May 14, 2025 • 34 mins
We've rounded up some of the most unhinged moments from this season. Remember Cosmo Lombino, the Queen of Melrose, and her tale of getting arrested on COPS? Byron Bowers taking designer drugs on tour with Eric and then crying at a steakhouse? Sandy Honig being able to queef on demand? What about Johnny Health's poopy crowd-surfing story, or Dillon Francis being locked in a cage by his own brother? Get ready for this high-octane supercut of Season 2, packed with the most iconic confessions, breakdowns, and breakthroughs.
Tell us your most cringeworthy bombs! Call 716-BOMBING (716-266-2464) and leave a voicemail.
For all things Eric Andre and Bombing follow @ericfuckingandre (Instagram) and @ericandre (TikTok).
Rate and review Bombing with Eric Andre here!
See omnystudio.com/listener for privacy information.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Bombing with Aericres.
Speaker 2 (00:09):
Okay, ladies and gentlemen, my name is Eric Andre. The
podcast is called Bombing, and I am here with the
Queen of Melrose aka Cosmo Bomo Legend. Now I want
to know why are you on cops? That's a bit
of a bomb and I love that you ever were
selling a perfume called my Cunt? That's what we have
(00:34):
to put this image up on the fucking he's serving.
You're selling a signature cent called my Cunt.
Speaker 3 (00:40):
You know what?
Speaker 2 (00:40):
It's pretty and soft? Yes?
Speaker 4 (00:43):
Wow?
Speaker 1 (00:44):
Why make sure you.
Speaker 2 (00:45):
Guys get wow? I sold out?
Speaker 1 (00:46):
Yes, I need.
Speaker 2 (00:48):
I need something to cut.
Speaker 1 (00:49):
You want to smell Cosmos cut?
Speaker 2 (00:50):
I want to smell Cosmo cun. I never thought I did.
Speaker 1 (00:53):
Now I do.
Speaker 5 (00:53):
I always know.
Speaker 2 (00:55):
I always knew I was on the fence, but now
I'm now I'm no longer of fence. I'm in Okay,
So cops, we gotta talk about why are you on cops?
Speaker 3 (01:02):
So I'm in La. This is when I first come
to l A again, and I'm here for a few years,
and I go, let me go buy some drugs. So
I wear like this Adida sweatsuit and my twin brother
and a baseball hat and I don't look like this
at all. I look like my twin brother, right, gonna
go bad neighborhood. So anyway, I'm a cat and Santa
(01:25):
Monica Boulevard there was the drug spot there, so there
I go. I'm buying drugs and then all of a
sudden they're like, you're on Cops. And I turn around, right,
and it's main of these two guys ready to go
and get our freak on and have fun.
Speaker 1 (01:40):
And I have the drugs in my hand.
Speaker 3 (01:43):
And I turned around and the first year of Cops
son in my face.
Speaker 2 (01:48):
And camera twitch fee for me.
Speaker 4 (01:51):
Don't move?
Speaker 6 (01:52):
Okay? Sure, Hi Joe from New York. How long you
been out here? Have you got in your pocket? Do
you know anything shop or anything? I'm a jab myself
one to you. Then I'm gonna cut my cell phone
and poke myself.
Speaker 1 (02:12):
You know.
Speaker 4 (02:13):
Okay? Do you have identification or anything? No idea? I
just poked down here. But I just got a job
on no road. Did you see?
Speaker 7 (02:21):
Yeah?
Speaker 4 (02:21):
Where do you live at? I'll stay with my mom
at w Hill. Are you're done over in this part
of the neighborhood?
Speaker 6 (02:26):
I was looking for my God, won't you do me
favor when you step back watch step okay, and step
one over here for me.
Speaker 2 (02:32):
Okay, stand next to.
Speaker 3 (02:33):
The wall here, and they're like, we're gonna go to
d see if you have a warrant, you know, and
then if you sign this release, we'll let you go.
So I had all cocaine crack in my mouth and
they're asking me questions that I'm praying that one don't
fall out, right, right.
Speaker 8 (02:53):
So anyway, so do they like, arrest you, put you
in the car, and then have you signed a release?
Speaker 3 (02:57):
And so they said, if you sign this release to
show your face on cops, we're gonna let you go
because I had a warrant, so otherwise they would have
took me in. I would have signed anything to go
smoke my coke and get away from them, right So,
and I'm like, it's not a thing because who heard
the cops. Nobody heard of A few weeks later, they're
(03:19):
calling me from New York because it's three I was
difference there and.
Speaker 1 (03:22):
They're like, I hear Cosmo in my living room.
Speaker 3 (03:25):
I go look at the TV.
Speaker 2 (03:27):
Cosmo's on Cops, you know.
Speaker 1 (03:29):
So they just kept on playing that episode. It was
the first year of cops.
Speaker 3 (03:33):
But till this day, you know, the repeats what you're
going to do when they come for you, They keep
on playing that fucking episode. My god, there's nothing I
could do about it. I signed my cunts away.
Speaker 2 (03:44):
I absolutely that I was on to catch a predator.
I thought that those twelve year old girls won, and
Mike's hard lemonade.
Speaker 9 (03:56):
And I I always feel bad for the guy.
Speaker 2 (03:59):
I feel a little bit better. I always want to
pedophile on that show.
Speaker 5 (04:02):
Always.
Speaker 2 (04:03):
I don't feel bad for pedophiles in general, but on
the show, so we're kind of like, well, I'm not.
Speaker 8 (04:10):
I'm always give him a break.
Speaker 4 (04:11):
Remember, I'm like.
Speaker 2 (04:14):
A little bit, you know, he's all big stuff. Because
the other side of it is the Chris Hansen Nazi guy.
And then this fascistic swat team that comes in. You're like,
I don't really like a fascistic swat team either, like
police power destroying. Yeah for lower class guy, that FS
weird too, But I can't funk kids, I got it.
Speaker 1 (04:35):
Yeah, there's.
Speaker 4 (04:38):
My heart always goes out to the guys on that way.
Speaker 1 (04:40):
It's overkilled, like guy, yeah, devastating.
Speaker 3 (04:47):
That's kind of how I was, you know. So yeah,
that's what happens, you know. And these fucking shows they
set you up, you know, with Rendre.
Speaker 1 (04:59):
Tours.
Speaker 2 (05:00):
Everybody, Hey, tell me the story about when we were
on tour and we did that drug we.
Speaker 5 (05:06):
Did for you.
Speaker 2 (05:11):
Yeah, you cried the whole night.
Speaker 4 (05:14):
I was coming on myself.
Speaker 2 (05:15):
I feels like I'm getting.
Speaker 7 (05:18):
I never felt that goodt I was like, I'm sorry,
you can't feel as good as I feel.
Speaker 2 (05:29):
Right, we played a show in San Francisco and Tyler
Bradbury had that scientist friend who gave us two c
B or tw some designer psychedelic. So then we're driving
with it on tour and we get to the tip
of Western Texas. We get right before I'll pass so
(05:49):
and the tour bus driver goes, I don't care if
you guys have drugs on the bus, but get them
out of here before we hit Texas.
Speaker 7 (05:58):
Got to take it over in the just He goes,
they Yeah, it was like within twenty four hours we
were still high. Yeah, but I was like, go ahead
with the story though.
Speaker 2 (06:10):
So our bus drivers like, you gotta get either, do
all the drugs, get rid of them before we hit Texas.
We're all right, I got it, and all we had
left over was that ship because we didn't know.
Speaker 1 (06:19):
What we was on.
Speaker 4 (06:20):
He was on the state side.
Speaker 7 (06:21):
We was on the state line between New Mentsico and Texas,
and we was at a hotel right there on the line.
Speaker 2 (06:26):
So we were like, all right, so we'll do this.
I don't know if it was two C B.
Speaker 4 (06:30):
To S and I'm like, what is like, Eric comments,
we want to do this thing?
Speaker 1 (06:36):
What is like?
Speaker 4 (06:37):
It's like, uh, it's like M D M A and
acid it. I was like, and I was like, I
never done none of them. I don't have.
Speaker 7 (06:46):
This is one thing I just always sometimes it's go
you know what I mean, And like, we're gonna meditate
for this. When Aeric just started meditation ship and he's like,
we gonna I'm gonna meditate first twenty minutes and we're
gonna take it.
Speaker 4 (06:56):
And I was like, all right, cool.
Speaker 1 (06:58):
So he in the room.
Speaker 7 (06:58):
We got his legs caused he doing all this ship
you got you know, he had that weird backpillow at
the time.
Speaker 2 (07:03):
He was just the spikes on him.
Speaker 7 (07:08):
Yeah yeah, then spike pad. He's got reader ship now
and I'm sitting in the check got some headphones on
the ship and we take it, and then they call
us to dinner.
Speaker 2 (07:20):
Everybody in the Yeah, the whole crew. We're going to
a steakhouse on the he got good news. Everyone put
this all dinner. Everyone in the steak house, everyone, all
the customers look like machetey Danny Tree.
Speaker 10 (07:36):
We go.
Speaker 4 (07:37):
He's like, hey, they downstairs, we gotta go. We gotta
go to dinner.
Speaker 7 (07:40):
And and he's like, I'm finna, I'm goin to get
ready and he turns his head right uh, and then
he turns his head again, and I was like, okay.
Speaker 1 (07:52):
That's said my head.
Speaker 2 (07:56):
You you're just moved.
Speaker 4 (07:57):
I said something.
Speaker 7 (07:58):
But then I was like, I'm like, I'm a sound
with schizophrenics, so I'm just like I gotta watch it.
Speaker 4 (08:05):
I was like, what the is that chicken in?
