November 19, 2024 • 64 mins
It’s a clip show! This week, Danielle and Millie venture through past episodes to find and discuss some of the funniest, sweetest, and most deranged clips from the entire ‘I Saw What You Did' catalog.
To see a full ISWYD movie list, check out our Letterboxd here:
https://letterboxd.com/isawwhatyoudid/films/diary/
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Episode Transcript
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Speaker 1 (00:10):
Hey, everybody, welcome to another episode of I Saw What
You Did. My name is Millie to Jericho.
Speaker 2 (00:16):
I'm Daniel Henderson, and we are here.
Speaker 1 (00:20):
This is gonna be a fun one, right.
Speaker 2 (00:23):
It is our penultimate episode.
Speaker 1 (00:26):
No, this is exciting. We did so we did something
like this, like after our first year. We did kind
of like a look back on our favorite moments, and
so now we're doing it. Except it's now the entire
podcast run and I have not heard some of these
episodes since we recorded them, So I am excited to
(00:50):
kind of go back and revisit some of our fames.
Speaker 3 (00:55):
I'm really psyched. I think that when I was picking
my clips was I didn't have time to go through
from the beginning and just listen to every.
Speaker 2 (01:06):
Full episode for the last four years.
Speaker 3 (01:08):
So I just thought of the ones that made me
laugh the hardest, or the ones that were thoughtful or
just tried to remember, oh yeah.
Speaker 2 (01:14):
This episode that was really funny.
Speaker 3 (01:16):
So I picked clips that were based on things that
I remembered on the show that I've always made me
think or laugh.
Speaker 2 (01:24):
Yeah.
Speaker 1 (01:24):
No, yeah, me too. This is gonna be super fun. Okay,
So what we're gonna do is we're just gonna kind
of set up that we're gonna probably tell you what
episode it's from, just in case you want to go
back and listen to the actual full length episode. But
then we'll play a little bit of the audio, which
again I said, I think it's gonna sound We're gonna
sound different. I don't know. I feel like, yeah, especially
(01:45):
early days, we were in a different headspace, different fact
there was like COVID happening in a major way, and
maybe we'll hear the stress of that in our voices.
Maybe not, we'll see.
Speaker 2 (01:59):
Well, I'm excited to jump in.
Speaker 3 (02:01):
Yes, that was like, it'll be a fun episode and
we're gonna start way back episode eight. The episode title
is drop a Pin. It's the episode where we discussed
the fly and seconds, oh boy, this is a clip
that we've chosen to discuss. So he kind of shows
Ronnie to the Geena Davis character. He shows Ronnie his
(02:24):
experiment with her on her stockings and she's like, ooh,
what happens when you send something living through there? And
he's like, I'll show you, and he puts a babboon
in the telepod, sends it through and again iconic scenes
in this there are at least two, maybe three iconic
images from this film. One of them is he sends
his baboon through and in the haze and smoke of
(02:44):
the teleportation, you just see like a bloody hand hit
the door screen and then like kind of slide down.
But then here's the thing that fucked me up. The
next thing he sends through is a steak. Why didn't
he start with the steak? And who keeps giving him
all these fucking baboons? Can you not start with the
flesh of a steak?
Speaker 1 (03:05):
I mean, presumably he lives in it's like a warehouse
or a loft or something like that. It's these baboons
in this uh warehouse.
Speaker 3 (03:14):
With night, Like, how does he get these fucking Like
if you come to me and you even need three baboons,
I'm gonna be like, dude, what are you doing with
these baboons?
Speaker 1 (03:26):
I Like? So that episode was we had this tradition
on the podcast where we would do like a New
Year's episode and it was called New Year, New Me.
And every year we did it, it was like, and
how do we, you know, play, how do we figure
out this like concept right of like changing you know
(03:50):
a lot of times it was about like people's bodies
changing or sometimes they were teleporting through time and you know,
like becoming children again and stuff. But yeah, this was
I think our first one, our first dip into the
New Year episode, and we picked two bangers for sure.
Speaker 3 (04:10):
And it's legitimate questions, the kind of questions that you
can only consider years later after first watching a film.
Speaker 2 (04:18):
Is who's given him these bad boons?
Speaker 1 (04:20):
Yeah, and that's that's I think a question that I've
always had generally is how do scientists working in the
home procure wild animals for their experiments? Certainly there's laws
against that, right.
Speaker 3 (04:35):
Good just a glimpse of a taste of our thought
processes and personalities.
Speaker 1 (04:42):
Yeah, absolutely, Well, so this second clip comes from this
episode that I believe, like when we recorded it, I
was like, this was so fun, and then a lot
of people responded to it, so I felt like, you know,
we really like hit the nail on the head. But
it it comes from episode eleven. The name of the
(05:03):
episode was called Freddy the Krueger, which I don't even
remember why we even named it that.
Speaker 3 (05:10):
You said at one point Freddy the Krueger, and we
just you know, of course, focusing ran with it Freddy
the Kruger.
Speaker 1 (05:16):
Like Megan v. Stallion. But the movies that we did
were Graveyard Shift and should and I think it was
called from Beneath You It dwells.
Speaker 2 (05:27):
It wasn't that devours.
Speaker 1 (05:28):
It devours, That's right, It's like subterranean creatures.
Speaker 2 (05:32):
And listen.
Speaker 1 (05:33):
I don't know where they found all these rat actors
to be in this movie because they look like they're
acting in a menacing way.
Speaker 3 (05:43):
Completely. There's that one. I was like, I want to
ask you, like, which which rat are you? Are you
the rat that like casually is into the bloodied up
cotton ball just eating that, or are you like the
chomping on a cigarette rat? Like these rats are trained
to do some stuff I've never seen.
Speaker 1 (05:58):
I swear to god, they should have all been nominated
for like some kind of Screen Actors Guild reward. Because
they were like the part at the beginning where they're
like lined up on the top of that wall. I
was like, damn, these are good acting ass rats.
Speaker 3 (06:13):
Man.
Speaker 2 (06:14):
They had like facial expressions.
Speaker 3 (06:15):
It was looked me like one of them.
Speaker 1 (06:19):
But the weirdest thing is that one of them looked okay,
like he was chill, But then the next one would
look super fucking mean, and I'm like, how does that
work out?
Speaker 2 (06:27):
Like, oh no, and they are fucking professionals. I feel it.
I feel it.
Speaker 3 (06:33):
I want to know who train you? Who train you?
Who was at Pizza redet? Is it like a lineage?
What's going on there? Like the guy like his dad
was in Graveyard Shift and your dad was in Graveyard Shift,
but your pizzare at.
Speaker 1 (06:48):
They're like the great like the Barrymores, the Houston's. You know,
it's like this lineage of actors, right.
Speaker 3 (06:59):
I felt like that was an important one to pull
out because we have a lot of long running jokes,
yes inside jokes, and if you never heard the origin
of the rat actor's joke that we made continuously throughout
the four years of this show, that is where it started.
And it just always makes me laugh to think about
you listing off the Baramore.
Speaker 1 (07:20):
Well, it's like, to this day, I have not found
out more info about those rat actors, like like I
want to know, like who owns them? I mean, listen,
I watched a whole ass documentary about the butterfly bug
guy from Silence of the Lamps. I was like, certainly
we can find the person who owned these rats and
(07:42):
trained them to have different facial expressions in a scene like.
Speaker 2 (07:46):
He did anyone even own them? Where they did? They
just show up and they're like, we need some.
Speaker 3 (07:51):
Rats, and a bucket of rat showed up and they
all knew.
Speaker 1 (07:54):
What to do. I was so impressed by those.
Speaker 2 (08:01):
You and me both. Now. Our next clip comes from
episode fourteen.
Speaker 3 (08:08):
The title of the episode is Sexy Living in mid Air,
which is a Millie specialty that again we referenced tons
of times on the show. The films that we discussed
were Shame and Lover's Rock because we're focusing on the director,
Steve McQueen, and Shame kind of ruined Millie's life. That's
all right, But this clip explores something else that was
(08:30):
pretty consistent in our podcast. Does our podcast need to
come with a disclaimer about how we keep subconsciously picking
movies with full frontal.
Speaker 1 (08:44):
This is why we picked it.
Speaker 2 (08:44):
No, I'm kidding, but this is like out the Gate.
Speaker 3 (08:47):
Like the first thing you see, aside from him kind
of sprawled out in ben in this really beautiful shot,
actually is him just walking around his house, just naked.
Just Wang's a fly in so I don't know, maybe
think a little bit more deeply about us.
Speaker 1 (08:59):
The thing that I did notice about this tendency of
him walking around naked in his he is that he
lives in one of those apartments with no window coverings
on a high rise, which I call sexy living, where
you're like in a city and you don't have like
shades or drapes or anything, and you're just kind of like,
(09:21):
I'm so hot and successful, I'm walking around make it,
living my life with no fucking privacy. I want you
to see.
Speaker 3 (09:29):
It, and I'm just it's guys, it's such an exhibitionist
approach to life that I do not have.
Speaker 2 (09:37):
I'm the exact opposite. Like, give me those like thick
Victorian drapes.
Speaker 3 (09:41):
Yes, I want to put drapes over every reflective surface,
Like get them on the microwave.
Speaker 2 (09:46):
I want drapes.
Speaker 1 (09:48):
It's like when you watch episodes of The Crown and
you see like a one person coming in and opening
these heavy ass fucking queen drapes, and I'm like, that's
how I live. I can't live sexy in the air
like that. That's just too crazy, Okay.
Speaker 2 (10:02):
I can't live sexy in the air like that. Is
the title of this fucking episode. We're not sure sexy
in mid air? Is it? Oh? God?
Speaker 1 (10:14):
Still true? Still true, I'll know about you.
Speaker 2 (10:17):
Absolutely true.
Speaker 3 (10:19):
Although I am sexy living in the woods, I'm always
Donald duck.
Speaker 1 (10:24):
In it with no curtains, is what you're saying.
Speaker 2 (10:28):
No curtains.
Speaker 1 (10:29):
Okay, that's fine.
Speaker 2 (10:30):
There's nobody around.
Speaker 3 (10:33):
I can't put up curtains because every window upstairs in
my house is a fucking skylight.
Speaker 2 (10:38):
It's on an angle.
Speaker 1 (10:39):
Yeaheah, yeah, but there's nobody around who's gonna watch, Like,
no one cares.
Speaker 3 (10:44):
And even even if they are watching, it's like, well,
knock yourself out.
Speaker 1 (10:49):
No, I'm talking about I think when we were doing
the episode, it was really about like, I mean, he
was living in a major metropolitan area with no curtains.
Speaker 2 (10:57):
He's living in downtown New York. Yeah, just weigh out.
Speaker 1 (11:01):
No no covers, no blackout curtains. I was like, damn, man,
Like that is confidence. That's a rich guy confidence. That's
a big dick energy situation, right it truly is it?
Speaker 3 (11:17):
Just it brought up an interesting concept that I'd never
considered sexy living in mid air.
Speaker 1 (11:23):
Again, I have to like that whole conversation was really
inspired by my friend Will Tait, who is an obsessed
listener of the podcast. He loves Danielle more than he
loves me. I've talked about this many, many times where
he's like, yo, I just straight up like your friend
more than you at this point. She's funnier, she's smarter,
(11:46):
and I'm like, yo, you're not wrong, but you know,
see yourself. You don't want to tell me about it.
But he he's the original sexy living in mid air guy.
Because I went to his high rise apartment in downtown Atlanta.
He lived on like the nineteenth floor and he's a lawyer.
He got it like that. And I was like, there
(12:06):
are no curtains on any of these windows. People are
just looking. I was like, people are just looking at you.
And he's just like, well no, it's like you know whatever.
And I'm like this is bold, Like I could not
live like that. It's crazy.
Speaker 3 (12:20):
This goes also to what we talked about in our
last episode about wealth.
Speaker 2 (12:25):
You get so wealthy you don't need curtains anymore. You
got no shame.
Speaker 1 (12:31):
Yeah, there is something to that point. My friend Will
is disgusting capitalist who makes people watch him live. Not kidding,
but but yeah, that was what made me think of
this when we were and plus we'ves talked about Michael
Fassmander so much on this podcast. I feel like he
should be like a third co host.
Speaker 3 (12:53):
It's between Modene Fastbender, Yeah, and probably one other person
that I can't think of right now.
Speaker 1 (13:00):
Gregory Pack Perhaps we talk about it.
Speaker 2 (13:03):
I cannot believe we didn't pick that clip.
Speaker 1 (13:05):
For the there's so many there's so many inside jokes.
Speaker 2 (13:11):
I think we did pick it for the first year though, right, Yeah.
Speaker 1 (13:13):
I think we did the first year.
Speaker 3 (13:15):
Yeah, which, by the way, ever since like you revealed
that you love a high ass Gregory Peck, who's dick
you would destroy, people.
Speaker 1 (13:25):
Send me Gregory Peck me. It's like they say them
to me. And I was like, now we've become so
affiliated with the high ass Gregory Peck vibe that people
like sending me, you know, slow motion fan edits of
him like trapesing through with like a hot look. I'm like,
(13:47):
damn he is.
Speaker 3 (13:48):
And his ass is already always next to somebody's ears
because he's a high ass man.
Speaker 1 (13:54):
He's got that hot donk. So our next clip we
pulled speaking of classic Hollywood. Uh this was from episode
twenty five. We called this a gangle jangle dance, which
is definitely you. You said that term, the gangle jangle dance.
Speaker 3 (14:16):
That's what Baby Jane looks like to me on that stage,
does gangling and jangling.
Speaker 1 (14:22):
And this was an episode where we did Hereditary and
whatever happened to Baby Jane Hereditary, which fucking detroyed me.
Speaker 2 (14:35):
Like life ruining, ruined my.
