May 19, 2025 • 52 mins
We’re back with Season 3, Episode 60 of Club 520, and Jeff Teague and the guys are joined by Bow Wow for a special edition of the second annual 520 Day in Indianapolis! Bow Wow goes into his prior beef with Soulja Boy, and working with some of the most iconic artists including Lil Wayne, R. Kelly, Chris Brown, and countless other hip-hop legends. And don’t miss Bow Wow tell WILD STORIES of R. Kelly playing basketball and recording with Lil Wayne. Plus, Teague and the guys have fun talking about Bow Wow’s acting gigs in CSI, Like Mike, Fast & Furious, and other big shows and films. And Jeff shares a story of when he met Bow Wow while playing with Jayson Tatum and the Boston Celtics!
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12:00 Movies or Music
30:00 Beef with Soulja
45:00 Basketball stories
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Speaker 1 (00:01):
The volume.
Speaker 2 (00:05):
Y'o.
Speaker 1 (00:05):
What's going on was Club five to twenty? Man, we
just here to talk about some real stuff.
Speaker 2 (00:09):
And listen.
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Speaker 1 (01:31):
Yea, y'all always had appreciate y'all pulling up man the
second annual five to twenty day. It makes a noise
for y'allself to pulling up man. We appreciate y'all showing up.
Speaker 5 (01:38):
Man.
Speaker 2 (01:40):
It's a good time. Man. You know what it is.
Speaker 1 (01:42):
He in the crib with a club five to twenty
official man. First things first man, shout out to Blosmo.
Y'all see this wonderful last time in the middle stage
they fucking with five twenty Now we locked in.
Speaker 2 (01:51):
We ain't go out, Hollywood. We were trying to get
the money.
Speaker 1 (01:53):
God David A shout to Blosomo with one time for
the one time. The host minam is DJ Wells. We
got a special special guests in the building. Man, Yeah, yeah, y'all,
we're gonna introduce them last week. Some how far left
my dog. We should be hearing out the pear least.
How you wouldn't nasty people saying the nasty. Let's get
to it for shure man. Listen, we got a special guest.
We got a special gift from my mass man. Shout
out to the good people in JD Sports. We got
(02:14):
a wonderful partnership. Man tapped in. Now I know you
tapped in with the show. You already got the black
nancies on. Yeah yeah, but what are all laces at
the game?
Speaker 2 (02:23):
Yeah? I know some customer ships right here that somebody
gave me on tour.
Speaker 6 (02:26):
But now I know about the white ladies and that's
what that's what mean compidation work.
Speaker 2 (02:29):
Oh we got something for you man. Oh come on
now your own official me in a gang. Oh talk
about you the game. Fuck them up in the club tonight.
You know what fuddies all tonight we have a phone.
That's what we are. Fuck that ship up too, I
swear to god he is definitely the show reason. Hey,
don't rock the ship. Hey, you know my problem? But
(02:55):
t white license with the black man? Hey, do your thing, bro,
I fuck with they are. It's up turn the freaky
freaky ball. Oh it's freaky ball for something. Hey, ma'am,
I'm know when you go home. But no, no, no, no,
hold on that steal something right my dog? Young yo?
(03:18):
You see you got you what. I'm chilling, man, chilling
for real, for real. It's supposed to be a young lady.
I heard of got fifty shots for me, So I'm
gonna get some shots out here. We passing our shots.
But I don't know where she at.
Speaker 1 (03:28):
Why everybody get quired with the shots all day and.
Speaker 2 (03:32):
Everybody get drawn? Yea workers, y'all? Word y'all?
Speaker 1 (03:38):
Can I take shots and we will shot afterwards? Siut y'all?
Yeah you heard some hennessy. Oh they're not sponsored anymore.
But shout to the last turning at least man, like
you said, man five twenty, they special event. It's only
right we got especially guess in the building.
Speaker 2 (03:53):
Man.
Speaker 1 (03:53):
Everybody grew up on this man's music, his movies, our constance.
We was our kids, the one to all you the
legend bow wow to build a big dog.
Speaker 6 (04:01):
Appreciate your slying now, thank you man, you feel good
to be back here.
Speaker 2 (04:05):
Man for real, thanks appreciate it.
Speaker 1 (04:08):
For show Man, it's holy white that were here with it. Man,
the black forces with the white things. It's crazy. And
that became a staple with this show.
Speaker 2 (04:14):
It's fire. Yeah, and I see you on tour.
Speaker 4 (04:16):
You had a period of accustomed to it the way
lesson there was the ros hard to fire.
Speaker 2 (04:21):
Yeah. Yeah.
Speaker 6 (04:21):
I mean y'all know the secret thing for me and everything,
so especially if I cut my hands on something exclusive,
I need those. So that's why the lad I do that,
because I don't think nobody in there got them that
off period.
Speaker 2 (04:32):
Don't say I don't see I knew. I knew he
was about to say something. I knew he was about
to say something. Don't even worry about now.
Speaker 1 (04:37):
Speaking of shoes, do you still got the blazers up from?
Speaker 2 (04:40):
Like Mike, my aunt got him the original the original
ones of the movie.
Speaker 6 (04:44):
My old daughter. I gave him her and the jersey.
She's the only one with the originals. Like it's so
many like it sounded like a whole like the whole
time of lining tour, every mean and Greek throughout the
who Arena. All you see is like these common came
reg churches, and I love them, but I'll be like,
damn like they the swing Man's all like.
Speaker 2 (05:01):
Them, the swing man versus like you know what I mean?
Speaker 6 (05:03):
My eye got the original all satin Jersey, probably like
this big and ship because I was like a little
log at the time. Not from the movie, but no,
I definitely got all the memorability from like Mike for sure.
Speaker 1 (05:13):
Man that's crazy because you know who Jersey ain't got,
and man, it's more chestnuh niggas.
Speaker 6 (05:18):
I got the more short shut Jersey. Wait, you know
what time about? I don't know, I don't know where
the hell parties, but not one mean grico.
Speaker 2 (05:25):
It fucked me up. She came in and she had
the more shoes, not number seeing like Mike Jersey. She
was certain about life. Never seen it in my life,
she shouk one on one show. Sure, having the more.
Speaker 1 (05:39):
Jersey is nastiest, Like it's like having a Milwaukee five
bucks chip shdery, What the fuck are you doing?
Speaker 2 (05:46):
What's nasty? The Milwaukee Jersey with forty four paint? Here?
I did working this shit respect. Listen.
Speaker 1 (05:56):
It's crazy because obviously we said, bro, you've been an
chive since we was our he is you know, it's
a new age, new kids.
Speaker 2 (06:03):
What's it?
Speaker 1 (06:03):
Five songs you would tell somebody who don't know who
you are that they should tap into to know.
Speaker 2 (06:07):
Who you really are. My own two shot and say
that again. Niggare gonna have to say.
Speaker 6 (06:13):
That little different now the nigga talk fast, hold on,
say that again out of the out of the new
colun I got you five songs.
Speaker 1 (06:19):
You would tell people to listen to you about you
that they don't know who you are.
Speaker 2 (06:23):
Oh, find songs to listen to. That's that stripes who
you're sorry for?
Speaker 6 (06:26):
Yes, sir, Oh nigga miss for shuttle, Oh all the
games for fresh up there and ain't got it to
be Masha right, Shady jay z Money and the thing
throw that in there.
Speaker 2 (06:40):
You was on that, nah, he said, songs that describe me. Remember,
Oh hear me go there it's a different remaals.
Speaker 6 (06:52):
Oh it's sweezing there, it's sweezy, this sweet freshes a
miss for show.
Speaker 2 (06:57):
Oh, I think they like me? Okay, out of system,
Uh huh, you got some fans out to it. God, David,
I'm a flirt. She got a fucking show.
Speaker 6 (07:07):
I'm going with flirt for show all day and then
the round it on number five.
Speaker 2 (07:11):
I ain't thinking about your man Seed Breeze for sure,
and it's real fans Breezy free see Breezy. I got
the new track. I't going crazy right out? Yeah about
time be about to beat time ten song. Yeah, but
free breezey though all day for sure, I ain't got it.
I got like a little exclusive.
Speaker 1 (07:31):
I heard you got an album dropping that's gonna be pretty
dope though.
Speaker 6 (07:33):
No, probably like I'm just cooking really honestly, Like I
never like any time I get ready to recording album,
I don't even on the recording album.
Speaker 2 (07:42):
I just record shit and then this.
Speaker 6 (07:43):
Is like you look up, you got like fitting to
water their songs, and then you just start putting it together,
you know what I mean.
Speaker 2 (07:48):
Just let the music pretty much talk to you.
Speaker 6 (07:50):
Like I think, if I go in there with the
mindset like oh it's studio time or the studio season
or this album season, you kind of start overthinking ship
and it don't really come to new natural. So for me,
it's like where about Philly and I record out on music,
like on my iPhone, like used me out to that
ship on my iPhone, like like with the ear pas
of ship. Ain't so it never stopped to recording process
never stopped. It's like on the filth I could go.
(08:12):
And it's cool because if I read another rap niggas
and I got to de feature.
Speaker 2 (08:15):
Like oh you were just sending him? No no, no, no
you go, Nick, just put this on and the beat
already up in there. We got the whole appet go
and do it now. So it's what for seven round o'clock,
that's what you need.
Speaker 1 (08:27):
What he did ark he don't know about Bell could
be on the refixed.
Speaker 2 (08:34):
Yeah, he did.
Speaker 7 (08:34):
Freaking How many songs you got.
Speaker 3 (08:39):
In the talk though?
Speaker 2 (08:43):
Too many? Over one thousand?
Speaker 6 (08:45):
Yeah, like me and like me and Migos we got
one that j he did that's so crazy with all
three members on you know what I mean, that's on
her never been hurt before, recipes to rich On Kwalmi
and Be and Kwalmi deal with Ripe before his past.
It's so many that's just in the cut. Me and
Neo got some ship, Me and Chris got bull shipped.
Me and Joe got some ship. Me and Trey song
(09:06):
got some it's it's I got songs with everybody.
Speaker 2 (09:08):
You know what I mean? This is all by the time,
hold on before we move forward.
Speaker 4 (09:13):
Got some drinks coming, Barbie ship, pull up, Bonus.
Speaker 2 (09:19):
Ship will be parking down there. Hit her head trying
that isn't know. I'm trinking red bows. You know what
I'm saying. To keep that drinking. Besides the rock, right,
you got don't gotta be mixed this ship. This is okay?
Well we got this the Barbie boost.
Speaker 3 (09:37):
That's the clutch connection.
Speaker 2 (09:39):
Okay, the clutch connection that they hope. Are you to
drug everything out of the South. But the trader Barbarie,
did you have bad? Well? Posters hanging out all over
my she's thirsty. That something up? What's up? I gotta doing?
(10:00):
I'm blessed, you're blessed.
Speaker 8 (10:02):
Hey, it's on the sun, I think for this sexy boys,
praise the Lord.
Speaker 2 (10:13):
She was looking at the bye. He said, I'm blessed though.
That's your favorite bat song?
Speaker 9 (10:17):
Boy?
Speaker 2 (10:18):
Yes? Where my prep? We're friends. I'm talking to the mic.
Where my friends there? What's our favorite bat songs?
Speaker 3 (10:28):
They said?
Speaker 2 (10:29):
They did not say it's all. Hey, so my baby
when not internew and now, so go over here? Go ahead, Okay,
what's our favorite bat song?
Speaker 4 (10:39):
My favorite?
Speaker 3 (10:40):
I love y'all.
Speaker 2 (10:42):
Hold on, I'm not saying short like she said short
like my work where we said that ever broke? You
know that song get you through that.
Speaker 6 (10:51):
I appreciate that ash, Thank you boy.
Speaker 2 (10:58):
Four time. Don't put it off. You gotta voice spelling
question you want to go? We were supposed to be
doing the double Barbie be here, What's what's going on?
We got to delay that. Go answer this legia question.
I know you're excited. Don't get it off his ship?
Are your nervous?
Speaker 5 (11:18):
Shine?
Speaker 2 (11:20):
Oh? I'm gonna drink to that. I'm gonna drink to
that out there for shure Man.
Speaker 1 (11:30):
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Speaker 2 (12:01):
We appreciate you all for shure for sure, thinking about now,
did you have the next tail chirt? Hell? Yeah, show
look let me take it for me. But no, motherfuckers.
Speaker 6 (12:12):
Was really hitting was when we could start by hitting
motherfuckers from out of town, out of state.
Speaker 2 (12:15):
Remember it was his local at first. Once that happening
was up, But I did. I didn't like how like
you could just have your phone out and then hey,
nigga up there like sh just got the phone, just
started talking. That's all that kind of money. How to
get a chirt? Do you have a shirt? Nigga was poor?
Here we go this ship today?
Speaker 8 (12:35):
About that sad ship today?
Speaker 2 (12:37):
No DJ answer, of course, I don't want to.
Speaker 1 (12:40):
Hear that nigga talking about the nigga be arranged if
he was eleven talking about you ain't have a chirt?
Speaker 2 (12:46):
What a razor? House a razor.
Speaker 1 (12:50):
I wish Nigga had the phone that the house was
a no kids, I had to one with snake it.
Speaker 2 (12:58):
You was already feeling the I beaver.
Speaker 1 (13:06):
Obviously we know the music scraphy is absolutely crazy as well.
But one thing that's super crazy and ranging about you
as well the movie game. Yeah, what's more for it
for you making an album or from.