Speaker 11 (08:07):
Now?
Speaker 7 (08:08):
Like you had those thoughts right, you started your parents
and ship and I got in the elevat I'm not
going to drop these headphones off to the room and all.
Even before then, I came back to your room, but
you was way down there. Remember you called me and
I was like, and I at another door, and I'm like,
how do you get all the way down the Yeah? Yeah,
we were fed up and then the elevator closed and
(08:28):
I saw reflection on myself in the mirror, you know't
like that with.
Speaker 4 (08:30):
The eyes with the uh.
Speaker 7 (08:34):
The wild wild country eyes with that with that, and
I was like, I took a photo of myself and
I said, so I went, I went on Twitter and
said something and then uh, he got in the van
and I got I went and jumped on the bumper
of the van and I started doing.
Speaker 2 (08:50):
This like hip hop parade.
Speaker 4 (08:52):
I was like, turn the white pers on and they
was like, get your ass in the vand and I
got in the land.
Speaker 2 (08:59):
The wrestling crew was just drunk.
Speaker 7 (09:00):
I don't even know I'm tripping yet. But I sat
next to Jason McDon shout out Jason McDonald and he
was like, Jeane. Somebody was sweating, and so I had
a little fun.
Speaker 2 (09:09):
No, it was Larry, the guy that played fake me Man.
The other goutya played fake Hannibal. I started Jason JP.
Speaker 4 (09:17):
I leaned into somebody so hard. I talked. I talked
so much.
Speaker 1 (09:21):
Ship.
Speaker 4 (09:21):
I was like your own PI.
Speaker 7 (09:22):
I like, you smell like Hitler's jacket. After he went
through and did every speech, it just kept looking the
whole time.
Speaker 4 (09:30):
You know what, I mean, I'm talking okay all the way.
All the way to the restaurant, I'm like, I want
going in. I'm feeling good too.
Speaker 1 (09:38):
Okay.
Speaker 2 (09:39):
So but we get to the rest of buffet or whatever.
It's a big banquet kind of table because there's a
bunch of us. The one guy that played fake Me Larry,
he's going super loud. He goes Texas Barbecue. Bullshit, man,
you know what has the best barbecue? Los Angeles were like,
shut it on up.
Speaker 1 (09:58):
Man.
Speaker 2 (09:59):
It turned like stand out because Byron Balls, he's like
crying and he's grabbing both people's hands next to him.
Speaker 4 (10:09):
He's like, I'm tweeting everything. I tweeting everything. I like,
I just saw the Devil's.
Speaker 2 (10:18):
He coming against We started crying. Then the waitress came
by it.
Speaker 1 (10:24):
She's like.
Speaker 2 (10:25):
And she looks at me me from the.
Speaker 10 (10:28):
This and this.
Speaker 7 (10:29):
This was triggered the cry because they got steak. Well
they didn't have uh, they didn't have uh mashed potatoes,
so with butter.
Speaker 4 (10:38):
Yeah. Remember I was like.
Speaker 7 (10:41):
Because I was like, you got mass potatoes. She was
like no, and I and I was like, you have
no mass potatoes. She's like, we got baked potatoes and
I started crying, and I was like, bringing butter, Bring
a lot of butter.
Speaker 2 (10:52):
First you start crying, and yeah, this is waitress.
Speaker 1 (10:55):
You go.
Speaker 2 (10:57):
Your make up, your.
Speaker 5 (11:00):
Your no, no no.
Speaker 4 (11:03):
I was like, hey, hey, it's like what I was like,
you got the most beautiful makers.
Speaker 2 (11:09):
And she was like, oh, okay, say that to people,
and then she was like what do you want to eat?
Speaker 4 (11:15):
And just just pretty big. But I mean, I've got butter.
Speaker 2 (11:23):
God, these people and all I heard.
Speaker 7 (11:27):
And I was looking around and ship and I would
close my eyes and I'll see the windows pipe screens.
Speaker 4 (11:37):
That we should put up here.
Speaker 2 (11:40):
We can see it on a trip, we can get
But also it was when vine, the social media vine
was the thing. So Jean was going up to other
people at the tables, like pranking people at each table seven.
Speaker 7 (11:51):
Seconds sitting next to the shitting next to him and
a girl you only praying people on dates, like going.
Speaker 2 (11:59):
Like You're like, we're like white knuckle, Like yeah, Aaron
white Knuckle.
Speaker 7 (12:03):
I'm like, I'm like, I'm just I'm just tweeting this
ship like but no liquid coming out, so I'm trying
to figure out what's going on.
Speaker 2 (12:10):
What it was.
Speaker 7 (12:11):
It was green and red like that, and then man,
the orgasm was like powerful, and then they just I
would stop because I'll be like.
Speaker 4 (12:23):
And then I stopped, be like whoa.
Speaker 7 (12:25):
And then it was just happened like something the trigger
be like the girl make up or something, and it'll
start all over again.
Speaker 4 (12:30):
To it started to get like I'm knowing how knowing it?
Speaker 5 (12:33):
I feel like you know what table the table was
shut up, some family praying for their food.
Speaker 4 (12:46):
I'm just like, oh ship and shut. They had to
carry me out of the restaurant getting more butter.
Speaker 2 (12:54):
I went outside, babe myself throw up, didn't do anything?
Speaker 7 (12:58):
Are got?
Speaker 4 (12:59):
I was like, what are they? He in his room
trying to cut his dick dick off?
Speaker 2 (13:02):
Oh yeah. Then I went back to my room. That
went back to my room.
Speaker 4 (13:05):
I thought I was bad. I thought I had a
bad man. My trip was be good.
Speaker 1 (13:11):
Now.
Speaker 2 (13:12):
I was in the bathroom, in the bathtub naked later
that night, looking at my dick like I have to
cut my dick off tonight.
Speaker 7 (13:21):
The direction I wanted to apologize to the hostess for
being rude. And it started sprinkling, and when the rain
hit my face, I started to like come again, and
John and somebody else lifted me up like this with
my legs up and they carried me out and I
ended up on the.
Speaker 4 (13:38):
Tour bus locked. We supposed to go to the strip club.
Speaker 2 (13:40):
Yeah, then the cops did bulls over.
Speaker 7 (13:42):
Right, somebody shut the striper. I think I was tweeting
because I got I had picked.
Speaker 4 (13:46):
Up the most fallow I ever had in my life.
Speaker 2 (13:47):
Oh yeah, yeah on this run.
Speaker 4 (13:49):
Yeah, because I don't know what on but y'all need
to y'all need to pay attention to his thread.
Speaker 7 (13:57):
And I think it just hit like adults swim because
I want to thinking. I'm like, I'm on the like
a corporate thing, you know what I mean. People hitting
me up, like I'm like, somebody call me. I'm trying
to get a female to call me, you know what
i mean, talk that dirty ship in my ear, you
know what I mean. And nobody called me. This guy
Mark Searah Taylor called me, and I'm like, I was like,
(14:18):
what the fuck are you doing? He's like, you know,
I'm just trying to make sure you. I'm like, yeah,
I'm right, you know what I mean. A bus and
nuts on the back of the.
Speaker 2 (14:24):
Tour with us, and then like border patrol came on
the bus.
Speaker 7 (14:27):
That's later though. We went to night We went to
a nightclub. We went to a nightclub because I remember going.
You could ask Jaan. We had to go through security,
they like. I was like, I don't think y'all should
pat me down, and we gotta pat you down. I
was like, all right, it's at your own wrist and
he was patting me and I was like.
Speaker 4 (14:45):
And we went to the club.
Speaker 7 (14:46):
I remember sitting on the bench and just staring out
trying to like figure out, like wait on everything to
come down. And I was like, man, they don't set
us up. We're not going to go to the strip club.
And then we got on the bus because we had
to pull out that night and the bus stopped. We
was only two people up.
Speaker 2 (15:00):
He was in the bathroom and like ten like border patrol,
like sheriffs came on. They were like you hiding any
The guy goes you hiding any illegals on the bus
and we were like all still coming down.
Speaker 1 (15:11):
They're like no.
Speaker 4 (15:13):
He was like aliens and was like oh no, no, no, no,
no least drugs. Yeah, you look at what but the cops.
Speaker 7 (15:21):
When the cop showed up, it was me and the
bus driver, so he stopped. Get first cop get on
and uh, he looked at me. I'm talking to him.
Speaker 4 (15:28):
Eric comes out the best.
Speaker 2 (15:29):
Driver didn't say ship too. We had to do all
the talking.
Speaker 1 (15:31):
Eric.
Speaker 4 (15:34):
Eric come out of the bathroom and I'm like the
cops here.
Speaker 7 (15:37):
Eric tries to open the bathroom door like it's a
swinging door, but it's a sliding door.
Speaker 4 (15:42):
So he's stuck and he stick out to the.
Speaker 2 (15:47):
Sorry, what what what illegal things? You're interested in?
Speaker 5 (15:51):
Aliens?
Speaker 4 (15:51):
Now? He was like his face, he was like, oh no,
I ain't know illegals on here.
Speaker 1 (15:58):
Yeah.
Speaker 2 (15:58):
I was like, well, I was like, I'm going to
I didn't eat all the drugs. They're not sure.
Speaker 4 (16:02):
Somebody tried to jump off that bus. Oh yeah, someone
tried to jump off the bus. And then we're going
eight miles.
Speaker 2 (16:07):
An hours our one tour. One tour manager we had
back in the day. It was a drug enjoyer. Uh,
I don't know.
Speaker 1 (16:16):
And he would sleep.
Speaker 4 (16:17):
He was just freaking out, so he like, m fell
down all down here.