Speaker 1 (14:39):
Life in a way like this was like one of
the classic moments where you just fucking made me watch
some shit that gave me nightmares for weeks. But ah yeah.
Speaker 3 (14:51):
It also it set the precedent for I set a
bar for comparison for the podcast of how much did
this movie fuck you up? Was at Hereditary level or
higher or.
Speaker 1 (15:04):
Lower absolute tone setting.
Speaker 2 (15:09):
I can't believe you watched this movie with your mom.
Speaker 3 (15:11):
That is still I'm never gonna stop cracking up about this.
Speaker 1 (15:15):
I know, I truly went in blind, like I had
obviously heard of this movie. I've obviously heard about ari
astor you know, I remember when Midsummer came out like
it was all the rage, But I truly didn't know
what this movie was going to be about like I
just thought, Okay, well Daniels picked it for this theme,
(15:35):
so I might have an inkling, but let's just watch
it with my mom and see what happens.
Speaker 3 (15:40):
And hmmm, yes, what happened was your mom now has
a lot of questions about this podcast.
Speaker 1 (15:50):
She's said that, yes, I don't know why she does
this podcast at all.
Speaker 3 (15:56):
She loves you, she supports you, and now she's deeply
worried about you and probably me too.
Speaker 1 (16:02):
Yeah. I mean it's so funny because, like she this
was when we record this episode, I was like living
in their guest bedroom, right because it was COVID And
you know, I have not lived with my parents since
I was like seventeen years old, right right because the
moment I was able to, I left their.
Speaker 2 (16:21):
House absolutely, you know what I'm saying, Like I.
Speaker 1 (16:25):
Was gone when I when I could be gone. And
this was the first time that I had lived with them,
like for an extended period of time. And it was
really interesting because it kind of got me back into
like noticing just their habits and what they do with
their spare time. And I realized that my dad goes
(16:45):
to bed at like eight pm. Hero, Yeah, he's he
went he plays golf so much that he basically gets
up at five o'clock in the morning, so he goes
to bed really early. And then my mom is the
night out. She stays up really late, and she watches
movies that a lot of times she's watching like action
ship like John Wick. Uh you know, she watches you know,
(17:07):
whatever like stuff that's like she likes action and sort
of drama and that kind of stuff. And then there
were been there were times where, uh, you know, I
would tell her like, I gotta watch this movie for
the podcast, do you want to watch it with me?
And she'd be like, okay, sure, And so yeah, I
put on Hereditary and she was just like what is this?
(17:30):
She could not she couldn't like the part with the
daughter and I think you know what part I'm talking about?
Speaker 3 (17:36):
Yeah, like what and that is so early in the
movie that you're like, what else could happen? Oh?
Speaker 2 (17:48):
I just I love it. Your mom is the real
third third co host of the podcast.
Speaker 1 (17:51):
Yeah, we got to get a round table with Michael
fastben Er, my Mom and well relaunch a new podcast
and I don't know call it the.
Speaker 2 (18:00):
We'll call it sir. Why is your weigh out.
Speaker 3 (18:05):
Your mom asking actors why they're doing full frontal God
bless or it could be called what's wrong with you?
And she's just questioning directors like Ari asked her, Yeah no.
Speaker 1 (18:17):
And that's the thing too, is like he's so famously
his movies are so famously about mom issues that I
was like, Okay, don't watch his movies with your mother
if possible. Oh my god.
Speaker 3 (18:29):
Well, well, the next clip that we picked out is
a little bit more gentle. This comes from episode twenty seven,
the title of which is pour one Out for Miss Havisham,
where we discussed stand by Me and Deliverance.
Speaker 1 (18:45):
That scene that you talked about with Gordy and Chris
like that, I was crying my eyes out.
Speaker 2 (18:52):
I was a mess around.
Speaker 3 (18:53):
This is a part of the fireside conversation too, is
like when Teddy and Verne go to sleep, Chris and
Gordy have a conversation because Gordy's father has earlier said
that he doesn't want Gordy hanging around Chris because he's
bad news. And he stole the milk money, right, and
then around the fire you get the other side of
that story, which is Chris did steal the milk money
because he's you know, he's a little bad ass, but
(19:15):
he brought it back and the teacher didn't give it in.
Speaker 2 (19:19):
She bought herself a new outfit.
Speaker 3 (19:21):
And so he's now like this town pariah and he's
just crying and it's so evocative, like he really starts
weeping about this. He's revealed a layer of the adult
world and it has devastated him.
Speaker 1 (19:38):
Yeah, and River Phoenix, my god, it's like he is
he was truly conveying emotion in that scene. Like it
doesn't feel like a fake kid actor cry. It feels
like somebody who is way more sensitive and intuitive beyond
his years, Like just such a good actor and at
such a young age. I mean, it's just it was
(19:58):
really incredible. It really hit me this time just how
talented he was. But then all of them are. Then
they're all talented, you know, as children, they were incredible actors.
But I mean that scene really just wrecked me. And
I was like, oh my god, these sweet babies that
are you know, having these big feelings and I just
(20:20):
I want to hug them.
Speaker 2 (20:21):
All, you know, I completely agree.
Speaker 3 (20:23):
And it was they do that like high pitch little
kid cry thing where they're talking and squeaks, and it
went right to my heart. And it also reminded me
a little bit of the Steve McQueen episode that we did,
Sexy Living in mid Air, and how Steve McQueen in
his own life talked about how there were so many
boys who were pushed aside into these parts of school
(20:44):
that were meant for kind of a more remedial life
and weren't even given a chance. And it just reminded
me of how often that happens, and how you can
condemn someone at childhood essentially, is what Steve McQueen was saying,
and I could see that here and it just really
made me so sad. I love that episode, and I
think that one of the reasons I picked that clip
(21:06):
is that, yes, we have fun, Yes we laugh a lot,
but we also do such great critical work on this show.
Speaker 2 (21:15):
And it's a nice mix. To me.
Speaker 3 (21:16):
It's nice to remember that we've had such a mix
of opinions and of you know, of films themselves that
we brought to the table and you know, put together
in these strange ways, possibly because of the theme we picked.
But we're smart sometimes.
Speaker 1 (21:33):
Yeah, no, I listen, I think I've said this before
I think that not the tout our own horn, but
we are. That's why we're doing this. We I think
have we've done a different thing with this podcast from
I think a lot of other film podcasts perhaps, or
(21:54):
at least when we started. I mean now I think,
you know, I don't know if we ushered in a
new era of film podcast criticism perhaps, but like, we
really are obsessed with characters within the context of a story, right,
And I think part of that is because I mean
(22:15):
you more than I, but we're both writers, and we
both love books and reading and narrative structures. And that
is like one thing that I think we've done particularly
well over the course of podcast is we're able to
like really drill down into the emotional centers of film
characters and kind of figuring out like what their motivations
(22:39):
are or like what they're conveying. Yes, and maybe if
it wasn't, because that's the thing that's ultimately really interesting
to me about film and about scripts is that the
way the like the methods of how a script has
an intention for a character and what the motivation is
(23:00):
the character is how that actor chooses to display that
characterization and then how as you know, viewers interpret it,
you know exactly. It's very textured, and I love discussing it.
I love picking it apart because you know, obviously, I
(23:20):
think in that moment, I think that River Phoenix was
doing an incredible job of conveying that like nuance of
being the like bad seed kid in a school, which
is really painful. Like you said, it is like it
it sets this agenda for someone's life at such an
early age that it becomes a part of their identity
where they think they're this bad kid who does bad things,
(23:42):
and it has all these ramifications obviously for later in life.
But just the way is that we have processed that
performance in our own, like via our own lives and
our own experiences. And I know that you and I
are super protective of people, or we had that instinct
that to protect people that maybe society has deemed unlovable
(24:07):
or you know, they have thrown away. So I don't know,
I just feel in that moment it was like both
of us like having that like super empathetic moment with
that character. And I just love that they picked it.
Speaker 3 (24:18):
Oh, thank you said that so beautifully, so beautifully, And yeah,
I just I also love I just love that we've
had the chance to really showcase who we are and
that you don't have to pick one or the other.
You don't have to be super goofy all the time,
you have to be super academic all the time. That
we also kind of discussed the importance of going back
to films, which I think is crucial because you don't
(24:41):
get that kind of depth of revelation unless you've seen
it before and have something to compare it to emotionally.
Speaker 1 (24:47):
So yeah, yeah, oh yeah, absolutely. Well, in spite of this,
we did decide to pick a couple of funny goofy
on right for this next one. These are both we
got like two clips from the same episode, which is
the episode from UH episode thirty six. It's called Vampire Dave,
(25:11):
I believe, and it was an episode where we talked
about people who worked in video stores. So we picked
the Lost Boys and Watermelon Woman.
Speaker 3 (25:20):
This is where we meet after the concert. He tries
to chatter up and this is where we meet. The
key for for Sutherland character of David, which again you're
gonna be a vamp named David.
Speaker 2 (25:37):
I don't know why. Just puts me up a little bit.
What's your name.
Speaker 3 (25:42):
It's not like Nikolai or like fucking Morris. Yeah, my
name's David.
Speaker 2 (25:48):
I'm Dave. I'm vampire, vampire.
Speaker 1 (25:50):
Dave down on the boardwalks.
Speaker 2 (25:53):
Like a character from what we do in the Shadows,
Count Dave, I vamp. Can't stop me. I'll bite your
face right fucking now.
Speaker 1 (26:03):
Kiefer was working that mullet man.
Speaker 2 (26:05):
Holy shit, Oh my god.
Speaker 3 (26:06):
The best thing about this vampire gang, which consists of
Alex Winter, Billy Worth, and Brooke McCarter. The best thing
about this vampire gang is that they automatically arrange themselves
by the impressiveness of the mullet that they have. Yes, like,
the mullet with the big te's bangs is always right
behind David because David's the leader. He's got the most
(26:28):
serious coat and the most intense mullet, so he is
the leader and they just automatically line up that way.
And then Alex Winter comes along. Alex Winter looks like
a little doll. He looks like an American girl vampire,
just like a doll that you've let out sit outside
in the snow for a season. He's just like so
cute but so withered. I love this vampgang.
Speaker 1 (26:52):
Being arranged by mullet size is such an astute observation.
I don't think anybody's pointed that out. I'm just gonna
say it right now. You might need to trademark that.
Speaker 2 (27:02):
Look.
Speaker 3 (27:02):
I'm all for being the vanguard when it comes to
discussing lost boys. And the second clip that we have
is something I think about just on a random day
sometimes and just crack the fuck up.
Speaker 1 (27:18):
Okay, this is someone's vampire layers.
Speaker 2 (27:23):
Talk about this.
Speaker 3 (27:24):
I have like a full page of notes about this
layer alone. First of all, nothing good is happening in
a sunken resort.
Speaker 2 (27:33):
But more importantly, there's this little.
Speaker 3 (27:35):
Fucking kid that hangs out with them, and nothing good
is happening. If you belong to a gang of people
where there's a little kid hanging out with you after
eleven PM, If.
Speaker 2 (27:47):
You're a sibling and you.
Speaker 3 (27:48):
Brought your little sibling along because you have to babysit them,
then you're being a bad sibling. If you're a parent,
you already know this kid has a bedtime. Get his
ass home. And if you're the leader of.
Speaker 2 (27:58):
A vampire gang, try to be a little more subtle.
Speaker 3 (28:01):
Don't be dragging this little kid around who's got missing
posters up all over the place.
Speaker 1 (28:06):
This little kid is so weird, like so Weird's kind
of like Chaka from Land of the Loss. He's just
like a little creature that runs around everywhere. And he's
also wearing one of these jackets, you know what I mean.
I'm just sort of like, how are you getting a.
Speaker 3 (28:24):
Child size Russian revolutionary jacket out here in these fucking
boardwalk streets?
Speaker 2 (28:30):
Again, be more subtle.
Speaker 3 (28:31):
You can't dress up a missing kid like a fucking Rasputan.
Speaker 2 (28:38):
On these streets.
Speaker 1 (28:40):
David, Oh my god, this little kid. Every time, every
time it comes on, scream, I scream with laughter. He's
so weird.
Speaker 2 (28:55):
A Chaka the law, yo.
Speaker 1 (29:01):
That is one of the most true facts you have
ever uttered on this podcast. Is a kid that's hanging
out after eleven PM. This gang is.
Speaker 2 (29:13):
Up to no good.
Speaker 3 (29:15):
No good is coming from this Anyone hanging out near
or around this kid ain't right. It ain't right. Oh god,
that episode makes me laugh so hard. But then we
also had the Watermelon Woman, which is a very touching
quintessential film.
Speaker 2 (29:30):
Again, we mix it up, we mix it up.
Speaker 3 (29:31):
But I think about that little fucked up kid and
just crack up sometimes when you call him Chalker from
Land of the Laws.
Speaker 1 (29:39):
Okay, so this next one is from a very classic episode.
I have to say. It was from episode sixty one.
It was called I Don't Have the Neck Muscles. I
have no idea what that is in reference here now,
but it is the episode in which we discussed Rank
(30:00):
two and the Transporter, which was one of the most
exhilarating double features I think we've ever watched. To give
you a little bit of background about the first movie,
just to orient you in this second movie. Okay, the
first crank movie is about this ex hitman who was
played by Statham. His name is chev Chelli O's And
(30:25):
for the record, I cannot get over Chef Chellis.
Speaker 2 (30:29):
I'm losing my mind. I'm losing my mind.
Speaker 1 (30:33):
Like this is what actually makes me think that this
movie was written by a fifteen year old, because only
teenagers would create this like stupid prank phone called name
like Chef Cellios.
Speaker 3 (30:43):
Absolutely cheff Chellios has ordered ten pizzas to their best
friend and made them pay for it.