Speaker 3 (13:16):
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Speaker 3 (14:06):
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Speaker 6 (14:39):
I love filming the movie, I guess because I've been
ripping the run in my whole life. So when I
get a chance to do a film, I'll get a
chance to actually being the city. It sits still for
great or four months. That shit is rare. Being on
a raptor bike, you know what I mean? Being a musician.
Anything can happen at any given time. The schedules can
change at any given time. With you know, I think
I'm just so used to it's the clusterness of that ship.
(15:01):
And anytime I get a chance to sit down and
do something I love or something I'm passionate about, and
I know what I'm doing, so I like to be organized.
Speaker 2 (15:08):
The rap shit is so unorganized, Like we can pull
up somewhere, that shake can cancel soon as we have
to back up. You're like, what the fuck?
Speaker 6 (15:14):
But that movie set is always there, a check clear.
That ship hit old time every Wednesday. It's like a
It's like an incredible not enough. I mean, like that's
what it's like.
Speaker 2 (15:24):
I just love it. I get on peace, I get
on time with my kids.
Speaker 6 (15:26):
I get to touch bases and do regular ship that
I don't really get a chance to do what I'm
on bow type of time. But when I'm on that
acting time, I love it because, like I said, I
get to do something I love, but also and just
bring a niggas so much peace and it's very very structured.
Speaker 2 (15:39):
I love I love ship.
Speaker 1 (15:39):
That structure shown it fucking me YEA when I seen
you all law and order.
Speaker 2 (15:44):
I lost time see us say one of them motherfuckers,
I said, what the fuck? What was he doing on there?
Speaker 11 (15:51):
Shit?
Speaker 2 (15:52):
I was.
Speaker 8 (16:00):
Said, Bull's like, you know, I was asleep and I
woke up.
Speaker 2 (16:03):
I seeing the nigga. I fight. I don't the lead
this cig. He's just not her doing shit, having too
much fun. Y'all, ain't out.
Speaker 6 (16:14):
That was probably the hardest active job I've had in
my career, and I wanted to quit too, because that's Look,
that's when I was hosting one on six apart and
I was doing c inside the same time. So I
was going coast to coast, like we'll film three episodes
in one day on one on six apart. Then I
got to give them the plane the fly six hours la,
remember lines be on point, be on Q just to
show CBS.
Speaker 2 (16:34):
But I can handle doing this and this.
Speaker 6 (16:36):
That shit was tough, like that was probably the most
toughest actor ship that I ever had in my career
thus far. I know it's probably gonna be some more
shit a head, but that shit was tough. Like I
remember calling my mama, like and check us out.
Speaker 2 (16:49):
It ain't all about the money. This ain't worth it.
Like stress, this shit killed me like I want to quit.
Speaker 6 (16:54):
It was like in an episode six, like if you
quit now, nigga, you ain't gonna never work in Hollywood again.
You can forget about that shit. They gonna get your
That's about it here. So she told me that I
have to pound through that.
Speaker 2 (17:03):
Mother.
Speaker 1 (17:04):
It's crazy though, like to see like when I really
think about it.
Speaker 2 (17:06):
I'm just thinking about it now, like the movies you
really being. I'll be watching them ships like I really
watched Roll Bounce.
Speaker 6 (17:13):
I'm going with that ship like for sure. As you
know every movie, y'all, I got my as like fast
for so bro, I got the best CD, A lot
lottery ticket I got last. I think Arizon was the
(17:36):
only thing out did. I got the whoops some masks
every year they always in this.
Speaker 2 (17:40):
You probably got the mas christ het he smoking little.
I mean he beat the main character. This why I'm
giving him the top reference. Hello Christ not he doing
ship for sure? For sure? For sure.
Speaker 1 (17:57):
Now you're talking about the hardest job we had it
how he was what's the funnest movie you grow?
Speaker 2 (18:01):
You have so far the funnest it's m ship. It
can't be like Mike. He was struggling in deep like
that I think grew up like the real life mind
(18:30):
I was.
Speaker 6 (18:34):
I was, I was.
Speaker 2 (18:36):
I was an orphan. I was an orphan.
Speaker 1 (18:38):
You know.
Speaker 2 (18:38):
You know the bad ain't here yet. But so but
to answer the question, I gotta say.
Speaker 6 (18:43):
Uh, fast and Furious as fun as a motherfucker, because
that was my first action that other did and that
was like some different type of ship, you know what
I mean.
Speaker 2 (18:52):
Like that's when I knew.
Speaker 6 (18:53):
I was like, okay, hold on, I'm finally tasting like
this Hollywood ship right quick, Like this is crazy for
me to be a part of such a big franchise.
And then we did justa Man was a director album.
That's what took on the pretty much carry the Old
Time franchise, and that was the third one, was his
first directorial debut. So I say fast, fastest fun and
(19:13):
it's always fun because that was to do crazy shit.
They blowing up ship, the sets be crazy like it's
it's lit.
Speaker 1 (19:20):
I fuck with Fast and Furious, but I ain't gonna
lie to last one. Had me fucked the when that
nigga helped win, when the rock hill the plane and
I say, all right, Fast, I love you to death, brother,
But look I don't believe that.
Speaker 2 (19:31):
God, bro, look, I'm gonna tell you what's keeping crazier.
Speaker 6 (19:34):
We ain't loved it filming it right, and and when
I got the script, I was like, Okay, I can't
wait to see how this shit gonna be. So we
get to the movie premiere and just being my manager,
we sitting next to each other, we watching the movie.
I'm like, Yo, did I really just say Lula Chris
and this nigga trace in our space?
Speaker 2 (19:51):
Like this ship has kept crazy like that star. I
was like, okay, we we we we take it to
another place, but we gearing up to do it again.
Know you gearing up to do it again?
Speaker 6 (20:01):
I think the next one gonna be the last one,
and then there's gonna be a lot of spinoffs from that.
Speaker 2 (20:04):
So I mean, you're not our friends.
Speaker 6 (20:05):
Listen, man, As long as time cruise, you get doing
these more fucking missions, and possible, we're gonna keep doing
these more fucking fans and fish.
Speaker 2 (20:11):
At some point the mission got to be what is
the mission? That's the thing.
Speaker 6 (20:17):
It's as ship we had twice dirty seeing eleven.
Speaker 2 (20:21):
Now they're gonna need to drive cars no more fast
and furious.
Speaker 6 (20:26):
Na it's different now, it's we like action, uh, stars
and ships. It is definitely transcend it past the street
racing element, you know what I mean. But you know,
I'm hoping that we can get back to that element
because it is a you know that underground street racist.
It is some serious ship. So it's definitely a big.
Speaker 1 (20:42):
Call from It was definitely obviously we know you first
off toured. I want to ask you, what's some of
the songs of the playlist when you know the crowd
really about.
Speaker 2 (20:49):
To go up? Ship? All of them?
Speaker 6 (20:52):
Oh yeah, all of them, all of them, especially like
the older Ship because you know, if you grew up
with a nigga that you know, a lot of cats
were saying it will bout like be Worried All was
the first album I ever got, you know what I mean.
So anytime I get a chance to go back it
with my arcop and do like the earliest shit, they'd
always back, you know what I mean, From the first
album to even like the mid adult bow Ship from
(21:16):
you know the like Yous and how to My Systems
and them floirts in the list, Get Damns and to
Take Your Home Too. We be all fucking day, naming
all that ship. But it's rial, it's real, you know
what I mean, Shorty ain't thinking about it. Everything bangs
pretty much, but it's all about you seek what's the
records though, Like people don't understand like it's all about
(21:37):
you can't just say, man, I'm about to do all
my hits and they just don't hit. Like that ship
got a flow. Like that's what PEO don't understand about tour,
Like you could say, I'm gonna like you after that.
I'm short that ship just don't. They might not coexist
well going back and back. So I gotta really be careful.
And I'm the one that's really putting my shows together
from the top all the way to bot. So anytime
you come to a Millennium Sword anything that I'm a
(21:57):
part of, anything I'm doing, that's me doing that shit
from the top to about that is hard, bro.
Speaker 2 (22:02):
Like I want to I wanted to ask, Bro. I
was confused, who found.
Speaker 6 (22:06):
You, Snoop or Snoop? So Snoop really was Really it
was Das. Das was the first one for the Dogs Tail. Yeah,
Das was because I was in Columbus. I was That's
that's where everything happened and I'm rapping at the Chronic Swor,
jump on the stage, crowd going crazy. I'm like five
years old, six d they throwing money on the stage.
I'm you know me, I dropped the mike nigga, I'm
I'm picking up. I'm like, yeah, I'm picking that up.
Speaker 2 (22:29):
We need that. I was on your side of the time.
At that time. I was hold on, there's no money.
They turned to a stripper. I couldn't get shipped at
that time, so anytime I saw the money comeing, be
picking that up. And then from there it was actually
they had a mission. It was A. J. Johnson who
played the Zailing Friday.
Speaker 6 (22:49):
He was the MC on the Chronic Swor and he
was like, man, I got this litt nigg out here
and there going crazy, and they was like you gotta come.
Speaker 2 (22:54):
You know, Das, you gotta take it to the back.
He needed to get me stupid Dota Drake. And from
there it was on.
Speaker 6 (22:59):
So somewhere back say his infamous picture and motherfuckers canna
look it up to be I think I was like
five years old. Snoop is like eighteen or nineteen. I
think Drake might be like twenty two. It was just
us three even pick up in the middle, and from
that day it was over. And that niggas say the
nigga dont name gonna be a little bow wow because
they was calling me a little stopper. My original rap
name was Kid Gangster and that nigga stoopid is like
(23:20):
nigga that don't fly it off.
Speaker 2 (23:22):
That's what it's terrible. Right.
Speaker 6 (23:24):
So he was like, everybody keep calling him a little
snoop and I want to have his own identity. I
don't wanted to go.
Speaker 2 (23:28):
Around to be a little snoop, but he is me.
But fuck that.
Speaker 6 (23:31):
I'm the big fouvel, I'm the big dog. He's a
little dog. And that's how ken the name gonna be
a little bow wow? That's gonna be you. That's all ye.
Speaker 2 (23:37):
That's a fire origin store or and everything. That's problem.
That's TRZ man.
Speaker 1 (23:41):
You've been listening five nigga. That's how long was you
went to Tim Counts Jersey thirteen? Okay, I hate that nigga.
Speaker 2 (23:50):
He had a razor scooter. Nigga.
Speaker 1 (23:55):
I can't even don't kick flip nigga. Fuck this bigga goto.
I would ask you, as you're talking about desography, what's
one song. Obviously with JD you a lot of great producers.
What's the hit that you passed on or you like, Damn,
I could have had that one. It's it's crazy because
(24:16):
Jermaine pretty much been like my my, my main producer
pretty much about my career. MEI for Real and episodes
I worked with Swiss Soul. It might have been maybe
a short time.
Speaker 6 (24:28):
In my career where I will started accepting the re
people like, let me be more open and than producer
Sydney Ship And I remember getting this beat and I
do this motherfucker, specially when herd the little the.
Speaker 2 (24:38):
Direction I do it. I'm like, all right, I'm gonna
go eat. But oh Ship.
Speaker 6 (24:47):
But for me, it was pretty much like U. When
I got this beat, I said, damn, and this motherfucker
so special. I said, I know it's for the ladies
and that and that's what I do, but it ain't
nothing really stinking like that.
Speaker 2 (24:59):
And I'm I just passed on the beat.
Speaker 6 (25:01):
Next thing, you know, about a couple of months later,
and I got two of these records too, and I'm
gonna tell you about but this one was Lotus Flower Bar.
That beat came to me and I just I remember
being in the studio for Average. I'm like, man, I
ain't nothing sticking, so my whole thing, I'm not a
forceful rider, like if it ain't nothing coming, like it's
supposed to come natural, like that ship posted to just come,
So don't nothing come to me.
Speaker 2 (25:21):
I'm gonna pass on.
Speaker 6 (25:22):
And I'm glad I did because for to go to
Miguelo and while lady did a hell of a fucking
job in the region swim sound you know what I'm saying.
And then the other one, this is gonna fuck yet up.
This is crazy Polo to don got the files and
this is my this is my brother. So I'm he
fucked up, and you know he fucked up on this one.
I go on the studio. He playing in this crazy
(25:42):
ass beat. It was like close to Christmas time. So
I hit Gucci.
Speaker 2 (25:47):
I'm like, Guccio, you need to come slop to the studio,
can do this.
Speaker 6 (25:49):
This ship Polo on this shit crazy And at the
time I'm coming on fresh as I'm in, it's so
much other ship. I'm like, I need this sound like
this is gonna mature me and grow me. Gucci, come
th do verse shit stupid. This nigga polo called me
on Chris to Z.
Speaker 2 (26:04):
Like I fucked up. I'm like, what you what you're doing?
Remember that beat I gave you a gua. I'm like, yeah,
I gave it to Wayne. I said, what it's like?
Speaker 6 (26:14):
He said, I forgot I'll be sending out so many beats.
He said, you gonna have to call tune and see
a tune. Not gonna fuck with it. So I called
Wayne and I said, ayo, this nigga polo gave me
this beat? What beat talking about?
Speaker 2 (26:27):
Uh? Be top about? I'm like, I'm much planning for you.
Speaker 6 (26:31):
Ah fuck with that to do. I'm so, I'm like,
all right, I go to shoot this movie. I turned
on the radio in New York COD ninety seven on
his blow up the Chumper like this December thirty first.
Speaker 2 (26:49):
Hit the Poto did that. Me and Gouci had it first.
She was stupid, so you nobody and wrote only the
thing Ross was on the record. So when I called tune,
it was like I reminded the nigga off the beat.