Speaker 2 (16:22):
Yeah, you'd wake up in the middle of the night
and his like ass was hanging out. Also, one time,
the bus driving like ninety miles an hour and he
somehow got it. He slept, walked and got the door open.
He was about to walk out on the.
Speaker 4 (16:33):
Bus driving ground like this. The bus drivers dude say
a word, grabs him, throws him in the back. We'll
be right back.
Speaker 8 (16:43):
Through a floor.
Speaker 12 (16:44):
He felt that hole on the fucking stage at one time.
He's like, let's go over to scowlactics.
Speaker 1 (16:49):
For this man.
Speaker 4 (16:50):
If you just go back in time, man, that ship
was amazing.
Speaker 2 (16:56):
Now remember when the doors opened.
Speaker 1 (17:03):
With a recondre, with a recondre.
Speaker 2 (17:15):
Sandy one, we're here with the comedian extraordinary more bombing stories.
Speaker 9 (17:21):
I was doing a character that I call the Quief
of comedy, which is.
Speaker 2 (17:30):
I can quef on command, So you really you can
throw up on command too, which is like amazing. Yeah,
it's like the jackass guys can't even do. Yeah, like
I think only Steve O possesses your like you can
read vomit.
Speaker 9 (17:46):
No, I really can't.
Speaker 2 (17:47):
That's pretty crazy, even when I.
Speaker 9 (17:49):
Don't want to.
Speaker 2 (17:50):
Vomiting on command is somehow even more aggressive.
Speaker 9 (17:54):
But anyway, comedy, I was doing the Queen of comedy,
which is that you just put.
Speaker 2 (17:59):
The microphone vagina.
Speaker 1 (18:02):
Is that it?
Speaker 11 (18:05):
Well, it's like I'm telling jokes as well. It'll be
like these corny, corny, corny jokes that I write. Actually
some of them are. It was Hunks and His Punks.
Do you know Seth Bogart. He's an amazing artist and
he has this like punk band that they like they
used to perform like ten years ago and they're doing another.
Speaker 4 (18:25):
Album.
Speaker 9 (18:25):
So they did a show.
Speaker 11 (18:26):
This was like some point over the summer, and he
specifically requested the Cleef of Comedy because he.
Speaker 9 (18:33):
Loves her, And.
Speaker 11 (18:35):
A lot of the jokes actually are rejected monologue jokes
that I wrote for your show, because it was like,
you know, when we just sit down and write for
ten minutes, it's like the worst jokes you can think of.
Speaker 9 (18:48):
They were so bad they didn't even make it into
the So it's like that level of joke.
Speaker 4 (18:54):
And then after like.
Speaker 11 (19:00):
I can I have a lot of control over it.
I can control like if it's like a loud one
or if it's like a quiet.
Speaker 9 (19:07):
Like so I'll like jump around.
Speaker 12 (19:10):
So we were walking into the venue, what did you
see the Hunks of Punks or whatever?
Speaker 9 (19:15):
Yeah, and they're seeing that and also it was like.
Speaker 2 (19:19):
So you just like you were a roadie for the
band and lost your mind because.
Speaker 9 (19:27):
You know, people were looking at me just like.
Speaker 11 (19:31):
They were laughing, because like you can't sort of watch
that and not be laughing.
Speaker 9 (19:38):
But I don't know if they knew that they were
laughing with me or at me.
Speaker 1 (19:41):
Yeah whatever.
Speaker 11 (19:44):
That was like the one time performing where I really
felt like I was like in a circus side show.
Speaker 8 (19:49):
Like it was like the Creeping Woman.
Speaker 9 (19:54):
Oh my god. I would have loved to be in
a side show.
Speaker 7 (19:58):
Like the world.
Speaker 2 (20:00):
Like what do you mean, like a circus, like a
circus freak kind of like like you wanted to be
genetically deformed? Yeah, really but like like elephant man level.
What are you talking here?
Speaker 11 (20:12):
I guess just the concept of it sounds, you know,
it's it's obviously probably really bad.
Speaker 2 (20:18):
It's explained genetic defense.
Speaker 1 (20:20):
Yeah. Years ago.
Speaker 2 (20:27):
They're like, yeah, repetties and there's kind of a fun
and arm growing out on the face. Yeah, ye sick.
Speaker 8 (20:36):
I would have been sick.
Speaker 9 (20:38):
I don't know what.
Speaker 11 (20:39):
In my head, I was like, well, you get to
go to you get to be part of the circuits,
travel the world, see the sights.
Speaker 2 (20:45):
Weep into a microphone, into the microphone, you know what
I think Sarah figured out that's smart is that she
uses the big screen behind her, and you know, because
those those music shows, it's like a it's a it's
like you gotta think about it, like you're shooting in
a really wide frame, like you have to fill up
the space, and using that screen and her visuals that
(21:08):
I was like, Aha, that's how she did because Hannibal
kind of started doing that too. He was like using multimedia,
Like that's the way, that's the way, using that screen.
I don't think it's cheating at all. I'd like, first
of all, I love Carra top and I don't know
anybody made fun of him in the nineties, Like I
was like, by the way, I was like, yeah, prop comedy,
Like why not use props?
Speaker 9 (21:28):
I'm his number one fan, Like I used.
Speaker 2 (21:30):
Props on the Eric Andre Show, Like make props, use
a prop?
Speaker 1 (21:33):
Why is that?
Speaker 11 (21:33):
It was also a literal genius he I saw his
show in Vegas and oh my god, he let us
come backstage.
Speaker 9 (21:41):
I was with Sarah actually, and.
Speaker 11 (21:44):
We like he just talked to him for like an
hour and he just was like telling us he writes
like five minutes of new material every day every day.
Speaker 2 (21:53):
He has a ton, a tremendous amount of material. He's
been doing it for forty years, and like we're like
hundreds of millions of dollars and then playing Vegas every day.
I love that years. Honestly, you got to give it up.
Speaker 9 (22:07):
You've got to give.
Speaker 2 (22:09):
Perseverance because he got so shipped on in the nineties.
I know, comedy that's whack character fucking carrot. That's a
rough name to like have you know, it's an easy
guy to pick up.
Speaker 9 (22:19):
He had gone by Scott, maybe he would know my Scott.
Speaker 2 (22:21):
I would have been a little less of a pounding,
But like, whatever, make props? Like what why are there rules?
Like maybe people laugh? Who gives a fuck?
Speaker 11 (22:28):
I'm actually working on a set that is like a
prop thing, and I'm like really excited because.
Speaker 2 (22:34):
I I'm actually like, why don't I do prop comedy anytime?
I was like like why not? He Also, when I
watched Sarah and Hand some of Hannibal's multimedia stuff, I'm like, yeah,
use the whole stage, Like what is this Vaudeville? Like, right,
gives a fuck. We're in the twenty first century.
Speaker 1 (22:51):
You know.
Speaker 11 (22:51):
Sometimes people would be like, oh, like doing a PowerPoint
is hack or whatever, And I'm like, is the audience laughing?
Speaker 2 (22:56):
Yeah, is the audience laughing?
Speaker 9 (22:57):
That's all that matters.
Speaker 2 (22:58):
Here's what the fucking medium is.
Speaker 9 (22:59):
All that matters.
Speaker 2 (23:00):
Is the audience that matters. You know what those people are.
They're not successful, they're not that funny say that.
Speaker 1 (23:07):
They are haters.
Speaker 9 (23:08):
They're haters.
Speaker 2 (23:09):
They're fucking haters.
Speaker 7 (23:10):
Yeah.
Speaker 2 (23:10):
So that's a problem with comedy. It's like surrounded by bitter,
entitled people with personality disorders.
Speaker 9 (23:16):
It's rough.
Speaker 2 (23:17):
It's rough, man. I thought it'd be more fun when
I started comedy. I was like, Oh, it's going to
be a group of the most fun people ever. And
it's misery everywhere, bitter.
Speaker 11 (23:29):
So much, mad at the world, sometimes mad in a
way where it's like they don't even know what they're
mad at. Some of these comics. Yeah, they like hate everything,
shit on everything. But they're really sensitive and if you
say anything that is like slightly degrading to them, they
are like, how fucking dare you?
Speaker 9 (23:48):
And it's like my thought. We were like joking around
and the whole thing is that you think everything sucks.
Speaker 2 (23:53):
Oh I know it, well, well you want to wrap
it up or it's another bomb. Did I step on
the rest of your queen story?
Speaker 9 (24:00):
No, that was basically it.
Speaker 11 (24:04):
Someone got mad at me when I did that bit
once because I had a joke in it, like towards
the end that like my mom was dying and then
it was like basically her dying words were and then
I cleef again and.
Speaker 9 (24:17):
This person, you know, it takes a week recoof.
Speaker 1 (24:23):
But.
Speaker 2 (24:29):
With a recondre I'm here with John Health from Health. Okay,
tell me some bombing stories.
Speaker 8 (24:35):
Oh, this isn't really a bombing. But one of the
last nighte Shale shows we played this is separately after
that tour. It was on their farewell shows in l A.
And we were on stage and like halfway to the set,
I like it was just like it was like the
it was like an outhouse but like like the back
of the Chinese restaurant put together. It was like so
bad and I was like, dude, at first, it's like
someone farting. I'm like, not that, I can't where it
was at the Fonda. We're like two songs in and
(24:55):
I'm just like and I'm just staring at the guys
in the man with someone shit their fucking pants. Like
only a sh a live ship could be this live.
It was actually crazier, like how could a ship be
this crazy? And I'm just looking and I'm like sclaring
at everyone, like who the fuck ship their pants?
Speaker 1 (25:07):
Man?