Speaker 1 (30:50):
Like it's like, may I speak to mister Smith. This
is doctor Chef Cellios from you're dying by like.
Speaker 2 (31:00):
You got small dick disease.
Speaker 1 (31:02):
Hah my, Like it is so busy.
Speaker 2 (31:09):
You've got a boner disease.
Speaker 1 (31:26):
Oh my god, I I'm literally crying. That's uge tears.
Speaker 3 (31:33):
Cheff Chillios absolutely sounds like that, Like this is Chechells.
Speaker 2 (31:37):
You got boner problems.
Speaker 1 (31:39):
Yeah.
Speaker 3 (31:43):
I live to make you laugh. So that is one
of my all time favorite clips.
Speaker 1 (31:50):
It's so true.
Speaker 2 (31:53):
You lost your mind. I love it.
Speaker 1 (31:56):
I like the minute Chef Cillios happened, I could not
stop laughing. Even now, I'm like, oh my god, problems. Yeah,
that that name, that whole franchise, just everything about that.
Speaker 2 (32:13):
And that That was a great episode in general.
Speaker 3 (32:15):
That was That was one of our all the way
up episodes, which I don't think anyone ever really understood.
Speaker 2 (32:19):
We've we've apparently introduced.
Speaker 3 (32:22):
Some somewhat complex issues to the podcast, which did not
feel complex to us, but no one ever really got
all the way up, so we kind of just stopped
doing it.
Speaker 1 (32:34):
At some point we were like, all right, nobody's getting it.
It's just making us laugh. At what point do we
call it?
Speaker 3 (32:41):
Yeah, but this was a banger episode.
Speaker 2 (32:45):
Oh please go listen to the whole thing. It is
so funny.
Speaker 1 (32:48):
Yeah, yeah, for sure.
Speaker 2 (32:49):
Oh good. This next clip comes from episode sixty four.
Speaker 3 (32:54):
The title is The Chocolate Millionaire, where we discussed atonement
and all that haven't allows.
Speaker 2 (33:00):
Is about these shitty little kids.
Speaker 3 (33:05):
But I will say that I so I bought a
house about a year into the podcast, which became kind
of a especially for that first year, an ongoing discussion
about what I was experiencing in my house, primarily that
a bunch of men kept coming in to do work
on my house and making me feel small and making
(33:26):
me feel like shit, and just just engaging with a
level of misogyny that I hadn't in a long time.
Speaker 2 (33:35):
Like so boldly. So this is now miss a palace
of missingry, and I.
Speaker 3 (33:42):
Will only I'm gonna go so far as to have
those signs engraved. I'm gonna find a things remembered. I
will unearth the last things remembered in this nation, and
I'm having them fucking engraved.
Speaker 2 (33:57):
Because I've absolutely fucking had it.
Speaker 3 (33:59):
Like, sir, you're here to do one thing, drop off drywall.
I am not here for your unsolicited opinions about what
you would do if this was your house. The guy
who came to measure for my countertops, was like, Oh,
you're not gonna do a tileback pleasure, you do top backs,
I said, sir, I ordered what I ordered.
Speaker 2 (34:17):
I want what I want. That sounds great, Do it
in your house? Yeah, okay.
Speaker 1 (34:22):
Imagine if the fucking situation was reversed. Okay, imagine if
you walked into this guy's unfinished garage delivery drywall and
you just like walked around the joint being like, you
know what, be fucking cool in here is a fucking.
Speaker 3 (34:36):
Cat cafe, right like, ah, this would be a great
fucking pussy hole or whatever, a man.
Speaker 1 (34:44):
Pussy hole. If there is not a current cat cafe
called the pussy hole, I will I will walk into
the sea.
Speaker 2 (34:58):
That could be our next act. That could be.
Speaker 3 (35:00):
We have a lot of good business ideas on this pod,
and that should be one of them.
Speaker 2 (35:04):
I was just so fucking mad just over this.
Speaker 3 (35:10):
Just any simple thing that had to be done in
my house, if a man showed up, it was always
a fucking problem. Yeah.
Speaker 1 (35:16):
Oh my god, they were giving so much unsolicited advice
to you in that time that I was just like
absolutely pissed on your behalf.
Speaker 2 (35:24):
Oh my god, you made.
Speaker 3 (35:25):
You actually had a very beautiful custom banner made for
me that now hangs above the bed in my guest
room because of this experience, and it says do write
and fear no man, and I.
Speaker 1 (35:38):
Love it absolutely. That was like your mantra during this
ebsolutely sure. Okay, So this next clip, So I feel
like this episode was a real high point for us.
I feel like we we really like talked about this
for a long time afterwards because we both this episode
(36:00):
like sort of in a weird way to find the
podcast in certain ways, because we were just like going
really hard on both these movies, and it was this
very specific theme. It was about volcanoes, right, the Flora's lava.
Oh yeah, the Flora's Lava. We were like, oh, let's
talk about movies that featured volcanoes, which is such a
(36:21):
random thing to talk about, but it was really funny.
And then the ways in which we talked about both
these movies I think people were really connected to. But
it's from episode thirty four. The name of the episode
is called She's Blowing, She's Going, which is a direct
quote from one of our movies, and we talked about
of course, Joe versus volcano and Dante's peak. They're in
(36:44):
this acid lake which is eating this boat that they're in.
I mean, now I have question whether or not they
would have even had five seconds in this boat before
they were just like it was just destroyed by the
acid in this lake. But they're in the boat. They're
like getting there, They're getting there. They're singing fucking like
(37:06):
rounds of like what is it? Like, I'm like, what
the fuck? So suddenly the boat motor gets eaten okay
by the acid, and the boat's just sitting in the
river and they're like yards from the dock and they
can see it there, almost there, And in a truly
stunning fucking moment, the grandma jumps in the fucking lake
(37:31):
and pulls the boat to safety. And I screamed. I
screamed what this was happening.
Speaker 3 (37:44):
Especially because the whole time she's been so obstinate, and
she's the reason that they're in taking a metal boat
across an acid lake. So I'm like, yeah, jump in
that fucking water and save your family.
Speaker 2 (37:59):
You're the reason we are here, asshole.
Speaker 1 (38:02):
And let me just tell you, she is sizzling when
they pull her out, Okay, Like I legit screamed, she
is sizzling' is not? I mean quite honestly. Pointing out
(38:23):
the plot holes in Dante's Peak was good one of
the most memorable moments of my life, let alone this podcast.
Speaker 2 (38:32):
Mine as well.
Speaker 3 (38:35):
I never looked that deeply at that film and you
had me rolling it.
Speaker 1 (38:42):
We always love a stunning and dramatic grandma turn in
a film, Like anytime a grandma comes through for something,
we're always like on our feet, slow clapping. But yeah,
the whole thing about the acid like in Dante's Peak
is so stupid because it's like the acid lake destroyed
a boat motor.
Speaker 3 (39:04):
Yeah, so why do think it wouldn't destroy the boat? Well,
the boat is the same metal.
Speaker 1 (39:09):
And the fact that the grandma comes out of the
water with her skin was really impressive to It was like,
how is this even possible.
Speaker 3 (39:19):
Especially because we had seen two bodies before in a
little pool, a little waiting pool that were like piranha,
so like style eaten alive.
Speaker 2 (39:28):
From being in an acid lea. Oh my god.
Speaker 1 (39:31):
I Dante's Peak just gives so much.
Speaker 3 (39:35):
So it's a perfect fucking movie in so many ways,
as are the movies. In our next clip, This is
from episode thirty eight.
Speaker 2 (39:45):
The title is ding Dong's in the Hinterland.
Speaker 3 (39:48):
Which is a Millie special, and the movies we discussed
were Misery and Piranha. But this is also the origin
of another I saw what you did classic reference Annie,
because she's been kind of following him. She crow bars
him out of the car and drags him back to
(40:09):
her house with what I'm assuming is just a preternatural strength,
because she really drags him around a lot.
Speaker 2 (40:16):
In this movie.
Speaker 1 (40:16):
Oh yeah, she picks him up and carries him down
the stairs. I'm like, hell, yeah, my fucking James, my
fucking jim Queen.
Speaker 3 (40:27):
Jesus God is a stocky guy, and she's like, I
do not need to do your TikTok weight workouts.
Speaker 2 (40:32):
I'm just gonna throw Jimmy conn around for an hour.
Speaker 1 (40:36):
I'm gonna deadlift Sonny Corleone.
Speaker 2 (40:40):
Ah.
Speaker 3 (40:42):
I want this episode to be called ding Dongs in
the Hinterland or Deadlifting Sonny COOLEO. Holy shit, this actually
kicked off for you a weightlifting goal or series of
goals in your real life.
Speaker 1 (41:02):
Oh yeah, I mean this like this episode, This stupid
observation that we made was the launch pad for so
many things, like in my personal life. I was like, oh,
because it would be. It became this thing where we
we set it and then we used it as like
(41:24):
we just kept mentioning it as this like fitness challenge
that like we want to be we both want to
be strong enough to where we could potentially deadlift James.
Speaker 3 (41:34):
Kahn right, which also resulted in us having to figure
out how much we thought James.
Speaker 2 (41:40):
Con wait yeap at any given moment.
Speaker 1 (41:42):
Absolutely, And then I was like, well, I should join
a weightlifting club so I could work towards this fucked
up goal that we mentioned on the podcast, And like
two years later, I'm still doing that shit. I was like, wow,
I can't believe that this like, and when I told
my coach about why, she was just like wait what
(42:07):
And I'm like, oh, it's a long story, but basically,
I do a podcast about movies and my my co
host and I talked about the movie Misery and bla blah.
I was like walking it back and then I started like,
as I was talking, I was like, nobody will get
this but us.
Speaker 3 (42:23):
It was but us, No, this is just as wild
as I think it sounds in my head.
Speaker 2 (42:31):
Oh, I just and then James con.
Speaker 3 (42:32):
Had the fucking nerve to die right after we announced
this challenge, so then we had to include his coffin
and the deadlifting uh wait ratio.
Speaker 2 (42:43):
And you were pasted it. I feel like you could
deadlift Sunny Corleone and his coffin.
Speaker 1 (42:48):
Yeah, I I hope so I could. I could do
a one rep Max, I know that, but it's uh, yeah,
it was so funny how that's the origin for so
many other things. But yeah, that was a really fun episode. Okay,
so this next one is, uh what kind of STEMI
(43:08):
recent within the past year or so. It was from
episode one thirty nine and the episode was called the
Doodoo Room. I think you know which one we're talking about.
We're talking about the movie Saw and the movie Total Recall.
And this is one of the funniest things that you've
(43:29):
ever said on this podcast.
Speaker 3 (43:33):
Danny Glover enters the scene as Detective David Tepp and
this was definitely my like, oh, you got divorced, your children,
your grandchildren need to go to college. Like en Ron
Bernie made off. Something happened that Danny Glover said yes
to this, and like you live in Texas in your
lights are going off all the time in the winter.
Speaker 1 (43:55):
I love that we've connected Danny Glover to ed Row
on what do you remember.
Speaker 3 (44:01):
When Kevin Bacon got Bernie madoffed, Like this shit happens,
y'all wait making the decision.
Speaker 1 (44:07):
Danny Glover was working at ed Ron and lost his
lost his retirement fund. He now has to do the som.
Speaker 2 (44:18):
Tried method acting.
Speaker 3 (44:19):
He worked at Enron for a smooth ten years and
now he's doing sow there residual crying right now, crying.
Speaker 2 (44:29):
There were so many.
Speaker 1 (44:30):
Times where Dan Yelle would like gently float this like
idea on the podcast to where it was like a
real person's life. But then she would just like drop
in this like fake mythology about them, and we would
always joke like, oh, we should just change the Wikipedia
of this famous person, this actual person in real life
(44:51):
to reflect whatever it is that you said. And this
is so funny to me, the idea that like you
were just like, oh, yeah, Danny Glover worked at Enron.
Speaker 2 (45:08):
He's a method he's a method actor. He goes deep.
Speaker 1 (45:15):
And then it was like, oh, fuck, I gotta do
these saw movies now because I need money, I need
my retirement.
Speaker 3 (45:21):
And Ron fucked me out of my retirement, which I
probably wasn't gonna take anyway, because I am a And
I set this up in the episode when discussing this
film a star of stage and screen, like a legacy actor,
and I'm like, well, he must be doing saw because
something happened and it must have been Enron.
Speaker 1 (45:44):
Berdie made off en Ron. Oh my god, cracks me up.
Speaker 2 (45:50):
Oh that episode. That episode was great.
Speaker 3 (45:52):
But I have to say our next clip is from
the episode directly after it, and these two episodes combined
are my absolute favorite one two that we've ever done.
So the next clip is from episode the title was
The Boondock Aints, where we talked about Boondock Saints and
goodwill hunting, and I feel like I disassociated and lost
(46:14):
my actual mind while we were talking about the Boondock Saints.
I have jobs, as you know, their butchers, Yes, so
they do their butcher job during the day and then
they become human butchers at night.
Speaker 1 (46:29):
Oh my god, various stute observation.
Speaker 2 (46:35):
Don't get me right.
Speaker 3 (46:36):
In Boondock Saints three, I would do a better job.
Speaker 1 (46:41):
What would you call Boondock Saints three?
Speaker 2 (46:43):
By the way, I would.
Speaker 3 (46:44):
Call it Boondock Saints three. I can't believe we have
another chance at this shit. Boondock Saints three, toxic masculinity
shows up again.
Speaker 1 (47:02):
Oh my god, more like Boondock Aints.
Speaker 3 (47:07):
Oh why did you ask me what I would call it?
And you just had that in your pocket? That's perfect
boon Dock Saints three more like Boondock As.
Speaker 1 (47:18):
My god, I'm always advocating for you to do sequels
to yes classic films, and uh.