And then nigga went back and said.
Speaker 6 (27:02):
Hold on, nigga don't know and threw rose on that
bitch and called Polo like, Yo, Nick, I'm keeping this
stick in the spot there it is.
Speaker 2 (27:10):
That's so it's slaying through you on the Rabi stuff.
Nah man, Cause look, Polo, I was actually gonna use
it for the verses.
Speaker 6 (27:16):
I was gonna fuck Nigga's up on the verse when
I battle sold you, I was, I said, Polo, send
me the fucking record. It's gonna send it in there
through like it's crazy. And then Love one too, Me
and Meek in the studio working on the stays keeping.
Speaker 2 (27:29):
We had to beat first. Damn. You can look at them.
You can look at up on YouTube. That's Love on
YouTube right now. We had it first.
Speaker 6 (27:37):
Yep, be in Miami and the student working on to
be Together, Me and Meek. That's a record.
Speaker 2 (27:42):
Okay.
Speaker 6 (27:43):
So it's just crazy how like how these produced, like
how these beasts gets submitted.
Speaker 2 (27:48):
To artists and we all get them, you know what
I mean. But it's it's dope for me to even.
Speaker 6 (27:52):
Excel these stories because people it was like, damn, what
the fuck, Like what if that record wasn't what that
was like?
Speaker 2 (27:57):
You know what I mean. It's so many artists that
got them type of stories. That's what he canna leave.
Speaker 6 (28:01):
But them the main three that really really sticked like close,
and every time I hear the records, I'm like them.
Speaker 2 (28:06):
Ships still in my email too, can't pel you got
all of his stone? You got enough that, nigga, I'll
vote it niggas. Ship. I won't say, Sam, I want
the record though. It definitely was. It definitely was. And
of course like that, it's the first time you hear it.
Speaker 6 (28:20):
So any time you hear for the first time, that's
gonna be your your first judgment. But me, we we
went kind of crazy though, but I'm happy with they
turned away and turned.
Speaker 1 (28:29):
Out though Exafinitely, everybody's talking about the battle between K
and Dre, but the original battle back in the day.
Speaker 2 (28:34):
Some people was all skype, yes, sir, I'm a after that.
That was crazy. That was crazy when these niggas go,
these niggas. Then when he said here we go, he
was out the park, there we gone.
Speaker 5 (28:50):
You know what's crazy? I told somebody said, Yo, Jay,
you about to crack up. Remember how the video had
the sound effects, the thump, you know, edit that me.
Listen everything I love, Listen everything I love.
Speaker 2 (29:07):
I thought I was doing.
Speaker 6 (29:08):
Someone say about to edit this motherfucker. This shit gonna
be the hardest. I added all that ship. I was like, yeah,
but that was that was a funny time though.
Speaker 2 (29:19):
Well you see that now, like what do you think? Like,
I know you probably laugh. That be funny as hell,
but you you probably laugh, like you want to know
why I laugh so much? Because that was the stupidest
ship probably about the dullest ships that I The funniest
part was making funny. I was dag a funk serious
though like that that's just what makes it worse.
Speaker 6 (29:39):
I know, like I was dead the fun serious and
what makes it even funnier is uh, well I can
say it now. One of the guys that's actually in
the back is a brother of mine who actually happens
to be Chris Brown's management. So it's funny how how ship,
how time flies and how time really passes. But that
video will always be legendary. Though it will always be legendary.
(30:00):
That was a That was a that was a crazy ass.
That was a moment being soldier.
Speaker 2 (30:03):
We got a big ship. That's my dog.
Speaker 6 (30:04):
Shout out to Drake going one time on time for
one time. What's more classic that? Or the Battle Wow
challenge being a soldier, because that's a period you got.
It was you got, but so you had niggas going crazy.
I love how you embraced everything.
Speaker 2 (30:22):
No, bro, you know what happened though, or some real ship.
Speaker 6 (30:25):
It didn't affect me like that, because, first of all,
when I did it right, this real shit, you not
I folks.
Speaker 2 (30:30):
I'm gonna tell you.
Speaker 6 (30:31):
I'm in New York. I had to go to New
York and do press. So I'm on the plane astra fly.
So when I get to New York, my mama called
me and said, what the fuck did you do? And
I was like, what you're talking about? And I'm watching
the playoffs, I mean watching the plays talking about somebody
playing the fuck did you do?
Speaker 2 (30:47):
So I ain't do ship like so now everybody called
on my.
Speaker 6 (30:50):
Phone and so I'm gonna understand how big this sh
it was. And so I got back home that letter,
and I was in my basement. I was just shilling
watching the playoffs, and my fucking phone just kept going crazy.
Speaker 2 (30:58):
And then I saw a sloop.
Speaker 6 (30:59):
I'm like, damn mist control of me, fiddy a homie
fifty troll of me. So I'm like, okay, you'r niggas
play on me. Now we about to go get like
twenty plays this year. You'll niggas about to be fucked up.
Speaker 2 (31:07):
So you feel me. But you know, for me it
was just, you know, should that rappers do every rapper live?
If you don't believe me about that was that, you know,
I just got caught that day.
Speaker 12 (31:17):
That was a wow with that though, because I can't
wait a lie what we put n Moe right on
the side of that motherfucker.
Speaker 4 (31:34):
I want to ask, what's the artist, bro now or
the actor that you would love to do a movie
or a record.
Speaker 2 (31:41):
You want to touch baces with your move Holy off
the top down cheap Dawn.
Speaker 6 (31:48):
That's my favorite act of all. Tom don a musician
brit Or revised. I'm always like as like they can.
Speaker 2 (32:00):
That's always happened with an R and B sing on
the record.
Speaker 6 (32:02):
Now when I collapse, it's pretty much gonna do what
it's supposed to do. Then for me I think about going,
I don't even think. I think one of my honies
and you can told you like, yo, Bro, I would
to do it out with every R and E in
the game like you always win with that. All we
fucking was a t paint huok a Chris Brown feature
or the Marion feature.
Speaker 2 (32:19):
Motherfucker like whoever it is, bro like it just it sticks.
Speaker 6 (32:22):
I mean, that's why I'm glad I got one with
ya Queeze Man Traders, got onto a man trade, but
then the studio cooking up a lot.
Speaker 2 (32:28):
But brit fayre As is somebody who I really really fucked.
Speaker 6 (32:30):
But I'm a fan of his phusic and fuck what
he notics to broke, But he's definitely on the top
of the list, sure myself.
Speaker 3 (32:38):
Okay, have you heard about this?
Speaker 1 (32:40):
Last year, Degree changed the form left for their cool
rusty odor it, the fans rebailed and one of the
old sent back and Degree listen, and that doesn't happen often.
They admitted they fed up and are bringing the original
cool Rush sent back and it's exactly how you remember it.
Speaker 3 (32:53):
Cool Chris it fresh.
Speaker 1 (32:55):
There's a reason why it's the number one man's answer, persperate,
and it's back in Walmart, Target and other sources now
for under four dollars. So try and see what the
fuss is about. Head to your local Walmart Target and
try to og cool Rush for yourself. I don't even
have a question for it more or less a salute because,
like you said, you've been that niggas since we was kids.
We see a lot of people who grow up in
(33:16):
Hollywood grow up with and they don't always end up
the same as adults, right, But for you to navigate
to be who you are, that's though. But how was
that growing up with all that type of notoriety and
it's still having to be a regular person or.
Speaker 2 (33:27):
Shout out to my mama. I got a black mama,
so you know my mama Sharon Doll and shit. Yeah, yeah,
definitely having my mom in my corner that played a
big role. Yeah, you know what I'm saying, and to
my career and only that, but just for me, just
the basics on what you said.
Speaker 6 (33:42):
For me, I always studied the ones who came up
for me who fucked up. So I'll be watching them
like now the way not to do because if I
slip down that hole, that's what that's gonna be me.
So I'll be learning from motherfuckers making their own mistakes.
But you know, I give all credit to my mom,
so like without her, like she was like the launch
a pat into this shit, kind of prepared me mentally,
and then of course me having the legends in my quarter,
(34:03):
having a stoop, having that you bade dupre and just
you know, even a nelly you know what I mean?
Why I can sit it like a big Brothers visas
niggas that's gonna pull up and fight me if I'm
out of control, if I want.
Speaker 2 (34:13):
To internwn wild.
Speaker 6 (34:14):
That's why a nigga be on his best behavior in
this past couple of years because I understand what it is,
and I understand my brain, understand who I am, and
and it's take real big homies, a couple of em
and then bring your ass down here one time. I
let you know what you've been fucking up on it.
And I got a lot of people that love it
outside of the game. They here inside the game and
they don't want to. They ain't gonna let me. The
ain't gonna let me forever. So yeah, I'm trug I.
Speaker 2 (34:35):
Gotta tell her I have me And you had a
fun moment one day, of course like that. That's great.
But we was out one night in Houston. It was
me and you. I was playing with Boston. We was
in Houston. It was COVID time, nigga, I know it.
(34:56):
Two minutes that til when the maryor trying to kick
me out. So we had a good time. And I
was like this when I knew, Like, I was like, yo,
he a different famous. You know I'm playing on the
Celtics j T j B Autumn. Yeah, he was at
camp and I said, damn, he walked.
Speaker 1 (35:18):
Through and no offense, but like fifty girls ran behind him.
Speaker 2 (35:22):
I said, yeah, he's a different famous. They roll, they
roll with him. Fuck, I didn't know you brought up
to the poor out of see them running behind you.
And I looked at Jason. I was like, you got
a lot of money, but you don't got that. He
was like, I'm about to go get there. I got
shake that nigga head on my mama.
Speaker 6 (35:40):
J T came over to the sexy y'all there, Fuck y'all,
you pull it up, put up.
Speaker 2 (35:44):
I'll fuck with j T.
Speaker 6 (35:45):
And that's my dog man, Like, that's that's family. Even
you just breaking that up, man, And I wish my
boy is speaking recovery. So I told him, I told
him go over the big time, go fuck would even
check only why he's down, But that's my dog man,
And uh.
Speaker 2 (35:56):
That was that was a matter of fact. Was crazy.
Speaker 6 (35:58):
That was me a soldier boy the party to the
Millennium Tour. That was one of the craziest nights at
Camp Houston.
Speaker 2 (36:04):
For sure. That shit was crazy. It was going up.
I wasn't there for long. That's right. You left pee
somewhere right here? How did you get your hands sold somewhere?
He got about of the earth? I want to ask you, bro,
how did the Millennium Tours started?
Speaker 10 (36:21):
Bro?
Speaker 2 (36:22):
Who originated that?
Speaker 6 (36:24):
It originated? I'm gonna be real, Garrett, you know what
I mean. It all started with Gary. That's to promote him,
the BPC.
Speaker 2 (36:31):
You know Gary.
Speaker 6 (36:31):
They came up with this concept to uh, you know,
break back that vibe again, you know what I mean.
Speaker 2 (36:36):
The screen stort started with me. You know what I mean.
That's that's my.
Speaker 6 (36:39):
Ship, that staple, that stamp, that staple, And that was
the first and pretty much the Millennium So it was
kind of like the spinoff from that, you know what
I mean. And the first one was twenty nineteen with
B two K and I felt that, you know, it
wasn't my time to do it hit.
Speaker 2 (36:54):
I felt that the fans and me understanding.
Speaker 6 (36:58):
Her audience, that the beat who kre Reuni was their
time and it had to happen for them, and it
was I didn't want to take away from the moment.
Speaker 2 (37:06):
The moment was too big, and.
Speaker 6 (37:08):
I set it out and I just watched every artist
from that from our time just get the tweet. And
it was so pissed, like, man, why the fuck y'all
ain't called me? Why the fun I'm like, nigga, y'all
ain't bigger than be two K nigga. Let the girls
want to see, motherfucker be two K. These niggas only
come outside of me twenty five years together, so if
they could catch him one time, they gonna catch him.
And then I came out Marion, that brought me out
(37:28):
as a special guest. Shit with crazy, and that's when
they already they gotta call the dog, gotta call it dog.
Ain't no way you're doing anything Millennial without a Meal
or Chris Brown involved in that.
Speaker 2 (37:38):
Motherfucker. It's just it ain't gonna work like that. That's
a hunter, you know what I mean, Like talk a
little shit. It's true.
Speaker 6 (37:47):
We sold the most for Mama lineus. We got the
most hits out of the Millennial is Us too. And
I knew the car was gonna come, and when they came,
I took the opportunity. Then Mario came back and call
he cohead Live with You, And then Gary like we
got running back again.
Speaker 2 (38:01):
I'm like, dam then we go three toms in a row.
Speaker 6 (38:04):
Yeah, we going again. And that was with me, Trey
and Marion Rose and everybody else. And how this one
came about was, you know, I put the call on
the Trigger. I called Trigger myself because Trey was picking
the phone for niggas. He was not picking up the phone.
He was not edertain to the tour at all. And
Gary was like, Yo, I need you to put your
business head off and I need you to for this call.
Speaker 1 (38:23):
Man.
Speaker 2 (38:24):
I put the call there. I said, Yo, Trail, I
need you to the headline. He's a headline nigga.
Speaker 6 (38:28):
You handline this this show ship? I said, Nah, nigga,
I'm on some mother type of ship right now. I'm like,
I need you to do this. Uh, you know, I
don't got time for the for the ego ship. That's
why I fuck with Trigger, you know what I mean.
Just put some positive touches on my nigga. Nigga Solid
came on the tour to to stay rocked out. One
of the best Tom partners I think I ever had
(38:49):
in my career. Understands with with.