Speaker 8 (25:07):
And they were playing this thing and then suddenly I
hear was screaming for the audience and screaming and screamings building,
and I looked out and this girl in Daisy Dudes,
Red Daisy Duchess is being crowdsurfed, and I fucking like
the fire hose, like of of of just of just
you know, of whatever. Yeager ship is spraying full blast,
and you were like, and she got fucking thrown over
(25:29):
the barricade, just spraying and spraying and spray Why and
then are you?
Speaker 2 (25:32):
And I was like crowdserving why?
Speaker 8 (25:34):
You know they're trying to get rid of her. She
was spraying so bad. They're like here, you know, and
you know, and you know, I'm sure she's waiting there
since like eight in the morning, drinking Yegger so so
so they spray over. Yeah, everyone's everyone's just screaming and screaming,
and there's just you know, liquid ship everyone smell yeah,
oh yeah, imagine underneath everyone it was like it was
(25:57):
like blade, you know, like everyone's gonna like j so
then I at this moment, I'm like, dude, we hit
the brown note.
Speaker 9 (26:04):
But no.
Speaker 8 (26:04):
Then I You're like, well halfway through, I'm like, dude,
we're fucking whoa your pants?
Speaker 4 (26:10):
Man?
Speaker 8 (26:10):
And then and then I was like, oh wait, that
doesn't make any sense. There's no funk away, you know,
like I don't know. I was like, is it the moment,
It's like a few seconds anyway, you start thinking logically,
they're waiting all day in the sun, drinking Yeager. I'm
assuming Yeger.
Speaker 2 (26:23):
Why why?
Speaker 1 (26:23):
Why?
Speaker 8 (26:24):
Why the consistency?
Speaker 2 (26:25):
You know, like you know you can tell what like
how it is. If anyone would know, it would be you.
Speaker 8 (26:34):
Something Yeager equivalent to get that consistency.
Speaker 2 (26:36):
It was like that ship.
Speaker 8 (26:37):
It was like a not a smoothie, but a milkshake,
you know what I'm saying, like empty stomach.
Speaker 2 (26:43):
Could you imagine that that story haunts your whole life?
And then she comes across it this podcast episode is
like she can't shake it. I don't care. I hope
she does hear this podcast.
Speaker 8 (26:53):
I was like, these guys are really not get to
go to the hospital. She's like touch nails man. She
will not you know, Rare, just get those tickets. I
just really shocky letter back in. I feel like if
I was sprained diarrhea.
Speaker 2 (27:05):
They I'm going home, I'm washing up, and I'm like,
I'm quarantining. It was so rad though.
Speaker 8 (27:13):
She's wearing Daisy Dukes though, because I think because the
tight what city l a is that the fond of
so the tightness of the pants, I think I created
that that that hose affect me. You squeeze the hose
and it was coming out like one of those the
v you know, you know what I'm saying.
Speaker 2 (27:28):
Yeah, and you have like a chicken pog in your.
Speaker 1 (27:37):
With Aricondre.
Speaker 2 (27:46):
With Aridre on today's episode, I took DJ and music
producer Dylan Francis.
Speaker 13 (27:52):
What is the worst show you've ever done? What is
the worst gig you ever had? What is the worst
day job, worst day? And what's the most fucking wasted
you've been on stage?
Speaker 14 (28:02):
And how is the the person you loved the most?
Speaker 9 (28:05):
How did you hurt them?
Speaker 1 (28:07):
Yeah?
Speaker 2 (28:07):
Okay? And what's your favorite child trauma? And one's the
one you can't stuck raving about.
Speaker 10 (28:14):
Favorite childhood trauma. Do you remember the movie Hook? Remember
the ROUTIEO? Yeah, the blue box, I don't remember. I
got the box. It was the scorpion. So they put
a guy in a box and there's the scorpion and
they dropped the scorpion in. So my brother and his
friend Cash wanted to do the boot box to me,
but we didn't have a scorpion, but we did have
a dog cage, so they put me in a dog cage.
(28:35):
Hog Tide, put a sock in my mouth and sprayed
me with water. My childhood trauma. It's like Alabama fucking torture.
Speaker 14 (28:45):
Also, to go from the boot box to like, it's
just like that's bucks were playing Steven Spielberg's Hook. Mom
and Dad, leave us alone.
Speaker 10 (28:57):
Dude, Stephen super for really really yeah, let's put Yeah,
this is the best bombing experience.
Speaker 2 (29:09):
Every later in the show, tell us something else. I like,
you guys, you're cool.
Speaker 10 (29:18):
Hey, no goe okay, okay, okay, well not say it yet, okay,
and I'll say it now. I was playing at this
very crusty festival up in it's I think it's upstate
New York called Camp Bisco, and I was it was
the first time I was headlining a stage. So me
and a friend whose name I won't say, I was.
Speaker 2 (29:41):
Well, put it up, We'll put it up on the screen. Yeah,
put up on the screen for me this number.
Speaker 4 (29:44):
I was, I was drinking a lot and he was
your drinking choice. I was.
Speaker 10 (29:49):
I was drinking Greg Goose at the time, and I
think I drank a whole bottle to myself, and then
he was I was thirsty, it's it's hot.
Speaker 1 (29:58):
And uh.
Speaker 10 (29:58):
And then my friend was just like basically fun dipping
ecstasy into his mouth so or M D M A.
And he was emceeing for me. I don't think there's
any footage of this online, thank god, but he's m
seeing for me. And I got so drunk. I think
halfway through the show. I couldn't really see my computer
(30:19):
screen as I was djaing off of it, and I.
Speaker 2 (30:22):
Could not send emails or yeah, you're playing tickets and
all that stuff.
Speaker 4 (30:29):
I can't do any work.
Speaker 2 (30:31):
I couldn't even see the song. So I so you
were faded.
Speaker 10 (30:36):
I was like you, and you're like like this, yeah,
and there's like a song ending over here, there's a
song ending, And I had no idea what to play next.
And the song ended and I still couldn't see the computer.
So I look over at him and I'm like, talk
on the mic, and he's like, I can't. He doesn't
(30:58):
get on the mic. There is probably and like thirty
seconds of silence at a music festival. Two seconds. So
we're just standing there and I try to pick up
the mic and talk. I don't even think I said anything.
I maybe even mumble the words.
Speaker 5 (31:17):
Your lips.
Speaker 10 (31:18):
Yeah. And then I found a song and I just
clicked it into the the turntable. It was en serato. Basically,
it's you're it's like fake vinyl.
Speaker 2 (31:29):
We know, okay, cool. I wanted to let you know.
And as for his demo, dude, your demo.
Speaker 1 (31:37):
Sick?
Speaker 2 (31:38):
Hell yeah, sign him? Sign him right now, dude, if
you had the bravery, you would sign her, just knowing
that I have a USB driver. Yes, does Hulu represent Yes,
that's the name of that and DJ Hulu. You don't
even want that ship?
Speaker 4 (31:53):
Holy sh she you want to ship?
Speaker 2 (31:57):
You want to hear some dude?
Speaker 4 (31:59):
Did you go over the king speech?
Speaker 2 (32:01):
That's the King speech man, That's what I call all
my music. I wish I could have used this that night.
You needed that, Yeah, I could like fucking fun up.
Speaker 10 (32:12):
Okay, So you know, thirty thirty seconds of silence, and
I just clicked a song in. And during this time,
songs are five minutes long. For anything you're playing, such
a drum intro, that's usually a minute, so we so
I clicked a song in that was a minute long,
just boom boom, like t track.
Speaker 2 (32:34):
Yeah, basically basically playing a tick track.
Speaker 4 (32:40):
Exactly.
Speaker 2 (32:41):
Is the stage manitor, is anybody that like runs this concert? Like,
oh fuck no, I don't even think I had a
tour manager at the time.
Speaker 14 (32:47):
It was like a concert backwoods, Yes, halfway climbing out
the stack of speakers like maybe.
Speaker 2 (32:55):
Okay.
Speaker 10 (32:55):
So the great thing is my old photographer, his girl
friend was actually at Camp Bisco when that happened, and
he asked her about it and she said, oh yeah,
when that happened, we all just thought he was fucking
with us. We thought he was just playing a huge
joke on the crowd. So I got away with it,
Scott free.
Speaker 2 (33:13):
Because I was just was so off yeah and ke yeah, man, man,
he's changing the game. Sometimes he doesn't even play music.
So that was my that was my worst bombing experience.
What do I do with me to your label? All right?
I got this. So you get off stage and that
(33:34):
night you're puke and blood.
Speaker 4 (33:35):
Right, No, no, no, that that was it.
Speaker 1 (33:37):
That was.
Speaker 10 (33:40):
I was like, well we got off and I was like, dude,
why didn't you say anything? And he's like I couldn't.
Speaker 2 (33:45):
He's just why don't you drink water at that point?
Speaker 10 (33:49):
No, we just kept drinking more.
Speaker 14 (33:50):
Oh boy, that is kind of the activity that I
feel like, You're like, well, well, might as well drink more.
Speaker 2 (33:55):
Yeah, I failed up again.
Speaker 8 (33:56):
I haven't I didn't throw up.
Speaker 1 (34:00):
I'll be with Avery Codre.
Speaker 2 (34:03):
All right, listen up. We got some sposive for you.
Got a burning story that you're itching to tell about
when you bombed or absolutely failed in life. Now's your
chance to tell me all about it, babe. I want
to hear your worst, most cringe worthy what the fuck
was I thinking? What just happened?
Speaker 1 (34:19):
Moment?
Speaker 2 (34:20):
So pick up your phone and dial seven one six bombing.
