Club 520 - Bun B, Vernon Maxwell & Tobe Nwigwe HOUSTON LIVE SHOW - Club 520 Podcast

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
The volume.

Speaker 2 (00:05):
Man, listen, you know what Tommy is. Boostmobile Club five twenty.

Speaker 1 (00:08):
We tapped in. Listen.

Speaker 2 (00:09):
We're here to tell y'all you need to get a
new phone. Tap me on Bootsmoble. Man, they got that
new iPhone seventeen. That's right, the new iPhone seventeen ready
for you to get and listen.

Speaker 1 (00:19):
If you want it, they'll pull up on you. Talk
to them be here. Yeah, I'm going tomorrow to get mine.

Speaker 3 (00:23):
Man, it's time I need to upgrade immediately, man, tap in.

Speaker 2 (00:27):
Yeah, they'll pull up to your crib. You don't even
got to do. No, you ain't gotta go tap in
with the the stores or whatever. They'll have the phone,
come to your crib. Boost Mobile, pull to your crib
and get everything situated. Mobile for real. Yeah, it's mobile.
They're getting active. Listen many way.

Speaker 1 (00:42):
They pull on the hold on, hold on way they
pulling up Bootsmobile. Pull on my new iPhone serving.

Speaker 2 (00:49):
At the crib. You ain't gotta leave, man, come on
off the couch with it. Listen to step code.

Speaker 1 (00:54):
You know what I'm saying.

Speaker 2 (00:54):
When you get a new phone, the worst part is
transfer your contacts and pictures and message all that You
ain't even got to do all that.

Speaker 1 (01:00):
They gonna handle that for you. Just tap in.

Speaker 2 (01:01):
Listen, man, the most powerful I phone ever, I Phone seventeen.
Bootsmobile got you and he gotta leader crib. They gonna
break your phone transferred for you. Man, what's what's excuse
not to get to be here?

Speaker 1 (01:11):
Ain't no excuse?

Speaker 3 (01:12):
Especially they pull on to your door with I never
know other providers ever?

Speaker 1 (01:15):
Did that come on man? Or step service? Wow? That's
definitely new man. It's tight ye, shouts of bootsmoble Man.
You know it's of my.

Speaker 2 (01:23):
Dogs pulling up with us, sending the vibes for showing
the sell. Don't pretti my dog Barbie over there, shouting
to Barbie, you know what I'm saying?

Speaker 1 (01:32):
Oh damn, okay, No, don't paying that way when we
shout out. This is the family show. These niggas is freaky.

Speaker 2 (01:38):
What's having to be here with your hometown baby? What's
uthing with it? What's saying and ain't saying? What the
fuck is going on? Oh?

Speaker 1 (01:45):
Y'all fuck with him? Yeah? Ain't this a bit show
for shure? Man?

Speaker 2 (01:53):
You know the vibes, man, Listen, we had to start
to to off right, man, one of our favorite cities.
First and foremost wan to thank y'all. Man.

Speaker 1 (01:59):
H Town is at text.

Speaker 2 (02:00):
It has been one of our biggest markets since we
started this show. So shout out to y'all for the support.

Speaker 1 (02:05):
We love y'all. Appreciate y'all. You go ahead give meself
appreciate Shaw for sure.

Speaker 2 (02:11):
You know what it is though, Club five twenty live
in Age Town.

Speaker 1 (02:14):
I'm your host. My name is DJ Wells.

Speaker 2 (02:16):
To my far left, you know who it is, my
dog Bishop be here out the prallies like you what.

Speaker 1 (02:21):
Man's yea and nasty. Let's get to it, baby, that's
started the people's chip. Oh bullshit, Oh bullshit? Hey, hey,
you out of pocket all because I was away, I
tell you that's how you're starting doing the shock. No,

(02:42):
but these niggas didn't buy my shoes, so that's on them. Bro.

Speaker 2 (02:45):
Hey live, Hey live, Bro, tell my right, my dog
yong natcho your team you what well, you know I
didn't get the savor, Paul, I didn't get the same.
You know this must be here city. I can't wait
to go to the letter. Fuck no, but nah, I'm
glad to be here.

Speaker 1 (03:00):
Eachtown.

Speaker 2 (03:00):
This is beautiful. We didn't had a time. I didn't
eat soul food every fucking meal. Shout to be here.
And my stomach is that's a fucker bubbling right.

Speaker 3 (03:08):
Now because where we go we went to lost the
family shouts at George so the great hospitality.

Speaker 2 (03:14):
And where we went for breakfast breakfast club. Yeah, stomach
is still going. Yea if I'll see t exit stage right,
don't worry about it, my boy just getting back right
for show man.

Speaker 1 (03:23):
It's all good. Listen man, We're gonna have some fun tonight. Man.

Speaker 2 (03:26):
We appreciate y'all. We got a couple of guests, but
first things versus only right win in Houston, we got
our dog. Oh g my un my dog, mad Max
Vernon Maxwell I age town spins in the building with
my dog, Yes, Sir Max, Mad.

Speaker 1 (03:47):
Max setting me on the flash, freaky Vern in the building.
Wasn't had it?

Speaker 4 (04:07):
God damn Now ship this ship that's crazy? Hey, what
to do my people? Hey, motherfucker called me freaky vern.
First of all, I gotta check my nigga.

Speaker 5 (04:18):
Now, I ain't no motherfucking freaking I'm a hope. I
want you to call me a whole nigga. I ain't
no Fred. Why my niggat.

Speaker 4 (04:27):
I heard the ship the other day, I said, Damn.

Speaker 1 (04:29):
I was looking at the ship and I said, God, damn.

Speaker 4 (04:34):
My nigga said, oh we we got freaking vern.

Speaker 2 (04:39):
I said, freaky urn man, what the fucking freaking vern, nigga, I'm.

Speaker 1 (04:42):
My whole vern.

Speaker 4 (04:44):
I'm a hole.

Speaker 1 (04:45):
But tell them why the hole is totally death. Tell
them why you ain't a free break it down, tell
him why you ain't a free.

Speaker 5 (04:50):
Well we just talking backstage, and I told you because
see see like you a free see cause you eat.

Speaker 4 (04:58):
As I ain't no freak because I don't eat that.

Speaker 1 (05:04):
I'm a whole.

Speaker 4 (05:04):
I just fuck a lot of women.

Speaker 1 (05:07):
That's what I do.

Speaker 5 (05:07):
I'm sorry, but I have no disrespect to you women.
But I ain't got nobody so I can say this ship,
so funk this ship.

Speaker 4 (05:15):
I don't get mad.

Speaker 1 (05:16):
At me now.

Speaker 4 (05:16):
I'm just saying some real ship.

Speaker 1 (05:18):
Ah you we got some drinks, fun. Yeah, we're born.
We're the game, y'all to bar.

Speaker 5 (05:30):
Yead damn, let me take this ship off there?

Speaker 1 (05:44):
Did you just hear what I just told you? I'm
not afraid I'm a whole.

Speaker 4 (05:52):
Look god o, mid ship y'all did something. Y'all up, motherfucker.
Y'all got an old ass cool gass niggle.

Speaker 1 (06:04):
I like it. I like what you're doing for the
first show.

Speaker 4 (06:07):
I'm glad to be a part of this motherfucker controlled town.

Speaker 1 (06:11):
Yeah for show man.

Speaker 2 (06:13):
Listen first and foremost, congratulations big dog getting the records
back at Florida.

Speaker 1 (06:17):
Baby number one is going in the universe. Oh makes no, hey, hey,
put the buckets back on the map.

Speaker 4 (06:24):
Absolutely, man.

Speaker 5 (06:25):
That was a blessing man for me, just for my
mom to see it, man, because I was a fuck
up all my life, and I mean I really mean
that shit though, and this for my mom just to
see that shit because it hurt her to her heart
because she know how much I put into that shit
at the University of Florida. So but I was just
it was a It was a blessing for just my mom.

(06:45):
She's eighty two years old and just to see her
she's still alive and she's healthy. Just to see my
mom get to see me get my flowers like that,
it was a blessing for me, man. So it was
kudos to damn University of Florida for they did the
right goddamn thing though. Now, goddamn y'all, don't feel sorry
for old Max. Now, I don't want a motherfucker's.

Speaker 4 (07:05):
Field, never feel sorry for me.

Speaker 5 (07:07):
But they did the right goddamn thing. Put Max back
in the books where I was supposed to be. Because
the one thing I always tell motherfuckers, you can't take numbers,
don't never lie.

Speaker 1 (07:19):
Where was you at when you got the call?

Speaker 5 (07:21):
But she was, you know what I mean, yes, at
my crib, chilling and just got through working on riding
on my peloton, telling everybody, if everybody, if you hey,
y'all know what, don't get ready to say if it
ain't nobody motherfucker told you today they love.

Speaker 1 (07:38):
Your old mad Max.

Speaker 4 (07:39):
I love you.

Speaker 5 (07:41):
That's what I always say when I'm riding my peloton.
So I'm on my peloton. So yeah, I've got that
call on Tuesday, that Tuesday before the last Saturday.

Speaker 4 (07:50):
And damn I had to stop riding.

Speaker 1 (07:52):
Man.

Speaker 5 (07:52):
I brought little tears to my eyes, man, because I
never thought it was gonna happen.

Speaker 4 (07:56):
So it was a blessing, man, I mean, for real.

Speaker 2 (07:58):
For sure, I would ask you this. It has been
reserviced evercently. I know we in Houston. You know what
I'm saying. You as a rocket. They've been saying. You
know what I'm saying, Once upon a time, if Michael
Jordan didn't know, say, take his little.

Speaker 1 (08:12):
He would have put belt to that.

Speaker 2 (08:13):
Rockets team said that Mike.

Speaker 1 (08:16):
They said Mike would have beat y'all.

Speaker 4 (08:19):
Oh, man, y'all own this bullshit.

Speaker 5 (08:21):
Man, y'all, hey man, listen, man, listen everybody. I mean,
I'm sure everybody know. Well when we played against the motherfuckers,
I mean, they say our championships don't count because Mike
wasn't playing, and shit, he went and tried that dumb
ass ship tried his baseball, and ship, nigga, you can't

(08:43):
just go and play baseball, nigga and just say I'm
gonna start hitting one hundred miles now, motherfucker, that's not
your craft. But we can't help the nigga did that
dumb shit, he went and played baseball.

Speaker 1 (08:56):

Speaker 5 (08:57):
I can't help because Mike went and played baseball, and
then Lan Jawan was the best player in the NBA
after him. You know what I mean, because I always
thought that anyway we knew Mike was the best and
then at that during that error, it was dream after Mike.
I mean, so we knew that ship. So but man,
just look at the numbers. Like I said, numbers don't lie.

(09:20):
When we played against their ass motherfucker in this numbers,
but they was taking ls we I mean, I mean,
I love Mike, Mike is the best I ever played against.
I mean, I swear to God, but I mean shit,
but I mean.

Speaker 1 (09:39):
Nora, can't nobody take that away from that. But I'm just.

Speaker 5 (09:44):
Saying, man, motherfucker's be trying to discredit us for this ship.

Speaker 1 (09:47):
Man, I don't like that bullshit.

Speaker 4 (09:48):
Y'all got to stop that.

Speaker 5 (09:49):
Ship hating ass motherfucker's right here with this bullshit talking
about wing get the rings and shit.

Speaker 4 (09:55):
I'm about to take my.

Speaker 5 (09:55):
Hair loose up this motherfucker talking about this ship because
this shit got me fucked up. So yeah, we got
two goddamn rings. Okay, I mean I know we we
we believe this, and everybody in this motherfucker room we
believe that ship. But fuck Mike and co.

Speaker 1 (10:11):
So yeah they beata anyway, Yeah, yeah you would, Yeah
you would. What I am Now?

Speaker 2 (10:25):
I wanted to ask you about this new rockets team.
Y'all got Kevin Durant coming in Houston, k D. It's
a lot of excitement around the city by Kevin.

Speaker 1 (10:32):
Durant being here.

Speaker 2 (10:34):
You as a former champion, a legend or Rockets legend,
how you feel about this new Rockets team?

Speaker 4 (10:40):
Man, I'm telling you, man, I said it already.

Speaker 1 (10:43):
I said it.

Speaker 4 (10:43):
All we need is a.

Speaker 5 (10:44):
Motherfucker we can roll the ball out to and just
go get me a motherfucking bucket. And we got him, KD.
We got this motherfucker. So now we locks up. We
played D we got I mean, I mean, I hate them.
Leet went down. That's a big loss for us. I
think we gotta figure this part that we're gonna figure

(11:05):
that ship out.

Speaker 1 (11:05):
Though.

Speaker 5 (11:06):
I think a man's gonna go to the point guard position.
We're gonna have a big ass team out there. I mean,
we're gonna be big. We're gonna be long defensively, but
I think we're gonna miss Ben.

Speaker 1 (11:20):
Oh y'all tell y'all like I forgot old.

Speaker 3 (11:31):
Nah you was like, I'm gonna just I'm gonna put
you up on You was like, we're gonna be long,
So niggas like you gotta chill you gotta seel.

Speaker 1 (11:41):
We give your past, Old Jean, we give you a past.
Don't pull your hair out.

Speaker 4 (11:47):
Let me tell you, motherfucker.

Speaker 5 (11:49):
Yeah, I mean, I'm sixty years old up here with
this bullshit.

Speaker 1 (11:54):
Y'all.

Speaker 5 (11:55):
Don't hold me on't every goddamn thing I say, niggas
shot damn. Let Max have a right got yam goddamn
every damn y'all.

Speaker 1 (12:03):
Yeah.

Speaker 4 (12:03):
One thing about motherfuckering Houston. But I love you motherfuckers.
I love all you motherfuckers. One thing about Houston.

Speaker 5 (12:10):
Is y'all hold y'all had on old MAXI y'all love
old Maxine. I love your motherfucker's back. So, but don't
I might someth might come out wrong. And don't hold
me on that call old nigga sixty. Now I'm sixty.
I'm an old ass. I ain't no goddamn little, I
ain't no no chap. I'm old enough to be goddamn day.

Speaker 1 (12:34):
A lot of your.

Speaker 5 (12:34):
Motherfuckers said, again, there you go.

Speaker 3 (12:39):
My nigga said, I want to ask you about this
new media space man joining Stack and Matt, like how
that's been for you?