Speaker 2 (38:51):
It tape and and all, we can be able to
do this again. You need to running back.
Speaker 6 (38:56):
I can't bring me two k then ain't too farud No, No,
you got some ship cooking on the works. I can't
really speak on it too much, but it's something big
on down in December as as of now, something real
big on down post.
Speaker 1 (39:08):
Listen to.
Speaker 2 (39:10):
What's that nigga name over there? And I don't know
here you go, there, you go, niggers ain't ready for
no tour. Man, Hey, look, believe it or not throwing
out here. It's just shoot and ship.
Speaker 13 (39:24):
That nigga low key is like the motherfucker very smart
with to come into finish stuff like for show you
the mother fuck that's in the office with Gary and
putting this ship together though, So I gotta give it
to I give it the rats on that point.
Speaker 2 (39:37):
Now let me have that. That's fool.
Speaker 1 (39:38):
You play that, then y'all don't watch these two niggas
that moving tonight.
Speaker 2 (39:45):
Man, that's a while backcourt. That's right.
Speaker 1 (39:49):
So now speaking of your family, you gotta address for
your cousin put some smut on bout wild name man,
your cousin Orlando.
Speaker 2 (39:57):
That's my feeling for real, that's real, that's real cousins.
That's like fine. So he be tripping the time, Nigga,
that's cousin, cousin. That's fat. He said he was, and
(40:17):
I think it was skaking. Listen, man, he he'd be wild.
He trying to go wild. That's my cousy. Excuse my family.
He has mistakes of life. No battle niggas fade with Orlando.
I'm trying to save you. I know his niggas. Bro.
Speaker 8 (40:41):
If y'all see my cousin now you biggest, he know, Bron.
Speaker 2 (40:44):
Don't beating the many nobody anticipating. He betweet. He ain't
the fact that I know he told me he was
gonna beat me here one day, I said, Ron, you
gotta me his as family. I ain't gonna lie right
(41:04):
the first time, I said, Man, I want to know.
I want to fund so bad on Shi was me.
I swear to God.
Speaker 6 (41:09):
I always hot at first, and then I'm like, what
am I gaming out.
Speaker 2 (41:12):
Of this ship? Like he beat tw Bro, don't worry
about I'm like, what am I gonna gain?
Speaker 6 (41:15):
Out of nothing, Like it's like he's gonna sue me,
like i'p getting nothing.
Speaker 2 (41:20):
Out of that ship.
Speaker 6 (41:20):
And then I feel like the people this man, you know,
that nigga crazy fuck about you get no points off
that nigga.
Speaker 2 (41:24):
Like so it's like a lose lose either way it goes.
So I said, some ship, you just gotted to let
less ship slide. But that nigga keep playing it.
Speaker 14 (41:31):
I'm a polo, I'm a pologiya playing Shah.
Speaker 2 (41:37):
Get him my lad Joe. I'm gonna call him the
knife Man.
Speaker 8 (41:44):
Over man.
Speaker 2 (41:46):
He really gonna he really gonna beat my nigga up.
Speaker 9 (41:49):
And it's like, I wonder, all right, he said, well,
I'm letting the spot. I'm calling the knife Man against nigga.
Speaker 2 (42:00):
Say one more things. You seen it grabbed the Michael.
That nig coould be tripping. But you know and honestly
know the nigga.
Speaker 6 (42:09):
The nigga really talented though, But I said, it's race thick,
you know what I'm saying, Like the nigga's really funny.
Like I just feel like if somebody really got a
nigg a real opportunity and put him in a situation,
a real active situation that hell Sean or a real
movie role.
Speaker 2 (42:22):
I want to a fight, just anything, you know what
I'm saying.
Speaker 6 (42:24):
I always said that ship because if you know, motherfuck,
it's not too funny.
Speaker 2 (42:27):
Though it was actually funny. I gave it to get
my nigga together and may your cousin. You you're talking,
we get him together. Second cut through marriage though, just
keep it real, so don't count no's go ahead, what's
(42:55):
I don't know?
Speaker 4 (42:58):
No, I don't want to talk you you about hooping though,
bron do it?
Speaker 2 (43:03):
Like? Did you play coming up? Was that one of
the things you Yeah, sports was first? Sports was first?
You know what I mean? Just going up to Columbus.
You know, we got the gust backer out there.
Speaker 6 (43:13):
I know y'all know I'm playing in the gust back
a couple of times. Going up from there, we got
we got spacked up. We was terrible and I was
famous too. That's like first ibum about I went back
to the city, got of that ship. We got like
are so hot as fun? You know how that ship
is like a quarks they give you a map. You
gotta try kate court like it was just too much.
(43:34):
But growing up for show like basketball was my everything.
Like I honestly felt like, damn, I I had a chance.
So I said, damn, the nigga is almost grown, and
I just stopped the brawl. It's just it's just not
gonna happen to me. And then uh, I watched I
saw Cherry Maguire and I said, I know I can't
play the game. I could play, but I said, I
know I probably can't play physically, but I want to
be a part of the game somehow, you know what
(43:56):
I mean?
Speaker 2 (43:56):
And I said, damn, I want to be a sports
agent for sure. Who was of the coldest entertainers hooped up?
Speaker 9 (44:05):
What right?
Speaker 2 (44:07):
Prince?
Speaker 6 (44:11):
Hey, I don't know, y'all probably heard stories. I hate
to keep Oh what's I hate to keep bringing this
nigga name up? But the first person because I could
say so many people that she was like this. Ah yeah,
well we know he could play a bro that nigga
Kelly could play.
Speaker 2 (44:25):
He good that. I don't care what nigga. Hey, R
Kelly is the greatest every from the shop? Hey, is it?
I mean Robert Robert did that ship? R Kelly?
Speaker 1 (44:37):
Yo?
Speaker 2 (44:37):
Let me tell you something of the stated on. Hey, look,
this is a lady.
Speaker 6 (44:40):
I know this shit gonna go everywhere because I don't know,
nobody even told the story. I remember one time, it's
a funny ass ship right this nigga.
Speaker 2 (44:48):
So this nigga Chris, right this nigga called me the nigga.
Speaker 6 (44:51):
Brow Brow called me, Like, yo, bro, what you're doing
this weekend? I said, nigg I got a studio session
with R.
Speaker 2 (44:56):
Kelly. That nigga Chris never met kill. So he like, ship,
I'm free, nigga, I'm coming this go, i gonna come
fuck with y'all.
Speaker 6 (45:04):
Man, I'm I would have I want to meet it like,
I'm like cool, come on, come down.
Speaker 2 (45:10):
We're working on I'm a flirt. So the nigga kills.
It's probably like one in the morning. Nigga like we're
going to the Jim.
Speaker 6 (45:17):
We're about to be about play bassketball right now, we're
about to go to that shop.
Speaker 2 (45:23):
We really go to the chim. It's probably two in
the morning.
Speaker 6 (45:25):
I swear to gud I never seen niggas play five
oh five, but it was like playing five oh one
because every time a nigga got the rebound or kill.
Speaker 2 (45:32):
Seams pastor the kills passa kills passing the kill.
Speaker 6 (45:34):
Every time one of these niggas gonna rebound, you had
to pass the ball to r of my line.
Speaker 2 (45:40):
You got to pass it to this nigga.
Speaker 6 (45:41):
And I'm talking about this nigga is walking up the
court shooting from half then niggas rebounding it.
Speaker 2 (45:47):
If you get it again, they kicking it back out
the art killer like, no way shooting you. He said,
I know, is that?
Speaker 6 (45:55):
Yeah said you can listen, Jill, I'm talking about the
pool like like me and this nigga, Me and this
nigga breezeing me in this basis, like y'all, nobody gets
shoot on this nigga team but him.
Speaker 2 (46:13):
This nigga's incredible. But he wanted to topic and making
with ship though that's what.
Speaker 7 (46:20):
Yeah, so he going crazy right now. Yeah, and if
he did miss now saying it like that, excuse this nigga.
Speaker 4 (46:34):
Man, They no no funny ship though, how is that
working with him to the studio because we don't get
no all killing stories at all on our ponds.
Speaker 2 (46:42):
Man.
Speaker 6 (46:43):
The niggas are the musical chanz bro like you know,
shout out to a little Ronnie. He don't one who
produced same girl. And he did on the flirt for us,
and you know what I mean when he did the record,
he was at the house and I was stuck like
a kid, like sometimes as writers and rappers we get
writers block. He writes so much Ship that she'll start
to breath right the same, like what the fuck?
Speaker 2 (47:01):
So I took a break. The nigga kills called like
like what you're feeling.
Speaker 6 (47:05):
I'm like, man, Ship, I know it's got to be
for the ladies, Like it's me and you like, it's
got to be for the ladies.
Speaker 2 (47:10):
I got you give me, give me like fifteen minutes.
Motherfucker call back and go it's a boy. And I
was like, what nigga Like he said no, no, no, no, na,
but it's a boy. It's a boy. I said what
he said.
Speaker 6 (47:25):
We got ahead and the subot me the nigga press
play on that motherfucker boom it was on my flirt.
Damn no cap Like in ten to five minutes, the
nigga did the hook, set it back and the rest
of system.
Speaker 2 (47:38):
It's just hard, bro. She thought he was with a
lot of people. Bro, get tons of people. Tons who
the hardest worker?
Speaker 6 (47:45):
You the s the hardest work, right, I seen in
the studio or like the hardest person to work with,
the hardest working period over this question. Actually, we don't
want you to tell on on that box. I would
probably say the motherfuckers that live in the studio. Jermaine Dupre,
he lives in the studio. Wayne time I spent that
(48:08):
cash mon, Uh, Wayne is very reliable. You can you
can rely on Wayne. When I was at Cash, one
of his room is room A. I'm roll c. If
I'm working on some ship, I can go right out
in the parking lot, walk right over to the other
right ahead factory, give it a tool. Hey, I need
you on this. We ain't gonna question it. He ain't
(48:29):
gonna he only gonna says this is Jo say less.
He gonna find it. So I swear to God that
nigga gonna walk that bitch right back over to you
in ten minutes. And it's gonna be probably one of
the Thewest verses you probably ever heard. At least one,
oh who else go crazy in the studio. Chris Me
and Brown kind of worked saying like we gotta have
(48:51):
some party going on, like you know it.
Speaker 2 (48:52):
Ain't just like him, yeah, like like like our shiit
is different, like Wayne ain't. Wayne ain't partied in the studio.
Hold on, Bell, I don't want to fuck up this story.
We'll go ahead and say what you was trying to
say her mother Hendricks experience.
Speaker 7 (49:07):
Well say that first nigga do saying like this is
Chris Brown and I ain't telling them what these niggas
is doing.
Speaker 2 (49:14):
You're talking about this like you, I don't want to
know this. I just seen some reports out today.
Speaker 14 (49:21):
Here.
Speaker 2 (49:22):
What's the vibes though? So y'all got ladies in there?
Speaker 6 (49:25):
Yeah, it's just I think for any artist that's a
part of the life side, I really live a culture
that really live and heat and breed this ship and
we do from the night life experience to being on
stage to just really inherited would come with this type
of ship, this energy Me and Chris and and you know,
a drizzy it's certain.
Speaker 2 (49:41):
Niggas that got that fan base. You know, my god, No,
them niggas got motion, like just straight motion.
Speaker 6 (49:46):
And our studio sessions reflect that it's hard for me
to make a female popping club record without with just
being my engineering there, like we can't do this, and
the women be letting me know, this is what she
ain't gonna let me know just about them vibing and the.
Speaker 2 (50:02):
Drinks going around and they repeat certain ship. I'm like,
oh yeah, we got us one.
Speaker 6 (50:06):
You look at all look at all twenty of them,
every twenty, look at all twenty to look at it.
Speaker 2 (50:10):
They dancing and hooka going and ship they fucking with
this on the Hendrid experience. Don't be like that all four.
So all four were to all right, So I'm from
the guy. Don't worry the.
Speaker 6 (50:22):
Talk after this, you know, but you're thinking you gotta
have them, you gotta have them vibes, man, So you
know that's that's just me. I can't you know, certain records. Ye,
I don't want nobody in the super with it, but
I'm about to get it cracking and make some popping
ship like A used me to track me a brown guy.
Speaker 2 (50:36):
Yeah, it's hooga going on.
Speaker 6 (50:38):
His nefix shots going on, and it's just a vive
like which is vibing?
Speaker 2 (50:41):
No for sure, show definitely appreciation for real, Yes, most definite.
Speaker 1 (50:46):
One time makes a noise about while pulling up to
the city one side, man, we outside that right, we.
Speaker 2 (50:52):
Outside now where we might be here? Yeah? Move in?
Help me though, are you coming out tonight?
Speaker 3 (50:57):
Yo?
Speaker 2 (50:59):
A camera for ship? I think so you want good?
That ain't good? Said you had twenty follows with you now,
But that's a meat on that. Ain't like you're just there.
You're not a feather flock together. I got.
Speaker 14 (51:23):
And when a nigga do this and the boy you like,
I like being there, Gott you got a millennium to her.
Speaker 2 (51:35):
I'm just I want to be out. She's gonna be
out way. So so that was bullshit.
Speaker 1 (51:39):
We outside the night Listen. We appreciate y'all. What's time
for boost smoke, and we appreciate y'all for spots back. No,
I appreciate y'all for having the ady sports for the
love and the black Horses were.
Speaker 2 (51:50):
About to start up.
Speaker 1 (51:51):
The rest of the time, gotta enjoy yourselves. Get some
drinks hill at the bartender to day string.