That's seven one six two six six twenty four sixty
four and leave me a voicemail and we might just
play it on a future episode. Bombing with Eric Andrey
is brought to you by Will Ferrell's Big Money Players
Network and iHeart Podcast. Our executive producer is Olivia Aguilar.
Our producer is Bei Wang. Our research assistant is David Carliner.
(34:42):
Our editor in sound designers Andy Harris, and our art
is by Dylan Vanderberg. Go rate us five stars and
drop a review on your podcast app a choice
Bombing with Aericres.
Speaker 2 (00:09):
Okay, ladies and gentlemen, my name is Eric Andre. The
podcast is called Bombing, and I am here with the
Queen of Melrose aka Cosmo Bomo Legend. Now I want
to know why are you on cops? That's a bit
of a bomb and I love that you ever were
selling a perfume called my Cunt? That's what we have
(00:34):
to put this image up on the fucking he's serving.
You're selling a signature cent called my Cunt.
Speaker 3 (00:40):
You know what?
Speaker 2 (00:40):
It's pretty and soft? Yes?
Speaker 4 (00:43):
Wow?
Speaker 1 (00:44):
Why make sure you.
Speaker 2 (00:45):
Guys get wow? I sold out?
Speaker 1 (00:46):
Yes, I need.
Speaker 2 (00:48):
I need something to cut.
Speaker 1 (00:49):
You want to smell Cosmos cut?
Speaker 2 (00:50):
I want to smell Cosmo cun. I never thought I did.
Speaker 1 (00:53):
Now I do.
Speaker 5 (00:53):
I always know.
Speaker 2 (00:55):
I always knew I was on the fence, but now
I'm now I'm no longer of fence. I'm in Okay,
So cops, we gotta talk about why are you on cops?
Speaker 3 (01:02):
So I'm in La. This is when I first come
to l A again, and I'm here for a few years,
and I go, let me go buy some drugs. So
I wear like this Adida sweatsuit and my twin brother
and a baseball hat and I don't look like this
at all. I look like my twin brother, right, gonna
go bad neighborhood. So anyway, I'm a cat and Santa
(01:25):
Monica Boulevard there was the drug spot there, so there
I go. I'm buying drugs and then all of a
sudden they're like, you're on Cops. And I turn around, right,
and it's main of these two guys ready to go
and get our freak on and have fun.
Speaker 1 (01:40):
And I have the drugs in my hand.
Speaker 3 (01:43):
And I turned around and the first year of Cops
son in my face.
Speaker 2 (01:48):
And camera twitch fee for me.
Speaker 4 (01:51):
Don't move?
Speaker 6 (01:52):
Okay? Sure, Hi Joe from New York. How long you
been out here? Have you got in your pocket? Do
you know anything shop or anything? I'm a jab myself
one to you. Then I'm gonna cut my cell phone
and poke myself.
Speaker 1 (02:12):
You know.
Speaker 4 (02:13):
Okay? Do you have identification or anything? No idea? I
just poked down here. But I just got a job
on no road. Did you see?
Speaker 7 (02:21):
Yeah?
Speaker 4 (02:21):
Where do you live at? I'll stay with my mom
at w Hill. Are you're done over in this part
of the neighborhood?
Speaker 6 (02:26):
I was looking for my God, won't you do me
favor when you step back watch step okay, and step
one over here for me.
Speaker 2 (02:32):
Okay, stand next to.
Speaker 3 (02:33):
The wall here, and they're like, we're gonna go to
d see if you have a warrant, you know, and
then if you sign this release, we'll let you go.
So I had all cocaine crack in my mouth and
they're asking me questions that I'm praying that one don't
fall out, right, right.
Speaker 8 (02:53):
So anyway, so do they like, arrest you, put you
in the car, and then have you signed a release?
Speaker 3 (02:57):
And so they said, if you sign this release to
show your face on cops, we're gonna let you go
because I had a warrant, so otherwise they would have
took me in. I would have signed anything to go
smoke my coke and get away from them, right So,
and I'm like, it's not a thing because who heard
the cops. Nobody heard of A few weeks later, they're
(03:19):
calling me from New York because it's three I was
difference there and.
Speaker 1 (03:22):
They're like, I hear Cosmo in my living room.
Speaker 3 (03:25):
I go look at the TV.
Speaker 2 (03:27):
Cosmo's on Cops, you know.
Speaker 1 (03:29):
So they just kept on playing that episode. It was
the first year of cops.
Speaker 3 (03:33):
But till this day, you know, the repeats what you're
going to do when they come for you, They keep
on playing that fucking episode. My god, there's nothing I
could do about it. I signed my cunts away.
Speaker 2 (03:44):
I absolutely that I was on to catch a predator.
I thought that those twelve year old girls won, and
Mike's hard lemonade.
Speaker 9 (03:56):
And I I always feel bad for the guy.
Speaker 2 (03:59):
I feel a little bit better. I always want to
pedophile on that show.
Speaker 5 (04:02):
Always.
Speaker 2 (04:03):
I don't feel bad for pedophiles in general, but on
the show, so we're kind of like, well, I'm not.
Speaker 8 (04:10):
I'm always give him a break.
Speaker 4 (04:11):
Remember, I'm like.
Speaker 2 (04:14):
A little bit, you know, he's all big stuff. Because
the other side of it is the Chris Hansen Nazi guy.
And then this fascistic swat team that comes in. You're like,
I don't really like a fascistic swat team either, like
police power destroying. Yeah for lower class guy, that FS
weird too, But I can't funk kids, I got it.
Speaker 1 (04:35):
Yeah, there's.
Speaker 4 (04:38):
My heart always goes out to the guys on that way.
Speaker 1 (04:40):
It's overkilled, like guy, yeah, devastating.
Speaker 3 (04:47):
That's kind of how I was, you know. So yeah,
that's what happens, you know. And these fucking shows they
set you up, you know, with Rendre.
Speaker 1 (04:59):
Tours.
Speaker 2 (05:00):
Everybody, Hey, tell me the story about when we were
on tour and we did that drug we.
Speaker 5 (05:06):
Did for you.
Speaker 2 (05:11):
Yeah, you cried the whole night.
Speaker 4 (05:14):
I was coming on myself.
Speaker 2 (05:15):
I feels like I'm getting.
Speaker 7 (05:18):
I never felt that goodt I was like, I'm sorry,
you can't feel as good as I feel.
Speaker 2 (05:29):
Right, we played a show in San Francisco and Tyler
Bradbury had that scientist friend who gave us two c
B or tw some designer psychedelic. So then we're driving
with it on tour and we get to the tip
of Western Texas. We get right before I'll pass so
(05:49):
and the tour bus driver goes, I don't care if
you guys have drugs on the bus, but get them
out of here before we hit Texas.
Speaker 7 (05:58):
Got to take it over in the just He goes,
they Yeah, it was like within twenty four hours we
were still high. Yeah, but I was like, go ahead
with the story though.
Speaker 2 (06:10):
So our bus drivers like, you gotta get either, do
all the drugs, get rid of them before we hit Texas.
We're all right, I got it, and all we had
left over was that ship because we didn't know.
Speaker 1 (06:19):
What we was on.
Speaker 4 (06:20):
He was on the state side.
Speaker 7 (06:21):
We was on the state line between New Mentsico and Texas,
and we was at a hotel right there on the line.
Speaker 2 (06:26):
So we were like, all right, so we'll do this.
I don't know if it was two C B.
Speaker 4 (06:30):
To S and I'm like, what is like, Eric comments,
we want to do this thing?
Speaker 1 (06:36):
What is like?
Speaker 4 (06:37):
It's like, uh, it's like M D M A and
acid it. I was like, and I was like, I
never done none of them. I don't have.
Speaker 7 (06:46):
This is one thing I just always sometimes it's go
you know what I mean, And like, we're gonna meditate
for this. When Aeric just started meditation ship and he's like,
we gonna I'm gonna meditate first twenty minutes and we're
gonna take it.
Speaker 4 (06:56):
And I was like, all right, cool.
Speaker 1 (06:58):
So he in the room.
Speaker 7 (06:58):
We got his legs caused he doing all this ship
you got you know, he had that weird backpillow at
the time.
Speaker 2 (07:03):
He was just the spikes on him.
Speaker 7 (07:08):
Yeah yeah, then spike pad. He's got reader ship now
and I'm sitting in the check got some headphones on
the ship and we take it, and then they call
us to dinner.
Speaker 2 (07:20):
Everybody in the Yeah, the whole crew. We're going to
a steakhouse on the he got good news. Everyone put
this all dinner. Everyone in the steak house, everyone, all
the customers look like machetey Danny Tree.
Speaker 10 (07:36):
We go.
Speaker 4 (07:37):
He's like, hey, they downstairs, we gotta go. We gotta
go to dinner.
Speaker 7 (07:40):
And and he's like, I'm finna, I'm goin to get
ready and he turns his head right uh, and then
he turns his head again, and I was like, okay.
Speaker 1 (07:52):
That's said my head.
Speaker 2 (07:56):
You you're just moved.
Speaker 4 (07:57):
I said something.
Speaker 7 (07:58):
But then I was like, I'm like, I'm a sound
with schizophrenics, so I'm just like I gotta watch it.
Speaker 4 (08:05):
I was like, what the is that chicken in?
Speaker 11 (08:07):
Now?
Speaker 7 (08:08):
Like you had those thoughts right, you started your parents
and ship and I got in the elevat I'm not
going to drop these headphones off to the room and all.
Even before then, I came back to your room, but
you was way down there. Remember you called me and
I was like, and I at another door, and I'm like,
how do you get all the way down the Yeah? Yeah,
we were fed up and then the elevator closed and
(08:28):
I saw reflection on myself in the mirror, you know't
like that with.