Speaker 3 (47:30):
I'm I'm gonna have to go back through and listen
and take you up on some of those, because this
was fucking hilarious.
Speaker 1 (47:38):
Yeah. Oh man, the like I the whole episode about
Boon Talk Saints was, I mean, I had never seen
it before, and like again, if you go back and
listen to that episode, there's just all of this like
weird Hollywood mythology around that movie and the people involved
in that movie. And so when we finally watched it,
I think we were having like genuine reactions to it,
(48:00):
Like we were both like what the fuck is going on?
And I just love the idea of just like picking
it apart. And that's like one of my favorite things
to do on this podcast, is she just like ask
the questions right.
Speaker 3 (48:12):
Absolutely absolutely loved it, loved it, loved it.
Speaker 1 (48:16):
Okay, So this this next clip, uh is from episode
one thirty five. It was called I Was a teenage
Edgelord and we talk about the movie Seven and the
movie No Country for Old Men, and I feel like
we were in this like weird moment of movies where
(48:37):
we had seen like multiple movies in a row about
like intelligent serial killers and we were both annoyed by it.
We were both like, oh my god, like what, like
what are these movies about these like serial killers that
are just like very detail oriented, like cause it was Saw,
(48:59):
like the movie four was Saw. That's about another It's
like a lot of like setup for these for these characters.
And we were like asking the question, like what the fuck?
And I think that's what inspired this conversation for us.
Speaker 3 (49:13):
I hate that scene to this day. It's so graphic.
I'm just gonna say, there's a knife, dick involved.
Speaker 1 (49:19):
Yeah, the dick knife. This is again annoying, and the
serial killer sucks so bad. He's so annoying. He's had
to go to like get a custom dick knife made
to enact his stupid crimes.
Speaker 2 (49:36):
There's nothing funnier to me than you getting angry at
a serial killer for out they are. We get it.
You're smart and lonely, we get it.
Speaker 1 (49:46):
And you hate everybody so much.
Speaker 2 (49:49):
Join the goddamn club.
Speaker 3 (49:51):
None of us around here making knife dicks, just because
we're part of the human condition.
Speaker 2 (49:57):
So by the time we can't to fucking we're like,
wait a minute, what's going on here?
Speaker 3 (50:04):
We still got two fucking killings to go, or two
you know, killings to go, and Somerset abounds to fucking retire. Well,
don't worry, because the killer walks himself into the precinct
and turns himself in.
Speaker 1 (50:18):
Yep.
Speaker 2 (50:18):
And this is why I chose this for this theme.
Speaker 3 (50:23):
Okay, even though I don't want to, I know it's
probably some of your probably like it's so unfair that
you don't want to talk about the killer. I chose
this because this is a killer who would have who
would have gotten away with it fully if he hadn't
walked himself into the police station, but who also still
gets away with it after he's caught. I will explain,
(50:43):
because the last two murders still take place, so he
doesn't turn himself in until he knows he has completed
his cycle.
Speaker 2 (50:51):
Yes, brilliant, fucking brilliant.
Speaker 1 (50:55):
And he's like, I can't wait for you to see it.
Oh shut up, Ah, so annoying. In ninety five, this
was all terror, terror filled details, Like I was like,
(51:17):
I can't believe a man would do that. I can't
believe that that would happen. This guy is so insane
he's done this, and now I'm like god because he
has a lot of pomp and circumstance at the end,
like this is to your exact point. It's like the
thing that's like he got away with it. Oh good
for you, aren't you cute with your fucking like murderous
(51:39):
Rube Goldberg bullshit like Rube Goldberg murder Still irritating as fuck. Man.
Speaker 3 (51:58):
I love how genuinely irritated you are and were at
this concept.
Speaker 2 (52:04):
It cracked me the fuck up.
Speaker 1 (52:06):
Oh, it's like looking into the mirror of like a
deep seated nerdiness. It's like, Oh, here's a fucking serial
killer that's such a nerd, such a detail oriented nerd,
that he's gonna create this entire infrastructure to make these crimes,
Like just fucking kill somebody. Why do you have to
do the like, you know, the setups of all of
(52:27):
this intricate shit. I just in that moment, I was like,
fuck these dudes like.
Speaker 3 (52:33):
Just just hand up his own ass making me do homework.
Speaker 2 (52:42):
Fucking algebra, algorithmic equations. Yeah, riddle, kill riddles, like.
Speaker 1 (52:49):
All these fucking riddles. I'm just like, come on, just
like kill people in the old style. Why do we thing?
Speaker 2 (52:57):
You know? No, the killing is bad enough.
Speaker 3 (53:00):
Threw me over the edge for this shit, like, oh,
you want me to crawl through barbed wire and solve
a fucking lock like locking key puzzle and then do
a crossword and I only have ten minutes.
Speaker 2 (53:12):
I'm like, fuck you, and I'm just dying, I know.
Speaker 1 (53:15):
And this is like the thing that is so annoying
to me is that so much of it depends on
what that this fucking murderous psycho feels like should happen
in order for the next part. You're like, you've got
to set up a domino for it's a fall. And
so that's the thing is that in so in particular,
it's like, oh, like, let's hope that Carrie Elvis pulls
his fucking wallet out, because the rest of the movie
(53:38):
won't happen. If that happenstly, you know, if that doesn't happen,
and I just am like, fuck these serial killers, man.
Speaker 3 (53:45):
Well, it delights me how much how much you don't
like the movie serial Killer and the reasons why it's just.
Speaker 1 (53:51):
Because they're deep nerds and I can't take it.
Speaker 2 (53:55):
They're annoying set up based on their nerd.
Speaker 1 (54:01):
Well, okay, this is the last one. Huh, last clip, people.
Speaker 3 (54:05):
The last clip, the last clip we pulled, and I
think you just set this one up too well.
Speaker 1 (54:10):
The reason, the reason why I picked this one and
ultimately like this is from our most pretty recent episode,
episode one sixty one is good. I'm your therapist. I
can't even say it. I'm your therapist now, bitch. We
talked about uh, movies featuring you know, like guests, like
house guests, right, so we picked the guests at mad House.
(54:32):
And I feel like this is the joy of doing
this podcast with you because we're the same around the
same age. We have the same references for like music, movies,
and culture. And it's like this moment was so funny
to me because it really like was very specific about
(54:54):
like stuff that we had grown up with, and it
just makes me fucking laugh even to this day. One
of the best things that happens in this movie is
that Dan Stevens at one point is throwing grenades to
the song because I Love You the Postman song by
(55:15):
Stevie b.
Speaker 3 (55:17):
That makes the entire movie for me. That scene makes
the whole fucking movie for me.
Speaker 1 (55:29):
I like, that was such a middle school song, and
then he just brought it all together. I was like,
this is exactly what needs to be happening right now.
Speaker 2 (55:38):
I was like, how do you see what's next? Is
he gonna stab someone to I'll be sure what's going on?
Let me tell you. Hell feel the bed, didn't they snap? Stapsad?
I was like, if you pull out.
Speaker 1 (55:54):
Assault rifle to Tevin Campbell, I'm in, like, can we
talk for a minute, not fucking I'll be sure. I
can't even believe you.
Speaker 2 (56:09):
Oh Not'm Tavin Campbell?
Speaker 1 (56:15):
Oh my god? That Yeah, that shit made me laugh
so hard.
Speaker 2 (56:21):
What I still does.
Speaker 3 (56:23):
It still does because, like you said the references, it's
just so easy to do this podcast with you because
it's and it's so fun to do this podcast with you.
Speaker 2 (56:32):
It has been wonderful.
Speaker 3 (56:33):
Yeah, because of stuff like this, You're exactly right like
that that clip is us.
Speaker 1 (56:39):
Yeah, in a nutshell, And that's like, I'm gonna get
a little sentimental here, only because I feel like we can.
But there is such an ease of talking to you
and getting the pleasure of doing that every week, pretty
much every week, multiple times a week, for the past
(57:00):
four years. That is one of the most special things
I think in my life is to be you know how,
I've talked about this. I've got a record about this.
I've always I always tell think and perceive that I'm like,
you know, complicated and no one gets me, and I'm
you know this and that, but honestly, like you get me,
like you get It's like I can say some stupid
(57:23):
shit like that and you you know exactly what I'm
talking about, and that is That's what life is about,
is to be understood in that way. And I just
have to say it, like I just have to.
Speaker 3 (57:36):
Well that makes me want to cry, and I agree
completely because it's it's beyond just the references. It's like
you said, the ease of talking to you and just
being myself, yeah, and being able to just be ourselves
and learning more about you and learning more about you
know what makes you laugh and the references that you love,
(57:58):
and it's it's it's so similar for both of us
that it's really a friendship enhancer. Yeah, like nothing I've
ever experienced. It's just been so special, And like you said,
we've been able to do this multiple times a week
sometimes for four years, which is just the best feeling
in the world.
Speaker 2 (58:17):
Yeah.
Speaker 1 (58:17):
Oh, I totally agree. And it's like, you know, we
were able to talk about like serious stuff. We've cried
on this podcast. We've you know, talked about really hard things,
but we've also laughed so much and have had and
we have like a little language between us that I
feel like our listeners really picked up on. And I
(58:38):
appreciate that too, because it is like, you know a
moment where you're like, oh, I'm doing this thing. I'm
having this kind of like weekly conversation with somebody. We
know each other, we get each other, but then like
does that translate to other people? And I mean I
was so surprised about the reactions that we were getting
(58:58):
from listeners because it was like they totally understood the references.
They totally got it, they understood like what we were
trying to, you know, Uncover when we were like going
hard on some of these movies. And yeah, I mean
I got to say as somebody who just really like
really just you know, makes compassion and empathy and being
understood like a priority, and like it's it's I know
(59:20):
you feel the same way too. It is a great feeling.
So I just have to say, is I'm.
Speaker 2 (59:27):
Glad you I'm glad you did.
Speaker 3 (59:30):
I love this too, And it's it's something special that
I've also noticed, which now is it's tend to be
a little sentimental.
Speaker 2 (59:37):
I feel like You've never been.
Speaker 3 (59:42):
Like a wilting flower at all. You've always been super
funny and out there. But I feel like this podcast
opened you up in a different way to your own
capabilities and how to how you could be vulnerable and
present yourself to people, because I think that was a
fear of yours in the beginning, you know, like how
much should I say or could I say? A lot
(01:00:02):
of it was because of the job you had at
the time, but I think it really just helped you
realize that what you were just saying about how people
connected to what we were saying. I felt the shift
of you feeling more at ease with talking about yourself
and talking about things that were important to you, which
I just love.
Speaker 1 (01:00:21):
Yeah. Well, and you know, to give you a little
bit more compliment, you helped me do that, like your vulnerability,
your ability to you know, go into what you're thinking
and your deep thoughts and your emotions and be able
to like you have that bravery to talk about it
(01:00:42):
really encouraged me to be more honest about things, which
is like, you know, I think I've learned and grown
a lot on this podcast. I mean, it's weird to
say it because it's like a public place, you know,
But at the same time, you yeah, I mean you
were completely influential in me doing that. So I have
(01:01:03):
you to think making me a better and honest, more
honest person. You're the best.
Speaker 3 (01:01:07):
It's it's because I'm I'm mentally ill and I've been
in therapy for twenty years.
Speaker 1 (01:01:10):
So listen, we're all mentally ill. We're all together in
the Acid Lake together, so why not.
Speaker 2 (01:01:21):
We're all sizzling, we are all.
Speaker 3 (01:01:25):
Ah.
Speaker 1 (01:01:26):
Well, we hope you enjoyed this little, uh like this
little time machine episode that we've done. Like you said,
I think it was the last episode all of our
prior episodes will still be available on the on the
feeds on your favorite podcast platform. Uh so listen, it's
(01:01:47):
still there. You still have an opportunity to tell people
about us if they want to go back and start
from the beginning and you know, figure it all out,
and uh well yeah, those will be up forever, so
check it out.
Speaker 3 (01:01:59):
And and we do have some great films for you
next week for our last episode.
Speaker 2 (01:02:05):
You do have.
Speaker 3 (01:02:06):
Homework, Yes, you do, so, Millie, do you want to
tell them what their last homework assignment is for next week?
Speaker 1 (01:02:15):
Yes? I will. It's a bittersweet moment, you're we're giving
your last bit of homework. So the movies for the
last episode of I Saw What You Did are Alien
from nineteen seventy nine and Faster Postycat Kill Kill from
nineteen sixty five.
Speaker 2 (01:02:36):
Uh I love the theme so much.
Speaker 1 (01:02:40):
Will they guess the theme?
Speaker 2 (01:02:42):
Litt they? Well, they will?
Speaker 3 (01:02:43):
This be the one where someone finally guesses the theme.
I know, as people have commented and said I'm zero
for one hundred and sixty or whatever they've never gotten it,
will this be the one?
Speaker 1 (01:02:55):
And they have to get every single correct or else
they're wrong.
Speaker 2 (01:03:01):
So yeah, for this one, same rules apply. We're not.
Speaker 3 (01:03:05):
We're not letting up on the gas just because this
is the last episode. You got to guess the actual
whole every word that's right.
Speaker 2 (01:03:11):
The theme.
Speaker 1 (01:03:12):
Yeah, we're very consistent about that. Please well listen. Danielle
as always a fucking pleasure doing this podcast with you.
Speaker 2 (01:03:22):
A true pleasure. You're the best. This is so much.
Speaker 1 (01:03:26):
Fun, Babe, donor problems.
Speaker 2 (01:03:37):
This has been an exactly right production. Our senior producer
is Casey O'Brien.