Speaker 4 (12:46):
Oh man, that's just amazing.

Speaker 1 (12:48):
Man.

Speaker 5 (12:49):
Uh, I mean the motherfuckers, and one took me off.
That's why I took off like a rocket because Matt
Steve Jack and then he damn Jack bought me on
to the Big three and ship and uh, I mean,
it's it's it's it's help shot the brand, the Maxwell brand,
you know what I mean. But I'm a part of

(13:10):
all the smoke, and it was a blessing man just
to be a I mean, cause goddamn, come on, now,
when I got on that motherfucker, we took off, we
took the fucking back off. But I love them motherfuckers, Matt, Steve,
Bryan Dylan. I love all the motherfuckers. Y'all don't know
the motherfuckers I'm talking about though, the mother too, motherfuckers.

(13:30):
But Matt and Steve I love their motherfuckers. So I mean,
I couldn't have did it without their motherfucker there, because
you you gotta understand there's something y'all. Y'all know I say, motherfucker.

Speaker 2 (13:43):
You're cow for motherfuckers on our first show, the first
thirty seven.

Speaker 4 (13:48):
Sorry y'all want goddamn it, but no, the motherfuckers.

Speaker 6 (13:55):
I'm all right, my niggas, okay, But now I'm gonna
stop saying, motherfucker if about that.

Speaker 5 (14:10):
Okay, I'm gonna sound different than y'all. I'm gonna sound
all right, I'm gonna talk that ship.

Speaker 1 (14:17):
But nah.

Speaker 4 (14:18):
But now, I was a blessing for the motherfuckers.

Speaker 5 (14:20):
To play to brave me on that show, Man and
help the brand. And I mean it's a it's a
blessing for me, man, just to be a part of that.

Speaker 1 (14:29):
Man.

Speaker 5 (14:29):
We've been ready to start back up, and I think
on the seventeenth or eighteen, we're gonna do a live show.
So yeah, y'all tune in and get ready for this. Motherfuckers.

Speaker 3 (14:39):
You had a grab Stack back there in the locker room. Boy,
back in the locker room in the Big Three.

Speaker 1 (14:45):
Stack, you know, y'all you know Stack.

Speaker 7 (14:47):
You know that's gonna be stacked.

Speaker 4 (14:49):
We love Stacked, you know Stack.

Speaker 1 (14:51):
He just like Max.

Speaker 5 (14:52):
You know your nigga said something to it. I mean,
like you know, and you know Stack them. You know,
I love that motherfucker ight there. Now, that's my dog
right there.

Speaker 4 (15:01):
Ain't nobody now that's my dog right there.

Speaker 3 (15:04):
Would you ever coach in the Big Three like that?
Would you ever coach in the Big Three?

Speaker 4 (15:09):
Yeah?

Speaker 1 (15:09):
Well, goddamn.

Speaker 4 (15:10):
I think I was supposed to be in there next year.

Speaker 5 (15:12):
You know, ICEQ, say, you got a job for me
next year, coaching my own team. So okay, yeah, let's
look forward to get I wanted. I want to coach
the goddamn Houston team though. I mean, I should be
coaching the Houston team.

Speaker 4 (15:25):
You know, I love Calvin Murphy to death.

Speaker 5 (15:27):
Y'all hear me. I love that motherfucker. That motherfucker fight.
Y'all don't know Calvin Murphy. That motherfucker fought worse than me.
That bitch was a fighter. That bitch what y'all just
don't know.

Speaker 4 (15:38):
This little Calvin Murphy with all the funny ass SUSSI
be wearing. That motherfucker is a fucking fighter. I want
to let you know.

Speaker 5 (15:45):
So Calvin Murphy is worse than me. So Calvin told
me said, man something, I think I'm gonna get rid
of it.

Speaker 4 (15:51):
I ain't gonna do this ship next year, I said.
I was in my mind. I was like, nigga, thank you.

Speaker 1 (15:59):
That's my mother. I'm a coach the Houston team.

Speaker 5 (16:02):
Hold, I'll be coaching motherfucker Houston team next year with
the Big Three.

Speaker 4 (16:05):
So yeah, sir.

Speaker 1 (16:08):
I seen what you was trying to do.

Speaker 2 (16:11):
I'm not playing the big there this ship doing the
number one can't get.

Speaker 3 (16:16):
We are signing you to whatever deal Verne want to
sign you too.

Speaker 1 (16:20):
You will be playing on certain tis. That is what
Starn points on. I'm his agent. Vern Why the think
he my agent? I'm his agent.

Speaker 3 (16:28):
So anything you want, if it's looking slim for the roster,
you got a player.

Speaker 8 (16:33):
I take that nigga, Take this nigga.

Speaker 4 (16:46):
Anyway, Hey, hey, fredom went down?

Speaker 1 (16:49):
Why you ready? Way? Fred went down? You ready? Good
feeling man? You bring your Russell Westbrook. I'm be sitting
over there with you.

Speaker 2 (17:12):
You got a chill? You got he got a chill?
Fifty five is crazy at least double zero. Now, listen,
you was in Houston as it was developing, y'all was winning.
What's the difference between the city how it was back
then and now.

Speaker 4 (17:28):
When we were winning?

Speaker 1 (17:29):
Oh?

Speaker 4 (17:30):
Man, we shit.

Speaker 5 (17:31):
I mean well it took a minute for us to
start winning. I mean because because I mean when I
first got here, ship, we was like should I think
the first show I was here and.

Speaker 4 (17:42):
Like I'm old less.

Speaker 5 (17:44):
Oh just stop listening at the motherfucking.

Speaker 4 (17:48):
Years I'm talking about.

Speaker 5 (17:49):
So I got back here, y'all motherfuckers probably wasn't even
born a lot of your motherfuckers out here.

Speaker 4 (17:55):
So I was in like eighty.

Speaker 1 (17:56):
Nine when damn was.

Speaker 5 (18:04):
We girling and head saying, this is the fuckery ship
I never deal with.

Speaker 4 (18:09):
When I'm on this, motherfucker, I get to say that.

Speaker 5 (18:12):
That shows my age and ship and I'm sorry, this
is who fuck I am.

Speaker 4 (18:17):
I'm sorry, but nah, but I'm sorry what we was
talking about.

Speaker 1 (18:25):
Because you know I'm old.

Speaker 4 (18:26):
Now tell her when we was talking about again, say
it again.

Speaker 1 (18:28):
I just city looked different for you now coming back.
That's what the fuck were talking about.

Speaker 4 (18:32):
Okay, I forgot all about that. God damn question boy.

Speaker 5 (18:35):
Okay, Nah, the city is different because now. But back then,
but when I first came here, man, we wasn't doing shit.
We was like forty one and forty one some.

Speaker 4 (18:45):
Shit like that. That's what we was doing. We was
mid the middle of the road, getting the first round lose.

Speaker 1 (18:50):
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Speaker 5 (20:05):
Then but Rudy t and Well who brought I got
to give kudos to my guy though, Don Chaney, Don
Cheney is the one that had the balls to bring
me in this motherfucker, because I don't think it and
I don't know if you all know who Don Chaney is.
It's a nigga head coach, you know Don Chaney, Okay.

Speaker 4 (20:24):
A legend.

Speaker 5 (20:25):
Either one had enough balls to bring my crazy ass
in here to Houston.

Speaker 4 (20:30):
And I got San Antonio got rid of me because.

Speaker 5 (20:33):
I was fighting all the fucking time up there in
San Antonio and these motherfucking bars. So Papa Bitch told me, motherfucker,
he was the general manager. Motherfucker, you keep going his
balls fighting, won't get rid of your dumb ass. So
I kept going in there fighting, so yeah and so,
and then they got rid Ofmized and Don Chaney. I
gotta get Don Chaney's trapping. But the difference in the

(20:56):
city now is that we uh Rudy. He kept a
lot of us together. We had a bond. We had
like a it's a core. We had like a corps
of guys that he kept together, that he believed in,
and we just and he kept us together.

Speaker 4 (21:17):
And then he put Robert.

Speaker 5 (21:18):
Horry, and he put Sam Cassell, and then he, you know,
he put all those other guys like Carlral that nigga
hit with the waight upside the head and all these
other motherfuckers. You know, Mario Elie, my boy kissed the death.

Speaker 4 (21:38):
Mario, love your boy.

Speaker 5 (21:39):
You know that, Mario and Sam missed my guy, you know. So,
but there but they kept together, and then we brought
them to guys together, and then it was different. Then
we knew it was gonna win the ship. We started
at the damn season twenty.

Speaker 4 (21:52):
Three and one. Come on, now, what the fuck are
we talking about?

Speaker 5 (21:55):
We started at them twenty three and one, so and
then we we knew it was a special team at
that point. But then now, but now you want to
I'm talking about this team now, the difference in the
city now.

Speaker 4 (22:07):
But when we wanted the ship, you couldn't even go
up down that mother fucking street.

Speaker 5 (22:12):
That goddamn street where Sam's boat what that ship called
all up down.

Speaker 1 (22:18):
Rich when you couldn't get up and down.

Speaker 5 (22:19):
Rich when you ship was blocked off so we couldn't
get out the locker room.

Speaker 4 (22:23):
So I said, you know, mad Max, I started that up.

Speaker 1 (22:26):
I was blowing. What was the blowing? I was blowing.

Speaker 5 (22:32):
I wasn't and your niggas get out of the way.
I was in my goddamn Ferrari. I was goddamn, I
can't go out there.

Speaker 1 (22:39):
With this bitch. Hold on.

Speaker 4 (22:40):
I left that bitch up under house.

Speaker 5 (22:42):
I just stayed down there all night till about two three.

Speaker 4 (22:45):
I was just blowing. I was just blowing.

Speaker 1 (22:47):
Oh you had back then, the Ferrari. Yeah, damn damn.
What was the clubs? Like? How was the night life?
That was the night life when you was life?

Speaker 5 (22:59):
Oh, ship man, there's a lot of them out here,
probably using y'all don't start just ship yeah ship no,

(23:21):
but uh no, night life is great for me.

Speaker 4 (23:26):
I mean, I had a great time in Houston. Houston
is my second but my home.

Speaker 5 (23:31):
You know, I'm moving back here in December, so I
love I love Houston man. We got the beautifullest women
and fucking Houston, Texas. Oh my goodness, I love some
Houston women. Man, y'all some beautiful ast women.

Speaker 4 (23:46):
God bless y'all. Mama's and daddy.

Speaker 2 (23:51):
We need you don't know be here. They got a
little bit of a beef for Robert or we need
you to settle it.

Speaker 1 (23:55):
Man, I don't got no beef for Robert ore that's jail.
Hold on, I ain't have no beef.

Speaker 2 (24:00):
But like polls, I was like, I just said, I
ain't even say nothing bad. I just said nobody really
cared that he won that many rings.

Speaker 1 (24:11):
It's not talked about.

Speaker 5 (24:13):
Hold up, jeah, please, man, jail please now, Robert Horry, noah,
I call him freak.

Speaker 1 (24:22):
See oh, now you're gonna put that on him. You
call him the freak. So he yeah.

Speaker 5 (24:27):
When I called him freak, when when it was a rookie,
it was a freak, it wasn't that's not literally because
let me let me.

Speaker 1 (24:39):
Because no Robber over here, like ro Rob you know
Rob Rob.

Speaker 4 (24:50):
When you hear this hip, you know what I'm talking about.

Speaker 5 (24:53):
When I called you freaking, Yeah, I called him freak,
but Roby Robinson.

Speaker 4 (24:59):
But nah, but don't.

Speaker 5 (25:05):
Never discredit that niggas a big shot Rob then they
got seven rings that it was a killer. I hated
it when we traded him and brought him back and ship,
you know what I mean. But I was glad we
brought him back because I swear to God, and we
wouldn't have brought him back.

Speaker 4 (25:23):
We wouldn't have won that ring, man, because Rob was
so big for our organization. Man, I swear to God.
Man so but nah, stop don't know.

Speaker 1 (25:33):
Just crediting his game and what he did.

Speaker 2 (25:35):
I was just saying like he wasn't that popular, Like
if some other people would have won seven rings, it
would be a little different. I was like, if j R.
Smith would have won seven rings, he was more popular.

Speaker 5 (25:46):
Well because you know why, because j R. Smith, Vernon
Maxwell and all us niggas we out we are in
the streets, Robert Horry, Rob big shot Rob, Rob go
hit a big shot.

Speaker 4 (25:58):
Rob Got damn people what we're doing tonight? We want
we want to go eat. You know, Rob don't want
to do all this ship.

Speaker 1 (26:06):
You know what I do.

Speaker 5 (26:07):
I had a big I hit a game winner ship, Nigga,
I'm in four five motherfucker clubs, stip clubs.

Speaker 1 (26:13):
All this ship man, I know you want me tonight.
I know you want Old Max to night.

Speaker 4 (26:23):
I want you to God damn because there was a hope.

Speaker 1 (26:26):
I was a guy.

Speaker 5 (26:27):
Damn the voice courting, Damn ninety four ship Nigga got
their playoffs. I was in the voice court, were talking.
I was dealing with a bunch of bullshit. You know
five we want that motherfucker.

Speaker 1 (26:42):
No, I feel you because nearm one game with her.
If you went through that ship too, it was wow,
old me, hey, bohy.

Speaker 5 (27:00):
That shit fucked me up though I was in the
pole house. Oh man, Yeah, but I did it to myself.

Speaker 2 (27:07):
Have you seen online that they made the customer Utah
Jersey wish your name and number on the back of it.

Speaker 5 (27:12):
Boy, if you do that ship over burn that motherfucker. Boy,
This motherfucker talk about Utah Jersey, Man, fuck you. Them
goddamn white folks harassed me, talk about my mama, talk
about my still boy daughter. The motherfucker did so much
to me over there, and you talk. That's why I
keep the motherfuckers under the.

Speaker 4 (27:29):
Radar, absolutely tall, my nigga. Motherfucker you talk.

Speaker 1 (27:36):
You got a live show in Utah next month. Are
you coming? Are you coming, man, we're all going out
the next month. Y'all gonna bring me ship.

Speaker 5 (27:48):
I'm there, I'm there, I'm there, Bigga, I'm there.