Speaker 4 (08:30):
The eyes with the uh.
Speaker 7 (08:34):
The wild wild country eyes with that with that, and
I was like, I took a photo of myself and
I said, so I went, I went on Twitter and
said something and then uh, he got in the van
and I got I went and jumped on the bumper
of the van and I started doing.
Speaker 2 (08:50):
This like hip hop parade.
Speaker 4 (08:52):
I was like, turn the white pers on and they
was like, get your ass in the vand and I
got in the land.
Speaker 2 (08:59):
The wrestling crew was just drunk.
Speaker 7 (09:00):
I don't even know I'm tripping yet. But I sat
next to Jason McDon shout out Jason McDonald and he
was like, Jeane. Somebody was sweating, and so I had
a little fun.
Speaker 2 (09:09):
No, it was Larry, the guy that played fake me Man.
The other goutya played fake Hannibal. I started Jason JP.
Speaker 4 (09:17):
I leaned into somebody so hard. I talked. I talked
so much.
Speaker 1 (09:21):
Ship.
Speaker 4 (09:21):
I was like your own PI.
Speaker 7 (09:22):
I like, you smell like Hitler's jacket. After he went
through and did every speech, it just kept looking the
whole time.
Speaker 4 (09:30):
You know what, I mean, I'm talking okay all the way.
All the way to the restaurant, I'm like, I want
going in. I'm feeling good too.
Speaker 1 (09:38):
Okay.
Speaker 2 (09:39):
So but we get to the rest of buffet or whatever.
It's a big banquet kind of table because there's a
bunch of us. The one guy that played fake Me Larry,
he's going super loud. He goes Texas Barbecue. Bullshit, man,
you know what has the best barbecue? Los Angeles were like,
shut it on up.
Speaker 1 (09:58):
Man.
Speaker 2 (09:59):
It turned like stand out because Byron Balls, he's like
crying and he's grabbing both people's hands next to him.
Speaker 4 (10:09):
He's like, I'm tweeting everything. I tweeting everything. I like,
I just saw the Devil's.
Speaker 2 (10:18):
He coming against We started crying. Then the waitress came
by it.
Speaker 1 (10:24):
She's like.
Speaker 2 (10:25):
And she looks at me me from the.
Speaker 10 (10:28):
This and this.
Speaker 7 (10:29):
This was triggered the cry because they got steak. Well
they didn't have uh, they didn't have uh mashed potatoes,
so with butter.
Speaker 4 (10:38):
Yeah. Remember I was like.
Speaker 7 (10:41):
Because I was like, you got mass potatoes. She was
like no, and I and I was like, you have
no mass potatoes. She's like, we got baked potatoes and
I started crying, and I was like, bringing butter, Bring
a lot of butter.
Speaker 2 (10:52):
First you start crying, and yeah, this is waitress.
Speaker 1 (10:55):
You go.
Speaker 2 (10:57):
Your make up, your.
Speaker 5 (11:00):
Your no, no no.
Speaker 4 (11:03):
I was like, hey, hey, it's like what I was like,
you got the most beautiful makers.
Speaker 2 (11:09):
And she was like, oh, okay, say that to people,
and then she was like what do you want to eat?
Speaker 4 (11:15):
And just just pretty big. But I mean, I've got butter.
Speaker 2 (11:23):
God, these people and all I heard.
Speaker 7 (11:27):
And I was looking around and ship and I would
close my eyes and I'll see the windows pipe screens.
Speaker 4 (11:37):
That we should put up here.
Speaker 2 (11:40):
We can see it on a trip, we can get
But also it was when vine, the social media vine
was the thing. So Jean was going up to other
people at the tables, like pranking people at each table seven.
Speaker 7 (11:51):
Seconds sitting next to the shitting next to him and
a girl you only praying people on dates, like going.
Speaker 2 (11:59):
Like You're like, we're like white knuckle, Like yeah, Aaron
white Knuckle.
Speaker 7 (12:03):
I'm like, I'm like, I'm just I'm just tweeting this
ship like but no liquid coming out, so I'm trying
to figure out what's going on.
Speaker 2 (12:10):
What it was.
Speaker 7 (12:11):
It was green and red like that, and then man,
the orgasm was like powerful, and then they just I
would stop because I'll be like.
Speaker 4 (12:23):
And then I stopped, be like whoa.
Speaker 7 (12:25):
And then it was just happened like something the trigger
be like the girl make up or something, and it'll
start all over again.
Speaker 4 (12:30):
To it started to get like I'm knowing how knowing it?
Speaker 5 (12:33):
I feel like you know what table the table was
shut up, some family praying for their food.
Speaker 4 (12:46):
I'm just like, oh ship and shut. They had to
carry me out of the restaurant getting more butter.
Speaker 2 (12:54):
I went outside, babe myself throw up, didn't do anything?
Speaker 7 (12:58):
Are got?
Speaker 4 (12:59):
I was like, what are they? He in his room
trying to cut his dick dick off?
Speaker 2 (13:02):
Oh yeah. Then I went back to my room. That
went back to my room.
Speaker 4 (13:05):
I thought I was bad. I thought I had a
bad man. My trip was be good.
Speaker 1 (13:11):
Now.
Speaker 2 (13:12):
I was in the bathroom, in the bathtub naked later
that night, looking at my dick like I have to
cut my dick off tonight.
Speaker 7 (13:21):
The direction I wanted to apologize to the hostess for
being rude. And it started sprinkling, and when the rain
hit my face, I started to like come again, and
John and somebody else lifted me up like this with
my legs up and they carried me out and I
ended up on the.
Speaker 4 (13:38):
Tour bus locked. We supposed to go to the strip club.
Speaker 2 (13:40):
Yeah, then the cops did bulls over.
Speaker 7 (13:42):
Right, somebody shut the striper. I think I was tweeting
because I got I had picked.
Speaker 4 (13:46):
Up the most fallow I ever had in my life.
Speaker 2 (13:47):
Oh yeah, yeah on this run.
Speaker 4 (13:49):
Yeah, because I don't know what on but y'all need
to y'all need to pay attention to his thread.
Speaker 7 (13:57):
And I think it just hit like adults swim because
I want to thinking. I'm like, I'm on the like
a corporate thing, you know what I mean. People hitting
me up, like I'm like, somebody call me. I'm trying
to get a female to call me, you know what
i mean, talk that dirty ship in my ear, you
know what I mean. And nobody called me. This guy
Mark Searah Taylor called me, and I'm like, I was like,
(14:18):
what the fuck are you doing? He's like, you know,
I'm just trying to make sure you. I'm like, yeah,
I'm right, you know what I mean. A bus and
nuts on the back of the.
Speaker 2 (14:24):
Tour with us, and then like border patrol came on
the bus.
Speaker 7 (14:27):
That's later though. We went to night We went to
a nightclub. We went to a nightclub because I remember going.
You could ask Jaan. We had to go through security,
they like. I was like, I don't think y'all should
pat me down, and we gotta pat you down. I
was like, all right, it's at your own wrist and
he was patting me and I was like.
Speaker 4 (14:45):
And we went to the club.
Speaker 7 (14:46):
I remember sitting on the bench and just staring out
trying to like figure out, like wait on everything to
come down. And I was like, man, they don't set
us up. We're not going to go to the strip club.
And then we got on the bus because we had
to pull out that night and the bus stopped. We
was only two people up.
Speaker 2 (15:00):
He was in the bathroom and like ten like border patrol,
like sheriffs came on. They were like you hiding any
The guy goes you hiding any illegals on the bus
and we were like all still coming down.
Speaker 1 (15:11):
They're like no.
Speaker 4 (15:13):
He was like aliens and was like oh no, no, no, no,
no least drugs. Yeah, you look at what but the cops.
Speaker 7 (15:21):
When the cop showed up, it was me and the
bus driver, so he stopped. Get first cop get on
and uh, he looked at me. I'm talking to him.
Speaker 4 (15:28):
Eric comes out the best.
Speaker 2 (15:29):
Driver didn't say ship too. We had to do all
the talking.
Speaker 1 (15:31):
Eric.
Speaker 4 (15:34):
Eric come out of the bathroom and I'm like the
cops here.
Speaker 7 (15:37):
Eric tries to open the bathroom door like it's a
swinging door, but it's a sliding door.
Speaker 4 (15:42):
So he's stuck and he stick out to the.
Speaker 2 (15:47):
Sorry, what what what illegal things? You're interested in?
Speaker 5 (15:51):
Aliens?
Speaker 4 (15:51):
Now? He was like his face, he was like, oh no,
I ain't know illegals on here.
Speaker 1 (15:58):
Yeah.
Speaker 2 (15:58):
I was like, well, I was like, I'm going to
I didn't eat all the drugs. They're not sure.
Speaker 4 (16:02):
Somebody tried to jump off that bus. Oh yeah, someone
tried to jump off the bus. And then we're going
eight miles.
Speaker 2 (16:07):
An hours our one tour. One tour manager we had
back in the day. It was a drug enjoyer. Uh,
I don't know.
Speaker 1 (16:16):
And he would sleep.
Speaker 4 (16:17):
He was just freaking out, so he like, m fell
down all down here.
Speaker 2 (16:22):
Yeah, you'd wake up in the middle of the night
and his like ass was hanging out. Also, one time,
the bus driving like ninety miles an hour and he
somehow got it. He slept, walked and got the door open.
He was about to walk out on the.
Speaker 4 (16:33):
Bus driving ground like this. The bus drivers dude say
a word, grabs him, throws him in the back. We'll
be right back.
Speaker 8 (16:43):
Through a floor.