Speaker 3 (01:03:41):
Episode mixing and theme music by Tom Bryfogel, artwork by
Garrett Ross. Our executive producers are Georgia hart Start, Karen
kil Gareff, and Daniel Kramer. You can follow us on
Instagram and Twitter at I Saw pod, and you can
email us at I Saw What you Did Pod at
gmail
Hey, everybody, welcome to another episode of I Saw What
You Did. My name is Millie to Jericho.
Speaker 2 (00:16):
I'm Daniel Henderson, and we are here.
Speaker 1 (00:20):
This is gonna be a fun one, right.
Speaker 2 (00:23):
It is our penultimate episode.
Speaker 1 (00:26):
No, this is exciting. We did so we did something
like this, like after our first year. We did kind
of like a look back on our favorite moments, and
so now we're doing it. Except it's now the entire
podcast run and I have not heard some of these
episodes since we recorded them, So I am excited to
(00:50):
kind of go back and revisit some of our fames.
Speaker 3 (00:55):
I'm really psyched. I think that when I was picking
my clips was I didn't have time to go through
from the beginning and just listen to every.
Speaker 2 (01:06):
Full episode for the last four years.
Speaker 3 (01:08):
So I just thought of the ones that made me
laugh the hardest, or the ones that were thoughtful or
just tried to remember, oh yeah.
Speaker 2 (01:14):
This episode that was really funny.
Speaker 3 (01:16):
So I picked clips that were based on things that
I remembered on the show that I've always made me
think or laugh.
Speaker 2 (01:24):
Yeah.
Speaker 1 (01:24):
No, yeah, me too. This is gonna be super fun. Okay,
So what we're gonna do is we're just gonna kind
of set up that we're gonna probably tell you what
episode it's from, just in case you want to go
back and listen to the actual full length episode. But
then we'll play a little bit of the audio, which
again I said, I think it's gonna sound We're gonna
sound different. I don't know. I feel like, yeah, especially
(01:45):
early days, we were in a different headspace, different fact
there was like COVID happening in a major way, and
maybe we'll hear the stress of that in our voices.
Maybe not, we'll see.
Speaker 2 (01:59):
Well, I'm excited to jump in.
Speaker 3 (02:01):
Yes, that was like, it'll be a fun episode and
we're gonna start way back episode eight. The episode title
is drop a Pin. It's the episode where we discussed
the fly and seconds, oh boy, this is a clip
that we've chosen to discuss. So he kind of shows
Ronnie to the Geena Davis character. He shows Ronnie his
(02:24):
experiment with her on her stockings and she's like, ooh,
what happens when you send something living through there? And
he's like, I'll show you, and he puts a babboon
in the telepod, sends it through and again iconic scenes
in this there are at least two, maybe three iconic
images from this film. One of them is he sends
his baboon through and in the haze and smoke of
(02:44):
the teleportation, you just see like a bloody hand hit
the door screen and then like kind of slide down.
But then here's the thing that fucked me up. The
next thing he sends through is a steak. Why didn't
he start with the steak? And who keeps giving him
all these fucking baboons? Can you not start with the
flesh of a steak?
Speaker 1 (03:05):
I mean, presumably he lives in it's like a warehouse
or a loft or something like that. It's these baboons
in this uh warehouse.
Speaker 3 (03:14):
With night, Like, how does he get these fucking Like
if you come to me and you even need three baboons,
I'm gonna be like, dude, what are you doing with
these baboons?
Speaker 1 (03:26):
I Like? So that episode was we had this tradition
on the podcast where we would do like a New
Year's episode and it was called New Year, New Me.
And every year we did it, it was like, and
how do we, you know, play, how do we figure
out this like concept right of like changing you know
(03:50):
a lot of times it was about like people's bodies
changing or sometimes they were teleporting through time and you know,
like becoming children again and stuff. But yeah, this was
I think our first one, our first dip into the
New Year episode, and we picked two bangers for sure.
Speaker 3 (04:10):
And it's legitimate questions, the kind of questions that you
can only consider years later after first watching a film.
Speaker 2 (04:18):
Is who's given him these bad boons?
Speaker 1 (04:20):
Yeah, and that's that's I think a question that I've
always had generally is how do scientists working in the
home procure wild animals for their experiments? Certainly there's laws
against that, right.
Speaker 3 (04:35):
Good just a glimpse of a taste of our thought
processes and personalities.
Speaker 1 (04:42):
Yeah, absolutely, Well, so this second clip comes from this
episode that I believe, like when we recorded it, I
was like, this was so fun, and then a lot
of people responded to it, so I felt like, you know,
we really like hit the nail on the head. But
it it comes from episode eleven. The name of the
(05:03):
episode was called Freddy the Krueger, which I don't even
remember why we even named it that.
Speaker 3 (05:10):
You said at one point Freddy the Krueger, and we
just you know, of course, focusing ran with it Freddy
the Kruger.
Speaker 1 (05:16):
Like Megan v. Stallion. But the movies that we did
were Graveyard Shift and should and I think it was
called from Beneath You It dwells.
Speaker 2 (05:27):
It wasn't that devours.
Speaker 1 (05:28):
It devours, That's right, It's like subterranean creatures.
Speaker 2 (05:32):
And listen.
Speaker 1 (05:33):
I don't know where they found all these rat actors
to be in this movie because they look like they're
acting in a menacing way.
Speaker 3 (05:43):
Completely. There's that one. I was like, I want to
ask you, like, which which rat are you? Are you
the rat that like casually is into the bloodied up
cotton ball just eating that, or are you like the
chomping on a cigarette rat? Like these rats are trained
to do some stuff I've never seen.
Speaker 1 (05:58):
I swear to god, they should have all been nominated
for like some kind of Screen Actors Guild reward. Because
they were like the part at the beginning where they're
like lined up on the top of that wall. I
was like, damn, these are good acting ass rats.
Speaker 3 (06:13):
Man.
Speaker 2 (06:14):
They had like facial expressions.
Speaker 3 (06:15):
It was looked me like one of them.
Speaker 1 (06:19):
But the weirdest thing is that one of them looked okay,
like he was chill, But then the next one would
look super fucking mean, and I'm like, how does that
work out?
Speaker 2 (06:27):
Like, oh no, and they are fucking professionals. I feel it.
I feel it.
Speaker 3 (06:33):
I want to know who train you? Who train you?
Who was at Pizza redet? Is it like a lineage?
What's going on there? Like the guy like his dad
was in Graveyard Shift and your dad was in Graveyard Shift,
but your pizzare at.
Speaker 1 (06:48):
They're like the great like the Barrymores, the Houston's. You know,
it's like this lineage of actors, right.
Speaker 3 (06:59):
I felt like that was an important one to pull
out because we have a lot of long running jokes,
yes inside jokes, and if you never heard the origin
of the rat actor's joke that we made continuously throughout
the four years of this show, that is where it started.
And it just always makes me laugh to think about
you listing off the Baramore.
Speaker 1 (07:20):
Well, it's like, to this day, I have not found
out more info about those rat actors, like like I
want to know, like who owns them? I mean, listen,
I watched a whole ass documentary about the butterfly bug
guy from Silence of the Lamps. I was like, certainly
we can find the person who owned these rats and
(07:42):
trained them to have different facial expressions in a scene like.
Speaker 2 (07:46):
He did anyone even own them? Where they did? They
just show up and they're like, we need some.
Speaker 3 (07:51):
Rats, and a bucket of rat showed up and they
all knew.
Speaker 1 (07:54):
What to do. I was so impressed by those.
Speaker 2 (08:01):
You and me both. Now. Our next clip comes from
episode fourteen.
Speaker 3 (08:08):
The title of the episode is Sexy Living in mid Air,
which is a Millie specialty that again we referenced tons
of times on the show. The films that we discussed
were Shame and Lover's Rock because we're focusing on the director,
Steve McQueen, and Shame kind of ruined Millie's life. That's
all right, But this clip explores something else that was
(08:30):
pretty consistent in our podcast. Does our podcast need to
come with a disclaimer about how we keep subconsciously picking
movies with full frontal.
Speaker 1 (08:44):
This is why we picked it.
Speaker 2 (08:44):
No, I'm kidding, but this is like out the Gate.
Speaker 3 (08:47):
Like the first thing you see, aside from him kind
of sprawled out in ben in this really beautiful shot,
actually is him just walking around his house, just naked.
Just Wang's a fly in so I don't know, maybe
think a little bit more deeply about us.
Speaker 1 (08:59):
The thing that I did notice about this tendency of
him walking around naked in his he is that he
lives in one of those apartments with no window coverings
on a high rise, which I call sexy living, where
you're like in a city and you don't have like
shades or drapes or anything, and you're just kind of like,
(09:21):
I'm so hot and successful, I'm walking around make it,
living my life with no fucking privacy. I want you
to see.
Speaker 3 (09:29):
It, and I'm just it's guys, it's such an exhibitionist
approach to life that I do not have.
Speaker 2 (09:37):
I'm the exact opposite. Like, give me those like thick
Victorian drapes.
Speaker 3 (09:41):
Yes, I want to put drapes over every reflective surface,
Like get them on the microwave.
Speaker 2 (09:46):
I want drapes.
Speaker 1 (09:48):
It's like when you watch episodes of The Crown and
you see like a one person coming in and opening
these heavy ass fucking queen drapes, and I'm like, that's
how I live. I can't live sexy in the air
like that. That's just too crazy, Okay.
Speaker 2 (10:02):
I can't live sexy in the air like that. Is
the title of this fucking episode. We're not sure sexy
in mid air? Is it? Oh? God?
Speaker 1 (10:14):
Still true? Still true, I'll know about you.
Speaker 2 (10:17):
Absolutely true.
Speaker 3 (10:19):
Although I am sexy living in the woods, I'm always
Donald duck.
Speaker 1 (10:24):
In it with no curtains, is what you're saying.
Speaker 2 (10:28):
No curtains.
Speaker 1 (10:29):
Okay, that's fine.
Speaker 2 (10:30):
There's nobody around.
Speaker 3 (10:33):
I can't put up curtains because every window upstairs in
my house is a fucking skylight.
Speaker 2 (10:38):
It's on an angle.
Speaker 1 (10:39):
Yeaheah, yeah, but there's nobody around who's gonna watch, Like,
no one cares.
Speaker 3 (10:44):
And even even if they are watching, it's like, well,
knock yourself out.
Speaker 1 (10:49):
No, I'm talking about I think when we were doing
the episode, it was really about like, I mean, he
was living in a major metropolitan area with no curtains.
Speaker 2 (10:57):
He's living in downtown New York. Yeah, just weigh out.
Speaker 1 (11:01):
No no covers, no blackout curtains. I was like, damn, man,
Like that is confidence. That's a rich guy confidence. That's
a big dick energy situation, right it truly is it?
Speaker 3 (11:17):
Just it brought up an interesting concept that I'd never
considered sexy living in mid air.
Speaker 1 (11:23):
Again, I have to like that whole conversation was really
inspired by my friend Will Tait, who is an obsessed
listener of the podcast. He loves Danielle more than he
loves me. I've talked about this many, many times where
he's like, yo, I just straight up like your friend
more than you at this point. She's funnier, she's smarter,
(11:46):
and I'm like, yo, you're not wrong, but you know,
see yourself. You don't want to tell me about it.
But he he's the original sexy living in mid air guy.
Because I went to his high rise apartment in downtown Atlanta.
He lived on like the nineteenth floor and he's a lawyer.
He got it like that. And I was like, there
(12:06):
are no curtains on any of these windows. People are
just looking. I was like, people are just looking at you.
And he's just like, well no, it's like you know whatever.
And I'm like this is bold, Like I could not
live like that. It's crazy.
Speaker 3 (12:20):
This goes also to what we talked about in our
last episode about wealth.
Speaker 2 (12:25):
You get so wealthy you don't need curtains anymore. You
got no shame.
Speaker 1 (12:31):
Yeah, there is something to that point. My friend Will
is disgusting capitalist who makes people watch him live. Not kidding,
but but yeah, that was what made me think of
this when we were and plus we'ves talked about Michael
Fassmander so much on this podcast. I feel like he
should be like a third co host.
Speaker 3 (12:53):
It's between Modene Fastbender, Yeah, and probably one other person
that I can't think of right now.
Speaker 1 (13:00):
Gregory Pack Perhaps we talk about it.
Speaker 2 (13:03):
I cannot believe we didn't pick that clip.
Speaker 1 (13:05):
For the there's so many there's so many inside jokes.
Speaker 2 (13:11):
I think we did pick it for the first year though, right, Yeah.
Speaker 1 (13:13):
I think we did the first year.
Speaker 3 (13:15):
Yeah, which, by the way, ever since like you revealed
that you love a high ass Gregory Peck, who's dick
you would destroy, people.
Speaker 1 (13:25):
Send me Gregory Peck me. It's like they say them
to me. And I was like, now we've become so
affiliated with the high ass Gregory Peck vibe that people
like sending me, you know, slow motion fan edits of
him like trapesing through with like a hot look. I'm like,
(13:47):
damn he is.
Speaker 3 (13:48):
And his ass is already always next to somebody's ears
because he's a high ass man.
Speaker 1 (13:54):
He's got that hot donk. So our next clip we
pulled speaking of classic Hollywood. Uh this was from episode
twenty five. We called this a gangle jangle dance, which
is definitely you. You said that term, the gangle jangle dance.
Speaker 3 (14:16):
That's what Baby Jane looks like to me on that stage,
does gangling and jangling.
Speaker 1 (14:22):
And this was an episode where we did Hereditary and
whatever happened to Baby Jane Hereditary, which fucking detroyed me.
Speaker 2 (14:35):
Like life ruining, ruined my.
Speaker 1 (14:39):
Life in a way like this was like one of
the classic moments where you just fucking made me watch
some shit that gave me nightmares for weeks. But ah yeah.