Speaker 4 (27:54):
Fuck this ship, I'm there, big I'm there. I'm there,
and I ain't scared of no motherfucking body.

Speaker 1 (28:03):
I ain't scared of nobody. What you saying, my people? Oh,
I want to smoke. I want to smoke that. God
damn marriager wine. I want to smoke it. No, let
us smoke. Hey, where the fuck I'm at? What's the
name of this goddamn hall blues?

Speaker 4 (28:21):
Y'all gotta start breaking to motherfucker rules.

Speaker 1 (28:24):
Wre y'all got mad max.

Speaker 4 (28:25):
In this motherfucker cause y'all ain't getting.

Speaker 1 (28:27):
The best out of me yet.

Speaker 4 (28:29):
I gotta smoke that got damn marriager Wan. I got
to have it in the along. Say I woked up
right now because I don't God damn keep drinking.

Speaker 2 (28:38):
Man, God damn, he said, make sure it ain't a Reggie.

Speaker 1 (29:00):
Yore. Wow. Man, may come set your hands down. Man,
come get this my nigga. Cam alry this niggle.

Speaker 5 (29:08):
We gotta test test out out from the sid nigga
gonna try to kill me I might ask some ship in.

Speaker 4 (29:15):
That mother fuck I might ask the mother bucking god
damn cracking there, sir, niggain't gonna give me a joint.

Speaker 1 (29:21):
They're gonna want hey hitting that first camp let cam
Die said, I ain't gonna die down.

Speaker 5 (29:29):
NIGGAA say, I love it though, Hey, nigga, you're a
real one.

Speaker 1 (29:34):
Lovely fought bro. Know something you said? What said? Shake
something nigga?

Speaker 9 (29:49):
This nigga.

Speaker 1 (29:52):
That nigga said. Yeah, yell.

Speaker 2 (30:00):
My nigga used to be a backup dancing years ago.

Speaker 1 (30:06):
And I love that ship.

Speaker 4 (30:09):
Oh yeah, these niggas scared.

Speaker 1 (30:12):
Don't be scared to go. Lie. What's next for you though? Max?
What's up? What you got up and coming?

Speaker 4 (30:19):
I got ship me and Bubba Dug from the Door
Show and.

Speaker 1 (30:26):
Shout to Bubba Doug.

Speaker 4 (30:27):
Yeah, I got I got some ship coming up. All
the smoke.

Speaker 5 (30:31):
I'm in the you know, basketball sticking restitourt backup, So
all the smoke and yeah to do that, and then
I got a lot of man damn man, I'm I'm
a blessed old ass nigga.

Speaker 4 (30:42):
I can't believe I'm getting all these flowers and ships.

Speaker 5 (30:45):
So but my way, man, I'm sixty, man, very, it's
a blessing for me.

Speaker 1 (30:52):
Man' that's the lag. We appreciate you.

Speaker 2 (30:54):
It's always makes some noise for freaky iron freaking out here.

Speaker 1 (30:57):
What I ain't no mother?

Speaker 2 (31:03):
Yeah, y'all, y'all have a little intermission that be here
for the people passing out shots.

Speaker 1 (31:07):
What they drinking on? Ben, you gotta have a mic.

Speaker 3 (31:12):
Oh, I'm sorry that motherfucker liquor kicking my ass already.

Speaker 1 (31:19):
They gonna shame you put the shame. So that's a
sweating to hear. What did my life? This nigga? Keep
the fat nigga tail this Manda story.

Speaker 2 (31:33):
But show baby, we're gonna keep the show rolling. Shout
out to y'all man our next guess one of the fires.

Speaker 1 (31:38):
To come for this city.

Speaker 2 (31:39):
Man entertainer rapper aud the above from the city. Big
dog missus Toby Wingway makes the noise my dog, yes, sir.

Speaker 7 (32:08):
Yes, eage time's going down.

Speaker 1 (32:13):
What's happening with it? My dog appreciate you pulling up
on this. Maybe how you living? Man?

Speaker 10 (32:17):
Let me tell you something when y'all when they asked
me when I come up here, I really don't fool
with a lot of niggas because do you know. But
when I tell you, y'all niggas be having me so
weak online. I was like, oh I got to I

(32:40):
got to pull up bro so much.

Speaker 7 (32:43):
Yeah, I really fool with y'all.

Speaker 10 (32:45):
I didn't took time away from Yeah, my wife and
five kids, the five.

Speaker 1 (32:52):
I'm good on. I could.

Speaker 7 (32:53):
I could take time from them.

Speaker 1 (32:55):
Yeah, but I didn't.

Speaker 10 (32:55):
You know what I'm saying, I might not be able
to wake her up when I get back.

Speaker 1 (33:01):
We've been there, Lord Lord, we come from that same soil.
Come on, niggas know how they get home baby week?
Oh man? Wow, two kid is for sure.

Speaker 2 (33:18):
Listen, man, we want to start off in the origines.
We ain't gonna talk about the music. First we heard
you was like that in football though, before they cracked off.

Speaker 1 (33:26):
Yeah, let me tell you something. I was.

Speaker 10 (33:28):
But it don't mean nothing when you play for a
sorry team.

Speaker 1 (33:32):
I've been there before. Yeah, yeah, mine was a little worse. Yeah.
I was a defensive MVP. But we went one and eleven.
I want to hell you in that.

Speaker 10 (33:46):
Yeah, I tell you how when we was oh and
nine and we was about to lose to Western Kentucky,
I called an interception on the one yard line that
ranted ninety nine yards to make us one in nine. Yeah,
that's a little fun of title, right, Come on, unanimous,

(34:07):
Come on, he the only one that got us one.

Speaker 1 (34:08):
No, for sure? For sure?

Speaker 10 (34:10):
What positions is just for middle linebacker? Okay, I've been
the same size since college. I ain't went up or down.
I just stayed the time. Okay, come on, well it ain't.
It ain't really like that, you know.

Speaker 1 (34:22):
What I'm saying. You know, you know what I'm saying.

Speaker 10 (34:24):
Ain't never just North Texas. You know what I'm saying.

Speaker 1 (34:29):
I was just saying, Now I got love for it,
but I'm just saying it ain't.

Speaker 10 (34:32):
We can't just get out there with everybody just throwing
up the you know what I'm saying, throwing up they
said in the same way.

Speaker 1 (34:37):
I'm like, wait for it. Before asking me where that was?

Speaker 2 (34:44):
At one time, I was like, damn, oh God, now
for sure I want to ask you this. Obviously, speaking
about the family early on, how was that like moving
around because you go everywhere with your family, which is
honorable and so possible. As times, though, especially being an entertainer,
it's got to be a little bit up aheadache a
little bit hard to maneuver there about it?

Speaker 1 (35:02):
Now?

Speaker 10 (35:03):
Well, yeah it is now, but it wasn't as much
when I, uh two child, three kids. Once we got
past three. Now it's like it's scientiarize. Yeah, yeah, now
we need more help. But because I ain't have no
foreknowledge of how to maneuver in the industry, it wasn't
really nothing to me because I really love being with

(35:26):
my people, and I don't I.

Speaker 1 (35:29):
Can't stress this enough.

Speaker 10 (35:30):
I really don't like being around niggas like that, especially
people who not like you know what I'm saying.

Speaker 1 (35:36):
I really don't like that.

Speaker 10 (35:37):
So I really feel good when I go out to
places and I'm you know what I'm saying with my family,
and I ain't bring nobody here because I knew it.
You know what I'm saying, It's gonna be some real
you know what I'm saying, fat fact, This ain't fat environment. Yeah,
my wife don't really be on she'd be like I said.
I showed her like two clips it was really be
here and that really.

Speaker 1 (35:59):
Am I love I show you say supposed to.

Speaker 2 (36:11):
What was it I showed up clause that this nigga
was talking about.

Speaker 1 (36:14):
The w n B a.

Speaker 2 (36:15):
I thought you was about to say, you.

Speaker 1 (36:22):
Better not say that ship because that's right.

Speaker 2 (36:24):
The other one he showed her talk about that basketball
clipp and we teacher so how to drive them?

Speaker 1 (36:32):
I couldn't do. I ain't talking to the rest of
the show. Come on, so pocket y'all legendary, come on
for sure.

Speaker 2 (36:42):
I wanted to ask you if it's gona jump around
a little bit, how did you get transformers Nigga?

Speaker 1 (36:48):
Nah no, no, this is crazy.

Speaker 10 (36:51):
Bro was Transformers brouh And then so when they hit
me at first when they was like you want being transformed,
I thought I was gonna be like, oh yeah, look
ow snap, Nigga's a Transformer. And then but I was
cool with it because I'm like, man, I aint never
did nothing ever in my life. I don't got to
know I am dB. Well, however you say it, I

(37:12):
don't have it. I ain't never had that or nothing
like that. But the director of the film, the director
of the film, Stephen Caple Jr. His best friend was
a huge fan of my music, and right before they
started shooting the films.

Speaker 1 (37:29):
And he and he.

Speaker 10 (37:30):
Reached out to Paramount on my behalf, well not on
my behalf were really and told them to like, hey,
I really want Toby to play the role of the
character who like embodied.

Speaker 1 (37:41):
His best friend in the film.

Speaker 10 (37:43):
So when they reached out to me, I thought it
was like, how do I explain it? I thought niggas
was pranking me in my email because no, no, because
like in my email you'll get stuff.

Speaker 1 (37:55):
From like I don't know whoever Pike.

Speaker 10 (38:02):
I don't want to say no name, but like whatever
big name, and then it'll say like such and such
big name at Yahoo, and it's like, my nigga, I
know watching McCall ain't got no Yahoo passed worth.

Speaker 1 (38:14):
I was like, no, y'all.

Speaker 10 (38:15):
So I got the paramount stuff and I thought it
was a joke. So when they sent the stuff and
it was like, no, it's real. I had never did
no audition or nothing before. And if we had a
video or something in my audition, when I tell you
top tier trash, no, I'm talking about bruh terror. I
didn't know what the hell I'm looking at on the phone.

(38:37):
I'm looking at the lines. I'm recording myself and looking
at the lines and I'm like sing And I just
sent it in like that. I saw it like Bro,
they ain't no way in hell they gonna really want me.
I was just I just did what I could do.
And when they hit me back, I was like, dangn
that's crazy that they hit me back. But then they

(38:58):
was like, this is like the height of the pan.
So we had to go to Canada for like, uh
two months in quarantine. But I was like, yeah, we
just had a we just had my second child. And
I was like, yeah, I'm just not really. I never
wanted to be an actor, no way. So I was like, yeah,
so if I come, I can't leave my wife and

(39:19):
my two babies.

Speaker 1 (39:20):
So they gonna have to come quarantine with me.

Speaker 10 (39:22):
And when I when I sent the request, and I
was like, are we for sure not gonna be able
to get in no transformers? I ain't then see I
ain't got no resume or nothing. But they was like
we cool. So I was able to bring my wife,
my kids and I ain't have to you know what
I'm saying, be absentent or you know what I'm saying.
Whatever they you know what I'm.

Speaker 1 (39:41):
Saying, I ain't have unders the real quarantine curl the
radio for sure. That's a crazy pickup though. Bro was
you like nervous like where you I.

Speaker 10 (39:57):
Was, because I ain't never did no acting like that
in my life. So what people don't know about movies
and what the hell I didn't know. It's not like
a play or something like that or like a rap
where you have to memorize the whole thing and go
out there and just be like, you know what I'm saying,
like Tom Cruise or nothing like that. So I didn't

(40:18):
memorize the whole the whole packet like the sat That's
all I got my reference for you know what I'm saying.
That's the only real sense. Yeah, so I'm doing. I
memorize everything. When we get out there and they're like, no, no, no,
just these two lines, I'm like, nigga, you line, I
swear the guy, So I start it. When I find
out it's just two lines. Now I'm in that whole comfortable.

(40:40):
I'm just I'm cooking this thing. So with my stuff,
I do all the direction, the clothes, the costume, and
the I write all the stuff. I got to do,
produce the stuff, all the stuff. So when I got there,
all I had to do was read them lines. So
I'm in that whole feeling like be here.

Speaker 1 (41:01):
I ain't gonna lie. I'm in that whole feeling like you,
feeling like this is all I gotta do.

Speaker 10 (41:08):
I'm doing the lines and I and I'm cooking, and
then I'm going so crazy because I just I feel
free that the I ain't gonna lie.

Speaker 1 (41:20):
The white people was like, yeah, bring that nigga back.

Speaker 10 (41:24):
No, no, no, They was like I was because I
only had a couple of lines, but I was going
so smooth that when they did the like before they
put a movie out, they show like they tested with
like smaller audiences. The smaller audiences was like, hey, where
the one we're here? His best friend at that was
doing all the all the line. Yeah, so they flew me.
They asked me to come back and do some pickup

(41:47):
shots or like add some shots to the scene. So
I cancel my whole European I can so everything I
had going on. I was like, nigga, ain't there been
the Transformers? Yeah, but that's it.

Speaker 3 (41:58):
You want to break that down? So what was that transition?
Like leaving the football field Defensive Player of the Year.
Now we're tapping into this music.

Speaker 1 (42:12):
Lewis you know what's crazy?

Speaker 10 (42:16):
I really felt like I was really finn be African
ray Lewis.

Speaker 1 (42:22):
Yeah, Bro, I really felt like that right, be careful. Uh.

Speaker 10 (42:25):
And then it's way worse with Nigerian parents. Nigga, you
have no clue when you don't make it. Oh, nigg
I thought I was Finna be African ray Lewis.

Speaker 1 (42:35):
I ain't get picked. I ain't get picked up by
nobody in the draft.

Speaker 10 (42:38):
My mom was like, yeah, how how when were you
stuck with in your life?

Speaker 1 (42:47):
Damn? Oh my bro?

Speaker 10 (42:49):
I would but when when when I was like they
would put my name in the paper, like oh he
could be drafted I'm talking about My mama was running
as from me. You know my on this go into
the bro nigga ain't making it was like when will
you go get a job? I was like dang, dang,

(43:10):
cold blood so yup. And then when I told her
I wanted to start a nonprofit, it was yeah, bro,
it's even worse.

Speaker 1 (43:19):
You know what what are we doing?

Speaker 5 (43:21):
Bro?

Speaker 1 (43:21):
Call my dad down? You know your son love supposed
to I sent to get a job. Who wants to
do nothing for plus e? Alight?

