly, Oh.

Speaker 2 (46:58):
My gosh, smoke, thank you very much.

Speaker 1 (47:02):
I was happy with that. I got a big laugh
in the.

Speaker 3 (47:06):
Movie, says kind of took the words right out of
my mouth.

Speaker 1 (47:10):
And we all know about that mouth the yours. Surly
holds up a copy of the Cowpy Chronicles that features
photos of movie and Little Eddie under the headline cat
and met cow do mouths.

Speaker 3 (47:20):
Talk a bit of headline?

Speaker 7 (47:22):
This cartoons for kids movie?

Speaker 1 (47:23):
None listen? He says, skibbity, let's do that again.

Speaker 3 (47:30):
Whoa talk a bit of headline?

Speaker 7 (47:33):
This cartoons for kids movie?

Speaker 3 (47:35):
None listen. One says skibbity, skibby, Doc trademark, Surly, bye
bye a bovine butthole.

Speaker 1 (47:41):
I hate to culturally appropriate, but in the words of
the Yellow People movie and Little Lady Eddie gaspin unison,
appalled count of three one two three, Give me a
count of three one two.

Speaker 3 (47:51):
Three, don't have a cow man.

Speaker 1 (47:55):
Yellow people of the Simpsons. And then we say, you
go oh, and I'll go, well that's okay. Then so
you see, like we got insult everyone. Like when we
actually read it in the club, everyone was like, because
the fucking yellow lie. But it's like wait for it,
and then it's the yellow is the Simpsons. Okay, here we.

Speaker 3 (48:12):
Go, don't have a cow man.

Speaker 1 (48:17):
Oh, that's key. Then we'll do it again one two, three, Oh,
that's key. Then there we go. Surly and Enoch slapped
their chests and their rocket packs roared to life, throwing flames,
leaving Moby and Little Eddie frozen in place. Still covering
gravity gas cloud, Surly an Enoch sore into space, and

(48:39):
the narrator tells us and As the devious Duck and
his Christian companion jet packed into the air to jump
over the Moon, our hero struggled with the gravity of
the situation.

Speaker 7 (48:47):
Leaping letters. Movie I can't move my legs.

Speaker 3 (48:50):
Let me give it a tray.

Speaker 1 (48:52):
Movie leans down and talks directly to his legs.

Speaker 3 (48:54):
I'm gonna tell you, gays the story of the note
Book and spoilers.

Speaker 1 (48:59):
It's a jerker.

Speaker 7 (49:01):
What are you doing? Movie.

Speaker 3 (49:03):
I'm trying to move my legs.

Speaker 1 (49:06):
Can the Golden Calf talk his way out of this
moon mess? Or will the foul surly ever get his
ducks in a row? Ugh duck puns in the lowest
form of comedy, even lower than impressions. Yes, even lower
than Ay, this is an impression. It's my real voice. Yeah,
and that's the ticket. That's something John lovetch uosed to say.
Don't miss our next exciting episode Moon Unit Zephyr or
Duck dup the asteroid.

Speaker 2 (49:28):
Wow, thank you, that was delightful.

Speaker 1 (49:32):
Now I will take that hatch it out and I
will send that to Steve Stark and he will start
working on on a what do they call that beatboard
or you know, or pencil test if you will, and
we'll see it laid out his little ice we were

(49:54):
doing little first drew a cat. I was like, of course,
but I didn't say anything beyond like draw them like
rock I was like, we gotta get him hat, but
can't give him like aviator goggles, that's what Rocky wears.
But he's a little cat that lives inside movies mouth.
So I said, put a miner's hat on him.

Speaker 2 (50:11):
Oh my god, And.

Speaker 1 (50:12):
Steve Stark was like, from when he's in his mouth,
so now he's got the hat, and then he had
the years sticking out the top, and I was like, no,
take those years off. And they took him off and
I was like, all right, let's stick him out the
size and he did. So we're arranging him perfectly and stuff.

Speaker 2 (50:26):
It's cute.

Speaker 1 (50:27):
Yeah, it's gonna it's good. I mean, look, it's not
like and we're gonna make a fortune. There's more hobby.
This is more for me, something that I would enjoy
to see and do. But if I could pull it off,
and I think I can, I mean, we'll probably have
to re record the voices like in a you know,
sound environment and something like that, but if I think

(50:48):
it'd be.