Speaker 3 (14:51):
It also it set the precedent for I set a
bar for comparison for the podcast of how much did
this movie fuck you up? Was at Hereditary level or
higher or.
Speaker 1 (15:04):
Lower absolute tone setting.
Speaker 2 (15:09):
I can't believe you watched this movie with your mom.
Speaker 3 (15:11):
That is still I'm never gonna stop cracking up about this.
Speaker 1 (15:15):
I know, I truly went in blind, like I had
obviously heard of this movie. I've obviously heard about ari
astor you know, I remember when Midsummer came out like
it was all the rage, But I truly didn't know
what this movie was going to be about like I
just thought, Okay, well Daniels picked it for this theme,
(15:35):
so I might have an inkling, but let's just watch
it with my mom and see what happens.
Speaker 3 (15:40):
And hmmm, yes, what happened was your mom now has
a lot of questions about this podcast.
Speaker 1 (15:50):
She's said that, yes, I don't know why she does
this podcast at all.
Speaker 3 (15:56):
She loves you, she supports you, and now she's deeply
worried about you and probably me too.
Speaker 1 (16:02):
Yeah. I mean it's so funny because, like she this
was when we record this episode, I was like living
in their guest bedroom, right because it was COVID And
you know, I have not lived with my parents since
I was like seventeen years old, right right because the
moment I was able to, I left their.
Speaker 2 (16:21):
House absolutely, you know what I'm saying, Like I.
Speaker 1 (16:25):
Was gone when I when I could be gone. And
this was the first time that I had lived with them,
like for an extended period of time. And it was
really interesting because it kind of got me back into
like noticing just their habits and what they do with
their spare time. And I realized that my dad goes
(16:45):
to bed at like eight pm. Hero, Yeah, he's he
went he plays golf so much that he basically gets
up at five o'clock in the morning, so he goes
to bed really early. And then my mom is the
night out. She stays up really late, and she watches
movies that a lot of times she's watching like action
ship like John Wick. Uh you know, she watches you know,
(17:07):
whatever like stuff that's like she likes action and sort
of drama and that kind of stuff. And then there
were been there were times where, uh, you know, I
would tell her like, I gotta watch this movie for
the podcast, do you want to watch it with me?
And she'd be like, okay, sure, And so yeah, I
put on Hereditary and she was just like what is this?
(17:30):
She could not she couldn't like the part with the
daughter and I think you know what part I'm talking about?
Speaker 3 (17:36):
Yeah, like what and that is so early in the
movie that you're like, what else could happen? Oh?
Speaker 2 (17:48):
I just I love it. Your mom is the real
third third co host of the podcast.
Speaker 1 (17:51):
Yeah, we got to get a round table with Michael
fastben Er, my Mom and well relaunch a new podcast
and I don't know call it the.
Speaker 2 (18:00):
We'll call it sir. Why is your weigh out.
Speaker 3 (18:05):
Your mom asking actors why they're doing full frontal God
bless or it could be called what's wrong with you?
And she's just questioning directors like Ari asked her, Yeah no.
Speaker 1 (18:17):
And that's the thing too, is like he's so famously
his movies are so famously about mom issues that I
was like, Okay, don't watch his movies with your mother
if possible. Oh my god.
Speaker 3 (18:29):
Well, well, the next clip that we picked out is
a little bit more gentle. This comes from episode twenty seven,
the title of which is pour one Out for Miss Havisham,
where we discussed stand by Me and Deliverance.
Speaker 1 (18:45):
That scene that you talked about with Gordy and Chris
like that, I was crying my eyes out.
Speaker 2 (18:52):
I was a mess around.
Speaker 3 (18:53):
This is a part of the fireside conversation too, is
like when Teddy and Verne go to sleep, Chris and
Gordy have a conversation because Gordy's father has earlier said
that he doesn't want Gordy hanging around Chris because he's
bad news. And he stole the milk money, right, and
then around the fire you get the other side of
that story, which is Chris did steal the milk money
because he's you know, he's a little bad ass, but
(19:15):
he brought it back and the teacher didn't give it in.
Speaker 2 (19:19):
She bought herself a new outfit.
Speaker 3 (19:21):
And so he's now like this town pariah and he's
just crying and it's so evocative, like he really starts
weeping about this. He's revealed a layer of the adult
world and it has devastated him.
Speaker 1 (19:38):
Yeah, and River Phoenix, my god, it's like he is
he was truly conveying emotion in that scene. Like it
doesn't feel like a fake kid actor cry. It feels
like somebody who is way more sensitive and intuitive beyond
his years, Like just such a good actor and at
such a young age. I mean, it's just it was
(19:58):
really incredible. It really hit me this time just how
talented he was. But then all of them are. Then
they're all talented, you know, as children, they were incredible actors.
But I mean that scene really just wrecked me. And
I was like, oh my god, these sweet babies that
are you know, having these big feelings and I just
(20:20):
I want to hug them.
Speaker 2 (20:21):
All, you know, I completely agree.
Speaker 3 (20:23):
And it was they do that like high pitch little
kid cry thing where they're talking and squeaks, and it
went right to my heart. And it also reminded me
a little bit of the Steve McQueen episode that we did,
Sexy Living in mid Air, and how Steve McQueen in
his own life talked about how there were so many
boys who were pushed aside into these parts of school
(20:44):
that were meant for kind of a more remedial life
and weren't even given a chance. And it just reminded
me of how often that happens, and how you can
condemn someone at childhood essentially, is what Steve McQueen was saying,
and I could see that here and it just really
made me so sad. I love that episode, and I
think that one of the reasons I picked that clip
(21:06):
is that, yes, we have fun, Yes we laugh a lot,
but we also do such great critical work on this show.
Speaker 2 (21:15):
And it's a nice mix. To me.
Speaker 3 (21:16):
It's nice to remember that we've had such a mix
of opinions and of you know, of films themselves that
we brought to the table and you know, put together
in these strange ways, possibly because of the theme we picked.
But we're smart sometimes.
Speaker 1 (21:33):
Yeah, no, I listen, I think I've said this before
I think that not the tout our own horn, but
we are. That's why we're doing this. We I think
have we've done a different thing with this podcast from
I think a lot of other film podcasts perhaps, or
(21:54):
at least when we started. I mean now I think,
you know, I don't know if we ushered in a
new era of film podcast criticism perhaps, but like, we
really are obsessed with characters within the context of a story, right,
And I think part of that is because I mean
(22:15):
you more than I, but we're both writers, and we
both love books and reading and narrative structures. And that
is like one thing that I think we've done particularly
well over the course of podcast is we're able to
like really drill down into the emotional centers of film
characters and kind of figuring out like what their motivations
(22:39):
are or like what they're conveying. Yes, and maybe if
it wasn't, because that's the thing that's ultimately really interesting
to me about film and about scripts is that the
way the like the methods of how a script has
an intention for a character and what the motivation is
(23:00):
the character is how that actor chooses to display that
characterization and then how as you know, viewers interpret it,
you know exactly. It's very textured, and I love discussing it.
I love picking it apart because you know, obviously, I
(23:20):
think in that moment, I think that River Phoenix was
doing an incredible job of conveying that like nuance of
being the like bad seed kid in a school, which
is really painful. Like you said, it is like it
it sets this agenda for someone's life at such an
early age that it becomes a part of their identity
where they think they're this bad kid who does bad things,
(23:42):
and it has all these ramifications obviously for later in life.
But just the way is that we have processed that
performance in our own, like via our own lives and
our own experiences. And I know that you and I
are super protective of people, or we had that instinct
that to protect people that maybe society has deemed unlovable
(24:07):
or you know, they have thrown away. So I don't know,
I just feel in that moment it was like both
of us like having that like super empathetic moment with
that character. And I just love that they picked it.
Speaker 3 (24:18):
Oh, thank you said that so beautifully, so beautifully, And yeah,
I just I also love I just love that we've
had the chance to really showcase who we are and
that you don't have to pick one or the other.
You don't have to be super goofy all the time,
you have to be super academic all the time. That
we also kind of discussed the importance of going back
to films, which I think is crucial because you don't
(24:41):
get that kind of depth of revelation unless you've seen
it before and have something to compare it to emotionally.
Speaker 1 (24:47):
So yeah, yeah, oh yeah, absolutely. Well, in spite of this,
we did decide to pick a couple of funny goofy
on right for this next one. These are both we
got like two clips from the same episode, which is
the episode from UH episode thirty six. It's called Vampire Dave,
(25:11):
I believe, and it was an episode where we talked
about people who worked in video stores. So we picked
the Lost Boys and Watermelon Woman.
Speaker 3 (25:20):
This is where we meet after the concert. He tries
to chatter up and this is where we meet. The
key for for Sutherland character of David, which again you're
gonna be a vamp named David.
Speaker 2 (25:37):
I don't know why. Just puts me up a little bit.
What's your name.
Speaker 3 (25:42):
It's not like Nikolai or like fucking Morris. Yeah, my
name's David.
Speaker 2 (25:48):
I'm Dave. I'm vampire, vampire.
Speaker 1 (25:50):
Dave down on the boardwalks.
Speaker 2 (25:53):
Like a character from what we do in the Shadows,
Count Dave, I vamp. Can't stop me. I'll bite your
face right fucking now.
Speaker 1 (26:03):
Kiefer was working that mullet man.
Speaker 2 (26:05):
Holy shit, Oh my god.
Speaker 3 (26:06):
The best thing about this vampire gang, which consists of
Alex Winter, Billy Worth, and Brooke McCarter. The best thing
about this vampire gang is that they automatically arrange themselves
by the impressiveness of the mullet that they have. Yes, like,
the mullet with the big te's bangs is always right
behind David because David's the leader. He's got the most
(26:28):
serious coat and the most intense mullet, so he is
the leader and they just automatically line up that way.
And then Alex Winter comes along. Alex Winter looks like
a little doll. He looks like an American girl vampire,
just like a doll that you've let out sit outside
in the snow for a season. He's just like so
cute but so withered. I love this vampgang.
Speaker 1 (26:52):
Being arranged by mullet size is such an astute observation.
I don't think anybody's pointed that out. I'm just gonna
say it right now. You might need to trademark that.
Speaker 2 (27:02):
Look.
Speaker 3 (27:02):
I'm all for being the vanguard when it comes to
discussing lost boys. And the second clip that we have
is something I think about just on a random day
sometimes and just crack the fuck up.
Speaker 1 (27:18):
Okay, this is someone's vampire layers.
Speaker 2 (27:23):
Talk about this.
Speaker 3 (27:24):
I have like a full page of notes about this
layer alone. First of all, nothing good is happening in
a sunken resort.
Speaker 2 (27:33):
But more importantly, there's this little.
Speaker 3 (27:35):
Fucking kid that hangs out with them, and nothing good
is happening. If you belong to a gang of people
where there's a little kid hanging out with you after
eleven PM, If.
Speaker 2 (27:47):
You're a sibling and you.
Speaker 3 (27:48):
Brought your little sibling along because you have to babysit them,
then you're being a bad sibling. If you're a parent,
you already know this kid has a bedtime. Get his
ass home. And if you're the leader of.
Speaker 2 (27:58):
A vampire gang, try to be a little more subtle.
Speaker 3 (28:01):
Don't be dragging this little kid around who's got missing
posters up all over the place.
Speaker 1 (28:06):
This little kid is so weird, like so Weird's kind
of like Chaka from Land of the Loss. He's just
like a little creature that runs around everywhere. And he's
also wearing one of these jackets, you know what I mean.
I'm just sort of like, how are you getting a.
Speaker 3 (28:24):
Child size Russian revolutionary jacket out here in these fucking
boardwalk streets?
Speaker 2 (28:30):
Again, be more subtle.
Speaker 3 (28:31):
You can't dress up a missing kid like a fucking Rasputan.
Speaker 2 (28:38):
On these streets.
Speaker 1 (28:40):
David, Oh my god, this little kid. Every time, every
time it comes on, scream, I scream with laughter. He's
so weird.
Speaker 2 (28:55):
A Chaka the law, yo.
Speaker 1 (29:01):
That is one of the most true facts you have
ever uttered on this podcast. Is a kid that's hanging
out after eleven PM. This gang is.
Speaker 2 (29:13):
Up to no good.
Speaker 3 (29:15):
No good is coming from this Anyone hanging out near
or around this kid ain't right. It ain't right. Oh god,
that episode makes me laugh so hard. But then we
also had the Watermelon Woman, which is a very touching
quintessential film.
Speaker 2 (29:30):
Again, we mix it up, we mix it up.
Speaker 3 (29:31):
But I think about that little fucked up kid and
just crack up sometimes when you call him Chalker from
Land of the Laws.
Speaker 1 (29:39):
Okay, so this next one is from a very classic episode.
I have to say. It was from episode sixty one.
It was called I Don't Have the Neck Muscles. I
have no idea what that is in reference here now,
but it is the episode in which we discussed Rank
(30:00):
two and the Transporter, which was one of the most
exhilarating double features I think we've ever watched. To give
you a little bit of background about the first movie,
just to orient you in this second movie. Okay, the
first crank movie is about this ex hitman who was
played by Statham. His name is chev Chelli O's And
(30:25):
for the record, I cannot get over Chef Chellis.
Speaker 2 (30:29):
I'm losing my mind. I'm losing my mind.
Speaker 1 (30:33):
Like this is what actually makes me think that this
movie was written by a fifteen year old, because only
teenagers would create this like stupid prank phone called name
like Chef Cellios.
Speaker 3 (30:43):
Absolutely cheff Chellios has ordered ten pizzas to their best
friend and made them pay for it.
Speaker 1 (30:50):
Like it's like, may I speak to mister Smith. This
is doctor Chef Cellios from you're dying by like.
Speaker 2 (31:00):
You got small dick disease.