Speaker 10 (43:33):
Bro, it's crazy, it's crazy.

Speaker 1 (43:38):
So yeah, so when did you get out that fuck.

Speaker 10 (43:45):
Nigga was impressed for about a year, had to be
I'm talking about I walk in the house on something like, hey, daddy,
what's going on? Just from like, you know, just a
long day of just trying to figure out what my
purpose was. My dad was just like, you still don't
have a job. And I'm like dann upon a rival.

(44:07):
It's crazy, like Nigga ain't saying Hi, how was your day,
none of that. Still don't have a Yeah. It was crazy.

Speaker 1 (44:15):
So it lasted for about a year.

Speaker 10 (44:17):
Then I started my nonprofit and was just going back
to the high school trying to pour into the uh
uh the students as best as I could with the
gifts and little talents that I had. And then I
was able to reach out to E T the motivational
speaker uh yep every time, one million percent and c

(44:38):
J e right hand man. C He the one who
told me to do music. And because I was broke
and I ain't had no friends with money, and them
niggas was the only one that I knew was doing
something legit. I was like, all right, cool, and I
ain't have no foreknowledge of the industry, how to make
no music, how to write no songs, do, no videos,
none of that stuff. I just applied everything that I

(44:59):
learned football. Come on to win that m v P.

Speaker 1 (45:02):
Go go.

Speaker 2 (45:07):
Now that's kind of crazy, though, I to even think
about music for real and then be where you are now.

Speaker 10 (45:12):
I'm talking about the most idea with music before, before
I really started doing it, the most I did with
music was a freestyle in the cafeteria in the locker room.

Speaker 1 (45:24):
I didn't came down. I didn't came through. Come on,
But niggas know, come on, stop playing class.

Speaker 10 (45:30):
If you're from the age, that's how you start off
ninety five percent of your raps.

Speaker 1 (45:33):
So no, we're not from the age. How I go?
I didn't come man, dropped the bat.

Speaker 11 (45:46):
Stop shop, but stopped bro ask me, yeah it started well,
I ain't came down. I came ain't down. I came
through the night in our hall up.

Speaker 1 (46:02):
All right? Not playing? Come on now, I've just been
here a couple of years. You live as a youngest,
I was six, for sure.

Speaker 2 (46:21):
To listen, you know what I'm saying. This panel, we
take probably take care of our feat. I see what
you got on today?

Speaker 1 (46:26):
I want to come on.

Speaker 2 (46:28):
You got them ships on today? And we're begging podcast.
I'm a I'm a Yeah, we need that nigga show.
I want those.

Speaker 1 (46:35):
Yeah, now I got you. You're twelve, Yeah, I'm a twelve. Yeah,
you right here. I hope you nigga play. She's right here,
go ahead, like, yeah, come on, this ain't been playing either.

Speaker 12 (46:46):
Yeoh the motherfuckers, well come on.

Speaker 1 (46:52):
Percent that's a twelve straight off my feet. Yeah, I don't.
I don't wanna let you walk out of them though, No, no, no, yeah,
I can't walk out of years because I got a week.
By contrary, we respect the Nigerian Lennies. Put them up.
We know what school walking around barfo. Let me know,

(47:17):
I ain't gonna lie. I want them motherfuckers. But you
with it.

Speaker 2 (47:21):
I'm not standy. I need, yeah, I need, come on,
but listen, I'm gonna get them later. But like he said,
we leave out here like I'm on for sure. How
many different color ways you got to?

Speaker 1 (47:32):
Now? These ones had.

Speaker 10 (47:36):
Two color ways that came out, and then we did
a colorway for friends for friends and family that uh
uh it was fat colorway.

Speaker 1 (47:45):
But you only got those if yeah, fat fool wit. Yeah.
So yeah, we still got a lot of those at
the house Wife.

Speaker 2 (47:54):
I come to the show today, but like, like, I mean, now,
how did that come about? The how did you come
out that collaborations also with MYNT clear as well.

Speaker 1 (48:04):
It's dang, yeah we yeah, we tapped it coming on.
I want to Yeah.

Speaker 10 (48:12):
It's it's it's really all my all the things that
that that have happened.

Speaker 1 (48:17):
I'm not gonna lie the stories really to me, even.

Speaker 10 (48:21):
When I'm when I said, the whole sound insane.

Speaker 1 (48:25):
It's just because I don't feel like.

Speaker 10 (48:30):
I don't feel like they inspiring like that, because it's like, yo,
this is random as hell. With the Transformer stuff, they
fly you out to promo to stuff. Now mind you,
I'm not even really supposed to be on a promo
tour like that with them, I wasn't really a main character.
Today brought me back and start doing the extra scenes.
So now I'm on a promo tour going to Singapore, London,

(48:53):
uh chin. I don't know where else we went, but
we when we was in London. I'm cool with Daniel Caluya.
I don't even know how to hell that happen. That's
the dude from Get Out Come and then he hit
me up and told me to come through his crib
to just higher at him. He had a couple of

(49:16):
people over there, and I'm being in the UK like that,
and it ain't a lot of niggas that I know
in the UK like that. So I pulled up and
when I pulled up, it was some random nigga just
posted in the corner of his crib like in the
kitchen when I walked through, and I walked through in
a whole bunch of like Pierre Moss stuff, and he
was like.

Speaker 1 (49:38):
The nigga name was g d. He was like hey.

Speaker 10 (49:44):
I was like, yeah, ast but I feel like yeah,
because the nigga and.

Speaker 1 (49:52):
All the stuff that he that he do is fire. Yeah.

Speaker 10 (49:55):
I support any nigga who out here doing it in
is live. So yeah, I'm like yeah. He was like, oh,
that's that's live. He was like, man, I really fool
with your stuff. I was like, man, appreciate it. He
was like, yeah, nigga, you want to do something with Rebuke.
I said, nigga like that, Yeah, I do want to

(50:16):
do something Rebound. He said, all right, cool, I'm gonna
reach out to him. They probably would love to work
with you. I'm gonna hit you back in like a
week or so, put your number on my phone and
I was like, this must be what just happened in
the UK of Hollywood and song I said this nigga line.
And then a week and a half they called me
and was like, Yo, we would love to work with you.

Speaker 1 (50:36):
And that's how it happened. That's it. You know what's crazy?

Speaker 4 (50:40):
Come on, I like rebounds.

Speaker 1 (50:46):
For you. Sh I take these little fucking Georgians off writing.

Speaker 2 (50:51):
Come on, come on, I've been for sale everybody.

Speaker 1 (50:55):
If y'all watch, I wore Sketchers one day, I did one.
You ain't wearing no motherfucker scratch. We can stories you
always do that ship? Whoa? Hold on?

Speaker 2 (51:12):
Who said they going tea read the Sketchers team time
and the rebox?

Speaker 1 (51:19):
Do you authentic? For real? Hold on, let me ask
you this. Have you heard the tea tom?

Speaker 9 (51:28):
No?

Speaker 1 (51:28):
What's that? Don't worry about it? Then I don't worry
about it.

Speaker 10 (51:33):
But but but look, while people be sleeping on sketches,
I went to the to the like the Footwear Awards,
which was crazy, but look, everybody was trying to clown
Sketches when they won the like Environmental Award.

Speaker 1 (51:50):
But I looked up their numbers. Oh them boys getting
two week No, no, no, I wasn't clowning. I was ready.
They say that because he couse to he said what.

Speaker 3 (52:01):
They didn't want him because he cussed too much.

Speaker 1 (52:02):
That's where they said. I can see that. They said,
my language is a little Yeah. I was like, damn,
how can I go global? But told me tea time
started one day. Hold on. He didn't asked about that
Toby Tobby family, Come on bro. So they told her

(52:24):
you was his head ten times. So it was a group.
It was a group of studs on twitch and they
all just had on. Hold on. They had on the
hold on.

Speaker 3 (52:39):
They had on the jerseys with the switches, no drawings
under the switches, switched up.

Speaker 1 (52:45):
Hold on. That ain't what happened, dang.

Speaker 2 (52:51):
Hold on they was somebody said they was wearing my jersey, Kevin,
all of them.

Speaker 1 (52:58):
No, no, no, I.

Speaker 2 (53:00):
Don't know how it happened to we do a little
streaming and shout to my nephew Mount freaking out for
a little streaming.

Speaker 9 (53:06):
Okay, freaking out, y'all know, freaking out, y'all shout.

Speaker 2 (53:11):
Out, So freaking out is doing a little streaming. Some
dude wrote on there and said I got a tea
jersey on with no draw.

Speaker 1 (53:21):
I don't laugh, don't lie, and it went by a
shouted Kevin love who you love.

Speaker 2 (53:28):
Epandemic, So I said, damn, that's what I said, and
that fool over there said, nah, it's Kevin.

Speaker 1 (53:35):
It was I love who you love?

Speaker 2 (53:38):
On the scream they didn go crazy, that's what it's
hard dismissed, and they talking about we having.

Speaker 1 (53:44):
A tigerwen halloweensween for sure. They buying that nigga jersey
and I was like, that's as long as I can word.
Come on, come on, come on, nah, hell blo nigga
with the tea jersey and the reads it's crazy. Yeah,
we're gonna do like that. That's hey, that's a player ship, right.

Speaker 3 (54:08):
How how long have you like as fashion always been
a part of you though your whole life?

Speaker 1 (54:14):
Now, I was tacky for the first half of my life.
I ain't gonna lie.

Speaker 10 (54:17):
Yeah, yeah, A nigga had to pull me to the
side and say, hey, that ain't it big Dollar.

Speaker 1 (54:23):
You got.

Speaker 10 (54:26):
No Yeah, nigga was like, you really got you really
got the juice. But the way you represent yourself, yeah,
that ain't it. You got to like, hey, put it together.
Do you remember what outfits you had on when that
nigga probably had no listen listen, I do, don't laugh yet,
I got you listen. Yeah, nigga probably had on one

(54:48):
of them uh.

Speaker 1 (54:49):
Alicia keys for doors. I won't tell. You know, used
to look like this outside my work clothes.

Speaker 10 (55:01):
Come on, stop playing with me, Stop playing with me,
broy Yeah yeah, and then you know boys was yeah,
the fitted, the fitted, the fitted shirts.

Speaker 1 (55:21):
You horny. Yeah, I ain't gonna lie. Yeah you already lad.

Speaker 10 (55:26):
The horn dogness just went crazy more, they went crazy, but.

Speaker 1 (55:30):
Just running on her. I don't need some water, baby,
that's no run, no run cool. This one's nasty, I
think she said she was so excited to serve fat
shout out a fan. Yeah, I appreciate the family shout
out to yep, I ain't gonna lie.

Speaker 13 (55:58):
That nigga fat a bit like, Yeah that's nice. I like,
but that's crazy.

Speaker 1 (56:15):
Fast forward. You know what I'm saying.

Speaker 2 (56:16):
Your homeie push you on game into where basically you
got your own color past steal and like that's the standard.

Speaker 1 (56:21):
How's that like? Where everybody know that color is your color.

Speaker 3 (56:25):
Incredible now and uh.

Speaker 10 (56:29):
It really just it really kind of happened because like
before the pandemic, A Nigga was just low key.

Speaker 1 (56:34):
If you go through like some of my older visuals, A.

Speaker 10 (56:37):
Nigga was just like testing colors out as I was
doing it, and I was just trying to stay in
a little monochromatic theme and I was just trying to
figure out the best way to just present the stuff
the way I wanted to. And when the pandemic hit.
Right before the pandemic hit, we did a video at
uh Museum of Fine Arts, the Rimsy location. Yep, they

(57:02):
don't really let niggas in like that. That's why I ain't.

Speaker 1 (57:05):
Nobody clapped like that because we was late too. Yeah. Yeah,
it was like, okay, they ain't never been there. I
hadn't been there either.

Speaker 10 (57:11):
But once I did a couple of songs, then the
niggas wanted to let me and they hold on and
let somebody hear from the museum, yeah journey tell my truth. Yeah,
they ain't really want to let me in like that.
Then when I started then and I did a song
with a couple of famous people, then they wanted to
let me in. So when they let us in it
do a video that they had a room that was
all meant and I was like, this is when me

(57:32):
and Fat were still in an apartment.

Speaker 1 (57:33):
I was like, Fat, when we get.

Speaker 10 (57:34):
A crib, I'm gonna do one room, this whole color,
just because this this whole made me feel like like fresh.
And then we got a crib right when the pandemic
hit and we couldn't go outside, and I just started
running all the videos through that crib and bought mint
clothes and just wanted to make everything look a certain
type of way.

Speaker 1 (57:53):
That's how it all happened. For real.

Speaker 10 (57:54):
Nigga be like, hey, what's the meaning behind that color.
I'm like, yeah, I just liked it, and that's it.

Speaker 1 (58:00):
Thank you. It's definitely fire. Appreciate you. That's why them
coming with me. Yeah, I tried to take him on,
yeah for show for show.

Speaker 2 (58:11):
I'm a fan of basketball. Go ahead, what you saying?
They always want to day make DJ clapp or so
he said something crazy.

Speaker 1 (58:27):
He said, the crown baby, the craw baby is wild.
Like so if you don't know DJ, I seen you.
I know that one. I know that one. He was
a breakdown. I don't know I didn't know that.

Speaker 2 (58:38):
Yeah, he's gonna put.

Speaker 1 (58:40):
The cardboard down and get crazy.

Speaker 2 (58:43):
So ever since we discovered that he was when the
young Bloods drop, you don't give it damn, Like, now
let me start. You got DJ fucked up? Hold on,
But anyway, I forgot the.

Speaker 1 (59:04):
But you think what say make the twenty next time?

Speaker 2 (59:13):
No, but I wanted to say, but I've seen you
work with my guy.

Speaker 1 (59:19):
I'm a Steph Curry fan. I got drafted the same
you're Steph Curry.

Speaker 2 (59:22):
I've seen y'all got a video together, fire song, fire visuals.

Speaker 7 (59:26):
Like what was that liking?

Speaker 1 (59:28):
What was that like?

Speaker 2 (59:29):
Working with Steph Curry being a part of him being
part of your video?

Speaker 1 (59:32):
What was that like?