Speaker 2 (51:55):
Let's get it
Speaker 1 (51:57):
The volume
The volume.
Speaker 2 (00:05):
Y'o.
Speaker 1 (00:05):
What's going on was Club five to twenty? Man, we
just here to talk about some real stuff.
Speaker 2 (00:09):
And listen.
Speaker 3 (00:09):
Everything is going up.
Speaker 1 (00:11):
Everything is more expensive, you name it, water, eggs, milk.
It's a lot of stuff going on. The last thing
you want is credit card debt. And listen, there is
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It gives your opportunity to take family vacations, unexpected bills
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Using your Chime map, we have access to fifty thousand
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Get start today at Chime dot com. Chime feels like progress.
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Speaker 3 (01:27):
Time Me depends on submission of payment.
Speaker 1 (01:31):
Yea, y'all always had appreciate y'all pulling up man the
second annual five to twenty day. It makes a noise
for y'allself to pulling up man. We appreciate y'all showing up.
Speaker 5 (01:38):
Man.
Speaker 2 (01:40):
It's a good time. Man. You know what it is.
Speaker 1 (01:42):
He in the crib with a club five to twenty
official man. First things first man, shout out to Blosmo.
Y'all see this wonderful last time in the middle stage
they fucking with five twenty Now we locked in.
Speaker 2 (01:51):
We ain't go out, Hollywood. We were trying to get
the money.
Speaker 1 (01:53):
God David A shout to Blosomo with one time for
the one time. The host minam is DJ Wells. We
got a special special guests in the building. Man, Yeah, yeah, y'all,
we're gonna introduce them last week. Some how far left
my dog. We should be hearing out the pear least.
How you wouldn't nasty people saying the nasty. Let's get
to it for shure man. Listen, we got a special guest.
We got a special gift from my mass man. Shout
out to the good people in JD Sports. We got
(02:14):
a wonderful partnership. Man tapped in. Now I know you
tapped in with the show. You already got the black
nancies on. Yeah yeah, but what are all laces at
the game?
Speaker 2 (02:23):
Yeah? I know some customer ships right here that somebody
gave me on tour.
Speaker 6 (02:26):
But now I know about the white ladies and that's
what that's what mean compidation work.
Speaker 2 (02:29):
Oh we got something for you man. Oh come on
now your own official me in a gang. Oh talk
about you the game. Fuck them up in the club tonight.
You know what fuddies all tonight we have a phone.
That's what we are. Fuck that ship up too, I
swear to god he is definitely the show reason. Hey,
don't rock the ship. Hey, you know my problem? But
(02:55):
t white license with the black man? Hey, do your thing, bro,
I fuck with they are. It's up turn the freaky
freaky ball. Oh it's freaky ball for something. Hey, ma'am,
I'm know when you go home. But no, no, no, no,
hold on that steal something right my dog? Young yo?
(03:18):
You see you got you what. I'm chilling, man, chilling
for real, for real. It's supposed to be a young lady.
I heard of got fifty shots for me, So I'm
gonna get some shots out here. We passing our shots.
But I don't know where she at.
Speaker 1 (03:28):
Why everybody get quired with the shots all day and.
Speaker 2 (03:32):
Everybody get drawn? Yea workers, y'all? Word y'all?
Speaker 1 (03:38):
Can I take shots and we will shot afterwards? Siut y'all?
Yeah you heard some hennessy. Oh they're not sponsored anymore.
But shout to the last turning at least man, like
you said, man five twenty, they special event. It's only
right we got especially guess in the building.
Speaker 2 (03:53):
Man.
Speaker 1 (03:53):
Everybody grew up on this man's music, his movies, our constance.
We was our kids, the one to all you the
legend bow wow to build a big dog.
Speaker 6 (04:01):
Appreciate your slying now, thank you man, you feel good
to be back here.
Speaker 2 (04:05):
Man for real, thanks appreciate it.
Speaker 1 (04:08):
For show Man, it's holy white that were here with it. Man,
the black forces with the white things. It's crazy. And
that became a staple with this show.
Speaker 2 (04:14):
It's fire. Yeah, and I see you on tour.
Speaker 4 (04:16):
You had a period of accustomed to it the way
lesson there was the ros hard to fire.
Speaker 2 (04:21):
Yeah. Yeah.
Speaker 6 (04:21):
I mean y'all know the secret thing for me and everything,
so especially if I cut my hands on something exclusive,
I need those. So that's why the lad I do that,
because I don't think nobody in there got them that
off period.
Speaker 2 (04:32):
Don't say I don't see I knew. I knew he
was about to say something. I knew he was about
to say something. Don't even worry about now.
Speaker 1 (04:37):
Speaking of shoes, do you still got the blazers up from?
Speaker 2 (04:40):
Like Mike, my aunt got him the original the original
ones of the movie.
Speaker 6 (04:44):
My old daughter. I gave him her and the jersey.
She's the only one with the originals. Like it's so
many like it sounded like a whole like the whole
time of lining tour, every mean and Greek throughout the
who Arena. All you see is like these common came
reg churches, and I love them, but I'll be like,
damn like they the swing Man's all like.
Speaker 2 (05:01):
Them, the swing man versus like you know what I mean?
Speaker 6 (05:03):
My eye got the original all satin Jersey, probably like
this big and ship because I was like a little
log at the time. Not from the movie, but no,
I definitely got all the memorability from like Mike for sure.
Speaker 1 (05:13):
Man that's crazy because you know who Jersey ain't got,
and man, it's more chestnuh niggas.
Speaker 6 (05:18):
I got the more short shut Jersey. Wait, you know
what time about? I don't know, I don't know where
the hell parties, but not one mean grico.
Speaker 2 (05:25):
It fucked me up. She came in and she had
the more shoes, not number seeing like Mike Jersey. She
was certain about life. Never seen it in my life,
she shouk one on one show. Sure, having the more.
Speaker 1 (05:39):
Jersey is nastiest, Like it's like having a Milwaukee five
bucks chip shdery, What the fuck are you doing?
Speaker 2 (05:46):
What's nasty? The Milwaukee Jersey with forty four paint? Here?
I did working this shit respect. Listen.
Speaker 1 (05:56):
It's crazy because obviously we said, bro, you've been an
chive since we was our he is you know, it's
a new age, new kids.
Speaker 2 (06:03):
What's it?
Speaker 1 (06:03):
Five songs you would tell somebody who don't know who
you are that they should tap into to know.
Speaker 2 (06:07):
Who you really are. My own two shot and say
that again. Niggare gonna have to say.
Speaker 6 (06:13):
That little different now the nigga talk fast, hold on,
say that again out of the out of the new
colun I got you five songs.
Speaker 1 (06:19):
You would tell people to listen to you about you
that they don't know who you are.
Speaker 2 (06:23):
Oh, find songs to listen to. That's that stripes who
you're sorry for?
Speaker 6 (06:26):
Yes, sir, Oh nigga miss for shuttle, Oh all the
games for fresh up there and ain't got it to
be Masha right, Shady jay z Money and the thing
throw that in there.
Speaker 2 (06:40):
You was on that, nah, he said, songs that describe me. Remember,
Oh hear me go there it's a different remaals.
Speaker 6 (06:52):
Oh it's sweezing there, it's sweezy, this sweet freshes a
miss for show.
Speaker 2 (06:57):
Oh, I think they like me? Okay, out of system,
Uh huh, you got some fans out to it. God, David,
I'm a flirt. She got a fucking show.
Speaker 6 (07:07):
I'm going with flirt for show all day and then
the round it on number five.
Speaker 2 (07:11):
I ain't thinking about your man Seed Breeze for sure,
and it's real fans Breezy free see Breezy. I got
the new track. I't going crazy right out? Yeah about
time be about to beat time ten song. Yeah, but
free breezey though all day for sure, I ain't got it.
I got like a little exclusive.
Speaker 1 (07:31):
I heard you got an album dropping that's gonna be pretty
dope though.
Speaker 6 (07:33):
No, probably like I'm just cooking really honestly, Like I
never like any time I get ready to recording album,
I don't even on the recording album.
Speaker 2 (07:42):
I just record shit and then this.
Speaker 6 (07:43):
Is like you look up, you got like fitting to
water their songs, and then you just start putting it together,
you know what I mean.
Speaker 2 (07:48):
Just let the music pretty much talk to you.
Speaker 6 (07:50):
Like I think, if I go in there with the
mindset like oh it's studio time or the studio season
or this album season, you kind of start overthinking ship
and it don't really come to new natural. So for me,
it's like where about Philly and I record out on music,
like on my iPhone, like used me out to that
ship on my iPhone, like like with the ear pas
of ship. Ain't so it never stopped to recording process
never stopped. It's like on the filth I could go.
(08:12):
And it's cool because if I read another rap niggas
and I got to de feature.
Speaker 2 (08:15):
Like oh you were just sending him? No no, no, no
you go, Nick, just put this on and the beat
already up in there. We got the whole appet go
and do it now. So it's what for seven round o'clock,
that's what you need.
Speaker 1 (08:27):
What he did ark he don't know about Bell could
be on the refixed.
Speaker 2 (08:34):
Yeah, he did.
Speaker 7 (08:34):
Freaking How many songs you got.
Speaker 3 (08:39):
In the talk though?
Speaker 2 (08:43):
Too many? Over one thousand?
Speaker 6 (08:45):
Yeah, like me and like me and Migos we got
one that j he did that's so crazy with all
three members on you know what I mean, that's on
her never been hurt before, recipes to rich On Kwalmi
and Be and Kwalmi deal with Ripe before his past.
It's so many that's just in the cut. Me and
Neo got some ship, Me and Chris got bull shipped.
Me and Joe got some ship. Me and Trey song
(09:06):
got some it's it's I got songs with everybody.
Speaker 2 (09:08):
You know what I mean? This is all by the time,
hold on before we move forward.
Speaker 4 (09:13):
Got some drinks coming, Barbie ship, pull up, Bonus.
Speaker 2 (09:19):
Ship will be parking down there. Hit her head trying
that isn't know. I'm trinking red bows. You know what
I'm saying. To keep that drinking. Besides the rock, right,
you got don't gotta be mixed this ship. This is okay?
Well we got this the Barbie boost.
Speaker 3 (09:37):
That's the clutch connection.
Speaker 2 (09:39):
Okay, the clutch connection that they hope. Are you to
drug everything out of the South. But the trader Barbarie,
did you have bad? Well? Posters hanging out all over
my she's thirsty. That something up? What's up? I gotta doing?
(10:00):
I'm blessed, you're blessed.
Speaker 8 (10:02):
Hey, it's on the sun, I think for this sexy boys,
praise the Lord.
Speaker 2 (10:13):
She was looking at the bye. He said, I'm blessed though.
That's your favorite bat song?
Speaker 9 (10:17):
Boy?
Speaker 2 (10:18):
Yes? Where my prep? We're friends. I'm talking to the mic.
Where my friends there? What's our favorite bat songs?
Speaker 3 (10:28):
They said?
Speaker 2 (10:29):
They did not say it's all. Hey, so my baby
when not internew and now, so go over here? Go ahead, Okay,
what's our favorite bat song?
Speaker 4 (10:39):
My favorite?
Speaker 3 (10:40):
I love y'all.
Speaker 2 (10:42):
Hold on, I'm not saying short like she said short
like my work where we said that ever broke? You
know that song get you through that.
Speaker 6 (10:51):
I appreciate that ash, Thank you boy.
Speaker 2 (10:58):
Four time. Don't put it off. You gotta voice spelling
question you want to go? We were supposed to be
doing the double Barbie be here, What's what's going on?
We got to delay that. Go answer this legia question.
I know you're excited. Don't get it off his ship?
Are your nervous?
Speaker 5 (11:18):
Shine?
Speaker 2 (11:20):
Oh? I'm gonna drink to that. I'm gonna drink to
that out there for shure Man.
Speaker 1 (11:30):
Shout out to Barbie. She's a little fluster man man.
Were going to a little crazy. But this drink is
bossed by boost Mobile. For all y'all who got a
phone out here, tap in web shign up for a
good phone for a great price.
Speaker 2 (11:40):
You know it is tap into boost mobile, Bootmobile pay
twenty five dollars a month.
Speaker 1 (11:43):
I know y'all got twenty five for sure forever its
limited talk text that is starting at twenty five month,
no price hocks, no contract tap in Fasibo mobis legitidation.
Why five Giva gonna keep them for as every where
you go they invested, They tapped in for the Kosha
shout out to Boost Mobile and they rocking with us,
and they rocking with five twenty some one time, for
the one time.
Speaker 2 (12:01):
We appreciate you all for shure for sure, thinking about now,
did you have the next tail chirt? Hell? Yeah, show
look let me take it for me. But no, motherfuckers.
Speaker 6 (12:12):
Was really hitting was when we could start by hitting
motherfuckers from out of town, out of state.
Speaker 2 (12:15):
Remember it was his local at first. Once that happening
was up, But I did. I didn't like how like
you could just have your phone out and then hey,
nigga up there like sh just got the phone, just
started talking. That's all that kind of money. How to
get a chirt? Do you have a shirt? Nigga was poor?
Here we go this ship today?
Speaker 8 (12:35):
About that sad ship today?
Speaker 2 (12:37):
No DJ answer, of course, I don't want to.
Speaker 1 (12:40):
Hear that nigga talking about the nigga be arranged if
he was eleven talking about you ain't have a chirt?
Speaker 2 (12:46):
What a razor? House a razor.