Speaker 2 (50:49):
A music, I think it would be super amusing kind of.

Speaker 3 (50:52):
Please, well done, excellent job, amusing.

Speaker 4 (50:57):
Excellent job.

Speaker 2 (50:58):
Well, I thank you you too.

Speaker 1 (50:58):
I'm gonna put that together. Is going to sucking sound
good little suddenly like I'm look, nothing's going to happen,
But imagine if everything happened. This was it that after
thirty years, This was the idea that was like, oh,
you're going to become a multi millionaire.

Speaker 2 (51:15):
Imagine and it.

Speaker 1 (51:17):
Was off a cartoon that we were doing voices together.
I know this ain't like modern day people like cartoons
be like three D and ship like that.

Speaker 2 (51:27):
No wait, you're saying people, Oh, people like cartoons now.

Speaker 9 (51:31):
That are like three They expect them to look good.

Speaker 1 (51:35):
I'm not coming from a different school thought. It's just
a conveyance for the jokes in the dialogue. Just has
to look just to look.

Speaker 2 (51:46):
I think.

Speaker 1 (51:47):
I think it's more I think so yeah.

Speaker 2 (51:51):
There.

Speaker 1 (51:51):
I don't know Rocking Bulge, their whole thing was like
basic as fuck.

Speaker 2 (51:55):
I'm more thinking about Scooby Doo.

Speaker 1 (51:57):
And it's also limited animation.

Speaker 2 (51:59):
It is.

Speaker 1 (52:00):
I was reading recently Beautiful. The Hannah Barbera people did
not care for the jay.

Speaker 2 (52:05):
Ward people really yeah.

Speaker 1 (52:07):
They were like, ugh, that's some of that jay Ward stuff.
They like the cleaner coloring book style. Whereas you know
jay Ward, their whole style was like the look really
doesn't matter, like it's a it's a radio show with
pictures and withdrawing. So so they because of that, their

(52:30):
designers like can be more free and fun with their
with their designs, whereas Hannah Barbera kept things even with
anthropomorphic characters like a talking cat or a talking gorilla
or whatever the fuck talking dog. They still kept things relatively,
you know, like proportionate, realistic, not impressionistic or something. No,

(52:56):
I'm not saying like they were wrong, but I thought,
I think it was very funny that they were like, yeah,
that they were like not so much. They didn't get along,
but they had a real low opinion of the jay
Ward stuff, like, ugh, that's barely animation.

Speaker 2 (53:13):
That's that's pretty wild.

Speaker 1 (53:15):
But I mean, to be fair, you look at the
hand of our bear stuff, Like, you know, they were
fucking industry maestros that both of them came from cinema animation.
They won fucking Oscars for Tom and Jerry, those guys,
and then they you know, moved to TV and they're like,
there's a business here, and you just bring the animation,
like the page count down, you bring the frame countdown.

(53:35):
You can make a thing a good looking thing. And
they just liked the look of their thing better than
the look of how jay Ward did everything. They likeugh,
it looks like a child, did it?

Speaker 2 (53:47):
I do? I do find Tom and Jerry and Scooby
Doo very visually pleasing.

Speaker 1 (53:52):
Yeah, that was their whole thing. They're like, hey, man,
make it beautiful.

Speaker 2 (53:55):
It's pretty beautiful. There's an Instagram account called Scooby Scapes,
which is like the landscape of the Scooby.

Speaker 1 (54:01):
Doo shows and movies, just shows.

Speaker 2 (54:04):
It just shows like the landscape.

Speaker 1 (54:06):
That they walk through all the time.

Speaker 2 (54:08):
Yeah, it's pretty magical and it's all just really beautiful.

Speaker 1 (54:12):
And they play that music they walked through it.

Speaker 2 (54:20):
I love it. I love it, bro.

Speaker 1 (54:22):
I was listening to that music in the seventies when
I was watching the show when they were airing it
for the first time. That music never went anywhere. That's
it as a Scooby groove. Man, Why don't you take
that Scooby groove with some lyrics under it?