Speaker 10 (59:33):
People don't understand about step Steph only do a few things,
but the few things that he do, he do all
he the way he do basketball is the way he
do all them things. So look, so when he had
to do the wrap for the video that we did,
when we got to set, he was like, yeah, bro,
I then went over my part like a honey times

(59:55):
I said ni, But he approached all his stuff the
exact same and whatever he not into. He don't even
try to act like he into it. That's what I love.
When I was when they when we had when they
had all the outfits and stuff from the chows. He
was just like, and which one you feel like it's

(01:00:16):
going to be the best in the video?

Speaker 1 (01:00:18):
I was like, no, it's on you.

Speaker 10 (01:00:20):
He said, no, no, no, no, it's really on you because
I don't care. And I was like, I'm my knee
you Steph Curry. He like, yeah, I don't care, but
whatever you want. And I just couldn't believe that nigga
was that regular. And it's like and he's just he
real cool people. Now he ain't no, you understand what

(01:00:43):
I'm saying, But he don't like try to be you
know what I'm saying. You know how most people, if
they aint street Nigga, they're like, try to act tough
or try.

Speaker 1 (01:00:50):
To act now. He don't even do none of that.
It's like he a real, like nice guy. Just the fact,
you know what I'm saying. I was like a great guy.
A story about Steph Curry.

Speaker 7 (01:01:01):
Come on, I'm Steph.

Speaker 2 (01:01:03):
Curry was one of my friends and we was all Americans,
all Americans together when I was in college and.

Speaker 1 (01:01:09):
I at nineteen years old, Jeff t. I was like burned.

Speaker 2 (01:01:17):
And he wasn't like that. He told me straight up,
I got a girlfriend. And I said, we're going to
the club. It's me and James Harden.

Speaker 1 (01:01:24):
Shout to j I said, me and James Harden, we
was ready go to the club. And we were going
to the club and we were going to we were clubbing.

Speaker 2 (01:01:31):
Come on, and he said, nah, team, I got a
girl and I don't want to go.

Speaker 1 (01:01:36):
I said, what the fuck? Because y'all, I.

Speaker 2 (01:01:39):
Think he was the most famous out of all of it.
It was Blake Griffin. It was him, Blake Griffin. Then
it was James Harden and I was with the rest
of us, you know what, I come on And he
was like, nah, I'm cool man, I like my girl.
And I said, he don't know how this's about to go.

Speaker 1 (01:01:57):
But see them still together doing nothing?

Speaker 10 (01:01:59):
Man?

Speaker 1 (01:02:00):
Yeah, I said, boy, you a solid man. Come on, bro,
Like I wasn't you know who else like that? Who?
Calvin Johnson?

Speaker 10 (01:02:09):
Damn bro let me mega tron bro.

Speaker 1 (01:02:12):
I did uh. I did the shop with Calvin Johnson.

Speaker 10 (01:02:17):
And when he was talking, I was like, br he
ain't have no Super Struggle story or nothing. And I
was like, see this what niggas need to hear. He
was like, yeah, my mom worked hard, my dad worked hard.

Speaker 1 (01:02:32):
I made good decisions.

Speaker 10 (01:02:34):
I was like, yep, I need all my sons to
watch you.

Speaker 1 (01:02:37):
Yeah.

Speaker 10 (01:02:37):
Because he was like, the hood gonna look at my
man like that's kind of that. Nigga was at the
camp saying listen, bro talking to his talking to all
the kids at this camp.

Speaker 1 (01:02:47):
He was like, hey, listen, six six ran four four
four three. I'm an anomaly. The majority y'all ain't gonna
never be able to do what I'm doing. Read your
book books. No.

Speaker 14 (01:03:02):
But but Ricky Williams there, Uh what's buddy, And went
to Michigan that was up for the Heisman wide receiver.

Speaker 1 (01:03:11):
Tarle Lewison, Braylan Edwards, all.

Speaker 10 (01:03:15):
The top Tory Hold everybody that He like, hey, listen,
read your books. You're probably not gonna be like us.
I said, see that's what. That's what I I didn't
need to here because I really I was gonna make it.
But a lot of niggas on my team, niggas on
my team didn't need to hear that.

Speaker 1 (01:03:29):
Yeah. I probably needed to hear that.

Speaker 10 (01:03:34):
Yeah, But he one of those dudes who got just
a solid dude, make good decisions, and I feel like
that's what we need.

Speaker 1 (01:03:41):
A lot more. I wanted to ask what that feeling
like when you get that Grammy nod Man make some noise, niggas. Yep,
I felt like that was fake too. I thought they
was I ain't gonna lie. I felt like they were
lying about that too.

Speaker 10 (01:04:02):
And even though I tried my hardest with all the
stuff that I do, when they said that, because you
got under saying I'm not with no label, I ain't
do no like live being for it or nothing like that.
So when they told me I got nominated for Best
New Artists, I was just like, dang, yeah, they should
have never let me be this successful by myself, brother ya.

Speaker 1 (01:04:24):
And then I'm with y'all, with my with my people,
and I did it the way that I wanted to.

Speaker 10 (01:04:29):
So now I just really feel like, yep, a lot
of people can't tell me nothing about nothing that I'm doing. Bro,
I feel like I live in immaculate life, nigga, I'm
not lying to you.

Speaker 1 (01:04:39):
Use your own lame bro. Thank you feminine.

Speaker 3 (01:04:43):
Now I want to ask you this though I know
you're doing ship though look cool.

Speaker 1 (01:04:47):
Come on.

Speaker 3 (01:04:48):
Don't say I'm not not I got you, But I'm saying, like,
do you ever think it's anything or do you think
you will ever join the label?

Speaker 1 (01:04:57):
Or is that just not this the thing?

Speaker 10 (01:05:00):
Bruh Because I'm independent, Niggas be thinking I'm like against
being with a label and I'm not. We asked me
should should I be with a label? Should they be
with a label? And I'm like, yeah, you probably should
because if you try to do what I'm doing the
way I'm doing it, the majority of people would die.
They take a whole lot I did. I like, really,

(01:05:22):
bro I direct all of the direction, the writing, the producing,
the clothes, the it's a lot. The majority of people
who do music don't really do that. They got they
got the specific talent is making the music, but outside
of making the music, they needed they got a team
of people that could come in. And I would have
had a team too if I had some money, No sure, yeah,
But I had no money, so I had to tap

(01:05:42):
into all my gifts.

Speaker 3 (01:05:44):
But I just wanted to ask cut you off. But
I know a lot of people just always just want
to go to independent route. They don't want to share,
no money, or they don't understand the logistics behind what
it costs to being Brodent.

Speaker 7 (01:05:56):
Let me tell you something.

Speaker 10 (01:05:57):
After I spent all the money that I spent making
them like a videos, Yeah, Bro, I was like, what
they offer you like us, It's cool, It's cool, it's cool.

Speaker 1 (01:06:12):
I just wanting people to give, like when they come
on our platform and we want them to give like
real game.

Speaker 10 (01:06:17):
No, if it made sense for me and what they
was offering could cover something that it was resources and
it could help with what it is and I'm doing,
I would partner with a label and do something. Now
I'm not coming in like somebody who hasn't built nothing,
who just has a talent and stuff like that. So

(01:06:38):
I know I have leverage in my situation and my
situation ain't gonna be like everybody else situations. But I
wouldn't necessarily do it like that early on in my
career because I'm a real practical person. It just ain't
makee sense doing But yeah, yeah, it just depends on what.
It depends on what kind of goals you got, Like
my goals have always been to go be global. Yeah,

(01:07:00):
so I've amassed a certain amount of whatever it is
that I was trying to do in the States.

Speaker 1 (01:07:06):
But yeah, I'm trying to go Yeah, yeah, I just
seen a lot for sure. Ye that's so for sure.

Speaker 2 (01:07:14):
Listen, man, we appreciation you man for you got to
hear telling people what you got coming next with they
can look forward to.

Speaker 10 (01:07:20):
I got another project coming out sometime at the top
of next year, but even bigger than my project.

Speaker 1 (01:07:28):
My wife about to do a solo project.

Speaker 10 (01:07:31):
Yeah that's crazy, because ain't nobody clap when I said
I got something that's crazy, you know, you know the
last but that's gonna go crazy?

Speaker 1 (01:07:40):
And then man, I said, I did it. I did
what I just did because I'm really like nigga, this
is wild. So it ain't came out yet.

Speaker 10 (01:07:51):
Hold on, when is this gonna release? Y'all putting this
out right now no matter what, but can we be
in your next video?

Speaker 9 (01:07:59):
I listen, I just whoa, whoa that we ain't doing
that wearing I'm wearing a mint mink.

Speaker 10 (01:08:10):
Come on, it's going down talking about I just partnered
with mind Claire and didn't my first.

Speaker 1 (01:08:19):
Did my front Claire, you ain't here than I did
my I did my first ever visual with our Pacino
and Robert the Narrow Wow, no, Bro, you're doing a
bunch of big ship. Come on, bro, now your face now,
come on, bro, that's crazy. Come on with foss. That's

(01:08:42):
the fact's crazy. Bro. I was up there like it's crazy.
Now they old, they're shaken, so you better get away.
I don't know about my key, ain't listen.

Speaker 10 (01:08:57):
This might be their last time on film together. Yeah
for sure, Bro. Top of the Line and they cool
down to earth everything. But it's about like, uh, yeah,
it's coming out, like when when it's supposed to release?
Huh yep, my team ain't even there. Yeah, it's all right,

(01:09:18):
that's crazy. Top of the Morning.

Speaker 1 (01:09:21):
What's coming out there? Yeah? Coming soon.

Speaker 10 (01:09:22):
But so yeah, that's something I just did with mont
Clay that's coming out towards the end of this year.
And then we got some more stuff happening with Reebok.
We just renewed our contract. Two more pair of shoes.
I ain't never been in the league or nothing. Yeah,
love love yeah.

Speaker 1 (01:09:36):
Make. We definitely appreciate you, bro for coming down. We
appreciate you. Man.

Speaker 2 (01:09:42):
Man make some noise for dj pm C and be
swift going crazy obs right right now? Man, for sure,
our last and our final guests. It's only right, man,
We in Houston, Texas.

Speaker 1 (01:09:52):
It's only right.

Speaker 2 (01:09:53):
We got the man to help put this city on
the map, the legend the o G philanthropist.

Speaker 1 (01:09:58):
Rapper entertained the one I only mister bun Bee, me
and my.

Speaker 2 (01:10:02):
Dog to the stage for sure. Yes, sir, Yes, sir.

(01:10:23):
We got to listen then to Bill a big dog.
We appreciate you joining us on here acting this whole.
I've just been on the side, just kind of chilling,
so I ain't really seeing y'all been quieting the motherfuckers.
There's many people in there.

Speaker 1 (01:10:34):
Oh it's quiet. I mean they laughed when they cracked.
I ain't know this hole was full, know y' oh. Yeah,
we we called to practice. Motherfucker out today. Shout, Sam
Baby shout. Ain't sound I like it.

Speaker 15 (01:10:47):
I appreciate y'all pulling up for the folks. Man, I
appreciate that you embarrassment in front of my company.

Speaker 1 (01:10:52):
You know what I'm saying. This is second hometown. Gover here.
What you left at six months?

Speaker 3 (01:10:57):
I left at six months, came back at nine, left
at twelve months, and then I came back at twenty seven.

Speaker 1 (01:11:04):
You just keep leaving ship I'm in and out. Yo. Yeah,
it's crazy. Welcome back, nah for sure. Man, we appreciate
you for pulling up on this. Man. Take time out
so good.

Speaker 15 (01:11:19):
I wouldn't doing nothing. I'll just be at the house.
I did my burger ship for today, so I ain't
doing shit.

Speaker 9 (01:11:24):
No.

Speaker 1 (01:11:24):
We we had some burgers in the back. I ain't
gonna lie the fuck slapping them. I had a burger
with you know. Yeah, I smacked that motherfucker. That's what
I'm talking about. Now. We had the address his request
from you. You know what I'm saying.

Speaker 2 (01:11:38):
Obviously he put in his order, but it was a
little too crazy, you know what I'm saying. We had
to make sure that was a little not too flagrant
for your lik You know what I'm saying.

Speaker 1 (01:11:44):
The butter to bunk, I just I just I just
like buttered buns on the burger that.

Speaker 2 (01:11:48):
You go with that.

Speaker 1 (01:11:51):
Yo.

Speaker 10 (01:11:53):
Yoot a post now because because I seen the little clip.

Speaker 1 (01:11:57):
But he's like, yo, I just want to make sure
my buns is But I'm like, man, what kind of
doe that boy? Boy? Don't do me like that. You
know when you put that me like that? You know
when you got that motherfucking We put that motherfucker butter
down and slapped that motherfucker bun down for ten seconds
of Pulley mo off. It's just the way you phrased him.
I got you. What's what I'm supposed to say? You

(01:12:18):
talk for a living. You should have known a better
way to get that butter the bread? Yeah, sure, respect.
You know what's crazy? Yoj he's a cater, you know
what I'm saying. My boy really get like that in
the Kischener. So he should have known the terminology. That
was the problem. Now if you home, you know we
don't be buttering. No, but.

Speaker 3 (01:12:37):
A out of township, no for sure. Man, we I
don't want to jump too far ahead. We're gonna get
into it, but like I do want to ask, like
how was that jumping into this like food industry?

Speaker 2 (01:12:50):
It was.

Speaker 15 (01:12:50):
It was wild at the beginning because a lot of
people thought this was like my burger that I created it.
But it was a friend of mine approached me. He
was like, man, I got this burger I'm trying to
do I can't do it in La because smash Burger
is already jumping in LA.

Speaker 1 (01:13:03):
So I want to try to catch it. And tex it.
So I was like, yeah, whatever, So I pulled up.
I tried the burger.

Speaker 15 (01:13:08):
The burger had like caramelized onions and pickles, and I
don't eat that shit, so but I hated to see
if it was good.

Speaker 1 (01:13:15):
And the ship was actually really, really good. And I
remember coming home to my wife and like, hey, I
just tried this burger. It's the best burger in the world.
She's like, what's on it?

Speaker 15 (01:13:23):
I'm like, shit, meat, cheese, onions, pickles. She said, you
ain't eat that shit. You don't even eat that shit.
You hate onions. How you gonna tell me that? If
she said, wait a minute, just onions and pickles, I said, yeah,
ain't no lettuce, ain't no tomatoes. She's like, what kind
of burger is that?