Speaker 1 (31:02):
Hah my, Like it is so busy.
Speaker 2 (31:09):
You've got a boner disease.
Speaker 1 (31:26):
Oh my god, I I'm literally crying. That's uge tears.
Speaker 3 (31:33):
Cheff Chillios absolutely sounds like that, Like this is Chechells.
Speaker 2 (31:37):
You got boner problems.
Speaker 1 (31:39):
Yeah.
Speaker 3 (31:43):
I live to make you laugh. So that is one
of my all time favorite clips.
Speaker 1 (31:50):
It's so true.
Speaker 2 (31:53):
You lost your mind. I love it.
Speaker 1 (31:56):
I like the minute Chef Cillios happened, I could not
stop laughing. Even now, I'm like, oh my god, problems. Yeah,
that that name, that whole franchise, just everything about that.
Speaker 2 (32:13):
And that That was a great episode in general.
Speaker 3 (32:15):
That was That was one of our all the way
up episodes, which I don't think anyone ever really understood.
Speaker 2 (32:19):
We've we've apparently introduced.
Speaker 3 (32:22):
Some somewhat complex issues to the podcast, which did not
feel complex to us, but no one ever really got
all the way up, so we kind of just stopped
doing it.
Speaker 1 (32:34):
At some point we were like, all right, nobody's getting it.
It's just making us laugh. At what point do we
call it?
Speaker 3 (32:41):
Yeah, but this was a banger episode.
Speaker 2 (32:45):
Oh please go listen to the whole thing. It is
so funny.
Speaker 1 (32:48):
Yeah, yeah, for sure.
Speaker 2 (32:49):
Oh good. This next clip comes from episode sixty four.
Speaker 3 (32:54):
The title is The Chocolate Millionaire, where we discussed atonement
and all that haven't allows.
Speaker 2 (33:00):
Is about these shitty little kids.
Speaker 3 (33:05):
But I will say that I so I bought a
house about a year into the podcast, which became kind
of a especially for that first year, an ongoing discussion
about what I was experiencing in my house, primarily that
a bunch of men kept coming in to do work
on my house and making me feel small and making
(33:26):
me feel like shit, and just just engaging with a
level of misogyny that I hadn't in a long time.
Speaker 2 (33:35):
Like so boldly. So this is now miss a palace
of missingry, and I.
Speaker 3 (33:42):
Will only I'm gonna go so far as to have
those signs engraved. I'm gonna find a things remembered. I
will unearth the last things remembered in this nation, and
I'm having them fucking engraved.
Speaker 2 (33:57):
Because I've absolutely fucking had it.
Speaker 3 (33:59):
Like, sir, you're here to do one thing, drop off drywall.
I am not here for your unsolicited opinions about what
you would do if this was your house. The guy
who came to measure for my countertops, was like, Oh,
you're not gonna do a tileback pleasure, you do top backs,
I said, sir, I ordered what I ordered.
Speaker 2 (34:17):
I want what I want. That sounds great, Do it
in your house? Yeah, okay.
Speaker 1 (34:22):
Imagine if the fucking situation was reversed. Okay, imagine if
you walked into this guy's unfinished garage delivery drywall and
you just like walked around the joint being like, you
know what, be fucking cool in here is a fucking.
Speaker 3 (34:36):
Cat cafe, right like, ah, this would be a great
fucking pussy hole or whatever, a man.
Speaker 1 (34:44):
Pussy hole. If there is not a current cat cafe
called the pussy hole, I will I will walk into
the sea.
Speaker 2 (34:58):
That could be our next act. That could be.
Speaker 3 (35:00):
We have a lot of good business ideas on this pod,
and that should be one of them.
Speaker 2 (35:04):
I was just so fucking mad just over this.
Speaker 3 (35:10):
Just any simple thing that had to be done in
my house, if a man showed up, it was always
a fucking problem. Yeah.
Speaker 1 (35:16):
Oh my god, they were giving so much unsolicited advice
to you in that time that I was just like
absolutely pissed on your behalf.
Speaker 2 (35:24):
Oh my god, you made.
Speaker 3 (35:25):
You actually had a very beautiful custom banner made for
me that now hangs above the bed in my guest
room because of this experience, and it says do write
and fear no man, and I.
Speaker 1 (35:38):
Love it absolutely. That was like your mantra during this
ebsolutely sure. Okay, So this next clip, So I feel
like this episode was a real high point for us.
I feel like we we really like talked about this
for a long time afterwards because we both this episode
(36:00):
like sort of in a weird way to find the
podcast in certain ways, because we were just like going
really hard on both these movies, and it was this
very specific theme. It was about volcanoes, right, the Flora's lava.
Oh yeah, the Flora's Lava. We were like, oh, let's
talk about movies that featured volcanoes, which is such a
(36:21):
random thing to talk about, but it was really funny.
And then the ways in which we talked about both
these movies I think people were really connected to. But
it's from episode thirty four. The name of the episode
is called She's Blowing, She's Going, which is a direct
quote from one of our movies, and we talked about
of course, Joe versus volcano and Dante's peak. They're in
(36:44):
this acid lake which is eating this boat that they're in.
I mean, now I have question whether or not they
would have even had five seconds in this boat before
they were just like it was just destroyed by the
acid in this lake. But they're in the boat. They're
like getting there, They're getting there. They're singing fucking like
(37:06):
rounds of like what is it? Like, I'm like, what
the fuck? So suddenly the boat motor gets eaten okay
by the acid, and the boat's just sitting in the
river and they're like yards from the dock and they
can see it there, almost there, And in a truly
stunning fucking moment, the grandma jumps in the fucking lake
(37:31):
and pulls the boat to safety. And I screamed. I
screamed what this was happening.
Speaker 3 (37:44):
Especially because the whole time she's been so obstinate, and
she's the reason that they're in taking a metal boat
across an acid lake. So I'm like, yeah, jump in
that fucking water and save your family.
Speaker 2 (37:59):
You're the reason we are here, asshole.
Speaker 1 (38:02):
And let me just tell you, she is sizzling when
they pull her out, Okay, Like I legit screamed, she
is sizzling' is not? I mean quite honestly. Pointing out
(38:23):
the plot holes in Dante's Peak was good one of
the most memorable moments of my life, let alone this podcast.
Speaker 2 (38:32):
Mine as well.
Speaker 3 (38:35):
I never looked that deeply at that film and you
had me rolling it.
Speaker 1 (38:42):
We always love a stunning and dramatic grandma turn in
a film, Like anytime a grandma comes through for something,
we're always like on our feet, slow clapping. But yeah,
the whole thing about the acid like in Dante's Peak
is so stupid because it's like the acid lake destroyed
a boat motor.
Speaker 3 (39:04):
Yeah, so why do think it wouldn't destroy the boat? Well,
the boat is the same metal.
Speaker 1 (39:09):
And the fact that the grandma comes out of the
water with her skin was really impressive to It was like,
how is this even possible.
Speaker 3 (39:19):
Especially because we had seen two bodies before in a
little pool, a little waiting pool that were like piranha,
so like style eaten alive.
Speaker 2 (39:28):
From being in an acid lea. Oh my god.
Speaker 1 (39:31):
I Dante's Peak just gives so much.
Speaker 3 (39:35):
So it's a perfect fucking movie in so many ways,
as are the movies. In our next clip, This is
from episode thirty eight.
Speaker 2 (39:45):
The title is ding Dong's in the Hinterland.
Speaker 3 (39:48):
Which is a Millie special, and the movies we discussed
were Misery and Piranha. But this is also the origin
of another I saw what you did classic reference Annie,
because she's been kind of following him. She crow bars
him out of the car and drags him back to
(40:09):
her house with what I'm assuming is just a preternatural strength,
because she really drags him around a lot.
Speaker 2 (40:16):
In this movie.
Speaker 1 (40:16):
Oh yeah, she picks him up and carries him down
the stairs. I'm like, hell, yeah, my fucking James, my
fucking jim Queen.
Speaker 3 (40:27):
Jesus God is a stocky guy, and she's like, I
do not need to do your TikTok weight workouts.
Speaker 2 (40:32):
I'm just gonna throw Jimmy conn around for an hour.
Speaker 1 (40:36):
I'm gonna deadlift Sonny Corleone.
Speaker 2 (40:40):
Ah.
Speaker 3 (40:42):
I want this episode to be called ding Dongs in
the Hinterland or Deadlifting Sonny COOLEO. Holy shit, this actually
kicked off for you a weightlifting goal or series of
goals in your real life.
Speaker 1 (41:02):
Oh yeah, I mean this like this episode, This stupid
observation that we made was the launch pad for so
many things, like in my personal life. I was like, oh,
because it would be. It became this thing where we
we set it and then we used it as like
(41:24):
we just kept mentioning it as this like fitness challenge
that like we want to be we both want to
be strong enough to where we could potentially deadlift James.
Speaker 3 (41:34):
Kahn right, which also resulted in us having to figure
out how much we thought James.
Speaker 2 (41:40):
Con wait yeap at any given moment.
Speaker 1 (41:42):
Absolutely, And then I was like, well, I should join
a weightlifting club so I could work towards this fucked
up goal that we mentioned on the podcast, And like
two years later, I'm still doing that shit. I was like, wow,
I can't believe that this like, and when I told
my coach about why, she was just like wait what
(42:07):
And I'm like, oh, it's a long story, but basically,
I do a podcast about movies and my my co
host and I talked about the movie Misery and bla blah.
I was like walking it back and then I started like,
as I was talking, I was like, nobody will get
this but us.
Speaker 3 (42:23):
It was but us, No, this is just as wild
as I think it sounds in my head.
Speaker 2 (42:31):
Oh, I just and then James con.
Speaker 3 (42:32):
Had the fucking nerve to die right after we announced
this challenge, so then we had to include his coffin
and the deadlifting uh wait ratio.
Speaker 2 (42:43):
And you were pasted it. I feel like you could
deadlift Sunny Corleone and his coffin.
Speaker 1 (42:48):
Yeah, I I hope so I could. I could do
a one rep Max, I know that, but it's uh, yeah,
it was so funny how that's the origin for so
many other things. But yeah, that was a really fun episode. Okay,
so this next one is, uh what kind of STEMI
(43:08):
recent within the past year or so. It was from
episode one thirty nine and the episode was called the
Doodoo Room. I think you know which one we're talking about.
We're talking about the movie Saw and the movie Total Recall.
And this is one of the funniest things that you've
(43:29):
ever said on this podcast.
Speaker 3 (43:33):
Danny Glover enters the scene as Detective David Tepp and
this was definitely my like, oh, you got divorced, your children,
your grandchildren need to go to college. Like en Ron
Bernie made off. Something happened that Danny Glover said yes
to this, and like you live in Texas in your
lights are going off all the time in the winter.
Speaker 1 (43:55):
I love that we've connected Danny Glover to ed Row
on what do you remember.
Speaker 3 (44:01):
When Kevin Bacon got Bernie madoffed, Like this shit happens,
y'all wait making the decision.
Speaker 1 (44:07):
Danny Glover was working at ed Ron and lost his
lost his retirement fund. He now has to do the som.
Speaker 2 (44:18):
Tried method acting.
Speaker 3 (44:19):
He worked at Enron for a smooth ten years and
now he's doing sow there residual crying right now, crying.
Speaker 2 (44:29):
There were so many.
Speaker 1 (44:30):
Times where Dan Yelle would like gently float this like
idea on the podcast to where it was like a
real person's life. But then she would just like drop
in this like fake mythology about them, and we would
always joke like, oh, we should just change the Wikipedia
of this famous person, this actual person in real life
(44:51):
to reflect whatever it is that you said. And this
is so funny to me, the idea that like you
were just like, oh, yeah, Danny Glover worked at Enron.
Speaker 2 (45:08):
He's a method he's a method actor. He goes deep.
Speaker 1 (45:15):
And then it was like, oh, fuck, I gotta do
these saw movies now because I need money, I need
my retirement.
Speaker 3 (45:21):
And Ron fucked me out of my retirement, which I
probably wasn't gonna take anyway, because I am a And
I set this up in the episode when discussing this
film a star of stage and screen, like a legacy actor,
and I'm like, well, he must be doing saw because
something happened and it must have been Enron.
Speaker 1 (45:44):
Berdie made off en Ron. Oh my god, cracks me up.
Speaker 2 (45:50):
Oh that episode. That episode was great.
Speaker 3 (45:52):
But I have to say our next clip is from
the episode directly after it, and these two episodes combined
are my absolute favorite one two that we've ever done.
So the next clip is from episode the title was
The Boondock Aints, where we talked about Boondock Saints and
goodwill hunting, and I feel like I disassociated and lost
(46:14):
my actual mind while we were talking about the Boondock Saints.
I have jobs, as you know, their butchers, Yes, so
they do their butcher job during the day and then
they become human butchers at night.
Speaker 1 (46:29):
Oh my god, various stute observation.
Speaker 2 (46:35):
Don't get me right.
Speaker 3 (46:36):
In Boondock Saints three, I would do a better job.
Speaker 1 (46:41):
What would you call Boondock Saints three?
Speaker 2 (46:43):
By the way, I would.
Speaker 3 (46:44):
Call it Boondock Saints three. I can't believe we have
another chance at this shit. Boondock Saints three, toxic masculinity
shows up again.
Speaker 1 (47:02):
Oh my god, more like Boondock Aints.
Speaker 3 (47:07):
Oh why did you ask me what I would call it?
And you just had that in your pocket? That's perfect
boon Dock Saints three more like Boondock As.
Speaker 1 (47:18):
My god, I'm always advocating for you to do sequels
to yes classic films, and uh.
Speaker 3 (47:30):
I'm I'm gonna have to go back through and listen
and take you up on some of those, because this
was fucking hilarious.