Speaker 3 (54:40):
You scared me?

Speaker 1 (54:48):
People like, is that did they scooby that'ud?

Speaker 2 (54:51):
They mixed their song with the Scooby Doo song.

Speaker 1 (54:54):
Yes, stranger things have happened and become bigger hits.

Speaker 2 (54:59):
Well, I think I know where my priorities lie, and
that is with the Devil came down to Georgia.

Speaker 1 (55:05):
Bro. If you take anything away from the show, take
it that you should be going to have a conversation
with the fucking nuke and lick you will whoever else
is in the band this week, and then the shade
it'd be like, look, I'm gonna play you guys a
song and I want you to does anybody I mean here,

(55:25):
would you get a would you still do the fiddle
or would you replace it with a different instrument. If
you replace it with a different instrument, some people be like,
why don't you just make a whole new song that's
to be a.

Speaker 2 (55:36):
Fiddle fiddle in playing in the song as well.

Speaker 1 (55:40):
Yeah, because whenever they battle, it would be weird, like
they're all singing about a fiddle and then you never
once hear a fiddle.

Speaker 2 (55:48):
You know what, You have a good point.

Speaker 1 (55:49):
So there's a lot of fiddling, an awful lot of things.

Speaker 2 (55:52):
I can't say that we know a fiddle player.

Speaker 1 (55:54):
No, but you can find one, particularly out here in
Los Angeles, pretty easy to find a fiddle player. Question
is is it a fiddle or is it something more modern?

Speaker 2 (56:06):
You know, that's a discussion I'll have to have. That's
something we got to figure out, because this will be
figured out because.

Speaker 1 (56:14):
You could make just make a guitar. Get this, as
he said, if you win, you get this fiddle made
of and if you win, you get yourself this guitar
made of gold. If you lose the devil and you're
so so yeah, you just have to swam out fiddle
with guitar. They're both fucking two syllable terms, I think.
And then who's your lead guitarist? Is it Nick or Luke?

(56:34):
It's Luke, so then fucking Luke would be like it's fast.
Have you heard the fucking I?

Speaker 2 (56:41):
I feel like I've heard this song, but it's truly.

Speaker 1 (56:43):
Been We'll do it on the next one. We can't
do it on this one because I heard It'll be like,
hey man, hey, we can't play you can't play that song.
We have to run an ad.

Speaker 2 (56:56):
Please stop talking.

Speaker 1 (56:57):
We have to run anytime you guys take a breath,
we have to run out.

Speaker 2 (57:02):
Oh god, they hate us.

Speaker 1 (57:04):
I don't know if they hate us, but I'm sure
the audience is like another fucking a. There's a version
of the show you can listen to add free at
back Kevin smithclub dot com.

Speaker 2 (57:12):
You can also see it does not appreciate this.

Speaker 1 (57:15):
I don't care.

Speaker 3 (57:16):
You could see it and hear it.

Speaker 1 (57:21):
You see us crab walk in, crab walk out.

Speaker 2 (57:23):
Yeah, truly if you want to see us crab walk.

Speaker 3 (57:25):
But if you news, the devil gets your So.

Speaker 2 (57:31):
That part, that part really seems familiar.

Speaker 1 (57:34):
Oh not the fucking you told you once you saw
him a bitch, I'm a bestler's ever beer.

Speaker 2 (57:41):
No, but that part stays with me.

Speaker 1 (57:43):
Now, pretty fire, folks, you have been listening patiently. Tip Beardless,
Stickless Me, We're in it in this week. That's it.
That's it for this week. Don't forget Go get your
Dogma tickets before they sell out. The June fifth wide
release those tickets go on so I think February, like

(58:05):
the end of the month, February twenty third, I believe.
But for the tour, tickets on sale right.

Speaker 2 (58:10):
Now February, did I think?

Speaker 1 (58:15):
Or maybe April April, yes, April twenty third. I think
the tickets for the June fifth, like is it wide
everywhere go on sale. But right now, if you want
to see that on the tour with me tickets, talkmovie
dot com.

Speaker 2 (58:31):
And hey, while you're on the internet, why don't you
go over to Beardless, sticklessme dot com and buy a
fucking shirt?