Speaker 1 (01:13:36):
What the fuck is that?

Speaker 15 (01:13:37):
I'm like, you're gonna have to try it. And then
after she tried and she understood what was going on,
and then she got behind it and we just been mashing.
And I thank everybody in the city for really jumping
behind this burger.

Speaker 1 (01:13:47):
Fu me, you know what I'm saying.

Speaker 3 (01:13:50):
Because y'all pulled up talking well better spots, shouts to
my boys, all stars, boring grill in the nafil y'all
had them slapping out their lun so ye that was
a great sure.

Speaker 15 (01:14:02):
That was crazy because they literally the reason we had
to go to his ball was because they banned everybody
in the city. So typically when All Stars and Super
Bowls come to the city, they have a certain area
downtown where everybody go and come down and you know,
enjoy all the festivities, and around that area you can
not allow to sell food outside a lot of cities,

(01:14:23):
they make it like a clean zone so people don't
leave trash on the street and ship like that. So
we paid a bunch of money, and you know, we
had paid for the rights to put the All Star
logo on the on the food truck and all of that,
and then as soon as we set up, they're like, yeah,
y'all can't sell food here. So we kept trying to
figure out somewhere and then that bar he was like, hey,
y'all come cooking my ship. So we went cook through

(01:14:43):
his ship. The city came out.

Speaker 1 (01:14:45):
It was dope. Yeah, that's my old head man. People
was in the city for show. I'm probably his old
head I'm everybody at this point now for sure. Listen man.

Speaker 2 (01:14:56):
One thing on this tool we wanted to do is
bring that town to us. I mean, excuse me, y'all,
but you know what I'm saying. You got a lot
of times in uptown. You'd have been there a couple
of times that show you a lot of love. We'll
show experience men like in the city.

Speaker 15 (01:15:07):
I used to go out there and rock with Stack
So you know it used to be wild trying to
calm Stack five down because in Indiapolis didn't really have.

Speaker 1 (01:15:15):
A lot to do, so they kept going to this
hold on, hold on, hold on, hold on, osten.

Speaker 10 (01:15:25):
I'm talking about for a Stack five like that. I
don't mean it, you know, because I've been going this stand.
I've been going and getting money Indianapolis for thirty years.
What I'm saying it for a young Stack five. They
didn't have enough to hold him. So you know, it's
not a lot of it's not a lot of light
life available to black people. So he going to the
same club every weekend all the time.

Speaker 2 (01:15:47):
That's the and then southa Kosher shouts the clown nine
shout the sun said, hey, you fan, your fan, your fan,
somebody know where we be going to set a stick.

Speaker 1 (01:16:00):
Of the light's coming on. I can't see you. I
don't worry about old ship. Don't turn the lights on.
Some said we gonna keep that look get that deal.

Speaker 15 (01:16:07):
But then Stack used to always, you know, act like
Stacks or eventually he ended up getting into it with somebody.

Speaker 1 (01:16:12):
I'll there.

Speaker 15 (01:16:13):
That was always the thing, because that ain't no joke.
Like I've been in that Minnapolis A lot niggas do
not play, and y'all, it'd always be the same every
time I go, it'd be the same one club. A
new nigga just bought it and try to put money
into it. And then they come and they fuck this
club up and tear sh it up, and y'all's my uncle, dere.

Speaker 1 (01:16:34):
Uncle. How they do it is it's the same club.
We just remixed the name. You know.

Speaker 15 (01:16:43):
It's a dope ass club. Like it's a big ass club,
like y'all staged by big at this stage, that's what.
And I ven you bigger than this. It's nice ass club.
And y'all just don't get tired of tear that bitch
up inside the parking lot.

Speaker 1 (01:16:57):
Everything.

Speaker 2 (01:16:58):
So we went to a couple of know what's funny
about this? Because the host of the club is right there.
This is the reason he's literally at every retweet. You
ain't have to bring your vents here, no, for sure.

Speaker 1 (01:17:16):
Now listen, I wanted to ask you.

Speaker 2 (01:17:17):
Obviously this show we love shoes too much and you
are the man when it comes to foot where sneaker is.

Speaker 1 (01:17:22):
Obviously you know what she got on right now.

Speaker 2 (01:17:24):
I wanted to ask you, what was that first moment
like where you were able to design your own sneaker.

Speaker 15 (01:17:28):
That came through Jordan Brand and I got Richie Saunders
when they reached out. We had all started that year
and I had been rocking with Chris Paul for a
long time and it was real cool. And they asked
me if I wanted to design his practice you and
I was like, yeah, let's do it. So they flew
me out to the LA to the house and I

(01:17:48):
went sat down with Chris and I went through his
closet and they showed me everything that they make for
this dude, Like most people don't know. Every time every
time Chris Paul went to a different team, they made
him like a Joy three and the Jordan of loven
in his colorway when they didn't know what team he
was going to They just did like folk colorways for
every team they thought was gonna take it. So I

(01:18:09):
went in his closet and he had all these goddamn
shoes that never came out.

Speaker 1 (01:18:13):
He was like, what size you.

Speaker 15 (01:18:14):
I'm like, I'm ten and a half. He's like, damn,
I'm a twelve. I was like, that's what I meant.
My bad, my tongue be tripping sometimes. But we sat down,
we designed the shoe, and I remember they seeded it
to a lot of different people that week. Ind and
Kevin Hart actually water shoe in the Celebrity All Star
and one MVP in my shoes that's fyea.

Speaker 1 (01:18:37):
That shit was different.

Speaker 15 (01:18:38):
You know, you gotta understand, like you look at twenty
twenty five and I'm glad you brought up sneakers because
I don't know any other city that has more people
with their own sneaker that's not athletes like Megan had Nikes.
Travis been dropping Jordan's and Nikes for several years. Told
he got his Reebok, I got less season rapper from

(01:18:59):
here at Elie Dollar, he got doll the Baby. Yeah,
he got his d is dropping. He just showed his
friends and family shoe. I made Jordan's like we we
you know, he used to make some noise out here,
like for real.

Speaker 1 (01:19:09):
Shout okay, first, Paul closet, pauls you know what I'm saying, Yeah,
get on his ass. Y'all got one long time, y'all
got one more time. I ain't gonna put this one
on my boy shouts about dog Chris. I don't want

(01:19:31):
this to be what I'm getting.

Speaker 2 (01:19:33):
I just wanted to look at the shoes like you,
just to look at the shoes and shout to him.
He had obviously with Jordan's brown he got every Jordan
you could think of in color ways that we can
never imagine.

Speaker 1 (01:19:43):
But I don't like how DJ delivered that. It was crazy.
That sounds crazy. We're walking the thin line up here, right, yeah, yeah, yeah, yeah,
for sure, it's not about me. We gotta let here
get the funk off. That my fault. You know, this
the first time I I've been in here and they
don't smell like weed. You know what I'm saying. I'm

(01:20:07):
saying up here, I don't know who's smoking our death.

Speaker 2 (01:20:10):
You ain't smoke with me. Niggas, don't get lid shaid man.
He said, we need here. Yeah, I got that Indiana wing.
I money passed burning the Joy earlier the show and
we have not seen him since, so maybe it is.

Speaker 1 (01:20:25):
Good Vernon that passed out. It's camp still live. We
get everybody clean up here, everybody on probation or some
ship out here. I'm good this ship going down Indiana.
Shout out to Mark said.

Speaker 7 (01:20:39):
You.

Speaker 1 (01:20:42):
Up. I gotta light and show me something. Yeah, you're
talking that ship. Show me something. You want this white
niggas that been he lied, so he wants to be like,
you know, I don't go out nig.

Speaker 2 (01:21:04):
So I wanted to ask you, what's the difference that
you've seen in the city. Obviously you helped build this city.
What's it ight now driving through the city and the
evolution of the city.

Speaker 15 (01:21:12):
It's paper like, that's the thing. I see so much
money coming into Houston. I see so much money being
made in the city. And as an artist, this is
the best opportunity ever that any artist has ever had
to make money in this game. Because you used to
have to go through like a record store, you used
to have to be signed to a record company, you
used to have to play on the radio, and people

(01:21:33):
have to go in and buy your whole album. Now
people can you can get famous on one song. You
ain't even have to drop an album. You can make
one fucking record, make a couple of million dollars and
go sit home somewhere and chilling for to make money
off of what they do because it used to be
hard as shit. So I love seeing that and everybody
around here riding good. Everybody got you know, big houses

(01:21:54):
and shit. You know, your money go a long way
in Houston if you do it right. And uh, I
mean we just I mean we really eating right now.
It's really crazy. The producers, the rappers, everybody, they understand
the business because that's what we really wanted people to
understand the business of the game.

Speaker 1 (01:22:08):
Like making music, that's.

Speaker 15 (01:22:11):
The easy part. Most people can make a decent song.
But figuring out how to make money off that shit
is the real thing because the game is set up
for everybody to make money off of it. But you
so you got to decide whether you want to be
famous or be rich, because sometimes you can't be both.

Speaker 1 (01:22:25):
That's the fact.

Speaker 3 (01:22:26):
What was that marketing tool that you used though when
you started with your music, Like I know, it's way different,
Like you could just go viral, like you said off
one song. What strategies is y'all use to get your
music to the streets or even to a bigger platform.

Speaker 15 (01:22:37):
Shit being in the streets, like being outside where everybody
be at, you know what I'm saying, going to the club,
putting flies on the car, you know, passing our snippets
and shit asking people to buy her regular. We had
to go hand in hand to get this shit early
because we ain't know nobody in New York, We ain't
know nobody in Los Angeles.

Speaker 1 (01:22:55):
If you couldn't get.

Speaker 15 (01:22:56):
To Jay Prince and get a deal with Rapize, you
was out here trying to get it, you know what
I'm saying. But because of that, everybody had to understand
the business to make the money. So when New York
and LA found out that we was jamming and wanted
to sign deals, most of us wouldn't even sign because
they was they weren't offering no real money. They'd be like, well,
we'll give you two million dollars. The nigga likes filming,
be like, we just made two million dollars, really doing

(01:23:18):
for me. So that's why a lot of us showed
to stay independent. But when we did, we didn't go
in as artists. We went in as companies. So instead
of just giving me a record deal, now we got
to do a joint venture or something, because I'm bringing
money to the table. The reality is most most people
went to a record company because they didn't have enough
money to do it theyself.

Speaker 1 (01:23:37):
I'm one of them, you know what I'm saying.

Speaker 15 (01:23:38):
We did an independent, but we wanted a bigger a
bigger portion of an exposure, so we ended up signing
with a label. But nowadays, you don't have to sign
with no fucking body. If you got some power, you
got a little paper, and you don't need a lot
of paper. Really, you buy a laptop, that shit got
a little mini studio in it. I tell people you
go online on YouTube. Motherfucker's giving beats away just to

(01:23:59):
be on on somebody's album because they know doubt to
bring more paper.

Speaker 1 (01:24:02):
So you really ain't got.

Speaker 15 (01:24:03):
No excuse to not put your music out. But it's
gonna be on you whether or not you make money
off your music.

Speaker 1 (01:24:10):
Can I ask you? Because it's like, do you still
I know you a legend? Like you are Realifer, You're
the most legendary person we had on the pile. But
it's like, you'll Mexic, you ain't gonna hair man Max.
But I'm saying, we broab out that wave kept on
with my nigga.

Speaker 2 (01:24:33):
Yeah said he was outside tonight, so I'm gonna call
we live here. But as as an artist, he probably
the most legendary artist we had on the show.

Speaker 16 (01:24:41):
That makes a noise? Got damn. Yeah makes a noise, Barbie.
When I'm talking to your ans and walk out here,
God perspect yeah, Barbarie.

Speaker 2 (01:24:57):
But I'm saying, like, you you a legend, and we
obviously we expect you and we love you whatever, and
that's all good. But I'm saying, like, how is that
like being a superstar legend when it comes to that
experience being in Houston, Like, I don't know how to feel,

(01:25:18):
and I'm trying to see how it feel for you,
like to come out here.

Speaker 1 (01:25:20):
Obviously the fans love you or whatever, but it's like,
how is that it's different than Houston.

Speaker 15 (01:25:26):
I go everywhere and I see how cities treat their artists,
and it's really it tripped me out because once you
like get ten fifteen years in the game, they really
don't fuck with you like that in these other cities.
But in Houston, they give us love every time we
show up, you know what I'm saying, every time we
pull up from.

Speaker 1 (01:25:46):
Y'all, and we don't.

Speaker 15 (01:25:48):
I don't think we have that the people do because
most people see me in the city. You catch me
in HGB, you might catch me in the galleria. You
know what I'm saying. It's me at cost Co and
some shit I be outside amongst the people. Ain't nobody
trying to hurt me.

Speaker 1 (01:26:04):
In Houston. I'm everybody uncle for the most part, you
know what I'm saying. And that's how it is. Pap,
you know, Slim is your cousin Paul, while your white
homeboy from school, you know. But we don't have that
separation from people, you know what I'm saying, because Houston,
somebody gonna bump into you.

Speaker 15 (01:26:21):
You can't hide from people here. And the big ass
city like New York, maybe you can get around and
people don't really see maybe La Atlanta or whatever. But
in Houston, somebody gonna see pumping gas or something like that.
And it don't make no sense for you to act
like you all that because the nigga might just pull
up on and be like, Hey, what's up bea and
I try to high sight on that whole ass nigga.

(01:26:41):
I A bout your bird type, Like Houston a real,
a real city, and I love the fact that I
don't have to walk around with four five niggas so
people can't come up to me.

Speaker 1 (01:26:53):
Because everybody want to show love. That's all they want
to do is show love, not smell the weed.

Speaker 12 (01:27:01):
Job well job that motherfucks like K two. But anyway,
everybody that motherfuck's some game. This mother fuck K two.
Y'all pull that mother a week a little bit, fam Goddamn.

Speaker 1 (01:27:22):
I said I was with pull up on we got that.
He tripped out about it in the Annapolis Nigga trip
out for Houston from why y'all always put me in
y'all boys, I'm just trying to be up to be cool.

(01:27:43):
So I want to ask you this question.

Speaker 2 (01:27:45):
I know, for us in Indianapolis, there was a time
where like Houston music really really took over the city.