Speaker 1 (12:50):
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Speaker 6 (14:39):
I love filming the movie, I guess because I've been
ripping the run in my whole life. So when I
get a chance to do a film, I'll get a
chance to actually being the city. It sits still for
great or four months. That shit is rare. Being on
a raptor bike, you know what I mean? Being a musician.
Anything can happen at any given time. The schedules can
change at any given time. With you know, I think
I'm just so used to it's the clusterness of that ship.
(15:01):
And anytime I get a chance to sit down and
do something I love or something I'm passionate about, and
I know what I'm doing, so I like to be organized.
Speaker 2 (15:08):
The rap shit is so unorganized, Like we can pull
up somewhere, that shake can cancel soon as we have
to back up. You're like, what the fuck?
Speaker 6 (15:14):
But that movie set is always there, a check clear.
That ship hit old time every Wednesday. It's like a
It's like an incredible not enough. I mean, like that's
what it's like.
Speaker 2 (15:24):
I just love it. I get on peace, I get
on time with my kids.
Speaker 6 (15:26):
I get to touch bases and do regular ship that
I don't really get a chance to do what I'm
on bow type of time. But when I'm on that
acting time, I love it because, like I said, I
get to do something I love, but also and just
bring a niggas so much peace and it's very very structured.
Speaker 2 (15:39):
I love I love ship.
Speaker 1 (15:39):
That structure shown it fucking me YEA when I seen
you all law and order.
Speaker 2 (15:44):
I lost time see us say one of them motherfuckers,
I said, what the fuck? What was he doing on there?
Speaker 11 (15:51):
Shit?
Speaker 2 (15:52):
I was.
Speaker 8 (16:00):
Said, Bull's like, you know, I was asleep and I
woke up.
Speaker 2 (16:03):
I seeing the nigga. I fight. I don't the lead
this cig. He's just not her doing shit, having too
much fun. Y'all, ain't out.
Speaker 6 (16:14):
That was probably the hardest active job I've had in
my career, and I wanted to quit too, because that's Look,
that's when I was hosting one on six apart and
I was doing c inside the same time. So I
was going coast to coast, like we'll film three episodes
in one day on one on six apart. Then I
got to give them the plane the fly six hours la,
remember lines be on point, be on Q just to
show CBS.
Speaker 2 (16:34):
But I can handle doing this and this.
Speaker 6 (16:36):
That shit was tough, like that was probably the most
toughest actor ship that I ever had in my career
thus far. I know it's probably gonna be some more
shit a head, but that shit was tough. Like I
remember calling my mama, like and check us out.
Speaker 2 (16:49):
It ain't all about the money. This ain't worth it.
Like stress, this shit killed me like I want to quit.
Speaker 6 (16:54):
It was like in an episode six, like if you
quit now, nigga, you ain't gonna never work in Hollywood again.
You can forget about that shit. They gonna get your
That's about it here. So she told me that I
have to pound through that.
Speaker 2 (17:03):
Mother.
Speaker 1 (17:04):
It's crazy though, like to see like when I really
think about it.
Speaker 2 (17:06):
I'm just thinking about it now, like the movies you
really being. I'll be watching them ships like I really
watched Roll Bounce.
Speaker 6 (17:13):
I'm going with that ship like for sure. As you
know every movie, y'all, I got my as like fast
for so bro, I got the best CD, A lot
lottery ticket I got last. I think Arizon was the
(17:36):
only thing out did. I got the whoops some masks
every year they always in this.
Speaker 2 (17:40):
You probably got the mas christ het he smoking little.
I mean he beat the main character. This why I'm
giving him the top reference. Hello Christ not he doing
ship for sure? For sure? For sure.
Speaker 1 (17:57):
Now you're talking about the hardest job we had it
how he was what's the funnest movie you grow?
Speaker 2 (18:01):
You have so far the funnest it's m ship. It
can't be like Mike. He was struggling in deep like
that I think grew up like the real life mind
(18:30):
I was.
Speaker 6 (18:34):
I was, I was.
Speaker 2 (18:36):
I was an orphan. I was an orphan.
Speaker 1 (18:38):
You know.
Speaker 2 (18:38):
You know the bad ain't here yet. But so but
to answer the question, I gotta say.
Speaker 6 (18:43):
Uh, fast and Furious as fun as a motherfucker, because
that was my first action that other did and that
was like some different type of ship, you know what
I mean.
Speaker 2 (18:52):
Like that's when I knew.
Speaker 6 (18:53):
I was like, okay, hold on, I'm finally tasting like
this Hollywood ship right quick, Like this is crazy for
me to be a part of such a big franchise.
And then we did justa Man was a director album.
That's what took on the pretty much carry the Old
Time franchise, and that was the third one, was his
first directorial debut. So I say fast, fastest fun and
(19:13):
it's always fun because that was to do crazy shit.
They blowing up ship, the sets be crazy like it's
it's lit.
Speaker 1 (19:20):
I fuck with Fast and Furious, but I ain't gonna
lie to last one. Had me fucked the when that
nigga helped win, when the rock hill the plane and
I say, all right, Fast, I love you to death, brother,
But look I don't believe that.
Speaker 2 (19:31):
God, bro, look, I'm gonna tell you what's keeping crazier.
Speaker 6 (19:34):
We ain't loved it filming it right, and and when
I got the script, I was like, Okay, I can't
wait to see how this shit gonna be. So we
get to the movie premiere and just being my manager,
we sitting next to each other, we watching the movie.
I'm like, Yo, did I really just say Lula Chris
and this nigga trace in our space?
Speaker 2 (19:51):
Like this ship has kept crazy like that star. I
was like, okay, we we we we take it to
another place, but we gearing up to do it again.
Know you gearing up to do it again?
Speaker 6 (20:01):
I think the next one gonna be the last one,
and then there's gonna be a lot of spinoffs from that.
Speaker 2 (20:04):
So I mean, you're not our friends.
Speaker 6 (20:05):
Listen, man, As long as time cruise, you get doing
these more fucking missions, and possible, we're gonna keep doing
these more fucking fans and fish.
Speaker 2 (20:11):
At some point the mission got to be what is
the mission? That's the thing.
Speaker 6 (20:17):
It's as ship we had twice dirty seeing eleven.
Speaker 2 (20:21):
Now they're gonna need to drive cars no more fast
and furious.
Speaker 6 (20:26):
Na it's different now, it's we like action, uh, stars
and ships. It is definitely transcend it past the street
racing element, you know what I mean. But you know,
I'm hoping that we can get back to that element
because it is a you know that underground street racist.
It is some serious ship. So it's definitely a big.
Speaker 1 (20:42):
Call from It was definitely obviously we know you first
off toured. I want to ask you, what's some of
the songs of the playlist when you know the crowd
really about.
Speaker 2 (20:49):
To go up? Ship? All of them?
Speaker 6 (20:52):
Oh yeah, all of them, all of them, especially like
the older Ship because you know, if you grew up
with a nigga that you know, a lot of cats
were saying it will bout like be Worried All was
the first album I ever got, you know what I mean.
So anytime I get a chance to go back it
with my arcop and do like the earliest shit, they'd
always back, you know what I mean, From the first
album to even like the mid adult bow Ship from
(21:16):
you know the like Yous and how to My Systems
and them floirts in the list, Get Damns and to
Take Your Home Too. We be all fucking day, naming
all that ship. But it's rial, it's real, you know
what I mean, Shorty ain't thinking about it. Everything bangs
pretty much, but it's all about you seek what's the
records though, Like people don't understand like it's all about
(21:37):
you can't just say, man, I'm about to do all
my hits and they just don't hit. Like that ship
got a flow. Like that's what PEO don't understand about tour,
Like you could say, I'm gonna like you after that.
I'm short that ship just don't. They might not coexist
well going back and back. So I gotta really be careful.
And I'm the one that's really putting my shows together
from the top all the way to bot. So anytime
you come to a Millennium Sword anything that I'm a
(21:57):
part of, anything I'm doing, that's me doing that shit
from the top to about that is hard, bro.
Speaker 2 (22:02):
Like I want to I wanted to ask, Bro. I
was confused, who found.
Speaker 6 (22:06):
You, Snoop or Snoop? So Snoop really was Really it
was Das. Das was the first one for the Dogs Tail. Yeah,
Das was because I was in Columbus. I was That's
that's where everything happened and I'm rapping at the Chronic Swor,
jump on the stage, crowd going crazy. I'm like five
years old, six d they throwing money on the stage.
I'm you know me, I dropped the mike nigga, I'm
I'm picking up. I'm like, yeah, I'm picking that up.
Speaker 2 (22:29):
We need that. I was on your side of the time.
At that time. I was hold on, there's no money.
They turned to a stripper. I couldn't get shipped at
that time, so anytime I saw the money comeing, be
picking that up. And then from there it was actually
they had a mission. It was A. J. Johnson who
played the Zailing Friday.
Speaker 6 (22:49):
He was the MC on the Chronic Swor and he
was like, man, I got this litt nigg out here
and there going crazy, and they was like you gotta come.
Speaker 2 (22:54):
You know, Das, you gotta take it to the back.
He needed to get me stupid Dota Drake. And from
there it was on.
Speaker 6 (22:59):
So somewhere back say his infamous picture and motherfuckers canna
look it up to be I think I was like
five years old. Snoop is like eighteen or nineteen. I
think Drake might be like twenty two. It was just
us three even pick up in the middle, and from
that day it was over. And that niggas say the
nigga dont name gonna be a little bow wow because
they was calling me a little stopper. My original rap
name was Kid Gangster and that nigga stoopid is like
(23:20):
nigga that don't fly it off.
Speaker 2 (23:22):
That's what it's terrible. Right.
Speaker 6 (23:24):
So he was like, everybody keep calling him a little
snoop and I want to have his own identity. I
don't wanted to go.
Speaker 2 (23:28):
Around to be a little snoop, but he is me.
But fuck that.
Speaker 6 (23:31):
I'm the big fouvel, I'm the big dog. He's a
little dog. And that's how ken the name gonna be
a little bow wow? That's gonna be you. That's all ye.
Speaker 2 (23:37):
That's a fire origin store or and everything. That's problem.
That's TRZ man.
Speaker 1 (23:41):
You've been listening five nigga. That's how long was you
went to Tim Counts Jersey thirteen? Okay, I hate that nigga.
Speaker 2 (23:50):
He had a razor scooter. Nigga.
Speaker 1 (23:55):
I can't even don't kick flip nigga. Fuck this bigga goto.
I would ask you, as you're talking about desography, what's
one song. Obviously with JD you a lot of great producers.
What's the hit that you passed on or you like, Damn,
I could have had that one. It's it's crazy because
(24:16):
Jermaine pretty much been like my my, my main producer
pretty much about my career. MEI for Real and episodes
I worked with Swiss Soul. It might have been maybe
a short time.
Speaker 6 (24:28):
In my career where I will started accepting the re
people like, let me be more open and than producer
Sydney Ship And I remember getting this beat and I
do this motherfucker, specially when herd the little the.
Speaker 2 (24:38):
Direction I do it. I'm like, all right, I'm gonna
go eat. But oh Ship.
Speaker 6 (24:47):
But for me, it was pretty much like U. When
I got this beat, I said, damn, and this motherfucker
so special. I said, I know it's for the ladies
and that and that's what I do, but it ain't
nothing really stinking like that.
Speaker 2 (24:59):
And I'm I just passed on the beat.
Speaker 6 (25:01):
Next thing, you know, about a couple of months later,
and I got two of these records too, and I'm
gonna tell you about but this one was Lotus Flower Bar.
That beat came to me and I just I remember
being in the studio for Average. I'm like, man, I
ain't nothing sticking, so my whole thing, I'm not a
forceful rider, like if it ain't nothing coming, like it's
supposed to come natural, like that ship posted to just come,
So don't nothing come to me.
Speaker 2 (25:21):
I'm gonna pass on.
Speaker 6 (25:22):
And I'm glad I did because for to go to
Miguelo and while lady did a hell of a fucking
job in the region swim sound you know what I'm saying.
And then the other one, this is gonna fuck yet up.
This is crazy Polo to don got the files and
this is my this is my brother. So I'm he
fucked up, and you know he fucked up on this one.
I go on the studio. He playing in this crazy
(25:42):
ass beat. It was like close to Christmas time. So
I hit Gucci.
Speaker 2 (25:47):
I'm like, Guccio, you need to come slop to the studio,
can do this.
Speaker 6 (25:49):
This ship Polo on this shit crazy And at the
time I'm coming on fresh as I'm in, it's so
much other ship. I'm like, I need this sound like
this is gonna mature me and grow me. Gucci, come
th do verse shit stupid. This nigga polo called me
on Chris to Z.
Speaker 2 (26:04):
Like I fucked up. I'm like, what you what you're doing?
Remember that beat I gave you a gua. I'm like, yeah,
I gave it to Wayne. I said, what it's like?
Speaker 6 (26:14):
He said, I forgot I'll be sending out so many beats.
He said, you gonna have to call tune and see
a tune. Not gonna fuck with it. So I called
Wayne and I said, ayo, this nigga polo gave me
this beat? What beat talking about?
Speaker 2 (26:27):
Uh? Be top about? I'm like, I'm much planning for you.
Speaker 6 (26:31):
Ah fuck with that to do. I'm so, I'm like,
all right, I go to shoot this movie. I turned
on the radio in New York COD ninety seven on
his blow up the Chumper like this December thirty first.
Speaker 2 (26:49):
Hit the Poto did that. Me and Gouci had it first.
She was stupid, so you nobody and wrote only the
thing Ross was on the record. So when I called tune,
it was like I reminded the nigga off the beat.
And then nigga went back and said.