Speaker 1 (47:38):
Yeah. Oh man, the like I the whole episode about
Boon Talk Saints was, I mean, I had never seen
it before, and like again, if you go back and
listen to that episode, there's just all of this like
weird Hollywood mythology around that movie and the people involved
in that movie. And so when we finally watched it,
I think we were having like genuine reactions to it,
(48:00):
Like we were both like what the fuck is going on?
And I just love the idea of just like picking
it apart. And that's like one of my favorite things
to do on this podcast, is she just like ask
the questions right.
Speaker 3 (48:12):
Absolutely absolutely loved it, loved it, loved it.
Speaker 1 (48:16):
Okay, So this this next clip, uh is from episode
one thirty five. It was called I Was a teenage
Edgelord and we talk about the movie Seven and the
movie No Country for Old Men, and I feel like
we were in this like weird moment of movies where
(48:37):
we had seen like multiple movies in a row about
like intelligent serial killers and we were both annoyed by it.
We were both like, oh my god, like what, like
what are these movies about these like serial killers that
are just like very detail oriented, like cause it was Saw,
(48:59):
like the movie four was Saw. That's about another It's
like a lot of like setup for these for these characters.
And we were like asking the question, like what the fuck?
And I think that's what inspired this conversation for us.
Speaker 3 (49:13):
I hate that scene to this day. It's so graphic.
I'm just gonna say, there's a knife, dick involved.
Speaker 1 (49:19):
Yeah, the dick knife. This is again annoying, and the
serial killer sucks so bad. He's so annoying. He's had
to go to like get a custom dick knife made
to enact his stupid crimes.
Speaker 2 (49:36):
There's nothing funnier to me than you getting angry at
a serial killer for out they are. We get it.
You're smart and lonely, we get it.
Speaker 1 (49:46):
And you hate everybody so much.
Speaker 2 (49:49):
Join the goddamn club.
Speaker 3 (49:51):
None of us around here making knife dicks, just because
we're part of the human condition.
Speaker 2 (49:57):
So by the time we can't to fucking we're like,
wait a minute, what's going on here?
Speaker 3 (50:04):
We still got two fucking killings to go, or two
you know, killings to go, and Somerset abounds to fucking retire. Well,
don't worry, because the killer walks himself into the precinct
and turns himself in.
Speaker 1 (50:18):
Yep.
Speaker 2 (50:18):
And this is why I chose this for this theme.
Speaker 3 (50:23):
Okay, even though I don't want to, I know it's
probably some of your probably like it's so unfair that
you don't want to talk about the killer. I chose
this because this is a killer who would have who
would have gotten away with it fully if he hadn't
walked himself into the police station, but who also still
gets away with it after he's caught. I will explain,
(50:43):
because the last two murders still take place, so he
doesn't turn himself in until he knows he has completed
his cycle.
Speaker 2 (50:51):
Yes, brilliant, fucking brilliant.
Speaker 1 (50:55):
And he's like, I can't wait for you to see it.
Oh shut up, Ah, so annoying. In ninety five, this
was all terror, terror filled details, Like I was like,
(51:17):
I can't believe a man would do that. I can't
believe that that would happen. This guy is so insane
he's done this, and now I'm like god because he
has a lot of pomp and circumstance at the end,
like this is to your exact point. It's like the
thing that's like he got away with it. Oh good
for you, aren't you cute with your fucking like murderous
(51:39):
Rube Goldberg bullshit like Rube Goldberg murder Still irritating as fuck. Man.
Speaker 3 (51:58):
I love how genuinely irritated you are and were at
this concept.
Speaker 2 (52:04):
It cracked me the fuck up.
Speaker 1 (52:06):
Oh, it's like looking into the mirror of like a
deep seated nerdiness. It's like, Oh, here's a fucking serial
killer that's such a nerd, such a detail oriented nerd,
that he's gonna create this entire infrastructure to make these crimes,
Like just fucking kill somebody. Why do you have to
do the like, you know, the setups of all of
(52:27):
this intricate shit. I just in that moment, I was like,
fuck these dudes like.
Speaker 3 (52:33):
Just just hand up his own ass making me do homework.
Speaker 2 (52:42):
Fucking algebra, algorithmic equations. Yeah, riddle, kill riddles, like.
Speaker 1 (52:49):
All these fucking riddles. I'm just like, come on, just
like kill people in the old style. Why do we thing?
Speaker 2 (52:57):
You know? No, the killing is bad enough.
Speaker 3 (53:00):
Threw me over the edge for this shit, like, oh,
you want me to crawl through barbed wire and solve
a fucking lock like locking key puzzle and then do
a crossword and I only have ten minutes.
Speaker 2 (53:12):
I'm like, fuck you, and I'm just dying, I know.
Speaker 1 (53:15):
And this is like the thing that is so annoying
to me is that so much of it depends on
what that this fucking murderous psycho feels like should happen
in order for the next part. You're like, you've got
to set up a domino for it's a fall. And
so that's the thing is that in so in particular,
it's like, oh, like, let's hope that Carrie Elvis pulls
his fucking wallet out, because the rest of the movie
(53:38):
won't happen. If that happenstly, you know, if that doesn't happen,
and I just am like, fuck these serial killers, man.
Speaker 3 (53:45):
Well, it delights me how much how much you don't
like the movie serial Killer and the reasons why it's just.
Speaker 1 (53:51):
Because they're deep nerds and I can't take it.
Speaker 2 (53:55):
They're annoying set up based on their nerd.
Speaker 1 (54:01):
Well, okay, this is the last one. Huh, last clip, people.
Speaker 3 (54:05):
The last clip, the last clip we pulled, and I
think you just set this one up too well.
Speaker 1 (54:10):
The reason, the reason why I picked this one and
ultimately like this is from our most pretty recent episode,
episode one sixty one is good. I'm your therapist. I
can't even say it. I'm your therapist now, bitch. We
talked about uh, movies featuring you know, like guests, like
house guests, right, so we picked the guests at mad House.
(54:32):
And I feel like this is the joy of doing
this podcast with you because we're the same around the
same age. We have the same references for like music, movies,
and culture. And it's like this moment was so funny
to me because it really like was very specific about
(54:54):
like stuff that we had grown up with, and it
just makes me fucking laugh even to this day. One
of the best things that happens in this movie is
that Dan Stevens at one point is throwing grenades to
the song because I Love You the Postman song by
(55:15):
Stevie b.
Speaker 3 (55:17):
That makes the entire movie for me. That scene makes
the whole fucking movie for me.
Speaker 1 (55:29):
I like, that was such a middle school song, and
then he just brought it all together. I was like,
this is exactly what needs to be happening right now.
Speaker 2 (55:38):
I was like, how do you see what's next? Is
he gonna stab someone to I'll be sure what's going on?
Let me tell you. Hell feel the bed, didn't they snap? Stapsad?
I was like, if you pull out.
Speaker 1 (55:54):
Assault rifle to Tevin Campbell, I'm in, like, can we
talk for a minute, not fucking I'll be sure. I
can't even believe you.
Speaker 2 (56:09):
Oh Not'm Tavin Campbell?
Speaker 1 (56:15):
Oh my god? That Yeah, that shit made me laugh
so hard.
Speaker 2 (56:21):
What I still does.
Speaker 3 (56:23):
It still does because, like you said the references, it's
just so easy to do this podcast with you because
it's and it's so fun to do this podcast with you.
Speaker 2 (56:32):
It has been wonderful.
Speaker 3 (56:33):
Yeah, because of stuff like this, You're exactly right like
that that clip is us.
Speaker 1 (56:39):
Yeah, in a nutshell, And that's like, I'm gonna get
a little sentimental here, only because I feel like we can.
But there is such an ease of talking to you
and getting the pleasure of doing that every week, pretty
much every week, multiple times a week, for the past
(57:00):
four years. That is one of the most special things
I think in my life is to be you know how,
I've talked about this. I've got a record about this.
I've always I always tell think and perceive that I'm like,
you know, complicated and no one gets me, and I'm
you know this and that, but honestly, like you get me,
like you get It's like I can say some stupid
(57:23):
shit like that and you you know exactly what I'm
talking about, and that is That's what life is about,
is to be understood in that way. And I just
have to say it, like I just have to.
Speaker 3 (57:36):
Well that makes me want to cry, and I agree
completely because it's it's beyond just the references. It's like
you said, the ease of talking to you and just
being myself, yeah, and being able to just be ourselves
and learning more about you and learning more about you
know what makes you laugh and the references that you love,
(57:58):
and it's it's it's so similar for both of us
that it's really a friendship enhancer. Yeah, like nothing I've
ever experienced. It's just been so special, And like you said,
we've been able to do this multiple times a week
sometimes for four years, which is just the best feeling
in the world.
Speaker 2 (58:17):
Yeah.
Speaker 1 (58:17):
Oh, I totally agree. And it's like, you know, we
were able to talk about like serious stuff. We've cried
on this podcast. We've you know, talked about really hard things,
but we've also laughed so much and have had and
we have like a little language between us that I
feel like our listeners really picked up on. And I
(58:38):
appreciate that too, because it is like, you know a
moment where you're like, oh, I'm doing this thing. I'm
having this kind of like weekly conversation with somebody. We
know each other, we get each other, but then like
does that translate to other people? And I mean I
was so surprised about the reactions that we were getting
(58:58):
from listeners because it was like they totally understood the references.
They totally got it, they understood like what we were
trying to, you know, Uncover when we were like going
hard on some of these movies. And yeah, I mean
I got to say as somebody who just really like
really just you know, makes compassion and empathy and being
understood like a priority, and like it's it's I know
(59:20):
you feel the same way too. It is a great feeling.
So I just have to say, is I'm.
Speaker 2 (59:27):
Glad you I'm glad you did.
Speaker 3 (59:30):
I love this too, And it's it's something special that
I've also noticed, which now is it's tend to be
a little sentimental.
Speaker 2 (59:37):
I feel like You've never been.
Speaker 3 (59:42):
Like a wilting flower at all. You've always been super
funny and out there. But I feel like this podcast
opened you up in a different way to your own
capabilities and how to how you could be vulnerable and
present yourself to people, because I think that was a
fear of yours in the beginning, you know, like how
much should I say or could I say? A lot
(01:00:02):
of it was because of the job you had at
the time, but I think it really just helped you
realize that what you were just saying about how people
connected to what we were saying. I felt the shift
of you feeling more at ease with talking about yourself
and talking about things that were important to you, which
I just love.
Speaker 1 (01:00:21):
Yeah. Well, and you know, to give you a little
bit more compliment, you helped me do that, like your vulnerability,
your ability to you know, go into what you're thinking
and your deep thoughts and your emotions and be able
to like you have that bravery to talk about it
(01:00:42):
really encouraged me to be more honest about things, which
is like, you know, I think I've learned and grown
a lot on this podcast. I mean, it's weird to
say it because it's like a public place, you know,
But at the same time, you yeah, I mean you
were completely influential in me doing that. So I have
(01:01:03):
you to think making me a better and honest, more
honest person. You're the best.
Speaker 3 (01:01:07):
It's it's because I'm I'm mentally ill and I've been
in therapy for twenty years.
Speaker 1 (01:01:10):
So listen, we're all mentally ill. We're all together in
the Acid Lake together, so why not.
Speaker 2 (01:01:21):
We're all sizzling, we are all.
Speaker 3 (01:01:25):
Ah.
Speaker 1 (01:01:26):
Well, we hope you enjoyed this little, uh like this
little time machine episode that we've done. Like you said,
I think it was the last episode all of our
prior episodes will still be available on the on the
feeds on your favorite podcast platform. Uh so listen, it's
(01:01:47):
still there. You still have an opportunity to tell people
about us if they want to go back and start
from the beginning and you know, figure it all out,
and uh well yeah, those will be up forever, so
check it out.
Speaker 3 (01:01:59):
And and we do have some great films for you
next week for our last episode.
Speaker 2 (01:02:05):
You do have.
Speaker 3 (01:02:06):
Homework, Yes, you do, so, Millie, do you want to
tell them what their last homework assignment is for next week?
Speaker 1 (01:02:15):
Yes? I will. It's a bittersweet moment, you're we're giving
your last bit of homework. So the movies for the
last episode of I Saw What You Did are Alien
from nineteen seventy nine and Faster Postycat Kill Kill from
nineteen sixty five.
Speaker 2 (01:02:36):
Uh I love the theme so much.
Speaker 1 (01:02:40):
Will they guess the theme?
Speaker 2 (01:02:42):
Litt they? Well, they will?
Speaker 3 (01:02:43):
This be the one where someone finally guesses the theme.
I know, as people have commented and said I'm zero
for one hundred and sixty or whatever they've never gotten it,
will this be the one?
Speaker 1 (01:02:55):
And they have to get every single correct or else
they're wrong.
Speaker 2 (01:03:01):
So yeah, for this one, same rules apply. We're not.
Speaker 3 (01:03:05):
We're not letting up on the gas just because this
is the last episode. You got to guess the actual
whole every word that's right.
Speaker 2 (01:03:11):
The theme.
Speaker 1 (01:03:12):
Yeah, we're very consistent about that. Please well listen. Danielle
as always a fucking pleasure doing this podcast with you.
Speaker 2 (01:03:22):
A true pleasure. You're the best. This is so much.
Speaker 1 (01:03:26):
Fun, Babe, donor problems.
Speaker 2 (01:03:37):
This has been an exactly right production. Our senior producer
is Casey O'Brien.
Speaker 3 (01:03:41):
Episode mixing and theme music by Tom Bryfogel, artwork by
Garrett Ross. Our executive producers are Georgia hart Start, Karen
kil Gareff, and Daniel Kramer. You can follow us on
Instagram and Twitter at I Saw pod, and you can
email us at I Saw What you Did Pod at
gmail
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