Speaker 1 (01:27:50):
Our DJ specialized crew stuff like that as well. I
want to say, like that O two to like.

Speaker 2 (01:27:55):
Six o seven area y'all had, every artist in the
city was mainstream going crazy. Obviously, you and pimp already
going crazy. You had slim thug powwold Coamellionaire. What was
that era like in the city. Obviously it's still popping,
the throbbing, but it seemed at that moment everything just clicked.

Speaker 1 (01:28:10):
We were wanting to have fun. We was the niggas
that looked like they was having fun at that time.
Some niggas looked like they was acting.

Speaker 15 (01:28:17):
Hard, like they had a bunch of money, like they
was tough, they got a bunch of whole.

Speaker 1 (01:28:21):
We looked like we were having fun. We usually these
big ass Cadillacs riding around with them big.

Speaker 15 (01:28:26):
Ass style pham cups, you know what I'm saying, smoking
them swishing sweets, you know what I'm saying, Riding around
the city, chopping screw, popping trunk, you know what I'm saying.
And we looked like we was having a good time.
And in twenty twenty five, this way everybody ever since then,
this way everybody want to be. Everything that's popular in
music come from Houston one way or another. You know

(01:28:46):
what I'm saying. This way everybody want to come and
have a good time because we're doing us. We're not
trying to act like nobody else. We got the baddest
bitches for show. Hold on what I'm saying, whoa show
that's the showy.

Speaker 10 (01:29:02):
Y'all wouldn't be coming from y'all, wouldn't be coming from
my animate to go to camp and the dome.

Speaker 1 (01:29:07):
And I do want to hear that if y'all coming
from all written calls and y'all want just saying them
all that purple. I couldn't even go get no purple
for this show because y'all was in the mall getting
the purple, looking for the purple. I love, we love
purple the game, but we know what we got it.
We got some real niggas in. I tell you know

(01:29:28):
that I'm trying to hate on nobody. Let you get
your action. If you got motion, do what you're gonna do.
You know what I'm saying. We're gonna all turned up together.
I ain't gonna lie y'all, ma all lit all crap up.
My guy had purple. Shout out to the purple. This
is a sweatsuit. I ain't paper gone. Y'all know.

Speaker 2 (01:29:46):
See, were looking out for you, cutting for you, putting
some clothes on your back, good food in your stomach.

Speaker 1 (01:29:51):
Hey, the best city of the world.

Speaker 2 (01:29:53):
Brother in the back, free sweatsuit, Lord, I ain't like you,
all right, yeah, lest that the world.

Speaker 15 (01:30:02):
Got a chase to what we do here. They can't stop.
They cannot say even through COVID.

Speaker 1 (01:30:07):
Motherfucker's like, I'm leaving here. It's too shrink. I'm going
to Houston out of pocket. That's not a pocket. No,
I was out here. Let go. It has to stop.
But hey, o G, that ain't good. I want to
ask you, well, ship ain't stopped. But that ain't good.
Motherfuckers out here stick his head or you. Yeah, like

(01:30:28):
a ship stopped. Were good? They passing the hook at
each other and singing the motherfucker. Everybody at the table
got COVID. I wasn't asked when I was at Atlanta
that want to stop eating? I wasn't no, Orlanta was lit,
My house was lit. He got look let me throw
the house. No, no, go ahead, be here, we're here. Yeah,
I just lame. Man's nigga.

Speaker 3 (01:30:51):
Nigga nigga had a party at his house. Everybody walking
through that motherfucker. You got these nurses putting the ship up.

Speaker 1 (01:30:57):
The people knows the whole time. It's the whole as
Nigga plays the code aroil to the whole house listen.
I ain't know kind it gave me COVID.

Speaker 2 (01:31:10):
I didn't know I had it. It was before the party.
You know it take fourteen days. It was Keenan had
gave it to me to day.

Speaker 1 (01:31:17):
Hey look him.

Speaker 3 (01:31:21):
I want to ask, though, it's like Houston responsible for Draggler.
How did y'all like introduce yourself. How did you and
Drake had that relationship?

Speaker 1 (01:31:29):
Oh?

Speaker 15 (01:31:30):
It was it was a jazz prince reached out to me.
I was in the studio recording at the time. I'd
been in all week, and he's like, man, I got
this artist. I need you to funk with him. I
need you to get on this song. And all week
I was like, yeah, I'm gonna get to it. I'm
gonna get to it. But I was in the middle
of recording my album. I had some shit I needed
to do for me. And then I was walking out
the studio I'll never forget out. The door was open.

(01:31:50):
I'm walking out that home and my phone rang and
I looked and it was him, and I'm like, damn,
you keep asking me for this song. And I've been
doing jazz since he was like, you know, in middle
school and he never asked me for that thing, always
been a good person.

Speaker 1 (01:32:01):
And I was like, I can't do nephew like that.

Speaker 15 (01:32:03):
So I turned around, I went in and did the song,
and then probably two weeks later he came here. But
first he went to the end. He was at NYU
and it was a whole crowd was women like, no dudes,
and everybody singing word for word. Then he went to
Atlanta and did the same thing, and he was even
more women in that motherfucker.

Speaker 1 (01:32:23):
So I started showing everybody, like, y'all see this nigga.
This niggas really blowing the fuck up. So while I'm
showing it, my girl look like who is that?

Speaker 15 (01:32:30):
I was like, this is Drake. This is the dude
I did the song with. She was like, oh, okay,
what do it sound like. Y'all played the song. She's like, oh,
we jamming, Well, we don't have to go check him out.
So her and her friends went. We came here to
the Warehouse live and the man went on stage and
everybody singing the song. And I look at my gall
and she looking at this nigga like she's supposed to
look at me. I was like, I don't know if

(01:32:55):
we ever really had a light skinned nigga like this
nn rap music. Everybody of the job might be threatened
right here, but he was cool. He was real down
the earth man and consistently come back. You know, he
bought his hall weekend in Houston. He did a lot
for this city. He came in to turn this city
up for a lot. You know, a lot of dancers
made money, a lot of d boys, everybody day money.

(01:33:17):
But the city was always wired up every time he
came to town. And you know, I know people have
mixed emotions about him right now. You know, I grew
up in the ERAa where you you dance with who
you came with, you leave with who you came with.
I fuck with everybody. I don't have no problem with nobody.
That's why, even though I'm friends with a lot of

(01:33:38):
people that get drawn into a lot of situations, niggas
don't bring me into their business, like you know what
I'm saying. So and he's one of them, you know
what I'm saying, Like he know I fuck with everybody
that he don't fuck with, you know what I'm saying.
And he don't really make a big deal out of
it because I fuck with everybody. It'd be different if
I was just like, whell, y'all fuck with you. But y'all,
I like pushing to what I've been fucking with.

Speaker 1 (01:33:59):
Push.

Speaker 15 (01:33:59):
I've been fun come with mallet. What niggas got going on,
ain't got nothing to do with me until somebody pulled
me into it, you know what I'm saying.

Speaker 2 (01:34:06):
But you like the legend though, Like you know, if
you beat with somebody, I'll be like, huh, I'd have
to have a real good reason to be with somebody.

Speaker 1 (01:34:17):
I really don't be giving a funk what people do,
Like I don't think people know that.

Speaker 15 (01:34:20):
Like I really, I really could care less what people
be doing. I'll be at the crib with my gap.
I got grand kids now. I can't be in the
middle of the street with my shirt off my chest
trying to box niggas.

Speaker 1 (01:34:31):
I ain't got time for that ship we did all that.

Speaker 3 (01:34:33):
Did you see that potition for him though, like when
you met him, that he could be like one of
the biggest in the world.

Speaker 15 (01:34:38):
No, No, Well, I knew the women run this shit,
right the music getting sure that women run this shit.
They buy the music to close they come to the show.
So I knew he had the music side of it.
But then he started really really rapping. And I think
that Forever song was when he really started to shift
and actually really rap. He not just a yelling nigga,
you know what I'm saying. And he worked hard. The

(01:35:00):
man work harder than most people. That's why he parted
as hard as he do, you know what I'm saying.
Because they put a lot of work in. People don't
never see the work, you know.

Speaker 1 (01:35:09):
What I'm saying.

Speaker 15 (01:35:09):
They never see the time that people put in for
their craft to try to really make an impact in
this shit. And he wanted them people. Man, that's one
thing people like him, Beyonce, even like a Cardi B.
They outwork motherfuckers. Hard work will be talent when talent
don't want to work hard every time.

Speaker 2 (01:35:25):
Like my old coach, you got well, so you your
ass in there and give me twenty four at. I
want to ask you this question. Obviously, man, you a
legend to us, and you made some timeless Thomas music.

Speaker 1 (01:35:40):
I just want to through a couple of songs.

Speaker 2 (01:35:41):
I want to ask if you have any memories about them,
how they came about first and foremost. I got to
ask personally, Dominson Wood one of my favorite songs. When
I get my school and I need to turn that
deck on, I need to feel that vibe. What's the
moment like when you make a song like that? Do
you know instantly it's like that? Or does it after
you get the reaction from the people.

Speaker 15 (01:35:57):
That was Pip wanted to try to make a song
that felt like what a screw down song felt like.

Speaker 1 (01:36:03):

Speaker 15 (01:36:04):
It's the whole idea of Diamondson Wood is actually being
in a car riding through the city listening to a screwtape.

Speaker 1 (01:36:10):
That's what the vibe of the song is supposed to
feel like. You know what I'm saying.

Speaker 15 (01:36:14):
I flip through the app and I'm looking good banging
screwed diamonds up against that wood. That song feel like
what it feels like when you riding through your hood
banging screw at night.

Speaker 1 (01:36:23):
You don't have to be in a big slab. It helped.
It helped it be in a nice slab, you know
what I'm saying.

Speaker 15 (01:36:28):
But then you gotta watch your back because people will
kill you for the rims. They will kill you for
the rims. So it's a it's a it's an amalgamation.
I don't want to put no big ass words like
that out there, but it's it's a mix of everything
that we love about that lifestyle, but everything that you
have to be careful and aware of at the same time.

Speaker 2 (01:36:48):
War already, I know you're a legend. You probably don't
know about t Town. Hold on, I'm I'm gonna tell
you about Tea Town. Come on, So Tea Time is
something that happened on the internet. We were streaming, we

(01:37:11):
were my nigga, we were streaming, and somebody literally was
like on the stream, they like, y'all, I'm going Tea
Time and teg Town basically was like, they're gonna wear
my jersey with no draws.

Speaker 1 (01:37:28):
That's what the fuck y'all was talking about.

Speaker 10 (01:37:29):
When I want, I want to hear somebody said somebody
nigga got a ten jersey.

Speaker 1 (01:37:33):
On with no draws. I was starting to turn around.
I was like, I ain't signed up for this ship.
W we ain't doing that. Listen, I hope you gotta escorted.
I ain't on that type of time. So whoever out
here with those draws I hope she beautiful. Hell, oh,
it's women doing it. I hope, Lord, I hope studs

(01:38:00):
with the motherfucker switches on. Listen here, why he always
gotta do that ship respecting up? Bro? Look, he said,
what y'all you said? What y'all got me mixed up
in with these young niggas.

Speaker 3 (01:38:14):
Now and bring embrace the brand though. Bro, it's it's
global Halloween about to be lit. Bro, It's gonna be lit.
But I hope they ain't got the switches. Number one
player there will be on tea time for Halloween. Yeah,
it's called Tika ling that right now, he said, Tiga ling.

Speaker 1 (01:38:33):
That's wown balls, Broween. My nephew told me that's what
it's tee laween Tiaga ling and some ship laid up.
That's crazy. Out to my wife. We're now you one
there with Bune on the stage though, I'm all watching
the um h game for this ship. That's my wife,

(01:38:56):
she called tiling. Lord. I dropped, y'all. Tell I'm gonna
cut my porch light off on Halloween.

Speaker 2 (01:39:05):
No, for sure, for sure, I'm cutting myself because they
come to my ship with that ship. I throw the
egg at him, I told you when you're in the
egg people come to your house with jerseys on with
no draws.

Speaker 1 (01:39:16):
Man, it's on the way, it's on the way, Bud.

Speaker 10 (01:39:18):
Listen because he want to keep talking about it, Sugar,
I don't up id been.

Speaker 2 (01:39:22):
If you shut the fuck up, you aren't laughing at
be here because he is really more. I have been
out of places and people. I've been out to eat
just chilling. People come to me and was like, hey,
I'm wearing no draws on Halloween. I'm like, I'm like,
I hope your girl love you like here.

Speaker 1 (01:39:38):
I don't know. She got so bad on two K
that no more playing two K right now? Got the
T jersey on with no draws. That's a fact. How
much more time we got to rub this ship up?
I feel you buy. I don't want to keep talking
to this nigga about no draws, like keep it moving?
Why I say something? This ain't about him? Fuck him.

Speaker 3 (01:40:07):
I want to ask you though, like, how do you
feel about like the music music industry where it's going
right now?

Speaker 1 (01:40:12):
Do you think I think it's in a great place.

Speaker 15 (01:40:14):
I think it's in a great place because again, people
get to make real money off of it. People get
to pick and decide exactly what they want to fuck with.

Speaker 1 (01:40:23):
Because for a.

Speaker 15 (01:40:23):
Long time, record companies and push music down your throat,
you know what I'm saying, Radio stations and push music
down your throat.

Speaker 1 (01:40:29):
Pause and and they don't have to be like that,
don't long Like y'all.

Speaker 15 (01:40:34):
Gonna go on the internet and look up, it's a
thousand motherfuckers released the songs every day all around the world.
And it might be something that you've been waiting to hear,
or the way a motherfucker talking about something, and they'd
be like, see, that's what I'm talking about, And you
can fuck with that, and you can find a community
of people that fuck with that, so you don't have
to feel like outside and the only niggas. That's what

(01:40:55):
the intering that does. It levels the playing field and
give everybody the same opportunity.

Speaker 1 (01:40:59):
And I love it.

Speaker 15 (01:41:00):
Houston been taking advantage of it, you know what I'm saying,
not just with the music, but social media. You know
what I'm saying, Houston is doing a real good job
of building their social media presence. People like Little Jeremy,
people like Walker, you know what I'm saying. Even the
new cast like Dot you know what I'm saying. They
taking full advent for some motherfuckers. So from that point on,
it's just about how heart you want to hustle for

(01:41:21):
what you want, and Houston is really getting to it.