Speaker 6 (27:02):
Hold on, nigga don't know and threw rose on that
bitch and called Polo like, Yo, Nick, I'm keeping this
stick in the spot there it is.
Speaker 2 (27:10):
That's so it's slaying through you on the Rabi stuff.
Nah man, Cause look, Polo, I was actually gonna use
it for the verses.
Speaker 6 (27:16):
I was gonna fuck Nigga's up on the verse when
I battle sold you, I was, I said, Polo, send
me the fucking record. It's gonna send it in there
through like it's crazy. And then Love one too, Me
and Meek in the studio working on the stays keeping.
Speaker 2 (27:29):
We had to beat first. Damn. You can look at them.
You can look at up on YouTube. That's Love on
YouTube right now. We had it first.
Speaker 6 (27:37):
Yep, be in Miami and the student working on to
be Together, Me and Meek. That's a record.
Speaker 2 (27:42):
Okay.
Speaker 6 (27:43):
So it's just crazy how like how these produced, like
how these beasts gets submitted.
Speaker 2 (27:48):
To artists and we all get them, you know what
I mean. But it's it's dope for me to even.
Speaker 6 (27:52):
Excel these stories because people it was like, damn, what
the fuck, Like what if that record wasn't what that
was like?
Speaker 2 (27:57):
You know what I mean. It's so many artists that
got them type of stories. That's what he canna leave.
Speaker 6 (28:01):
But them the main three that really really sticked like close,
and every time I hear the records, I'm like them.
Speaker 2 (28:06):
Ships still in my email too, can't pel you got
all of his stone? You got enough that, nigga, I'll
vote it niggas. Ship. I won't say, Sam, I want
the record though. It definitely was. It definitely was. And
of course like that, it's the first time you hear it.
Speaker 6 (28:20):
So any time you hear for the first time, that's
gonna be your your first judgment. But me, we we
went kind of crazy though, but I'm happy with they
turned away and turned.
Speaker 1 (28:29):
Out though Exafinitely, everybody's talking about the battle between K
and Dre, but the original battle back in the day.
Speaker 2 (28:34):
Some people was all skype, yes, sir, I'm a after that.
That was crazy. That was crazy when these niggas go,
these niggas. Then when he said here we go, he
was out the park, there we gone.
Speaker 5 (28:50):
You know what's crazy? I told somebody said, Yo, Jay,
you about to crack up. Remember how the video had
the sound effects, the thump, you know, edit that me.
Listen everything I love, Listen everything I love.
Speaker 2 (29:07):
I thought I was doing.
Speaker 6 (29:08):
Someone say about to edit this motherfucker. This shit gonna
be the hardest. I added all that ship. I was like, yeah,
but that was that was a funny time though.
Speaker 2 (29:19):
Well you see that now, like what do you think? Like,
I know you probably laugh. That be funny as hell,
but you you probably laugh, like you want to know
why I laugh so much? Because that was the stupidest
ship probably about the dullest ships that I The funniest
part was making funny. I was dag a funk serious
though like that that's just what makes it worse.
Speaker 6 (29:39):
I know, like I was dead the fun serious and
what makes it even funnier is uh, well I can
say it now. One of the guys that's actually in
the back is a brother of mine who actually happens
to be Chris Brown's management. So it's funny how how ship,
how time flies and how time really passes. But that
video will always be legendary. Though it will always be legendary.
(30:00):
That was a That was a that was a crazy ass.
That was a moment being soldier.
Speaker 2 (30:03):
We got a big ship. That's my dog.
Speaker 6 (30:04):
Shout out to Drake going one time on time for
one time. What's more classic that? Or the Battle Wow
challenge being a soldier, because that's a period you got.
It was you got, but so you had niggas going crazy.
I love how you embraced everything.
Speaker 2 (30:22):
No, bro, you know what happened though, or some real ship.
Speaker 6 (30:25):
It didn't affect me like that, because, first of all,
when I did it right, this real shit, you not
I folks.
Speaker 2 (30:30):
I'm gonna tell you.
Speaker 6 (30:31):
I'm in New York. I had to go to New
York and do press. So I'm on the plane astra fly.
So when I get to New York, my mama called
me and said, what the fuck did you do? And
I was like, what you're talking about? And I'm watching
the playoffs, I mean watching the plays talking about somebody
playing the fuck did you do?
Speaker 2 (30:47):
So I ain't do ship like so now everybody called
on my.
Speaker 6 (30:50):
Phone and so I'm gonna understand how big this sh
it was. And so I got back home that letter,
and I was in my basement. I was just shilling
watching the playoffs, and my fucking phone just kept going crazy.
Speaker 2 (30:58):
And then I saw a sloop.
Speaker 6 (30:59):
I'm like, damn mist control of me, fiddy a homie
fifty troll of me. So I'm like, okay, you'r niggas
play on me. Now we about to go get like
twenty plays this year. You'll niggas about to be fucked up.
Speaker 2 (31:07):
So you feel me. But you know, for me it
was just, you know, should that rappers do every rapper live?
If you don't believe me about that was that, you know,
I just got caught that day.
Speaker 12 (31:17):
That was a wow with that though, because I can't
wait a lie what we put n Moe right on
the side of that motherfucker.
Speaker 4 (31:34):
I want to ask, what's the artist, bro now or
the actor that you would love to do a movie
or a record.
Speaker 2 (31:41):
You want to touch baces with your move Holy off
the top down cheap Dawn.
Speaker 6 (31:48):
That's my favorite act of all. Tom don a musician
brit Or revised. I'm always like as like they can.
Speaker 2 (32:00):
That's always happened with an R and B sing on
the record.
Speaker 6 (32:02):
Now when I collapse, it's pretty much gonna do what
it's supposed to do. Then for me I think about going,
I don't even think. I think one of my honies
and you can told you like, yo, Bro, I would
to do it out with every R and E in
the game like you always win with that. All we
fucking was a t paint huok a Chris Brown feature
or the Marion feature.
Speaker 2 (32:19):
Motherfucker like whoever it is, bro like it just it sticks.
Speaker 6 (32:22):
I mean, that's why I'm glad I got one with
ya Queeze Man Traders, got onto a man trade, but
then the studio cooking up a lot.
Speaker 2 (32:28):
But brit fayre As is somebody who I really really fucked.
Speaker 6 (32:30):
But I'm a fan of his phusic and fuck what
he notics to broke, But he's definitely on the top
of the list, sure myself.
Speaker 3 (32:38):
Okay, have you heard about this?
Speaker 1 (32:40):
Last year, Degree changed the form left for their cool
rusty odor it, the fans rebailed and one of the
old sent back and Degree listen, and that doesn't happen often.
They admitted they fed up and are bringing the original
cool Rush sent back and it's exactly how you remember it.
Speaker 3 (32:53):
Cool Chris it fresh.
Speaker 1 (32:55):
There's a reason why it's the number one man's answer, persperate,
and it's back in Walmart, Target and other sources now
for under four dollars. So try and see what the
fuss is about. Head to your local Walmart Target and
try to og cool Rush for yourself. I don't even
have a question for it more or less a salute because,
like you said, you've been that niggas since we was kids.
We see a lot of people who grow up in
(33:16):
Hollywood grow up with and they don't always end up
the same as adults, right, But for you to navigate
to be who you are, that's though. But how was
that growing up with all that type of notoriety and
it's still having to be a regular person or.
Speaker 2 (33:27):
Shout out to my mama. I got a black mama,
so you know my mama Sharon Doll and shit. Yeah, yeah,
definitely having my mom in my corner that played a
big role. Yeah, you know what I'm saying, and to
my career and only that, but just for me, just
the basics on what you said.
Speaker 6 (33:42):
For me, I always studied the ones who came up
for me who fucked up. So I'll be watching them
like now the way not to do because if I
slip down that hole, that's what that's gonna be me.
So I'll be learning from motherfuckers making their own mistakes.
But you know, I give all credit to my mom,
so like without her, like she was like the launch
a pat into this shit, kind of prepared me mentally,
and then of course me having the legends in my quarter,
(34:03):
having a stoop, having that you bade dupre and just
you know, even a nelly you know what I mean?
Why I can sit it like a big Brothers visas
niggas that's gonna pull up and fight me if I'm
out of control, if I want.
Speaker 2 (34:13):
To internwn wild.
Speaker 6 (34:14):
That's why a nigga be on his best behavior in
this past couple of years because I understand what it is,
and I understand my brain, understand who I am, and
and it's take real big homies, a couple of em
and then bring your ass down here one time. I
let you know what you've been fucking up on it.
And I got a lot of people that love it
outside of the game. They here inside the game and
they don't want to. They ain't gonna let me. The
ain't gonna let me forever. So yeah, I'm trug I.
Speaker 2 (34:35):
Gotta tell her I have me And you had a
fun moment one day, of course like that. That's great.
But we was out one night in Houston. It was
me and you. I was playing with Boston. We was
in Houston. It was COVID time, nigga, I know it.
(34:56):
Two minutes that til when the maryor trying to kick
me out. So we had a good time. And I
was like this when I knew, Like, I was like, yo,
he a different famous. You know I'm playing on the
Celtics j T j B Autumn. Yeah, he was at
camp and I said, damn, he walked.
Speaker 1 (35:18):
Through and no offense, but like fifty girls ran behind him.
Speaker 2 (35:22):
I said, yeah, he's a different famous. They roll, they
roll with him. Fuck, I didn't know you brought up
to the poor out of see them running behind you.
And I looked at Jason. I was like, you got
a lot of money, but you don't got that. He
was like, I'm about to go get there. I got
shake that nigga head on my mama.
Speaker 6 (35:40):
J T came over to the sexy y'all there, Fuck y'all,
you pull it up, put up.
Speaker 2 (35:44):
I'll fuck with j T.
Speaker 6 (35:45):
And that's my dog man, Like, that's that's family. Even
you just breaking that up, man, And I wish my
boy is speaking recovery. So I told him, I told
him go over the big time, go fuck would even
check only why he's down, But that's my dog man,
And uh.
Speaker 2 (35:56):
That was that was a matter of fact. Was crazy.
Speaker 6 (35:58):
That was me a soldier boy the party to the
Millennium Tour. That was one of the craziest nights at
Camp Houston.
Speaker 2 (36:04):
For sure. That shit was crazy. It was going up.
I wasn't there for long. That's right. You left pee
somewhere right here? How did you get your hands sold somewhere?
He got about of the earth? I want to ask you, bro,
how did the Millennium Tours started?
Speaker 10 (36:21):
Bro?
Speaker 2 (36:22):
Who originated that?
Speaker 6 (36:24):
It originated? I'm gonna be real, Garrett, you know what
I mean. It all started with Gary. That's to promote him,
the BPC.
Speaker 2 (36:31):
You know Gary.
Speaker 6 (36:31):
They came up with this concept to uh, you know,
break back that vibe again, you know what I mean.
Speaker 2 (36:36):
The screen stort started with me. You know what I mean.
That's that's my.
Speaker 6 (36:39):
Ship, that staple, that stamp, that staple, And that was
the first and pretty much the Millennium So it was
kind of like the spinoff from that, you know what
I mean. And the first one was twenty nineteen with
B two K and I felt that, you know, it
wasn't my time to do it hit.
Speaker 2 (36:54):
I felt that the fans and me understanding.
Speaker 6 (36:58):
Her audience, that the beat who kre Reuni was their
time and it had to happen for them, and it
was I didn't want to take away from the moment.
Speaker 2 (37:06):
The moment was too big, and.
Speaker 6 (37:08):
I set it out and I just watched every artist
from that from our time just get the tweet. And
it was so pissed, like, man, why the fuck y'all
ain't called me? Why the fun I'm like, nigga, y'all
ain't bigger than be two K nigga. Let the girls
want to see, motherfucker be two K. These niggas only
come outside of me twenty five years together, so if
they could catch him one time, they gonna catch him.
And then I came out Marion, that brought me out
(37:28):
as a special guest. Shit with crazy, and that's when
they already they gotta call the dog, gotta call it dog.
Ain't no way you're doing anything Millennial without a Meal
or Chris Brown involved in that.
Speaker 2 (37:38):
Motherfucker. It's just it ain't gonna work like that. That's
a hunter, you know what I mean, Like talk a
little shit. It's true.
Speaker 6 (37:47):
We sold the most for Mama lineus. We got the
most hits out of the Millennial is Us too. And
I knew the car was gonna come, and when they came,
I took the opportunity. Then Mario came back and call
he cohead Live with You, And then Gary like we
got running back again.
Speaker 2 (38:01):
I'm like, dam then we go three toms in a row.
Speaker 6 (38:04):
Yeah, we going again. And that was with me, Trey
and Marion Rose and everybody else. And how this one
came about was, you know, I put the call on
the Trigger. I called Trigger myself because Trey was picking
the phone for niggas. He was not picking up the phone.
He was not edertain to the tour at all. And
Gary was like, Yo, I need you to put your
business head off and I need you to for this call.
Speaker 1 (38:23):
Man.
Speaker 2 (38:24):
I put the call there. I said, Yo, Trail, I
need you to the headline. He's a headline nigga.
Speaker 6 (38:28):
You handline this this show ship? I said, Nah, nigga,
I'm on some mother type of ship right now. I'm like,
I need you to do this. Uh, you know, I
don't got time for the for the ego ship. That's
why I fuck with Trigger, you know what I mean.
Just put some positive touches on my nigga. Nigga Solid
came on the tour to to stay rocked out. One
of the best Tom partners I think I ever had
(38:49):
in my career. Understands with with.
Speaker 2 (38:51):
It tape and and all, we can be able to
do this again. You need to running back.