Speaker 1 (58:38):
There you go, man, the shirts. Well, first off, you
got to do the work, put it in your stories,
make it collaboratable, okay, and then I'll put it into
my stories. But like all these counts listening, they're like,
I got one.

Speaker 2 (58:52):
That's true.

Speaker 1 (58:53):
You got to get new people, you got to go
out there beyond. But yeah, feed it to me and
I'll feed it into my socials and stuff. That would
have been the day to do it. I had a
lot of eyes on the Instagram. That's why I put
your song up today. So it was like a bunch
of people popping by the feed. You released your second single.

Speaker 2 (59:12):
We released our second single. It's exciting.

Speaker 1 (59:14):
I can't believe we didn't start the episode with that.
You don't know how to self promote not being critical,
but you don't.

Speaker 2 (59:19):
I don't.

Speaker 1 (59:21):
It's not the end of the world. But like, that
would have been the first thing I said. I would
have covered my mouth and been like, hey man, cinnamon
happened again. What's it called? Second song? Why Star and Why?
So you got a real commitment to one word titles.

Speaker 2 (59:34):
Yeah, we're having a dilemma about the next song because
we wanted to be a one word title, but it's
looking like a three word title.

Speaker 1 (59:42):
Bertie and Lucky exactly three word title.

Speaker 2 (59:47):
Dad eats poop.

Speaker 1 (59:50):
How's that go ever been?

Speaker 3 (59:55):
Daddy's going to eat that poop?

Speaker 4 (01:00:03):
Like, what's that story?

Speaker 1 (01:00:04):
Why is he eating the poop? He's fighting the devil.

Speaker 3 (01:00:07):
He's got to do it.

Speaker 1 (01:00:08):
To save his daughter's soul. I guess they changed all
the lyrics. Yeah, I mean it's their version. I guess they.
She says, you're gonna change just enough, so I think
get sued. But I don't know how I wind up
eating shipping the song.

Speaker 3 (01:00:20):
I mean it feels like a metaphor.

Speaker 2 (01:00:22):
My dad eats some poop.

Speaker 1 (01:00:26):
And if you lose, my dad eat some boo. And
if you win, DA wait a second eating poop if
I win or lose, Like part of the song is
DA's gonna need.

Speaker 3 (01:00:37):
Some boo either way.

Speaker 1 (01:00:40):
Either way, my old man's eating boo, stuffing his face
in a pile of sheet.

Speaker 2 (01:00:51):
Why is that so amusing?

Speaker 4 (01:00:54):
I don't know.

Speaker 10 (01:00:54):
But you write that song right now, that's gonna eat
some boo.

Speaker 1 (01:00:59):
We'll compose the rest of song in the after show. Yeah. Man,
if you're like a Spotify person who's been listening or
on iHeart or wherever the fuck, Like the show is
about to end, but the show is just beginning. Yeah,
if you follow us over to Beardless Stickless plus exclusively

(01:01:22):
at that Kevin Spick club where you can not only
listen to it, but watch it, you'll hear us compose,
my dad's gonna use some poo. Why did you I
can't believe I caught you off guard with that one,
and it made you laugh again, like if we were
doing it, and you act like you just heard it
for the first time again. Your short term memory is

(01:01:45):
shot because you're like Pooh, and then a second goes
by and then I'm like Pooh, like delod joy and
delight of hearing something.

Speaker 2 (01:02:00):
Like I sound like Krusty the Cloud. That was good.

Speaker 1 (01:02:06):
I think it was more just that you were surprised,
and that, to me was the amusing part, because you
were surprised by the thing you were because you're short
Termy shot. There it is, kids, follow us over to beardless.

(01:02:27):
We're gonna eat some food. So easy. There it is
kids for beardless stickless. I'm Kevin Smith and Smith go
have yourself a beardless stickless day.

Speaker 10 (01:02:49):
This has been a podcast production podcast podcast using our
mouths on you since two thousand and seven. Hey, kids,
did you like what you just heard, Well, guess what.

Speaker 1 (01:03:02):
We've got tons more man thousands of hours of podcasts
waiting for you at that kevinsmithclub dot com. Go sign
up now,