Speaker 3 (01:41:24):
What I do missed about y'all though, was the music
videos like the Big Pimp and and shit like that.
I think that's the nostalgia were missing, Like the money
is definitely better, but that was a.

Speaker 15 (01:41:32):
Million dollar video, Like you ain't gonna see that type.
It ain't nobody doing that but Taylor Swift and Motherfucker's
Like hey, video.

Speaker 2 (01:41:38):
Was a music That video was the first video your
verse on big hold On, I don't worry about y'all
play big PI.

Speaker 1 (01:41:47):
Talk. I can't.

Speaker 14 (01:41:51):
Video the household like that was a hell already because
even look, what's her name?

Speaker 1 (01:42:01):
What was it? What's it? What's that girl? That was
on Joe Budden podcast? Yeah Lewis, Yeah, yeah, what's up?
Glory of Eliz?

Speaker 3 (01:42:11):
Yeah some of the tal talent at was you a
part of that like putting it together or did you
just pull up and was like no.

Speaker 1 (01:42:17):
No, that's a Rockefeller record. So they put all that
ship together.

Speaker 15 (01:42:20):
I just showed them just showed up, was like themn okay,
But I was already married, so I couldn't.

Speaker 2 (01:42:26):
I was just now ship with your window dress. And
it was like me with this, like we'll be out,
we'd be out of town. I'm married a motherfler.

Speaker 17 (01:42:34):
My wife be with me all the time, so I ain't.
My wife's on their cop the gate. She ain't like
me like that ship. He won down a dark road
telling you boys stories. Nigga Big People is a legend.

Speaker 15 (01:42:49):
Joe Audio what I'm saying, it's crazy though. We we
shot that home in Trinidad. We shot at Trinidad of Tobago.
We shot like three days. Him never showed up to
the video, and yeah, he never got on the plane.
He was in a hotel room with like four chicks
and he was like because.

Speaker 1 (01:43:07):
That I really love it. So he never case it up.
He never came.

Speaker 15 (01:43:15):
He never got on the plane and went overseas the video.
Whole video was supposed to be shot overseas and he
never got on the plane.

Speaker 1 (01:43:21):
So we had to go to Miami where he was
to finish the video. Oh that is fire, so like
like he bought the call for the video, so he
bought the convertible bands for the video. They pulled up
with me and Coach in the car. Turn it up,
turns up. This is a live show. Get this ship
together so they can play this goddamn song. Shout yeah,

(01:43:47):
what are we doing.

Speaker 5 (01:43:53):
This?

Speaker 1 (01:43:54):
Yeah? Okay? One.

Speaker 3 (01:43:57):
Do you think like that's missing like in today's world though,
that time and effort put into the music videos.

Speaker 1 (01:44:04):
No, I don't think it.

Speaker 15 (01:44:05):
I don't think it really matter in that sense because
don't nobody really care about a lot of that ship.

Speaker 1 (01:44:11):
People just want to see you in your element.

Speaker 15 (01:44:13):
Yeah, that's why you see a lot of a lot
more videos and people just in their neighborhoods.

Speaker 1 (01:44:17):
You know what I'm saying, People don't really care every
video that it was it.

Speaker 15 (01:44:20):
I want to think Chief Keith was they shot every
video at the house they did, you know what I'm saying,
Like every single video in that apartment at the house
that don't nobody care as long as the song with
Jammi Feronito. We don't give a fuck what the video
look like that and we didn't want.

Speaker 1 (01:44:35):
To blow New Jersey up like Noah, that's a fact.
That's a fact. That's a fact. I think that. But
that them being on like one O six in Park
and shit like that. It was just a vibe for
hunching ration. That's what I'll be trying to tell myself.

Speaker 3 (01:44:50):
Y'all don't understand how importantly Scott, even from the producer standpoint,
like Scott storaging them, how important they Timberland, how important
they was to the music industry, And.

Speaker 15 (01:45:00):
It was just it was different to see us included
and a lot of the major shit happening because the
soft you know, we kind of had to find our
own way.

Speaker 1 (01:45:07):
But to be on a record with somebody like that,
we had.

Speaker 15 (01:45:10):
The biggest budgets and all the exposure and all that
type of shit, and we just showing up, you know,
Texas niggas just like what it's whatever, you know what
I'm saying. I remember we was the last song in
Summer Jam one year we brought us out of Summer Jam.

Speaker 1 (01:45:23):
I was like, the fuck we end up with this motherfucker,
Like you know what I'm saying.

Speaker 15 (01:45:27):
And we never had to change nothing. That was the
beauty of what me and Pimp was able to achieve.
We didn't have to change nothing about who we was
to become who we became. Like we just kept it solid,
kept a trial and people recognized it connected with it.

Speaker 1 (01:45:41):
You and Pimp grew up together, like how do you
We made around middle school, like around seventh grade. Okay,
that's He's one of the hardest to ever do it,
Like for sum period.

Speaker 15 (01:45:51):
Period, There'll never be anybody like him. There's so many
we would be the other people's.

Speaker 1 (01:45:56):
We'd be like. I give you example three two Rest
in Peace two.

Speaker 15 (01:46:02):
Album and that album was jamming and the last song
he played was One Day and he was like, yeah,
but that's your song. I don't think I'm gonna drop it.
This too slow and people like you crazy, that's the
best fucking record you got and he was like, yeah,
but niggas don't want to hear that. People was like,
give me that, motherfucker, I'm gonna show you. And One
Day still to this day, is a record that everybody's like.
You know what I'm saying. He would have an inf

(01:46:22):
for shit that niggas would have hit records they couldn't
even recognize that they had or hit record. Pimp would
have to tell them that type of shit, you know
what I'm saying. He would give people beads. He to
give people hooks. But more than anything, he gave people game,
you know what I'm saying. He tried to, you know,
let people recognize the talent and the power they had
in themselves. Cause Pimp would talk like he could do anything,

(01:46:43):
and he have you feeling like you could do any
motherfucking thing too. And to be honest, it wasn't much
that we didn't achieve just because of the fact of
how much he believed in what we could do, you
know what I'm saying. So all I did was just
rid shotgun with my nigga, hold him down, and everything
we dreamed of it eventually happened.

Speaker 1 (01:46:59):
Come on, all of the DJ pim C in the building. Ready,
How was them studio sessions? Yeah?

Speaker 3 (01:47:06):
I need to know about them studio sessions which their
legendary lived.

Speaker 1 (01:47:10):
The motivation was you? The motivation? How did y'all even
call it to?

Speaker 10 (01:47:14):
Like?

Speaker 1 (01:47:14):
This song came out of the penitentiary. So Project Pat
had an album, Yes, sir, they had a song.

Speaker 15 (01:47:22):
Called I Choose You that he rapped to this exact
beat and it was pimp favorite ship while he was
locked up. So we came home and we started working.
We was in l at at at Paul House at
Juice House. I'm sorry, and they playing beats for us,
you know what I'm saying. We like, let's do some
music them the Homeboys. We was actually working on an
underground Mafia project at the time, so we was gonna

(01:47:44):
put UGK and three six Mafia together and we was
gonna be a and they were playing beats and pips. Say, man,
I want to rap to that motherfucker pat had. They
were like, what you're talking about that? I choose you
that motherfucker, that Patrons rapper, So I want to wrap
to that.

Speaker 1 (01:47:58):
That was a hit record. Y'all need to drop that
hole again.

Speaker 15 (01:48:01):
They were like, man, that shit, old man, that's a
hit right now, give me that motherfucker this in the
second time, Like, give me that motherfucking beat. And that's
what we actually made out of the motherfuckering song.

Speaker 1 (01:48:11):
Now.

Speaker 15 (01:48:11):
The crazy thing is the song had three six Mafia
on the song, like there's a version of Player's Anthem
where UGK and three six Mafia they had just won
the Oscar they tried to renegotiate their record deal in
the record company put them as a rap group on
the on the bench, like y'all can't dropping it. We're
not clearing nothing, but as producers, they deal with separate

(01:48:32):
so we could still use they beat, but we had
to take their voice off of it. So that's how
they got off of it, and then Outcast eventually got
on it separately. So like one Niggat got the song
in La Andre got it in La Andres like, I
like it. I want to rap to this if y'all
ain't done. It was like, hell no, we ain't done
because our kas wasn't even what group.

Speaker 1 (01:48:52):
At that time.

Speaker 15 (01:48:53):
So he's like, I want to rap to it, but
I don't want no drums on my shit. And then
Big Boy got it in Atlanta.

Speaker 1 (01:48:58):
He heard it.

Speaker 15 (01:48:59):
I want to rap to it, but I just want
to rap to the drums. That's the kind of group
they were, and neither one of them knew they was
gonna be on the song together.

Speaker 2 (01:49:06):
Hold on, Hold on, y'all had I don't cast on
the song that either one of them knew they was
gonna be on the song.

Speaker 15 (01:49:12):
Now, they weren't working as a group, but as a group,
they were signed to my label. They we was all
on the same record label at the time, so once
they found out they wasn't tripping about it or nothing.
But Andre kept saying, I'm not doing no video. He
was like, I'm gonna do this song, but I'm not
doing no video. I'm not doing no video. So when
we decided we really needed to do a video, I say, bro,

(01:49:32):
just we're gonna do whatever you want to do. Tell
us what kind of video we're gonna do. We're gonna
show up. It's whole, your whole concept, your idea. So
that's what happened.

Speaker 2 (01:49:41):
Can I tell you something, absolutely, I played that verse
when I got married.

Speaker 1 (01:49:48):
Should have come, I would have pulled up No, youbota say.

Speaker 2 (01:49:53):
I wish I would another about it because the little
that probably cost me a releg.

Speaker 1 (01:49:59):
I don't with you to work with you. So I
probably knew about like that when I got married.

Speaker 2 (01:50:05):
That was when I walked out to I walked back
to the hundred three thousand verse or whatever. But I'm saying,
like that, that's something. Did you tell me that they
didn't know that they was going to be a part
of that. That's like amazing record.

Speaker 1 (01:50:19):
I'm glad they ended up agreeing to do it. You
know what I'm saying.

Speaker 15 (01:50:23):
Andre was really acting at the time, so he was
really on some different ship at the time, but we
got a long relationship with us for a long time,
and everybody had already agreed, like they had already wrapped
on it, so it was like, fuck it, let's just
do it. So they agreed to it, and then it's
still one of the biggest records for me. I just

(01:50:43):
did it from on the Leon and stunning from Vegas
with that's like I popped up.

Speaker 1 (01:50:48):
I just showed up and did it. No hard. That's
a lot that weekend's DJ.

Speaker 3 (01:50:58):
So you cleaned it up because you it wasn't my cousin, Nah,
but you had pimping them to kill that ship for
that was my after part that mother, this is the
greatest DJ in the world right here, we bring Eddie
in Napolis, the goddamn.

Speaker 1 (01:51:13):
Huge name through me, y'all. I ain't gonna lie the.

Speaker 5 (01:51:15):
Name of.

Speaker 14 (01:51:19):
Your brother he's named after that. That's amazing that he
put the two e's on it to keep it separate.

Speaker 1 (01:51:26):
I like, no disrespect paw much. Were you doing your
runs and show your tours? Do you perform pimp ship too?

Speaker 8 (01:51:37):
Yeah?

Speaker 15 (01:51:38):
Yeah, but allowed the crowd to be a part of
the show. Yeah, because you know, I'm not telling the
motherfucker that miss Pimp. We all miss Pimp, you know
what I'm saying.

Speaker 1 (01:51:46):
And y'all been supporting me through, you know, through my
journey with Pimp and then my journey after Pimp. Y'all
ain't left me hanging. Y'all stuck with us. Y'all still
love me.

Speaker 15 (01:51:54):
You definitely still love Pimp and said, we're not gonna
act like he ain't still.

Speaker 1 (01:51:58):
Here, you know what I'm saying, Like we're gonna I
celebrate them every show.

Speaker 15 (01:52:02):
You know, every show we do different songs at different
time and just be like, you know, let's do another
one for Pimp, right, quick turns up again? You know
what I'm saying, because I don't want people to feel
like I moved on and nothing like that.

Speaker 1 (01:52:13):

Speaker 15 (01:52:13):
I bringing with me everywhere I go. If I ever
talked to your funky and public, I apologize that was
that was a pimp in me that day. Can I
ask you this, what do you like like recording a record?

Speaker 3 (01:52:25):
This?

Speaker 2 (01:52:26):
And you usually this is my nigger DJ question, But
like you like performing the record or like recording the record?

Speaker 15 (01:52:33):
I'm glad you asked that because some people just want
to make music. They like going in the studio, they
like creating, and they don't really like the performing aspect
of it because it involves being around people and everybody
and for it. Like I remember Bobby Brown talked about it.
Bobby Brown was like, we did just like to sing
and perform, but she don't like the meet and greets

(01:52:53):
and the people.

Speaker 1 (01:52:54):
She like put a heart.

Speaker 15 (01:52:55):
She let her heart speak for herself. Bobby, He's like,
I want the people. I embraced the people. I know
what the people do for me, So I like I
like the performance side of it because I get to
be with the people and enjoy the people company.

Speaker 1 (01:53:07):
I like both of them. Man, But I ain't gonna lie. Man.

Speaker 15 (01:53:09):
It ain't nothing like a good show, you know what
I'm saying. A good concert where everybody come in, they
already for the music. They've been drinking, they've been smoking,
They look good, they feel good, got a couple.

Speaker 1 (01:53:19):
Of dollars in their pocket, they outside.

Speaker 15 (01:53:21):
You know what I'm saying. I'm an old nigga. So
for me, if I get to go out, there's some
babysitters and shit evolved, So we gotta we gotta put
that in early, you know what I'm saying, two months
early to have us a good time. But that's all
we want to do, man, I just want to, you know,
entertain motherfuckers. Some people buy the music, never go to
a concert, you know what I'm saying. So I want

(01:53:41):
to make sure, however you you fuck with me, that
it's an experience that you enjoy and I did the
right thing for you.

Speaker 4 (01:53:48):
The volume

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Club 520 - Bun B, Vernon Maxwell & Tobe Nwigwe HOUSTON LIVE SHOW

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