Speaker 6 (38:56):
I can't bring me two k then ain't too farud No, No,
you got some ship cooking on the works. I can't
really speak on it too much, but it's something big
on down in December as as of now, something real
big on down post.
Speaker 1 (39:08):
Listen to.
Speaker 2 (39:10):
What's that nigga name over there? And I don't know
here you go, there, you go, niggers ain't ready for
no tour. Man, Hey, look, believe it or not throwing
out here. It's just shoot and ship.
Speaker 13 (39:24):
That nigga low key is like the motherfucker very smart
with to come into finish stuff like for show you
the mother fuck that's in the office with Gary and
putting this ship together though, So I gotta give it
to I give it the rats on that point.
Speaker 2 (39:37):
Now let me have that. That's fool.
Speaker 1 (39:38):
You play that, then y'all don't watch these two niggas
that moving tonight.
Speaker 2 (39:45):
Man, that's a while backcourt. That's right.
Speaker 1 (39:49):
So now speaking of your family, you gotta address for
your cousin put some smut on bout wild name man,
your cousin Orlando.
Speaker 2 (39:57):
That's my feeling for real, that's real, that's real cousins.
That's like fine. So he be tripping the time, Nigga,
that's cousin, cousin. That's fat. He said he was, and
(40:17):
I think it was skaking. Listen, man, he he'd be wild.
He trying to go wild. That's my cousy. Excuse my family.
He has mistakes of life. No battle niggas fade with Orlando.
I'm trying to save you. I know his niggas. Bro.
Speaker 8 (40:41):
If y'all see my cousin now you biggest, he know, Bron.
Speaker 2 (40:44):
Don't beating the many nobody anticipating. He betweet. He ain't
the fact that I know he told me he was
gonna beat me here one day, I said, Ron, you
gotta me his as family. I ain't gonna lie right
(41:04):
the first time, I said, Man, I want to know.
I want to fund so bad on Shi was me.
I swear to God.
Speaker 6 (41:09):
I always hot at first, and then I'm like, what
am I gaming out.
Speaker 2 (41:12):
Of this ship? Like he beat tw Bro, don't worry
about I'm like, what am I gonna gain?
Speaker 6 (41:15):
Out of nothing, Like it's like he's gonna sue me,
like i'p getting nothing.
Speaker 2 (41:20):
Out of that ship.
Speaker 6 (41:20):
And then I feel like the people this man, you know,
that nigga crazy fuck about you get no points off
that nigga.
Speaker 2 (41:24):
Like so it's like a lose lose either way it goes.
So I said, some ship, you just gotted to let
less ship slide. But that nigga keep playing it.
Speaker 14 (41:31):
I'm a polo, I'm a pologiya playing Shah.
Speaker 2 (41:37):
Get him my lad Joe. I'm gonna call him the
knife Man.
Speaker 8 (41:44):
Over man.
Speaker 2 (41:46):
He really gonna he really gonna beat my nigga up.
Speaker 9 (41:49):
And it's like, I wonder, all right, he said, well,
I'm letting the spot. I'm calling the knife Man against nigga.
Speaker 2 (42:00):
Say one more things. You seen it grabbed the Michael.
That nig coould be tripping. But you know and honestly
know the nigga.
Speaker 6 (42:09):
The nigga really talented though, But I said, it's race thick,
you know what I'm saying, Like the nigga's really funny.
Like I just feel like if somebody really got a
nigg a real opportunity and put him in a situation,
a real active situation that hell Sean or a real
movie role.
Speaker 2 (42:22):
I want to a fight, just anything, you know what
I'm saying.
Speaker 6 (42:24):
I always said that ship because if you know, motherfuck,
it's not too funny.
Speaker 2 (42:27):
Though it was actually funny. I gave it to get
my nigga together and may your cousin. You you're talking,
we get him together. Second cut through marriage though, just
keep it real, so don't count no's go ahead, what's
(42:55):
I don't know?
Speaker 4 (42:58):
No, I don't want to talk you you about hooping though,
bron do it?
Speaker 2 (43:03):
Like? Did you play coming up? Was that one of
the things you Yeah, sports was first? Sports was first?
You know what I mean? Just going up to Columbus.
You know, we got the gust backer out there.
Speaker 6 (43:13):
I know y'all know I'm playing in the gust back
a couple of times. Going up from there, we got
we got spacked up. We was terrible and I was
famous too. That's like first ibum about I went back
to the city, got of that ship. We got like
are so hot as fun? You know how that ship
is like a quarks they give you a map. You
gotta try kate court like it was just too much.
(43:34):
But growing up for show like basketball was my everything.
Like I honestly felt like, damn, I I had a chance.
So I said, damn, the nigga is almost grown, and
I just stopped the brawl. It's just it's just not
gonna happen to me. And then uh, I watched I
saw Cherry Maguire and I said, I know I can't
play the game. I could play, but I said, I
know I probably can't play physically, but I want to
be a part of the game somehow, you know what
(43:56):
I mean?
Speaker 2 (43:56):
And I said, damn, I want to be a sports
agent for sure. Who was of the coldest entertainers hooped up?
Speaker 9 (44:05):
What right?
Speaker 2 (44:07):
Prince?
Speaker 6 (44:11):
Hey, I don't know, y'all probably heard stories. I hate
to keep Oh what's I hate to keep bringing this
nigga name up? But the first person because I could
say so many people that she was like this. Ah yeah,
well we know he could play a bro that nigga
Kelly could play.
Speaker 2 (44:25):
He good that. I don't care what nigga. Hey, R
Kelly is the greatest every from the shop? Hey, is it?
I mean Robert Robert did that ship? R Kelly?
Speaker 1 (44:37):
Yo?
Speaker 2 (44:37):
Let me tell you something of the stated on. Hey, look,
this is a lady.
Speaker 6 (44:40):
I know this shit gonna go everywhere because I don't know,
nobody even told the story. I remember one time, it's
a funny ass ship right this nigga.
Speaker 2 (44:48):
So this nigga Chris, right this nigga called me the nigga.
Speaker 6 (44:51):
Brow Brow called me, Like, yo, bro, what you're doing
this weekend? I said, nigg I got a studio session
with R.
Speaker 2 (44:56):
Kelly. That nigga Chris never met kill. So he like, ship,
I'm free, nigga, I'm coming this go, i gonna come
fuck with y'all.
Speaker 6 (45:04):
Man, I'm I would have I want to meet it like,
I'm like cool, come on, come down.
Speaker 2 (45:10):
We're working on I'm a flirt. So the nigga kills.
It's probably like one in the morning. Nigga like we're
going to the Jim.
Speaker 6 (45:17):
We're about to be about play bassketball right now, we're
about to go to that shop.
Speaker 2 (45:23):
We really go to the chim. It's probably two in
the morning.
Speaker 6 (45:25):
I swear to gud I never seen niggas play five
oh five, but it was like playing five oh one
because every time a nigga got the rebound or kill.
Speaker 2 (45:32):
Seams pastor the kills passa kills passing the kill.
Speaker 6 (45:34):
Every time one of these niggas gonna rebound, you had
to pass the ball to r of my line.
Speaker 2 (45:40):
You got to pass it to this nigga.
Speaker 6 (45:41):
And I'm talking about this nigga is walking up the
court shooting from half then niggas rebounding it.
Speaker 2 (45:47):
If you get it again, they kicking it back out
the art killer like, no way shooting you. He said,
I know, is that?
Speaker 6 (45:55):
Yeah said you can listen, Jill, I'm talking about the
pool like like me and this nigga, Me and this
nigga breezeing me in this basis, like y'all, nobody gets
shoot on this nigga team but him.
Speaker 2 (46:13):
This nigga's incredible. But he wanted to topic and making
with ship though that's what.
Speaker 7 (46:20):
Yeah, so he going crazy right now. Yeah, and if
he did miss now saying it like that, excuse this nigga.
Speaker 4 (46:34):
Man, They no no funny ship though, how is that
working with him to the studio because we don't get
no all killing stories at all on our ponds.
Speaker 2 (46:42):
Man.
Speaker 6 (46:43):
The niggas are the musical chanz bro like you know,
shout out to a little Ronnie. He don't one who
produced same girl. And he did on the flirt for us,
and you know what I mean when he did the record,
he was at the house and I was stuck like
a kid, like sometimes as writers and rappers we get
writers block. He writes so much Ship that she'll start
to breath right the same, like what the fuck?
Speaker 2 (47:01):
So I took a break. The nigga kills called like
like what you're feeling.
Speaker 6 (47:05):
I'm like, man, Ship, I know it's got to be
for the ladies, Like it's me and you like, it's
got to be for the ladies.
Speaker 2 (47:10):
I got you give me, give me like fifteen minutes.
Motherfucker call back and go it's a boy. And I
was like, what nigga Like he said no, no, no, no, na,
but it's a boy. It's a boy. I said what
he said.
Speaker 6 (47:25):
We got ahead and the subot me the nigga press
play on that motherfucker boom it was on my flirt.
Damn no cap Like in ten to five minutes, the
nigga did the hook, set it back and the rest
of system.
Speaker 2 (47:38):
It's just hard, bro. She thought he was with a
lot of people. Bro, get tons of people. Tons who
the hardest worker?
Speaker 6 (47:45):
You the s the hardest work, right, I seen in
the studio or like the hardest person to work with,
the hardest working period over this question. Actually, we don't
want you to tell on on that box. I would
probably say the motherfuckers that live in the studio. Jermaine Dupre,
he lives in the studio. Wayne time I spent that
(48:08):
cash mon, Uh, Wayne is very reliable. You can you
can rely on Wayne. When I was at Cash, one
of his room is room A. I'm roll c. If
I'm working on some ship, I can go right out
in the parking lot, walk right over to the other
right ahead factory, give it a tool. Hey, I need
you on this. We ain't gonna question it. He ain't
(48:29):
gonna he only gonna says this is Jo say less.
He gonna find it. So I swear to God that
nigga gonna walk that bitch right back over to you
in ten minutes. And it's gonna be probably one of
the Thewest verses you probably ever heard. At least one,
oh who else go crazy in the studio. Chris Me
and Brown kind of worked saying like we gotta have
(48:51):
some party going on, like you know it.
Speaker 2 (48:52):
Ain't just like him, yeah, like like like our shiit
is different, like Wayne ain't. Wayne ain't partied in the studio.
Hold on, Bell, I don't want to fuck up this story.
We'll go ahead and say what you was trying to
say her mother Hendricks experience.
Speaker 7 (49:07):
Well say that first nigga do saying like this is
Chris Brown and I ain't telling them what these niggas
is doing.
Speaker 2 (49:14):
You're talking about this like you, I don't want to
know this. I just seen some reports out today.
Speaker 14 (49:21):
Here.
Speaker 2 (49:22):
What's the vibes though? So y'all got ladies in there?
Speaker 6 (49:25):
Yeah, it's just I think for any artist that's a
part of the life side, I really live a culture
that really live and heat and breed this ship and
we do from the night life experience to being on
stage to just really inherited would come with this type
of ship, this energy Me and Chris and and you know,
a drizzy it's certain.
Speaker 2 (49:41):
Niggas that got that fan base. You know, my god, No,
them niggas got motion, like just straight motion.
Speaker 6 (49:46):
And our studio sessions reflect that it's hard for me
to make a female popping club record without with just
being my engineering there, like we can't do this, and
the women be letting me know, this is what she
ain't gonna let me know just about them vibing and the.
Speaker 2 (50:02):
Drinks going around and they repeat certain ship. I'm like,
oh yeah, we got us one.
Speaker 6 (50:06):
You look at all look at all twenty of them,
every twenty, look at all twenty to look at it.
Speaker 2 (50:10):
They dancing and hooka going and ship they fucking with
this on the Hendrid experience. Don't be like that all four.
So all four were to all right, So I'm from
the guy. Don't worry the.
Speaker 6 (50:22):
Talk after this, you know, but you're thinking you gotta
have them, you gotta have them vibes, man, So you
know that's that's just me. I can't you know, certain records. Ye,
I don't want nobody in the super with it, but
I'm about to get it cracking and make some popping
ship like A used me to track me a brown guy.
Speaker 2 (50:36):
Yeah, it's hooga going on.
Speaker 6 (50:38):
His nefix shots going on, and it's just a vive
like which is vibing?
Speaker 2 (50:41):
No for sure, show definitely appreciation for real, Yes, most definite.
Speaker 1 (50:46):
One time makes a noise about while pulling up to
the city one side, man, we outside that right, we.
Speaker 2 (50:52):
Outside now where we might be here? Yeah? Move in?
Help me though, are you coming out tonight?
Speaker 3 (50:57):
Yo?
Speaker 2 (50:59):
A camera for ship? I think so you want good?
That ain't good? Said you had twenty follows with you now,
But that's a meat on that. Ain't like you're just there.
You're not a feather flock together. I got.
Speaker 14 (51:23):
And when a nigga do this and the boy you like,
I like being there, Gott you got a millennium to her.
Speaker 2 (51:35):
I'm just I want to be out. She's gonna be
out way. So so that was bullshit.
Speaker 1 (51:39):
We outside the night Listen. We appreciate y'all. What's time
for boost smoke, and we appreciate y'all for spots back. No,
I appreciate y'all for having the ady sports for the
love and the black Horses were.
Speaker 2 (51:50):
About to start up.
Speaker 1 (51:51):
The rest of the time, gotta enjoy yourselves. Get some
drinks hill at the bartender to day string.
Speaker 2 (51:55):
Let's get it
Speaker 1 (51:57):
The volume
Host
Shannon Sharpe
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