Speaker 12 (16:44):
He felt that hole on the fucking stage at one time.
He's like, let's go over to scowlactics.
Speaker 1 (16:49):
For this man.
Speaker 4 (16:50):
If you just go back in time, man, that ship
was amazing.
Speaker 2 (16:56):
Now remember when the doors opened.
Speaker 1 (17:03):
With a recondre, with a recondre.
Speaker 2 (17:15):
Sandy one, we're here with the comedian extraordinary more bombing stories.
Speaker 9 (17:21):
I was doing a character that I call the Quief
of comedy, which is.
Speaker 2 (17:30):
I can quef on command, So you really you can
throw up on command too, which is like amazing. Yeah,
it's like the jackass guys can't even do. Yeah, like
I think only Steve O possesses your like you can
read vomit.
Speaker 9 (17:46):
No, I really can't.
Speaker 2 (17:47):
That's pretty crazy, even when I.
Speaker 9 (17:49):
Don't want to.
Speaker 2 (17:50):
Vomiting on command is somehow even more aggressive.
Speaker 9 (17:54):
But anyway, comedy, I was doing the Queen of comedy,
which is that you just put.
Speaker 2 (17:59):
The microphone vagina.
Speaker 1 (18:02):
Is that it?
Speaker 11 (18:05):
Well, it's like I'm telling jokes as well. It'll be
like these corny, corny, corny jokes that I write. Actually
some of them are. It was Hunks and His Punks.
Do you know Seth Bogart. He's an amazing artist and
he has this like punk band that they like they
used to perform like ten years ago and they're doing another.
Speaker 4 (18:25):
Album.
Speaker 9 (18:25):
So they did a show.
Speaker 11 (18:26):
This was like some point over the summer, and he
specifically requested the Cleef of Comedy because he.
Speaker 9 (18:33):
Loves her, And.
Speaker 11 (18:35):
A lot of the jokes actually are rejected monologue jokes
that I wrote for your show, because it was like,
you know, when we just sit down and write for
ten minutes, it's like the worst jokes you can think of.
Speaker 9 (18:48):
They were so bad they didn't even make it into
the So it's like that level of joke.
Speaker 4 (18:54):
And then after like.
Speaker 11 (19:00):
I can I have a lot of control over it.
I can control like if it's like a loud one
or if it's like a quiet.
Speaker 9 (19:07):
Like so I'll like jump around.
Speaker 12 (19:10):
So we were walking into the venue, what did you
see the Hunks of Punks or whatever?
Speaker 9 (19:15):
Yeah, and they're seeing that and also it was like.
Speaker 2 (19:19):
So you just like you were a roadie for the
band and lost your mind because.
Speaker 9 (19:27):
You know, people were looking at me just like.
Speaker 11 (19:31):
They were laughing, because like you can't sort of watch
that and not be laughing.
Speaker 9 (19:38):
But I don't know if they knew that they were
laughing with me or at me.
Speaker 1 (19:41):
Yeah whatever.
Speaker 11 (19:44):
That was like the one time performing where I really
felt like I was like in a circus side show.
Speaker 8 (19:49):
Like it was like the Creeping Woman.
Speaker 9 (19:54):
Oh my god. I would have loved to be in
a side show.
Speaker 7 (19:58):
Like the world.
Speaker 2 (20:00):
Like what do you mean, like a circus, like a
circus freak kind of like like you wanted to be
genetically deformed? Yeah, really but like like elephant man level.
What are you talking here?
Speaker 11 (20:12):
I guess just the concept of it sounds, you know,
it's it's obviously probably really bad.
Speaker 2 (20:18):
It's explained genetic defense.
Speaker 1 (20:20):
Yeah. Years ago.
Speaker 2 (20:27):
They're like, yeah, repetties and there's kind of a fun
and arm growing out on the face. Yeah, ye sick.
Speaker 8 (20:36):
I would have been sick.
Speaker 9 (20:38):
I don't know what.
Speaker 11 (20:39):
In my head, I was like, well, you get to
go to you get to be part of the circuits,
travel the world, see the sights.
Speaker 2 (20:45):
Weep into a microphone, into the microphone, you know what
I think Sarah figured out that's smart is that she
uses the big screen behind her, and you know, because
those those music shows, it's like a it's a it's
like you gotta think about it, like you're shooting in
a really wide frame, like you have to fill up
the space, and using that screen and her visuals that
(21:08):
I was like, Aha, that's how she did because Hannibal
kind of started doing that too. He was like using multimedia,
Like that's the way, that's the way, using that screen.
I don't think it's cheating at all. I'd like, first
of all, I love Carra top and I don't know
anybody made fun of him in the nineties, Like I
was like, by the way, I was like, yeah, prop comedy,
Like why not use props?
Speaker 9 (21:28):
I'm his number one fan, Like I used.
Speaker 2 (21:30):
Props on the Eric Andre Show, Like make props, use
a prop?
Speaker 1 (21:33):
Why is that?
Speaker 11 (21:33):
It was also a literal genius he I saw his
show in Vegas and oh my god, he let us
come backstage.
Speaker 9 (21:41):
I was with Sarah actually, and.
Speaker 11 (21:44):
We like he just talked to him for like an
hour and he just was like telling us he writes
like five minutes of new material every day every day.
Speaker 2 (21:53):
He has a ton, a tremendous amount of material. He's
been doing it for forty years, and like we're like
hundreds of millions of dollars and then playing Vegas every day.
I love that years. Honestly, you got to give it up.
Speaker 9 (22:07):
You've got to give.
Speaker 2 (22:09):
Perseverance because he got so shipped on in the nineties.
I know, comedy that's whack character fucking carrot. That's a
rough name to like have you know, it's an easy
guy to pick up.
Speaker 9 (22:19):
He had gone by Scott, maybe he would know my Scott.
Speaker 2 (22:21):
I would have been a little less of a pounding,
But like, whatever, make props? Like what why are there rules?
Like maybe people laugh? Who gives a fuck?
Speaker 11 (22:28):
I'm actually working on a set that is like a
prop thing, and I'm like really excited because.
Speaker 2 (22:34):
I I'm actually like, why don't I do prop comedy anytime?
I was like like why not? He Also, when I
watched Sarah and Hand some of Hannibal's multimedia stuff, I'm like, yeah,
use the whole stage, Like what is this Vaudeville? Like, right,
gives a fuck. We're in the twenty first century.
Speaker 1 (22:51):
You know.
Speaker 11 (22:51):
Sometimes people would be like, oh, like doing a PowerPoint
is hack or whatever, And I'm like, is the audience laughing?
Speaker 2 (22:56):
Yeah, is the audience laughing?
Speaker 9 (22:57):
That's all that matters.
Speaker 2 (22:58):
Here's what the fucking medium is.
Speaker 9 (22:59):
All that matters.
Speaker 2 (23:00):
Is the audience that matters. You know what those people are.
They're not successful, they're not that funny say that.
Speaker 1 (23:07):
They are haters.
Speaker 9 (23:08):
They're haters.
Speaker 2 (23:09):
They're fucking haters.
Speaker 7 (23:10):
Yeah.
Speaker 2 (23:10):
So that's a problem with comedy. It's like surrounded by bitter,
entitled people with personality disorders.
Speaker 9 (23:16):
It's rough.
Speaker 2 (23:17):
It's rough, man. I thought it'd be more fun when
I started comedy. I was like, Oh, it's going to
be a group of the most fun people ever. And
it's misery everywhere, bitter.
Speaker 11 (23:29):
So much, mad at the world, sometimes mad in a
way where it's like they don't even know what they're
mad at. Some of these comics. Yeah, they like hate everything,
shit on everything. But they're really sensitive and if you
say anything that is like slightly degrading to them, they
are like, how fucking dare you?
Speaker 9 (23:48):
And it's like my thought. We were like joking around
and the whole thing is that you think everything sucks.
Speaker 2 (23:53):
Oh I know it, well, well you want to wrap
it up or it's another bomb. Did I step on
the rest of your queen story?
Speaker 9 (24:00):
No, that was basically it.
Speaker 11 (24:04):
Someone got mad at me when I did that bit
once because I had a joke in it, like towards
the end that like my mom was dying and then
it was like basically her dying words were and then
I cleef again and.
Speaker 9 (24:17):
This person, you know, it takes a week recoof.
Speaker 1 (24:23):
But.
Speaker 2 (24:29):
With a recondre I'm here with John Health from Health. Okay,
tell me some bombing stories.
Speaker 8 (24:35):
Oh, this isn't really a bombing. But one of the
last nighte Shale shows we played this is separately after
that tour. It was on their farewell shows in l A.
And we were on stage and like halfway to the set,
I like it was just like it was like the
it was like an outhouse but like like the back
of the Chinese restaurant put together. It was like so
bad and I was like, dude, at first, it's like
someone farting. I'm like, not that, I can't where it
was at the Fonda. We're like two songs in and
(24:55):
I'm just like and I'm just staring at the guys
in the man with someone shit their fucking pants. Like
only a sh a live ship could be this live.
It was actually crazier, like how could a ship be
this crazy? And I'm just looking and I'm like sclaring
at everyone, like who the fuck ship their pants?
Speaker 1 (25:07):
Man?
Speaker 8 (25:07):
And they were playing this thing and then suddenly I
hear was screaming for the audience and screaming and screamings building,
and I looked out and this girl in Daisy Dudes,
Red Daisy Duchess is being crowdsurfed, and I fucking like
the fire hose, like of of of just of just
you know, of whatever. Yeager ship is spraying full blast,
and you were like, and she got fucking thrown over
(25:29):
the barricade, just spraying and spraying and spray Why and
then are you?
Speaker 2 (25:32):
And I was like crowdserving why?
Speaker 8 (25:34):
You know they're trying to get rid of her. She
was spraying so bad. They're like here, you know, and
you know, and you know, I'm sure she's waiting there
since like eight in the morning, drinking Yegger so so
so they spray over. Yeah, everyone's everyone's just screaming and screaming,
and there's just you know, liquid ship everyone smell yeah,
oh yeah, imagine underneath everyone it was like it was
(25:57):
like blade, you know, like everyone's gonna like j so
then I at this moment, I'm like, dude, we hit
the brown note.
Speaker 9 (26:04):
But no.
Speaker 8 (26:04):
Then I You're like, well halfway through, I'm like, dude,
we're fucking whoa your pants?
Speaker 4 (26:10):
Man?
Speaker 8 (26:10):
And then and then I was like, oh wait, that
doesn't make any sense. There's no funk away, you know,
like I don't know. I was like, is it the moment,
It's like a few seconds anyway, you start thinking logically,
they're waiting all day in the sun, drinking Yeager. I'm
assuming Yeger.
Speaker 2 (26:23):
Why why?
Speaker 1 (26:23):
Why?
Speaker 8 (26:24):
Why the consistency?
Speaker 2 (26:25):
You know, like you know you can tell what like
how it is. If anyone would know, it would be you.
Speaker 8 (26:34):
Something Yeager equivalent to get that consistency.
Speaker 2 (26:36):
It was like that ship.
Speaker 8 (26:37):
It was like a not a smoothie, but a milkshake,
you know what I'm saying, like empty stomach.
Speaker 2 (26:43):
Could you imagine that that story haunts your whole life?
And then she comes across it this podcast episode is
like she can't shake it. I don't care. I hope
she does hear this podcast.
Speaker 8 (26:53):
I was like, these guys are really not get to
go to the hospital. She's like touch nails man. She
will not you know, Rare, just get those tickets. I
just really shocky letter back in. I feel like if
I was sprained diarrhea.
Speaker 2 (27:05):
They I'm going home, I'm washing up, and I'm like,
I'm quarantining. It was so rad though.
Speaker 8 (27:13):
She's wearing Daisy Dukes though, because I think because the
tight what city l a is that the fond of
so the tightness of the pants, I think I created
that that that hose affect me. You squeeze the hose
and it was coming out like one of those the
v you know, you know what I'm saying.
Speaker 2 (27:28):
Yeah, and you have like a chicken pog in your.
Speaker 1 (27:37):
With Aricondre.
Speaker 2 (27:46):
With Aridre on today's episode, I took DJ and music
producer Dylan Francis.
Speaker 13 (27:52):
What is the worst show you've ever done? What is
the worst gig you ever had? What is the worst
day job, worst day? And what's the most fucking wasted
you've been on stage?
Speaker 14 (28:02):
And how is the the person you loved the most?
Speaker 9 (28:05):
How did you hurt them?
Speaker 1 (28:07):
Yeah?
Speaker 2 (28:07):
Okay? And what's your favorite child trauma? And one's the
one you can't stuck raving about.
Speaker 10 (28:14):
Favorite childhood trauma. Do you remember the movie Hook? Remember
the ROUTIEO? Yeah, the blue box, I don't remember. I
got the box. It was the scorpion. So they put
a guy in a box and there's the scorpion and
they dropped the scorpion in. So my brother and his
friend Cash wanted to do the boot box to me,
but we didn't have a scorpion, but we did have
a dog cage, so they put me in a dog cage.
(28:35):
Hog Tide, put a sock in my mouth and sprayed
me with water. My childhood trauma. It's like Alabama fucking torture.
Speaker 14 (28:45):
Also, to go from the boot box to like, it's
just like that's bucks were playing Steven Spielberg's Hook. Mom
and Dad, leave us alone.
Speaker 10 (28:57):
Dude, Stephen super for really really yeah, let's put Yeah,
this is the best bombing experience.
Speaker 2 (29:09):
Every later in the show, tell us something else. I like,
you guys, you're cool.
Speaker 10 (29:18):
Hey, no goe okay, okay, okay, well not say it yet, okay,
and I'll say it now. I was playing at this
very crusty festival up in it's I think it's upstate
New York called Camp Bisco, and I was it was
the first time I was headlining a stage. So me
and a friend whose name I won't say, I was.
Speaker 2 (29:41):
Well, put it up, We'll put it up on the screen. Yeah,
put up on the screen for me this number.
Speaker 4 (29:44):
I was, I was drinking a lot and he was
your drinking choice. I was.
Speaker 10 (29:49):
I was drinking Greg Goose at the time, and I
think I drank a whole bottle to myself, and then
he was I was thirsty, it's it's hot.
Speaker 1 (29:58):
And uh.
Speaker 10 (29:58):
And then my friend was just like basically fun dipping
ecstasy into his mouth so or M D M A.
And he was emceeing for me. I don't think there's
any footage of this online, thank god, but he's m
seeing for me. And I got so drunk. I think
halfway through the show. I couldn't really see my computer
(30:19):
screen as I was djaing off of it, and I.
Speaker 2 (30:22):
Could not send emails or yeah, you're playing tickets and
all that stuff.
Speaker 4 (30:29):
I can't do any work.
Speaker 2 (30:31):
I couldn't even see the song. So I so you
were faded.
Speaker 10 (30:36):
I was like you, and you're like like this, yeah,
and there's like a song ending over here, there's a
song ending, And I had no idea what to play next.
And the song ended and I still couldn't see the computer.
So I look over at him and I'm like, talk
on the mic, and he's like, I can't. He doesn't
(30:58):
get on the mic. There is probably and like thirty
seconds of silence at a music festival. Two seconds. So
we're just standing there and I try to pick up
the mic and talk. I don't even think I said anything.
I maybe even mumble the words.
Speaker 5 (31:17):
Your lips.
Speaker 10 (31:18):
Yeah. And then I found a song and I just
clicked it into the the turntable. It was en serato. Basically,
it's you're it's like fake vinyl.
Speaker 2 (31:29):
We know, okay, cool. I wanted to let you know.
And as for his demo, dude, your demo.
Speaker 1 (31:37):
Sick?
Speaker 2 (31:38):
Hell yeah, sign him? Sign him right now, dude, if
you had the bravery, you would sign her, just knowing
that I have a USB driver. Yes, does Hulu represent Yes,
that's the name of that and DJ Hulu. You don't
even want that ship?
Speaker 4 (31:53):
Holy sh she you want to ship?
Speaker 2 (31:57):
You want to hear some dude?
Speaker 4 (31:59):
Did you go over the king speech?
Speaker 2 (32:01):
That's the King speech man, That's what I call all
my music. I wish I could have used this that night.
You needed that, Yeah, I could like fucking fun up.
Speaker 10 (32:12):
Okay, So you know, thirty thirty seconds of silence, and
I just clicked a song in. And during this time,
songs are five minutes long. For anything you're playing, such
a drum intro, that's usually a minute, so we so
I clicked a song in that was a minute long,
just boom boom, like t track.
Speaker 2 (32:34):
Yeah, basically basically playing a tick track.
Speaker 4 (32:40):
Exactly.
Speaker 2 (32:41):
Is the stage manitor, is anybody that like runs this concert? Like,
oh fuck no, I don't even think I had a
tour manager at the time.
Speaker 14 (32:47):
It was like a concert backwoods, Yes, halfway climbing out
the stack of speakers like maybe.
Speaker 2 (32:55):
Okay.
Speaker 10 (32:55):
So the great thing is my old photographer, his girl
friend was actually at Camp Bisco when that happened, and
he asked her about it and she said, oh yeah,
when that happened, we all just thought he was fucking
with us. We thought he was just playing a huge
joke on the crowd. So I got away with it,
Scott free.
Speaker 2 (33:13):
Because I was just was so off yeah and ke yeah, man, man,
he's changing the game. Sometimes he doesn't even play music.
So that was my that was my worst bombing experience.
What do I do with me to your label? All right?
I got this. So you get off stage and that
(33:34):
night you're puke and blood.
Speaker 4 (33:35):
Right, No, no, no, that that was it.
Speaker 1 (33:37):
That was.
Speaker 10 (33:40):
I was like, well we got off and I was like, dude,
why didn't you say anything? And he's like I couldn't.
Speaker 2 (33:45):
He's just why don't you drink water at that point?
Speaker 10 (33:49):
No, we just kept drinking more.
Speaker 14 (33:50):
Oh boy, that is kind of the activity that I
feel like, You're like, well, well, might as well drink more.
Speaker 2 (33:55):
Yeah, I failed up again.
Speaker 8 (33:56):
I haven't I didn't throw up.
Speaker 1 (34:00):
I'll be with Avery Codre.
Speaker 2 (34:03):
All right, listen up. We got some sposive for you.
Got a burning story that you're itching to tell about
when you bombed or absolutely failed in life. Now's your
chance to tell me all about it, babe. I want
to hear your worst, most cringe worthy what the fuck
was I thinking? What just happened?
Speaker 1 (34:19):
Moment?
Speaker 2 (34:20):
So pick up your phone and dial seven one six bombing.
That's seven one six two six six twenty four sixty
four and leave me a voicemail and we might just
play it on a future episode. Bombing with Eric Andrey
is brought to you by Will Ferrell's Big Money Players
Network and iHeart Podcast. Our executive producer is Olivia Aguilar.
Our producer is Bei Wang. Our research assistant is David Carliner.
(34:42):
Our editor in sound designers Andy Harris, and our art
is by Dylan Vanderberg. Go rate us five stars and
drop a review on your podcast app a choice
Host
Eric Andre
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